50th

THIS the stuff of Dreams for millions of fans across the globe and now there’s fresh hope for a Fleetwood Mac reunion.

The group have not performed together since 2019 and they were left devastated when Christine McVie died in 2022.

But I’ve been told that there are serious discussions behind the scenes about a series of projects involving all of the remaining members to celebrate the 50th anniversary of their album Rumours, which is among the best-selling and most critically acclaimed records of all time.

At the centre of the plans is said to be Mick Fleetwood, who is leading peace talks between former couple Stevie Nicks and Lindsey Buckingham, as well as John McVie.

A one-off show, a TV special and a documentary about the making of Rumours are among options being discussed for the 2027 milestone.

And Warner Records is also preparing a special re-release of the album featuring unheard material from the original studio sessions.

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A source close to Mick in the US said: “Fleetwood Mac are discussing new projects and how to mark Rumours’ big 5-0. For certain there is a special edition version of the album coming, which the band and label have been secretly looking at.

“But also there is a significant hope that it is time for the definitive documentary on all the chaos in the studio that created the magic on record.

“John and Christine were divorcing and she was dating their lighting guy. Stevie and Lindsey were over just before she and Mick enjoyed a brief fling. And drugs and booze were everywhere.

“The desire is for everyone to sit down and present their side of events on screen.

“And then of course comes the potential for a stage reunion and concert. That is the goal from Mick.

“Stevie has said it would not feel right being on stage without Christine, but also she and Lindsey are on a healing journey right now, which could be the path to a new show.

“However there is a desire to pay tribute to Christine in some way and a live show around Rumours seems a very fitting way.

“The gig would fill a stadium dozens of times because of the love they command.

“But unless some major shift happens, a tour is unlikely at this stage.”

Aaron Bay-Schuck, co-chairman and CEO of Warner Records confirmed at LA’s City of Hope gala that “some very special” music leftover from the making of Rumours had been found.

He said: “We will do everything in our power to respect that anniversary as long as they’ll let us.”

Last month, Stevie and Lindsey suggested relations had thawed when they reissued their 1973 Buckingham Nicks album.

And in March, Mick admitted: “I always have a fantasy that [Stevie] and Lindsey would pal up a bit more and just say everything’s OK for them both.”

They are beloved by an entirely new generation now thanks to social media, so there will be millions around the globe hoping they can patch things up for one last hurrah.

Aaron Bay-Schuck was at City of Hope’s Spirit of Life gala to celebrate co-chairman and Warner Records COO Tom Corson, who was honoured at the event.

It is the centrepiece of the music, film and entertainment industry’s annual philanthropic campaign and raised nearly $6million.

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Funds from the campaign are fueling leading research and survivorship programs for young adults, including music therapy.

Michael Buble, Cher and members of Linkin Park were among other guests who were there in LA last week.

When it was first published in 1975, “Mystery Train: Images of America in Rock ‘n’ Roll Music” was immediately recognized as something new. In six taut, probing, far-ranging essays about certain popular or otherwise forgotten musicians, author Greil Marcus cracked open a world of sojourners, tricksters, killers and confidence men — the lost subterranean underlife of America as inflected in the music itself.

“Mystery Train” was a landmark in cultural criticism that took on Rock ‘n’ Roll as a subject of intellectual inquiry. In 2011, Time magazine named “Mystery Train” one of the 100 greatest nonfiction books of all time. For the book’s 50th anniversary, a new edition has been published, with a wealth of new writing from Marcus that brings his book up to date.

On a recent Zoom call, I chatted with him on the 50th anniversary of his book about its lasting impact, the anxiety of influence and the staying power of criticism.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

✍️ Author Chat

Book jacket of “Mystery Train” by Greil Marcus.

(Penguin Random House)

Congrats on 50 years of “Mystery Train.” Could you have possibly imagined that it would still have a life in 2025 when you wrote it in 1975?

For this book to have this kind of a life, you can’t predict it. I had a miserable time writing it. I’d never written a book before. I rented a room at a house near our little apartment, and just stayed there all day, trying to write or not trying to write, as the case may be. I didn’t have any hopes or ambitions for it. I just wanted it to look good.

This is the thickest edition of “Mystery Train” yet. Your “Notes and Discographies” section, where you update the reader on new books and recordings about the artists, among other things, is longer than the original text of the book.

That’s what’s kept the book alive. I mean, I still think the original chapters read well. I’m glad they came out the way they did, but for me, they opened up a continuing story, and that has sort of kept me on the beat so that I obsessively would follow every permutation that I could and write them in the notes section.

“Mystery Train” changed the way popular music was written about. Who were your literary antecedents?

Edmund Wilson, Pauline Kael, D.H. Lawrence’s critical studies. Hemingway’s short stories, just as a way to learn how to try to write. There was another book that was important to me, Michael Gray’s “Song and Dance Man,” which was a rigorous examination of Bob Dylan’s music. It was totally intimidating. His knowledge of blues, novels, poetry — I thought there’s no way I can write something as good as this. So I started doing a lot more reading, and listening more widely.

For many readers of the book, it was the first time they came across artists like Robert Johnson or Harmonica Frank. How did you discover these artists?

I was an editor at Rolling Stone magazine in 1969 when the Altamont disaster happened, when people were killed at a free Rolling Stones concert. It was an evil, awful day. I was drained and disgusted with what rock ‘n’ roll had become, and I didn’t want to listen to that music anymore. I found myself in this little record store in Berkeley, and I saw an album by Robert Johnson that had a song called “Four Until Late” that Eric Clapton’s band Cream had covered, so I took it home and played it, and that was just a revelation to me. It led me into another world. It became the bedrock of “Mystery Train.”

Rolling Stones frontman Mick Jagger signs autographs at Altamont Speedway. Later, on Dec. 6, the Stones gave a concert where one fan was stabbed to death by a Hell’s Angel.

(Associated Press)

Your book explores how certain myths transfer across vastly disparate cultures. Had you read the great mythologist Joseph Campbell prior to writing the book?

I read a lot of Joseph Campbell in graduate school. Probably a half-dozen of his books. In some ways they cover the same territory as “Mystery Train.” Campbell makes the argument that myths persist, they don’t even need to be cultivated. They cultivate us, and they are passed on in almost invisible ways. That really struck a chord with me when reading Campbell’s work.

You’re very good at explaining what music sounds like. Are you influenced by fiction at all?

I’d say fiction is part of my work. One of the books that hovered over me when I was writing “Mystery Train” was “The Great Gatsby.” Certain lines, they sang out.

What is the purpose of criticism?

My next book is about Bryan Ferry, the leader of the band Roxy Music. Now, you listen to a song like Roxy Music’s “More Than This” and you say, what makes this so great? How did that happen? What is going on here? That’s what criticism is, just wrestling with your response to something. That thing where someone has captured a moment so completely that you sort of fall back in awe. That’s what I’ve been doing my whole life as a writer. There is this urge to, not exactly take possession of something, but to become a part of it to some small degree.

Your book plumbs the murky depths, exploring the mysterious dream life of America as transmuted through certain music. Are there any mysteries left for you?

Oh, yes, absolutely. I remember when I met Bob Dylan in 1997. He was getting an award, the Dorothy and Lillian Gish Prize, and I was to give a talk. We met and he asked what I was working on. I had just published a book called “Invisible Republic,” about his “Basement Tapes.” He said, “You should write a sequel to that. You only just scratched the surface.” Now, I’m not saying I did a bad job. He said that to me because certain music has infinite depth. So, yes, there are certainly more mysteries to think about.

📰 The Week(s) in Books

(Jay L. Clendenin / Los Angeles Times)

Valerie Castallanos Clark loves Jade Chang’s new novel, “What a Time to Be Alive,” calling it “equal parts love letter to Los Angeles, narrative about being a first-generation Asian American, exploration of grief and love and a found-family novel featuring an adoptee that doesn’t put reunion as the emotional climax.”

With “Shadow Ticket,” Thomas Pynchon has delivered a late-career gem, according to David Kipen: “Dark as a vampire’s pocket, light-fingered as a jewel thief, ‘Shadow Ticket’ capers across the page with breezy, baggy-pants assurance — and then pauses on its way down the fire escape just long enough to crack your heart open.”

Finally, Cerys Davies chats with Mychal Threets about his new gig as host of the long-running TV show “Reading Rainbow.”

📖 Bookstore Faves

Stories Books & Cafe is on Sunset Boulevard in Echo Park.

(Claudia Colodro)

Ever since it opened its doors in 2008, Stories Books & Cafe has been a community cornerstone. A snug yet carefully curated store, with loads of obscurantist art books and choice indie press titles, Stories also has a cafe tucked in the back that is always bustling. Owner Claudia Colodro runs the store as a creative cooperative with her five co-workers. I talked to the team about the shop on Sunset.

What’s selling right now?

“Mother Mary Comes to Me” by Arundhati Roy, “Martyr!” by Kaveh Akbar, and Thomas Pynchon’s “Shadow Ticket” are a few of our recent big sellers.

Stories is small, yet I always see titles in there I don’t see anywhere else.

Stories prides itself on its painstaking curation, influenced by every employee’s area of expertise. Much like the community we have garnered, Stories leans toward the eclectic, esoteric and even fringe. Over our 17 years in existence, Stories has been a bookstore that loves our local authors and independent publishers, and encourages readers to come in with an open mind more than a predetermined list.

Remarkably, you have endured in a neighborhood that has seen a lot of store closures, post-COVID.

In a world predominantly automatized and authoritative, we like our people and books to be a countermeasure to the mainstream creature comforts — in hopes to push people out of the path of least resistance and into the unseen abundance.

Stories Books & Cafe is at 1716 W. Sunset Blvd., Los Angeles.

The surviving members of progressive rock titans Rush will reunite for a 50th anniversary tour in 2026.

Rush co-founders Geddy Lee and Alex Lifeson will play 12 dates in honor of the band’s late drummer Neil Peart, whose monumental percussion talents made Rush a defining act in prog rock. The tour will begin June 7 at the Kia Forum — the site of the band’s last show with Peart in 2015.

“After all that has gone down since that last show, Alex and I have done some serious soul searching and come to the decision that we f— miss it,” Lee said in a statement announcing the tour. “And that it’s time for a celebration of 50-something years of Rush music.”

The question of a Rush reunion without Peart, who died of brain cancer in 2020, was a fraught one. Even up to last year, Lifeson had told Rolling Stone that “there’s no chance that we’re going to get a drummer and go back on the road as the rebirth of Rush or something like that.”

For this tour, the band will be joined by Anika Nilles, a German drummer acclaimed for her work with Jeff Beck.

“As we all know, Neil was irreplaceable,” Lee said in the band’s statement. “Yet life is full of surprises, and we’ve been introduced to another remarkable person; an incredible drummer and musician who is adding another chapter to our story while continuing her own fascinating musical journey. Her name is Anika Nilles, and we could not be more excited to introduce her to our loyal and dedicated Rush fan base, whom, we know, will give her every chance to live up to that near-impossible role.”

In their own statement, Peart’s wife Carrie Nuttall-Peart and daughter Olivia gave their blessing for the tour: “We are thrilled to support the Fifty Something Tour, celebrating a band whose music has resonated and inspired fans for generations, and to honor Neil’s extraordinary legacy as both a drummer and lyricist.”

DESPITE years as one of the most famous party boys in London and New York, don’t expect to see Mark Ronson hitting it hard for his 50th.

The Uptown Funk hitmaker is celebrating the landmark birthday today but is opting for a low-key family occasion instead of a blow-out bash.

Mark, who is gearing up to release his book Night People on September 16, explained: “I feel like because my whole life has been a party, not necessarily a party for me, but DJing a party for others and being in the party and all that s***, I have no desire to.

“Everybody’s like, ‘You’ve gotta do something big!’

“And my 40th, I kind of went all out.

“I had this big party with 60 friends or maybe more in the countryside.

“We all got on a tour bus and I DJ’d at Festival No6 in Wales.

“And then it was just three days of partying.”

But things are different for Mark these days, after he settled down and became a dad to two daughters.

He added: “Now I have absolutely no desire to do that.

“I just want to be with my family.”

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SHAKIRA’S MEX ON THE BEACH

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SHAKIRA shore looks good as she poses on a beach to launch her new haircare brand Isima.

She shared the bikini pic from Mexico, where she is on her mammoth Las Mujeres Ya No Lloran world tour.

Shakira will play out the remainder of her gigs in South America before finally finishing in Argentina on December 9.

HAILEY LEGS IT TO NEW YORK

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HAILEY BIEBER looked like she was fresh from shooting hoops as she headed out in New York.

The supermodel wore mesh basketball shorts with heels and an oversized leather jacket.

Hailey has just signed a fresh deal with fashion house DKNY to be the face of its new autumn campaign alongside Candice Swanepoel.

She said: “DKNY channels everything I love about New York: It’s energized, unique and full of inspiration.

“There is a balance of structure and ease that makes everything so wearable.

“I gravitate towards elevated classics that I can throw on but still feel intentional.”

I gravitate towards anything in the washing pile that looks clean and not too creased.

ILL CELINE SCRAPPED EURO GIG

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CELINE DION was forced to cancel her appearance during the final of this year’s Eurovision Song Contest in Switzerland after struggling with her health.

The My Heart Will Go On singer had kept the surprise appearance under wraps.

But it ended up being one of music’s worst-kept secrets, with Eurovision presenter Graham Norton referencing a possible appearance live on air.

Celine, who has stiff person syndrome, had been due to perform Ne Partez Pas Sans Moi, the song she won the competition with for Switzerland in 1988.

French newspaper Le Parisien has now claimed Celine was in Basel for the event but suffered a medical episode and was forced to cancel her performance.

The revelation comes after her Prime Video documentary last year, in which she talked about living with stiff person syndrome, which is a neurological disorder that causes muscle stiffness and cramps.

She was diagnosed with the rare disease in 2022 and has shared her experience to raise awareness.

Celine said: “I barely could walk at one point and I was missing very much living.

“My kids started to notice.

“I was like, ‘OK, they already lost a parent. I don’t want them to be scared’.

“I let them know, ‘You lost your dad, but Mum has a condition and it’s different. I’m not going to die. It’s something that I’m going to learn to live with.’”

Celine, you are a warrior.

GAGA’S ALL DOLLED UP IN VID

5

LADY GAGA transforms into a broken doll for her new video The Dead Dance.

She wears a tattered dress while strutting through a rain forest littered with creepy broken dolls.

Gaga debuted the video last night, with more than 74,000 fans tuning into the YouTube reveal.

The song is in the new series of Netflix’s Addams Family spin-off, Wednesday.

She also updated streaming platforms last night to add two tracks to her album Mayhem – Kill For Love and Can’t Stop The High.

Carlos Alcaraz says for half the matches of the tennis season, players “don’t feel that good” as the Spaniard secured a tour-leading 50th victory of 2025 at the Cincinnati Open.

The 22-year-old cruised past Serbian Hamad Medjedovic in straight sets 6-4 6-4 in the third round to also claim his 13th consecutive Masters 1000 win.

Alcaraz is the first player since 24-time major champion Novak Djokovic, from 2013 to 2016, to reach 50 wins in four consecutive seasons.

The world number two will face Italian Luca Nardi in the fourth round on Wednesday.

“You have to think positive and just play your best tennis possible that day,” said the five-time Grand Slam winner.

“I’m really happy that in really difficult matches I’m able to play my best tennis even though I’m not feeling the right way.

“I’m just happy and proud about it because it’s something I’m working on.”

Lucky loser Nardi, 22, led 16th seed Jakub Mensik 6-2 2-1 when the Czech retired from their third-round match.