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The new Netflix show follows five women who set out to rob a bank

Netflix has just dropped a new crime thriller perfect for your weekend binge-watch session.

Cash Queens or Les Lionnes follows five women who take on a daring money heist, led by single mum Rosalie.

When she realises that her family has to live on just €30 a week in order to pay off her incarcerated husband’s debt, Rosalie comes up with a plan.

She sets out to rob €100,000 from the bank where she works as a receptionist. Her best friend Kim soon catches wind of the heist and jumps on board, hoping to use her share to open a massage therapy salon.

Rosalie’s cousin, Alex, also joins in and uses her skills as an architecture student to perfect their plan.

They later recruit Sofia, another desperate single mum in need of cash before social services hunt her down. And their final member is Kim’s client Chloé, who is married to the town’s shady mayor.

The newfound friend group then take on the tricky heist, cleverly disguised as men. However, “it’s not long before politicians, police, and gangsters are on their tails, scarcely imagining that a group of ordinary women are behind this band of mercenaries,” states the synopsis.

Its ensemble cast is led by Rebecca Marder, who plays leading lady Rosalie. She is joined by Zoé Marchal as Kim, Naidra Ayadi as Sofia, Pascale Arbillot in the role of Chloé and Tya Deslauriers as Alex.

While the French drama’s plot seems far-fetched, it is actually inspired by a gang of robbers from the late eighties.

According to Tudum: “The series is inspired by the Gang des Amazones, five women who robbed seven banks in the South of France starting in 1989. “

The women famously disguised themselves as men by wearing wigs and fake moustaches.

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Since the eight-episode series premiered last night (February 5), it hasn’t received many reviews just yet. However, Screen Rant described it as a ‘must watch’.

Entertainment publication Gazettely also shared a thoughtful review, writing: “Cash Queens provides a sharp look at economic desperation. It replaces heist glamour with the frantic reality of survival.”

The review continued, praising the show’s plot device of masculine disguises as “biting commentary on the invisibility of working-class women”.

“This production represents a shift in streaming content toward stories prioritizing character depth over spectacle. It succeeds as a grounded portrait of resistance against a system designed to ignore the poor,” they concluded.

Cash Queens is streaming now on Netflix

It will now cost visitors two euros ($2.36) to get close enough to the Trevi Fountain to toss more coins into it. Officials say the new fee will bring in up to six million euros ($7.1 million) to help preserve the historic landmark in Rome.

A noughties dramedy that fans describe as ‘a truly magical experience’ has just landed on Netflix

Netflix has quietly added a cult classic drama that picked up the coveted Best Original Screenplay Oscar in 2004.

The streaming giant has a huge catalogue of Academy Award winners and Lost in Translation is worth adding to your weekend watchlist.

The 2003 dramedy was written and directed by Sofia Coppola, daughter of famed filmmaker Francis Ford Coppola (The Godfather). It follows an unlikely friendship between American strangers Bob (Bill Murray) and Charlotte (Scarlett Johansson).

The pair first meet in Tokyo, where fading movie star Bob is due to film a Japanese whiskey commercial. Meanwhile, Charlotte is a conflicted newlywed visiting alongside her celebrity-photographer husband.

After meeting at their hotel bar, the pair discover they have more in common than they expected. From there, the film dives into important themes such as alienation and the importance of human connection.

The dramedy was an instant hit with critics, earning four Academy Award nominations for Best Picture, Best Director, Best Original Screenplay, and Best Leading Actor (for Murray). Ultimately, Coppola took home the screenplay prize.

It also earned a near-perfect 95% rating on Rotten Tomatoes, where the critics praised: “Effectively balancing humour and subtle pathos, Sofia Coppola crafts a moving, melancholy story that serves as a showcase for both Bill Murray and Scarlett Johansson.”

Viewers were equally impressed, though they awarded the drama a less-impressive 85% score.

One fan raved: “The movie is a masterpiece in every sense. Nothing wanting. If you want to learn about movie making, or just enjoy something purely brilliant, this is it. A work of art.”

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Someone else echoed the praise: “A hypnotically sweet and tender movie that’s quiet, but grows on you and makes you never want to leave its presence.”

While a third said: “One of the most real and raw movies I have ever seen, Coppola tells a beautiful tale of simple human connection, unlikely friends, and loneliness. This movie is wonderful and thoughtful from start to finish. Deciding never to watch it would be a mistake.”

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Yet another moviegoer gushed: “A truly magical experience. Concise, yet meaningful, dialogues where you have to read between the lines to uncover their true depth.

“Simple, yet touching, story that will make you laugh and cry in equal measure. Breath-taking visuals that complement the story. In fact, the main character IS indeed the city of Tokyo that unites two wandering lonely souls.”

Lost in Translation is streaming now on Netflix

Jan. 29 (Asia Today) — South Korea’s Ministry of Economy and Finance on Wednesday designated 11 new public institutions, bringing the total to 342, while postponing a decision on whether to classify the Financial Supervisory Service as a public institution until next year.

The decision was made at a meeting of the Public Institution Management Committee chaired by Deputy Prime Minister and Finance Minister Koo Yoon-cheol at the Government Complex Seoul.

The newly designated institutions met statutory criteria, including receiving government support exceeding 50% of total revenue, the ministry said.

They include the Korea Customs Information Service, Gadeokdo New Airport Construction Corporation, Child Support Enforcement Agency, National Incheon Maritime Museum, Korea Sports & Leisure, Korea Statistics Promotion Agency, Spatial Information Industry Promotion Agency, Korea Water Technology Certification Agency, National Agricultural Museum, Central Social Service Agency and the National Disaster Relief Association.

The ministry said designation of the Financial Supervisory Service was deferred to prioritize substantive operational reforms over formal classification. Officials cited concerns that adding public institution oversight could overlap with existing supervisory structures and undermine the watchdog’s autonomy and expertise.

As conditions for reconsideration, the government ordered the Financial Supervisory Service to strengthen democratic oversight by its supervising ministry, including mandatory consultation on personnel and organizational changes, expanded management disclosure through ALIO, and full implementation of the Financial Consumer Protection Improvement Roadmap announced last year.

The Public Institution Management Committee plans to review progress on those measures and reassess the watchdog’s designation status in 2027.

Koo said that while public institution designation could enhance transparency and public accountability, it could also create inefficiencies if layered on top of the existing supervision system.

“There is concern that overlapping management structures could weaken autonomy and professional expertise,” Koo said.

Separately, the ministry said it will disclose, for the first time since enactment of the Public Institutions Act in 2007, a list of entities that met designation criteria but were not classified as public institutions, along with the reasons.

The committee also approved changes to designation categories for the Korea Broadcasting Advertising Corporation and the Korea Legal Protection and Welfare Foundation.

Koo said the expanded disclosures are intended to make public institution management more transparent and easier for citizens to understand, while strengthening trust in the public sector.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260129010013790