SHOW BIZ

Michael Jackson’s famous clan stepped out to celebrate the premiere of the new “Michael” biopic, but some of the Jacksons snubbed the event and have opposed the film.

On Monday at the Dolby Theatre in Hollywood, several members of the Jackson family gushed about the Antoine Fuqua-helmed film, which depicts the origin story of the King of Pop and follows the hitmaker from childhood through his upward trajectory to superstar status in the 1980s.

Michael Jackson’s nephew Jaafar Jackson, son of Jermaine Jackson, starred in the title role, and his aunts and uncles dropped accolades for his performance in red carpet interviews. Marlon Jackson said, “Watching the movie, sometimes we think we’re watching Michael up there, that’s how good he is.”

La Toya Jackson called his performance “absolutely excellent” and echoed Marlon, saying that she forgot she was watching Jaafar: “I thought I was watching my brother.”

But not all of the Jacksons were up for celebrating the film. Most notably absent were the “Beat It” singer’s pop star sister, Janet Jackson, and his daughter, Paris Jackson. The eldest of the siblings, Rebbie Jackson, also skipped the event. And although the film includes portrayals of many of the Jackson siblings, some also asked to be left out of the biopic, including Janet.

“I wish everybody was in the movie,” La Toya Jackson told Variety at the premiere. “She was asked and she kindly declined, so you have to respect her wishes.”

Last month, rumors began to swirl that the “All for You” singer attended a family screening of the film and wasn’t pleased. Page Six reported that Janet and Jermaine got into a spat, with Janet critiquing almost every scene.

At Monday’s premiere, “Entertainment Tonight” asked La Toya about the controversy, which she was quick to shut down. “There was absolutely no problem whatsoever, none whatsoever,” she said. “Please believe it.”

Although both of Michael Jackson’s sons, Prince and Bigi, have supported events for the film (Prince attended Monday’s premiere, and Bigi attended a Berlin premiere last week), and Prince served as an executive producer and was regularly on set, Paris Jackson has been vocal about her lack of involvement.

Last year, she posted on social media that she gave feedback on an early draft of the film, but her notes weren’t addressed. “I’ve left it alone,” she said. “It’s not my project, they’re going to make whatever they’re going to make.”

Paris Jackson, who works in the entertainment industry as a model, actor and musician, said she had stayed quiet about her feelings toward the “sugar-coated” project because she knew many people would be happy with it. “The film panders to a very specific section of my dad’s fandom that still lives in the fantasy,” she said.

“The thing about these biopics is, it’s Hollywood. It’s fantasy land. It’s not real, but it’s sold to you as real,” she continued. “The narrative is being controlled, and there’s a lot of inaccuracy, and there’s a lot of full blown lies, and at the end of the day, that doesn’t really fly with me.”

In earlier drafts of the “Michael” script, plot points included sexual abuse allegations brought by 13-year-old Jordan Chandler in 1993. Reportedly, the Michael Jackson estate became aware of a contract that legally barred the dramatization of the Chandler family and had to scrap parts of the script.

The film was originally set to premiere last year, but the production needed a new ending and weeks of reshoots to make the new iteration of the film work. In the version that hit theaters this week, “Michael” concludes in 1988, with a teaser for a potential Part 2.

Colman Domingo and Nia Long, who portray Michael Jackson’s parents, Joe and Katherine Jackson, appeared on “Today” this week and addressed the elephant in the movie theater.

“The film takes place from the ‘60s to 1988, so it does not go into the first allegations,” Domingo said. “Basically, we center it on the makings of Michael. So it’s an intimate portrait of who Michael is … through his eyes. So that’s what this film is.

“And there’s a possibility of there being a Part 2 that may deal with some other things that happen afterward,” he continued. “This is about the making of Michael, how he was raised, and then how he was trying to find his voice as an artist and be a solo artist.”

Long added that there might be a sequel, “if the price is right.”

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

HE was a 90s heartthrob in one of the decade’s biggest British boybands.

With a bad boy image and bundles of energy, John Hendy, 55, and East 17 stood out from other, more clean cut, acts like Take That and Boyzone.

But even at the height of the group’s fame, they saw little of the money generated by hits like their huge Christmas number one Stay Another Day.

In the early days, the group’s members were only pocketing £125 a week each, proving the pop dream wasn’t all it was cracked up to be.

The boys had differing fortunes after splintering in 1997 following controversial comments band member Brian Harvey made about taking ecstasy.

Band leader and songwriter Tony Mortimer continues to receive an estimated £97,000 each year for the popular Christmas hit.

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But bandmates John, Terry Coldwell and Brian Harvey aren’t included in the royalties.

John continued with the next iteration of the group, E-17, and was part of various line-ups over the years.

In 2018 though, enough was enough, and he decided to leave after falling out with Terry Coldwell and new arrival Robbie Craig.

It wasn’t long afterwards that he fell on hard times when the coronavirus pandemic shook the world. He was forced to move into a hostel with his family for 18 months, which he found particularly tough.

But in recent years things have taken a positive turn and John is successfully plying his trade as a roofer, the job he held before his pop career began.

He shares his trade on TikTok and his latest job saw him working on a tall property in Lewisham.

Though he was praised for his work ethic, fans feel he should have made enough from music to retire.

One person commented: “No hate, but how is this guy still working when he sold the records he did. He should be retired and living it up somewhere hot. Great resurrection album E17.”

Another said: “Nothing but respect for this man – royalties and fair distribution should see him retired and taking life easy – very unfair but what a lovely guy – humble.”

John previously reflected on how shortchanged his group was in an interview with the Mail Online.

He said: “I haven’t even got a house and people think you’re millionaires and that, and I’m thinking, I don’t even got an house out of it.

“We should have all come out with a house, at least.”

However, John admitted that, despite hanging out with “rich friends”, he is content with his work van and regularly discusses the highs and lows of having money with his pals.

He recalled: “When I turn up to a party and my rich friends are coming in their Porsche’s and Range Rovers and I’m pulling up in my roofing van and I’m like ‘oh mate, it makes me feel sick coming to your parties’.

“And then they put it in perspective to me. They are like ‘John, mate, it’s money, it doesn’t mean nothing, mate’.

“One friend said to me ‘I’d rather give this all up and then just go out for one week and experience what you’ve done’, you know what I mean? Because what an experience that is.”

Gregg Foreman, the founder of the influential blues-punk band the Delta 72 and a longtime collaborator with Cat Power and other acts, has died. He was 53.

News of Foreman’s death on Tuesday was confirmed by Cat Power’s label, Matador Records. No cause of death was given.

Foreman, born in Philadelphia, formed the Delta 72 in Washington, D.C., in the mid-’90s, putting a soulfully-scuzzy blues twist on the city’s post-hardcore sound of the era. Foreman was a distinctly charismatic frontman, pairing the flamboyant stage presence of his beloved ‘60s and ‘70s R&B acts with the live-wire tension of punk. The band released three albums before dissolving in 2001.

For two decades, he played in Cat Power’s backing ensemble, the Dirty Delta Blues band, and became the project’s musical director. He also collaborated with Pink Mountaintops, Suicide’s Alan Vega and Martin Rev, the Gossip, Lydia Lunch and Death Valley Girls, along with singer-songwriters Lucinda Williams and Linda Perry.

Outside of his live-band career, Foreman was a prolific DJ and a deeply knowledgeable music journalist. He most recently played on Cat Power’s “Redux,” January’s three-song EP celebrating the 20th anniversary of the band’s beloved LP “The Greatest.”

Music and cultural figures like director Jim Jarmusch, Kid Congo Powers, and Cold Cave’s Wesley Eisold mourned Foreman’s death on social media. Eisold wrote on Instagram that “Like others, he bounced in and out of our lives and changed each one he visited. For better or for worse, he lived a life that others only claim to have lived and he was one of one. His love for music was as genuine as the pain he harbored.”

STEFON Diggs’ legal fight with his sex assault accuser took a dramatic twist after bombshell new files were dropped.

In explosive documents obtained by The U.S. Sun, Christopher Griffith appears to blame Stefon’s break-up with Cardi B for ruining his NFL career.

He shot back in their legal war after Stefon sued the social media star for defamation over claims the axed New England Patriots player had sexually assaulted him.

The influencer made several posts alleging Stefon had attacked him after a celebrity basketball game in Maryland in May 2023.

In his suit, Stefon claimed that his reputation and, therefore, his income, had been damaged by Christopher’s allegations.

The influencer shot back and said Stefon ruined his reputation himself in several ways, including through his relationship with his on-again, off-again girlfriend and baby mama, Cardi B.

“There is a significant unresolved question as to whether Mr. Diggs’s claimed emotional distress was caused by sources other than Mr. Griffith’s posts on Instagram,” the influencer wrote in the filing.

The social media star then appeared to blame Stefon’s breakup from Cardi B for ruining his reputation and NFL career.

“During the period in question, Mr. Diggs very publicly started and ended a relationship with the musical artist Cardi B, with Mr. Diggs painted as a villain in the tabloid press,” the eyebrow-raising filing continued – and it didn’t stop there.

He also called out another headline-grabbing incident.

“Mr. Diggs was captured on video distributing an unidentified crystalline substance to women partying with him on a yacht, again widely disseminated by the tabloid press; and his performance as an NFL wide receiver declined materially,” he continued, referring to May 2025 photos of Stefon partying on a yacht with bikini-clad women in Miami.

“Any of these could independently account for reputational harm, emotional distress, or lost business relationships. 

The U.S. Sun has reached out to Cardi B’s team for comment.

Christopher claimed his discovery requests thus far have been met with inadequate responses by Stefon and his legal team. 

He also claimed Stefon, 32, has not been forthcoming with providing information on the loss of brand deals as a result of the allegations against him, specifically with the footwear brand UGG.

Outside of this federal lawsuit, Stefon is connected to another lawsuit filed in Los Angeles Superior Court by Chistopher against the NFL star’s brother, Darez Diggs.

Christopher claimed that about a week after the alleged sexual assault by Stefon in Maryland in 2023, the NFL star’s brother Darez and associates came to his Los Angeles apartment building, beat him up and robbed him of about $100,000 in jewelry and other property. 

That lawsuit is also ongoing. 

Dave Mason, a founding member of the British psychedelic rock band Traffic who wrote some of their best-known songs including “Feelin’ Alright?” and “Hole in My Shoe,” has died. He was 79.

The singer and guitarist died Sunday at his home in Gardnerville, Nev., his publicist confirmed to the Associated Press. No cause of death was given.

“On Sunday, April 19, after cooking an amazing dinner with his beloved wife Winifred, [Mason] sat down to take a nap with sweet Star (the maltese) at his feet,” said a post shared Tuesday on the musician’s Instagram page. “He passed away peacefully, in his favorite chair, surrounded by the beautiful Carson Valley that he loved so much. A storybook ending. On his own terms. Which is how he lived his life right up until the end.”

“He leaves a lasting imprint on the soundtrack of our lives and the hearts he has lifted. His legacy will be cherished forever,” the tribute concluded.

Mason canceled his 2024 tour dates after doctors “detected a serious heart condition” during a routine check-up that required “immediate medical attention.” He was expected to make “a full and successful recovery” after treatments. He later announced his retirement from touring in 2025, citing “ongoing health challenges.”

Born May 10, 1946, in Worcester, England, Mason was a teenager when he joined singer and keyboardist-guitarist Steve Winwood, drummer Jim Capaldi and woodwind player Chris Wood to form Traffic in 1967. The band was known for its psychedelic sound that blended elements (and instruments) of rock, blues, R&B and jazz.

Mason was inducted into the Rock & Roll Hall of Fame in 2004 for his work with Traffic, but the musician had a fraught history with the group.

“We did some good stuff,” Mason told The Times in 1995. “We were young kids. The first song I wrote was their first big hit in England (‘Hole in My Shoe’). But I was only 19 years old and couldn’t handle all the fame, really. It was just too much.”

He explained that after he left the band the first time, he was asked to come back because “they didn’t have enough songs for a second album,” while he had written “five or six” including “Feelin’ Alright?” The song, now considered a classic rock staple, has been covered by multiple artists including Joe Cocker, Huey Lewis, the Jackson 5, Gladys Knight & the Pips and Grand Funk Railroad.

“Then I found out that Steve [Winwood] didn’t really care for my stuff,” Mason said. “From my point of view, I think [our] differences made something better. … But it just pulled too much I suppose, and they couldn’t work it. I was more or less forced into having to leave.”

Mason’s subsequent solo career included three gold albums: his 1970 debut “Alone Together” — which featured hits like “Only You Know and I Know,” “Shouldn’t Have Took More Than You Gave” and “World in Changes;” 1974’s “Dave Mason” and 1978’s “Mariposa de Oro.” His 1977 album “Let It Flow” was certified platinum.

He also collaborated with other notable acts such as Eric Clapton, George Harrison, Jimi Hendrix, the Rolling Stones, Delaney & Bonnie and Friends, Joe Cocker’s Mad Dogs & Englishmen, and Fleetwood Mac.

Winwood shared a tribute to his bandmate on Wednesday on Instagram.

“Dave was part of Traffic during its earliest chapter, and played an important role in shaping the band’s sound and identity during that time,” said the caption accompanying a photo of a young Mason. “His songwriting, musicianship and distinctive spirit helped create music that has lasted far beyond its era, and continues to mean so much to listeners around the world.”

“Those years remain a special part of the band’s story, and Dave’s contribution to them is not forgotten,” Winwood continued. “His place in that history will always be remembered, and through the music, his presence endures.”

Mason is survived by his wife, Winifred Wilson, daughter Danielle, nephew John Leonard, niece Michelle Leonard and his brothers-in-law, Sloan Wilson and Walton Wilson.

A former female staffer who worked for Beast Industries, the media venture behind the popular YouTube channel MrBeast, is suing the company, alleging she was sexually harassed and fired shortly after she returned from maternity leave.

The employee, Lorrayne Mavromatis, a Brazilian-born social media professional, alleges in a lawsuit she was subjected to sexual harassment by the company’s management and demoted after she complained about her treatment. She said she was urged to join a conference call while in labor and expected to work during her maternity leave in violation of the Family and Medical Leave Act, according to the federal complaint filed Wednesday in the U.S. District Court for the Eastern District of North Carolina.

“This clout-chasing complaint is built on deliberate misrepresentations and categorically false statements, and we have the receipts to prove it. There is extensive evidence — including Slack and WhatsApp messages, company documents, and witness testimony — that unequivocally refutes her claims. We will not submit to opportunistic lawyers looking to manufacture a payday from us,” Gaude Paez, a Beast Industries spokesperson, said in a statement.

Jimmy Donaldson, 27, began MrBeast as a teen gaming channel that soon exploded into a media company worth an estimated $5 billion, with 500 employees and 450 million subscribers who watch its games, stunts and giveaways.

Mavromatis, who was hired in 2022 as its head of Instagram, described a pervasive climate of discrimination and harassment, according to the lawsuit.

In her complaint, she alleges the company’s former CEO James Warren made her meet him at his home for one-on-one meetings while he commented on her looks and dismissed her complaints about a male client’s unwanted advances, telling her “she should be honored that the client was hitting on her.”

When Mavromatis asked Warren why MrBeast, Donaldson, would not work with her, she was told that “she is a beautiful woman and her appearance had a certain sexual effect on Jimmy,” and, “Let’s just say that when you’re around and he goes to the restroom, he’s not actually using the restroom.”

Paez refuted the claim.

“That’s ridiculous. This is an allegation fabricated for the sole purpose of sparking headlines,” Paez said.

Mavromatis said she endured a slate of other indignities such as being told by Donaldson that she “would only participate in her video shoot if she brought him a beer.”

“In this male-centric workplace, Plaintiff, one of the few women in a high-level role, was excluded from otherwise all-male meetings, demeaned in front of colleagues, harassed, and suffered from males be given preferential treatment in employment decisions,” states the complaint.

When Mavromatis raised a question during a staff meeting with her team, she said a male colleague told her to “shut up” or “stop talking.”

At MrBeast headquarters in Greenville, N.C., she said male executives mocked female contestants participating in BeastGames, “who complained they did not have access to feminine hygiene products and clean underwear while participating in the show.”

In November 2023, Mavromatis formally complained about “the sexually inappropriate encounters and harassment, and demeaning and hostile work environment she and other female employees had been living and experiencing working at MrBeast,” to the company’s then head of human resources, Sue Parisher, who is also Donaldson’s mother, according to the suit.

In her complaint, Mavromatis said Beast Industries did not have a method or process for employees to report such issues either anonymously or to a third party, rather employees were expected to follow the company’s handbook, “How to Succeed In MrBeast Production.”

In it, employees were instructed that, “It’s okay for the boys to be childish,” “if talent wants to draw a dick on the white board in the video or do something stupid, let them” and “No does not mean no,” according to the complaint.

Mavromatis alleges that she was demoted and then fired.

Paez said that Mavromatis’s role was eliminated as part of a reorganization of an underperforming group within Beast Industries and that she was made aware of this.

ED Sheeran is in the middle of a short break from his Loop World Tour, but he’s certainly not resting on his laurels.

I can reveal he is about to drop a new single that’s been more than a decade in the making, after he teamed up with Dutch dance great Martin Garrix to make Repeat It.

Ed and Martin first hit the studio together in 2014 – with the British megastar confirming he was taking a step into dance music.

Martin then premiered the song live at Miami’s Ultra Music Festival the following summer.

Insiders said the track would finally be officially released next month, adding: “Repeat It has taken 12 years to officially see the light of day but finally Ed and Martin’s collaboration is coming out.

“The song has been reworked slightly from the version played at Ultra back in 2015 to make it more radio friendly.

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“Initially it was called Rewind, Repeat It.

“But now the song is simply titled Repeat It.

“Lyrically, it’s a classic Ed love song set to a dance beat.”

Ed first teased making the song more than a decade ago and said on Instagram: “Finished up my very first EDM song with Martin Garrix, brilliant experience, looking forward to you all hearing it.”

Now the wait is almost over.

My music moles shared lyrics to the track with me, and Ed has stayed true to form, with the lyrics steeped in romance.

Ed sings: “Stay for a night, call it what you want.

“And I’ll compromise. To have you in my arms.”

He adds: “Don’t fight the feeling. Rewind, repeat it.

“If the world ends tonight. You’ll be in my arms.

“We will be frozen in time, underneath the stars.”

Ed isn’t scheduled to play any shows in the UK this year, although there is no doubt in my mind his Loop Tour will reach the UK come 2027.

His last album Play went straight to the No1 spot when he released it in September, and I bet Repeat It will also fly up the charts.

It’s a nailed-on summer banger.

THE stars descended on London in force as they put their best fashion foot forward for the star-studded Devil Wears Prada 2 premiere.

Stars of the hit sequel as well as top British talent all turned up for the premiere of the hotly-anticipated film.

Love Island star Tasha Ghouri and TV presenter Laura Whitmore lead the line-up of stars out in force.

Tasha looked incredible as she rocked a daring red bodysuit.

The tight-fitted outfit showed off her curves and enviable pins.

The Strictly Come Dancing star looked immaculate as her blonde hair swooped down one shoulder.

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Making sure not to be missed, former Love Island host Laura Whitmore put her bare baby bump on display.

Laura exposed her expanding stomach in order to show it off in all of it’s glory.

She added a simple black top and a large skirt to ensure she was turning heads at the premiere.

Britian’s Got Talent judge Amanda Holden also made sure to turn heads at the event.

Never one to turn down the chance to show off her age-defying looks, Amanda’s svelte figure was put on full display in a gorgeous black gown.

Featuring a tight-fitting design around her trim waist, complete with lace detail, the fishtail dress commanded attention on the carpet.

Movie star Anne Hathaway looked divine as she rocked a black number for the film’s celebrations.

The floor-length outfit featured buttons up her front as well as striking cut out details across her stomach and waist.

The dress’ train then ran all the way to the ground as she posed for waiting photgraphers on the red carpet.

Emily Blunt and Meryl Streep were also in attendance and both opted to wear red numbers.

Fashion-savvy Meryl rocked a long red trench coat over a silk cream shirt whilst Emily stunned in tight-fitting red trousers which she paired with a very unique corset-esque design which draped down to her feet.

Socialite Nicky Hilton also looked fantastic as she flashed her incredibly toned abs in a cut-out dress.

Her tiny waist was exposed in the summery number which also put her cleavage on full display.

Star of the flick Stanley Tucci was also in attendance as he posed alongside his cast mates on the red carpet.

Singer Jess Glynne also posed up a storm alongside her girlfriend, ex-footballer Alex Scott as The X Factor runner-up and singer Fleur East rocked a mini white suit

WHEN Jack Whitehall decided to leave Sky’s A League of Their Own in 2018 to try and crack America, he feared it would leave his friendship with his co-stars James Corden and Freddie Flintoff in tatters.

Fast forward eight years, and it appears Jack’s prophecy may have come true. Both Flintoff and Corden skipped his £250k nuptials on Saturday –  with Flintoff posting photos of himself on the golf course in Slough instead.

And neither Corden 47, who attended the stag do in London on March 30th, nor Flintoff, 48, – who was involved in a horrific and life-changing crash while filming the BBC’s Top Gear – have congratulated Jack and his new wife Roxy Horner online. 

Their absence at the bash raised eyebrows – and sparked rumours of a feud between the former best mates.

One guest tells us: “Of course, people noticed that Freddie and James weren’t there. They were huge parts of Jack’s life for so long.

“But Freddie has been through so much over the last few years, and people suspected he just didn’t want to be at such a public event. 

“All the guests were photographed for Vogue, and it was actually quite a big spectacle, so it wouldn’t be surprising if Freddie didn’t want to be part of the circus.

“Why James missed it is another matter and very bizarre considering he was at the stag do.”

‘Very bizarre’

Other guests, including Jamie Redknapp, who also worked on the Sky show, shared gushing posts about the nuptials on Instagram. Corden however, is no longer following Whitehall. 

Meanwhile, Redknapp certainly made his presence known; he posted his Vogue snaps from the big day and gushed: “Congratulations to Jack and Roxy on your big day. I honestly couldn’t be happier for you both. I think the world of you guys, and I’m so proud to be there to see it all

“Jack, you’re like a little brother to me, although somehow still my favourite man baby. And Roxy, fair play… you’ve taken on a lifelong project there.

“Wishing you both a lifetime of laughs, love, and just enough chaos to keep things interesting. Have the best day, and an even better life together.”

Roxy sent a pointed response, saying: “Thank you so much for being there on our special day x”

Whitehall, known for Fresh Meat, tied the knot with Roxy at Euridge Manor in Wiltshire over the weekend, with their daughter Elsie by their side.

His stag do took place at the end of March in London and saw him joined by fellow celebs Jamie Redknapp and James Corden as well as ex-rugby star, Lawrence Dallaglio.

The boozy day out, which Whitehall says started at 11am with a Guinness, ended up getting so rowdy that the comedian can barely remember what happened.

The lads sank pints at The Devonshire pub, before visiting the infamous and very sexy nightclub The Box, which is believed to have put on a private show just for Whitehall and his rowdy group of mates.

They then moved on to mini-golf hotspot, Swingers and ended the night with drinks at the Soho Hotel bar.

Images from the night showed Whitehall staggering down the street with Corden and Redknapp,  but Flintoff was absent.

The four mates started working together in 2012, at the time Whitehall was a relative unknown, while Flintoff and Redknapp were sporting legends, and Corden had made his name in comedy Gavin & Stacey.

‘Breaking up the friends’

Whitehall’s career started to take off, and despite League of Their Own being a huge hit, he decided to quit in 2018 to pursue a career in America like Corden.

He admitted at the time he was worried about leaving his mates behind and said: “It was very sad ­sitting down with Jamie and ­Freddie and telling James on the phone. Jamie wept.

“I’m the b*****d breaking up the friends. But I think they still like me.

“I think we’re all still pals, it will probably help going forward with our friendship as we won’t see each other all the time.”

His career skyrocketed from there, and a few years later, Corden quit A League of Their Own and then Flintoff left a year later. 

Former cricket star Flintoff landed a place on Top Gear in 2019 but in December 2022, he was involved in a terrifying accident while filming the BBC show.

He was airlifted to hospital after his three-wheeled Morgan flipped, leaving him with devastating facial injuries, which meant he needed reconstructive surgery, as well as suffering some broken ribs.

He became a social recluse, not leaving the house for over six months, and struggled with his mental health, including suffering from PTSD, flashbacks, and anxiety.

Whitehall appeared in Flintoff’s 2025 Disney+ documentary about his accident and recalled their first meeting, he said: “I remember being quite intimidated. I was meeting Freddie Flintoff, who I looked up to a lot as a kid, for the first time.

“So many people think of him as so strong and so alpha, but he’s definitely fragile.”

Asked if he had a message for Flintoff, whose friendship with Top Gear co-host Paddy McGuinness also struggled post-crash, Whitehall replied straight-faced: “Answer my texts.”

It’s not only easy to get lost in the Los Angeles County Museum of Art’s new David Geffen Galleries, it’s inevitable, intentional — and one of the best things about the place.

The museum has deconstructed the traditional, boxy narrative of art history and rendered the story itself a matter of curves and continuities. Art in the collection is freed from its departmental silos and put into conversation across genre lines, place and time.

The museum has physically invalidated the binaries of center and periphery, major and minor arts. In a startling and largely gratifying way, LACMA has done what the poet Audre Lorde, alluding to a different but not unrelated aspect of patriarchal dominance, deemed impossible: used the master’s tools to dismantle the master’s house.

The change goes far beyond a remodel. It’s a reinvention, a recalibration, a revisionist fever dream.

The vision conceived by museum director and Chief Executive Michael Govan and architect Peter Zumthor is not perfect, and brings with it a modest set of frustrations, but as a whole, the installation registers as ravishing and bracingly fresh. It thrusts us midstream into the ageless, ceaseless flow of makers worldwide reckoning with life, earth and being.

It prompts us, as we bob about, to reflect on our own proclivities and preconceptions, our patterns of reception and perception.

It compels us to recognize that what matters is not just what we see in the museum but how we see, what pulls us close and why, what private histories we bring to the occasion, what expectations, what tools.

Over two visits to the new building, getting my physical bearings mattered less and less as I surrendered to the generative sensations of not knowing. The museum has produced a dense guidebook to the new galleries, whose title, “Wander,” doubles as invitation and imperative. Even at 430 pages, the book is only minimally useful as an orientation device. For help with that internal navigation, Rebecca Solnit’s moving 2005 book, “A Field Guide to Getting Lost,” proved a better compass.

LACMA’s guidebook to the David Geffen Galleries, called “Wander,” doubles as invitation and imperative.

(Museum Associates / LACMA)

Solnit, citing the cultural critic Walter Benjamin, writes, “to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.” She goes on to recall how roaming freely as a child was key to developing self-reliance, which feels apt to the LACMA strategy. We are put in charge of making our own way, through tapestries and tea sets, past ancient jug and contemporary sphinx, without heavy-handed authoritative direction.

The history of art reads here as one long, free verse poem-in-progress, gorgeous and absorbing. Even so, many of the most memorable moments come in the form of cogent micro-essays, smartly curated ensembles of work bearing a legible, lucid premise. Some of these are contained within four (rectilinear) walls; some occupy less demarcated spaces. “Tonal Variations: Photography and Music,” for instance, gathers images by Paul Caponigro, William Eggleston, Lisette Model and others. These artists were also serious pianists, attuned, no matter which instrument they were using, to the qualities of rhythm, pattern and progression.

Lisette Model, “Window at 5th Avenue,” 1940, Los Angeles County Museum of Art

(Museum Associates / LACMA)

In a section headed “The Global Appeal of Blue-and-White Ceramics,” a long display case houses a timeline articulated sculpturally. The sequence advances from a 9th century bowl made in Iraq to a 13th century vessel from China, a 14th century example from Thailand, another from 15th century Syria, up to work by a 20th century German artist who transformed a functional vessel into personal adornment by cutting a string of beads out of the planar surface of the bowl.

Dish, Turkey, Iznik, c. 1530-35, Los Angeles County Museum of Art

(Museum Associates / LACMA)

On the wall facing this display is a huge vitrine containing an 18th century Talavera jar from Mexico, paired with a 2025/26 color photograph by Brooklyn-based Stephanie H. Shih. In the still-life composition, a cheeky visual lesson on the collision and convergence of cultures, the jar holds flowers, cactus and edible Mexican treats influenced by Chinese and Filipino flavors.

Top, Stephanie H. Shih, 梅國 “(Still life with chamoy and Dirty T Tamarindo),” (2025- 26); bottom, Jar (c. 1700-50)

(Museum Associates / LACMA)

Shih is one of a handful of artists commissioned to create new work using the museum’s collection as muse. L.A.-based Lauren Halsey is another. Her formidable, untitled 2026 sphinx regally commands its space among ancient Egyptian and Roman sculpture, a marvel of the cross-temporal and cross-spatial, spiked with specific references to Black self-determination.

Setting recent works among older ones is an effective element of LACMA’s overall plan to shed outworn hierarchies. It recasts every piece of art by every artist throughout the single-story space as equally relevant. The seamless integration of old and new feels stealthy, and a touch subversive, a doubling-down on the museum’s approach to time as nonlinear, sinuous and delightfully slippery.

Lauren Halsey’s untitled 2026 sphinx.

(Museum Associates / LACMA)

That said, a few words readily available would help connect the dots without undermining the provocation. Text — where and how it appears, or doesn’t — is my only major complaint about the installation of the new galleries.

Text panels announce, in one or two paragraphs, the themes of each given section: “Images of the Divine in South Asia”; “The Evolution of Abstract Painting in Modern Korea”; “Textile Conversations: Africa and Black America.” Individual object labels are kept minimal, containing only basic identification about each work, no commentary. When asked about this decision during my first walkthrough, Govan replied that more time reading means less time looking — “and we have the internet.” Every thematic text panel has a QR code that links to the Bloomberg Connects app, an aggregate guide to museums and other cultural sites that offers selected, augmented entries.

Determining how much didactic information is insightful and sufficient, and how much constitutes excessive artsplaining, is a delicate, ongoing challenge for museums. Where LACMA landed on this contested plain strikes me as unfortunate and counterproductive.

A few lines of explanation or context on a wall label can add perspective for even the most informed visitor, and provides crucial support to those with less foundational exposure and access to art.

You can take or leave text on a wall without breaking your stride, but text accessed via QR code is another matter. (Never mind that connectivity is spotty inside a sprawling concrete shell, and several times when I tried to get information from the app, I couldn’t.) Encouraging us to shift our gaze from the wall to our devices — to assume that accursed downward tilt of the neck when splendors abound before our eyes — is simply detrimental. It breaks the spell of being fruitfully lost in the present, and retethers us to the digital distractions that dominate our days.

Wall text beside Francis Bacon’s “Three Studies of Lucian Freud” (1969), at Los Angeles County Museum of Art.

(Museum Associates / LACMA)

Shouldn’t the imaginative minds that created this space, this opportunity to revel in direct sensual experience, want us to keep our attention where our bodies are? Why this fallback to current convention, when the rest of the experience is about radical reinvention? This feels like a missed opportunity. I’m hoping a more experimental, exploratory approach to providing information, context and interpretation, in keeping with the rest of the enterprise, might yet come.

Does the new structure serve the art? Mostly, very well.

The lighting is varied, treated as another texture in the space, palpable and rich. There’s a generous amount of natural sunlight, but some spots are noticeably dim. Some gallery walls are glazed in deep hues (reddish and eggplant), and the intensity of the color is jarring at first. But neutral, white-box viewing spaces (with even, predictable lighting) can be found elsewhere on LACMA’s campus and pretty much anywhere art is shown. Here, the very irregularity of the interior environment, including the concrete surfaces — richer and more textured than I expected — heightened my alertness. And keener senses tend to make for more consequential experiences.

In deciding how to organize roughly 2,000 works of art across 110,000 square feet of exhibition space, LACMA devised a conceptual schema that isn’t apparent in the galleries themselves. The “Wander” guide maps out the division of the space into four regions correlating to bodies of water: the Indian, Atlantic and Pacific oceans, and the Mediterranean Sea. While the zones and their boundaries aren’t indicated by obvious signage, and I caught one laughable categorization (Ansel Adams’ photographs of the Pacific shoreline landing in the Atlantic section), this schema at least doesn’t get in the way.

And what does work about the propositional structure is its comprehensive realignment. It moves to retire art historical frameworks of the past, dependent on borders between places and times.

Throughout this installation, we are repeatedly reminded of the impact of trade and migration, the fluid movement of resources and belief systems. We’re reminded of porousness and simultaneity, and that all art histories are, in the end, propositional structures.

Here’s a new one, the Geffen Galleries say. Try it out. You might get lost. Indeed, you will get lost. And what wonders await you in the uncertainty and mystery.

Johnny Vegas has hailed his Benidorm co-star Elsie Kelly, who played his mum Noreen on the sitcom, as a “mother figure” to him following her death at the age of 89

Johnny Vegas has hailed Elsie Kelly as a “mother figure” to him following her death at the age of 89. The comedian, 54, was the on-screen son of Elsie ‘s character Noreen Maltby in the long-running ITV sitcom and after her passing, he has led the tributes with an emotional message.

The actor starred as Geoff Maltby, an obsessive quizzer who liked to call himself as The Oracle, and formed a memorable double act with Elsie, who, as long-suffering mother Noreen, was often at the resort with him and had to play along as he as he practiced his craft.

Taking to Instagram following the sad news on Wednesday, Johnny wrote: “A more generous, talented, funny, kind and hard grafting soul, and as an actor you could ever hope to meet. Elsie was a Mother figure to me, on and off screen. and guided me through many highs and lows whilst overseas together. When I say Elsie was loved by all, it is a wonderful fact, not merely an apt comment to make during such sad times.

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“I had many young actors over the years saying to me ‘I worked with your mum,’ Elsie touched and guided so many careers and crammed more into her 89 years than anyone else I’ve known in this profession. When not giggling poolside, she was in her hotel room, putting together her next musical line-up for many a Liverpool theatrical production. “Elsie made going into work a true joy, in fact, it was more like playtime, and our time together, something to truly treasure. Bless you my other Mum, and thank you for the endless joy you brought into so many of our lives xxxx Elsie Kelly RIP.”

Crissy Rock, who played hotel manager Janey Yorke on Benidorm in the years before she was replaced by Sherrie Hewson, was the first to announce the news. She wrote on Instagram : “So sad to hear of the passing of Elsie Kelly this morning. We shared so many wonderful memories filming Benidorm, moments I’ll always treasure. She was an absolute joy to work with and brought so much warmth and laughter wherever she went.

She wrote on Instagram : “So sad to hear of the passing of Elsie Kelly this morning. We shared so many wonderful memories filming Benidorm, moments I’ll always treasure. She was an absolute joy to work with and brought so much warmth and laughter wherever she went.

“With a career spanning decades across television, theatre, and film, she most recently became a household name through her work on Benidorm…Her unmistakable charm, sharp timing and gentle humour made her a fan favourite.”

The cast was made up of other famous faces from British television, including the likes of Janine Duvitski, Steve Pemberton, Siobhan Finneran and Sheila Reid, who famously starred as Madge Bishop for several years.

Before joining Coronation Street as undertaker George Shuttleworth, actor Tony Maudsley was perhaps best known for his role as camp hairdresser Kenneth Du Beke on Benidorm. Other stars to enjoy short stints on the programme, which was created and written by Derren Litten, included Sheridan Smith, Nadia Sawalha and Denise Welch, whilst showbiz legends like Dame Joan Collins and Cilla Black also made guest appearances.

As her on-screen career developed, she appeared in the sitcom Bread in the late 1980s, and took on the role of Enid in the film 1996 comedy Intimate Relations opposite Julie Walters, Les Dennis and Amanda Holden.

Elsie also filmed two episodes of Coronation Street in 2011, where she played Mrs Hargreaves, who died under a hairdryer at Audrey’s Salon, but, just months before her death, Elsie revealed that she had been in contact with Derren Litten amid speculation of a Benidorm comeback.

Speaking in a video that surfaced on TikTok, she said: “Hello all you holidaymakers in Benidorm! I do hope you’re having a lovely time, I am sure you are!

“We’ve just had a nice lunch with Derren and it will mean a lot to both of us. Anyway, I hope to see you soon, in Benidorm, and as Noreen would say, ‘I do hope your holiday is inconclusive!’ Siobhan Finneran, who played Janice Garvey also paid trubute, as she wrote on X: “We are devastated to hear about the passing of the incredible Elsie Kelly, known to many as Noreen in #Benidorm. Her acting + comedy abilities were out of this world. May she Rest In Peace.”

TV writer Derren, who starred alongside Catherine Tate on her sketch show before creating Benidorm, wrote: “So sad to pass on the news of the passing of Elsie Kelly aka Noreen in Benidorm.

“One of the best-loved characters in the show and certainly one of the most beloved cast members. Elsie’s acting abilities and comic genius were so natural they were almost taken for granted.”

“For someone who initially auditioned for the role of Madge (and gave an excellent reading of the part), her personality and natural warmth encouraged me to build up the part of Noreen from one or two lines in the first two episodes (initially intending to lose the character by the end of the first series) to many episodes and many series, culminating in her playing Noreen’s own twin, Doreen in series 10.

“Thanks for your talent, but most of all your friendship, Elsie. I am very sad today, but also happy to think of such a wonderful life well lived.”

MAROON 5’s Adam Levine has shown off a fresh faced new look on the red carpet ahead of the band’s gig at BST Hyde Park this Summer.

The singer, 47, attended the 12th Breakthrough Prize Ceremony in Santa Monica, California, over the weekend with his wife Behati Prinsloo.

But the musician looked completely unrecognisable as he showed off a clean shaven look, which is a stark difference compared to his signature stubble he’s been rocking for years.

Adam wore a black suit twinned with a blue shirt and smart shoes, while Behati, 37, looked stunning in a ruffled grey gown.

The pair looked like the ultimate couple goals as Adam planted a kiss on his wife’s cheek in one picture.

Fans of the She Will Be Loved singer couldn’t get over his new look as they flocked to social media to share their thoughts, with many thinking him shaving off his beard isn’t the only change he’s made.

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One person commented on Reddit: “If I saw him walking I would have never guessed it was him.”

Another social media user commented: “Whatever he did makes him look awful and waaay older than he did before.”

Somebody else said: “Oh my gosh what happened to him? He looks so naked without his beard.”

Yet another fan expressed: “Something looks off but I can’t tell what exactly.”

While a fifth added: “Did he get something done? His face looks different.”

Adam began dating the Namibian beauty in May 2012 and they went on to marry on July 19, 2014.

Together, they share daughters Dusty Rose, 9, and Gio Grace, 8 and a three-year-old son.

He’s gearing up to return to the UK with Maroon 5 for BST Hyde Park this July.

They won’t be the only ones appearing at the festival, as One Republic, Jess Glynne and Ella Eyre will also be taking to the stage for their own performances.

It was also recently announced that he’s set to return for the new season of The Voice USA.

He joined the singing competition show in season 1 alongside fellow judges Blake Shelton, CeeLo Green, and Christina Aguilera.

After departing The Voice in 2019 with 16 seasons as a coach under is belt, the Maroon 5 frontman has returned sporadically to the show.

He just clinched a win with Alexia Jayy on season 29, his fourth victory on the show.

“I’m having so much fun doing it. Since I came back a few seasons ago it’s just been a blast and I’m super happy to keep it going as long as they’ll have me,” Adam told People.

NBC execs are eyeing four iconic coaches to make a return for season 30: Adam, Kelly, Blake and Gwen Stefani, a production source told The U.S. Sun.

“For season 30, they want to go big since it will be a milestone year. Though the lineup isn’t finalized yet since filming for 30 won’t start until late Spring/early Summer 2026,” the source said.

“There’s still time for changes and still all of season 29 to get through.

“But the producers are trying to lock in a deal to get Blake and Adam back together, they’ve wanted that for years and think 30 is an opportune time to make it happen,” the insider explained.

The Handmaid’s Tale sequel has more layers than Disney Plus viewers might expect.

The Testaments fans have probably missed the sinister meaning behind the Aunts’ names.

Disney Plus is finally streaming The Handmaid’s Tale sequel, with five episodes already available to binge watch. It follows a fresh generation of women living under the oppressive rule of Gilead.

We focus on the story of Agnes (played by Chase Infiniti), the biological daughter of Handmaid’s Tale main character June Osborne (Elisabeth Moss). She grows up in Gilead completely content with the brutal system, but her life is turned upside down when new resident Daisy (Lucy Halliday) joins Aunt Lydia’s (Ann Dowd) school for wives.

Although she seems like just another student, Daisy is secretly a spy working with June and Mayday agents to overthrow Gilead.

Viewers have also been introduced to the Aunts responsible for educating the young women. But what’s the story behind their unusual names?

How do Aunts in The Testaments get their names?

The Aunts in The Testaments are named after commercial products that were popular among women in the pre-Gilead era.

It’s revealed in Margaret Atwood’s novels that the founding commanders introduced this tradition in an attempt to ease the transition into Gilead.

Each Aunt picks their name from a list of product names that are “familiar and reassuring” to them. These include the “names of cosmetic lines, cake mixes, frozen desserts, and even medicinal remedies”.

This is why the Aunts have unique names such as Aunt Estee (Eva Foote), seemingly named after Estee Lauder, or Aunt Gabbana (Zarrin Darnell-Martin), derived from Dolce and Gabbana.

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*Warning: Mild spoilers for The Testaments novel.*

But these brand names only hold meaning to the older generations living in Gilead. In The Testaments novel, main character Becka (Mattea Conforti) becomes an Aunt. She later learns about the “approved list” of names she can choose from for her new role.

Atwood writes: “Becka said the names were made from the names of products women had liked once and would be reassured by, but she herself did not know what those products were. Nobody our age knew, she said.”

Since Becka and Agnes have been raised in Gilead, they don’t have the same connection to the gender-specific brand names.

The Testaments is streaming now on Disney+

NATALIE Appleton’s son Ace looked every inch the grown-up rockstar as he attended a new Bowie exhibition with his famous Mum.

​The pair posed on the red carpet at the opening night of David Bowie: You’re Not Alone at The Lightroom in London.

Ace is the son of the All Saints star and her husband, The Prodigy’s Liam Howlett.

​Natalie is around 5’5″, while her famous other half, Liam, is 6’1″, and it looks like Ace certainly inherited his Dad’s lofty genes.

The 22-year-old towered over his Mum as the mum-and-son duo posed for photographers at the showbiz event.

​Liam Howlett and Natalie have been together for 25 years after they met at V Festival in 2000.  They married in 2002, and Ace was born in 2004.

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​Natalie also has an older daughter, Rachel, 33, from a previous relationship with Dreamboys stripper Carl Robinson.

Despite their fame, Natalie and Liam have kept their family life relatively private, choosing to let their son carve out his own path.

And it seems that approach has paid off, with Ace now making a name for himself on the London music scene in his own right.

​Following in the footsteps of his musical parents, Ace is bass guitarist for the Camden-based group, Pedestrian Band, with his proud Mum known to plug his music on her socials.

Ace’s band Pedestrian are still emerging on the London indie scene, but they’re already turning heads with their experimental sound.

The trio have released their debut EP and built a cult following, earning a reputation as one of Camden’s most exciting up-and-coming acts.

​

While he isn’t relying on his famous surname, Ace is well-connected in music, with cousin Gene Gallagher, son of Nicole Appleton and Liam Gallagher.

Meanwhile, Natalie and her sister Nicole shot to fame in 1996 alongside Shaznay Lewis and Melanie Blatt in the girl band All Saints.

The group proved a massive hit and brought fans songs like Pure Shores, Black Coffee, and Never Ever.

The foursome became huge stars, with Nicole and Natalie going on to date some big celebrities, before settling down with Liam.

Nicole once had a high-profile with Robbie Williams between 1997 and 1999, which included an engagement and a terminated pregnancy.

Natalie and Ace attended the launch of Lightroom’s latest exhibition of immersive Bowie content projected onto it’s 11-metre-high walls and floor.

​The hour-long experience features live recordings, interviews and unseen footage from the David Bowie Archive.

​With a huge sound system and Bowie as narrator, it’s considered the closest to experiencing the late icon live.

​David Bowie: You’re Not Alone will run at Lightroom near King’s Cross from 22nd April 2026.

Tickets are priced from £25 for adults and £15 for students and concessions.

Streaming entertainment giant Netflix is in negotiations to buy the historic Radford Studio Center lot in Studio City.

Netflix plans to purchase the Los Angeles studio that has been home to generations of landmark television shows, including “Gunsmoke” and “Seinfeld,” according to two people with knowledge of the pending deal who were not authorized to speak about it publicly.

The studio’s previous operator, Hackman Capital Partners, defaulted on a $1.1-billion mortgage in January. Investment bank Goldman Sachs took over the property and is in talks with Netflix to sell it for between $330 million and $400 million.

Representatives for Hackman and Netflix declined to comment on the planned sale.

Culver City-based Hackman Capital Partners and Square Mile Capital Management teamed up to buy the Radford Avenue property from ViacomCBS in 2021 with a winning bid of $1.85 billion, after a competitive battle for the 55-acre studio beloved by the television industry.

At the time, the staggering price tag underscored the value — and scarcity — of TV soundstages in Los Angeles as content producers scrambled for space to shoot TV shows and movies to stock their streaming services. It was one of the largest-ever real estate transactions for a TV studio complex in Los Angeles.

Since then, production has substantially declined in Southern California. L.A. continues to battle the loss of production to other states and countries, as well as the lingering effects on the industry of the pandemic and the 2023 dual writers’ and actors’ strikes. Cutbacks in spending at the major studios after a surge in streaming-fueled TV production have further damped film activity in the region.

Founded by silent film comedy legend Mack Sennett in 1928, the lot became known as “Hit City” in the decades after World War II as popular TV shows such as “Leave It to Beaver,” “Gilligan’s Island,” “The Mary Tyler Moore Show,” “The Bob Newhart Show” and “Will & Grace” were made there. The storied lot gave the Studio City neighborhood its name,

Netflix, which has a market cap of about $455 billion — more than double that of Walt Disney Co. — has maintained its dominance in the global streaming business with more than 325 million subscribers.

The Los Gatos-based company has production offices worldwide, including facilities in Albuquerque, Brooklyn, London, Madrid and Toronto.

Netflix had secured an $82.7-billion deal to buy Warner Bros. studios and streaming services in December, but withdrew from the bidding war in late February after Paramount Skydance offered $31 a share. As part of the switch, Netflix was paid a $2.8-billion termination fee.

The tense series features an A-list cast and left viewers hooked by the tense plot.

A gripping thriller that left viewers on the edge of their seats is free to binge.

The Widow is available to watch on ITVX, and stars Kate Beckinsale in a tense role.

It follows the Underworld actress as Georgia Wells, who has believed her husband died in a plane crash.

However, three years later, having lived as a recluse and grieving widow, she sees him in a news report following a riot in the Democratic Republic of Congo and hunts to find him, travelling to Kinshasa for the truth.

As she looks for answers, she’s left questioning why her husband may have faked his own death.

The synopsis teases: “Kate Beckinsale leads as a grieving woman in this gripping drama.”

It adds: “A woman’s search to uncover the mystery of what happened to her husband leads her to the Congo, where she’s forced to seek the truth about what happened to the man she loved.”

The series first aired on Amazon Prime Video in 2019, before being added to the free streaming service.

Parts of The Widow were filmed in South Africa, with Kate suffering from the heat and later revealing she “fainted” while filming because it was “really, really, really hot”.

The cast also included Game of Thrones star Charles Dance, Strictly star Alex Kingston, Olafur Darri Olafsson, Matthew Le Nevez, and Shetland actress Louise Brealey.

Viewers were left hooked by the programme, with one admitting they were “glued to this show”, while several others echoed that they “binged” it.

Another person said: “It kept me on the edge of my seat each show. I really enjoyed the series.”

Reflecting several fans’ pleas for a second season, one person said: “The acting and cinematics are phenomenal. I cannot wait to see season 2!!”

“It was thrilling and entertaining,” someone else said, as another called it “nail-biting”.

Someone else called it “absolutely magnificent”, adding: “The setting was breathtaking and the dialogue was phenomenal.”

Yet another hailed Kate’s “outstanding” performance, while one person added: “A bit slow to start but a gem of a series.”

Despite fans begging for a second season, writers Harry and Jack Williams previously told Express.co.uk that they have no plans to take it forward.

They explained: “By the time we get to the end, it’s a one-off. It’s very satisfying. There’s no secret pilot. There’s no following season.

“It’s really exciting for the eight parts, it’s almost like a movie really.”

The writing duo and brothers behind The Missing and Liar continued: “I think there isn’t scope for more.”

The Widow is available to watch on ITVX

The stars of “The Devil Wears Prada 2” thrilled us with their bold fashion choices at the film’s world premiere in New York City on Monday night, the most recent stop in a press tour that began at the end of March. Meryl Streep, Anne Hathaway and Emily Blunt brought their A game, embracing method dressing without going overboard. Even Miranda Priestly would be proud.

While the film dons Prada’s name, Schiaparelli was among the go-to designers for the promo tour. From custom numbers to archival pieces, cast members, new and old, impressed in gowns that deserved center spreads in Runway. And there were no florals in sight.

Anne Hathaway attends “The Devil Wears Prada 2” world premiere in New York.

(Evan Agostini / Invision / AP)

During the film’s New York City premiere, Hathaway wore a devilish satin red gown. Designed by Nicolas Ghesquière for Louis Vuitton, Hathaway’s tea-length dress was paired with dazzling jewels from Bulgari.

Lady Gaga attends “The Devil Wears Prada 2” world premiere at Lincoln Center’s David Geffen Hall in New York.

(Evan Agostini / Invision / AP)

Styled by sisters Chloe and Chenelle Delgadillo, Lady Gaga donned a black Saint Laurent gown from the fashion house’s fall 2016 collection. But Gaga really turned heads with her sparkling 7-carat earrings designed by Tiffany & Co.

Gaga has a cameo in the film, which director David Frankel told Vanity Fair was the “the worst-kept secret in showbiz.” The entertainer also wrote and recorded “Runway” with rapper Doechii for the sequel’s soundtrack.

Meryl Streep attends “The Devil Wears Prada 2” premiere on Monday.

(Evan Agostini / Invision / AP)

Streep paired her statement sunglasses with a Givenchy by Sarah Burton caped dress at the film’s New York City premiere. The sweeping red dress included elegant black gloves that matched her Stuart Weitzman heels.

Emily Blunt attends “The Devil Wears Prada 2” world premiere in New York.

(Evan Agostini / Invision / AP)

Emily Blunt wore a dress from the Schiaparelli spring 2026 line. The dress’ structured bodice gave way into tulle skirt, with the fabric’s warm tone contrasting Blunt’s dark red lip. The bustier was covered in 25,000 silk thread feathers, which required roughly 4,000 hours of work.

Simone Ashley attends “The Devil Wears Prada 2” world premiere at David Geffen Hall in New York.

(Evan Agostini / Invision / AP)

“Bridgerton” star Simone Ashley made her “Devil Wears Prada” debut in a vintage high-low Prada dress. Styled by Rebecca Corbin-Murray, she paired the chartreuse dress with marching diamonds. Ashley plays Amari Mari, Miranda’s first assistant in the film.

Meryl Streep promotes “The Devil Wears Prada 2” in Seoul.

(Ahn Young-joon / AP)

Streep wore a custom Prada power suit and David Yurman jewels while promoting the film in Seoul.

Anne Hathaway on the red carpet to promote “The Devil Wears Prada 2” in Seoul.

(Ahn Young-joon / AP)

During the film’s premiere in Seoul, Hathaway donned a red leather Balenciaga number. Dressed by stylist Erin Walsh, the oversize jacket contrasted with her pencil skirt, and the look was tied together with Hathaway’s sleek ponytail.

Meryl Streep attends the “The Devil Wears Prada 2” premiere at Anahuacalli Museum in Mexico City.

(Angel Delgado / Getty Images for Disney)

During the press tour’s kickoff in Mexico City, Streep — styled by Micaela Erlanger — donned a long, belted navy blue Schiaparelli dress.

Anne Hathaway promotes “The Devil Wears Prada 2” on “The Late Show With Stephen Colbert.”

(Scott Kowalchyk / CBS)

For an appearance on “The Late Show With Stephen Colbert,” Hathaway wore vintage Versace.

Fans of The Other Bennet Sister looking for their next period drama fix should watch the BBC’s gripping sequel to Pride and Prejudice available on iPlayer

The Other Bennet Sister has made a significant impression on period drama fans but as they complete the first and only season, they’re desperately searching for another Jane Austen tale.

Within the same universe Austen crafted, they can opt to watch Death Comes to Pemberley, a narrative that begins exactly where Pride and Prejudice concluded.

Much like the 2026 series, The Other Bennet Sister, this 2013 standalone series is also a follow-on from Jane Austen’s Pride and Prejudice, penned by a different author.

It’s adapted from P.D. James’s 2011 novel, which employs the same characters and style of the original 1813 work.

Over three episodes, it pursues a murder mystery angle, featuring the characters that Austen devotees recognise and adore but in a somewhat different setting.

The Guardian said its production was “respectful” of Austen’s iconic work while managing to “stand out” and be its own “very different” entity.

Though it also shares similarities with the Pride and Prejudice adaptation, as Chatsworth House in Derbyshire served as the exterior location for Pemberley. This was the identical setting used for the estate in the 2005 film.

A viewer headed to IMDB to post their assessment of Death Comes to Pemberley, stating: “If you are like me and enjoy your Pride and Prejudice and a good murder plot, then you would love this series!”

They continued: “Elisabeth in particular is just like I would have imagined; she is the same spirited, outspoken person we know and love, while Darcy is more brooding, quiet and responsible (while I may have chosen other actors in terms of appearance, I think they portray the characters very well as reactions).”

A PopMatters critic also weighed in, writing: “Death Comes to Pemberley, a sequel to Jane Austen’s Pride and Prejudice by P.D. James, is a worthy addition to Austen’s original, and the BBC adaptation makes that case wonderfully.”

Set in 1803, the drama kicks off six years after the wedding of Mr Darcy and Elizabeth Bennet, when a mysterious disappearance unsettles the entire community. Wickham and Denny quarrel before departing in a horse and carriage, and shortly afterwards, two gunshots ring out.

Upon being informed of the incident and the two men’s disappearance, Darcy dispatches a search party. They find Wickham frantically clutching Denny’s lifeless body, setting in motion the tale of how this devastating death came about.

Naturally, venturing into Austen’s world carries considerable weight, as the cherished author’s work is regarded as sacred by legions of devoted fans.

As a result, the series has faced its fair share of criticism over its depiction of certain Austen characters which have since been reimagined by other writers.

One critical IMDB reviewer wrote: “When you use well-known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off.”

Anna Maxwell Martin takes on the role of Elizabeth, alongside Matthew Rhys as Fitzwilliam Darcy, Jenna Coleman as Lydia Wickham and Matthew Goode as George Wickham.

For those seeking their next Austen-inspired drama, this compact three-episode series makes for an ideal binge-watch; Death Comes to Pemberley is currently available to stream on BBC iPlayer.

In an emotional statement, I’m A Celebrity… South Africa star Adam Thomas admitted he struggled in camp due to his health and clashes with David Haye and Jimmy Bullard

A friend of I’m a Celebrity… South Africa star Adam Thomas has spoken out after seeing the actor’s confrontational side on the show. The 37-year-old has faced a number of challenging moments in the all-stars series – and not just in the Bushtucker trials.

In scenes aired on Tuesday night, Adam clashed with Jimmy Bullard after the former footballer withdrew from the Rancid Run trial, putting their time in camp in jeopardy.

During the heated exchange, the actor criticised Jimmy for his decision to pull out and called him a “p***k”, while the sportsman branded his reaction “pathetic”.

The tension came after the Waterloo Road actor confronted David Haye over his behaviour in previous days. The boxer had been accused of “bullying” Adam by some viewers, following a series of remarks.

As tensions escalated, David branded his co-star “useless” and questioned his “mental strength” to complete challenges, despite Adam telling campmates he was unwell.

The actor eventually confronted David in a heated exchange, telling him to “shut up” before the boxer apologised.

Reflecting on the fallout, Ashley Roberts, who also appeared in the series, described the atmosphere as “tough” during a discussion on Heart Radio Breakfast.

The show’s host Jason King went on to say that seeing Adam in a more serious way on screen suggested he had been pushed to his limits.

“I know Adam very, very well and he is the loveliest, most cheerful, smiley, happy guy. If you’ve broken Adam, David, you’ve done something wrong,” he shared.

Ashley chimed in: “It was nice for him to stand up for himself. It starts as lad banter, but we could tell it was going too far.

“And then finally Adam was like, ‘I’ve just had enough’ and we were like, ‘Go on Adam!’ It was tough in there at times, it was tough in general just being in there, let alone having to deal with all of that.”

David was voted out of camp on Monday night. In his exit interview with hosts Ant and Dec, he said there was “no bad blood” between him and Adam and claimed it was banter.

“I won the world heavyweight championship against a seven-foot Russian giant,” he shared.

“So when a grown man tells me that a fun TV show – where we’re being paid handsomely every single day – is the hardest thing he’s ever been through, it’s just not a frequency I recognise. I was actually on my best behaviour in there, honestly.

“I’ve spoken to Adam, I’ve said my piece, and some of what’s still to air will speak for itself. I’ll leave it there.”

In a statement shared on Instagram on Sunday evening, Adam said the boxer “broke me” in camp and “pushed me to my limits”, adding: “I’ve told David this and he’s apologised – that’s that. I’ve moved on now, I’m not one to hold a grudge.”

He went on to say he also struggled in camp due to his psoriatic arthritis, a long-term condition that can cause joint pain, swelling and stiffness.

I’m A Celebrity… South Africa airs weeknights at 9pm on ITV, ITVX, STV and STV Player.

Production on Season 5 of “The Secret Lives of Mormon Wives” will resume after filming was halted weeks ago amid a domestic violence investigation involving star Taylor Frankie Paul, The Times has learned.

Filming on the Hulu reality series paused in mid-March after the Draper City Police Department in Utah launched an investigation that involved Paul and her ex-boyfriend Dakota Mortensen and stemmed from an alleged incident in February. It was later revealed that Paul was under investigation for an alleged third domestic violence incident involving her and Mortensen in 2024, which was being led by police in West Jordan, Utah. The Salt Lake County district attorney’s office announced last week it would not be filing charges against Paul.

It has not been disclosed when cameras will pick back up or whether Paul or Mortensen will return to the series. In addition to Paul, the main cast includes Whitney Leavitt, Mayci Neeley. Jessie Draper, Jen Affleck, Mayci Neeley and Miranda McWhorter.

Paul was previously arrested in 2023 for another incident with Mortensen, which was partially documented on Season 1 of “Mormon Wives.”

“Here come the ugly parts of what healing actually looks like,” Paul wrote in a lengthy post Sunday on Instagram. “If you know me you know I’ll admit my parts, flaws, and faults. I’m well aware thats apart of it. We’ll get there. This public atrocity that I not only lived through once but twice now, on even a bigger scale was ultimately the cost to my freedom. I wouldn’t wish this upon my worst enemy or even the ones who publicized it. I cried on my knees in pain while also saying THANK YOU 🙏🏼”

When the investigation tied to the alleged February incident was made public, a video from the events involving the 2023 incident — showing Paul throwing barstools at Mortensen while her young daughter was present — was leaked to TMZ. It quickly led to ABC pulling Paul’s season-headlining “The Bachelorette” just three days before its March 22 premiere.