SHOW BIZ

The six-part hostage drama is based on a “must-read” novel.

Netflix’s latest thriller was inspired by a story hailed “quite brilliant in its twists and turns”.

Fans of political thrillers are in for a treat as Netflix has announced a brand new drama from the creators of Humans and the author of House of Cards.

The series, which will be led by British actor and entrepreneur Damson Idris and is one of Netflix’s many hit thrillers, centres around a “nightmare scenario” which sees the government of the United Kingdom taken hostage.

Parliament is now enemy territory and ex-spy Harry Jones (Idris), is the perfect man to save the government if it were not for one problem – he is also a convicted traitor.

The title of the new series is The Lords’ Day, and it is based on the book by Michael Dobbs, who also happens to be a member of the House of Lords.

Netflix promised the thriller will be “an electrifying ride through England’s halls of power.”

The synopsis reads: “On the State Opening of Parliament, British spy Harry Jones finds himself inside the Palace of Westminster amid a lockdown.

“As a hostage siege escalates, loyalties are tested and selfless sacrifices are made, leading to a desperate fight for survival where not everyone will emerge alive.

“Can Harry use his skills and training to be the country’s saviour?”

Actor Idris, 34, is best known for his roles in Snowfall, Outside the Wire and F1, and he is the only casting announced so far. Production will begin soon in the UK.

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Fans of the original source material took to Goodreads to share their thoughts, with one commenting: “A must read book by Michael Dobbs that was equally as good as the Francis Urquart series!”

Another shared: “Excellent read, I was engrossed with every page. Again, Harry Jones at his best.”

A third called it “fascinating”, adding: “Quite brilliant in its twists and turns and details. Utterly plausible in it’s plot and characterisation. I have found a new favourite author.”

Another reader shared: “A real page turner. Never a dull moment with plenty of action and political intrigue. Edge of the seat thrills and twists.”

The book reviews suggest the TV adaptation will be one of Netflix’s most gripping thrillers.

The Lords’ Day will air on Netflix

EMMA Bunton has been spotted beaming alongside pal Holly Willoughby at a Disney launch after the Spice Girls reunion was cancelled.

The singer, 50, attended the press day of Disney Adventure World and World Of Frozen at Disneyland Paris in France on Saturday.

She appeared to put her band’s woes to one side as she posed for pictures with her longtime friend Holly, 45.

Baby Spice got into the spirit of things by donning a pair of Mickey Mouse ears as well as a tie with the famous character on it.

She looked chic in a white shirt tucked into a pair of straight leg jeans and a cream wool coat.

Emma wore her blonde locks straight and opted for a subtle make-up look.

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Meanwhile, Holly wore a black t-shirt tucked into jeans with a black coat and some brown boots.

She too got into the Disney spirit with a set of ears as the two put on their widest smiles for photos.

The two women have been firm friends for several years and are often spotted socialising with their group of friends, including Melanie Blatt and Christine Lampard.

Emma’s appearance comes after The Sun exclusively revealed that the Spice Girls’ 30th anniversary reunion has been cancelled after they failed to pull their plans together in time.

Emma, as well as Mel C, Mel B, Victoria Beckham and Geri Halliwell-Horner had been in talks to reunite for a string of concerts to mark three decades since the release of their debut single Wannabe.

The Sun understands they failed to reach an agreement and plans for a comeback tour in 2026 have been ditched.

Confirming the news during an interview on The Smallzy Show on Australia’s KIIS Radio, Mel C, 52, said: “No, there is no reunion.

“We are communicating all the time. We want to do something – who knows when.

“But I still feel very optimistic and I keep my fingers crossed that you will see the Spice Girls together at some point in the future.”

The Sun told last April how Geri, 53, was back in touch with the band’s former manager Simon Fuller and had flown out to Miami to try and agree on a deal.

As recently as January, Mel C had insisted they were still in active discussions about celebrating the milestone.

And even Victoria, 51, had prompted hopes she could return to the group, saying she “loves” the idea of a residency at Las Vegas venue Sphere.

She said in October of the prospect: “It would be tempting. But could I take on a world tour? No I can’t. I have a job…

“How good would the Spice Girls be at the Sphere! I love the idea of it. I mean I don’t know if I could even still sing, I mean I was never that great!”

However, in recent weeks, plans have fallen apart, with just a collectible coin from the Royal Mint being announced to mark the anniversary.

A planned Netflix drama based on the group was shelved last month amid reported tensions in the group.

The Spice Girls have not performed together as a five-piece since the London 2012 Olympics closing ceremony.

They last reunited without Posh in 2019 for a sold out 13-date stadium tour of the UK and Ireland, selling 700,000 tickets and making £4.4m each.

KIM Kardashian has been accused of editing her sister Khloe’s face by fans as the family enjoy a trip to Japan.

The sisters have been living their best lives in Tokyo over the past week, along with Kim’s children, Saint, Psalm and Chicago and Khloe’s daughter True.

The Skims founder, 45, took to Instagram on Saturday to share a photo dump of their trip but soon came under fire for allegedly using editing tools to change the appearance of hers and Khloe’s faces.

In one snap, the pair are seen standing in front of a toy claw machine, as Khloe, 41, holds a stuffed toy in her arms.

The sister duo look flawless with their skin glowing and their make-up on fleek, but fans think she may have altered the pictures.

One person commented: “The amount of facetuning on khloe gaadammmm.”

Another social media user expressed: “We saw you at the Oscar party. We know you don’t look anywhere close to this. Nor does your sister.”

Somebody else said: “Ya’ll do not look like this in person. Kim embrace your age and imperfections. Especially Khloe.”

Yet another penned on Reddit: “Why does khloe look photoshopped in. It looks like she’s been pasted in and resized to be around Kim’s height lol.”

While a fifth added: “I hope those Instagram filters get overtime pay cuz they be working hard af.”

Kim’s new man Lewis Hamilton was spotted with the group in Tokyo earlier this week, before the start of the Japanese Grand Prix.

Things appear to be heating up for the pair as she introduced him to three of her children.

“It’s more than just a casual connection. It takes a lot to capture Kim’s interest and she’s definitely intrigued,” an insider told People.

“He’s just an easygoing guy with great energy.

“Her family likes him and Kim’s very into him. They are both busy with their careers, but see each other as much as possible.”

On Sunday, Kim and Lewis took a stroll around the streets of Tokyo before being sighted by fans.

Surrounded by security, Kim waved back as she walked in a full-body grey dress.

Linking arms with BF Hamilton, the American offered some PDA for those watching on.

Kim’s romance with Lewis became public knowledge after The Sun revealed she flew in from Los Angeles on her £100million private jet to spend an evening with him.

On January 31, the couple enjoyed a brief stay at the exclusive Estelle Manor in the Cotswolds, with insiders saying they had the spa to themselves, before enjoying a meal in a private room.

A source told The Sun: “It all appeared to be very romantic. Kim and Lewis made use of all the facilities on offer.

“She had two bodyguards with her and Lewis had a close protection officer but they remained in the background.

“Two of the three stood guard outside the door to their room, so no one could disturb them.”

Lewis was friends with her ­rapper ex Kanye West, who she divorced in 2022.

A source added: “They had a couple’s massage booked in and had full use of the facilities for just the two of them.

“It was all kept very quiet – they clearly wanted to have some time for just the two of them.”

They hard-launched their romance at the Super Bowl last month, when they were spotted in the stands alongside her sister Kendall Jenner.

The streamer’s latest true crime offering tells the harrowing story of Manuel Blanco Vela.

Netflix’s dark new documentary has left viewers reeling. It has just added a new series to its extensive library of true crime offerings, which delves into a case that evaded justice for many years until one survivor spoke out.

The Netflix series recalls a woman’s fight to expose Manuel Blanco Vela, a Spanish tour guide who ran student trips and abused the trust of young women by assaulting them.

Blanco Vela, who ran Discover Excursions, a travel company offering trips across Spain, is the main subject of The Predator of Seville.

Viewers learned of how between 50 and 100 women may have accused Blanco Vela of assaults or attempted assaults over time, although only a small number of cases were prosecuted.

Taking to X, formerly Twitter, to share their thoughts on the new crime documentary, one viewer said: “That Manuel Blanco documentary is horrifying.”

Another praised the survivors, sharing: “What a brilliant and brave woman you are. He massively underestimated the collective power of women.”

On IMDb reviews, one viewer expressed their shock, sharing: “How could this go on for so long?

“It’s disgusting to see how long Manuel was able to get away with this abuse and how difficult it seems to be to actually convict someone like that. Incredibly brave of all the women who have shared their stories.”

Another shared: “It is a very interesting story on Manuel’s serial behaviour. It’s sad to hear it took so long to be recognised. The woman starting the story seems to have been healing well and hope she continues on doing so.”

A third added: “Every woman that was affected by this guy, I am so happy that you stood up for yourself, the fact that he was running away for so long honestly mind-boggles me.”

A fourth shared: “Unbelievable that that man got away with it for so long. A confronting story for parents and young girls. Let it be a lesson that young girls should never go out alone, no matter where in the world.”

The synopsis for the limited series reads: “A sexual assault by a Spanish tour guide sparks a surge of similar claims from multiple US students. This documentary follows their fight for justice.”

The trailer for the series sees a group of women explaining how Blanco Vela took advantage of their vulnerable state until one survivor set up an online investigation to expose him.

The Predator of Seville is on Netflix

INFLUENCER Charlotte Greedy has left fans confused by revealing she and her partner Harriet are trying for another baby, months after they almost split.

The couple already share daughter Phoebe together, while Charlotte is a mum to sons Enzo and Brody from a previous relationship.

Charlotte, known as ‘missgreedyshome’ online, has over half a million Instagram followers, while her wife Harriet boasts over 100K and shares fitness content.

After tying the knot in October 2024, the couple of eight years almost split up last summer – with Charlotte even sharing a split statement before quickly retracting it.

At the time, the influencer said she was “left with no choice” due to “disrespect” in the relationship.

But soon after, Charlotte – who suffers from Borderline Personality Disorder – returned to social media to say she regretted posting the “sharp and impulsive” statement.

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Since then, Harriet and Charlotte have shared several posts about their relationship and how they have battled through its ups and downs.

And now seemingly in a much stronger place, the couple are once again expanding the family.

Sitting down for a new video, they told the camera: “We’re going to try for another baby.”

Charlotte- who had a tummy tuck last year – went on the explain that having more children is something the couple have been thinking about for a while.

She said: “We’ve been talking about this for a few months. Harriet has been set on it and I’ve kind of been on the fence, leaning back off the fence, and now I’ve fallen frontwards off the fence.

“We just love being mums, and, I think, the boys are growing up; Enzo is nearly 13, Brody is 10 and Phoebe is now two.

“I can’t stand the thought of not having another one. You guys sent an incredible quote to me the other week saying that you’ll never regret the baby you have but you will regret not having that baby.

“And, it just, kind of cemented it for us, didn’t it?”

Charlotte went on to explain that they were only going to have another child if they could use the same sperm donor they previously used to have Phoebe.

Adding that it was “meant to be”, Charlotte said the couple were successful in reserving the same sperm and are set to undergo IUI (Intrauterine Insemination), as opposed to IVF.

They are set to begin the first round in May, with the couple assuring they are set to take fans with them throughout the journey.

While the comment section of the post was filled with friends and fans congratulating the couple, some were also confused about the massive switch up from their previous split woes.

One Instagram user commented: “I say this with respect, but I can’t help thinking about the posts you shared not long ago about you and Harriet splitting up and going through marriage counselling.

“Bringing a baby into the situation is a huge step, and I just hope it’s coming from a place of real stability rather than trying to fix things. A child deserves a secure and settled environment.”

Giving her side of the story, Charlotte replied to the comment: “We have been together nearly 10 years and had many a blip like others I’m sure, we already have 3 kids who have ‘stability’ but thank you for your message.

“I’m sure it doesn’t come from a bad place, our blip was over a year ago now & we share real life and real life will always have its ups and downs.”

AI is coming. AI is here. AI is a bubble. AI is the future we want. AI is the end. AI is the path to a better us (at least the ones who survive it).

A big topic, this artificial intelligence, with a lot of different ways to think about it. To grapple with AI is a worthy endeavor for any filmmaker. (And by grapple, I don’t mean asking AI to make the film for you.)

Daniel Roher, the man behind the Oscar-winning “Navalny,” has, along with co-director Charlie Tyrell, attempted a nonfiction primer of sorts on the biggest technological, societal and existential challenge of our time with “The AI Doc: Or How I Became an Apocaloptimist,” a title boasting a hybrid coinage Roher picks up from one of his interviewed experts — one of too many, it turns out. “The AI Doc” is a well-intentioned but aggravating soup of information and opinion that wants to move at the speed of machine thought.

Roher’s approach is understandable for a mainstream doc. He assumes many of us are tech-competent, anxious and confused as to what AI even is to begin with. In his pursuit of answers, Roher employs a cloying framework: his loving wife occasionally narrating as if this were a storybook and Roher the protagonist of a scary adventure. The fable construct extends to a frenetic visual scheme of handmade art and animation that interrupts our absorption process as if we were kids needing stimulation between all the talking heads.

As for the AI itself, the experts — a mix of tech founders (such as Sam Altman and Anthropic’s Amodei siblings), historians, scientists and assorted champions and skeptics — come to Roher’s home, because he wants to foreground a key question as an expectant father: Should he be bringing a child into this world?

Perhaps more urgently, should Roher have made an AI doc that treats us like children? First, he parades all the safety doomers, seeming to believe their warnings that an unfeeling superintelligence is upon us and we can’t trust it. Then, sufficiently disturbed, he hauls in the AI cheerleaders, a suspiciously positive gang who can envision only medical miracles and grindless lives in which we’re all full-time artists.

Only then, after this simplistic setup where platitudes reign, do we get the section in which the subject is treated like the brave (and grave) new world it is: geopolitically fraught, economically tenuous and a playground for billionaires.

Why couldn’t the complexity have been the dialogue from the beginning, instead of the play-dumb cartoon “The AI Doc” feels like for so long? Maybe Roher believes this is what our increasingly gullible, truth-challenged citizenry needs from an explanatory doc: a flashy, kindhearted reminder that we’re the change we need to be.

But if you thirst for a sober-minded investigation into this ominous tool — one with an approach that treats you like the intelligent being you are — you’ll have to wait for AI doc 2.0.

The anti-nuclear artists collective whose work is on display at Pitzer College in Claremont never predicted a nuclear proliferation crisis would break out in the Middle East during their exhibit, or how grimly topical their work would quickly become as a result.

“Atomic Dragons,” wrapping April 4 with a closing-day symposium of nuclear experts, is the work of SWANS, which stands for Slow War Against the Nuclear State. The group is made up of artists, activists and academics with ties to the nuclear industry, including children and spouses of nuclear industrial complex workers — putting a new spin on the “nuclear family.”

The show examines the environmental and human cost of the atomic era through an artistic lens, tracing present day nuclear risk back to its Cold War roots.

The SWANS’ warning call has always been clear, but ”Atomic Dragons” took on a whole new meaning when the United States and Israel launched a joint assault on Iran over its illicit stockpile of nuclear materials Feb. 28, three weeks after the show opened.

“We’re at the start of what will be an exceedingly dangerous period in terms of the Iranian nuclear program,” nuclear policy expert Scott Sagan, who co-directs Stanford’s Center for International Security and Cooperation, said. “We’re likely to have a major, major conflict over this.”

In a time of acute nuclear anxiety, SWANS is an outlet through which the artists process the fear and gravity of our atomic reality.

Fiona Amundsen, “Yoshino Cherry Tree, Sanyo Buntokuden, Hiroshima (lovingly held),” 2025, from the series, “The Trees are Leaking Light,” 2024-25, 4 x 5 inch negative processed using seaweed, gathered from the ocean current of the Fukushima wastewater release, inkjet washi photograph.

(Chloe Shrager)

“My maybe-naive hope is that the artworks help to provide an avenue into that understanding of the severity of what it means to play with the nuclear,” said Fiona Amundsen, whose arresting film photography of three trees in Hiroshima that survived the 1945 nuclear bomb was developed using contaminated seaweed growing in the Fukushima wastewater release line.

The resulting images are dotted with delicate white flares: trace amounts of radioactive tritium that transferred to the film from the nuclear effluent during the chemical processing, bearing physical witness to the usually invisible effects of radiation.

Amundsen’s work is in keeping with the rest of the show, which fills two halls at the liberal arts school with visual and multimedia works that probe the persistence of radioactive materials. Artifacts from the birth of the nuclear age are also featured, including items recovered from postwar Hiroshima and a letter from the father of the nuclear bomb, Robert J. Oppenheimer.

The artworks are as likely to unsettle as they are to move.

Elin o’Hara slavick labored over an expansive series of photochemical drawings of every above-ground nuclear test — 528 in total, a selection of which are featured in the exhibit— on salvaged darkroom paper from Caltech, the institution that played a role in developing the detonators for the U.S. nuclear bombs dropped on Japan under the top secret Project Camel.

elin o’Hara slavick, selection from “There Have Been 528 Atmospheric Nuclear Tests to Date,” 2022, photo-chemical drawings on outdated and fogged silver gelatin paper.

(Chloe Shrager)

Slavick said she found the abandoned silver-gelatin paper, which was fogged despite being stored in closed boxes, in the basement of the university near a door labeled “Radiation Science,” which led her to believe radiation exposure from Caltech’s Manhattan Project past distorted the photographic paper.

SWANS seems to double as a support group for families impacted by the nuclear industry. Many members believe they’ve lost loved ones to radiation, or were themselves likely impacted by early-life exposure as children of Manhattan Project engineers. The tension between the anti-nuclear artwork and its artists’ familial ties to the production of the very technology they reject is an enticing dance of its own.

Judith Dancoff, “The Milk Pathway (still),” 2023, video, briefcase, antique milk bottles, and tempera.

(Chloe Shrager)

Writer Judith Dancoff links her hyperthyroidism and long-term reproductive issues from a pituitary gland tumor to childhood radiation exposure during a summer spent at the Oak Ridge uranium enrichment site in Tennessee where her father worked as a student of Oppenheimer. Her father died young of cancer, and the story is woven into her featured SWANS work.

One of the largest pieces on display at “Atomic Dragons” is Nancy Buchanan’s interactive full-wall exhibit of documents her father brought home from his government work as a Manhattan Project physicist, alongside material from the FBI file on his mysterious death, on display for viewers to read under looming red letters spelling out “SECURITY.”

Nancy Buchanan, “Security,” 1987, installation with file folders, photos, map pins, and documents.

(Chloe Shrager)

The current crisis in Iran has sent memories bubbling to the surface for the collective, and chills down the spines of viewers.

Many have expressed fears of an Orwellian-style forever war, or worse, the use of the atomic weapon invented “to end all wars” in a twisted attempt to do so, poisoning the region as a byproduct. But nuclear policy expert Sagan said the likelihood of the conflict escalating to involve nuclear weapons is “exceedingly low,” even if Iran has the capability to build them.

Iran possesses enough 60% highly-enriched uranium to build about 10 nuclear weapons if further enriched to 90% weapons grade, he said. This could take a matter of weeks to complete depending on the state of Iran’s enrichment centrifuges, which Trump claimed to have “obliterated” during air strikes in June.

Iran could also craft a primitive nuclear device out of minimally enriched materials for an offensive attack (“60% could actually create an explosion, it just wouldn’t be a very efficient one,” according to Sagan), but George Perkovich, senior fellow for the Carnegie Endowment for International Peace’s Nuclear Policy Program and author of “How to Assess Nuclear Threats in the 21st Century,” points out that “you have to build more than one for it to be useful,” especially under the wrath of a nuclear-armed West’s expected response.

What is more likely, and probably more dangerous, experts say, is the now-heightened long-term risk of global proliferation. “This war is going to suggest to some countries that if they want to secure their sovereignty, they need nuclear weapons,” Sagan said.

elin o’Hara slavick, selection from “There Have Been 528 Atmospheric Nuclear Tests to Date,” 2022, photo-chemical drawings on outdated and fogged silver gelatin paper.

(Chloe Shrager)

Since 1968, the world nuclear order has rested on the delicate architecture of the Nuclear Non-Proliferation Treaty, enforcing the international norm that countries without nuclear weapons won’t try to get them, and countries with nuclear weapons won’t help arm their allies. Now, experts say the rulebook has been thrown out.

“What this does is it breaks the old system that was based on the non-proliferation treaty,” said Perkovich, who has worked on nuclear issues for 44 years. “It’s now ‘might makes right,’ everybody’s on their own, friends versus enemies. I think the terms now change, and we’re not bargaining.”

Though the timing of the military operation in Iran with the “Atomic Dragons” exhibit could not be described as kismet as much as brutally ironic, slavick said the “sick and sad thing” is that “it’s always topical when you’re an American.”

“We do this. We wage wars. We are the leading nuclear country,” she said, speaking to the heart of the SWANS message: In a world where nuclear materials exist, it is not a matter of if humans will be harmed, but when.

There is a historic relationship between visual art and nuclear war, said Jim Walsh, a senior research associate at the MIT Security Studies Program on nuclear weapons risk issues in Iran and North Korea, who is also a speaker at the exhibit’s closing symposium. As the world enters a “more disruptive period” after the post-Cold War cooling of nuclear tensions, he expects to soon see “a flowering of artistic projects,” as nuclear risk reaches a local peak. “It’s a super powerful thing involving life and death, the planet, the entire environment, love and hate,” he said.

“Atomic Dragons,” which also features work created decades ago, highlights questions that are as relevant today as they were at the dawn of the nuclear era: Can we make the world safe enough so we can once again dream? Is the strength of a country found in its military rather than its culture? Is fear our gross national product?

The two Taylor Lautners are expecting a baby.

“What’s better than two Taylor Lautners?”

That’s what the couple — call him Taylor and her Tay — wrote Thursday in a social media post announcing that a newborn was in their future.

The couple included four photos: The first showed the “Twilight” franchise star, 34, kissing the belly of his 29-year-old wife as she stands in a field holding sonogram images. The others showed them having fun in that same field as they celebrated the news.

That last one was in black and white and a little blurry, but it showed her sitting in a low chair, hands on her belly, cracking up as he sat low by her side with a big smile on his face. The sonogram made its way through all of the baby-on-board photos.

The couple offered no further details about the baby, including the due date.

Taylor Lautner met the former Taylor Dome in December 2017, and the two went public with their couplehood the next October and got married in November 2022 after a yearlong engagement. She was a registered nurse when they met; he was a few years off playing werewolf Jacob Black in the blockbuster franchise that brought a sparkly vampire-human love story to life.

While co-stars Kristen Stewart and Robert Pattinson, who played Bella Swan and Edward Cullen, have charted distinctive acting careers since 2012, when “The Twilight Saga: Breaking Dawn — Part 2” debuted, Taylor has hung back a bit. He met Tay after his sister set them up with invites to the same game night.

Tay, by the way, was Team Edward, crushing on Pattinson more than Lautner when she experienced the “Twilight” franchise. “I was too young for Jacob’s abs,” Tay told Cosmopolitan in a 2025 profile of the Lautners.

“Yeah, when I was walking around in my little booty jean shorts and ripping my shirt off and my abs were on big screens, she’s 11 years old, throwing a ‘Twilight’ birthday party,” he told the magazine. Tay was “a breath of fresh air” for him after years of dating women who worked in the spotlight.

That list famously included Taylor Swift, his co-star in “Valentine’s Day,” with whom he coupled up for several months before that 2010 movie came out.

“Now I have my priorities straight,” Taylor Lautner told Cosmo. “If I do a project and it doesn’t go as planned, I’ll still be coming home to my family that’s always going to be there.”

And soon that family will be more than two.

RABAT, Morocco — A Moroccan court sentenced a rapper known for his criticism of the country’s ties with Israel and accusations of government corruption to eight months in prison, the latest in a string of penalties against young musical artists.

Souhaib Qabli’s songs sharply criticize Morocco’s 2020 decision to normalize ties with Israel in an accord brokered by the first Trump administration. His lyrics also call out problems with public services and restrictions on freedom of speech, grievances also voiced by Morocco’s Gen Z protesters last year.

The judge ruled Thursday that Souhaib Qabli, a 23-year-old rapper, was guilty of insulting a constitutional body, his attorney Mohamed Taifi told the Associated Press. Qabli, who is a member of Al Adl Wal Ihsane, a banned but tolerated Islamist association, was also fined $106.

“The court did not clarify what it meant by a constitutional body. No specific party was identified in the case file, and there are many constitutional institutions,” Taifi said.

The attorney said that his client is appealing the verdict. He also said Qabli was cleared of other charges, including insulting public officials and disseminating false allegations.

Before the public hearing, dozens of supporters gathered outside the court in Taza, a city in north-central Morocco about 160 miles from the capital, Rabat, holding banners calling for Qabli’s release. Rights groups in the North African kingdom have described the case as a political measure aimed at curbing freedoms.

Qabli, known by the stage name L7assal, was arrested earlier this month and remained in custody until the court delivered its verdict. He was studying refrigeration and air conditioning at a vocational training institute in addition to his music career.

His attorney said that Qabli was questioned in court about his songs and social media posts. Qabli said he had no intent to insult any constitutional body and was expressing his views through his music.

His songs include “No to the Normalization,” referring to Morocco’s decision to normalize ties with Israel in the U.S.-brokered Abraham Accords in 2020, in exchange for Washington’s recognition of Morocco’s claim to the disputed Western Sahara territory.

The move was criticized by Morocco’s pro-Palestinian supporters and sparked large protests in several cities. While authorities allowed the rallies, they have arrested activists who criticized the decision.

Morocco’s constitution generally guarantees freedom of expression, and the country is seen as relatively moderate compared with others in the Middle East. Yet certain types of speech can trigger criminal charges, and Morocco has seen tightening restrictions on dissent, including against journalists and activists.

Today’s cold open showed Andrew, played by the comedian Jack Shep, taken into an office by MI5 in the wake of Princess Diana’s death in 1997.

The former Prince Andrew, Sarah Ferguson and Peter Mandelson were skewered in tonight’s opening Saturday Night Live UK sketch. It saw Andrew, played by comedian Jack Shep, taken into an office by MI5 in the wake of Princess Diana’s death in 1997.

It was quickly hailed as “incredible” by fans. One wrote: “I fear it’s already genius.” Another said: “Oh god perfect cold open on Andrew.”

Agents sit him down and tell him: “No one knows better than us how charming, capable, fiercely intelligent and morally upstanding you are. You are a credit to princes everywhere. Since the death of Diana the public have turned on Prince Charles but still one day he will be King. We need to make him look good.”

Another added: “We have deduced that the only way to increase the likability of our future king is to decrease the likability of everyone around him.”

Andrew replies: “I see. Well, I love my brother, I love my country and I’m willing to do whatever it takes.” The agents tell him, passing him an enormous dossier: “We have prepared a 29 year plan.”

He is seen flicking through nervously, asking: “And you actually need me to do all of this stuff? Even the part about befriending a notorious paedophile? Before and after he is convicted? And there is absolutely no other way to make my brother look good?”

The Andrew character adds: “This all seems very high risk. Oh god, I’m sweating. Surely you can’t make everyone around Charles unlikeable. What about William? He’s so handsome.” The agents tell him: “We’re seeing to that.”

“And Harry?” asks Andrew. They tell him: “He’s going to marry a woman 98% of the UK public will find it impossible to have a normal conversation about.”

The Andrew character replies: “Goodness, this will kill mummy when the news comes out.” They tell him: “Turn to page 72, it will.”

Things go up a gear again when they say: “”Send in Agent Mandelson.” Larry Dean emerges as Peter Peter Mandelson with Emma Sidi as Sarah Ferguson, who have also been brought in to make Charles look good.

The agents tell Andrew: “Your Highness, if you’re ever in too deep, just say the code word and we’ll step in to save you.” When he asks what that is, he’s told: “Pizza Express, Woking.”

The second episode of Saturday Night Live UK was hosted by actor Jamie Dornan, following on from Tina Fey’s appearance in the debut.

The former EastEnders star has been cast in the reboot of The X Files, which has been greenlit by American streaming powerhouse Hulu

Former EastEnders star Himesh Patel has landed a significant role in the highly anticipated reboot of The X Files.

The 35-year-old, who first captured the nation’s hearts as a youngster on the popular BBC soap portraying Tamwar Masood in Albert Square, is now setting off on a completely different adventure.

He has been cast in Ryan Coogler’s reboot pilot of The X Files, which American streaming giant Hulu gave the go-ahead to last month. Himesh will appear alongside BAFTA-nominated actress Danielle Deadwyler, playing two ‘vastly different’ FBI agents.

Danielle, 43, boasts an impressive array of accolades, particularly for her compelling portrayal of Mamie Till-Mobley in Till. She was nominated for the Best Actress in a Leading Role award at the 2023 BAFTA Film and TV awards, reports OK!.

According to a logline by Variety, the reboot focuses on: “Two highly decorated but vastly different FBI agents (Deadwyler, Patel) form an unlikely bond when they are assigned to a long-shuttered division devoted to cases involving unexplained phenomena.”

The publication also confirms that both stars will portray entirely new characters, rather than reimagined versions of Fox Mulder and Dr. Dana Scully, according to the Daily Mail. David Duchovny and Gillian Anderson brought those iconic roles to life across 11 series.

Original creator Chris Carter is returning as executive producer, while Jennifer Yale (The Copenhagen Test) has been appointed as showrunner. Meanwhile, Coogler is scheduled to write, direct and produce, drawing inspiration from his mother’s fondness for the original series.

This marks another collaboration between Himesh and Danielle, having previously worked together on the 2021 miniseries Station Eleven.

Himesh left EastEnders in 2016 after his character ran away with then-girlfriend Nancy Carter. Two years later, he shot to international fame by securing the lead role in Yesterday, which became his breakthrough film.

In 2024, Himesh disclosed that struggling with acne while working on EastEnders as a teenager ‘felt like the worst thing in the world‘.

Speaking openly to British GQ Hype, the actor looked back on his remarkable career journey, including his early years on the legendary soap.

He told the publication: “I’ve been doing this since I was 16, When you’re a teenager and you have acne, it’s the worst thing in the world.

“But then when you’ve got acne in front of millions of people every week in EastEnders, it’s a whole other thing. ‘It was rough. You just kind of feel defective because you’re surrounded by actors. Everyone gets spots, but I just felt the pressure.”

The X-Files is available to stream on Disney+.

Paul McCartney sauntered onto the stage of the Fonda Theatre, took in the 1,200 faces before him — “I can see the whites of your eyes,” he said — then offered up a brief history lesson about where we’d gathered Friday night.

The Fonda, he told us, opened 100 years ago; back then, he added, it was called the Music Box.

“Cool little place, innit?”

At 83, McCartney is well into his cool-little-place era.

Last year the rock legend played a string of concerts at New York’s tiny Bowery Ballroom while in town for “Saturday Night Live’s” 50th anniversary; a few months after that, he hit the Santa Barbara Bowl as a kind of warm-up for the latest leg of his Got Back world tour.

Paul McCartney and his band during sound check for Friday’s show.

(MJ Kim)

Friday’s underplay — the first of two instant sell-outs at the Fonda — came as McCartney is drumming up interest in a new studio album he’ll release in May. Outside the venue, a double-decker bus was parked with signage advertising the LP, which is called “The Boys of Dungeon Lane” after a road in his Liverpool hometown.

But that hardly seemed like the purpose of the show itself, which lasted about an hour and 40 minutes and didn’t even include a performance of the album’s lead single. The truth is that Sir Paul genuinely appears to get a kick out of these intimate gigs — out of standing right in front of a crowd and doing the magic trick that is a song like “Get Back” or “Jet” or “Got to Get You Into My Life.”

And why wouldn’t he?

If a Paul McCartney concert in an arena or a stadium is a finely honed spectacle of boomer nostalgia and industrial-strength charm, one of his shows in a club or a theater is a chance to play music, which after six and a half decades still clearly turns his wheels.

You wouldn’t say the shows remind McCartney that he’s a regular guy. (Those six and a half decades have made him anything but.) What they might do, though, is remind him why he became so widely adored — valuable self-knowledge for an artist whose great subject has always been the transformative power of love.

Here, as in Santa Barbara, he and his seven-piece band (which featured three horn players) did a pared-down version of the most recent Got Back set, opening with a killer one-two punch — “Help!” into “Coming Up” — that alone said plenty about McCartney’s range and endurance.

“Let Me Roll It” had a funky swagger, while “Getting Better” chugged with cheerful insistence; “I’ve Just Seen a Face” showed off the group’s crisp harmonies and “Lady Madonna” its tight rhythmic interplay. After “Let ’Em In,” McCartney asked his band member Brian Ray to show off the song’s all-important bass line: a single note plucked over and over and over again.

Friday’s show was the first of two at the Fonda.

(MJ Kim)

He did a few other comic bits, including a memory of Tony Bennett singing without a microphone as a way to demonstrate the excellent acoustics of a concert hall — the punch line was that he later saw Bennett do the same thing at the Beverly Hilton — and some gentle ribbing of the folks sitting up in the “posh seats” of the Fonda’s balcony. Among them, McCartney pointed out, was Morgan Neville, director of the recent “Man on the Run” documentary about McCartney’s life in the aftermath of the Beatles’ breakup.

He also noted that his wife, Nancy Shevell, was in the house and dedicated “My Valentine” to her; truth be told, that one was a bit dreary, as was “Now and Then,” the so-called last Beatles song released in 2023 using machine learning to complete a scratchy demo left behind by John Lennon.

“Thank you, John, for writing that lovely song,” McCartney said afterward, which made it a little harder not to like.

In any event, there were more classics to come, not least a buoyant “Ob-La-Di, Ob-La-Da” and a “Let It Be”/“Hey Jude” twofer that inspired such a lusty singalong that McCartney probably could’ve gotten away with lip-syncing if he’d wanted to.

But of course he didn’t want to — that was kind of the whole point.

TOMMY Fury has risked pregnant Molly-Mae’s wrath after announcing a huge fight the day after her due date.

Last month, the Love Island icon, 26, thrilled fans when she announced that she and Tommy Fury, also 26, were expecting their second child together.

Tommy has now taken to Instagram to announce that he is taking on Eddie Hall on June 13 at the AO Arena Manchester.

Tickets go on sale Sunday and it will be shown live exclusively on DAZN.

The post has received over 130k likes and almost 1500 comments as fans eagerly await the outcome of the fight.

One boxing fan wrote: “Let’s Go!”

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building bridges

Tommy Fury proves feud with Molly-Mae’s sister and her husband is over

Another said: “This is wild!”

While a third said: “I’m here for this.”

However, a fan asked Molly-Mae: “Does this mean Tommy is missing the birth of your second child?”

Since revealing the couple’s big news last month, where Molly-Mae said she was already six months pregnant, she has been teasing fans with little snippets and clues about her unborn baby.

In her latest Instagram post called “bits and bobs” she shared a slew of snaps of her second pregnancy journey.

This included pics with her and Tommy’s first child, Bambi, three, plus stunning baby bump photos.

But it was the photo of her baby scan that really stood out and revealed her due date.

In the sweet snap, the scan had been flashed up on the big screen in their movie room, with Molly and Tommy’s daughter pointing to it.

But if you look closely at the photo, it gives away when the influencer’s baby will be born.

The picture revealed she was 24 weeks and 6 days pregnant when she had the scan on February 26.

This therefore means her due date is June 12 which is only one day before Tommy’s big fight.

Molly-Mae recently raised concerns when she visited Ash End House Children’s Farm with Bambi where she shared a photo of the “three days old” lambs

As she showed off some young lambs on her Instagram stories, it sparked worry as there is a risk of contracting disease from animals who’ve recently given birth.

.The Children’s Farm has a section on its website dedicated to safety and measures pregnant women can take to reduce the risk of infection.

Her farm trip comes after she revealed she’s having trouble breathing during her pregnancy and is concerned it might lead to her becoming addicted to nasal sprays.

Molly went on to admit she is not suffering from a cold or any illness but still finds herself feeling as though she cannot breathe in the morning – leading to her reaching for the sprays every day.

She said: “I don’t have a cold. I don’t feel ill but I wake up and I can’t breathe.”

But she assured fans she was feeling well within herself and her pregnancy as she nears her due date.

A TV insider has shared what they claim is the real reason behind a ‘blunder’ on ITV’s Britain’s Got Talent

A TV insider has revealed what he claims is a behind-the-scenes Britain’s Got Talent secret ploy following a ‘blunder’ during a recent episode of the ITV programme.

The hit talent competition recently made a triumphant return to our screens as judges Simon Cowell, Amanda Holden, Alesha Dixon and KSI reunited with presenters Ant and Dec in the hunt for Britain’s next talented superstar.

Contestants have pulled out all the stops in an attempt to impress the panel and secure a life-changing £250,000 cash prize and a coveted slot at the Royal Variety Performance.

Amongst the numerous performers who have graced the stage so far is magician Fabian Fox and BGT fans know full well that magic acts are amongst the most-loved performances on the programme.

Last weekend the young magician introduced himself to judges Amanda Holden, KSI, Alesha Dixon and guest judge Stacey Solomon, while two large platforms with curtains attached stood behind him on the stage, reports Belfast Live.

However, his trick sparked conversation amongst fans as he ‘transported’ a woman and man from one of the platforms to the other using his own powers.

The way viewers were going to be able to tell that it was the same woman transported onto the platform was that she was going to be holding one white sports trainer at the point of teleportation.

Yet viewers watching at home were swift to notice an editing blunder as initially the lady was holding a trainer with the laces undone, then, when she “teleported” to the other platform, the laces were mysteriously tied up.

According to TikTok user @adamjamesonTV, who works in television, it was no accident and programme producers did that deliberately to attract more audiences.

Mirror has approached ITV for comment.

In footage shared to his account, he displayed an image of the ‘error’ and stated: “So everybody thinks this was an editing blunder on Britain’s Got Talent but they’re wrong.

“First of all, this edit is seen by so many people before it actually gets broadcast. There’s no way on earth they missed it.”

He went on: “Second of all, the fact that they kept this blunder in means that he’s definitely not going to win the show. Their argument will be that they’re showing the act as it was and therefore they’re doing nothing to manipulate the performance.

“However, their real reason is the fact that you guys will all stick it on social media and talk about the show. If you’re talking about the show, the show gets more viewers and the traction gets bigger. Essentially, he’s just become another pawn in Britain’s Got Talent’s machine.”

He concluded: “If they wanted him to win, they would have cut this bit out, gone to a wide shot and nobody would have known. But whether you like it or not, Britain’s Got Talent is not about having a fair talent competition. It’s about viewers and viewers equals money.”

Britain’s Got Talent airs Saturday nights on ITV and ITVX.

We spoke exclusively to Altered Carbon and For All Mankind actor Joel Kinnman about his brand-new Netflix crime drama Jo Nesbø’s Detective Hole

Netflix has dropped a brand new crime drama that’s perfect for audiences looking for their next binge watch.

Jo Nesbø’s Detective Hole is adapted from the internationally best-selling author’s acclaimed books and follows alcoholic but brilliant detective Harry Hole (Tobias Santelmann) as he tries to hunt down a brutal serial killer on the prowl in Oslo, Norway.

However, Harry is also trying to take down corrupt fellow detective Tom Waaler (Joel Kinnaman) as the two men try to out-wit each other.

The nine-part series, which can be described as Luther meets Line of Duty, has some gruesome moments putting it in on par with Idris Elba’s BBC detective drama.

In a recent interview with the Mirror’s publishers Reach Plc, Detective Hole star Joel Kinnaman broke down perhaps the most stomach-churning moment in the show and shared some surprising behind-the-scenes insight into bringing the grisly scene to life.

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WARNING: This article contains major spoilers from Jo Nesbø’s Detective Hole on Netflix

The scene in question saw Kinnaman’s sociopathic police officer Waaler luring an unsuspecting man into public toilets on the promise of sexual favours, before castrating and murdering his victim.

Kinnaman said: “When we were shooting that, that’s where you really felt like this big budget was coming in because that penis prosthesis was so perfect. It felt very real holding it.” Adding: “It was a very realistic experience.”

Despite the sequence proving a tough watch, filming it was another matter for Kinnaman and the rest of the crew.

The star joked that every time the prosthetic appeared, he would “make a soundtrack” for its entrance.

“It was pretty hard to keep from laughing but then when he got into it, it became sort of horrifying,” he said.

Adding: “It was a very strange feeling. It was very strange to do it, but I enjoyed it.”

Addressing joining the crime drama, the Swedish-American actor said he was “very excited” about the idea of playing the Swedish character in a Netflix production, which he said would make it “accessible” to audiences.

Kinnaman went on to say that he was excited to step into acclaimed crime author Nesbø’s world and the character of Waaler, saying: “I’ve never got to play this kind of mouth-watering, crazy role. So fun and such an opportunity.”

The star went on to say about Waaler’s mindset: “He’s sort of morally conflicted and he’s driven by his sexual confusion and his sexual desires and his strive for power and power games. But what is also fuelling all of this is his childhood trauma.

“I sort of play him as a malignant narcissist on the scale of psychopathy. That was sort of the hypothesis that I was playing off of and that’s someone… he’s not born a psychopath, but he has been damaged at a young age.

“And then it veers, it makes his personality veer off in this direction and course.”

Kinnaman said that childhood trauma had created a lack of empathy in Waaler that led to his extremely violent behaviour.

Jo Nesbø’s Detective Hole is streaming on Netflix now