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Emmerdale have released a preview for next week that sees Kev make his return to the village after his prison release, where he drops a claim on a confused Victoria Sugden
00:00, 18 Oct 2025Updated 00:09, 18 Oct 2025
Robert Sugden’s drama with his secret husband Kev continues on Emmerdale next week.
The character is still hiding the truth about Kev, with only his sister Victoria Sugden knowing who he is. But even she is in for a bombshell of her own, thanks to a comment made by Kev next week.
A new preview shows the moment Robert and Kev are reunited, hugging it out as Kev shows up to see him. Of course he’s staying with his partner Aaron Dingle, with both Aaron and Kev unaware of each other’s situation with Robert.
That all changes next week when Aaron spots Kev and Robert kissing, and the truth comes to light. Prior to this, Robert is hiding his whereabouts from Kev, claiming to be working on the farm when actually he’s been with Aaron.
He’s still trying to live two separate lives until he has to spill all, still believing he can keep Aaron and Kev separate. But Kev’s bombshell claim to Victoria sparks more questions, as it emerges Robert has lied about his sister.
Kev announces that Victoria is “looking well” for someone who has had brain surgery. Victoria is baffled, demanding answers from Robert who confesses he lied that he was caring for her.
Having to explain why he’s not been visiting Kev, he’s lied to his husband that Victoria had an operation on her brain and needed to be looked after. In the preview clip, Kev checks in on Victoria with Robert watching on awkwardly.
Victoria then finds out from Kev that he’s staying with Charles and Claudette Anderson as part of his outreach programme. Victoria points out Robert didn’t tell her this information, to which he feigns surprise over missing out this part.
When Kev pops out of the room, Victoria wastes no time in making it clear to Robert that the time is now to confess all. With Kev now staying in the village, she knows it’s only a matter of time before he and Aaron meet.
With that, she tells Robert he has to confess about Kev to Aaron before he finds out from someone else. Robert places his head in his hands, realising he’s in trouble.
Next week spoilers have revealed Kev is introduced to Charles and Claudette, and he soon runs into Aaron. A teaser preview has hinted that Robert tells both Aaron and Kev that neither of them have anything to worry about – but will he regret this?
SUPERSTAR Taylor Swift has quietly donated $100,000 to help save the life of little girl fighting cancer.
The Sun can reveal the Look What You Made Me singer, 35, made the huge donation on Friday night after finding herself trawling the pages of GoFundMe.
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Taylor Swift has donated $100,000 to help a young girl battling cancerCredit: APLilah is one of just 58 people in the world with her conditionCredit: standwithlilah
The singer’s money will go towards to helping a little girl named Lilah who suffered her first seizure aged 18 months before having surgery to remove a stage 4 tumour just weeks later.
She has since been diagnosed with a very aggressive form of brain cancer – with only 58 known cases in the world.
A source said: “Taylor has always been keen to give back and help others but even by her standard this is staggering.
“She often finds herself on GoFundMe reading about the plight of others and Lilah’s story really touched her.
“Hopefully, her donation can help bring an end to her years of pain.”
Lilah’s mum previously took to social media to reveal how she turned to Taylor’s music to help get her through her darkest moments.
She even almost named her daughter after Taylor’s 2020 single Willow.
Posting on Instagram, she wrote: “Also Lilah’s name was originally going to be Willow.
“We were set on that name my whole pregnancy but ultimately ended on Lilah. I listened to Taylor my whole pregnancy and then birthed a mini Swiftie.”
Lilah loves Taylor’s music and during her cancer treatment she always found joy in it. I hope Lilah gets through this diagnosis and gets to one day go to a Taylor Swift concert in person. I know she would love it.”
After two rounds of chemo Lilah and her family are now trying to figure out the next stage of treatment.
Her family added via her GoFundMe page: “All the donations we receive will help us with travel expenses and paying bills as we are still out of work while Lilah is in treatment.”
Lilah was originally going to be named after Taylor Swift single WillowCredit: Getty
British actor Samantha Eggar, the Oscar-nominated star of films including “The Collector,” “Doctor Dolittle” and David Cronenberg’s “The Brood,” has died. She was 86.
Eggar died Wednesday evening, her daughter Jenna Stern announced Friday on Instagram. Stern said her mother died “peacefully and quietly surrounded by family” and recalled being by the actor’s side “telling her how much she was loved.” A cause of death was not revealed.
Stern described her mother, who was also a prolific TV actor, as “beautiful, intelligent, and tough enough to be fascinatingly vulnerable.”
Eggar pursued a film career that spanned the 1960s to the 1990s and was most celebrated for her work in “The Collector,” directed by William Wyler. The psychological horror movie, based on John Fowles’ novel of the same name, featured Eggar as the youthful art student abducted by a reclusive young man portrayed by Terence Stamp. For the thriller, Eggar collected the Cannes Film Festival‘s actress prize plus a Golden Globe Award and an Academy Award nomination.
After the film’s release, Eggar secured numerous roles, notably in the 1967 iteration of “Doctor Dolittle” opposite Rex Harrison, “Walk, Don’t Run” with Cary Grant, “The Molly Maguires” and “The Walking Stick.”
One of Eggar’s most memorable roles was in Cronenberg’s “The Brood,” released in 1979. She starred as Nola Carveth, a mental patient receiving radical psychotherapy treatment amid a series of mysterious murders. The film also starred Oliver Reed and Art Hindle.
Throughout her film career, Eggar also appeared in scores of television series ranging from “Anna and the King” (opposite “The King and I” star Yul Brynner), “Starsky & Hutch,” “The Love Boat” and “Star Trek: The Next Generation.” Her more substantial TV roles included a voice-acting part in the animated series “The Legend of Prince Valiant,” which ran for two seasons, and a stint as Charlotte Devane on the daytime drama “All My Children.”
The actor also lent her voice as Hera in Disney’s “Hercules,” then reprised the role in the animated classic’s spinoff video game and TV series.
Eggar was born March 5, 1939, in Hampstead, London. Her father was a British Army brigadier and her mother served as an ambulance driver during World War II. She studied art and fashion at the Thanet School of Art and pursed acting at the Webber Douglas Academy of Dramatic Art, according to a statement her daughter shared. Later in life, Eggar returned to the stage, performing “The Lonely Road” at the Old Vic and “The Seagull” at Oxford Playhouse and Theatre Royal, Bath.
She also brought her talents to radio, lending her voice to more than 40 productions for the California Artists Radio Theatre. Eggar was an animal enthusiast and supporter of several environment and health causes.
“Samantha Eggar will be remembered not only for her unforgettable performances but for her generosity, wit, and love of life,” the statement said.
Eggar is survived by her children Nicolas and Jenna, grandchildren Isabel, Charlie and Calla; and sisters Margaret Barron, Toni Maricic, and Vivien Thursby.
Coronation Street fans witnessed the moment Becky Swain and DI Costello met up onscreen, weeks on from us finding out he helped her fake her death as she was ‘in danger’
20:55, 17 Oct 2025Updated 20:55, 17 Oct 2025
There was a moment on Coronation Street on Friday night that left fans convinced they’d seen Becky Swain’s true colours(Image: ITV)
There was a moment on Coronation Street on Friday night that left fans convinced they’d seen Becky Swain’s true colours.
After weeks of speculating about her intentions and what she might be hiding, viewers finally saw a tense exchange between her and DI Costello, the man who helped fake her death four years earlier. Becky rocked up and shocked her ‘widow’ Lisa Swain recently, as well as their teen daughter Betsy Swain, with both of them led to believe Becky had died in the line of duty.
It’s clear Becky is trying to get her family back, with Corrie boss Kate Brooks confirming Becky is keen to oust Lisa’s fiancée Carla Connor out of the fold. Carla is suspicious of Becky, but she’s not the only one with Kit Green involved too, not to mention fans being convinced there’s more to why Becky went into hiding, and what she and Costello have been up to.
So when Betsy found herself arrested on Friday, it soon became clear there was more to the tale. It all stemmed from Betsy’s social media post that featured Becky in, with Becky meant to be keeping a low profile.
With Lisa worrying about where her daughter had been, Becky offered to help track her down only for Kit to drop some big news. Betsy had been arrested, accused of wrecking a car and resisting arrest. Of course it didn’t take Becky long to realise Costello was behind this.
As Becky offered to be there for Lisa, worming her way into the house amid their daughter being stuck in a cell, fans believed she was doing the unthinkable. Some fans claimed Becky wasn’t even bothered about poor Betsy’s ordeal, instead using it as a means to get closer to a troubled Lisa.
Not only that but some fans feared Becky could have orchestrated it, while this seemed not to be the case as Becky appeared shocked when she figured it all out. That said, she still managed to come up with a plan to threaten Costello who was admant she must return to Spain.
She told Costello that she’d go but only if she went with Lisa and Betsy, telling him he needed to make this happen. So while Betsy was still in a cell fearing for her future and Lisa was in turmoil, leading to a clash with Becky, Becky herself was a little preoccupied trying to turn it into a way of getting her family back and away from Weatherfield.
Fans suggested we were seeing Becky’s true colours and intentions, amid soap boss Kate confirming Becky was “a bit of a villain”, and we would soon learn what she was fully capable of. One fan tweeted: “So much for Becky fearing for her safety and needing to keep a low profile, just walking down the cobbles and then meeting Costello in the alley. Yeah she’s not fearing for her life it’s all an act and lies.”
Another viewer said: “So maybe Becky didn’t orchestrate Betsy getting arrested but when she found out Costello did as leverage to send Becky back to Spain, she was okay with letting Betsy spend the night in jail to get some alone time with Lisa. Give her the Mum of the Year award.”
A third fan commented: “Becky knew Costello stitched Betsy up and she made a plan to stay the night with Lisa and conveniently brought a bag.” A fourth added: “Becky and Costello scenes. Remember those are just the tip of the iceberg with these two.”
IT’S hard to believe, but at the age of 68, Gloria Estefan, one of the biggest-selling and most-celebrated artists of all time, is marking her 50th year in music.
She has had a stellar career, racking up everything from a slew of Grammy awards to the Presidential Medal of Freedom.
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Gloria has recently released her album RaicesCredit: SuppliedThe star with The Sun’s HowellCredit: Supplied
But after her musician daughter Emily performed with Cyndi Lauper at Glastonbury last year, she now has one more thing she wants to strike off her bucket list – a major slot on the prestigious Pyramid Stage.
In an exclusive chat, she told Bizarre’s Howell: “It’s very exciting, big and complex from what I hear from Emily. Like, it was crazy. But that would be super exciting.
“If I’m still around, I would love to do that. Now, Glastonbury likes all kinds of artists.”
With hits like Rhythm Is Gonna Get You, Dr Beat and, of course, Conga, she would have plenty of songs to entertain Worthy Farm.
And she may soon be wowing even more viewers, with a big-budget biopic on the cards.
For the first time, she has confirmed Rachel Zegler, who shot to fame in Steven Spielberg’s West Side Story, Disney’s Snow White and recently in Evita on the West End, is set to play her.
She said: “I think she’s awesome. I think she’s incredible. I know she’s killed it in Evita.
“We’re still working on the green light because we’re figuring out where to do it, how to do it.
“This has been in the works for quite a few years now. And that’s how it is. You work, you work, you work, and then all of a sudden, boom, the trigger’s pulled and you’ve got to do it right away. But she’s lovely.”
But asked if she thinks Rachel will take the part, she continued: “I think she would. I just need to offer her an actual part. So we need to be greenlit completely and we’re almost there.
“I met her by Zoom. She’s got a beautiful singing voice and she’s a great actor. So absolutely.”
It was originally claimed the film will be an adaptation of her 2015 jukebox musical On Your Feet! although that idea has changed.
The star explained: “The movie’s not going to be the show. There’s a lot in there.”
Gloria was born in Cuba but her family fled to the US during the Cuban Revolution and she has now become one of Miami’s most famous residents.
And as one of the city’s stars, she has become pals with David and Victoria Beckham, who have a home there and have become key to the area with Becks’ football team Inter Miami CF.
But it’s clear they all move in the upper echelons when Stateside.
In a major name drop when quizzed on hanging out with them, she said: “I’ve been at their home. It’s lovely. David is such a lovely man – and Victoria.
“We actually went to a dinner at their home and President Obama was there, and the head of Reddit, and Jeff Bezos. It was really cool.
“It was small, but only the most powerful people in that room. It was great.
“They’re very kind people. And he’s done amazing things for soccer or football, as you call it here.”
Gloria pictured in 1989Credit: Alamy
And there have been more Brits in Miami, with Dua Lipa performing there last month, when she covered Gloria’s 1985 hit Conga.
“I was so sad that I wasn’t in town,” Gloria said.
“She had invited me to go and do that with her. And I love her. I’m a big fan of Dua Lipa. And that’s the sexiest conga you’re ever going to see, hands down.”
After such an illustrious career, she recently released her 30th album Raíces, which is largely Spanish-language escapism and the perfect soundtrack for a soiree or relaxing evening in.
And it was her husband of 47 years, producer Emilio, who made it happen.
Gloria, who was writing another musical at the time, explained how the salsa record poured out of him.
She added: “It’s got beautiful, romantic ballads. Emilio said, ‘I wrote you a love song’. I go, ‘Babe, you’re going to sing it?’.
He goes, ‘No, you’re going to sing it for me’.”
Charming.
And as for retirement after five decades in the game? Don’t count on it.
She giggled: “In ten years time, I hope to still be alive. That’s my first plan. Who knows?
“I only choose what I really, really want to give my time to. It’s just that. I had all these amazing opportunities. And they just converged this year.”
The singer has become pals with David and Victoria BeckhamCredit: Getty
Kristen chilled Water
Kristen Stewart showed off a stark fringe and bare legs as she left a screening of her new filmCredit: Splash
KRISTEN STEWART didn’t let the falling temperatures bother her as she headed out in this white mini-dress.
The Twilight actress showed off a stark fringe and bare legs as she left a screening of her new film The Chronology Of Water at the Curzon Mayfair on Thursday night.
It was part of the BFI London Film Festival and the movie, an adaptation of US writer Lidia Yuknavitch’s memoir, is her directorial debut.
Lily ‘cheat’ pain
Singing star Lily Allen is about to make a return with her fifth albumCredit: Getty
LILY ALLEN has confirmed my story that she is about to make a return with her fifth album.
And on it, she seemingly accuses ex-husband David Harbour of cheating on her.
But things crumbled last year, with the relationship inspiring the latest record which is expected to be released imminently.
A new interview with Lily came out in Vogue magazine yesterday.
It features lyrics from two tracks that suggest David romanced other women while they were together and the pair then decided to “open” their marriage.
On one song, Sleepwalking, Lily sings: “You let me think it was me in my head, and nothing to do with them girls in your bed.”
On another, called Dallas Major, she reveals: “You know I used to be quite famous, that was way back in the day.
“I probably should explain how my marriage has been open since my husband went astray.”
And Lily didn’t hold back in her interview, either.
She told the magazine: “I’ve had real problems with my food over the past few years.
She added that during their break-up “it got really, really, really bad”.
Lily, who is sober, said: “The feelings of despair that I was experiencing were so strong.
“The last time I felt anything like that, drugs and alcohol were my way out, so it was excruciating to sit with those [feelings] and not use them.”
KYLIE JENNER says being a pop star is her lifelong dream – despite being mocked this week when she sang on Terror JR’s new song Fourth Strike.
Having just started singing under the name King Kylie, she said: “You know this is my dream. I’ve been talking about this since I came out of the womb… that like I wanted to be a pop star.
“I just never had the confidence or… I think turning 28 just does something to you. Like I’m going to be 30 soon and I don’t want to look back on life and have any regrets.
“This is something I’ve always wanted to try.”
JENNIFER LOPEZ is up for returning to the Super Bowl stage in February – six years after her stellar half-time show with Shakira.
The singer, whose parents are from Puerto Rico, waved the country’s flag during her performance and next year will see rapper Bad Bunny, who is from there, playing the show.
Quizzed on US TV whether they could do something together there, she said there had been “no talk” of a collaboration but that she would be open to it.
She said: “There’s no talk. I have not gotten any calls. So I just want to put the expectation down. But of course if he wanted me to do something, I would definitely do it.”
Crouchy Enter the Dragon
Abbey Clancy and Peter Crouch have been filling their home with pets, pictured with their four childrenCredit: instagram
ABBEY CLANCY and Peter Crouch are slowly turning their home into a zoo – and the next animal they are adding is a bearded dragon.
The couple, who live in Surrey with their four children, already own two dogs, cats and a horse but now they are adding reptiles to the menagerie.
Crouchy says they are getting the reptile, which is native to Australia, because their son is desperate for one as a pet.
As well as the lizard, Abbey wants to also get lambs and chickens.
Peter said: “The more animals the better, apparently. Bearded dragons are next on the horizon. My little boy has wanted one for years. They’re actually all right. I thought it would be a nightmare, but I’ve been down the shop and held them.
“We’re actually going to get one. They grow to be quite big but they’re quite chilled.”
Michael makes big money
MICHAEL McINTYRE’s firm raked in more than £3.2million last year – making him one of the biggest earners on TV.
He had another stellar year presenting Saturday-night series Michael McIntyre’s Big Show and quiz The Wheel.
The comedian’s TV production firm Hungry McBear paid £805,000 in corporation tax in its last financial year up to December 31.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
When news broke last weekend that Diane Keaton had died at age 79, it came as an extraordinary shock because so much of Keaton’s screen presence and persona was rooted in a vitality, a sense of of being very much alive and open to everything.
Revisiting Keaton’s Oscar-winning performance in “Annie Hall” this week, I was struck by how much humor she mined from a hyperawareness of self, often commenting on her own dialogue and behavior as she was still in the act of doing it. She brought a tremendous charge to everything she did.
Diane Keaton and Jack Nicholson in the movie “Something’s Gotta Give.”
(Bob Marshak / Columbia Pictures)
In her appreciation of Keaton, Amy Nicholson called her “the icon who feels like a friend,” adding, “The contradiction of her career is that the things we in the audience loved about her — the breezy humor, the self-deprecating charm, the iconic threads — were Keaton’s attempts to mask her own insecurities. She struggled to love herself. Even after success, Keaton remained iffy about her looks, her talent and her achievements. In interviews, she openly admitted to feeling inadequate in her signature halting, circular stammers.”
There was a very genuine wave of emotion and affection after the news of Keaton’s death. One of the most heartfelt and moving tributes came from screenwriter and director Nancy Meyers, who worked with Keaton on four films, from “Baby Boom” to “Something’s Gotta Give.”
As Meyers said, “She made everything better. Every set up, every day, in every movie, I watched her give it her all.”
Meyers added, “She was fearless. She was like nobody ever. She was born to be a movie star. Her laugh could make your day and for me, knowing her and working with her changed my life.”
AMC Theaters have already announced limited showings of both “Annie Hall” and “Something’s Gotta Give.” Other screenings will certainly happen shortly.
Crispin Glover, still doing his own thing
Crispin Glover in “No! YOU’RE WRONG. or: Spooky Action at a Distance.”
(Volcanic Eruptions)
Still best known for the eccentric screen presence he brought to movies such as “River’s Edge,” “Wild at Heart,” “Charlie’s Angels,” “Back to the Future” and countless others, Crispin Glover is also extremely dedicated to his own filmmaking practice.
“No! YOU’RE WRONG” is the third feature Glover has made himself. He began developing the screenplay in 2007, started building the sets in 2010, began shooting in 2013 and didn’t commence editing until 2018. He goes at his own pace, though Glover is self-excoriating.
“None of this is acceptable,” he tells me during a recent video call from New York City following the film’s world premiere at the Museum of Modern Art. “I’m not happy that this has taken as long as it’s taken. Every step of this film just took ridiculously long.”
While Glover enjoys talking about the film, he struggles to explain what it’s actually about. Set across five time periods — 1868, 1888, 1918, 1948 and right now — Glover shot for the first time on 35mm and, for some scenes, used a hand-cranked camera that belonged to the Czech animator Karel Zeman. The negative was hand-processed, which can alter how it looks, with some sections then colored by hand to replicate early film techniques.
“It’s almost better for me to talk about the technical aspects because by talking about the the technical aspects, it sort of reveals things about the film itself,” Glover says. “All of my films on some level deal with surrealism in one aspect or another. And part of the way surrealism operates is to have either disparate pieces of information or withholding information so that the audience can make the correlations themselves and become a participant in the art.”
Bruce Glover in the movie “No! YOU’RE WRONG. or: Spooky Action at a Distance,” directed by his son Crispin Glover.
(Volcanic Eruptions)
Aside from Glover himself, the film includes his father, character actor Bruce Glover, who died in March 2025, as well as his mother, dancer Betty Glover, who died in 2016. Following the death of his father, Glover had to make some changes.
“I don’t want to say too much,” says Glover as he catches himself starting to clarify an aspect of the story. “You’d have to see the film. It’s not good for me to talk about it because the way the film is made and layered, it’s something that people will have different interpretations of. And if I say too much, then it will sway the interpretation. They’ll think, ‘Oh, it’s wrong because the filmmaker said this,’ but it isn’t wrong. What they’re thinking is what’s right for them.”
Points of interest
Cronenberg movies at Brain Dead
Léa Seydoux, left, Viggo Mortensen and Kristen Stewart in the movie “Crimes of the Future.”
(Nikos Nikolopoulos)
Brain Dead Studios has been running a program of David Cronenberg films through October and still has a few titles left to go. And while his films may not fit everyone’s strict definition of Halloween-style spooky, they are reliably unsettling in their examinations of the darker aspects of human existence.
Friday will see a screening of 2022’s “Crimes of the Future,” starring Viggo Mortensen, Kristen Stewart and Léa Seydoux, Monday will be Cronenberg’s 1991’s adaptation of William S. Burroughs’ “Naked Lunch,” Thursday brings 1979’s low-budget horror film “The Brood” and Saturday, Oct. 25 will have 1996’s controversial “Crash.”
I spoke to Cronenberg around the release of “Crimes of the Future,” which at the time felt like something of a summation of the director’s ongoing interests in technology and the body, though he claimed it wasn’t intentional.
“It’s not a self-referential film because I’m not thinking that when I’m writing it or directing it,” Cronenberg said. “But the connections are there because my nervous system, such as it is including my brain, is the substrate of everything I’m doing. So I might even say in the Burroughsian way that all of my work and all of my life is one thing. In which case, it now makes perfect sense that there should be these connections.”
David Fincher’s ‘The Game’
Michael Douglas in the movie “The Game.”
(Tony Friedkin / Polygram Films)
David Fincher’s 1997 thriller “The Game” is somewhat easy to overlook in his filmography, landing between the provocations of “Seven” and “Fight Club” and before fully-formed works like “Zodiac” and “The Social Network.” However, the movie, in which a wealthy man (Michael Douglas) finds his life turned upside in what may be a live-action role-playing game, is strange and unpredictable and among Fincher’s most purely pleasurable movies. It plays at the New Beverly on Friday — a rare chance to catch it in a theater on 35mm.
In his review of the film, Jack Matthews wrote, “Douglas is perfectly cast. Who else can blend moneyed arrogance, power and rank narcissism with enough romantic flair, intelligence and self-deflating humor to make you enjoy his defeats and his victories? What other major star is as much fun to watch when he’s cornered?”
Gogglebox sisters Izzi and Ellie Warner have appeared on the show together since 2015
Gogglebox star Izzi Warner shared a clip with fans (Image: Instagram/izziwarner)
Gogglebox star Izzi Warner has given fans a rare insight into her life away from the cameras.
The sofa telly critic appears on the Channel 4 programme with her sister Ellie, and have appeared alongside the likes of Pete Sandiford and Jenny Newman since 2015.
Ahead of hitting our screens in tonight’s episode, Izzi took to Instagram, and said, while sharing a video alongside a horse: “Here’s my pet that you don’t see sat on my knee on the sofa on a Friday night.
“Clip clopping our way into the weekend, have a good one, see you at 9 o’clock!”
She captioned it: “Goggleboxing in the wild.”
Izzi later clarified with a picture cuddling her sausage dog: “Just to clarify the pet that doesn’t sit on my knee is Bea… not Toby.”
This comes after the TV star gave fans an insight into her private life earlier this year with a glowing tribute to her new partner.
Last year, Izzi revealed she had been “single for 18 months” and was no longer with her long-term partner Grant, who she shares children Bobby and Bessie with.
She’s since introduced fans to her new partner Toby, posting snaps of them on holiday together and at special events.
In April, she shared an update on her relationship, writing: “The sun shone at Sandhurst on the Sovereigns parade.
“Congratulations to all the officer cadets commissioning today, in particular 16 platoon. Thank you for all who took part in what was spectacular parade.
“Proud of you @tobyj1 .”
She was flooded with support from fans, as one person wrote: “You look lovely and how smart he looks in his uniform. You must be very proud of him.”
Another shared: “Wonderful day for them all…congratulations.”
Meanwhile on Valentine’s day, she let slip to sister Ellie: “Wait till you see what Toby got me for Valentine’s – a card in a box.”
Ellie read out the cats, saying: “‘To Izzi, our first of many. Thank you for being the absolute best. I bloody adore you. Happy Valentine’s Day I love you loads and lots more. Toby.”
COLEEN Rooney has taken a fresh swipe at her ex-pal Rebekah Vardy as she uses their Wagatha Christie row to cash in – AGAIN.
Wayne’s wife was famously embroiled in a six-year fight with fellow WAG Rebekah when Coleen turned detective and accused Rebekah of leaking stories from her personal Instagram account.
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Coleen Rooney winks after new dig at Rebekah VardyCredit: Paddy PowerShe does her famous detective work for Danny Dyer in a new Paddy Power advertGemma Collins appears in the ad with her own iconic catchphraseCredit: Paddy Power
In the infamous post, Coleen dramatically announced to the world: “It’s . . . Rebekah Vardy’s account.”
The iconic catchphrase was today used in a new TV advert for Paddy Power starring Coleen and other famous faces including Danny Dyer, Peter Crouch and Gemma Collings.
Cockney EastEnders legend Danny stars as a casino kingpin who flips out when he spots a prosecco glass on his blackjack table, shouting: “Which melt has left their drink on my felt?”
And in a nod to Coleen’s super sleuth skills, he gets a text from Coleen, which says: “It’s… Gemma Collins.”
She then winks at the camera after being described by Danny as a “silent assassin”.
A TV insider told The Sun: “Even after all these years, people are obsessed with the Wagatha Christie case and Coleen’s detective work.
“The whole ordeal was a nightmare for Coleen at the time but she’s since made a lot of money from the experience and is happy to capitalise on it.
“Paddy Power is renowned for its hilarious media campaigns and this is yet another example.”
The advert for Paddy Power Games follows 39-year-old Coleen’s previous Wagatha Christie jab when she was announced as the investigator of Man City’s Financial Fair Play case in an hilarious sketch.
Coleen Rooney said: “I’ve been watching the same game almost my entire life, so it’s nice to have a bit of variety for once, and being back with the Paddy Power crew to film such a glamourous ad was brilliant.
“I loved getting dressed up and stepping into the madness of a Paddy Power casino world – Danny played the role of casino boss perfectly, plus I got to reprise my role as head of investigations….what more could you want!”
Rebekah – who’s married to Jamie Vardy – brought a multi-million pound case to court after Coleen publicly accused her of leaking to the press in October 2019.
WITH research revealing that a quarter of Brits (26%) admit to dating someone because of their moustache perhaps there’s more to Danny Dyer’s debonair charm than meets the eye.
Commissioned by Paddy Power Games, the study has confirmed what women have known for decades – there’s something irresistible about a man with a moustache.
What’s more, when asked to rank the sexiest famous taches, Danny Dyer outranked both Harry Styles and Paul Mescal:
I can’t think of another time that I was quite as terrified as when I walked alone into an interactive horror maze called “Feast” at a chilling carnival-like event called “The Queen Mary’s Dark Harbor: Summoned by the Seas,” which takes place in the parking lot in front of the famously haunted ship, and also in the creepy bowels of its engine rooms, through Nov. 2.
“Dark Harbor,” is the scarier sister event to Griffith Park’s famous “Haunted Hayride.” Both Halloween season fright fests are produced by Thirteenth Floor Entertainment Group, which specializes in seasonal terror. The highlight of the nightly carnivals — which include food and drink booths, bars and rides — are a series of interactive mazes populated by bloody monsters, drooling ghouls, murderous clowns, spectral ghosts and maniacal serial killers.
The spooks are largely played by local actors — many of whom come back year after year for a guaranteed paycheck while pursuing a profession that is anything but financially sound. It is to these hardworking artists that the events owe their success. I was struck by just how dedicated the actors were to scaring us mere mortals out of our pants.
The masks, elaborate makeup and props, including butcher knives and bats, surely help the players stay in character— but this is not easy work. The actors must contend with aggressive guests who try to get in their faces (this is against the rules), as well as shrill, shrieking patrons who jump and run as they approach (guilty!).
But the actors are specially trained to handle these reactions and more.
“Each fall, Queen Mary’s Dark Harbor and Los Angeles Haunted Hayride hire a few hundred performers, most of our cast are locals who come back year after year. We hold open calls in the summer and focus on energy, movement, and presence more than traditional acting experience,” wrote “Dark Harbor‘s” general manager, Star Romano, in an email.
After the performers are hired, Romano explained, they attend orientation, safety training and rehearsals leading into opening weekend.
“It’s a huge community effort, part performance, part team reunion, and one of my favorite things about the season,” Romano wrote.
The result of those efforts led to me sleeping with the lights on for two nights straight.
“Get away from me! I’m too scared!” I shouted at one Leatherface-type character as he approached me with a chain saw.
“That’s the whole point,” he growled under his breath before obeying my wishes and lurching off toward another fear-stricken guest.
(NOTE: For a kid-friendly immersive Halloween experience, you can head to the company’s “Magic of the Jack O’Lanterns,” which features 5,000 hand-carved pumpkins on-site at South Coast Botanic Garden.)
I’m arts and culture writer Jessica Gelt, inviting you to sink into spooky season with me. Here’s your weekly arts and culture news.
On our radar
Benjamin Millepied’s L.A. Dance Project performs “On the Other Side.”
(Laurent Philippe)
L.A. Dance Project Renowned choreographer Benjamin Millepied continues his exploration of the intersection of dance and visual art with the ballet triptych “Gems,” featuring artwork by collaborators Barbara Kruger, Liam Gillick, Mark Bradford and others. The performance is composed of three contemporary ballets inspired by precious stones: “Reflections” (2013), “Hearts & Arrows” (2014) and “On the Other Side” (2016). The show — with music by David Lang and Philip Glass — marks the first time these pieces have been staged together. — Jessica Gelt 7:30 p.m. Thursday through Oct. 25. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. https://thewallis.org/show-details/la-dance-project-gems
New York artist Jon Henry stages photographs that reflect on reports of Black men killed by police.
(The Brick)
Monuments The most eagerly anticipated theme exhibition this fall is reflected in the emphatic title, pointedly written all in caps. “MONUMENTS” was inspired by the wave of revulsion following the violent 2017 white supremacist Unite the Right rally in Charlottesville, Va. — a deadly riot opposing the proposed removal of a local statue of Confederate Gen. Robert E. Lee. That statue is now gone, torn down along with some 200 other tributes across the country to American turncoats who supported chattel slavery. (The last known Confederate monument in Southern California was removed in 2020.) A selection of decommissioned Confederate statues will be shown at MOCA and alternative space the Brick, joint organizers of the exhibition; they’ll be paired with contemporary work by Bethany Collins, Stan Douglas, Leonardo Drew, Jon Henry, Martin Puryear, Hank Willis Thomas, Kara Walker and a dozen other artists, borrowed and commissioned for the occasion. — Christopher Knight Thursday through May 3, 2026. Geffen Contemporary at Museum of Contemporary Art, 152 N. Central Ave., Little Tokyo; The Brick, 518 N. Western Ave. moca.org
Vikingur Olafsson will perform with conductor Santtu-Matias and Philharmonia.
(Timothy Norris / Los Angeles Philharmonic)
Santtu-Matias Rouvali and Vikingur Ólafsson join the Philharmonia Orchestra It’s been almost a decade since Finnish conductor Santtu-Matias Rouvali, a former Dudamel Fellow at the L.A. Phil, last returned to Southern California as a guest conductor of the L.A. Phil. In the meantime, though, he’s been busily attracting attention in London as principal conductor of the Philharmonia Orchestra (having succeeded Esa-Pekka Salonen in 2021). For his first local appearance with the Philharmonia, he is joined by the stellar Icelandic pianist Vikingur Ólafsson in Ravel’s Piano Concerto in G. The program also includes the local premiere of a new score meant to awaken environmental awareness, popular Mexican composer Gabriela Ortiz’s “Si el Oxígeno Fuera Verde” (If Oxygen Were Green), along with Shostakovich‘s Fifth Symphony. Shortly after fall, Ólafsson heads back to Disney in January as soloist with the L.A. Phil for John Adams’ latest piano concerto, “After the Fall.” — Mark Swed 8 p.m. Tuesday. Renée & Henry Segerstrom Concert Hall, 615 Town Center Drive, Costa Mesa. philharmonicsociety.org
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The week ahead: A curated calendar
FRIDAY
Ethan Remez-Cott, left, and Matthew Goodrich in the play “Amerika or, The Man Who Disappeared.”
(Amanda Weier)
Amerika or, The Man Who Disappeared There’s Kafkaesque and then there’s the genuine article. Open Fist Theatre Company presents the world premiere of Dietrich Smith’s adaptation of the Franz Kafka novel that details the strange experiences of a 17-year-old European immigrant after he arrives in New York City aboard a steamer. 7:30 p.m. Friday; 7 p.m. Saturday; 2 p.m. Sunday; and 7:30 p.m. Monday, Oct. 20; through Nov. 22. Atwater Village Theatre, 3269 Casitas Ave. openfist.org
Ms. Holmes & Ms. Watson–Apt. 2B Two free-spirited roommates embrace mystery and adventure in the L.A. premiere of Kate Hamill’s dark modern comedy, a gender-bent spin on Sir Arthur Conan Doyle directed by Amie Farrell. 7:30 p.m. Thursday-Saturday; 2 p.m. Sunday through Nov. 2. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org
नेहा & Neel Asian American theater collective Artists at Play and Latino Theater Company collaborate for the world premiere of Ankita Raturi’s new comedy about an Indian immigrant and single mom on a cross-country college tour with her 17-year-old American-born son. Directed by East West Players artistic director Lily Tung Crystal. Through Nov. 16. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org
17th OC Japan Fair Japanese culture festival featuring food, shopping, a cosplay show, a tuna cutting show, popular Japanese entertainers, traditional instrument performances, games, kimono models meet and greet, and more. 4 p.m.-10 p.m. Friday; noon-10 p.m. Saturday; 11 a.m.-7 p.m. Sunday. OC Fair & Event Center, 88 Fair Drive, Costa Mesa. oc-japanfair.com
David Roussève will perform “Becoming Daddy AF” Friday and Saturday at the Nimoy.
(Rachel Keane)
Becoming Daddy AF Renowned dance-theater artist David Roussève presents the West Coast premiere of his experimental movement journey “Becoming Daddy AF.” The piece marks Roussève’s first full-length solo performance in more than two decades and explores themes that have touched and shaped his life, including HIV, genealogy and the loss of his husband of 26 years. (Jessica Gelt) 8 p.m. Friday and Saturday. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Unravelled The story of Canadian biologist Dr. Anne Adams, who turned to painting at age 53, and her remarkable connection to French composer Maurice Ravel, with whom she shared the same rare brain disease. A play infused with music and visual art, written by Jake Broder and directed by James Bonas. 7:30 p.m. Friday and Saturday; 2 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
SATURDAY
British artist Edmund de Waal will install new work in three sites at the Huntington, including the Chinese garden.
(Linnea Stephan)
The Eight Directions of the Wind British artist, potter and writer Edmund de Waal is obsessed with archives, which he describes as “places, streets, hillsides as much as card indexes.” For a body of new work, he once traveled to the place in China where the clay used to make porcelain was discovered — and then on to Dresden, Germany; Cornwall, U.K.; and the Appalachian Mountains, where subsequent cultures reinvented it. De Waal’s three site-specific, yearlong installations will be in the Huntington’s cultural and natural “archives” that are its art gallery and Chinese and Japanese gardens. (Christopher Knight) Through Oct. 26, 2026. The Huntington, 1151 Oxford Road, San Marino. huntington.org
Lorde performs Saturday at the Kia Forum.
(Scott A Garfitt / Invision/AP)
Lorde Just as her generation has, by all accounts, sobered up and gone sexless, Lorde returned this year with a defiant album about the giddy rush of partying and the frightening ramifications of a body in search of pleasure. “Virgin” pulls her back to the experimental electro-pop many fans were hoping for after the relatively complacent “Solar Power,” and the album is brimming with startling meditations on pregnancy scares, familial inheritance and the malleability of gender. (August Brown) 7 p.m. Kia Forum, 3900 W. Manchester Blvd., Inglewood. thekiaforum.com
Orchidées Cellist Kate Ellis performs composer Nick Roth’s cello étude — which traces the 100‑million‑year evolution of orchids by translating their DNA sequences into music — accompanied by time‑lapse footage of blooming specimens from the Huntington’s orchid collection. Also available to livestream. 7 p.m. The Huntington, 1151 Oxford Road, San Marino. huntington.org
Tortoise The lauded post-punk band performs “Touch,” their first new album in nine years with opening sets from local duo Jeremiah Chiu & Marta Sofia Honer and KCRW DJ Ale Cohen. 8 p.m. Saturday. The Broad, outdoor East West Bank Plaza, 221 S. Grand Ave., downtown L.A. thebroad.org
TUESDAY A Concert for Lowell A memorial tribute to Lowell Hill, one of the great patrons of new music in L.A., featuring many of the city’s top local artists, including Wild Up, MicroFest, Piano Spheres, the Industry, Partch Ensemble, Monday Evening Concerts, Long Beach Opera and People Inside Electronics. 8 p.m. Monk Space, 4414 W. 2nd Street. brightworknewmusic.com
Morgan Siobhan Green as Eurydice and Nicholas Barasch as Orpheus in the 2022 “Hadestown” North American Tour.
(T Charles Erickson)
Hadestown The Tony and Grammy Award-winning musical that reimagines the myth of Orpheus and Eurydice as a New Orleans-style folk opera returns on its latest national tour. “Born out of a concept album by Anaïs Mitchell, who wrote the book, lyrics and music, the show travels to the underworld and back again with liquified grace,” wrote Times theater critic Charles McNulty in a 2022 review. “Developed by Rachel Chavkin, the resourceful director who won a Tony for her staging, ‘Hadestown’ achieves a fluidity of musical theater storytelling that makes an old tale seem startlingly new.” Through Nov. 2. Hollywood Pantages Theatre, 6233 Hollywood Blvd., Hollywood. broadwayinhollywood.com
Learning to Draw The exhibition traces a 300-year evolution of artistic training and the mastery of drawing in Europe from about 1550 to 1850. Bringing together the physical control of the hand and the concentration of the mind, the foundational artistic act became essential to exploring, inventing and communicating visual ideas in the modern world. Through Jan. 25, 2026. Getty Museum, 1200 Getty Center Drive. getty.edu
Dispatch: Ben Platt: Live at the Ahmanson
Actor, singer and songwriter Ben Platt stands for a portrait at the Bernard B. Jacobs Theatre in New York on Thursday, April 20, 2023.
(Justin Jun Lee / For The Times)
Breaking news sure to make L.A. musical theater fans swoon: Center Theatre Group announced Friday that Broadway superstar Ben Platt will be in residency for two weeks and 10 shows at the Ahmanson Theatre , Dec. 12–21. Two-time Tony Award-winning director Michael Arden is set to direct the the residency, appropriately titled, “Ben Platt: Live at the Ahmanson.” Platt’s appearance comes a year after he staged a wildly successful three-week residency at Broadway’s Palace Theatre, which included a cornucopia of famous special guests including Cynthia Erivo, Nicole Scherzinger, Jennifer Hudson, Kacey Musgraves, Sam Smith, Micaela Diamond and Shoshana Bean. The production is staying mum on who might appear onstage alongside Platt during his L.A. run, but it’s safe to expect more big names.
“When you think of the very best in musical theatre, it simply doesn’t get any better than Ben Platt, whose stage presence and charisma make him one of the seminal performers of his generation,” said CTG’s artistic director, Snehal Desai, in a news release that promised “the holiday event of the season.”
Bassist Tonya Sweets, from left, Marlon Alexander Vargas and drummer Dee Simone in “littleboy/littleman,” directed by Nancy Medina, at Geffen Playhouse.
(Jeff Lorch)
A tale from a land of immigrants Rudi Goblen’s “littleboy/littleman” is in the midst of its world premiere at the Geffen Playhouse. The two-person show about two Nicaragua-born brothers is much like a performance piece, writes Times theater critic Charles McNulty in his review. It’s also a deeply American story. “Lest we forget our past, America is the great democratic experiment precisely because it’s a land of immigrants. Out of many, one — as our national motto, E pluribus unum, has it. How have we lost sight of this basic tenet of high school social studies?” McNulty writes.
Les Miz at 40 I went backstage at the Pantages for the opening night of “Les Misérables,” which happened to coincide with the 40th anniversary of the legendary musical. The mood was euphoric and everyone in the cast and crew seemed to have a story about a formative connection to the show. Stage manager Ken Davis walked me through the maze-like wings and filled me in on what it takes to tour a show of this scale. Of particular note: The touring production travels with 11 tractor trailers containing over 1,000 costumes, 120 wigs and hundreds of props.
Patrick Martinez, “Fallen Empire,” 2018, mixed media
(Michael Underwood)
When the sum is less than the whole Times art critic Christopher Knight was not impressed by “Grounded,” a newly opened exhibition at the Los Angeles County Museum of Art. The show’s theme, rooted in recent acquisitions of contemporary art, is promising, but ultimately falls apart. Viewed as a whole, “the 39 assembled contemporary paintings, sculptures, photographs, textiles and videos by 35 artists based in the Americas and areas of the Pacific underperform,” writes Knight. “Sometimes that’s because the individual work is bland, while elsewhere its pertinence to the shambling theme is stretched to the breaking point,” Knight writes.
Remembering Bernstein Tuesday marked the 35th anniversary of Leonard Bernstein’s death, and reminders of the great composer’s tributes to John F. Kennedy abound, writes Times classical music critic Mark Swed. In a piece of commentary about what Bernstein’s work can teach us about memorials, Swed examines multiple L.A. productions rooted in that work, including L.A. Opera’s “West Side Story” and Martha Graham Dance Company’s “En Masse” at the Soraya. Swed also wonders whether those important pieces will reach the Trump administration’s newly configured Kennedy Center in the spring.
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Guests attend the K.A.M.P. family fundraiser at the Hammer Museum on Oct. 12, 2025, in Los Angeles.
(Stefanie Keenan / Getty Images for Hammer Museum)
Everyone went home happy UCLA’s Hammer Museum raised nearly $200,000 last weekend with its 16th annual K.A.M.P. (Kids Art Museum Project) fundraiser. More than 700 excited parents and children showed up at the gloriously messy event co-chaired by Aurele Danoff Pelaia and Talia Friedman. Kids roamed the courtyard over the course of four hours, creating art at stations set up and manned by participating artists including Daniel Gibson; Sharon Johnston and Mark Lee of the Johnston Marklee architecture firm; Annie Lapin; Ryan Preciado; Rob Reynolds; Jennifer Rochlin; Mindy Shapero; Brooklin A. Soumahoro; and Christopher Suarez. Fairy Gardens were constructed of thick clay and foraged leaves; cardboard boxes were painted with rollers; plates were spray-painted and affixed with knickknacks and jewelry; and geometric shapes were glued to canvases and painted an array of bright colors. Children went home with their art, and parents left knowing they supported a host of free Hammer Kids programs that serve thousands of children and families annually.
Fair wages on Broadway Musicians working on Broadway, represented by AFM Local 802, voted to authorize a strike earlier this week — with 98% in favor. The nearly 1,200 musicians have been working without a contract since Aug. 31. According to an open letter the musicians sent to the Broadway League on Oct. 1, their demands include: “Fair wages that reflect Broadway’s success. Stable health coverage to allow musicians and their families to enjoy the health benefits that all workers deserve. Employment and income security so that hardworking freelance musicians have some assurance of job security. This includes not eliminating current jobs on Broadway.” Bargaining talks are ongoing.
Gene Hackman co-stars in “Bonnie and Clyde,” alongside Warren Beatty and Faye Dunaway.
(Associated Press)
Gene Hackman, art collector The late actor Gene Hackman’s art collection will go up for auction through Bonhams in November. Highlights of the 13-piece collection — which is being offered as a single-owner sale — include works by Milton Avery, Auguste Rodin and Richard Diebenkorn. Hackman was passionate about art throughout his life, and took an extra-special interest in it after he stopped acting. During that time he dedicated himself to taking classes and art-making. He even kept a journal of everything he learned, according to Bonhams.
Historic homes tour Paging architecture fans: It’s not too late to reserve a spot in Dwell’s open-house event, back in L.A. for its second year. Tours of three historically significant Eastside homes are on offer during the day-long event, which launches from Frank Lloyd Wright’s Hollyhock House in Barnsdall Art Park. The three additional houses in the tour are: Richard Stampton’s Descanso House in Silver Lake; Taalman Architecture, Terremoto, and interior designer Kathryn McCullough’s Lark House in Mount Washington; and Fung + Blatt’s San Marino House in — you guessed it — San Marino.
— Jessica Gelt
And last but not least
Still feeling sad about losing Diane Keaton? Me too. Here’s a list I put together of her 10 most important films. Watch one you haven’t seen — if that’s possible.
The five-part thriller is inspired by the real-life story of two children abducted by their father after discovering his wife’s infidelity.
This sets off a relentless quest by a mother to reclaim her son and daughter, aided by an ex-Mossad agent who has become a private investigator.
The conflict intensifies – not only between Leo and Valeria – but also within their influential families as Isaac and Tamara are whisked away to different parts of Europe to keep them from their mother.
The drama draws inspiration from Tamara Trottner’s 2020 memoir No One Saw Us Leave, or its Spanish title Nadie nos vio partir, in which she narrates how she and her brother Isaac were taken during the 1960s.
The narrative provides a glimpse into the Jewish-Mexican community of that era, according to Netflix’s Tudum, as Tamara’s mother faced condemnation from the tight-knit community.
Many viewers are curious about the cast – here’s where you might have seen the actors before.
Heading the cast is actress Tessa la, portraying the desperate mother Valeria Goldberg.
The star is renowned for her roles in Narcos: Mexico, Unstoppable, The House of Flowers: The Movie, and Something Blue.
As per IMDb, she’s next set to appear in TV shows La Banda, Yellow, and De brutas, nada.
Leo Saltzman – Emiliano Zurita
Actor and producer Emiliano Zurita takes on the role of Leo Saltzman, a father pressured by his parents to take his children away from Valeria.
Zurita has previously appeared in TV series such as Zorro, Dance of the 41, Natural Born Narco, and The Head of Joaquin Murrieta.
Samuel Saltzman – Juan Manuel Bernal
Juan Manuel Bernal portrays Samuel Saltzman, with previous credits including Lazos de amor, Confessions, Perfect Obedience, The Blue Room, Monarca, and he also starred in The Head of Joaquin Murrieta alongside Zurita.
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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.
Carlos – Gustavo Bassani
Gustavo Bassani plays Carlos, Valeria’s lover whom she ultimately leaves her husband Leo for.
Bassani’s past roles include appearances in Transmitzvah, Yosi, the Regretful Spy, Maledictions and Papeles.
Elías – Ari Brickman
Ari Brickman, an actor, director, composer and writer, takes on the role of Elías. He has had roles in Like Water for Chocolate, Nora’s Will, Technoboys, All That Is Invisible Más alla de ti, and directed several episodes of Netflix’s sci-fi epic Sense8.
Isaac Saltzman – Alexander Varela
Child star Alexander Varela plays Isaac Saltzman, Leo and Valeria’s son. His previous roles include parts in Luis Miguel: The Series and Who Killed Him?, but No One Saw Us Leave is his most significant project to date.
Tamara Saltzman – Marion Siro
Marion Siro, another child star, plays Tamara Saltzman, who is taken along with her brother.
The cast also includes Flavio Medina, Juan Manuel Bernal, Caro Darman and Natasha Dupeyrón.
GEORDIE Shore star Aaron Chalmers’ ex Talia Oatway has revealed a “petrifying” development as their son Oakley returns to hospital.
The mum-of-three, who shares her kids withMTVreality star turnedMMAfighter Aaron, has been giving fans regular updates on their youngest son’s health.
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Geordie Shore star Aaron Chalmers’ ex Talia Oatway has given an update on her child’s healthCredit: UnknownOakley has the genetic disorder Apert SyndromeCredit: Instagram/talia.oatwayTalia said it had been an ’emotional day’Credit: InstagramGeordie Shore’s Aaron and Talia welcomed son Oakley – his third child – back in 2022Credit: Instagram
Their son Oakley hasApert Syndrome, which is a genetic disorder that causes fusion of the skull, hands, and feet bones.
Today Talia gave fans an update, and said: “I know I haven’t been on it today. Um, so Oakley had a gemranosec earlier this morning to have a CT scans on his brain just to basically out rule a lot of stuff for the sickness.
“Um, so he had that and then had to wait obviously for the neurosurgeons to look at the scans.
“I mean I’ve still got no answers but they did tell me some bits that’s going on with Oakley’s brain which obviously has petrified me.
“Um, but I’m waiting until the surgeons at Newcastle obviously speak to the surgeons in Liverpool and then I’ll have more of an understanding about the situation that Oakley is in.
“Um, but yeah it’s just been a really shit day, very emotional day.”
APERT syndrome, also known as acrocephalosyndactyly, is a rare disorder that is named after the doctor who first discovered it in the early 20th century.
It is a genetic condition and is caused by a mutation of the FGFR2 gene.
This affects how cells in the body – namely bone cells – grow, divide and die.
Children born with Apert syndrome have a characteristic appearance, which is caused by the bones in the skull and face fusing and not growing in proportion, according to Great Ormond Street Hospital.
It can increase a child’s risk of hydrocephalus, which results in pressure building on the brain, and it can also cause Chiari malformation, where the base of the brain is squeezed.
Other complications include breathing difficulties and heart problems, which require life-long monitoring.
The condition is said to occurs in one in every 65,000 to 88,000 births and a child’s outlook can vary greatly depending on the severity of symptoms
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Trigger warning for any daughter who has ever had a fraught relationship with their mother: Gish Jen’s remarkable and heartbreaking latest book, “Bad Bad Girl,” may prompt a flood of feelings not felt since adolescence. This marvel of a mash-up — part novel, part memoir, part effort to reconnect with a dead parent who never uttered an “I love you” — has as many pain points as life lessons. Quite a few of the latter — mostly delivered in the form of Chinese proverbs — are dropped by the author’s parents, Chinese immigrants who met in New York as graduate students. Among the pearls of wisdom that stick with Jen, their eldest girl and a keen observer of her parents: “When you drink the water, remember the spring.”
In this, Jen’s 10th book, she wistfully, unsparingly commemorates that “spring” — a punishing mother she nevertheless credits for “biting my heel.” A master of the art of withholding when it came to praise or affection, her mother had no compunctions about delivering ego-shattering put-downs and physical punishments to Jen for being “too smart for her own good.” And yet, Jen writes: “I have thrived.”
Gish Jen has brilliantly structured “Bad Bad Girl” so that invented exchanges with her mother keep returning us not only to the relationship between mother and daughter, but to the present.
(Basso Cannarsa)
Still, she is not at peace. Even after her mother’s death in 2020 at 96, that censorious voice remained “embedded in my most primitive responses, in my very limbic system.” “You were a mystery Ma,” Jen writes. “Why, why, why were you the way you were?” The writer’s instinct kicks in: “If I write about you, if I write to you, will I understand you better?”
“Bad Bad Girl” constitutes a heroic effort to do just that. But soon after Jen embarks on that quest, she realizes that while many mothers want their daughters to show interest in them and listen to their stories, “they were not my mother.” Without much to go on in the way of shared memories or documentary evidence, Jen decides to recalibrate. Instead of writing a straight memoir, she’ll chronicle what she can and construct a fictional narrative around the rest. The result is a heart-piercingly personal work that also imparts universal truths about the immigrant experience — and what it is to be a daughter, a mother and a woman in a world where men are the more valued of the sexes. If there is such a thing as an intimate epic, this is it.
Jen’s mother Agnes — Loo Shu-hsin, as she was originally named — was born in 1925 Shanghai to a wealthy and prominent banker and his much younger wife. In Part I, we are introduced to the lush beauty and extraordinary privilege Agnes was born into, sequestered in a mansion situated in the “international” section of Shanghai, staffed by maids, cooks, nursemaids, chauffeurs and bodyguards. “Proper though she may have been,” Agnes’ mother “did smoke opium.” Apparently, it was good for cramps.
Agnes was the firstborn child, a disappointment in her gender. As tradition dictated, her placenta was hurled into the Huangpu River; when it floated away, it was deemed that she too “would be raised and fed, only to drift away.” Agnes’ mother never bonded with her daughter and showed her little attention except to object to her daughter’s clear intelligence and closeness with her nursemaid. (By age 6 and beginning to read, Agnes still hadn’t been weaned.) By contrast, her father delighted in his daughter’s zeal for learning. The prevailing view was that “to educate a girl was like washing coal; it made no sense.” Still, her father enrolled her in an elite Catholic school where she was nurtured by Mother Greenough, a nun with a doctorate. She praised Agnes for her intellect and encouraged her to be ambitious. After completing her undergraduate studies amid the Japanese invasion and World War II, in the fall of 1947, after peace had finally descended, Agnes declared her intention to leave for the United States to pursue a PhD. Her father embraced that decision, in part because the communist takeover loomed and he hoped at least his eldest child could escape what was to come. “My favorite daughter, so smart and brave,” he pronounces, as the ship she boards sets sail for San Francisco.
Jen has brilliantly structured “Bad Bad Girl” so that invented exchanges with her mother — post-death, printed in bold type and interspersed throughout — keep returning us not only to the relationship between mother and daughter, but to the present. That dialogue is conversational and often funny, in contrast to the unfolding chronicle of Agnes’ journey as a stranger in a strange land. She finds her new countrymen puzzling in nearly every way. For example, “That was how lonely Americans were,” she observes, “that they should not only feed their dogs but walk them every day, rain or shine.”
Initially, Agnes’ spirits are bolstered by her privilege and her parents’ checks. Soon after arriving in New York City to begin graduate school, though, the money stops coming. The communist takeover is complete and, as she gradually discovers through their letters, now they seek financial support from her. Agnes, who’s never boiled an egg, sets to work typing and translating for her still-rich Chinese classmates. She meets and marries fellow student Jen Chao-Pe, and together they move into a dilapidated walk-up in Washington Heights, where Agnes learns to scrimp and save and paint her own walls. Her husband teaches her to cook. When she gets pregnant with her son, Reuben, she is laid low and takes a temporary leave of absence from school. Soon she is pregnant with Lillian, later nicknamed “Gish” for the silent film actor, and motherhood overwhelms her. Three more children come. Of the five, Gish is her least favorite, a girl every bit as clever as she was — a reminder of what she’s permanently put on the back burner. Whatever maternal feelings she has for her other children are missing when it comes to Gish, who becomes her mother’s scapegoat and punching bag.
Miraculously, Gish appears to have been mostly a happy child who excels socially and academically. After being accepted to every university she applies to, she chooses Harvard. She attends graduate school at Stanford and begins to pursue a writing career. She meets her husband, David, to whom she’s been married ever since — for 42 years. They have a son, Luke, and a daughter, Paloma. Jen’s children know how difficult their grandmother has been, and Paloma offers this to her mother by way of consolation: “The effects of trauma can’t be washed away in a generation,” something she’s read in a book. “You can’t get rid of it all, but you did a good job,” she adds.
How rich this book is, and how humane. Unlike, for example, Molly Jong-Fast’s merciless “How to Lose Your Mother,” “Bad Bad Girl” doesn’t read like a hit job. It’s suffused with love and a desire to finally understand. “You shut me out the way you shut your mother out. … What was my crime?” Jen challenges her mother in one of their imagined exchanges. “You were a pain in the neck,” Agnes observes, in another.
“She does not say ‘I love you’ back; she never has,” Jen writes. She doesn’t put those words in Agnes’ mouth here, even when she has the chance. But Jen does venture this about her mother: “I like to think (she) would finally agree both that this book is a novel and that there might be some truth to it.” And then in their final imagined exchange: “Bad, bad girl! Who says you can write a book like that?” Jen laughs. “That’s more like it.”
Haber is a writer, editor and publishing strategist. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.
Several Hollyoaks actor have fallen in love with their Channel 4 soap co-stars from Rory Douglas-Speed and Nadine Mulkerrin to Ruby O’Donnell and Nathaniel Dass
Dan Laurie Deputy Editor of Screen Time
12:00, 17 Oct 2025
Nathaniel Dass and Ruby O’Donnell play Dillon Ray and Peri Lomax in Hollyoaks(Image: Instagram)
Numerous romances and real-life weddings have blossomed on the set of the Channel 4 drama since its debut in 1995.
The continuing series is renowned for its passionate plotlines which have featured countless love triangles and explosive affairs across the last 30 years.
It’s hardly shocking that many stars from the acclaimed continuing drama have carried their romance beyond the cameras throughout the years.
Whilst certain relationships amongst cast members fizzled out, others clearly remain rock solid.
As the soap marks its 30th anniversary, let’s take a look at some of the couples still together.
Ruby O’Donnell and Nathaniel Dass
The latest romance to blossom from the fictional village is Ruby O’Donnell and Nathaniel Dass.
Ruby, best known for her role as Peri Lomax, and her beau Nathaniel, who debuted as Dillon Ray in 2023, might not cross paths on screen often but off-screen their romance is blossoming since going Instagram official in 2024.
The actress marked their first anniversary on Instagram by sharing a series of loved-up snaps. She delighted fans by posting a quartet of adorable pictures, alongside the caption: “1 year with u” capped off with a pink heart pierced by a blue arrow.
Gregory Finnegan and Ariana Fraval
Hollyoaks heartthrob Gregory Finnegan previously shared scenes with his real-life wife Ariana Fraval.
The actress portrayed DS Cohen in the programme with her husband Greg playing scheming solicitor James Nightingale.
The duo exchanged vows in 2011 and Ariana has posted some personal photographs from their wedding day on Instagram.
DS Cohen was brought in to examine the demise of Gregory’s on-screen love interest, Harry Thompson.
The duo shot multiple scenes together during that period, and viewers were thrilled to discover that the two performers are actually wed in real life.
Anna Passey and Kyle Pryor
Kyle and Anna, famous for portraying Hollyoaks adversaries Laurie Shelby and Sienna Blake, disclosed their romantic involvement in 2019, the identical year his character Laurie met his end.
Following their decision to cohabit and unveil their secret behind-the-scenes romance, Anna revealed to New magazine: “We just don’t feel the need to put it out there.
“It’s nice to keep something for yourselves. But we’re not trying to keep it private to build the mystery. We became really good friends first and it went from there.”
Sienna remains a Hollyoaks mainstay and Kyle made his way back to the Hollyoaks studios in 2021 to kiss Anna on-screen due to coronavirus filming restrictions.
Nadine Mulkerrin and Rory-Douglas Speed
Rory and Nadine met on the set of the Channel 4 soap and got engaged in December 2018 after dating for just over a year.
The actor proposed just weeks after they filmed their characters’ Cleo McQueen and Joel Dexter’s wedding.
Nadine previously told OK! that they aren’t in a rush to tie the knot after welcoming two sons.
“We’ve been too busy to make plans,” the actress said at the time.
“We got pregnant, we moved out, then the world went crazy with COVID, then we got pregnant again. I’d love to have a wedding when the boys are older, so they’ll remember it.”
Danny Mac and Carley Stenson
Danny and Carley both appeared in Hollyoaks but the pair didn’t meet on the set of the Channel 4 soap.
The talented duo never appeared on the programme at the same time and actually met in a pub back in 2011.
Speaking on Loose Women previously, Danny explained: “We met in a pub in London when she was doing Legally Blonde on the West End. I went to see a mate who was in it at the time and we met in the pub after and that was it.”
Former Strictly Come Dancing runner-up Danny portrayed Dodger Savage in Hollyoaks from 2011 until 2015 and recently reprised his role.
Carley took on the role of Steph Cunningham in the programme from 2000 until 2011. The pair revealed their engagement in March 2016 and subsequently tied the knot in September 2017.
Danny and Carley are parents to two children.
Daisy Wood-Davis and Luke Jerdy
Former Hollyoaks stars Luke and Daisy revealed their engagement whilst on holiday in Greece in August 2019.
The actor dropped to one knee and proposed on the beach in front of Daisy’s family.
Daisy was eager to share the delightful news on Instagram, with photographs displaying her “dream” engagement ring that Luke had crafted.
“She said yes,” Luke captioned the same photo in Greek on his profile, before translating the phrase into English and adding: “Daisy is going to be my wife. I’ll take that.”
Luke portrayed Jesse Donovan on Hollyoaks from 2016 until 2020, whilst Daisy departed her role as Kim Butterfield in late 2018.
The couple first met back in 2011 through a mutual friend and are now married and parents to two children.
Emmett Scanlan and Claire Cooper
Claire, who played Jacqui McQueen in Hollyoaks from 2006 to 2013, met her now-husband Emmett in 2010 and they got hitched in New York on New Year’s Eve in 2015.
Emmett previously reminisced about their wedding day with The Sun, saying: “It’s something I’ll never forget. Everyone got behind the wedding with such love that it was overwhelming at times.”
Emmett and Claire have two chidlren and the actor also has a daughter from a previous relationship.
Hollyoaks airs Monday to Wednesday on E4 at 7pm and first look episodes can be streamed Channel 4 from 7am
Liam Payne’s sister Ruth has slammed people who are using her brother’s death for fameCredit: Roo0900/InstagramLiam died on October 16, 2024 after falling from his hotel balcony in ArgentinaCredit: PAHis girlfriend at the time of his death, Kate Cassidy, shared a video of their last dance on the anniversary of his deathCredit: Instagram
Taking a swipe about people “using his death for fame” in her moving tribute for Liam on the one year anniversary of his death, Ruth didn’t hold back.
“Everyone only seems interested in the public side of this.
“Some sadly seem more interested in the fame they can gain off this, but on the human side people need to remember when they speak, there is a son without his Dad, parents without their child and I am lost without my brother,” she said.
This comes after a video was shared of Liam lifting his girlfriend Kate Cassidy in a final dance before his tragic death.
On the one-year anniversary of Liam’s death in Argentina, Kate wrote: “This video was taken during the last hour and last day Liam and I shared in this lifetime.
“I am forever grateful for the beautiful moments we shared. I will miss you for the rest of my life Liam.”
Elsewhere in Ruth’s tribute for her late brother, she said: “1year, 12months, 52weeks, 365days… whichever way I say it, it still means the most heartbreaking truth that you’re not here any more.
“When you used to go away on tour, and l’d cry that you’d be gone for a while, I always knew you’d come back, but now I can’t get you home, I can’t meet up with you somewhere in the world, I can’t facetime or text to see how you’re doing, it’s an eternal homesick feeling because we can’t go back.”
She continued: “I underestimated grief, woah did I underestimate it.
“I am paralysed by it daily. I thought I had felt it before but I know the losses before you were just intense sadness, you are the loss of my life, the one person who l will miss at every single occasion in my life.
“I’d taken for granted that my little brother would be there through life, what a cruel lesson to learn in our 30s, that a sibling is not guaranteed to be a lifer, that I have to face this without you.”
Ruth went on: “Your death will never make sense, no matter how much I study it, whatever angle I look at it, it never makes sense. You shouldn’t have died.
“I have a reoccurring nightmare where I am in your hotel room just before it happened and you can’t hear me screaming for you, my brain is locked on your last minutes on this earth, the unaccounted minutes, the minutes I will never have the answers to, the minutes that changed everything.
“So much has happened in a year, so much to tell you, our kids have changed massively, you would continue to be in awe of your son!
“I’ve definitely got funnier (I know you’re thinking how is that possible right?!) – some of the jokes I make really make me smile because I know they would have earned me a ‘ruuu’ off you, l’ve visited some beautiful places but each place has confirmed, no matter the view, I will still feel your void from all corners of the earth.”
She later added: “I think of my grief as a clock, I explained to you years ago when I was nagging you to be better at answering your phone, that my head was like the ‘Weasley’s clock’ out of Harry Potter, where it would check everyone in our family in before I could switch off and with you travelling the world, it’d really need your confirmation of being safe and sound before I’d settle.
“Only now, there is a number missing off the clock, which means nothing in my days makes sense and it feels like noone is safe and sound.”
Liam’s sister Ruth shared an emotional and lengthy tribute on the anniversary of his deathCredit: Instagram/@roo0990Kate Cassidy has also been sharing multiple tributes about his passingCredit: Snapchat
Britney Spears will not stand for ex-husband Kevin Federline’s scathing claims about how she raised their two sons, writing on social media that the allegations in his upcoming book are part of his “constant gaslighting.”
The “Stronger” and “Oops!… I Did It Again” pop star hit back at her ex-husband Wednesday evening in a statement shared to X and Instagram, writing that confronting his latest revelations has been “extremely hurtful and exhausting.” The 43-year-old singer, whose conservatorship ended four years ago, said she has “always pleaded and screamed to have a life with [her] boys.”
“Relationships with teenage boys is complex,” her statement continued. “I have felt demoralized by this situation and have always asked and almost begged for them to be a part of my life.”
Spears and Federline, 47, married in 2004 and divorced three years later after welcoming boys Sean Preston and Jayden James. Federline, a dancer, was awarded sole custody in 2008 when Spears was placed under a conservatorship. In excerpts from his incoming book “You Thought You Knew,” Federline accuses Spears of consuming cocaine while she was still breastfeeding their second son. He also accuses her of holding a knife while she watched her sons sleeping and raises claims about the singer’s alleged cheating and a physical incident.
Federline wrote that the alleged cocaine incident occurred in 2006 during the release party for his album, according to an excerpt shared with Us Weekly. “The first thing I saw was Britney and her young starlet friend snorting a fat line of coke off the table,” he said in his book. He said he urged the pop star not to “feed the kids like this” and that she responded by allegedly throwing a cocktail in his face.
“That’s what ended us,” he wrote, according to Us Weekly.
In a memoir excerpt published by the New York Times, Federline alleged that their sons would awake “sometimes to find her standing silently in the doorway, watching them sleep” with a knife in her hand. “Then she’d turn around and pad off without explanation,” he wrote.
In her social media retort, Spears said their sons “have always witnessed the lack of respect show by [their] own father for me” and added “they need to take responsibility for themselves.” She claimed that she had seen one son for only “45 min in the past 5 years” and that the other has visited only four times since 2021. A judge terminated Spears’ controversial conservatorship in November 2021.
“I have pride too,” the Grammy-winning vocalist said, adding she intends to make herself more available to her sons.
Federline’s book isn’t the first time he dropped bold claims about Spears. He claimed in a 2022 interview with the Daily Mail that their sons had “decided they are not seeing her right now” and opted not to attend her marriage to Sam Asghari, whom she has since divorced. At the time, Federline also claimed the boys had taken issue with her scantily-clad Instagram posts.
“I try to explain to them, ‘Look, maybe that’s just another way she tries to express herself.’ But that doesn’t take away from the fact of what it does to them,” he said. “It’s tough … I can’t imagine how it feels to be a teenager having to go to high school” with those posts existing.
In response to those comments, Spears said she gave her sons “everything” and found Federline’s claims “HURTFUL.”
Federline’s “You Thought You Knew” comes out Tuesday, two years after Spears published her memoir “The Woman in Me.” Her book dished on topics including her struggles with drugs, her relationship with ex-boyfriend Justin Timberlake and her conservatorship.
Spears said on Wednesday that her ex-husband’s “white lies in that book, they are going straight to the bank.” She also urged followers to take tabloid reports about her mental health and drinking with a grain of salt.
“I am actually a pretty intelligent woman who has been trying to live a sacred and private life the past 5 years,” she concluded her statement. “I speak on this because I have had enough and any real woman would do the same.”
BBC Breakfast presenters Charlie Stayt and Naga Munchetty paid tribute to a late rock star on the show following news of his death
BBC Breakfast launched Friday’s programme (17 October) with heartbreaking news about a beloved rock legend’s passing, as the show delivered a touching tribute.
Charlie Stayt and Naga Munchetty returned to screens with another jam-packed edition of BBC Breakfast, packed with various interviews, news bulletins, and weather forecasts.
Just moments into Friday’s broadcast, Charlie and Naga revealed the tragic news of KISS guitarist Ace Frehley’s death, who died aged 74 on 16 October.
The musician, whose real name was Paul Daniel Frehley, was famous for his Spaceman character and served as a founding member of the American group, along with singer and guitarist Paul Stanley, bassist Gene Simmons, and drummer Peter Criss.
“Tributes have been paid to one of the founding members of the band KISS. Paul ‘Ace’ Frehley, who has died at the age of 74,” Charlie revealed on BBC Breakfast.
A compilation featuring multiple clips of Ace was subsequently shown, whilst Charlie added: “He was known for guitar solos and he wore the Spaceman outfit from the band’s formation in 1973 until he left the band in 1982.
“He later rejoined in the late 1990s. His bandmates Gene Simmons and Paul Stanley called him ‘an essential and irreplaceable rock soldier’.”
Ace’s passing was confirmed on Thursday evening through a statement issued by his family. He leaves behind his wife, Jeanette, and his daughter, Monique, reports the Express.
“We are completely devastated and heartbroken. In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers, and intentions as he left this earth,” the statement read.
The family continued: “We cherish all of his finest memories, his laughter, and celebrate his strengths and kindness that he bestowed upon others. The magnitude of his passing is of epic proportions and beyond comprehension.
“Reflecting on all of his incredible life achievements, Ace’s memory will continue to live on forever!”
Meanwhile, Ace’s bandmates Paul and Gene issued a joint statement, which read: “We are devastated by the passing of Ace Frehley.
“He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history. He is and will always be a part of KISS’s legacy.”
Lucca, September 21, 2025. Kevin Spacey’s Masterclass continues in the Church of San Francesco with a complete change of suit and tie. Pictured: Kevin Spacey addressing the audience. Pictured: kevin spacey Ref: BLU_S8543873 210925 NON-EXCLUSIVE Picture by: IPA / SplashNews.com Splash News and Pictures USA: 310-525-5808 UK: 020 8126 1009 [email protected] World Rights, No Portugal Rights, No Spain Rights, No Italy Rights, No France RightsCredit: Splash
ACTOR Kevin Spacey sexually assaulted a man despite being told, “No, this is not right”, court documents allege.
The star is being sued at the High Court by the man known only as LNP, who says he suffered pain, anxiety and distress.
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Elizabeth-Anne Gumbel, for LNP, says in papers filed at the court that the alleged assaults happened on about 12 occasions from 2000 to 2005.
She says: “Mr Spacey would place his own hand on the claimant’s leg without consent.
“The claimant would attempt to remove the hand and say, ‘No, this is not right’.”
She called it a “breach of trust and exploitation by a powerful man in a position of responsibility on a much younger man”.
Ms Gumbel said that LNP had suffered “pain and suffering at the time of the abuse itself, which was exacerbated by feelings of embarrassment, shame, dirtiness and confusion”.
He also suffered “anxiety and distress and mild post-traumatic symptoms from the abuse”.
She said: “The assaults were committed in circumstances of breach of trust and exploitation by a powerful man in a position of responsibility on a much younger man.
“The claimant seeks to claim aggravated damages.”
Oscar-winner Spacey, 66, has previously denied allegations of inappropriate behaviour and wrongdoing.
He has yet to file a defence to the claim.
Kevin Spacey sexually assaulted a man despite being told, ‘No, this is not right’, court documents allegeCredit: Splash
Kelly Reichardt’s watchful cinema is one of the indie world’s most exquisite bounties, a space for pioneers (“Meek’s Cutoff,”“First Cow”), artists (“Showing Up”) and wanderers (“Old Joy,” “Wendy and Lucy”) who command your attention the way an ER waiting room does, lingering tensely.
One might not consider a heist film in such anthropological terms. And yet “The Mastermind,” Reichardt’s latest and one of her best, while set in motion by a daylight art grab orchestrated by Josh O’Connor’s middle-class Massachusetts suburbanite, is another precisely turned Reichardt movie: honest, sad, funny and inherently philosophical about our engagement with the world. As you might expect, it’s really about the crime’s aftermath, our cut from this robbery being a deft, fascinating character study rooted in an apathy that’s starkly juxtaposed with the restive year it’s set in: 1970.
By the look of things, preppy, soft-spoken James Mooney (O’Connor), an unemployed carpenter, isn’t obvious criminal material, no matter what composer Ray Mazurek’s propulsive, horn-forward jazz score might imply. James cases his local art museum, often with his unwitting wife, Teri (Alana Haim), and two young boys in tow. Otherwise, James is just a distracted dad, checked-out husband and disappointing son living off the status and largesse of his parents, an esteemed judge (Bill Camp) and a society mother (Hope Davis).
Still, based solely on the error-prone heist — it’s been ages since pantyhose masks seemed so ridiculous — thievery isn’t this spoiled man’s strong suit either. (You didn’t think that title was respectful, did you?) When he’s stashing the stolen paintings later in a farmhouse’s hayloft and accidentally knocks the ladder out from under him, the moment is amusing and appropriately metaphorical.
Reichardt is laying bare a privileged man’s half-assed delinquency, especially with O’Connor so hypnotic at conveying self-absorbed cluelessness with his woeful eyes, posture and movement. As the movie then hits the road for his escape, the early fall colors of Christopher Blauvelt’s cinematography shift to gray tones and darker interiors, and James’ vibe is less rebel eluding capture — even if a pal he visits (John Magaro) expresses admiration — than alienated loser leaving behind a mess, an assessment radiating from Gaby Hoffmann as Magaro’s wife. The bebop groove abandons James, too, slowing into jagged drum solos.
The last contextual indignity are the details of the period itself: Nixon posters, anti-war signs, Vietnam footage on televisions, a protest march. Unforced but ever-present in Reichardt’s mise-en-scène, they remind us that this bored aesthete’s misadventure is an especially empty way to buck conformity. When good trouble beckons, why pick the bad kind?
One can even detect, in this brilliant, captivating Reichardt gem about fortune and fate, a what-if attached to her disaffected male protagonist: Would today’s version of James, just as adrift and arrogant, steal art to assuage his emptiness? Or, thanks to the internet, succeed at something much worse? “The Mastermind” may be an ironic title as heists go. But it also hints at the male-pattern badness still to come.
Zack Polanski, the Green Party Leader, had called Zia Yusuf, of Reform UK, “a fascist” on Question Time on the BBC last week, and he was asked about this on The Jeremy Vine Show
Zack Polanski took a swipe at Zia Yusuf, who is Chairman of Reform UK
The 42-year-old politician, who became leader of the party last month, said he feels the Greens’ popularity has surged recently because, in part, of his honesty and desire to challenge issues. He had clashed with Mr Yusuf, who is Nigel Farage’s top aide, during last week’s Question Time, during which Mr Polanski called the politician “a fascist”.
And Mr Polanski, from Salford, Greater Manchester, was interrogated about this on by Jeremy Vine on his Channel 5 show this week. The Green Party leader said: “The reason why we are surging in the polls and the reason why we are getting so many members is because if something walks like a duck, and quacks like a duck, I’ll call it a duck, and actually Nigel Farage, when he worked in the European Parliament, used to join forces with the Swedish Democrats.”
He later used the term “far right” in his response to Mr Vine, which led to a furious reaction from fellow panelist Carole Malone on Wednesday. The journalist and columnist said: “How dare you throw words like ‘Nazi’ around? Do you even know what that means? You are just going to let Reform get more votes by talking like that.”
But Mr Polanski hit back at Ms Malone, describing her response as “faux outrage” and bringing the discussion onto immigration. He made the point he feels there are no “safe and legal routes” for anyone to reach the UK.
The topic came up on The Jeremy Vine Show after Mr Polanski was praised for his work on Question Time last week. He sat alongside the likes of Mr Yusuf, Tory MP Nigel Huddleston and journalist Annabel Denham in Shrewsbury, Shropshire.
But Mr Yusuf swiftly declined the challenge, and instead insisted immigration is “the number one issue” in the UK at the moment. The 39-year-old businessman argued there has been “far too much mass immigration in this country” for some time.
Yet, Mr Polanski remained defiant – and continued his approach on The Jeremy Vine Show this week. Mr Vine, who has presented the programme since 2018, said Mr Polanski was “very tough” on Question Time, a stance for which the Green Party politician expressed no regrets. Later on the Channel 5 show, Mr Polanski stressed it is this approach which has led to the continued rise in the polls of the Green Party.
Elton, 78, offers fans two pairs of glasses for £130 at Specsavers.
Buyers are told: “Introducing the Elton John Eyewear glasses collection. “Designed by the man himself, the Elton John Eyewear range is bursting with his love of individualism and flamboyant style. Inspired by Elton’s journey, you’ll find pops of colour, smatterings of glitter and twists on classic designs.”
He recently admitted that his eyesight was failing and he can now only sign autographs with his initials.
The pop legend lost vision in his right eye in July last year after contracting an infection on holiday in the South of France, and said his left eye is “not the greatest”.
In December, he explained he was unable to watch his new musical version of The Devil Wears Prada.
He added: “I haven’t been able to come to many of the previews because, as you know, I have lost my eyesight.
“But I love to hear it.”
And interviewed on Good Morning America, he said. “It kind of floored me, and I can’t see anything.
