SHOW BIZ

A NEPO baby was the spitting image of her model mum as she posed for sexy snaps on a night out with pals.

The 21-year-old London-born beauty donned a busty white dress and struck a cheeky pose as she crouched down by a pal.

Clementine Poppy De Vere Drummond is no stranger to sharing her lavish lifestyle on social media, recently posing in a plunging black cut-out swimsuit.

This time around, she showed off her figure in a white figure-hugging gown and corset and wore her blonde hair loose – which made her look just like mum Claudia Schiffer, 55.

The German supermodel shares Clementine with husband Matthew Vaughn, who she married in 2002.

The couple also share son Caspar, 22, and daughter Cosima, 15.

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Clementine kept her make-up light for her night out, showcasing her natural beauty.

She posed surrounded by her pals before striking a cheeky look as she crouched down beside her friend.

A third image saw her flash a cheeky smile as she pointed at the camera.

Her little sister was quick to comment on the sexy snaps and wrote: “Oh my gawd my sister is HAWT.”

Another follower put: “Oh my goooddd Clemmie.”

A third put: “STOP ITTTT.”

NEPO BABY LIFE

Her filmmaker dad, 54, has produced a number of hit movies including Kick-A**, Layer Cake, Stardust, Argylle and the Kingsman franchise.

Claudia has a huge net worth, and her daughter Clementine won’t be far behind.

The teen has shunned the spotlight growing up, but that’s all set to change.

Top brands have been eyeing her up for collaborations and she’s been stepping out with her mum to fashion shows across the globe.

Meanwhile, Vogue named her one of their “Darlings” in February 2024.

In the same year Clementine, who showcases her artistic talent on social media, re-located to New York.

She told the publication about her life in the Big Apple and said: “I’m a big walker, and rarely seen without headphones on.

“While finding my way around NYC, I’ve been listening to ‘Stayin’ Alive’ by the Bee Gees on loud.”

“Argan oil makes my hair so thick and healthy.”

MUM ROLE

Claudia recently opened up on juggling her mum role with her blossoming career.

She told how she was focussed on the “wellbeing” of her children and recently told Hello! magazine: “When I was in my 20s, travelling around the world, my focus was on my career – working hard, being competitive and getting to the top.

“That changed when I had kids, and now, I feel lucky to have such a wonderful family.

“I’m proud of my children, they’re very down to earth and their wellbeing is mine and my husband’s priority.

“I could take on a lot more runways, photoshoots and other projects.

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“But maintaining a balance that enables me to spend quality time with my family and be there when they need me is far more important to me than doing a great new campaign.”

Last year, Claudia and her daughters stunned football fans as they attended a Premier League match between Brentford and Nottingham Forest at the Gtech Community Stadium.

Movies can become forever memorable through the magic of a singular image, that celebrated “one perfect shot” that illuminates everything before and after it. The Envelope asked directors of five awards-contending documentaries to talk about the shot their film couldn’t live without.

‘Apocalypse in the Tropics’

Director Petra Costa’s sequel to “The Edge of Democracy” (a 2020 Oscar nominee) examines the powerful role played by evangelical Christianity in Brazilian politics and the rise of far-right former President Jair Bolsonaro.

“I chose the shot of the Statue of Justice, decapitated and upside down,” says Costa, describing a scene in front of the Supreme Federal Court in Brasilia after Bolsonaro’s supporters sacked the nation’s seat of government on Jan. 8, 2023. “[It] symbolizes much of this story on many levels. This film is ultimately using Brazil as a metaphor for the current crises of our democracies worldwide. This picture symbolizes how violent speech is, not just violent speech. It produces violent action, and that was what brought Bolsonaro to power.”

‘Folktales’

Rachel Grady and Heidi Ewing’s “Folktales”

(Magnolia Pictures)

Directors Heidi Ewing and Rachel Grady (2007 Academy Award nominees for “Jesus Camp”) follow a group of adolescents through a year at a traditional Norwegian folk high school.

“The first time you see the Tree of Life in the movie,” says Ewing, describing a powerfully symbolic image in the story, “it’s shot from below. It’s a wide angle and it’s almost like a creature. I call it Guillermo del Toro’s tree, because it’s knotty and dead, but it’s everything. It’s breathtaking and there was no other tree like it in the forest. It inspired the whole layer in the film that became the myth of Odin and using Norse mythology as a metaphor for growing up, and we use the tree as our centerpiece.”

‘Predators’

Director David Osit (“Mayor”) unpacks the complex and disturbing legacy of the TV exposé “To Catch a Predator,” which became a pop-culture phenomenon during its run in the mid-aughts.

“So much of my film is about looking at images, and part of it was me looking at images … and really just thinking: The only way I know how to make this movie is I’ve got to give someone the experience I’m having, making the film and looking at material. So there was an image that I filmed, but it didn’t mean anything to me until I saw it. And that’s the image that I chose. There’s this moment in the film where I’m interviewing Dan Schrack, who is one of the decoys who … was involved in what happened in Texas. [The subject of the show’s sting operation took his own life, which led to the show’s cancellation.] I’m having him look at some pictures, and I get a shot from behind him. What I didn’t notice during the filming … was my reflection, perfectly placed in a small mirror. Only for a split second did I think to myself, ‘Oh no, I ruined the shot.’ Immediately afterwards, I felt a deeper understanding … that I couldn’t take myself out of this movie. It wasn’t my intent to be in it, but more often than not, documentaries neuter and make invisible the acts of their creation. And every single time I tried to film this movie, the opposite was happening. My identity, my motivations, my interests kept asserting themselves, and that shot was it. That was the shot where I realized what the film was.”

‘Seeds’

Carlie Williams in “Seeds.”

(Brittany Shyne)

Shot in black and white, Brittany Shyne’s debut feature explores the lives and challenges of Black farmers in south Georgia.

“The scene that I always go back to is with Carlie Williams, the 89-year-old farmer,” Shyne says. “It’s a moment when we’re in his house, and he gets up from his chair, and he goes over to tend to his daughter, Lois. I really like that moment, because we could see a father who’s utterly devoted to his child, making sure that her health is OK. I love that moment of tenderness, because that is something I try to view throughout the whole film, this kind of familial care that we see between generations.”

‘The Tale of Silyan’

(National Geographic Documentary Films)

The Macedonian film, from 2020 Oscar nominee Tamara Kotevska (“Honeyland”), is the story of Nicola, who rescues an injured stork from a landfill after the collapse of his family farm.

“The moment when Nicola captures the stork,” Kotevska says. “It completely changed the course of the film and the story itself. We thought that it was going to be more of a sad story, but it ended up being more of a hopeful story — not a happy one, but a hopeful one. It eventually became a story of a man saving a stork and a stork saving a man.”

Aitch is the next celeb to face a Bushtucker trial, called Jungle Doomsday, and a twist in the game leaves even seasoned hosts Ant and Dec shocked, as the rapper fumes ‘you dirty bean’

As rapper Aitch undertook the next Bushtucker Trial, a twist in the I’m A Celeb challenge left everyone shocked, including hosts Ant and Dec.

It was revealed in last night’s (17 November) show that the rapper would be taking on the next challenge. The new trial is called Jungle Doomsday, and the first look shows that Aitch has to hunt through a bunker for stars for the camp. In typical I’m A Celeb fashion, many of these stars a tucked away in jars filled with scorpions and other creatures.

But as Aitch hunted around for the stars, a voice came over the tannoy and said: “Warning cryo chamber malfunction. Awakening snake unit.”

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This left Aitch fuming, as he yelled “Oh, you dirty bean!” But it also shocked Ant McPartlin and Dec Donnelly, despite their many years on the show.

The pair had been watching Aitch try to complete the task via a monitor, but when they heard about the snakes, they looked up in horror. “What?” they both yelled, unable to contain their disbelief.

Nevertheless, Aitch got stuck into the task and quickly located the star in a scorpion jar. Before long, he was trying to find the one inside the snake unit and approached the creatures with his now familiar humour.

“Hello, boys, how are we?” he asked as he moved towards the snakes. He soon found the star but discovered it was attached to a string and he would have to untie it. Trying to calm his nerves, the rapper by paying homage to the hosting duo.

He started to sing Let’s Get Ready to Rhumble, a song put out by PJ & Duncan AKA, the performing name used by Ant & Dec when they used to make music. It was released in 1994, which is five years before Aitch, real name Harrison James Armstrong, was born.

Aitch has become a firm fan favourite for his light-hearted attitude on the show, alongside content creator Angry Ginge. “Angry Ginge and Aitch are killing me. Too funny those two,” one fan wrote on social media. Another added that the pair should win the show. “Aitch & Ginge = best duo! For the win!”

The rapper is thought to be the highest paid celeb on this year’s show, with a rumoured paycheck of £250k. The 25-year-old is thought to have been brought on the show to being in younger viewers and his 2.2 million followers on Instagram will surely help with that.

I’m A Celebrity…Get Me Out Of Here! airs every night at 9pm on ITV1, STV, ITVX and STV Player.

I’m A Celebrity…Unpacked airs live on ITV2 every night directly after the ITV1 show. You can also stream it anytime on ITVX.

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NEPO babies Cruz and Romeo Beckham went undetected as they enjoyed lunch away from the spotlight.

The famous brothers, aged 20 and 23 respectively, blended into the background at Phat Phuc Noodle Bar in Chelsea.

Sources said the pair appeared “relaxed” as they joined friends and Romeo’s girlfriend Kim Turnbull, 24, at the eatery.

“Cruz was relaxed, having conversations with his friends,” an onlooker told The Sun.

“He was there for about 20 mins after I’d arrived.

“He queued like everyone else.

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“He seemed known to the bar,” they explained.

Their brother Brooklyn, 26, was nowhere to be seen, as well as their parents, David and Victoria Beckham.

Cruz’s quiet lunch comes after he reportedly had his driving licence revoked after being caught speeding in 20mph zones.

He lost his license after racking up two speeding tickets within two years of passing his driving test, according to MailOnline.

Cruz had fallen victim to going over the limit in 20mph zones twice and is one of 500,000 caught in areas with the same limit.

Cruz’s second incident is believed to have taken place on September 2, according to the Mail, telling Instagram he was doing “24 in a 20”.

If a driver receives six or more points on their licence within two years of passing their driving test, their licence is immediately revoked and made void.

Cruz will now have to re-take both his practical and driving theory tests in order to re-obtain a licence from the DVLA.

“It’s infuriating but he seems to have taken it on the chin,” a source said.

He famously owned a burgundy Land Rover, which he took to McDonald’s to celebrate passing his test just under two years ago.

Cruz is understood to frequently drive himself between the family’s West London home and his parents’ Cotswolds mansion.

It was only the other day that he joined another family member for another outing in London at Hyde Park’s Winter Wonderland.

He was on sibling duties for the VIP launch event as he looked after his 14-year-old sister Harper, joined by girlfriend Jackie Apostel.

Heading around the park with a big group of friends, the famous family members documented everything on Instagram.

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Posing for a snap with his partner, 30, the Beckham brother seemed to take the girls on all the attractions.

He filmed a short clip in what looked to be a circus fun house, also sharing pictures of several carnival game prizes.

Sabrina Carpenter brought her latest world tour in for a landing Sunday night at Crypto.com Arena, where the pop star will play half a dozen sold-out dates through Nov. 23 to wrap up her year-long road show behind 2024’s “Short n’ Sweet.”

I was at Crypto when Carpenter played the arena last November, just after “Short n’ Sweet” was nominated for six Grammys. (It went on to win prizes for pop vocal album and pop solo performance.) But since then she’s released a speedy follow-up LP, “Man’s Best Friend,” which itself earned another six Grammy nods this month, including album, record and song of the year.

So it seemed worth checking in on the tour again as Carpenter, 26, gets close to stepping offstage. At least for a moment, that is: Come April, she’ll be back in the spotlight to headline Coachella along with Karol G and Justin Bieber. Here are the seven best moments from Sunday’s concert:

1. Turns out that earlier visit to the Lakers’ home wasn’t quite as cheery as it seemed then. “This time last year, when I played this show, I was going through it,” Carpenter told the crowd Sunday night. “I was not in a good headspace, and thankfully because of that I was able to write a whole new album for you guys this year.”

“Man’s Best Friend” follows Carpenter’s breakup with the Irish actor Barry Keoghan, whom she seems to refer to in her song “Go Go Juice” when she threatens to drunk-dial an ex named Larry. “So thank you for Crypto last year,” she added, “’cause you really inspired ‘Man’s Best Friend’ and what was to come after that.”

2. Carpenter didn’t sing “Go Go Juice” on Sunday, though she did throw a few tunes from “Man’s Best Friend” into a set list still dominated by material from “Short n’ Sweet.” (“Short n’ Sweet” is the better of the two albums, so this was fine.)

For the lightly country-fied “Manchild,” the singer and her dancers did a cute little line dance, and Carpenter’s live band powered “Tears” with some appealingly skanky disco-funk energy. The evening’s surprise song — the product of a regular bit in which Carpenter selects a tune via spin the bottle — was the new album’s “Nobody’s Son,” which emulates Ace of Base’s Nordic reggae more precisely than anyone else has in the past 30 years.

3. In one of the show’s other recurring bits, Carpenter pretended to arrest one of her opening acts, Amber Mark, with a pair of fuzzy pink handcuffs before singing the very horny “Juno.” That song features Carpenter simulating a different sexual position every night; here, well, you can look it up on TikTok.

4. Shout out to Carpenter’s guitar player, Caleb Nelson, whose ripping solo in “Juno” made the tune sound just like the theme from “Beverly Hills, 90210.”

5. “I’m gonna give you a little bit of history that you didn’t ask for,” Carpenter said about halfway through the concert, which ended up being a selective rundown of gigs she’s played in L.A. since she was a teenager on the Disney Channel.

“I played the Roxy when I was 16, and then I think played the Wiltern,” she said. “Then I played the Fonda and then the Wiltern again. And then I went to the … the Greek! Went to the Greek, of course — that was the best night ever.”

6. It says something about Carpenter’s commitment to the concept of her show, which takes place in the various rooms of a late-’60s/early-’70s-style bachelorette pad, that after dozens of tour dates she’s still performing one of her most emotionally cutting songs, “Sharpest Tool,” while sitting on a toilet.

7. Carpenter closed, as she always does, with “Espresso,” and if you’d assumed that by now this breezy electro-pop bop would inevitably have lost some of its fizz, think again. “I’m working late ’cause I’m a singer,” she sang as she strutted down a runway jutting onto the arena floor. It’s a task she’s still up to.

The rapper and content creator have quickly become fan favourites, and despite taking home huge fees, their pay is still modest compared to some stars who have previously appeared on the show

I’m A Celeb fan favourites Aitch and Angry Ginge are taking home huge paychecks for their stints in the jungle, but compared to some bigger names that have previously been on the show, it looks like pennies.

The two joined the hit ITV show on Sunday (16 November) and within 48 hours, they had stolen the show with some fans saying they were “way too funny”. Ahead of the series starting, the rumoured salaries of this year’s cast were revealed, and Aitch was the highest paid celeb, banking £250,000, with Angry Ginge will pocket just £100,000 this year.

While these numbers are huge, it is far from the most ITV are thought to have shelled out to get a big star in the I’m A Celeb camp. Some figures have been estimated to be over £1 million, making Aitch and Angry Ginge’s fees look tiny. Here are the reportedly highest paid celebs and their fees…

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Coleen Rooney

Coleen is thought to be one of the highest paid celebs in the show’s history, having banked a rumoured £1.5 million. She appeared on I’m A Celeb in 2024, and she reached the final, ultimately coming second to McFly’s Danny Jones.

Her enormous fee was thought to be the result of having made so many headlines two years prior, when she claimed fellow WAG Rebekah Vardy had leaked posts from Coleen’s private Instagram account to the press, a move for which she was later dubbed ‘Wagatha Christie’. Rebekah sued Coleen for libel, but the case was dismissed by the courts.

Nigel Farage

The Reform politician also allegedly took home £1.5 million for his I’m A Celeb stint. In 2023, he came third, behind Sam Thompson and Tony Bellew.

Nigel’s time on the show was controversial, as he wasn’t shy about sharing his political beliefs with his campmates, causing arguments with some, particularly Fred Sirieix and Nella Rose.

When he was first introduced, he said: “I’m known for politics, for Brexit, and I’m a hero to some people and an absolute villain to millions. In the jungle you’re going to find the real me. You might like me more, you might dislike me more, but you will at least find out.”

Noel Edmonds

The Deal or No Deal star was the programme’s highest paid participant for five years, having entered the Jungle in 2018 with a fee of £600k. As he was only in the show for nine days, that meant he earned over £66k a day.

After leaving, Noel expressed his disappointment in not being on the show for longer. “I was hoping to hang around for a little bit longer,” he said. “I hadn’t even actually got into my stride.”

Boy George

Boy George, who joined the show in 2022, was said to be pocketing £800k initially, but that figure dropped to £500k. He addressed his pay, pledging to be worth every penny the ITV producers spent on him. He said: “I feel like I’ve been paid well for it so I’m going to be as Boy George as I can.”

Harry Redknapp

Eventual winner Harry Redknapp was also reportedly paid £500k for his time on the show. At the time, it was rumoured that the BBC were courting him for Strictly Come Dancing, and Harry later revealed that the I’m A Celeb fee was double that which was offered by the BBC. He said: “What happened was I’m a Celebrity came and offered me twice as much money so I went there instead!”

Caitlyn Jenner

The year after Harry went on the show, former Olympian Caitlyn Jenner also took away £500k for her time on the show. This huge fee was even addressed on the show, with Dec saying: “We’ve got reality TV royalty Caitlyn Jenner. Most people come into the jungle to lose a few pounds…” Ant then playfully added: “But she’s going to be gaining 500,000 of them according to the papers.”

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RAY Donovan star Liev Schreiber has been rushed to a New York hospital after suffering a massive headache.

The Tony award-winning actor is reported to be going through a series of tests since he was hospitalised, according to TMZ.

Isaac Liev Schreiber, 58, experienced the massive headache on Sunday and called his doctor.

He was then directed to go to hospital immediately.

Doctors have been unable to determine the exact cause of the pain.

However, Schreiber is said to be able to speak and walk without any issues – having full use of his arms and legs.

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In the past, the Emmy-nominated actor has experienced a sudden episode of memory loss triggered by a migraine.

This occurred once when he was starring in a Broadway production of Doubt: A Parable.

He spoke about the episode on an appearance with Late Night host Seth Meyers last, describing it as “the worst nightmare that an actor could possibly ever experience”.

Schreiber added: “I was in my dressing room and I had a terrible headache. I thought it was maybe a fast food headache, but it felt a little stronger than that. I’m walking down the stairs and I’m thinking – this is not normal.

“I don’t feel okay.”

He recalled knowing “something was really wrong” when he could not remember his co-star Amy Ryan’s name backstage before having to perform.

An MRI led to the father-of-three being diagnosed with transient global amnesia.

He shares his 18-year-old son, Sasha, and 16-year-old daughter, Kai, with ex-partner Naomi Watts.

The two actors ended their relationship of 11 years in 2016, and both remarried.

Schreiber is now married to former beauty queen Taylor Neisen who was crowned Miss South Dakota in 2012.

They welcomed their first child together in August 2023 after marrying in July.

Schreiber list of acting credits includes Scream, X-Men Origins: Wolverine, Mixed Nuts, Party Girl, and The Daytrippers.

He has in the past been nominated for nine Primetime Emmy Awards and five Golden Globe Awards.

Sean “Diddy” Combs, who is serving four years in federal prison for using prostitutes in “freak-offs,” is under investigation by the Los Angeles County Sheriff’s Department in connection with new allegations of sexual assault. A record producer alleges Combs assaulted him on two occasions.

The sheriff’s Special Victims Unit initiated the probe because one of the incidents occurred in East Los Angeles, according to Nicole Nishida, a department spokeswoman. The producer reported the incidents to police in Largo, Fla.

Florida-based music producer John Hay revealed in media interviews that he was the “John Doe” plaintiff from a civil lawsuit filed in July alleging assault.

The producer, who was not named by law enforcement investigating the allegations, alleged he was subjected to sex acts in 2020 and 2021 while working on a remix project of music by Biggie Smalls, a.k.a. Christopher Wallace, which put him into contact with Bad Boy Records and company executive Combs.

A spokesman for Combs did not immediately respond to The Times’ request for comment on the investigation.

The lawsuit states that, in December 2020, the producer was at a warehouse in Los Angeles that housed some of Notorious B.I.G.’s clothing. The items were being donated to the Rock & Roll Hall of Fame later that year, when Biggie would eventually be inducted.

Combs “provided drugs to everyone present. Everyone there was running around the warehouse and tripping on the drugs,” the lawsuit alleges. Combs “started watching porn on his cell phone, grabbed one of Biggie’s shirts off a rack, and began to masturbate with it in front of the plaintiff,” the suit states.

Combs subsequently threw the shirt over the producer’s lap and arm, laughed and said “Rest in peace, Biggie” before leaving the room.

In an incident in March 2021, the plaintiff claims that he was set up. He states in the lawsuit he was lured to a meeting by Biggie’s son, Christopher “CJ” Wallace Jr., and music producer Willie Mack.

But upon his arrival, his head was covered, and Combs appeared and began yelling and ordered everyone to leave, the lawsuit alleges. Combs then allegedly attempted “to force plaintiff to perform oral copulation on Combs, while plaintiff’s head was still covered.”

“I’m pushing for criminal charges to be filed against Combs at a state and federal level,” Hay told ShockYa earlier this month in an interview where he stated he was the civil suit plaintiff.

According to a police report first obtained last month by People magazine, Hay reported the allegations on Sept. 20 of this year to Largo, Fla., police.

Gary Dordick, the producer’s lawyer, said “we intend to present out client’s case to a jury in California and we are confident that the truth will prevail.” Dordick said in a message to The Times that he would not comment further given that a defamation lawsuit was filed last week by Wallace.

Wallace, the son of Biggie Smalls and singer Faith Evans, sued Hay for defamation in a Florida federal court last week, calling Hay’s recent interviews “a calculated smear campaign” that included false statements that he attended Combs’ so-called freak-off parties and “conspired to lure Hay to a location where Combs purportedly assaulted him.”

An attorney for Mack could not immediately be reached for comment.

Wallace says in his defamation action that Hay worked on the remix project, titled “Ready to Dance,” with Wallace and Mack in 2020. A single was released, but the remaining songs were not, due to a lack of interest.

According to the suit, Hay was upset over the decision not to release the music he worked on and began accusing Mack of “inappropriate and abusive behavior” in 2021. But Hay never made an assault allegation, the suit claims.

Combs is currently incarcerated at Federal Correctional Institution Fort Dixon, a New Jersey low-security federal penitentiary.

Alan Carr is back with a new series of Changing Ends – however, he may be following in the footsteps of his Celebrity Traitors co-star Claudia Winkleman as Strictly’s new host

The job offers haven’t stopped rolling in for Alan Carr since his momentous Celebrity Traitors win, with the comedian even tipped to take over hosting duties on BBC One’s Strictly Come Dancing. While he’s back with a new series of his hit comedy Changing Ends, the 49-year-old admits he’s unsure whether he could handle the challenge of stepping into Claudia Winkleman and Tess Daly’s sparkly shoes.

“My name is in the hat,” he says. “What an honour. It’s a bit like when my name got bandied about for Britain’s Got Talent and The Great British Bake Off – I’m always on the periphery.

“I don’t know how serious it is. No one has approached me. People are so passionate about it and you saw me sweating in the castle when I was a Traitor, imagine me doing live telly with how many million people watching!”

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Although, after a star turn on The Celebrity Traitors, he knows how to convincingly lie – and that could come in handy on Strictly. “If someone’s cha-cha-cha is a bit s**t, I’ve got the poker face!” he jokes.

“So many things have come from The Celebrity Traitors – so many job offers coming in – I’d be flattered but I don’t know if I could do it [Strictly] justice. I just don’t want to ruin it for people.”

Alan is back on more familiar ground with Changing Ends – the semi-autobiographical sitcom about his childhood in 1980s Northampton. Series three follows teenage Alan (played by Bafta nominee Oliver Savell) as he navigates obstacles such as stressful swimming lessons, and, more importantly, his first big crush – young Alan is smitten with Jake, the Saturday boy at the charity shop.

“I really got into charity shopping,” Alan smiles. “I used to go in there every Saturday and flick through the posters to catch his eye. I must have stunk like an old woman because I would get flares, I wore my dad’s sheepskin and we didn’t have dry cleaning like we do these days.

“I just wanted to be in love really. It still hasn’t happened!” With Alan now single after divorcing ex-husband Paul Drayton back in 2022, is he hoping his teenage crush will reach the real-life inspiration behind Jake?

“The boy knew then because I was just as unsubtle as I am now,” he laughs. “When I went back to Northampton, I saw him queuing up at a cash point. My knees went to jelly and I thought, ‘Oh my God, there he is.’ But I didn’t want to say hi.

“There’s still something there, but I don’t want a Surprise Surprise moment. He had his chance and he missed it! He could be dating a national treasure now.”

Fans will already know that Alan’s father Graham was famous himself – having been a professional footballer in the 1960s who went on to manage Northampton Town among other clubs. However, the new series also sees Alan’s mother Christine embracing life as a local WAG.

“We would drop my brother [Gary] off at Beavers and me and mum would sit in the Tesco café for an hour with a cup of tea and a Chelsea bun,” he says. “I remember this woman coming over in the canteen to ask for an autograph – I mean, it was funny.

“It sounds weird but in Northampton, my dad was famous – people would stop him. My mum didn’t get the same standard as my dad, but it was funny. She was stopped a few times and people whispered, ‘That’s Graham Carr’s wife.’ Now she gets, ‘That’s Alan Carr’s mum – that’s the Traitor’s mum!’”

Christine isn’t always pleased with how Alan portrays his childhood, with Nancy Sullivan and Shaun Dooley playing his long-suffering parents. “My mum goes, ‘Oh Alan, it wasn’t that obvious you were gay when you were a child.’ My mum, bless her – she’s still that she-wolf who goes up the school. ‘Don’t you pick on my Alan, he does fancy girls!’ I don’t think she realises how camp I am, she just loves me.”

Both his parents visited the show’s “surreal” set in Enfield, north London, which completely recreates his childhood home. “My poor dad walked up the stairs and nearly fell to his death because he thought the bedroom was upstairs,” he says. “How weird is that? It’s identical to the house. To have it decompartmentalised in a warehouse is so strange.”

As for whether we can expect more episodes of Changing Ends in the future, Alan says that it’s up to the fans. “I like the stage it’s at – that weird puberty stage,” he says. “If people are watching and they want it to come back, I’ll think about writing some more.

“But when it gets to the call centre years at 18 and when I started packing shampoo and dog food, I think I’m going to run out of stories because that was a really bleak time. It could be like The Office and be called The Warehouse!”

Although, after managing to make it all the way to the very end of The Celebrity Traitors without being found out as a Traitor, Alan is concerned that viewers won’t trust him any more. “I want it to be really authentic, but I worry now after doing The Celebrity Traitors people aren’t going to believe a word of Changing Ends!” he laughs.

Changing Ends airs Sunday at 10:05pm on ITV1 and ITVX.

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DIANE LADD’s cause of death has been revealed after the Oscar-nominated actress died aged 89.

Her daughter, Laura Dern revealed she had passed away on Monday, November 3 just two months after her husband’s unexpected passing.

Diane’s cause of death has been revealed as acute on chronic hypoxic respiratory failure, according to PEOPLE.

Having obtained the star’s death certificate, the outlet said interstitial lung disease, which she had suffered for years beforehand, was one condition leading to her death.

Esophageal dysmotility was listed as another contributing factor – she was reportedly cremated on November 10.

Ladd’s daughter, the actress Laura Dern, shared the sad news of her death in an emotional statement earlier this month.

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“My amazing hero and my profound gift of a mother, Diane Ladd, passed with me beside her this morning, at her home in Ojai, Ca,” Laura‘s statement began.

“She was the greatest daughter, mother, grandmother, actress, artist and empathetic spirit that only dreams could have seemingly created. 

“We were blessed to have her.

“She is flying with her angels now,” Laura concluded.

The Oscar-nominated actress was 89 years old and appeared to have no plans of slowing down anytime soon, as her last social media post shared her latest project.

In September, the actress posted a promotional photo on Instagram for her new film, The Last Full Measure, which was recently released on various streaming platforms.

Diane also shared a screengrab of one of her scenes in the movie, opposite Christopher Plummer.

She gushed about the production, which was halted due to the Covid-19 pandemic, and her co-stars, including Peter Fonda, William Hurt, Ed Harris, Samuel L. Jackson, and Sebastian Stan.

Diane also teased a potential career pivot into podcasting, sparking a slew of comments from fans excited for what’s to come for the movie star.

Her death came two months after her husband, Robert Charles Hunter, suddenly passed.

Robert, the former PepsiCo CEO, was 77 when he died in August while visiting his family in Fort Worth, Texas.

He was Diane’s third husband, following her marriage to Laura’s father, Bruce Dern, from 1960 to 1969, and businessman William Shea Jr. from 1973 to 1976.

Diane and Robert’s love story began when they met in Sedona, Arizona, and got married in 1999.

They launched a production company together, though Diane is most known for her showstopping performances in front of the camera.

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The Mississippi native was nominated three times for an Academy Award for her work in Alice Doesn’t Live Here Anymore (1974), Wild at Heart (1990), and Rambling Rose (1991).

Diane is survived by her daughter, Laura, and her two grandchildren, Ellery and Jaya Harper.

Give thanks, NFL fans, the headliners are set for this year’s Thanksgiving Day halftime shows.

Jack White will kick off the Turkey Day performances at the Detroit Lions vs. Green Bay Packers game in Detroit. Later, Post Malone will take the stage as the Dallas Cowboys, playing at home, face off against the Kansas City Chiefs, and Lil Jon will perform at the Baltimore Ravens-Cincinnati Bengals matchup in Baltimore.

White and Malone shared the news in a pair of promo videos shared Sunday on Instagram, while Lil Jon’s appearance at M&T Bank Stadium was confirmed by the Ravens last week.

White’s Instagram reel was filmed at the White Stripes frontman’s Third Man Pressing Plant in Detroit, where an electric blue record “hot off the press” announces his Ford Field appearance.

Meanwhile, in Malone’s teaser, the “Circles” singer drives along a Texas highway as a voice on the radio advertises “the biggest matchup and one of the biggest artists of our time.”

“Bigger is always better. You know what I mean?” Malone asks Cowboys mascot Rowdy, riding shotgun, as the two haul a giant Salvation Army bucket in a big rig to AT&T Stadium. Once they arrive, they crash into a sign in general manager Jerry Jones’ parking spot and have a run-in with Cowboys place kicker Brandon Aubrey. Last year, Aubrey famously signed Malone’s jersey before a game against the New York Giants. The show will kick off the Salvation Army’s Red Kettle Campaign.

Malone’s slot is fitting, given that the Grammy-nominated artist came of age in Texas and his father once managed concessions for the Cowboys.

Malone previously had a cameo in “Beyoncé Bowl,” last year’s Emmy-winning NFL Christmas Day Halftime Show, joining Queen Bey for their duet “Levii’s Jeans.”

Vogue Williams has reportedly signed up for I’m A Celebrity Get Me Out of Here! ten years after husband Spencer Matthews was removed from camp three days into the 2015 contest

Spencer Matthews will not be able to fly to Australia to support wife Vogue Williams during her time on I’m A Celebrity Get Me Out of Here!, it is reported.

The TV personality, 37, is instead in Cape Town, South Africa, where he is gearing up for his third full Ironman triathlon, part of a challenge of seven in seven continents in just 21 days. This would secure Spencer, who was in Made in Chelsea for four years, a Guinness World Record.

The timing, though, is so unfortunate that Spencer won’t even be able to watch Vogue, 40, take on Bush Tucker Trials as she navigates the jungle’s challenges and she won’t know if he completes his “Project Seven”. A source said it was extremely unlikely the couple could avoid the diary clash, as Spencer has just finished his second triathlon — taken in Arizona — and must complete the set within the 21-day deadline.

And Vogue, meanwhile, has been tipped as “one of the most glam signings” I’m a Celebrity has had in years. A source said: “It has been a hard decision to go on the show, because it will mean so much time away from her kids, but she wants to fight her fears and go for it.”

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Spencer himself was in the jungle — for a mere three days in 2015 until he was booted out for taking steroids and failing to tell producers beforehand. In an interview since, he said “vanity” was the reason for his misdemeanour.

Now he can’t even get there to support his wife of seven years. Vogue, the Irish presenter and model, faces the creepy crawlies in the Australian jungle as one of the show’s late arrivals.

A source told the Daily Mail: “The timing isn’t ideal at all, but sometimes these things happen, and Vogue and Spencer’s diaries just clash. Of course, Spencer would want nothing more than to support Vogue in Australia and be there waiting for her when she leaves the jungle but both committed to their own projects, and unfortunately, the schedules overlap.

“They’ll both be missing their children, who will stay in London, continue attending school, and no doubt support their parents from afar – catching Vogue on TV whenever they can.”

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Spencer’s latest extreme challenge has seen him embark on a global mission to complete seven triathlons, each involving swimming, cycling and running, across seven continents in just 21 days.

The father of three, originally from Grantham, Lincolnshire, has already ticked off Europe and Arizona, and is now flying to Cape Town for race number three, all while documenting the journey on his podcast, Untapped.

And in the summer, the TV personality completed 30 desert marathons in 30 days, earning a Guinness World Record, a feat he now hopes to replicate with his triathlon mission.

ARIANA Grande returns to the red carpet — as a man who attacked her is jailed.

The actress, 32, was at an awards bash in Los Angeles days after prankster Johnson Wen accosted her at Thursday’s premiere of Wicked: For Good in Singapore.

Prosecutors said the 26-year-old, locked up for nine days, was a “serial intruder”.

We recently told how Cynthia Erivo and security immediately stepped in to stop the fan after he lunged at the actress, 32, on the red carpet.

Ariana gasped as she was grabbed around the shoulder by Johnson Wen – known on social media as Pyjama Man.

She had been meeting fans while at Universal Studios in Singapore for the premiere of her new film Wicked: For Good.

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Posting the video on his Instagram, he wrote: “Dear Ariana Grande Thank You for letting me Jump on the Yellow Carpet with You.”

In the shocking clip, Wen is shown climbing over the barrier before sprinting down the red carpet.

He barges past security and knocks into a cameraman before holding onto Ariana – who appears shaken by the exchange.

Wen jumps up and down and smiles as he points at the No Tears Left To Cry singer.

Cynthia, 38, is then shown bravely putting herself between Ariana and the fan as he pulls her from side-to-side.

Fans were quick to slam the “sick” red-carpet crasher, who previously said it was his “dream” to meet the Wicked star.

Thirty years after Selena Quintanilla’s death, a recently released autopsy report revealed new details about her murder.

In March 1995, the 23-year-old Tejano singer was gunned down inside a motel room in Corpus Christi, Texas, by the president of her fan club, Yolanda Saldívar, who had been accused of embezzling money from Quintanilla.

The autopsy report, obtained by Us Weekly, was carried out three hours after Quintanilla’s death. Her death, which had been ruled a homicide by the coroner’s report, was caused by a bullet wound that had entered through her shoulder.

The bullet’s path continued through her ribs until it eventually punctured her chest and exited her body from her upper chest. The autopsy report shows that the gunshot wound hit the subclavian artery — a major blood vessel that brings blood to the arms, neck and head.

Coroner Lloyd White wrote in the report that her death was “a result of an exsanguinating internal and external hemorrhage, in other words massive bleeding, due to a perforating gunshot wound of the [chest].” It also noted that her clothing was covered in blood.

After Saldívar shot Quintanilla, she engaged in a 10-hour standoff with law enforcement, sitting in her vehicle in the motel’s parking lot and threatening to take her own life. She was later charged with first-degree murder and pleaded not guilty. During the trial, Saldívar claimed that the shooting was accidental, but she was eventually found guilty in October 1995.

Saldívar was sentenced to life in prison, with the potential of parole. The 65-year-old applied for parole last December and was denied in March. Her case will be eligible for review again in 2030.

In the 30 years since Quintanilla’s death, she’s become a mainstay in pop culture. From the posthumous success of “Dreaming of You,” her first album to hit No. 1 on the Billboard 200, to being played on-screen by Jennifer Lopez in the 1997 biopic “Selena,” the singer, dubbed the Queen of Tejano music, continues to leave her mark on the rising generation of Latino artists.

Recently, “Selena Y Los Dinos” a new documentary, was released on Netflix. It features never-before-seen footage filmed by her sister Suzette Quintanilla and closely documents her rise to fame.

“I want to leave a nugget of love for the future generation coming up, that’s embracing Selena and our music,” said Suzette Quintanilla, earlier this year at the documentary’s Sundance premiere. “We are 30 years without Selena, but her legacy is stronger than ever.”

Since the start of Donald Trump’s second presidential term, Uncloseted Media has been checking in every 100 days to document each move in the administration’s ongoing and relentless attack on the LGBTQIA+ community. These last few months have continued the trend of each 100 days being worse than the last. Trump has weaponized the assassination of Charlie Kirk to put an even bigger target on trans Americans, and he has been testing out new rhetoric, claiming that Democrats want “transgender for everybody,” a line he’s now used so many times that we couldn’t include every reference. With that in mind, here’s the administration’s complete track record on LGBTQIA+ issues from days 201-300.

Aug. 9, 2025

Trump announces that he is nominating Department of State spokesperson Tammy Bruce as deputy ambassador to the United Nations. Bruce, an out lesbian, opposes transgender health care for minors and claims LGBTQIA+ Pride commercials “really do damage to the gay and lesbian community.”

Aug. 11, 2025

During a public safety press conference, Trump orders the National Guard to deploy in Washington, D.C., claiming it will curb crime despite it being down. While doing so, he attacks the LGBTQIA+ community, saying, “That’s why [Democrats] want men playing in women’s sports, that’s why they want transgender for everybody. Everybody, transgender.”

Aug. 12, 2025

Trump orders a review of the Smithsonian Institution to determine whether it aligns with his administration’s standards. He targets the museum’s exhibits on transgender athletes, ballroom drag and the evolution of LGBTQIA+ identities, as well as a painting of a Black trans statue of Liberty—that was later withdrawn by the artist—in the National Portrait Library.

The same day, the State Department releases a revised 2024 Human Rights Report that omits references to LGBTQIA+ people and erases mentions of discrimination based on sexual orientation or gender identity. The report also removes critiques of governments for mistreating LGBTQIA+ communities. For example, it removes information about Hungary’s anti-LGBTQIA+ laws that encourage citizens to report their LGBTQIA+ neighbors and that ban depictions of homosexuality or gender transition in schools or the media.

Aug. 14, 2025

The Department of Education (DOE) launches an investigation into four Kansas school districts, accusing them of violating Title IX as they “permit students to participate in sports and access intimate facilities based on ’gender identity’ rather than biological sex.”

Aug. 15, 2025

Budget cuts stemming from Trump’s federal workforce reductions eliminate $600,000 in funding for the D.C. Office of LGBTQ Affairs for 2026.

The same day, the administration announces plans to eliminate gender-affirming care from the Federal Employees Health Benefits Program starting in 2026, cutting coverage for over 8 million people. The policy would block access to hormones and surgeries for federal workers and their families.

Aug. 20, 2025

The media reports on court filings that reveal that the Department of Justice (DOJ) issued subpoenas to hospitals for private medical records of LGBTQIA+ patients 18 and younger. The DOJ requests billing data, communication with drug manufacturers, Social Security numbers and recordings from providers who treat gender non-conforming minors. Doctors across the country report threats and fear government retaliation.

“The subpoena is a breathtakingly invasive government overreach… It’s specifically and strategically designed to intimidate health care providers and health care institutions into abandoning their patients,” says Jennifer L. Levi, senior director of transgender and queer rights at GLAD law, an LGBTQIA+ legal group and civil rights organization.

Aug. 21, 2025

The White House publishes a list of 20 Smithsonian exhibits deemed “objectionable,” including many that highlight LGBTQIA+ and non-white artists. Targeted works include the American History Museum’s LGBTQ+ exhibit that explores queer and disabled identities, as well as a Title IX anniversary display featuring transgender athletes.

The Department of Health and Human Services (HHS) cuts $12 million of federal funding for California’s “Personal Responsibility Education Program,” which provides sex education to teens. HHS officials cite the state’s refusal to remove lessons on so-called “radical gender ideology.”

The Supreme Court (SCOTUS) upholds an executive order which directs the National Institutes of Health (NIH) to cut more than 1,700 grants, nearly 200 of which provide funding for HIV/AIDS.

The New York Times reports that the Trump administration will withhold more than half of the congressionally appropriated $6 billion for the U.S. President’s Emergency Plan for AIDS Relief. Experts say the cuts threaten HIV/AIDS services worldwide, as the Kenyan HIV/AIDs network NEPHAK announces layoffs and closures of health centers.

Aug. 23, 2025

ICE violently detains Brazilian trans woman Alice Correia Barbosa, later announcing plans to deport her.

Aug. 26, 2025

The administration warns U.S. states and territories that they will lose federal funding for sex education unless they “remove all references to gender ideology.” Forty-six states and D.C. receive letters ordering the purge of all “gender ideology” content within 60 days.

Aug. 28, 2025

The DOE orders Denver Public Schools to replace gender-neutral restrooms with sex-designated facilities within 10 days. If they don’t comply, the DOE suggests they will lose federal funding.

HHS Secretary Robert F. Kennedy Jr. tells Fox News that the HHS is studying whether gender-transition medications or antidepressants cause violence, citing a church shooting in Minneapolis by a transgender woman. Research shows no such connection, and nearly all mass shootings are committed by cisgender men.

Aug. 29, 2025

In an interview with the Daily Caller, a right-wing opinion website, Trump baselessly claims that banning transgender troops improves military readiness. He falsely links transgender identities to violence and repeats debunked claims about gender-affirming care.

Sept. 2, 2025

The Harvard Crimson posts Dean David J. Deming’s announcement that the university will no longer host programming for specific races or identity groups, signaling deeper cuts to diversity efforts. The move follows Trump’s demands that Harvard dismantle diversity, equity and inclusion (DEI) programs or lose billions in federal research funding. Since Trump took office, Harvard has removed DEI language, closed identity-based offices and folded LGBTQIA+, women’s and minority programs into a single “Harvard Foundation.”

On a podcast with former George W. Bush special assistant Scott Jennings, Trump conflates crime with support for transgender people, saying Democrats are “fighting for criminals, just like they fought for transgender for everybody… all these crazy things.”

Sept. 3, 2025

After a settlement requiring the administration to restore health and science information to federal websites, HHS officials tell the Associated Press that they remain “committed to its mission of removing radical gender and DEI ideology from federal programs.” The reversal follows an executive order meant to eliminate the term “gender” from policies and delete public health pages about pregnancy risks, opioid addiction and AIDS.

During an Oval Office meeting with Polish President Karol Nawrocki, Trump once again says Democrats “gave us things like men playing in women’s sports, open borders for everybody, transgender for everybody.”

Sept. 4, 2025

In response to the Minneapolis mass shooting, CNN reports that the DOJ is considering restricting transgender Americans’ Second Amendment rights by building off of Trump’s trans military ban and using it as justification for a firearm ban—something that would only be possible by declaring them mentally “defective.” The proposal sparks backlash from the National Rifle Association, who says in a statement that they “will not support… sweeping gun bans that arbitrarily strip law-abiding citizens of their Second Amendment rights without due process.”

A Maine principals’ group challenges a subpoena from the DOJ that seeks athletic rosters statewide as part of the administration’s effort to ban transgender students from sports. The group argues the request would expose private student information unrelated to the case.

A federal appeals panel upholds an injunction blocking the Trump administration’s plan to deny accurate passports to transgender and nonbinary Americans. Judges rule the government failed to show how inclusive passports violate federal law. In its decision, the court writes:

“Based on the named plaintiffs’ affidavits and the expert declarations submitted by the plaintiffs, the district court made factual findings that the plaintiffs will suffer a variety of immediate and irreparable harms from the present enforcement of the challenged policy, including ‘a greater risk of experiencing harassment and violence’ while traveling abroad.”

Sept. 5, 2025

CNN uncovers years of homophobic and misogynistic posts by E.J. Antoni, Trump’s nominee to lead the Bureau of Labor Statistics. Antoni, an economist at the Heritage Foundation, contributor to Project 2025 and a “bystander” on Jan. 6, has repeatedly mocked LGBTQIA+ people and journalists and appears to have been running an X account where he posted that “there is only one sexual orientation – everything else is a disorientation.” The administration would withdraw his nomination Sept. 30.

Sept. 8, 2025

Three military families sue the Department of Defense after the Trump administration’s ban on transgender health care. “This is a sweeping reversal of military health policy and a betrayal of military families who have sacrificed for our country,” says Sarah Austin, staff attorney at GLAD Law.

Speaking to the Religious Liberty Commission, Trump rambles, “On day one of my administration, I signed an executive order to slash federal funding for any school that pushes transgender insanity on our youth.” He goes on to falsely claim that some states can force children to transition without the parents knowing.

Sept. 9, 2025

A federal judge blocks the administration’s attempt to subpoena medical records of transgender minors at Boston Children’s Hospital. The court finds that:

“The Administration has been explicit about its disapproval of the transgender community and its aim to end GAC [gender-affirming care]. It is abundantly clear that the true purpose of issuing the subpoena is to interfere with the Commonwealth of Massachusetts’ right to protect GAC within its borders, to harass and intimidate BCH to stop providing such care, and to dissuade patients from seeking such care.”

Sept. 11, 2025

The Wall Street Journal publishes a leaked Bureau of Alcohol, Tobacco, Firearms and Explosives memo which falsely claims that shell casings found near the scene of Kirk’s murder were engraved with expressions of “transgender and anti-fascist ideology.”

Suranne Jones’ hit TV show Doctor Foster will reportedly be returning to screens after an almost decade-long break, according to TV insiders

Suranne Jones is set to bring back her best-ever TV character after an eight-year break.

The former Coronation Street star will reprise the lead role of Gemma Foster in the BBC One drama Doctor Foster. The award-winning series saw Suranne play a scorned GP who takes revenge on her cheating husband, played by Bertie Carvel.

According to a report, Suranne and the team feel there is “unfinished business” for the character. Filming is reportedly due to start next year, with a view to it potentially airing at the end of 2026 or early 2027.

A TV insider said: “There was always a sense of unfinished business with Doctor Foster as the storyline could easily roll on and on.”

“It went out on a massive high, too, with around eight million tuning in every week to watch the drama unfold between the three lead characters,” they added to The Sun.

More than 10 million people tuned in to see the finale of Doctor Foster’s first series in October 2015. It won multiple awards including the best actress Bafta for Suranne Jones.

The second series did similarly well and the finale was watched by an average of 7.2 million viewers, according to overnight figures. But the ending did split viewers as Gemma Foster and her ex-husband fought over their son Tom.

Speaking about the series in 2017, Suranne admitted it could be “uncomfortable” viewing at times but says the show has a ” weird, sexy edge to it. We all know what it feels like to be in a room with an ex-partner,” she goes on.

“Everybody has had a relationship, everyone has had exes, everybody has been in difficult circumstances. I’m sure myself and Bertie have had those thoughts and feelings; otherwise we wouldn’t be able to draw on them.

“But at the same time, with the style of writing and the style of the programme, you’re able to go further.

“It has a fantastical edge as well as being deep-rooted in naturalism. It also has an exaggerated way of showing how far you could go if you really wanted to.”

The Mirror approached the BBC about reports of a third series Doctor Foster but were told there would be no immediate comment.

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COPS are investigating fresh sexual assault allegations against Sean “Diddy” Combs.

Investigators said they received a report on Friday from a police department in Florida, where the alleged victim lives, according to ABC.

The L.A. County Sheriff’s Department Special Victims Bureau is undertaking the investigation into the new accusations.

As a guitarist, Brian Baker has punk rock and hardcore credentials that are unparalleled. From effectively launching “hardcore” as a genre with Minor Threat when he was a teenager to bringing in the more melodic side of the scene with Dag Nasty and then joining Bad Religion in the mid ’90s, it’s hard to argue that any guitarist has been more influential to their scene than Baker.

“I think I just have a knack for being at the right place at the right time,” Baker says when asked about his contributions to the aforementioned legendary bands. “The key is to respect that legacy and not f— it up. I understand it’s a big deal to a lot of people — much more than it is to me. I’m just the guy who’s playing guitar, but I’ve been fortunate enough to be in bands that have been foundational for a lot of people. I think about that when I get on stage every day. I want to do a great job every time. As long as I’m able to still deliver a performance that I have respect for, hopefully other people will too.”

Standing at a high-top table under a white awning backstage at Riot Fest (Chicago’s massive punk rock festival where most of the acts are either friends of Baker or inspired by one or more of his bands) after nearly a half-century of allegedly just happening upon one iconic band after another, Baker recently released a new project — one that he’s worked on for almost 20 years during his ongoing run with Bad Religion.

A shot of Baker’s guitars on a wood pallet.

(Brian Baker)

Every time the legendary Los Angeles punk band goes on the road, Baker (like most touring musicians) finds himself with entirely too much time to kill before and after their nightly performances. To fill those long hours in strange cities, the 60-year-old D.C. native often turns to the piece of technology that so many use to occupy their free time, his smartphone. But rather than mindlessly scrolling social media or watching YouTube videos, Baker discovered a new passion for photography, constantly using each and every camera lens on the iPhones that have been in his pocket since the original released in the late 2000s.

Until recently, the fruits of Baker’s photography hobby had effectively only existed on his personal Instagram. That was until things started falling into place (“Like many things in my career,” Baker says, consistent in his refusal to take credit for the majority of his successes) for him to release some of his favorite photos as a book, appropriately titled “The Road” (released Nov. 4 via Akashic Books).

A mug shot of Baker’s first band, D.C. hardcore pioneers Minor Threat.

(Brian Baker)

“My wife suggested for a long time that people might want to look at my photographs, and I was like ‘OK, that’s great,’ but never really thought about it,” Baker says, his bandmates and other longtime friends circulating through Chicago’s Douglass Park. “Eventually, a good friend of ours named Jennifer Sakai — who’s a great photographer and has made books in the past — made a mock-up from my Instagram of what a book could look like. I wasn’t looking to make a book, but she basically presented a finished product to me, so I contacted a guy I went to elementary school with, Johnny Temple — who plays [bass] in Girls Against Boys and Soulside and has a publishing company. Much like my more successful rock bands, I walked in after everyone did all the work, and now I’m just going to coattail it.”

With or without the new book, Baker says his time-killing love of photography was born out of the veteran guitarist feeling as though he was forgetting too much and missing some of his key memories from his time on tour. Once he gave up drinking, Baker realized that he needed a way to embrace the 20+ hours each day he wasn’t spending on the stage or getting ready. He started filling his days with long walks and visits to his favorite locales — old churches, interesting buildings, graveyards (“That’s not the goth in me saying this,” Baker jokes) and anywhere else where he entertain himself away from people. And rather than trying to tell the story of the last 18 years through his iPhone camera, he’s happy just documenting those certain moments and “a lot of different ways to spend your time” in “The Road.”

“I used to take a film camera on tour, and I’d shoot a couple rolls and then forget about the camera and leave it at the hotel or something,” Baker says. “I didn’t really do a good job of being a photographer, because I’m not a photographer. I’m just a guy with a cellphone, but having the phone always on me, I just kept taking pictures of stuff for no real reason. It was like ‘Hey, look at this weird thing’ or “Look what we ate tonight” or “That church is f— up” with no intention of it being a collection or anyone really seeing it beyond my friends and family. Eventually, I got an Instagram account and some of the stuff would go there, but I’m not really a social media maven either.”

Bad Religion bassist Jay Bentley playing a bass.

(Brian Baker)

Aside from his photography skills, the release of “The Road” has also allowed Baker to flex his storytelling muscles at the various bookstores, record shops and more that he’s hitting this fall (including early October dates at West Hollywood’s Book Soup and Fullerton’s Programme Skate & Sound). Although it’s a more intimate setting than he’s used to and he’s lacking his signature guitar, Baker jokes that it’s not so different from performing music, because he’s still “on a stage with a microphone and wearing black pants.”

The book tour has also been an opportunity for Baker to connect with fans and reflect on Bad Religion and his prior bands (along with various side projects like supergroup Fake Names and Beach Rats). While he maintains that his involvement in punk history mostly comes down to happenstance, he believes that Bad Religion’s multi-generational staying power stems from always being “uniquely unfashionable” and having intelligent lyrics about topics that are still relevant. Add in the fact that they’re always improving as musicians and just enjoy getting together without looking at the bigger picture, and “not having a plan has proven to be effective” for the stalwarts.

Photo of Baker’s first amp and guitar

(Brian Baker)

But more than anything, Baker’s lack of planning or direction around his photography brings him back to the DIY nature of his early days creating albums that are now viewed as the very foundation of a four-decade-old global hardcore movement.

“Anybody can do this, so it does remind me of making records when I was very young,” Baker says. “We were just making our own records ourselves and selling them in high school, and that was Minor Threat. You think about how significant that is now, 45 years later, it’s the same thing with taking pictures. I just took a bunch of pictures, and now someone’s made a book out of them. It’s something you can do yourself, and I love that about it.”