SHOW BIZ

THE Wire star Bobby J. Brown has died after sustaining injuries in a barn fire.

Bobby, 62, who portrayed Officer Bobby Brown in the HBO drama series, passed away on Wednesday.

The actor’s daughter revealed he died of inhalation, according to TMZ, which first reported the news.

His cause of death was ruled diffuse thermal injury and smoke inhalation, per the Maryland Office of the Chief Medical Examiner.

His death was determined to be an accident.

The blaze reportedly started when Bobby went inside the barn to jump-start a vehicle.

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He then called out to a family member to fetch a fire extinguisher, but the flames had already engulfed the barn by the time they returned.

Bobby appeared in many other TV and film projects, including Law & Order: Special Victims Unit, Veep, and We Own This City.

According to his IMDb page, Bobby originally was a professional boxer and won five Golden Glove Championships before transitioning to acting.

His first recurring role was on Law & Order: SVU, where he portrayed an NYPD officer.

The former athlete has also shared the screen with Academy Award winners Robert DeNiro, Renee Zellweger, and James Franco.

In April 2022, the TV star’s son, Bobby Brown II, shared snapshots from the premiere of We Own This City.

He posed with his father and the show’s lead, Jon Bernthal, outside the event.

“It always great to celebrate my dads accomplishments. He always set the bar high and he still inspires me to this day,” Bobby’s son sweetly wrote in his caption.

Actor Shia LaBeouf’s raucous Mardi Gras episode in New Orleans earlier this month has now earned him court-ordered drug and alcohol treatment.

A New Orleans judge on Thursday ordered the former Disney Channel star, 39, to begin substance abuse treatment and undergo weekly drug testing after he was arrested on suspicion of assaulting two men in the city’s famed French Quarter. He was charged with two counts of simple battery, the Associated Press reported.

“Transformers” and “Honey Boy” actor LaBeouf agreed to the updated terms of his release, including posting bond of $100,000, and underwent a drug test during his court appearance on Thursday. His attorney said the test did not show illegal substances in the actor’s system.

Orleans Parish Criminal Court judge Simone Levine criticized LaBeouf for his behavior during the Mardi Gras celebrations. In addition to striking the two men at a bar, LaBeouf allegedly yelled homophobic slurs. Levine expressed concern for “the safety of this larger community” and said LaBeouf “does not take his alcohol addiction seriously.”

A legal representative for LaBeouf did not immediately respond to a request for comment but said during the actor’s court appearance that “being drunk on Mardi Gras is not a crime.”

The actor has yet to enter a formal plea to the charges.

The New Orleans Police Department said its officers responded to a report of an assault in the 1400 block of Royal Street. The former “Even Stevens” child star was “causing a disturbance” at the business, leading staff to remove him from the premises, police said. The actor allegedly “used his closed fists” on one of the victims “several times.”

Authorities said LaBeouf left the business but returned, “acting even more aggressive.” According to the incident report, an unspecified number of people tried to subdue him and eventually let him go “in hope that he would leave.” Instead, police said, LaBeouf began assaulting the same man as before, hitting his upper body with closed fists. The actor is accused of punching the second man in the nose.

People held down LaBeouf until officials arrived. He was transported to a hospital and treated for unknown injuries and was arrested and charged upon his release.

An additional police report identified a local entertainer as one of LaBeouf’s alleged victims. The “Megalopolis” actor, whose history of violent behavior has led to previous arrests and other legal troubles, allegedly threatened the man’s life and shouted homophobic slurs.

Levine ordered that LaBeouf refrain from contacting the two victims and visiting the bar at the center of the brawl. She also denied his travel requests.

Hours after news of the brawl and his arrest spread, LaBeouf issued a brief statement on social media.

He posted to X: “Free me.”

BRAD Pitt’s estranged son Maddox has dropped the actor’s surname for his credit on his new film with mum Angelina Jolie.

Maddox, 24, served as the production assistant on Angelina’s critically acclaimed 2024 Maria Callas biopic and is now an assistant director of her latest feature, Couture.

For the first time, he’s been credited as Maddox Jolie rather than Maddox Jolie-Pitt.

The new flick sees Angelina play the lead role of Maxine, an American film director diagnosed with breast cancer before jetting to France to shoot the film that will open Paris Fashion Week.

Brad and ex-wife Angelina, 48, have six kids — they adopted Maddox, Pax, 22, and Zahara, 21, and also have their biological children Shiloh, 19, and 17-year-old twins Knox and ­Vivienne.

Maddox isn’t the first child to ditch the Pitt name.

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Shiloh made the same decision in 2024. The legal forms were published in the LA Times for a month before a judge finalised the move as per California law.

Brad was reported to have been upset by the name change.

A source told People: “He’s aware and upset that Shiloh dropped his last name. The reminders that he’s lost his children, is of course not easy for Brad. He loves his children and misses them. It’s very sad.”

The same year Vivienne only used her mother’s name when she was credited as a producer on Broadway musical Playbill for The Outsiders.

While Zahara presented herself as ‘Zahara Marley Jolie’ at her introduction to the Alpha Kappa Alpha sorority at Spellman College in 2023, this despite Brad describing her enrolment at the college as “really beautiful” months earlier.

The Once Upon a Time in Hollywood actor’s marriage to Angelina came to an end in 2016 after an explosive row in front of their kids on a private jet. Brad allegedly clashed with Maddox on the same flight.

As the bitter divorce rumbled on, it became clear the kids were on their mum’s side.

An insider told The Sun: “As far as Maddox, Pax and Zahara go, the word is that they are totally in support of their mother and Brad doesn’t hear from them these days at all — certainly not the boys, and it’s been that way for a very long time.”

The source suggested Brad still had contact with his biological kids, Shiloh, Knox and Vivienne.

They said: “He still sees Shiloh and the twins whenever he can, though not as often as he would like.”

The multi-millionaire fought a long, bitter and expensive battle to try to gain equal custody rights with Angelina.

And in May 2021, a judge ruled he could jointly share access.

But just a few months later that was overturned following an appeal by Jolie on the grounds that the judge had financial connections to Brad’s legal team.

None of that stopped Brad from seeing the children under supervision, which he had to book in advance.

Following the break-up, Brad joined Alcoholics Anonymous and he has spoken about drinking too heavily for much of his life.

Pax’s private Instagram post in 2020 on Father’s Day suggested the kids experienced problems before and beyond the plane incident.

He wrote: “You time and time and again prove yourself to be a terrible and despicable person.

“You have no consideration or empathy toward your four youngest children who tremble in fear when in your presence.

“You will never understand the damage you have done to my family because you’re incapable of doing so.”

THE musician and the visual artist . . . two lives shaped by shared experience and creative endeavour. 

Damon Albarn was born on March 23, 1968, and eleven days later, on April 3, his chief collaborator, Jamie Hewlett, came into the world. 

In 1998, after bonding while sharing a flat, they dreamed up virtual band Gorillaz, a vehicle for wild flights of imagination. 

Fronted by cartoon characters 2-D, Murdoc Niccals, Russel Hobbs and Noodle, Gorillaz have blurred musical styles, crossed generations and involved numerous nationalities in their songs for more than 25 years. 

“We’re the Alan Whicker of bands,” declares Hewlett, in reference to the globe-trotting broadcaster. 

“More Michael Palin,” interjects Albarn. “He’s nicer and also very funny.” 

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In 2023/24, sad events conspired to take Damon and Jamie in a new direction — to that vibrant, teeming country of 1.4billion people, India.  

The result is the Gorillaz ninth album, The Mountain, with its title inscribed in Devanagari script on the cover. 

Performed in five languages — Hindi, English, Arabic, Spanish and Yoruba — it features a host of stellar guests, most living but some no longer with us. 

The musicians come from different corners of the globe, India, Syria, the US, Argentina, Nigeria, and, of course, the UK. 

Albarn says: “The original impetus came from quite a tragic story. We were in Belgrade finishing off a video when Jamie got a call from Jaipur in India. It was from his wife Emma, saying, ‘My mum’s in a coma’.” 

Hewlett picks up the story: “They had been there for a month at an Ayurvedic retreat (a system focused on balancing mind, body and spirit). 

“They had packed their suitcases, had called a taxi and were just on their way home when my mother-in-law had a stroke.  

“She was rushed to the closest hospital in Jaipur — it’s all about speed when you have a stroke.” 

So on December 4, 2022, Hewlett arranged to fly from Serbia to India and so began “eight weeks of daily hospital visits hoping she might wake up”. 

Sadly, his mother-in-law didn’t make it, leaving Hewlett to reflect: “It was a very traumatic experience but, in between those visits, we were able to explore Jaipur. 

“I just fell in love with the place. The people were so warm and I discovered that the whole subject of death is viewed from a very different perspective.” 

He’s alluding to the fact that Hinduism sees passing away as a natural transition — a temporary pause for the eternal soul rather than a final end. 

Hewlett continues: “When I was in the hospital, people were visiting loved ones who were dying. 

“There were tears but, at the same time, there was a feeling of celebration in the belief that they were coming back in an another form.” 

This got Hewlett thinking about possibilities for Gorillaz, his visual playground. 

“Damon was in touch with me the whole time I was there,” he says. “When I came home, I said to him, ‘We need to go to India together to see if we can do something’. A year later (after Blur’s epic reunion), we were off.” 

Albarn says: “I saw it as the perfect opportunity to give the whole world of Gorillaz a nice, new kickstart. I was just waiting for an excuse to go there.  

“I grew up in Leytonstone where my school was 30/40 per cent Asian. My dad was very into Indian classical music so I was genuinely listening to (sitar player) Ravi Shankar at the same time as The Beatles.” 

Albarn also saw visiting India as a perfect opportunity to spend quality time with Hewlett.  

“We enjoy each other’s company,” he says. “We’ve got an awful lot in common and our taste is very similar.” 

Hewlett nods in agreement and adds: “We thrive on finding ourselves in different cultures — and there’s so much to take from a place like India, even if somewhere as big as that can’t be grappled with immediately.” 

And Albarn again: “The first time you go there, you’re just so bewitched by the place.” 

With their sights set on a Gorillaz album drawing on Indian music, two more devastating events were to bring the pair even closer together — and the project into even sharper relief. 

In July 2024, some time after an initial foray to the subcontinent, Albarn’s dad Keith died. Ten days later, Hewlett lost his father.  

For Albarn, a return to India offered him a degree of solace. He journeyed to the ancient city of Varanasi to scatter his dad’s ashes in the Ganges. Keith had been a respected artist, designer and teacher who loved Indian culture. 

“Grief manifests itself in so many ways,” says Albarn.

“You don’t overcome it but you can learn to accept it and going to Varanasi definitely helped. 

“This place has been inhabited for 5,000 years and it’s where families have burned their loved ones every day, every night, for all that time.  

“The fire rituals are wonderful, so poetic — almost like an inhalation and an exhalation.  

“The idea that people pause at sunset, light fires and sing is so beautiful. Harder to do in northern Europe where cloud can bruise the spirit!” 

Albarn goes on to describe, “something I learned, which is a useful life lesson,” from taking a loved one’s ashes to the Ganges. 

“Don’t stress yourself by thinking too much,” he affirms. “At moments like that, don’t think of anything — empty your mind. 

“Emptiness is a beautiful thing and there’s infinite possibility within it. We mention ‘the void’ a lot on this record.” 

For Albarn, the album’s starting point was his gorgeous melody, which morphed into the title track and opener, The Mountain. He calls it the LP’s “signature tune”.  

The finished piece is blessed with sublime playing by Ajay Prasanna on bansuri, a traditional bamboo flute, with Anoushka Shankar, daughter of the late, great Ravi, on sitar. 

Albarn says: “Once I met Ajay and he’d played his bansuri, I thought, ‘I’m never letting this gentleman out of my sight again’. He’s an amazing person. 

“You give him a melody and he turns it into something godlike.” 

As for the contribution of Anoushka, whose mastery of the sitar echoes the work of her legendary father, he says: “I could hardly imagine the idea that I was going to play with one of the Shankar family.” 

Hewlett says: “If you’ve never been to India, you find yourself mentally transported there just by this song. It’s almost like the beginning of a movie.” 

The Mountain is the first of several tracks to feature the voices of the dear departed, in this case maverick actor and film-maker Dennis Hopper. 

Elsewhere, there are contributions from one-time Gorillaz collaborators who have since died — soul singer Bobby Womack, Dave Jolicoeur of De La Soul, The Fall’s Mark E Smith, rapper Proof and Albarn’s long-time associate, drummer Tony Allen. 

Their inclusion is a poignant way of saying: They may have gone but they live on in some way. 

Albarn says: “I think of a mountain as a manifestation of reincarnation because, if you think about it, a mountain is formed through chaos and tectonic shifts. The change in everything creates something new.” 

The Mountain gave Hewlett all the inspiration he needed to begin conjuring up the exotic, beautifully realised imagery, which is so crucial to this Gorillaz project.  

He says: “I guess the biggest challenge for me was that we were dealing with a subject that is more grown up than in the past. 

“How should the characters behave because usually there’s a lot of sarcasm and jokes? 

“So I was thinking about how to tell the story in a respectful way but also maintain a level of fun.” 

Hewlett admits: “We didn’t rush into this one — a lot of work ended up going in the dustbin for both of us, musically and visually, until we got on the right course. But when Damon gave me this piece of music and called it The Mountain, that was the starting point. Everything opened up for me.” 

Of all the myriad guests on the album, perhaps the most notable is 92-year-old Asha Bhosle, one of the most revered singers in Hindi cinema, who sings on the shimmering, life-affirming The Shadowy Light. 

Albarn says: “She’s one of the most important living Indian singers — and maybe even the best. 

“Everyone in India knows her music, she’s had hundreds of billions of streams.” 

And Hewlett adds: “Damon managed to get her to sing for us in her apartment in Mumbai. He used his charm and she was very comfortable with him.” 

If India is central to The Mountain, no Gorillaz record would be complete without sounds of various cultures.  

The Happy Dictator, with eccentric American duo Ron and Russell Mael of Sparks providing the chorus, began life in Ashgabat, the capital of Turkmenistan, a dictatorship in central Asia. 

“That’s where I got the idea,” reports Albarn. “I went there with my daughter. “We have a father-daughter holiday every year, and we’ve been to North Korea, China and Turkmenistan.  

“This year we’re going to Georgia. We share a real passion for the remnants of communism and the possibility of future socialism.” 

So what’s Turkmenistan like and why call a song The Happy Dictator? I venture.  

Albarn answers: “It’s a very barren place, almost entirely desert, with this pristine modern city of Ashgabat, which is made almost entirely of white marble. 

“Being in that society, I realised that they are given no bad news. They had no news at all, really.” 

Another fabulous song is Damascus, which rekindles Albarn’s abiding love of Syrian music.  

You may recall when he helped assemble the Orchestra Of Syrian Musicians in London while civil war raged in their home country. 

For Damascus, Gorillaz employed the services of Omar Souleyman, one of the country’s pre-eminent singers, alongside American rapper Yasiin Bey (formerly Mos Def). 

With Syria still in state of flux after the toppling of the cruel Assad regime, Albarn says: “I wouldn’t go there at the moment but I did go to Mali (a favourite destination) in December, even if I was absolutely told not to. 

“I didn’t find it anywhere near as dangerous as everyone says it is and I would definitely go back.” 

This feeds into the notion that Gorillaz has no borders, that it’s an example of how multiculturalism can break down division and strife. 

“Not only is it the right way forward but it’s the most important way forward,” says Albarn.  

“Isolationism and the idea of demonising people from other cultures is not correct — and it’s profoundly dangerous.” 

So that’s why we hear the freewheeling rap of The Roots’ Black Thought on a track like The Empty Dream Machine, which also harnesses the guitar power of Johnny Marr and more sitar from Anoushka. 

And why Albarn’s expressive tones are matched with Argentinian Trueno rapping in Spanish and telling words recorded by American rapper Proof not long before he was shot dead in 2006. 

Let’s not forget that love and loss loom large on this record.  

On Casablanca, again featuring Marr as well as The Clash bassist Paul Simonon, Albarn sings: “I don’t know anything that feels like this/I don’t know anything that hits like this.” 

Simonon has been a member of The Good The Bad & Queen with Albarn and the late Afrobeat pioneer Tony Allen. 

You hear Allen intoning, “We are ready, let’s go,” on The Hardest Thing before Damon, clearly with his father in mind, sings: “You know the hardest thing is to say goodbye to someone you love.” 

Albarn says, “We definitely put a lot of love into this record,” and Hewlett signs off with, “There’s more to come. We’re not finished yet.” 

It’s anyone’s guess where in the world those Gorillaz masterminds will pitch up next. 

GORILLAZ 

The Mountain 

★★★★★

JESSIE Buckley has a clear vision for success — wearing a sheer gown over a corset for the premiere of her new film.

The 36-year-old, named Best Actress at Sunday’s Baftas for her role in Hamnet, stars with Christian Bale, 52, in The Bride!.

The pair posed together last night on the red carpet at Cineworld in London’s Leicester Square.

Based on the Bride of Frankenstein, the movie is described as a Gothic horror-romance and is set in 1930s Chicago.

Warnings include one for nude scenes — which may explain why Jessie was dressed to thrill.

Irish star Jessie is the red-hot bookies’ favourite for Best Actress at the Oscars.

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Accepting her award at the 79th Baftas at London’s Royal Festival Hall, she said: “When I first came to London, I had nuclear-bad fake tan on, white hoopy earrings, polka-dot red skirt and dress.

“I don’t know how she thought that was even possible.

“But thank you, Lindy, for always encouraging me to be disobedient and curious and human.

“This is nuts. This really does belong to the women past, present and future that have taught me.”

She dropped the F-bomb at one point, saying she “should’ve brought my f***ing thing up here” — meaning her notes.

Jessie choked up as she thanked her daughter, who was born last year, saying: “It’s the best role of my life being your mum.”

TV presenter Ant McPartlin shares the real reason he won’t be returning to host a major show

Anthony McPartlin has opened up on the one show he’s done with hosting as he admitted it can get too hard to control the crowd.

The TV star is well known for presenting a number of shows alongside hosting partner Declan Donnelly and among the many is the iconic BRIT Awards.

The duo have fronted the prestigious music ceremony on three occasions and Ant, 50, has since revealed the evening proves enjoyable for those up for gongs and their plus ones, but can be tricky for those presenting. Ant and Dec hosted the BRITs in 2001, 2015 and 2016.

During their podcast, Hanging Out with Ant & Dec, the duo seemed genuinely thankful they won’t be taking the reins at this weekend’s ceremony.

Ant stated: “[We’ve hosted it] three times, never again. And the reason why we always say, ‘oh, never again’, it’s not because we don’t believe in the awards. I really do. I think they’re really good for British music.

“It’s actually a really good night if you’re there as somebody who’s been nominated, because we’ve been nominated for a BRIT back in the day. That was a fun night. We didn’t win that night.”

The duo first crossed paths as young performers on CBBC drama Byker Grove, later pursuing pop stardom as PJ & Duncan, notably with their chart success Let’s Get Ready to Rhumble, which debuted in 1994.

In 1995, they competed for the BRIT award for best British newcomer but were beaten by the legendary Oasis.

Ant explained: “It’s a fun night if you’re nominated, it’s a fun night – not necessarily if you’re hosting it though because everybody in the room just wants to get drunk and have a good time and you’re trying to wrangle the whole crowd.

“You are also trying to present a TV show and also all the artists and bands who said they would happily do an interview with you before the show starts always change their mind.”

The Geordie presenting pair are renowned for fronting ITV’s I’m A Celebrity… Get Me Out Of Here!, Britain’s Got Talent and the quiz show Ant And Dec’s Limitless Win.

Comic Jack Whitehall will take the helm at the BRIT Awards on Saturday in Manchester.

Chart-topper Harry Styles features amongst the impressive line-up of performers set to grace the stage during the ceremony, alongside Raye, Olivia Dean, Sombr, Mark Ronson and Wolf Alice.

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MAURA Higgins continued her fashion hot streak in a stunning designer dress in Milan.

The US Traitors star slipped into a £2,350 Roberto Cavalli number for Milan Fashion Week and cut a modelesque figure as she posed for photos.

The striking golden gown is described as “a tribute to the beauty and power of the sun” on the brand’s website.

Maura gave a glimpse into her hotel room, showing a Roberto Cavalli bag on her bed supplied especially for her by the brand.

The striking look comes hot on the heels of her head-turning appearance at the Baftas on Sunday.

At the Royal Festival Hall she wore a figure-hugging red satin gown with a silhouetted cape and a fan-like neckline for the ultimate sexy senorita look.

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Maura’s career is on the up and she’s been making big waves in America.

The 35-year-old hosts the Love Island USA spin-off show Aftersun and is in the final of Celebrity Traitors, where she struck up a friendship with Real Housewife Lisa Rinna.

She recently attended an event celebrating Lisa’s new book, You Better Believe I’m Gonna Talk About It.

The former reality TV bombshell, who shot to fame in 2019 with her razor-sharp one-liners and no-filter flirting, is fast becoming a US sensation. 

Back home, she has just bagged a six-figure deal with Victoria’s Secret — a major glow- up from her villa days. 

These days, Maura is living a jet-set life that would have felt a ­million miles away from her childhood in the town of Ballymahon, Co Longford. 

Of course, Maura’s American takeover didn’t come out of nowhere. 

In February last year, she found herself at the centre of a Brit Awards storm after being spotted by The Sun kissing married McFly singer Danny Jones.  

While his relationship drama played out publicly, trolls piled into Maura online, landing the blame firmly at her door. 

For a short while, she went quiet — but instead of retreating, she soon landed a spot on The Traitors US, which is hosted by actor Alan Cumming. 

And what looked like a ­reputational wobble in the UK has since become a full-blown American reinvention. 

A source said: “When the ­Traitors came knocking, she knew it could turn things around for her. Maura jumped straight into action. She was a woman who had something to prove.” 

After filming wrapped on the US series at Ardross Castle in Scotland last June, Maura walked away feeling confident that she had smashed it, according to pals. 

She has now signed up with top-tier agency Align PR, whose clients include Madonna and Hollywood stars Matthew McConaughey and Bryce Dallas Howard. 

She has even been doing some acting herself, landing a role in an Irish buddy movie, The Spin, due to be released later this month. 

Coronation Street viewers are worried for Bernie Winter’s marraige after she was arrested on Thursday night’s episode of the ITV soap following a mysterious attack

Coronation Street fans are worried for Bernie Winter after she was arrested on Thursday night’s episode of the ITV soap. The café waitress, who has been played by Jane Hazlegrove since 2019, has become the victim of stalking in recent weeks after she met the mysterious Mal Roper in a hotel room some weeks ago.

Bernie had turned to drugs following the death of her son-in-law Billy Mayhew (Daniel Brocklebank), which came just a couple of years after her son Paul passed away, and met Mal in the Chariot Square Hotel, spending some time in his room before passing out in a nightclub toilet.

Mal had arrived claiming to be the husband of a woman called Alice, whom Roy Cropper thought he had developed a penpal-type relationship with over their love of literature, and quickly got a job at Roy’s Rolls before setting his sights on Bernie. Viewers will know that earlier in the week, he locked her in the cafe and when she eventually made it home, she realised her own face had been cut out of her wedding photo.

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Things only got worse for Bernie on the latest instalment of the world’s longest-running TV soap as her husband Dev, who already knew about the drugs, and recently she had kissed Mal on that fateful night, delivered some home truths to Bernie.

He said: “Where was your honesty the morning after you betrayed me? Or every day since? Hmm? Because it seems to me, honey, that honesty’s all well and good when it’s convenient.

“It’s not about what you did any more. Yes, it hurts and I hate it! But I’ve been around the block, I can see how it could happen. No, it’s this slow drip of the truth as and when it suits you. This, is how it ends with your lies and your dishonesty.”

Just moments later, a patient was revealed being rushed to Weatherfield General, and it was indeed Mal, with medics speculating that some sort of attack had taken place. A nurse explained to DC Kit Green, Bernie’s long-lost son, that he had suffered a cardiac arrest when he hit his head on the pavement and was in critical condition in intensive care.

Dev later called round to the cafe to reassure Bernie that didn’t want to split up with her, having realised that she just needed to grieve. He begged: “No more sorries. And no more secrets, please. If you love me half as much as you say you do, then we don’t need them, do we?” and they shared a tearful embrace.

But Bernie’s troubles were far from over, as Detective Constable Browning marched into the café, looking for Bernie. He said: “Bernadine Winter-Alahan, I am arresting you on suspicion of assault…” before Bernie pleaded her innocence, to no avail. She begged: “Can you just tell me who I’m meant to have assaulted?” and she told that was a matter that would be discussed at the station.

This all comes after Bernie had some cross words with Mal in the street on Wednesday night, where he insulted her and taunted her over her grief. She warned him to stay away and said if she didn’t she would kill him, but walked away as Mal stood there chuckling.

Fans were convinced that all of this will ultimately spell the end for Bernie and Dev as a couple, who only got married towards the end of last year. One said: “Dev surely can’t forgive Bernie again. Her behaviour was terrible. He doesn’t deserve that.” Another wrote: “No don’t let it be the end of Dev and Bernie” whilst a third wondered: “Is Bernie and Dev over?”

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“The Gray House,” a limited series now streaming on Prime Video, purports to tell the fact-based story of Elizabeth Van Lew, who spied for the Union in the Civil War while living in the midst of Southern society in Richmond, Va. And in very broad terms it does, though it fills up the space within those outlines with an army of imagined details and melodramatic plots and subplots.

It is not the first work for the screen that betrays history by attempting to make it more exciting than it already is, and if you go in ready not to wonder or care what did or did not actually happen, and which characters are real or invented, you may make out alright. (If you do care, there is Gerri Willis’ 2025 volume “Lincoln’s Lady Spymaster: The Untold Story of the Abolitionist Southern Belle Who Helped Win the Civil War.”)

So I will not ring a bell every time the miniseries, which admittedly bills itself as “inspired by a true story,” diverts from the record, even though in my head it may be clanging.

It’s July 4, 1860, nine months before the beginning of the Civil War. Elizabeth (Daisy Head) lives in a mansion in Richmond with her mother Eliza (Mary-Louise Parker), and the two are throwing a party. Guests, including the historical Swedish novelist and social reformer Fredrika Bremer (Oxana Moravec), congressman Sherrard Clemens (Ionut Grama), Virginia Gov. Henry Wise (Mark Perry) and his awful son Obie (Blake Patrick Anderson), unload expository dialogue and provide a primer for anyone not acquainted with the roots of the Civil War. Meanwhile, a runaway slave shows up out back, pursued by hounds, having heard that the Van Lew house is the place to run for help. The women, who are against secession and for abolition but are practiced in the art of deceiving their neighbors, are involved with the Underground Railroad in some way that’s not exactly clear.

Among their servants — the Van Lew slaves were (secretly) freed upon the death of Elizabeth’s father — are head porter Isham, played by Ben Vereen, who it is a pure pleasure to see back on screen, and Mary Jane (Amethyst Davis). A well-educated, determined young woman who is just back from Liberia, which did not suit her — she calls it a “tricky little way of ridding America of free Blacks” — the series gives her a lot of agency and makes her a virtual partner in the spy ring. White and Black, they live as much like a family as is possible when some people are labor and others are management and it’s the antebellum, then the wartime South.

Also involved in Elizabeth’s tradecraft are Scottish baker Thomas McNiven (Christopher McDonald) and Clara Parish (Hannah James), a beautiful prostitute who dreams “of Bronte’s moors” and gets, of all things, a big musical number in an out-of-place Western saloon, like Marlene Dietrich in “Destry Rides Again.” (The saloon is a standing set at Castel Film Studios in Romania, where the production was based; their backlot Western street, too, makes an implausible appearance.)

Ben Vereen as Isham Worthy, a porter in the Van Lew home.

(Bogdan Merlusca/Prime Video)

Out of the loop are Elizabeth’s brother, John (Ewan Miller), whose heart is in the right place, but who’s married to Laurette (Catherine Hannay), whose heart is not. An avaricious, envious flirt on the undisguised lookout for something better, she is angry that John wouldn’t use slave labor to build their house. She’s Scarlett O’Hara, minus the intelligence and charm.

Calling roll on the enemy, we find present Confederate President Jefferson Davis (Sam Trammell), in whose house — the eponymous Gray House — Mary Jane will be embedded, with a cocked ear and a photographic memory, to gather intel; Secretary of War (and then State) Judah P. Benjamin (Rob Morrow), who has a thing for Clara, to whom he opines on property rights while they share a bathtub; and a pip-squeak John Wilkes Booth (Charles Craddock), popping in and out no reason, unless it’s to foreshadow the death of Lincoln (who makes a rearview cameo), or just because everybody’s heard of him. Below them, but more in the action, are the nasty, thuggish Sheriff Stokely Reeves (Paul Anderson) and slave hunter Bully Lumpkin (Robert Knepper); and while thuggery and violence were endemic in a racist South, caricature and cliche do your history lesson no favors, however valuable it is.

Because Hollywood hates, let’s call it a love vacuum when it comes to screen heroines, Elizabeth will find herself the object of not one, not two, but (at least) three admirers, who prize her brains and spirit and talent for conversation. (She is no frilly, fizzy, fuzzy Southern belle, like the mean girls around her sister-in-law.) There is Hamton Arsenault (Colin Morgan), a sort of Rhett Butler lite, visiting from New Orleans with a huge live alligator, because I guess that’s something you could manage in 1860 just to make a splash at a party a thousand miles away. Capt. William Lounsbury (Colin O’Donoghue) is a dashing Union officer, escaping a Confederate prison, who passes through the Van Lew house on the way to freedom; they click together like Legos. Finally, there’s shy puppy dog Erasmus Ross (Joshua McGuire), who works at the Van Lew’s hardware store and will later have a post at a prison for captured Union soldiers, which the Van Lews will turn to their advantage.

“The Gray House” isn’t all bad, and its intentions are good, but it’s dramatically predictable and at eight episodes, some over an hour, goes on much, much longer than it needs to, letting scenes play out past profitability and wasting time on extraneous subplots involving minor characters — and minor minor characters — that do nothing to enrich the fabric of the show. A duel between two characters with no significant connection to the rest of the story exists here seemingly just because their historical counterparts did fight one, and gives the filmmakers the chance to add a duel — on horseback, like jousting with guns — to the show.

Parker is always fine, though the part requires a bit too much Southern breathiness. Davis and Head make strong impressions, masking the pedestrian, sometimes cornball dialogue. (The miniseries was written by Leslie Greif and Darrell Fetty, who collaborated on “Hatfields & McCoys”, with an undiscernable assist from John Sayles.) Keith David, who plays real-life activist minister Henry H. Garnet, gives a seven-minute speech on education as if he’s performing a Shakespearean monologue, after which he faces down a murderous sheriff like he’s Shaft. It’s a high point of the series, and the one scene I was happy to see go long.

Directed by Roland Joffé, who four decades ago was Oscar-nominated for “The Killing Fields” and “The Mission,” the production is a mixed bag; much care has been lavished on the costumes; the crowd scenes are well populated; printed material is done really well. (It matters.) Battle scenes — including Bull Run, where picnicking tourists are accurately shown in attendance — are convincingly rendered. But Romania, whether on or off the studio lot, only occasionally musters a decent impression of 19th century Virginia, reminding you, as “The Gray House” often does, that this is only a movie.

Fans of a beloved BBC sitcom are convinced the show is set for a comeback after cast members shared a mysterious video online

BBC Ghosts fans are convinced that the beloved sitcom is poised for a return following a cryptic post.

The hit show originally ran for five series between 2019 and 2023, it followed a group of ghosts from different historical periods haunting a country house while sharing it with its new living occupants – a married couple.

It quickly became a fan-favourite series and had an impressive cast including Charlotte Ritchie and Kiell Smith-Bynoe.

As well as Mathew Baynton, Simon Farnaby, Martha Howe-Douglas, Jim Howick, Laurence Rickard and Ben Willbond

Despite fans being devastated when it came to an end three years ago, Matthew Baynton, who played Thomas Thorne, has now sent fans into a frenzy as he took to his social media to tease the show return.

The star posted a short clip of the famous wooden front door opening all by itself. He decided to keep the post a mystery as he didn’t caption the cryptic snap.

As expected it didn’t take long for fans to share their reaction as one fan said: “Ohmagaaad what’s going on!”.

Whilst another declared: “WHAT IS THE MEANING OF THIS.” “Are we getting to return to Button House? ! ? !” a third asked.

“Is it Ghosts the movie? Please say it’s Ghosts the movie,” one supporter pleaded. Meanwhile another fan insisted: “Please say you are making a Ghosts film/Christmas special/new series? Pleeeeeeease! !”

Jim Howick, who played Pat Butcher, and Martha Howe-Douglas, who played Lady Stephanie ‘Fanny’ Button, also posted the same video of the door to their Instagram with no caption.

Ghosts came to an end with a Christmas special however it made a comeback in Australia. It was revealed it had been given the go ahead last year and it began airing in November.

It comes as no surprise that fans loved the show however it’s not clear if it will be returning for a second season.

Speaking about bringing the hit comedy to Oz, Kylie Washington, the Creative Director for the BBC in Australia said: “We’re excited to bring Ghosts to life with a unique cast of characters that reflect our very own history and culture.

“Western Australia will provide the perfect backdrop for all their comedic antics and we’re grateful to Screenwest for their support.”

Ghosts seasons 1-5 are streaming now on BBC iPlayer.

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TOMMY Fury is set to take on a second triathlon after facing a 100km World Championship race last August.

The boxer, 26, took on the race in the French Riviera but came under fire after it was revealed he didn’t actually complete the full course.

Now, his brother-in-law Danny Rae says Tommy is set to take on another three-fold endurance race.

“Tommy’s triathlon – he’s gonna do another one I believe,” athlete Danny told The Sun, who is married to Molly-Mae Hague’s sister Zoe.

Speaking at a pop-up event by drinks brand Celsius, Danny continued: “So, yeah, he just likes to be busy. He loves training.”

Tommy took on his first triathlon in August, but faced controversy after a marathon Investigation found that he did not actually finish the event, pointing to his bike splits, which showed he was not logged beyond the 48km point.

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A search for his official time on the Sportstats website will reveal a large DID NOT FINISH next to his name.

But, it made him one of 93 athletes not to have completed the route – and there was a valid reason why they didn’t have a chance to go the distance.

Due to road closures and traffic, the group of athletes were told by organisers that they could not finish the route.

With Tommy set to go again, it seems that the whole family could be getting involved, said Danny.

The sportsman, who married Zoe Rae in 2024 and is a Hyrox world champion, continued: “I’m going to do a triathlon.

“So, the Hyrox season ends in June and then I’m just gonna sort of dabble in triathlons.”

Revealing that he and Tommy have been preparing together, Danny added: “We train together quite a lot.

“He obviously is a professional boxer who’s in camp quite a lot, and he’s, again, he’s very regimented with his training.

“But where we can share sessions, if it aligns with both of our individual training programs, we’ll do that. 

“So we trained together last night, we had a nice easy 90 minute 90 minutes of aerobic work.”

DOLLY Parton has left fans sobbing with an emotional announcement.

After taking time off due to a health crisis, Dolly, 80, is back and she has returned with a touching announcement.

Looking incredible while sitting in a colorful room, Dolly delivered the news that East Tennessee Children’s Hospital is officially becoming Dolly Parton Children’s Hospital.

In the video, she explained how she believes every child should grow up healthy and with a fair chance.

She then revealed the hospital’s name change before saying, “I can’t do it all myself,” and asking for people to get involved via her website.

Meanwhile, the caption of the video read: “A new chapter begins.

GOLLY DOLLY!

Dolly Parton’s $180m Tennessee real estate portfolio revealed

“East Tennessee Children’s Hospital is proud to share we are becoming Dolly Parton Children’s Hospital.

“Inspired by Dolly’s commitment to children, this transformation represents more than a name change, it’s a promise. A promise to bring hope, healing and world-class care to patients and families across our region.

“Together, we’re building a future where every child has the chance to grow, thrive and feel the comfort of compassionate care.

“The same dedicated team. The same trusted care. Now carrying a name that reflects the heart of our mission. Learn more at DollyChildrens.org.”

Reacting to the announcement, one person penned, “Anyone else sob upon this news? Well deserved honor.”

“Our very own earth angel,” said a second.

“Bless you Dolly! A true angel on earth,” penned a third.

A fourth then demanded, “Dolly for president!”

“Ooooh Dolly, you truly are an angel! I have chills just reading this! Those kids will be wrapped in love,” said a fifth.

While a sixth penned, “The world needs more Dollys! She shouldn’t have to be one in a million.”

And an eighth added, “Dolly your are a great human being and do so much for the community and for the world.”

This comes after Dolly sparked health concerns last fall when she canceled several performances.

At the beginning of fall in 2025, the Tennessee native announced she was forced to postpone her Las Vegas residency after dealing with a number of “health challenges.”

Dolly’s shows were scheduled for six dates in early December at The Colosseum at Caesars Palace.

Tim McGraw subsequently took her place and the rescheduled shows have been set for September 2026.

In her message to fans, Dolly explained that she couldn’t perform due to doctor’s orders and had to undergo “a few procedures.”

She assured fans that she would be back on stage soon, writing, “And don’t worry about me quittin’ the business because God hasn’t said anything about stopping yet.

“He is telling me to slow down right now so I can be ready for more big adventures with all of you.

“I love you and thank you for understanding.”

One of the most critically acclaimed science fiction dramas of the past decade is expanding with a new spin-off series on Apple TV

Apple TV has just released the exciting first-look at the cast of Star City, the first spin-off to the streamer’s hit sci-fi drama For All Mankind.

Widely considered one of the best sci-fi series in recent years, the original drama takes place in an alternative history in which the Soviet Union beat the USA to the Moon in 1969 and the space race never ended.

While subsequent outings have jumped forward in time up to the 2000s in season four, Star City will look to the past once more, exploring the pivotal events that led up to the first man on the Moon.

Featuring a stellar cast, including some exceptional British talent from the likes of House of the Dragon and Motherland, the upcoming offshoot is a must-watch for both sci-fi and history buffs.

The creative trio behind For All Mankind, Ronald D. Moore, Matt Wolpert, and Ben Nedivi are back to helm the new eight-part series, so quality can be assured.

A synopsis for the upcoming series calls Star City “a propulsive paranoid thriller that takes us back to the key moment in the alt-history retelling of the space race – when the Soviet Union became the first nation to put a man on the moon.

“But this time, we explore the story from behind the Iron Curtain, showing the lives of the cosmonauts, the engineers, and the intelligence officers embedded among them in the Soviet space program, and the risks they all took to propel humankind forward.”

House of the Dragon’s Rhys Ifans leads the exceptional cast, which also includes Motherland’s Anna Maxwell Martin, Agnes O’Casey (Black Doves) and Alice Englert (Bad Behaviour).

Rounding out the supporting cast is another House of the Dragon star, Solly McLeod, along with Adam Nagaitis (Chernobyl), Ruby Ashbourne Serkis (I, Jack Wright), Josef Davies (Andor) and Priya Kansara (Bridgerton).

Apple has just released the first look at the cast today (Thursday, 26th February), and it’s shaping up to be another visually stunning and compulsive drama that streamers have come to expect from the platform.

The spin-off certainly has big shoes to fill, as audiences have continued to rave about For All Mankind since its first season premiere back in 2019.

An article on Wired has called it the “one of the greatest science fiction shows of the modern TV era”, adding: “The Apple TV+ alternate history series is simply more ambitious and thought-provoking than its contemporaries.”

Comic Book Resources called it the “Best Alternate History Show Ever Made” in their rave write-up.

And IMDb users have also given For All Mankind stunning reviews, with one writing: “I’m now binging all 3 seasons and can’t stop. If you’re a sci-fi fan and have been putting it off like me…stop! Go watch this as soon as possible because I promise you won’t be disappointed.”

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“For All Mankind is one of my favorite sci-fi shows that I’ve ever seen and that’s not hyperbole. I really can’t get over how much I loved this show,” someone else agreed.

While a final fan made a bold claim: “Best damn show currently airing.

“Season one was good, it was a good setup. But then from season two onwards, show exploded in quality. I just want more. We all need more of this. Everyone needs to watch this!”

Apple subscribers, make sure For All Mankind is at the very top of your watchlist if it’s not already on your radar before the new spin-off starts in just a few months’ time.

Star City premieres Friday, 29th May on Apple TV.

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Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**

Across five novels and three story collections, Lauren Groff has merged wide-screen history with intimate stories about women seeking and confronting power, including in her latest spirited — and triumphant — release “Brawler.” Along the way, Groff has become the rare literary-fiction author who’s a mainstay on the bestseller lists, and a three-time National Book Award finalist as well. On Tuesday, she’ll discuss her work at a Vroman’s Bookstore event at Pasadena Presbyterian Church with Danzy Senna, acclaimed author of “Colored Television” and other novels.

If you’re new to her work, here is where to start with Groff’s sprawling canon, which spans from steamy Florida swamps to medieval abbeys with a gift for the unexpected.

“The Monsters of Templeton: A Novel” by Lauren Groff

(Grand Central Publishing)

“The Monsters of Templeton” (2008): Groff’s debut novel pays tribute to her hometown of Cooperstown, N.Y., featuring baseball lore, a strange aquatic creature and a young woman investigating her family history. It’s overstuffed but establishes some of her key themes: broken families, mythology and everyday misogyny.

“Delicate Edible Birds and Other Stories” by Lauren Groff

(Grand Central Publishing)

“Delicate Edible Birds” (2009): Groff’s first story collection includes “L. DeBard and Aliette,” an off-kilter love story set during the 1918 flu pandemic that caught the attention of her longtime agent, Bill Clegg. Groff’s skill at historical detail is on fine display here, shifting from the World Wars to the present day, with particular sensitivity to the ways characters evolve over decades.

“Arcadia: A Novel” by Lauren Groff

(Grand Central Publishing)

“Arcadia” (2012): Groff’s breakthrough novel features a lead character, Bit, facing two forms of pressure: First, a New York ’60s hippies commune that slowly fails to live up to its values, then a near-future America ravaged by climate change. Deftly written, funny and spiky, it showcases Groff’s ability to conjure storms both internal and external.

“Fates and Furies: A Novel” by Lauren Groff

(Riverhead)

“Fates and Furies” (2015): Groff’s masterpiece upends the familiar domestic novel, studying the fracturing marriage between Lotto, a successful playwright, and Mathilde, his seemingly devoted spouse. Through some inventive structures and a playful rewiring of romantic tropes going back to Homer, Groff stitches together a portrait of a marriage that she then carefully unravels. As one character puts it: “Marriage is made of lies. Kind ones, mostly.”

“Florida” by Lauren Groff

(Riverhead)

“Florida” (2018): Set in Groff’s adopted home — she owns a bookstore called The Lynx Books in Gainesville, Fla. — her second story collection is concerned with troubling ferality. Here, snakes hiss, as do catcalling men, girls are abandoned, hurricanes blow through. Myth and metaphor still abound, but they’re more rooted in the everyday reality of a troubled parcel of the country.

“Matrix” by Lauren Groff

(Riverhead)

“Matrix” (2021): The first of a planned trilogy of historical novels, “Matrix” is set in an English abbey in the 12th and 13th centuries. Marie, who becomes the prioress of the abbey at 17, begins a rise to power — or as much power as a woman is permitted — using her fellow nuns to fight off political and violent incursions. The theme and premise owe much to Margaret Atwood, but Groff’s gift for the long view is wholly her own.

“The Vaster Wilds,” by Lauren Groff

(Riverhead)

“The Vaster Wilds” (2023): The New World of the 17th century, in all its beauty and violence, is the setting for her latest novel, a potent study of a young woman who escapes the safety of her British settlement and sets forth on a solo trek toward Canada. Dangers are ever-present, but the novel is a study in unsentimental indomitability, as the hero reckons with the elements and her past on her way to a heartbreaking coda.

Athitakis is a writer in Phoenix and author of “The New Midwest.”

LEIGH-ANNE Pinnock has opened up on her marriage again to reveal she and her husband are “stronger” than ever after his betrayal.

The former Little Mix singer candidly confessed earlier this year that she and footballer hubby Andre Gray experience a rocky patch in their marriage in which she admitted they had to work together to “overcome betrayal”.

The popstar, who has just released her debut solo album My Ego Told Me To, revealed she needed to learn to trust her husband again following the undefined betrayal.

Now, in a new interview, she had discussed her personal life once more in order to give a fresh update on her family unit.

Confirming that Andre sought out therapy following the betrayal, Leigh-Anne told People magazine: “The main thing for me was him just changing, really.

“He got therapy, he moved abroad as well.

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“Even just him being alone, he did so much self-reflection on that. That was a massive thing for us. I think he just did the work.”

The singer continued: “It really does mean a lot when you can go through something, come out the other end, and just you automatically become stronger for it.

“Now, obviously, we’ve been through our stuff.

“We’re married, we have kids, and we can just have a soft life.”

Previously, Leigh-Anne has been open about the fact she and Andre have always had a long-distance relationship due to his career seeing him play football across the world with the star having only recently relocated back to England to play for a UK team.

The pair, who share two twin daughters together, have admitted this distance has helped to keep their marriage going.

In the interview, Leigh-Anne said: “A big thing for us is distance. As s*** as it is, it’s been three years of long distance.

“It’s actually, I think, helped to keep the flame alight as well, you know?

“You can’t wait to see them. It’s actually really healthy to miss someone, I think.”

The harrowing series has been branded a must watch for fans of true crime

A harrowing true crime documentary leaving fans sick to their stomach returns to television tonight (February 26), with a twist.

A Killer Makes A Call is a Channel 5 documentary that plunges viewers into the real life drama and urgency when a call is made to 999. But there’s a twist, as things are not as they first appear.

With each episode centered around a different case, the series so far has seen three instalments released, each with its own harrowing investigation at its heart. As Channel 5 teases: “The call comes through. Murder. But maybe the caller isn’t as innocent as they seem…”

The true crime documentary series instead focusing on instances where the perpetrator has made a call to the emergency services, often posing as a distressed witness or victim to avoid suspicion.

Branded as a perfect watch for fans of true crime, the harrowing series plunges viewers into each chilling investigation, examining why killers make a call to 999 and how they use that to create false narratives until detectives uncover the truth.

True crime fans will be pleased to know that A Killer Makes A Call returns to Channel 5 this evening with yet another disturbing case. It will air at 10pm on the channel.

The repeat episode, from series two, explores the moment a devastated family deal with their son’s fatal overdose. Carrying out their own investigation into what happened, the family soon find some surprising evidence.

Channel 5 teases: “When a family refuse to accept their son Jack died of an overdose, they undertake their own investigation, and identify a man with Jack the night that he died. Dots are joined, connecting four murders.”

With expert testimonies as well as heartbreaking family statements, viewers will witness how investigations were carried out as well as the reasonings behind the crimes.

First airing on Channel 5 back in 2024, the documentary series has become a popular choice amongst true crime fans with with many branded previous episodes as ‘sickening’.

Taking to social media, one person previously said: “Just watched this episode of #AKillerMakesACall on @channel5_tv. The verdict was quite sickening.” Another added: “Turned my stomach #akillermakesacall.” A third praised: “Great TV.”