Tuesday evening former Vice President Kamala Harris spoke to her second sold-out crowd in Los Angeles at the Wiltern Theater as part of a book tour promoting her memoir, “107 Days.”
Former Vice President Kamala Harris has yet to decide if she’ll run for president in 2028. She’s also not going to dish on her former boss, Joe Biden. And her advice for a Brown-skinned person just getting into politics? There will be many situations when you walk into a meeting room and no one looks like you. Keep your chin up, your shoulders back and remember — all of us have your back.
“All of us” referred to the cheering, sold-out crowd at the Wiltern Theatre in Los Angeles on Tuesday evening who’d come to see the former Democratic presidential candidate speak about her new book, the election-campaign memoir “107 Days.” The chanted “Kamala!” “Kamala!” as she walked on stage. The outbursts of adoration continued for the next hour in eruptions of applause and supportive shout-outs (“We love you!”) as she spoke about everything from the need to pass Proposition 50 to how she coped with the devastating loss to Donald Trump in the 2024 election.
Moderated by actor Kerry Washington, “A Conversation With Kamala Harris” was one of nearly 20 stops on a tour that’s already seen Harris speak in New York, London and at the Wiltern last month. Zealous attendees paid anywhere from $55 to $190 on tickets to see Harris again following “one of the wildest and most consequential campaigns in American history” (the latter is an official descriptor for her book). The memoir details her historically short run for president, the whirlwind 107 days between the time Biden withdrew from the race and Harris become the Democratic nominee to her devastating loss on Nov. 5.
Harris fans flock to the Wiltern to see Kamala speak about her book, “107 Days.”
(Jason Armond / Los Angeles Times)
Were there any great revelations or gotcha moments on stage Tuesday evening? Not really, but that’s not what this tour is about — at least for those who chose Harris over watching Game 4 of the World Series between the Los Angeles Dodgers and the Toronto Blue Jays. The former attorney general of California shared her thoughts about the current Department of Justice — a “thin-skinned president” is using it as his own personal tool of “vengeance.” She explained how her loyalties to Biden may have cost her votes, and called out the Washington Post and the L.A. Times, whose “billionaire owners pre-capitulated” to Trump when they pulled their respective editorial boards’ endorsements for Harris. She drew a big laugh when discussing the importance of parsing fact from fiction in today’s mediaverse, and made up her own example of misinformation: “Circumcisions are causing autism!” And on a more serious note, she detailed the emotional fallout she experienced after losing the election: “For months [she and her husband, Doug Emhoff] never even mentioned it.”
Criticisms of Harris’ book have centered around a frankly tired refrain that she should accept more personal accountability for the election loss as opposed to blaming the influence of outside forces. On Tuesday she appeared willing to explore those themes when she said she constantly interrogated herself on the campaign trail: Are you doing everything you can to win this election? But before she could go much deeper, Washington told her that she needed to know that we, the audience, understood she did everything she could. The crowd erupted in affirming shouts and applause.
Clearly, a book tour attended by The Converted is not going to produce headline-worthy grist, especially with an interviewer who is an admitted Harris friend and supporter. That’s what debates and media interviews are for, and this was a fan event.
And her base was thirsty. Since Harris has largely stayed out of the spotlight since last November, the audience appeared ready to relive some of the joy they felt in the brief time she was running for office, and perhaps find a glimmer of hope in dark times for those who see the current administration’s actions as anti-democratic, at best.
Before “The Conversation With Kamala Harris” kicked off at 7 p.m., attendees who spotted Harris’ husband, Emhoff, in the first few rows of the venue lined up to shake his hand and take selfies with the former second gentleman of the United States. The close access to SGOTUS was surprising, given the heightened security around political figures after violent events such as the home-invasion assassinations of Minnesota state representative Melissa Hortman and her husband in June, and the killing of conservative activist Charlie Kirk at a speaking event last month. Yet the atmosphere was casual and relaxed.
Despite heightened threats of politically-motivated violence, President Trump pulled Harris’ Secret Service detail, as he has done to many of those he sees as his enemies. But as a former state office holder, Harris’ security detail Tuesday was provided by the California Highway Patrol.
The conversation lasted a little over an hour, with a few prescreened questions at the end from audience members, such as the query from an attendee who identified himself as Ramon Chavoya, a proud Latino. He asked for Harris’ advice on getting into local politics. She was the first Black and first South Asian female candidate to be chosen by either party to run for the Oval Office. Her very presence was a reminder that the face of the nation is changing, despite a rise in xenophobic movements and legislation. She advised the aspiring young politician that he would likely stand out, but that he wasn’t alone. “We’re all in the room with you,” she said, a sentiment Harris’ supporters surely understood.
Only Taylor Swift could compel hundreds of Angelenos to spend their Saturday morning at a listening party film screening for an album they’ve already heard.
“The Official Release Party of a Showgirl,” which hit theaters this weekend for a limited three-day run, features the debut of the Swift-directed “The Fate of Ophelia” music video, behind-the-scenes footage and notes from Swift about the inspiration for each of the songs on her new record, “The Life of a Showgirl.” The 89-minute companion film opened to an estimated $15.8 million on Friday and is projected to gross more than $30 million over the weekend.
The box office success comes as no surprise, “Taylor Swift: The Eras Tour” brought in $96 million in 2023 in its first four days in theaters and became the highest-grossing concert film of all time. Hitting 21 countries in 21 months, the Eras Tour itself earned more than $2 billion in revenue, the first music tour to ever hit that milestone.
Even as “Showgirl” seems destined to become Swift’s most divisive album yet — with critics and fans alike split in their reactions — the Taylormania was palpable Saturday morning at AMC Century City, which that day screened “The Official Release Party of a Showgirl” 21 times across three screens.
Madison Story, 34, made sure to catch the film at the luxury Dolby Cinema, calling “Showgirl” Swift’s “most cinematic album yet.”
“When I was listening to it, I just pictured Nora Ephron movies,” Story said. In true rom-com fashion, the longtime Swiftie wore a Lover cardigan. Others sported various Swift tour merch, sequined scarves and showgirl-inspired attire.
Taylor Swift’s new album, “The Life of a Showgirl,” is advertised outside of AMC Century City 15, which is screening “The Official Release Party of a Showgirl.”
(Christina House / Los Angeles Times)
As theatergoers took their seats during the prelude to the show, Swift’s “Reputation” opener “Ready for It?” played over a slideshow of “Showgirl” promo photos. At 10 a.m. on the dot, the screen went dark, then switched to an Eras Tour-style countdown clock — set to 12 seconds, for Swift’s 12th studio album (which, naturally, also features 12 songs).
When Swift finally graced the screen to introduce the program, audience members were mesmerized. Hardly anyone made a peep.
“I’m Taylor, the official hypothetical showgirl in question,” Swift said, telling the crowd that in making the movie that’s not quite a movie, she was, as always, “trying to surprise you guys.”
“I hope you guys have a blast. I hope you sing along,” she said.
Despite Swift’s invitation, and the help of lyric displays for each “Showgirl” track, the crowd was surprisingly quiet throughout the screening aside from a few rounds of applause and occasional laughter at Swift’s trademark awkward-girl charisma. (“My bread is actually a music video star!” was a crowd-pleaser.)
“I feel like her quirkiness has been the same since she did [her] debut [album], and it’s neat to see that that has lasted through all the different iterations and eras,” said moviegoer Kelley Sheets, 30.
Sheets and her friends Sarah Borland, 29, and Ariana Diaz, 30, were taken aback by the quiet atmosphere in the auditorium, especially compared to “The Eras Tour” movie.” They suspected the album might be too fresh for people to feel comfortable singing and dancing along.
Attendees’ low energy may have also been a symptom of the morning showtime. Still, their delight was clear from their wide smiles and intermittent head bobbing, most pronounced during the ear-catching “Opalite” chorus.
As expected, some of Swift’s more questionable lyrics — many of which were exponentially funnier as clean versions — garnered some chuckles, and “Actually Romantic,” an alleged Charli XCX diss track, notably concluded without applause. But claps were generous for Swift’s closer, which saw the artist sincerely thanking her fans for being her muse.
“This album was completely inspired by the most incredible time of my life that was so exciting, because you made the Eras Tour what it was,” Swift said.
“The way that that tour felt, the way that it just kind of lit up my whole life, was such a through line of making this music,” she said. “So thank you for being that unknowing inspiration behind the scenes. I was internalizing all of that love and putting it into that record.”
During Swift’s album rollouts more than a decade ago, she hosted listening parties she dubbed “secret sessions.” At these intimate gatherings, the singer gave select fans a sneak peek at her new music, explaining the inspiration for each track and even playing some songs live.
Nick Eittreim, 28, was always jealous of the fans who got to attend those parties. With “The Official Release Party of a Showgirl,” he said, “It’s like I’m finally invited to that ‘secret session.’”
Rachel Birnam, 30, said while the “secret sessions” were “such a special thing, it’s nice that this is accessible to everybody.”
Taylor Swift fans Nick Eittreim and Melissa Roberts, both 28, arrive for “The Official Release Party of a Showgirl” at AMC Century City 15 on Saturday.
(Christina House / Los Angeles Times)
Anthony Cendejas, a manager at AMC Century City, said the theater has been noticeably busier with the release of “The Official Release Party of a Showgirl.”
“More people than usual are dressing up,” Cendejas said, adding that many theatergoers have followed up their AMC visits with a stop at “The Life of a Showgirl” TikTok fan activation, running until Oct. 9 in the Westfield Century City Atrium. The immersive experience allows visitors to take photos and videos on a series of sets replicating those in “The Fate of Ophelia” music video.
Jamie Phillips and her daughters Rowan, 11, and Finley, 12, visited the TikTok activation Saturday afternoon. The trio also brought the biggest Swiftie in their family, their Saint Bernard named Lincoln, along with them. In their family photos, Lincoln wore a feather boa to match Rowan and Finley’s.
Jamie Phillips, left, takes a photo of her daughters Finley, 12, center, and Rowan, 11, with their dog Lincoln at a TikTok fan activation for Taylor Swift’s new album.
(Christina House / Los Angeles Times)
When the Phillips family heard “The Life of a Showgirl” for the first time, Jamie Phillips said, “All of us were pleasantly surprised.”
“Usually it takes me, particularly with her albums, a lot of listens to be like, ‘OK, it’s OK,’” she said. But this one they loved on the first go-around.
The trio hadn’t yet made it to “The Official Release Party of a Showgirl,” but they hoped to squeeze it in Sunday along with a “Gilmore Girls” anniversary event at the Grove.
In the meantime, they couldn’t wait to get back home, where their “Showgirl” merch was waiting for them.
Carlos Alcaraz leads the Centre Court crowd in a round of applause for Fabio Fognini on his last appearance at Wimbledon, after the Italian was beaten 7-5 6-7 (5-7) 6-4 2-6 6-1 by the reigning champion.
This past week Defense Secretary Pete Hegseth and President Trump spoke at a rally. Trump’s speech seemed familiar: Disparage Los Angeles (“trash heap”). Criticize Gov. Gavin Newsom and Mayor Karen Bass (“incompetent, and they paid troublemakers, agitators and insurrectionists”). Restate grievances about the 2020 election (“rigged and stolen”). Chide the crowd to support the “One Big Beautiful Bill Act” (“You better push your favorite congressmen”).
But this speech was different from his others. The location was Ft. Bragg in North Carolina — and the audience was mostly soldiers from the 82nd Airborne Division, the “All Americans.” Internal unit communications revealed soldiers at the rally were screened based on political leanings and physical appearance. “If soldiers have political views that are in opposition to the current administration,” the guidance advised, “and they don’t want to be in the audience then they need to speak with their leadership and get swapped out.”
So what followed was to be expected. A sea of young soldiers in uniform — selected for their preference for the president — cheering and clapping for partisan commentary. This obviously violates Defense Department regulations. Heck, it’s even spelled out in a handy Pentagon FAQ:
Q. Can I ever wear my uniform when I attend political events?
A. No; military members must refrain from participating in political activity while in military uniform in accordance with both DoDD 1344.10 and DoDI 1344.01. This prohibition applies to all Armed Forces members.
But what happened during Trump’s appearance at the Army base is worse than breaking regs. The commander in chief forced an important unit to choose sides. He broke the All Americans in two. In essence, his statement to the troops there was: “Those who like me and my politics, come to my rally. The rest of you — beat it.” (Maybe we should start calling them the “Some Americans.”)
Imagine what it was like the day after. The soldiers who chose not to attend wondered how their next rating would go. Some lieutenant from California worried if his commander now has a problem with where he’s from — and is checking whether he was at the rally. Maybe it’s better if he wasn’t, and he instead chose to abide by Defense regulations?
No matter which way you lean, that speech injected partisan acid into the 82nd Airborne. And it will drip down and corrode from the stars at the top to the lowest-ranking private.
Militaries require extraordinary cohesion to function in combat. For those of us who’ve chosen this profession, one thing is burned into our brains from that very first day our hair’s shorn off: We’re all we’ve got. There’s nobody else. When you are hundreds and thousands of miles away from everyone else you’ve ever known, and you’re there for weeks and months and a year, you realize just how important the person next to you is, regardless of where they’ve come from, who their parents are, or whether their community votes red or blue.
Fighting units are like five separate fingers that form a fist. Partisan acid burns and weakens our fist.
Then there are the indirect effects. This speech damaged the military’s standing with a large swath of America. The image of soldiers cheering the partisan applause lines of a commander in chief who just sent thousands of troops to Los Angeles over the state’s objections? Not a good look.
These optics risk ruining the military’s trust with roughly half of America. The military is the last remaining federal institution that a majority of Americans trust “a great deal.” But it’s been slipping since the last Trump administration and may fall under 50%. Yet the military requires firm trust to fund and fill critical needs.
That’s important because not everyone wants to serve in the military. Many would prefer not to think about the expected self-sacrifice, or the daily discomforts of military discipline. Moreover, not everyone is even able to serve in the military. Roughly three-quarters of young Americans can’t qualify.
What if someone who would have been the next Mike Mullen — Los Angeles native, Navy admiral and former chairman of the Joint Chiefs — gets turned off by this rally and opts against the Naval Academy?
Then zoom out a little. What if much of California takes offense at this speech, not to mention at the soldiers and Marines so recently forced upon the local and state governments?
California hosts more active-duty troops than any other state — by a wide margin. It’s also the biggest donor state in the country, contributing $83 billion more to the federal government than it receives. The bases and other strategic locations up and down the Pacific Coast are beyond value. California is America’s strong right arm.
To sever California’s support for the military is simply unthinkable. It just can’t happen. We’ve got to fix this.
The first fix is simple. Hold troops to the accepted standards. Hegseth’s most recent book argued that the Defense Department has “an integrity and accountability problem.” Here’s the secretary’s chance to show America he stands for standards.
But we know mistakes happen, and this could become a powerful teachable moment: When the commander in chief orders troops to such an event, the only acceptable demeanor is the stone cold silence the generals and admirals of the Joint Chiefs display at the State of the Union, regardless of their politics and regardless of what the president is saying. Just a few years ago, two Marines in a similarly awful situation did just this right thing.
A further fix calls for more individuals to act: The roughly 7,500 retired generals and admirals in America need to speak up. The military profession’s nonpartisan ethic is at a breaking point. They know the old military saying: When you spot something substandard, and you fail to correct it, then you’ve just set a new standard.
The reason many of these retired senior officers often don’t speak out is their fear that defending neutrality risks having a political impact. Yet their continued silence carries a grave institutional effect — the slow-motion suicide of the profession that gave them their stars.
The president mentioned Confederate Gen. Robert E. Lee in his speech, and it’s too bad his speechwriter didn’t include a certain anecdote that would’ve fit the occasion. When the Civil War was over and terms were being agreed upon at Appomattox Court House, Lee noticed Col. Ely Parker, a Tonawanda Seneca man serving on Lt. Gen. Ulysses S. Grant’s staff. Lee quipped, “I am glad to see one real American here.”
To which Parker replied, “We are all Americans.” Since that very moment, we’ve been one country and one Army, All Americans, indivisible and inseparable from society.
If only we can keep it.
ML Cavanaugh is the author of the forthcoming book “Best Scar Wins: How You Can Be More Than You Were Before.” @MLCavanaugh
PARIS — Coco Gauff has won the French Open for the first time by defeating top-ranked Aryna Sabalenka 6-7 (5), 6-2, 6-4 in Saturday’s final.
The second-ranked Gauff came out on top of a contest that was full of tension and momentum swings to claim her second major trophy after the 2023 U.S Open, where she also came from a set down to beat Sabalenka in the final.
It was the first No. 1 vs. No. 2 final in Paris since 2013, when Serena Williams defeated Maria Sharapova, and just the second in the last 30 years.
After Sabalenka sent a backhand wide on Gauff’s second match point, the 21-year-old American fell onto her back, covering her face with both hands before resting her forehand on the clay. After greeting Sabalenka at the net, she hugged film director Spike Lee and celebrated with her entourage, three years after she lost in her first final at Roland-Garros.
Sabalenka started the deciding set strongly, sticking to her high-risk approach to hold her first service game.
Gauff responded by raising her level, winning a superb rally in the third game that drew loud cheers and applause from the crowd. After an intense exchange of drop shots, Gauff hit a lob that Sabalenka chased down before attempting a shot between her legs — only for Gauff to intercept it at the net and finish with a winner.
Gauff was consistent from the baseline and earned a break point that she converted when Sabalenka double-faulted, giving her a 2-1 lead. Sabalenka turned toward her box and shouted in frustration but then regained her composure, breaking back to level the match at 3-3.
She was broken again at love, however, and Gauff then held serve twice to claim the title after a match that lasted 2 hours, 38 minutes.
Commentary: These are thirsty times. No wonder Kamala Harris’ book tour is a fan fest
Tuesday evening former Vice President Kamala Harris spoke to her second sold-out crowd in Los Angeles at the Wiltern Theater as part of a book tour promoting her memoir, “107 Days.”
Former Vice President Kamala Harris has yet to decide if she’ll run for president in 2028. She’s also not going to dish on her former boss, Joe Biden. And her advice for a Brown-skinned person just getting into politics? There will be many situations when you walk into a meeting room and no one looks like you. Keep your chin up, your shoulders back and remember — all of us have your back.
“All of us” referred to the cheering, sold-out crowd at the Wiltern Theatre in Los Angeles on Tuesday evening who’d come to see the former Democratic presidential candidate speak about her new book, the election-campaign memoir “107 Days.” The chanted “Kamala!” “Kamala!” as she walked on stage. The outbursts of adoration continued for the next hour in eruptions of applause and supportive shout-outs (“We love you!”) as she spoke about everything from the need to pass Proposition 50 to how she coped with the devastating loss to Donald Trump in the 2024 election.
Moderated by actor Kerry Washington, “A Conversation With Kamala Harris” was one of nearly 20 stops on a tour that’s already seen Harris speak in New York, London and at the Wiltern last month. Zealous attendees paid anywhere from $55 to $190 on tickets to see Harris again following “one of the wildest and most consequential campaigns in American history” (the latter is an official descriptor for her book). The memoir details her historically short run for president, the whirlwind 107 days between the time Biden withdrew from the race and Harris become the Democratic nominee to her devastating loss on Nov. 5.
Harris fans flock to the Wiltern to see Kamala speak about her book, “107 Days.”
(Jason Armond / Los Angeles Times)
Were there any great revelations or gotcha moments on stage Tuesday evening? Not really, but that’s not what this tour is about — at least for those who chose Harris over watching Game 4 of the World Series between the Los Angeles Dodgers and the Toronto Blue Jays. The former attorney general of California shared her thoughts about the current Department of Justice — a “thin-skinned president” is using it as his own personal tool of “vengeance.” She explained how her loyalties to Biden may have cost her votes, and called out the Washington Post and the L.A. Times, whose “billionaire owners pre-capitulated” to Trump when they pulled their respective editorial boards’ endorsements for Harris. She drew a big laugh when discussing the importance of parsing fact from fiction in today’s mediaverse, and made up her own example of misinformation: “Circumcisions are causing autism!” And on a more serious note, she detailed the emotional fallout she experienced after losing the election: “For months [she and her husband, Doug Emhoff] never even mentioned it.”
Criticisms of Harris’ book have centered around a frankly tired refrain that she should accept more personal accountability for the election loss as opposed to blaming the influence of outside forces. On Tuesday she appeared willing to explore those themes when she said she constantly interrogated herself on the campaign trail: Are you doing everything you can to win this election? But before she could go much deeper, Washington told her that she needed to know that we, the audience, understood she did everything she could. The crowd erupted in affirming shouts and applause.
Clearly, a book tour attended by The Converted is not going to produce headline-worthy grist, especially with an interviewer who is an admitted Harris friend and supporter. That’s what debates and media interviews are for, and this was a fan event.
And her base was thirsty. Since Harris has largely stayed out of the spotlight since last November, the audience appeared ready to relive some of the joy they felt in the brief time she was running for office, and perhaps find a glimmer of hope in dark times for those who see the current administration’s actions as anti-democratic, at best.
Before “The Conversation With Kamala Harris” kicked off at 7 p.m., attendees who spotted Harris’ husband, Emhoff, in the first few rows of the venue lined up to shake his hand and take selfies with the former second gentleman of the United States. The close access to SGOTUS was surprising, given the heightened security around political figures after violent events such as the home-invasion assassinations of Minnesota state representative Melissa Hortman and her husband in June, and the killing of conservative activist Charlie Kirk at a speaking event last month. Yet the atmosphere was casual and relaxed.
Despite heightened threats of politically-motivated violence, President Trump pulled Harris’ Secret Service detail, as he has done to many of those he sees as his enemies. But as a former state office holder, Harris’ security detail Tuesday was provided by the California Highway Patrol.
The conversation lasted a little over an hour, with a few prescreened questions at the end from audience members, such as the query from an attendee who identified himself as Ramon Chavoya, a proud Latino. He asked for Harris’ advice on getting into local politics. She was the first Black and first South Asian female candidate to be chosen by either party to run for the Oval Office. Her very presence was a reminder that the face of the nation is changing, despite a rise in xenophobic movements and legislation. She advised the aspiring young politician that he would likely stand out, but that he wasn’t alone. “We’re all in the room with you,” she said, a sentiment Harris’ supporters surely understood.
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Taylor Swift’s ‘Showgirl’ movie: Swifties flock to L.A. theaters
Only Taylor Swift could compel hundreds of Angelenos to spend their Saturday morning at a listening party film screening for an album they’ve already heard.
“The Official Release Party of a Showgirl,” which hit theaters this weekend for a limited three-day run, features the debut of the Swift-directed “The Fate of Ophelia” music video, behind-the-scenes footage and notes from Swift about the inspiration for each of the songs on her new record, “The Life of a Showgirl.” The 89-minute companion film opened to an estimated $15.8 million on Friday and is projected to gross more than $30 million over the weekend.
The box office success comes as no surprise, “Taylor Swift: The Eras Tour” brought in $96 million in 2023 in its first four days in theaters and became the highest-grossing concert film of all time. Hitting 21 countries in 21 months, the Eras Tour itself earned more than $2 billion in revenue, the first music tour to ever hit that milestone.
Even as “Showgirl” seems destined to become Swift’s most divisive album yet — with critics and fans alike split in their reactions — the Taylormania was palpable Saturday morning at AMC Century City, which that day screened “The Official Release Party of a Showgirl” 21 times across three screens.
Madison Story, 34, made sure to catch the film at the luxury Dolby Cinema, calling “Showgirl” Swift’s “most cinematic album yet.”
“When I was listening to it, I just pictured Nora Ephron movies,” Story said. In true rom-com fashion, the longtime Swiftie wore a Lover cardigan. Others sported various Swift tour merch, sequined scarves and showgirl-inspired attire.
Taylor Swift’s new album, “The Life of a Showgirl,” is advertised outside of AMC Century City 15, which is screening “The Official Release Party of a Showgirl.”
(Christina House / Los Angeles Times)
As theatergoers took their seats during the prelude to the show, Swift’s “Reputation” opener “Ready for It?” played over a slideshow of “Showgirl” promo photos. At 10 a.m. on the dot, the screen went dark, then switched to an Eras Tour-style countdown clock — set to 12 seconds, for Swift’s 12th studio album (which, naturally, also features 12 songs).
When Swift finally graced the screen to introduce the program, audience members were mesmerized. Hardly anyone made a peep.
“I’m Taylor, the official hypothetical showgirl in question,” Swift said, telling the crowd that in making the movie that’s not quite a movie, she was, as always, “trying to surprise you guys.”
“I hope you guys have a blast. I hope you sing along,” she said.
Despite Swift’s invitation, and the help of lyric displays for each “Showgirl” track, the crowd was surprisingly quiet throughout the screening aside from a few rounds of applause and occasional laughter at Swift’s trademark awkward-girl charisma. (“My bread is actually a music video star!” was a crowd-pleaser.)
“I feel like her quirkiness has been the same since she did [her] debut [album], and it’s neat to see that that has lasted through all the different iterations and eras,” said moviegoer Kelley Sheets, 30.
Sheets and her friends Sarah Borland, 29, and Ariana Diaz, 30, were taken aback by the quiet atmosphere in the auditorium, especially compared to “The Eras Tour” movie.” They suspected the album might be too fresh for people to feel comfortable singing and dancing along.
Attendees’ low energy may have also been a symptom of the morning showtime. Still, their delight was clear from their wide smiles and intermittent head bobbing, most pronounced during the ear-catching “Opalite” chorus.
As expected, some of Swift’s more questionable lyrics — many of which were exponentially funnier as clean versions — garnered some chuckles, and “Actually Romantic,” an alleged Charli XCX diss track, notably concluded without applause. But claps were generous for Swift’s closer, which saw the artist sincerely thanking her fans for being her muse.
“This album was completely inspired by the most incredible time of my life that was so exciting, because you made the Eras Tour what it was,” Swift said.
“The way that that tour felt, the way that it just kind of lit up my whole life, was such a through line of making this music,” she said. “So thank you for being that unknowing inspiration behind the scenes. I was internalizing all of that love and putting it into that record.”
During Swift’s album rollouts more than a decade ago, she hosted listening parties she dubbed “secret sessions.” At these intimate gatherings, the singer gave select fans a sneak peek at her new music, explaining the inspiration for each track and even playing some songs live.
Nick Eittreim, 28, was always jealous of the fans who got to attend those parties. With “The Official Release Party of a Showgirl,” he said, “It’s like I’m finally invited to that ‘secret session.’”
Rachel Birnam, 30, said while the “secret sessions” were “such a special thing, it’s nice that this is accessible to everybody.”
Taylor Swift fans Nick Eittreim and Melissa Roberts, both 28, arrive for “The Official Release Party of a Showgirl” at AMC Century City 15 on Saturday.
(Christina House / Los Angeles Times)
Anthony Cendejas, a manager at AMC Century City, said the theater has been noticeably busier with the release of “The Official Release Party of a Showgirl.”
“More people than usual are dressing up,” Cendejas said, adding that many theatergoers have followed up their AMC visits with a stop at “The Life of a Showgirl” TikTok fan activation, running until Oct. 9 in the Westfield Century City Atrium. The immersive experience allows visitors to take photos and videos on a series of sets replicating those in “The Fate of Ophelia” music video.
Jamie Phillips and her daughters Rowan, 11, and Finley, 12, visited the TikTok activation Saturday afternoon. The trio also brought the biggest Swiftie in their family, their Saint Bernard named Lincoln, along with them. In their family photos, Lincoln wore a feather boa to match Rowan and Finley’s.
Jamie Phillips, left, takes a photo of her daughters Finley, 12, center, and Rowan, 11, with their dog Lincoln at a TikTok fan activation for Taylor Swift’s new album.
(Christina House / Los Angeles Times)
When the Phillips family heard “The Life of a Showgirl” for the first time, Jamie Phillips said, “All of us were pleasantly surprised.”
“Usually it takes me, particularly with her albums, a lot of listens to be like, ‘OK, it’s OK,’” she said. But this one they loved on the first go-around.
The trio hadn’t yet made it to “The Official Release Party of a Showgirl,” but they hoped to squeeze it in Sunday along with a “Gilmore Girls” anniversary event at the Grove.
In the meantime, they couldn’t wait to get back home, where their “Showgirl” merch was waiting for them.
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Wimbledon 2025: Carlos Alcaraz leads Centre Court applause for Fabio Fognini
Carlos Alcaraz leads the Centre Court crowd in a round of applause for Fabio Fognini on his last appearance at Wimbledon, after the Italian was beaten 7-5 6-7 (5-7) 6-4 2-6 6-1 by the reigning champion.
Watch live coverage from every court on BBC iPlayer.
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Contributor: The awful optics of uniformed troops cheering Trump’s partisan applause lines
This past week Defense Secretary Pete Hegseth and President Trump spoke at a rally. Trump’s speech seemed familiar: Disparage Los Angeles (“trash heap”). Criticize Gov. Gavin Newsom and Mayor Karen Bass (“incompetent, and they paid troublemakers, agitators and insurrectionists”). Restate grievances about the 2020 election (“rigged and stolen”). Chide the crowd to support the “One Big Beautiful Bill Act” (“You better push your favorite congressmen”).
But this speech was different from his others. The location was Ft. Bragg in North Carolina — and the audience was mostly soldiers from the 82nd Airborne Division, the “All Americans.” Internal unit communications revealed soldiers at the rally were screened based on political leanings and physical appearance. “If soldiers have political views that are in opposition to the current administration,” the guidance advised, “and they don’t want to be in the audience then they need to speak with their leadership and get swapped out.”
So what followed was to be expected. A sea of young soldiers in uniform — selected for their preference for the president — cheering and clapping for partisan commentary. This obviously violates Defense Department regulations. Heck, it’s even spelled out in a handy Pentagon FAQ:
Q. Can I ever wear my uniform when I attend political events?
A. No; military members must refrain from participating in political activity while in military uniform in accordance with both DoDD 1344.10 and DoDI 1344.01. This prohibition applies to all Armed Forces members.
But what happened during Trump’s appearance at the Army base is worse than breaking regs. The commander in chief forced an important unit to choose sides. He broke the All Americans in two. In essence, his statement to the troops there was: “Those who like me and my politics, come to my rally. The rest of you — beat it.” (Maybe we should start calling them the “Some Americans.”)
Imagine what it was like the day after. The soldiers who chose not to attend wondered how their next rating would go. Some lieutenant from California worried if his commander now has a problem with where he’s from — and is checking whether he was at the rally. Maybe it’s better if he wasn’t, and he instead chose to abide by Defense regulations?
No matter which way you lean, that speech injected partisan acid into the 82nd Airborne. And it will drip down and corrode from the stars at the top to the lowest-ranking private.
Militaries require extraordinary cohesion to function in combat. For those of us who’ve chosen this profession, one thing is burned into our brains from that very first day our hair’s shorn off: We’re all we’ve got. There’s nobody else. When you are hundreds and thousands of miles away from everyone else you’ve ever known, and you’re there for weeks and months and a year, you realize just how important the person next to you is, regardless of where they’ve come from, who their parents are, or whether their community votes red or blue.
Fighting units are like five separate fingers that form a fist. Partisan acid burns and weakens our fist.
Then there are the indirect effects. This speech damaged the military’s standing with a large swath of America. The image of soldiers cheering the partisan applause lines of a commander in chief who just sent thousands of troops to Los Angeles over the state’s objections? Not a good look.
These optics risk ruining the military’s trust with roughly half of America. The military is the last remaining federal institution that a majority of Americans trust “a great deal.” But it’s been slipping since the last Trump administration and may fall under 50%. Yet the military requires firm trust to fund and fill critical needs.
That’s important because not everyone wants to serve in the military. Many would prefer not to think about the expected self-sacrifice, or the daily discomforts of military discipline. Moreover, not everyone is even able to serve in the military. Roughly three-quarters of young Americans can’t qualify.
What if someone who would have been the next Mike Mullen — Los Angeles native, Navy admiral and former chairman of the Joint Chiefs — gets turned off by this rally and opts against the Naval Academy?
Then zoom out a little. What if much of California takes offense at this speech, not to mention at the soldiers and Marines so recently forced upon the local and state governments?
California hosts more active-duty troops than any other state — by a wide margin. It’s also the biggest donor state in the country, contributing $83 billion more to the federal government than it receives. The bases and other strategic locations up and down the Pacific Coast are beyond value. California is America’s strong right arm.
To sever California’s support for the military is simply unthinkable. It just can’t happen. We’ve got to fix this.
The first fix is simple. Hold troops to the accepted standards. Hegseth’s most recent book argued that the Defense Department has “an integrity and accountability problem.” Here’s the secretary’s chance to show America he stands for standards.
But we know mistakes happen, and this could become a powerful teachable moment: When the commander in chief orders troops to such an event, the only acceptable demeanor is the stone cold silence the generals and admirals of the Joint Chiefs display at the State of the Union, regardless of their politics and regardless of what the president is saying. Just a few years ago, two Marines in a similarly awful situation did just this right thing.
A further fix calls for more individuals to act: The roughly 7,500 retired generals and admirals in America need to speak up. The military profession’s nonpartisan ethic is at a breaking point. They know the old military saying: When you spot something substandard, and you fail to correct it, then you’ve just set a new standard.
The reason many of these retired senior officers often don’t speak out is their fear that defending neutrality risks having a political impact. Yet their continued silence carries a grave institutional effect — the slow-motion suicide of the profession that gave them their stars.
The president mentioned Confederate Gen. Robert E. Lee in his speech, and it’s too bad his speechwriter didn’t include a certain anecdote that would’ve fit the occasion. When the Civil War was over and terms were being agreed upon at Appomattox Court House, Lee noticed Col. Ely Parker, a Tonawanda Seneca man serving on Lt. Gen. Ulysses S. Grant’s staff. Lee quipped, “I am glad to see one real American here.”
To which Parker replied, “We are all Americans.” Since that very moment, we’ve been one country and one Army, All Americans, indivisible and inseparable from society.
If only we can keep it.
ML Cavanaugh is the author of the forthcoming book “Best Scar Wins: How You Can Be More Than You Were Before.” @MLCavanaugh
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Coco Gauff beats Aryna Sabalenka for first French Open title
PARIS — Coco Gauff has won the French Open for the first time by defeating top-ranked Aryna Sabalenka 6-7 (5), 6-2, 6-4 in Saturday’s final.
The second-ranked Gauff came out on top of a contest that was full of tension and momentum swings to claim her second major trophy after the 2023 U.S Open, where she also came from a set down to beat Sabalenka in the final.
It was the first No. 1 vs. No. 2 final in Paris since 2013, when Serena Williams defeated Maria Sharapova, and just the second in the last 30 years.
After Sabalenka sent a backhand wide on Gauff’s second match point, the 21-year-old American fell onto her back, covering her face with both hands before resting her forehand on the clay. After greeting Sabalenka at the net, she hugged film director Spike Lee and celebrated with her entourage, three years after she lost in her first final at Roland-Garros.
Sabalenka started the deciding set strongly, sticking to her high-risk approach to hold her first service game.
Gauff responded by raising her level, winning a superb rally in the third game that drew loud cheers and applause from the crowd. After an intense exchange of drop shots, Gauff hit a lob that Sabalenka chased down before attempting a shot between her legs — only for Gauff to intercept it at the net and finish with a winner.
Gauff was consistent from the baseline and earned a break point that she converted when Sabalenka double-faulted, giving her a 2-1 lead. Sabalenka turned toward her box and shouted in frustration but then regained her composure, breaking back to level the match at 3-3.
She was broken again at love, however, and Gauff then held serve twice to claim the title after a match that lasted 2 hours, 38 minutes.
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