Second alternate Alexandrova had sat on the sidelines all week but her patience proved worthwhile on Wednesday when Keys – unable to advance – withdrew just hours before her match with Rybakina.
The 30-year-old, who has enjoyed a breakthrough year in 2025, received the nod after fellow Russian and first option Mirra Andreeva, who is also competing in the doubles, declared she was not fit to play.
Alexandrova started impressively but squandered three break points before returning a forehand wide to hand the first break and a 5-4 lead to Rybakina.
The big-hitting Rybakina, sporting tape on her serving shoulder, served out the first set to love before breaking early in the second courtesy of a backhand error off her opponent’s racquet.
As Alexandrova’s serve faltered, Rybakina stepped up a gear and she doubled her advantage with a brutal forehand winner on break point, only to immediately lose one of her breaks when serving for the match.
Her struggle to get over the finish line continued, forced to save two break points in her next service game, before eventually sealing victory on her second match point as Alexandrova sent a backhand long.
“Each win gives you confidence,” said Rybakina, 26. “Hopefully I can continue.”
In the doubles, 2022 champions Veronika Kudermetova and Elise Mertens confirmed their semi-final berth with a 6-3 6-3 victory over Italian pair Paolini and Sara Errani.
They join Hsieh Su-Wei and Jelena Ostapenko in advancing from the Martina Navratilova Group.
BRAVE Amanda Holden takes to the Britain’s Got Talent red carpet wearing the top that almost saw her flash the show’s audience at auditions.
But an onlooker said the 54-year-old “was being much more careful this time round.”
4
Amanda Holden takes to the Britain’s Got Talent red carpet wearing the top that almost saw her flash the show’s audience at auditionsCredit: Getty
4
BGT judges Simon Cowell, Alesha Dixon, Amanda Holden and KSI pose for a selfieCredit: X
4
From left: Ant McPartlin, Alesha, Amanda, Simon, KSI and Declan DonnellyCredit: Getty
Show judge Amanda — in a lop-sided strapless top — nearly exposed herself by lifting her left arm to wave at the crowd as she strutted on stage at the Winter Gardens in Blackpool on Saturday.
After adjusting her clothes to preserve her modesty she sat down.
Then, gesturing to her boob, she admitted: “This keeps slipping out every time I raise my arms.”
Yesterday The Sun revealed a small production team were quickly put on “nipple watch” to ensure there were no surprise appearances during filming of the ITV talent contest.
Our observer reported: “She waved with her left hand, where her top had more coverage than on the right-hand side, and kept her other hand firmly in her pocket most of the time.
“Amanda didn’t want any wardrobe malfunctions again. She was probably already feeling the chill in blustery Blackpool.”
Also dressed for sunnier climes was head judge Simon Cowell in shades, and fellow panellist Alesha Dixon wearing sunglasses and a crop-top.
Only hosts Ant and Dec and new judge KSI — taking over from Bruno Tonioli — looked ready for Lancashire weather.
Auditions for the 19th series of BGT, due to air next year, continue in the seaside town until the end of this week.
The Watch List with Rod McPhee
4
Amanda nearly exposed herself by lifting her left arm to wave at the crowdCredit: Getty
Amanda Holden has stepped up on Britain’s Got Talent after Simon Cowell’s illness forced him to miss the Birmingham auditions, with Stacey Solomon drafted in as a temporary replacement on the panel
Amanda Holden’s major role shake-up on BGT amid Simon Cowell’s health woes
Producers turned to Holden, 53, as the natural choice to lead the panel, given that she is the only judge who has remained on the show since its launch in 2007. Although Stacey Solomon was drafted in at short notice to replace Cowell during this week’s auditions at the Hippodrome, insiders stressed that Holden had earned the senior role.
A source revealed: “The producers were hugely grateful to Stacey for stepping in, particularly as it was at such short notice. What she did helped ensure the hundreds of audience members were not disappointed.
“But they also thought she shouldn’t just go straight into Simon’s seat as head judge and that Amanda had very much earned that right. And she seamlessly filled the role during the first batch of auditions on Friday, with Stacey slotting right in with fellow judges KSI and Alesha Dixon,” they told The Sun.
It is not the first time Cowell’s sudden departure has led to a reshuffle. When the music mogul left the panel last year after learning of the tragic death of former One Direction star Liam Payne, the then-newcomer Bruno Tonioli stepped in as head judge.
Tonioli has since departed from the programme altogether, replaced this year by KSI, after filming clashes with his role on Dancing with the Stars. Cowell’s absence was first confirmed on Thursday when production cancelled the initial day of auditions.
There were hopes he might recover quickly enough to return on Friday, but he remained unwell. Instead, Solomon took his seat on the panel – a full-circle moment given that Cowell himself auditioned her on The X Factor back in 2009. She finished third in that series but has since become a well-known TV presenter.
And Stacey has shared her excitement after her dream of becoming a judge on Britain’s Got Talent has come true. The Sort Your Life Out star took to Instagram on Friday to share a glimpse of the iconic set of the long-running ITV show after she was asked to step in as a guest judge last minute.
The mum-of-five, 35, took to her Instagram stories to post a picture of the iconic BGT stage with her name in lights. Instead of Simon Cowell’s name, Stacey’s name could be seen on the iconic stage. Alongside the picture, Stacey wrote: “What in the alternative universe is going on. A dream.”
Cowell’s condition has not been disclosed publicly, and it remains uncertain whether he will be fit enough to appear on the third and final day of Birmingham auditions.
Filming is scheduled to resume next week in Blackpool, with producers optimistic that Cowell will be well enough to reclaim his place at the judging desk.
Until then, Holden is firmly established as the figure leading the panel in his absence.
EXCLUSIVE: Amanda Holden has opened up on her friend Alan Carr’s upcoming stint in the Celebrity Traitors castle
Amanda Holden has given her verdict on her friend Alan Carr‘s upcoming appearance on Celebrity Traitors.
Claudia Winkleman returns to the iconic Traitors castle in Inverness next Wednesday (October 8), alongside an all-star cast who are ready to play the ultimate game of deceit and betrayal.
While production for the new series was underway back in April, Amanda Holden shared her thoughts on her close friend Alan’s appearance on the hit reality show.
“He’s in the castle in Inverness as we speak!” she exclusively revealed on the set of her new BBC gameshow The Inner Circle.
“I think he’d be a terrible traitor and I think if they had any sense, that’s exactly what they’d make him be. It would be hilarious because he is rubbish at trying to keep secrets.
“He told me last year he was doing Traitors. It was like the biggest secret, I was like, ‘Shush, Alan!'”
Amanda’s new quiz show is reminiscent of The Traitors itself, with backstabbing and deceit at its core. BBC viewers will be treated to two versions of the quiz, which has the Britain’s Got Talent judge as its host.
The daytime game will see six contestants battle it out to outsmart and outwit the other players, while on Saturday nights, fans can tune in to see celebrities team up with members of the public to play.
During the game, the players will each be randomly assigned a secret stash of cash, anything between zero and £4,000 for daytime and £5,000 for the Saturday night show.
Each player only knows their value with no obligation to tell the truth as they get thrown into a battle of wits, nerve and strategic gameplay across a series of challenging rounds.
Speaking about the exciting concept of The Inner Circle, Amanda said: “It has elements of other shows that you might recognise; The Weakest Link, Traitors and Golden Balls with Jasper Carrot – all in one!
“It’s all about general knowledge and human nature… It’s complex but it’s fun!”
Amanda concluded: “It’s going to be glamorous and nail-biting with a real jeopardy at the end that I don’t think anybody is going to be expecting while they’re dunking their biscuits in a cuppa!
“The Saturday night takes the show up another level, just before Strictly. I’m their warm-up, which is just a brilliant place to be!”
The Inner Circle premieres on BBC One at 5.35pm on Saturday 4th October, while Celebrity Traitors premieres on BBC One at 9pm on Wednesday 8th October
The 51 year old shepherdess posted a series of photos featuring some of her nine children at their home, Ravenseat Farm in the Yorkshire Dales.
In a poignant message, Amanda, who recently took a swipe at her ex-husband Clive Owen, wrote: “The ace of spades. Whatever life throws at us [dump and explosion emojis]. Come rain or shine. We deal with it.
“Strength doesn’t come from what you can do, it’s from what you reckoned you couldn’t. You can be proud and humble you know and farming is a great leveller.
“You can’t ever get too far ahead before rot sets in, the heavens open or the wheel comes off (literally or metaphorically).”, reports the Manchester Evening News.
“Farming is, after all a profession of hope. #yorkshire #grit #resilience #farm #family #shepherdess #books.”
Her 543K followers were quick to react to the post, with one fan commenting: “You’re an amazing family x” alongside a heart emoji.
Another follower wrote: “Love your posts Amanda.xx”, while another said: “love your family, since I first read your book before you were on telly xx”. Another added: “Love this take on all of what you do supporting one another on the farm x.”
Amanda and her former husband Clive Owen are parents to nine children: Raven, Reuben, Miles, Edith, Violet, Sidney, Annas, Clementine, and Nancy.
Their popular documentary series, Our Yorkshire Farm, ended in 2022 following Amanda and Clive’s split. The show first hit our screens back in 2018.
The Owen family are back on our screens with a new series, Our Farm Next Door, which documents their adventures as they renovate a historic farmhouse nestled in the stunning Yorkshire Dales.
This comes as Amanda candidly discussed her co-parenting journey with ex-partner Clive during an appearance on ITV’s Lorraine.
Lorraine Kelly, the show’s host, noted: “The fact that you have managed, even though you’re separated, the two of you – you and your husband – have managed to still work together, parent together, can’t have been easy but you’ve made it work!
“I’ve talked to you about this before Amanda, you have made it work and that’s a wonderful thing to have done.”
Amanda replied with a humorous anecdote: “He was on the phone this morning, he had fried eggs in some yellow washing up liquid!
“So he was complaining that I shouldn’t buy washing up liquid in yellow! Washing up liquid should only be green!”.
Lorraine responded with amusement: “Oh I see… because he thought it was like, okay…” before breaking into laughter. Amanda insisted: “So you see, we are up against it!
“Believe me, it’s the idea that we’re just getting on with it, there’s plenty to do, plenty of space and a heap of things always on the go. Let’s be honest, that’s reality!” with Lorraine replying: “Of course it is!”
Our Yorkshire Farm stars Amanda and Clive Owen split in 2022 but they continue working on their TV shows together
Amanda has opened up about her ex(Image: PA)
Amanda Owen said her ex Clive Owen was “still annoying” as she opened up about their separation.
The Our Yorkshire Farm stars called time on their relationship in 2022 following 22 years of marriage, yet they’ve carried on collaborating on television projects whilst co-parenting their nine children.
However, Amanda – known as the Yorkshire Shepherdess – confessed to Hello! magazine that the duo continue to get under each other’s skin, reports the Manchester Evening News.
She remarked: “What am I supposed to say, ‘We get on like a house on fire?’ Well, if we did, we wouldn’t want to separate, would we?
“He’s still the same annoying old Clive that he always was. I’ve seen him just now, and he’s still annoying – I annoy him, and he annoys me.”
Amanda split from Clive in 2022(Image: Channel 4)
The couple haven’t pursued divorce proceedings, with Amanda highlighting the complexities involved.
“How would we even divide that up?” asked the celebrity. “It’s tricky when businesses and families are so intertwined.”
Amanda and Clive rose to fame through television series Our Yorkshire Farm, which was launched in 2018 and spanned five seasons.
The pair still work together(Image: Channel 4)
The show, which documented the couple’s lives at Ravenseat Farm, proved enormously popular with audiences.
Last year the stars returned in a new series, collaborating on Channel 4 programme Our Farm Next Door.
The series chronicles Clive and Amanda as they restore a crumbling farm in the Yorkshire Dales, with the help of their five children – Raven, Reuben, Miles, Edith, Violet, Sidney, Annas, Clementine and Nancy.
Both celebrities discussed their split during the programme, with Amanda stating that whilst they’d endured an “incredibly hard” period they had “got through it”.
The star has nine children with her ex-husband
Clive admitted that it had been “a strange few years” for them, adding: “We are now in a place where although we are not actually together, we are still in business together, we still have these kids together.
“It’s a crazy situation but it isn’t – it’s the most sensible thing for everybody to do,” he said.
Our Farm Next Door is available to watch on Channel 4.
Amanda Barrie used to fear that her sexuality would cost her her role on Coronation Street and is certain she would have been sacked if bosses found out
Amanda Barrie hid her sexuality during her soap fame (Image: ITV)
Amanda Barrie used to fear that her sexuality would cost her her role on Coronation Street. The actress, who will celebrate her 90th birthday this weekend, is best-remembered by fans of the world’s longest-running TV soap as Alma Halliwell, and initially appeared in 1981 for a brief stint before appearing regularly from 1988 until 2001.
Over the years, viewers watched the supermarket worker marry fellow legend Mike Baldwin (Johnny Briggs), and will also recall her partnership with Gail Platt (Helen Worth) when they ran the café for a number of years and her long friendship with Gail’s mother Audrey Roberts (Sue Nicholls). In 2001, she left the programme for good when her character succumbed to cancer, and in 2003, Amanda came out as bisexual.
But the TV star, who married former Mirror journalist and crime novelist Hilary Bonner in 2014, is now certain that had she come clean about her sexuality any sooner, she would have been dismissed from the programme, although she appreciates now that she has no evidence to back up this claim.
The Bad Girls actress appeared on Thursday’s Good Morning Britain with Kate Garraway and Ed Balls (Image: ITV)
During an appearance on Thursday’s Good Morning Britain, she told hosts Kate Garraway and Ed Balls: “Somebody shopped me to the press. I should’ve known better but I never kept my life from anybody, all my friends know everything.
“I think people thought it was catching, you were pushed away and whispered about in corners. They would not, and I swear to God, I’ve said this but I can’t back it up, I know that I would’ve been sacked from Coronation Street.
“They would’ve got rid. You couldn’t have said ‘It would’ve been that person who did it or that…’ it would’ve been ‘Oh we don’t want anything to do with that, darling.'”
Once Amanda, who has just released her memoir I’m Still Here, had come out, she actually got a pleasant surprise with the reaction she received, having anticipated the worst.
Amanda starred on Coronation Street as Alma Halliwell, where she famously married Mike Baldwin (Johnny Briggs)(Image: Granada Television)
She explained: “I expected to be stoned in the street, I got a lot of hugs. What was I in such a state about? Because it was just ‘Oh, I see, oh…'” before adding: “You automatically revert to the way you’d always behave, lurking about with your head down editing your life is what you do. You change they, he, she, all that editing…”
She said: “It wouldn’t have been the bosses who caused a problem so much as some of the other cast,” she reveals. ”My close friends like Helen Worth all knew the truth. But you heard other people say certain things….Not naming names.
“Now there are so many LGBTQI characters on the show I often joke they should rename it Canal Street! [after Manchester’s gay bar district]. What happened after I left? It’s not contagious, you know!”
Amanda Knox, who became an international headline in 2007, when, as an American student spending a year in Perugia, Italy, she was (wrongly) accused of the murder and sexual assault of her British roommate, Meredith Kercher, is now the subject, and executive producer, of “The Twisted Tale of Amanda Knox,” an eight-part docudrama premiering Wednesday on Hulu. (Her boyfriend of one week, Raffaele Sollecito, also wrongly accused, does not seem to have garnered similar attention, which might tell you something about misogyny in the prurient press, and its audience.)
The “Twisted Tale” in the title — odd for a story of murder, rape and false imprisonment — suggests that we’re about to see something sort of delightful, like “The Marvelous Misadventures of Flapjack” or “The Epic Tales of Captain Underpants,” an impression underscored by a prologue in the style of “Amélie,” the whimsical French film the couple was elsewhere watching on the night of the murder; it ties the victim, the accused and her prosecutor/persecutor together in a sort of fairy tale. Like the very long end-title “any similarity” disclaimer, concluding “The series includes Amanda Knox’s perspective on events related to the murder of Meredith Kercher,” it allows the series to be something less than true: a tale.
People tell themselves stories to live, to haul out that Joan Didion quote once again, which unavoidably requires making up stories about other people. These events involved a lot of people, only one of whom is an executive producer of this series, based on her memoir, “Waiting To Be Heard.” (Knox co-wrote the finale, as well.) One assumes that some of those other people might see this project as exploitation, or object to how they’ve been represented, though any dissenting voices will be drowned by a publicity machine that will market this as a true story, disclaimer aside. In light of the series, Knox has been recently profiled in the New York Times, alongside star Grace Van Patten, and in the Hollywood Reporter, alongside fellow executive producer and scandal survivor Monica Lewinsky, who encouraged her to make the series.
These are qualities — faults? — “Twisted Tale” shares with every docudrama ever, a problematic genre much beloved by filmmakers and actors; still, as frequently as such projects arise, especially in the age of true crime, we wouldn’t still be talking about “Citizen Kane” today if it simply had been “Citizen Hearst.” We should at least keep in mind as responsible viewers and citizens that what we’re seeing here, however factual in its crucial points, scrupulous in its details, and engaging in its philosophy, and however faithfully the actors embody their real-life models, it’s unavoidably an impression of the truth, built out with imagined scenes and conversations and made to play upon your feelings. It isn’t journalism. And to be clear, when I speak of these characters below, I’m referring only to how they’re portrayed in the series, not to the people whose names they share.
Francesco Acquaroli as Giuliano Mignini and Roberta Mattei as Monica Napoleoni, the investigators on the case, in “The Twisted Tale of Amanda Knox.”
(Andrea Miconi / Disney)
Created by K.J. Steinberg (“This Is Us”), the series is well-acted, well-written, impressively mounted, tonally contradictory, chronologically disjointed, overlong, stressful, exhausting, interesting both for its subject and stagecraft, and briefly inspirational, as Amanda (Van Patten) — arrested, jailed, convicted, acquitted, re-convicted and definitely re-acquitted — becomes a voice in the innocence movement (“My freedom mattered and I was going to make the most of it as long as I had it”) and returns to Italy, a wife and mother, for something like closure.
Echoing the 2016 Netflix documentary “Amanda Knox,” which tells the story (up to that point) in a streamlined but thought-provoking 90 minutes, there has been some care to represent different points of view, with episodes dedicated to Raffaele and prosecutor cum investigator Giuliano Mignini (Francesco Acquaroli), also introduced “Amélie”-style. (As to Kercher, we hear only that “she likes to sunbathe and dance and read mystery novels” — though anything more would be presumptuous.) Raffaele, the superhero-loving son of a troubled mother, made himself into a “protector.” Mignini, who lost a brother to “lawlessness,” sees his work as heaven-sent — though he was also inspired by Gino Cervi as Georges Simenon’s detective hero in the 1960s TV series “Le inchieste del commissario Maigret.” (He adopts that character’s pipe and hat.) “I made a vow to God,” he says, narrating, “no matter the disapproval or dissent, deviant, ritual murders would not go unpunished on my watch.”
On the basis of Amanda being a loud American, and a self-described weirdo, whose response to news of the murder struck some as insufficiently emotional; from bits and pieces of supposed physical evidence, later discounted; and from Mignini’s own notions — including his feeling regarding the body, that “only a woman would cover a woman with a blanket” — the police quickly assemble an elaborate, completely imagined theory based on a sex game gone wrong. (That Knox was in possession of a vibrator and some condoms and brought men to the apartment she shared with Kercher and two Italian girls seemingly branded her, in 2007, as a pervert.)
Subjected to an extremely long interrogation without adequate representation in a language she imperfectly understands, and in which she has trouble making herself understood — detective superintendent Monica Napoleoni (Roberta Mattei) is the angry Javert — Knox signs a false confession that also implicates her sometimes boss, Patrick Lumumba (Souleymane Seye Ndiaye). She quickly recants, to little avail. (Knox has not been acquitted of slandering Lumumba.) That the actual killer is arrested, and convicted, merely causes the police to rewrite their story a little, while still focusing on Amanda and Raffaele. The press runs leaks and accusations from the authorities; and a fascinated public eats it up, spitting out opinions onto social media.
Director Michael Uppendahl employs a variety of styles to get the story told. Some scenes are so natural as to seem improvised; others employ heavy tactics — an assaultive sound design, flash cuts — to evoke the pressure Amanda is under, from both the self-satisfied authorities and a hectoring press. (Paparazzi is an Italian word, after all.) Stirring music underlies her final statement to the court; a letter sent by Amanda to Mignini is lit from within, like the deadly glass of milk in Hitchcock’s “Notorious.” While not inappropriate to a story in which fictions swamp facts, these zigs and zags can pull you out of the story rather than drawing you deeper in.
As Amanda, Van Patten (of the Van Patten acting/directing dynasty — Dick, Joyce, Tim, Vincent, with Grace’s sister Anna playing Amanda’s younger sister) is quite remarkable, switching between English and an ever-improving Italian. Acquaroli, quietly astonishing, brings humanity and the merest touch of weary humor to his stubborn policeman. Sharon Horgan plays Amanda’s intense, demanding mother, with John Hoogenakker as her more subdued father. In a scene pulled straight from the “Amanda Knox” documentary, a reporter asks him when there’ll be a film: “The longer you wait the less her story is going to be worth.” “We do not think of our daughter as a hot property,” he replies.
Our Yorkshire Farm’s Amanda Owen was faced with extreme weather
Channel 4 broadcast a repeat episode of Our Farm Next Door: Amanda, Clive and Kids on Saturday evening.
The episode, which originally aired earlier this year from the second series, showed the farm facing harsh weather conditions as it became blanketed in snow, with the family struggling to safeguard their expectant sheep spread across the hillsides.
Clive expressed his worries about the snow, saying: “January and February were funny months, and anything can happen. That Beast from the East was quite nasty, the kids were little and we had no electric for a week.”
He continued: “You know, everybody gets a little bit of snow, but it can be absolutely unbelievable here, and you’ve got to be careful, otherwise it’ll have you out of business.”
Amanda shared her thoughts on the bitter snow conditions: “When that snow hits, it can be exhausting. It can be exhausting mentally and physically. Day one, day two, yeah, it is fun, day four, five, six, seven, and beyond, it is a real test.”, reports Gloucestershire Live.
Further into the programme, Amanda made a frank confession about farming, particularly during severe weather conditions.
Channel 4 aired a repeated episode of Our Farm Next Door: Amanda, Clive and Kids on Saturday night(Image: Channel 4)
Whilst caring for the horses, she revealed: “On a day like today, when you see that light shine through the window and you know that it’s icy and snowy out there, you don’t pull the duvet over your head; you’re like, ‘Let me at it’.”
She pondered: “Because that’s what you have to do. And I always think to myself, ‘the day that you don’t want to do that, you’ve got to quit’.”
Initially hitting our screens in 2018, Our Yorkshire Farm showcased the extraordinary way of life of Clive and Amanda Owen with their nine youngsters at their remote sheep farm in Yorkshire.
Amanda and Clive are mum and dad to nine children: Raven, Reuben, Miles, Edith, Violet, Sidney, Annas, Clementine, and Nancy. The beloved documentary programme concluded in 2022 after Amanda and Clive’s split.
The episode, which aired earlier this year from the second season, saw the farm face extreme weather as it was covered in snow(Image: Channel 4)
Continuing to enchant viewers, the Owens have made a comeback with the following instalment of their journey in Our Farm Next Door, following the family’s escapades as they restore a period farmhouse situated in the picturesque Yorkshire Dales countryside.
The 1800s dwelling sits in Swaledale close to Ravenseat Farm and bears the name Anty John in honour of a previous occupant called Anthony John Clarkson.
In the final instalment of series two, Amanda gathered the entire brood to unveil the most recent progress in their continuing restoration project following 20 months of grafting, highlighting “how far we’ve got and how far we’ve got to go”.
Our Farm Next Door is available to watch on All 4.
