adult

The attraction was an adults-only zone where grown ups could unwind. However, this has now been closed, with customers who’ve booked their spot in advance being contacted for a refund

Butlin’s has confirmed the closure of an attraction in its Bognor Regis park, with customers who had bookings saying they’re “gutted” by the news.

The park was home to Ocean Spa, a part of the resort primarily aimed at the adult market, with 13- to 17-year-olds admitted only if accompanied by an over-18. The spa included a steam room, sauna, heated tiled loungers, a hydrospa, and a sun terrace, allowing for relaxing spa days and a variety of treatments.

The spa, the last of its kind in its parks, is now set to close on August 28. Butlin’s is contacting customers with existing bookings to offer them their money back. Previously, the holiday park operator also operated a spa at its Skegness park, which closed in 2021.

Josh Engleman, communications manager at Butlin’s, said: “We can confirm we’ll be closing our spa at Butlin’s Bognor Regis. We’ve contacted the small number of guests who had booked to visit the spa and they will, of course, receive a full refund.

“The spa has always been a small part of the resort experience. Our focus is on the activities and entertainment that families come to Butlin’s for, including recent additions such as PLAYXPERIENCE, which opened at Bognor Regis last year.”

Butlin’s customers have taken to social media to express their disappointment in the news. One posted a copy of the email she received confirming her cancellation, and commented: “We going in October and just got this. Gutted. First year my daughter is old enough.”

Another said: “What a massive mistake! This was one of the only things for adults to relax and have a break from the kids! Such a disappointment.” While another complained: “Why close the spa? We need a place to de-stress!”, accompanied by a string of angry emojis.

While the spa closure has been confirmed, Butlin’s has announced some new facilities in its parks in recent months. It recently added self-service bars to its parks, allowing people on both self-catering and all-inclusive packages to skip the queues and easily pour their own pints, soft drinks, and cocktails.

It also added bookable karaoke pods, where groups of up to 12 can choose from 45,000 chart-topping hits and throwback tunes, with a 55-minute session costing £36. You can even keep the party going by ordering drinks to your pod.

PLAYXPERIENCE was also added to Butlin’s Bognor Regis in autumn 2024, a 50,000 square feet activity centre that offers nine experiences across two floors for kids and adults. These include escape rooms, a virtual reality arcade, laser tag, and hi-tech mini golf courses.

In addition to family holidays, Butlin’s also continues to offer its adult-only Big Weekenders for visitors who’d prefer to enjoy the parks without kids around. These include themed weekends based around music genres and decades.

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The son of former Manchester United footballer Mark Hughes died from sudden adult death syndrome, a coroner has found.

Alex Hughes was found collapsed at his home in Macclesfield, Cheshire, on 19 June by his two sons.

The 38-year-old, who followed his ex-Wales international father into football and held roles in recruitment at Grimsby Town, Manchester City and other clubs, could not be revived by paramedics, his inquest heard.

Following his death, Mark Hughes and his wife Jill said they were “totally heartbroken by the sudden and unexpected loss of our beloved son”.

Sudden adult death syndrome (SADS) – also known as sudden arrhythmic syndrome – is diagnosed when the cause of death cannot be explained in a post-mortem examination because the structure of the heart appears normal.

It affects about 500 people in the UK every year.

The British Heart Foundation said SADS “usually happens when a dangerously abnormal heart rhythm goes untreated and leads to a cardiac arrest”.

The foundation added that inherited heart conditions are “often the cause of SADS if the person who has it doesn’t know they do”.

If you want personal stories of survival, family trauma or just how to get over a breakup, look no further than adult animation. Even better: Sometimes these shows do all that and are still funny. We’ve rounded up some of this season’s best examples in the genre.

‘Genndy Tartakovsky’s Primal’ (Adult Swim)

Set in an anachronistic world where prehumans and dinosaurs fight for survival, “Primal” is told sans dialogue and focuses on a Neanderthal named Spear (whose vocal grunts are provided by actor Aaron LaPlante) and a female Tyrannosaurus rex known as Fang. It’s raw, bloody and, somehow, tear-jerking.

“There’s drama, there’s violence, certainly there’s a bit of lightheartedness … we’re not trying to do it like a live-action thing, but we’re trying to get cinematic,” says creator Genndy Tartakovsky. “And because it’s dramatic and there’s no dialogue, we’re leaning into the visual storytelling of it all. This makes it seem a little bit more sophisticated.”

Tartakovsky says he even tries to make “the blood spurts look beautiful and designed”: “We’re not doing it for shock value.” The show also added the escaped female slave Mira (voiced by Laëtitia Eïdo) at the end of Season 1 because the creator felt it worked for the story.

‘Kevin’ (Prime Video)

Talking cats are not new to animation. But this one is going through the very human roller coaster of a relationship rebound and self-discovery.

Joe Wengert co-created “Kevin” with ex-girlfriend/series voice actor Aubrey Plaza as a cathartic thought experiment about their actual pet cat, Kevin. (Jason Schwartzman voices him in the show.)

“It’s more fun to write for the animals,” says Wengert, whose credits include Netflix’s animated “Big Mouth” and Fox’s live-action “New Girl.” “They have another level of crazy.”

The show also doubles as therapy.

“I’ve always been too into my relationship and I sort of neglect my friends,” he says, adding that “I’ve always wanted to write something about that, but it’s kind of sad when it’s a human man. It’s less sad when it’s a cat.”

‘Long Story Short’ (Netflix)

Raphael Bob-Waksberg, who also created Netflix’s “BoJack Horseman,” knows his beat is animated shows that are both funny and thought-provoking. He says the difference with “Long Story Short,” in addition to it being about humans and not an anthropomorphic horse, is that it has “sadness we can relate to.”

“Here, we see characters sad in the way that we are sad and we go, ‘Oh, this is not a cartoon exaggeration of our sadness.’ This is exactly the same as our sadness,” Bob-Waksberg says.

In order to keep the show from being a total buzzkill, the writers will craft scenes like an intense conversation between adult siblings about fertility treatments in the midst of the chaos and the bizarre costuming of a child’s dance concert.

He says you can do this in live-action, but it would have to be something in the Tina Fey-Robert Carlock style like NBC’s “30 Rock” or Netflix’s “Unbreakable Kimmy Schmidt,” which are known for rapid-fire bits.

“Usually in live-action, when you think about dramedy, your head goes to like, well, not too funny and not too dramatic. And my shows are kind of the opposite,” he laughs.

‘Mating Season’ (Netflix)

Like another show Andrew Goldberg co-created, Netflix’s “Big Mouth,” “Mating Season” is about sex and relationships. But, because it’s not about kids, it can be less metaphoric. And, because it’s about a group of Gen Z-ish forest animals, it can almost seem … cute?

“It feels less voyeuristic than with people,” Goldberg explains of “Mating Season.”

Goldberg, who loves nature documentaries like Netflix’s “Life on Our Planet,” says they opened the second episode of “Mating Season” with a parody documentary because “we wanted to remind people as much as possible that, yes, these are cartoon characters. But these animals are real, and they’re out there, and they’re going about their lives.”

He says the writers were also inspired by dating shows about humans such as Netflix’s “Love Is Blind” and Peacock’s “Love Island,” because “we really discovered, as we were writing the first season, how much the show was a romantic comedy.”

‘Strip Law’ (Netflix)

“Strip Law,” about a Las Vegas lawyer attempting to live up to his late mother’s legacy, is a David and Goliath story, in which Adam Scott’s Lincoln Gumb and a ragtag crew attempt to defeat the powerful and nefarious attorney Steve Nichols (Keith David). It’s also a send-up of legal procedurals, with Lincoln’s cases including a fight over who’s the real Santa Claus and a custody battle that devolves into a theological debate. Even the season finale is a meta masterpiece that’s told from the points of view of Lincoln’s rival attorneys.

“It would be disingenuous to say we weren’t at least a little trying to weird people out,” creator Cullen Crawford laughs.

Crawford cut some of his teeth on CBS’ “The Late Show With Stephen Colbert,” but says he switched formats when he got burned out writing jokes about President Trump. He says that, at least in the comedy world, “a good animation writer will be a good live-action writer and the other way around, to an extent, as long as you understand the mediums.”