agent

Casey Wasserman’s name has been scrubbed from the agency he founded decades ago, replaced with an amorphous moniker: “The Team.”

Monday’s move comes amid the lingering controversy over the sports mogul’s decades-old association with Ghislaine Maxwell, accomplice of the late sex trafficker Jeffrey Epstein. Following revelations of Wasserman’s salacious 2003 emails with Maxwell, several musicians and athletes — led by pop artist Chappell Roan and soccer star Abby Wambach — said that, to stay true to their values, they would leave the agency then known as Wasserman.

Fears of a broad flight of artists and agents prompted Wasserman to announce that he was selling his talent representation and sports marketing firm. Talks with prospective buyers have been ongoing, according to a person close to the agency but not authorized to speak publicly.

For now, the agency is still owned by Wasserman and private equity firm Providence Equity Partners.

Wasserman continues to lead LA28, the nonprofit group that will be staging the Summer Olympics in Los Angeles in two years. The LA28 board’s executive committee unanimously voted to keep Wasserman as chairman, after reviewing known details surrounding his more than 20-year-old flirtations with Maxwell and his “strong leadership” of the Games.

Visitors to the Wasserman agency website were greeted with a message saying the firm, as of Monday, was rebranding as the Team.

“For 24 years, this company has been shaped by our work, our people and our unifying belief in the power of Sports, Music and Entertainment,” the message read. “That philosophy remains the foundation of who we are — and where we are going.”

Wasserman was not mentioned in the website messaging. Nor was he pictured in its photos depicting smiling agents. Old press releases have been changed to refer to the company as the Team, not Wasserman.

The website’s background is now adorned with a grid of T’s.

In a Feb. 13 memo to his staff, Wasserman acknowledged his appearance in a recent batch of documents released by the Department of Justice related to the late sex trafficker Jeffrey Epstein and Maxwell had “become a distraction.”

Wasserman said he was “heartbroken that my brief contact with them 23 years ago” had brought hardship to the agency he created in 2002.

“I’m deeply sorry that my past personal mistakes have caused you so much discomfort,” Wasserman wrote to his staff. “It’s not fair to you, and it’s not fair to the clients and partners we represent so vigorously and care so deeply about.”

Wasserman appears to have met Maxwell on a September 2002 humanitarian trip through Africa, sponsored by former President Clinton.

Wasserman, a prolific Clinton fundraiser whose famous grandfather helped the Democrat win the 1992 presidential election, was joined on Epstein’s jet by his then-wife, Laura, actor Kevin Spacey, Epstein and his longtime companion Ghislaine Maxwell and others, including security agents.

It’s not clear when Wasserman and Maxwell began corresponding via email. The messages contained in the Justice Department files are from March and April of 2003. In them, Wasserman writes about wanting to see Maxwell in a tight leather outfit and she offered to give him a massage that can “drive a man wild.”

Maxwell was convicted of sexual abuse in 2021.

Wasserman has worked nearly a decade to bring the Olympics to Los Angeles.

Former Mayor Eric Garcetti recruited him to help L.A. win its host bid and the International Olympic Committee reportedly were impressed with Wasserman’s “network of contacts.”

Behind the scenes, there have been tensions with Los Angeles political leaders. Mayor Karen Bass has said that Wasserman should step down from the high-profile role overseeing the Games. Bass said that “we need to look at the leadership” of LA28 and that her job is to make sure that the city is “completely prepared” for the Games.

A moment of silence for all the comedians, late-night-show writers, political satirists, memers, animators and random influencers who just lost a wealth of inspiration.

Kristi Noem, Homeland Security secretary, was fired Thursday by President Trump, ending the 13-month tenure of a political figure whose bravado, cruelty, incompetence and commando cosplay inspired more wickedly funny material than Dick Cheney, Sarah Palin and Sean Spicer combined.

Social media’s so-called ICE Barbie, the first Cabinet secretary to leave the Trump administration during the president’s second term, was a font of material for “South Park,” “SNL,” late night and thousands more sketch artists, impersonators, musicians and everyday trash posters. She never disappointed, unless you were looking to her for feasible, humane immigration policy enforcement.

Former Homeland Security Secretary Kristi Noem.

(Julia Demaree Nikhinson / Associated Press)

Drama and spectacle marked her brief career, from posing in front of a packed holding cell at El Salvador’s maximum security prison CECOT, where the DHS had shipped and detained deportees, to casting herself as an agent of action in multiple ICE raid videos. Donning a big gun and long, flowing locks of hair, she insinuated herself into operations, vamping for the camera in a bulletproof vest while masked agents rounded up fellow humans like cattle.

Grim, to be sure, but at least she contributed a shred of comic relief (unintended, of course) to our new, sad reality of federal agents invading American cities and abducting people off the streets, out of their cars and from their homes.

“South Park” skewered Noem in unprintable ways. “SNL” brought back Tina Fey to play Noem. Dressed in a lavender pantsuit, too much makeup and brandishing a massive firearm, she introduced herself as “the rarest type of person in Washington, D.C.: a brunette that Donald Trump listens to.”

The endless stream of memes across social media date back to 2024, when in her memoir Noem recalled shooting and killing her 14‑month‑old dog, a wirehaired pointer named Cricket, after deciding the dog was “untrainable.” Gov. Gavin Newsom later trolled the DHS and Noem with a meme captioned “Kristi Noem’s Dog Obedience School: She’ll Treat Them As Good As She Treats Brown People.” The mock ad featured a smiling woman holding a gun and kneeling beside a dog.

If it seems cruel, consider that the DHS posted holiday-themed deportation memes around Christmas, proclaiming that federal agents were stepping up removals “for the holidays,” with a “holiday deal” offering a free flight and $1,000 to those who self-deport. One X post featured an AI-generated image of federal agents in Santa hats with the caption, “YOU’RE GOING HO HO HOME.”

Noem’s dismissal comes on the heels of two congressional hearings this week where she was questioned about her response to the ICE killings of U.S. citizens Renee Good and Alex Pretti in Minneapolis (she incorrectly called Good a domestic terrorist and claimed Pretti was involved in an act of domestic terrorism). She was grilled about the department spending $172 million for the purchase of two jets, the nature of her relationship with top DHS adviser Corey Lewandowski, and her $220-million DHS ad campaign starring none other than Kristi Noem. She testified in the hearings that Trump approved the ads. He said he knew nothing about them.

Her firing triggered an immediate rush of snarky content across social media, and a sharp a comment or two from prominent politicians. “Shouldn’t let the door hit her on the way out,” said Illinois Democratic Gov. JB Pritzker.

But all is not lost for those needing a laugh at Noem’s expense, or at the expense of the DHS, for that matter. The president said Thursday that Noem would take on a new, freshly invented role: Envoy for The Shield of the Americas. He described the position as one that will lead “our new Security Initiative in the Western Hemisphere.” The job title and description already sound like the basis for a villainous political satire, without even trying.

And for the new guy taking the post? He’s Sen. Markwayne Mullin (R-Okla.), a former MMA fighter. Let the memes begin …

For casting director Gabriel Domingues, putting together the ensemble of “The Secret Agent” meant materializing characters inspired by director Kleber Mendonça Filho’s recollections.

“It’s not that he was showing us a picture and saying, ‘They must look like this.’ They were ideas of memories that could change,” Domingues says of the Brazilian period thriller about a father on the run during an interview at The Times newsroom. One of the nominees for this year’s inaugural Academy Award for casting, Domingues appreciates how politically charged Mendonça Filho’s films are. His narratives are often fertile ground for an eclectic mix of performers.

And there are no throwaway roles in “The Secret Agent”: “Even the small characters represent ideas about Brazilian life and its contradictions,” Domingues adds.

To honor his large cast, a “panorama” of his country’s people, Mendonça Filho includes a montage at the end of the film in which each actor is acknowledged individually. The director thinks of this as the cinematic equivalent of a curtain call or final bow at the end of a stage production.

“Gabriel tries to find an interesting mix of experienced actors and people that we can discover,” says producer Emilie Lesclaux about Domingues, with whom she’s worked on multiple projects. He first collaborated with Mendonça Filho and Lesclaux on “Aquarius” as a casting assistant.

Domingues believes working on “Aquarius” was instrumental in developing his casting method, which involves searching for the least obvious option to cast the character. He prides himself on doing the shoe-leather work of looking for fresh, compelling faces in cities where others might not think to look — those without a prominent arts scene, for instance.

Gabriel Leone as Bobbi/Abdias  (Victor Juca)

Hermila Guedes as Claudia  (Victor Juca)

Luciano Chirolli as Henrique Ghirotti  (Victor Juca)

Roberio Diogenes as Euclides Cavalcanti  (Victor Juca)

Tânia Maria as Dona Sebastiana  (Victor Juca)

Joalisson Cunha as Frentista  (Victor Juca)

Isabel Zuaa as Tereza Victoria  (Victor Juca)

Kaiony Venancio as Vilmar  (Victor Juca)

That’s not to say the entire cast was discovered. Mendonça Filho had lead Wagner Moura in mind from the outset, while others sprung to mind as he wrote the screenplay: Maria Fernanda Cândido, a famous soap opera actor, as a crucial ally to Moura’s character; and the late Udo Kier, who had previously appeared in the director’s blood-soaked film “Bacurau,” as a German Jewish immigrant who lived through World War II.

The filmmaker admits that envisioning parts with a specific person in mind is “dangerous.” “I can write a character thinking of you, but I never know if you will want to make the film,” says Mendonça Filho. “And I grow attached to the image.”

Among the other supporting roles, the most challenging to cast, the team agrees, was that of Euclides, the sleazy police chief. Though the character is “repulsive,” it also required an edge of charisma to make him more emotionally layered. Eventually, they came across actor Robério Diógenes. “Robério has studied the clown art in the theater, and he’s a very funny guy, so he adds a component of ridiculousness to this character,” Domingues says.

For Vilmar, an impoverished man hired as a subcontractor for a murder, Mendonça Filho had in mind a real-life contract killer he’d seen in a 1970s TV program. The actor had to convey a certain ambiguity not often afforded to people of a lower social class. There’s no doubt Vilmar is acting out of necessity, but he is not entirely without agency since he negotiates his payment. Domingues found the ideal embodiment of this complex character in Kaiony Venâncio, an actor from the city of Natal who had mostly worked in short films.

Then there’s the scene-stealing Tânia Maria, who plays the endearing, chain-smoking Dona Sebastiana. The 79-year-old talent first appeared in “Bacurau” as an extra. “I just could not help thinking of her,” says Mendonça Filho about casting her in his latest film. “I even pre-ad-libbed many of her lines knowing what she might say.”

Before finding her way onto the screen, Tânia Maria has long made a living as an artisan handcrafting rugs. “I never thought about being an actress. I only thought about sewing,” she says with an endearing smile. “All of this came as a surprise.”

Igor de Araujo as Sergio  (Victor Juca)

Joao Vitor Silva as Haroldo  (Victor Juca)

Robson Andrade as Clovis  (Victor Juca)

Maria Fernanda Candido as Elza/Sara Gerber  (Victor Juca)

Alice Carvalho as Fatima  (Victor Juca)

Thomas Aquino as Valdemar  (Victor Juca)

Licinio Januario as Antonio  (Victor Juca)

Udo Kier as Hans  (Victor Juca)

And though she’s still sewing, her acting prospects look bright. She’s already appeared in another film, “Yellow Cake,” premiering at the Berlin International Film Festival this month. That Tânia Maria also recently starred in humorous local commercials for Burger King and Heineken is proof of her current status in Brazilian pop culture — as are the Dona Sebastiana costumes that have become popular during this year’s Carnival.

“I can’t go out on the street without people stopping me. They ask me for autographs, for photos, they want to talk to me, they ask me questions,” she says in Portuguese via an interpreter while on a video call from her home. “I make time for everyone, and I’m enjoying all of it.”

Undaunted by what she calls the most challenging aspect of acting — memorizing the lines — Tânia Maria is eager to continue exploring this unexpected new facet. “I don’t want to stop because I’m not old! I’m waiting for more invitations to move forward in acting,” she says.

The success many of the actors have found thanks to “The Secret Agent” very much pleases the filmmakers, but it also has a major downside.

“That’s all that we want for the people that we work with, that the film is good for them and their career,” says Lesclaux. “But for us, it also makes things more complicated for the next film because we will want to work with them, and they might not be available.”

Federal authorities announced an investigation Friday of two immigration officers who appeared to have made untruthful statements under oath about a shooting in Minneapolis last month.

It is among at least five shootings in which initial descriptions by the immigration officials were later contradicted by video evidence. Those included the fatal Minneapolis shootings of Renee Good and Alex Pretti, in which bystander video quickly raised questions about how federal officials initially described the incidents.

The inquiry announced Friday came hours after a federal judge dismissed felony assault charges against two Venezuelan men who were accused of beating an Immigration and Customs Enforcement officer with a broom handle and a snow shovel on Jan. 14. The officer, who is not named in court filings, fired a single shot from a handgun that struck one of the men, Julio Cesar Sosa-Celis, in the thigh.

In an unusual reversal, prosecutors asked to dismiss the cases because they said new video evidence contradicted allegations made against the men in a criminal complaint and at a hearing last month.

Here is a look at how the five shootings were initially described and what was later learned:

Julio Cesar Sosa-Celis

Date and location: Jan. 14, 2026, in Minneapolis.

What federal officials said initially: Homeland Security Secretary Kristi Noem said the immigration officer was “ambushed” by Sosa-Celis and others, and fired a “defensive shot” out of fear for his life. “What we saw last night in Minneapolis was an attempted murder of federal law enforcement,” she said.

What came out later: Investigators have not released the new evidence that led charges to be dropped, but cracks were already apparent in a Jan. 21 court hearing. The immigration officer’s testimony recounting the moments before the shooting differed significantly from that of the defendants and three eyewitnesses. Available video evidence did not support the officer’s account of being assaulted with a broom and shovel.

Renee Good

Date and location: Jan. 7, 2026, in Minneapolis.

What federal officials said initially: Noem described the incident as an “act of domestic terrorism” carried out against ICE officers by a woman who “attempted to run them over and rammed them with her vehicle.” She said the immigration agent shot “defensively” to protect himself and the people around him. Good died of gunshot wounds to the head.

What came out later: Videos filmed from multiple angles challenged the administration’s narrative. Shortly before the shooting, Good is seen at the wheel of her SUV that is parked diagonally on a street. She tells an immigration officer, “I’m not mad at you.”

Seconds later, another immigration officer grabs at the driver’s side door while Good’s wife urges her to “drive, baby, drive.” It’s unclear in the videos whether the SUV makes contact with ICE officer Jonathan Ross, who shoots while standing near the front of the driver’s side of the SUV and then twice more while quickly moving to the driver’s side as the vehicle pulls forward.

Alex Pretti

Date and location: Jan. 24, 2026, in Minneapolis.

What federal officials said initially: Homeland Security spokesperson Tricia McLaughlin said Pretti approached Border Patrol officers with a handgun and he “violently resisted” when they tried to disarm him. An agent feared for his life and fired “defensive” shots, she said. Pretti was pronounced dead at the scene. Border Patrol senior official Greg Bovino claimed Pretti intended to “massacre law enforcement,” and Deputy White House Chief of Staff Stephen Miller described him as “a would-be assassin.”

What came out later: None of the half-dozen bystander videos collected by investigators showed Pretti brandishing his gun, which he had a permit to carry. The videos showed Pretti was holding his mobile phone as a masked Border Patrol officer opened fire.

In a tense hearing Thursday in Washington, Republican Sen. Rand Paul of Kentucky made leaders tasked with carrying out Trump’s mass deportation agenda watch a video of the shooting while he repeatedly scrutinized the forceful tactics used by immigration agents. Paul argued that Pretti posed no threat to the agents and said it was clear from the video that he was “retreating at every moment.”

Silverio Villegas González

Date and location: Sept. 12, 2025, in suburban Chicago.

What federal officials said initially: Homeland Security officials said federal agents were pursuing a man with a history of reckless driving who entered the country illegally. They alleged that Villegas González drove at officers and dragged one with his car. The Department of Homeland Security said the officer fired because he feared for his life and was hospitalized with “serious injuries.”

What came out later: Body-camera videos from local police contradicted the Trump administration’s account. Footage showed the agent who shot Villegas González walking around afterward and dismissing his own injuries as “nothing major.”

An autopsy made public in November declared Villegas González’s death a homicide. The report showed he was shot at “close range,” with wounds to his neck and fingers.

Marimar Martinez

Date and location: Oct. 14, 2025, in Chicago.

What federal officials said initially: A Homeland Security Department news release asserted that Martinez and the driver of another car involved in a crash with a Border Patrol officer were “domestic terrorists.” An FBI agent said in court documents that she was chasing the Border Patrol vehicle and drove at one of the officers after they got out of the vehicle. The officer was forced to open fire, the FBI agent alleged, striking Martinez seven times. She was treated at a hospital and arrested on felony assault charges.

What came out later: Videos emerged that her attorneys said showed agent Charles Exum steering his SUV into her truck.

In a text message presented during a Nov. 5 hearing, Exum appeared to brag about his marksmanship. “I fired 5 rounds and she had 7 holes. Put that in your book boys,” the text read.

The case against her was dismissed.

Schoenbaum writes for the Associated Press.

The Night Agent season 3 trailer has left fans feeling disappointed.

The Night Agent fans have expressed their concern after the season three trailer featured a glaring absence.

Netflix’s popular spy thriller series The Night Agent is set to return on February 19 with its third season, once again starring Gabriel Basso as Peter Sutherland. This time around, Peter faces one of his most perilous missions yet as he works to uncover the truth behind a string of terrorist attacks.

The third instalment sees the return of several main cast members, including Fola Evans-Akingbola as Secret Service agent Chelsea Arrington and Amanda Warren as Catherine Weaver, Peter’s handler in Night Action. The new season also introduces Genesis Rodriguez as journalist Isabel and Stephen Moyer as an assassin known as The Father.

Netflix released a trailer in January which showed Peter seeking Isabel’s assistance in discovering who orchestrated the devastating events. Whilst grappling with his own internal struggles, he must contend with threats from ‘broker’ Jacob Monroe (Louis Herthum) as well as the enigmatic new assassin.

Whilst many fans were thrilled about the show’s return, a significant number have expressed concerns due to the absence of one key character. Luciane Buchanan, who played Rose Larkin, confirmed she would not be reprising her role following the show’s second season.

In the critically lauded season two finale, her character declared she was prepared to step back from her romantic entanglement with Peter, seeking the opportunity to embrace an ordinary existence free from danger. Viewers noticed her conspicuous absence from the season three trailer, prompting an outpouring of reactions in the comments section.

@BatrinaCoarPearsall expressed: “Peter and Rose’s trauma-bond is what makes this show so good.” @sherlina observed: “I feel like Rose and Peter’s bond and story were one of the main things setting this show different from other spy thrillers but now it seems like just any other spy themed shows with action but not really a story to tell.”

@tiu_forever6521 remarked: “Kinda looks like any other spy thriller without the Rose/Peter heart of it all at the core. Damn.” @ZayDaGoat1806 noted: “Without Rose it doesn’t feel the same people saying they couldn’t do her justice in this season but she’s more useful than a reporter.”

@MissFawlty lamented: “Miss Rose already! She was the show’s emotional core. Hope they bring her back big time if the show is renewed for season 4.” @Burner-g4e concluded: “What worked in season 1 was Peter’s personal motivations and determination and the relationship with Rose. Without that, this is just like every other action series. From this trailer, I feel like I’ve seen this a million times before. They’ve strayed so far from what made the show a success.”

However, fans are buzzing with anticipation for the show’s return, with @heptavian expressing: “Finally my favourite Netflix agents are back!” and @yoshikigrg8 chiming in: “Yes. I’m so glad this is happening. Really love this series.”

In September 2025, actress Buchanan confirmed she wouldn’t be making a comeback, revealing to Deadline during an interview about her series Chief of War: “As much as that show has been so amazing, especially for my career – being a lead on a U.S. show from little New Zealand was such a whirlwind.

“The writers decided that they wanted to follow Peter and his journey based on what happened at the end of season two. And so, we don’t get to see what happens to Rose, but I think it’s a really exciting time for the show, and who knows, it’s not a goodbye forever.”

Reflecting on the moment she received the news, she shared: “They [the creators] called me not so long after season two, and they were like, we’ve been trying to find a way to bring her in, but we want to do her character justice and not make her a sub-character.

“I totally respected that decision and agreed. I was like, if it makes sense to a story, I’ll do that. If it doesn’t, let’s not force that.”

The Night Agent season 3 is coming to Netflix on February 19

Chappell Roan has left her booking agency, Wasserman Music, over its founder Casey Wasserman’s ties to the late Jeffrey Epstein and convicted child sex trafficker Ghislaine Maxwell.

“As of today, I am no longer represented by Wasserman, the talent agency led by Casey Wasserman,” Roan wrote on Monday in a post to social media. “I hold my teams to the highest standards and have a duty to protect them as well. No artist, agent or employee should ever be expected to defend or overlook actions that conflict so deeply with our own moral values. I have deep respect and appreciation for the agents and staff who work tirelessly for their artists and I refuse to passively stand by. Artists deserve representation that aligns with their values and supports their safety and dignity. This decision reflects my belief that meaningful change in our industry requires accountability and leadership that earns trust.”

Roan had been represented by Jackie Nalpant, Kiely Mosiman, Adele Slater and Anna Bewers at Wasserman. It’s unclear whether her agents will follow her out the door of the embattled agency; representatives for Roan did not immediately return a request for comment.

Roan is the highest-profile act to leave Wasserman after the release of the most recent batch of Epstein documents. Billie Eilish previously left the agency in 2024 after separate allegations of Wasserman’s sexual misconduct surfaced. For now, the agency still represents other A-list talent including Kendrick Lamar, Coldplay and Tyler, the Creator, though many in the industry suspect a wave of departures is coming.

Casey Wasserman — a powerful figure in sports and entertainment who leads Los Angeles’ 2028 Olympics committee and his eponymous talent agency — came under fresh scrutiny after he surfaced in a new batch of federal documents released as part of an investigation into the late sex trafficker Epstein and his associate Maxwell.

Wasserman has said in a statement to media: “I deeply regret my correspondence with Ghislaine Maxwell which took place over two decades ago, long before her horrific crimes came to light. I never had a personal or business relationship with Jeffrey Epstein. As is well documented, I went on a humanitarian trip as part of a delegation with the Clinton Foundation in 2002 on the Epstein plane. I am terribly sorry for having any association with either of them.”

Wasserman has previously admitted to flying with Epstein on the financier’s private plane on a trip to Africa with Maxwell and former President Clinton. In newly surfaced messages to Maxwell, who is serving a lengthy prison sentence for sex trafficking of minors, Wasserman wrote: “I thought we would start at that place that you know of, and then continue the massage concept into your bed … and then again in the morning … not sure if or when we would stop.” She responded: “Umm — all that rubbing — are you sure you can take it? The thought frankly is leaving me a little breathless. There are a few spots that apparently drive a man wild — I suppose I could practise them on you and you could let me know if they work or not?”

Local politicians have called for Wasserman to leave the Olympic committee. “I think Casey Wasserman needs to step down,” said L.A. County Supervisor Janice Hahn. “Having him represent us on the world stage distracts focus from our athletes and the enormous effort needed to prepare for 2028.”

Last week, Bethany Cosentino, the solo artist and founder of the band Best Coast, left the agency over Wasserman’s Epstein ties, saying: “We are tired of learning, over and over, that men who control access, resources, money and so-called safety in our industry are given endless grace. We are tired of being asked to treat proximity to something horrific as an unfortunate situation we should simply move past — especially when the person involved still holds all the power.”