News Desk

The White House’s comment comes days after a senior Trump aide said Iran is one week away from having material for nuclear bomb.

The White House has insisted that last year’s strikes against Iran destroyed the country’s nuclear programme despite a recent claim by a senior US official that Tehran is a week away from having bombmaking material.

Karoline Leavitt, the White House spokesperson, told reporters on Tuesday that the June 2025 attack on Iran’s nuclear facilities, known as Operation Midnight Hammer, was an “overwhelmingly successful mission”.

The attack “did, in fact, obliterate Iran’s nuclear facilities“, Leavitt said.

But just this weekend, President Donald Trump’s envoy Steve Witkoff suggested that Iran is close to having enough material to build a nuclear weapon.

“They’re probably a week away from having industrial-grade bomb-making material,” Witkoff told Fox News on Saturday.

Since last June’s strikes, Trump has repeatedly hailed the attack, arguing that it eliminated Iran’s nuclear programme and led to “peace” in the Middle East. Operation Midnight Hammer came towards the end of a 12-day war Israel initiated with Iran that month.

But eight months later, US and Iranian officials are once again holding talks to reach a nuclear deal and avert another war.

On Tuesday, Leavitt said the destruction of Iran’s nuclear programme had been “verified” by Trump and the United Nations’ watchdog, the International Atomic Energy Agency (IAEA).

“That does not mean that Iran may never try again to establish a nuclear programme that could directly threaten the United States and our allies abroad, and that’s what the president wants to ensure can never happen again,” she added.

Last year, after the US attack, IAEA chief Rafael Grossi said Iran could resume uranium enrichment “in a matter of months”.

But the UN agency’s inspectors have not been able to assess Iran’s nuclear sites since the US strikes.

The Pentagon’s public assessment was that the Iranian nuclear programme was set back by one to two years.

There has been no official confirmation of the US claims that Iran has restarted nuclear enrichment after the attack.

After a visit by Israeli Prime Minister Benjamin Netanyahu to the US in December, Trump renewed his threats to attack Iran if it tries to rebuild its nuclear or missile programme.

Tensions have spiralled since then, with the US amassing military assets near Iran.

Still, Tehran and Washington are set to hold the third round of negotiations this year to push for a nuclear deal.

Iran, which denies seeking a nuclear weapon, has said it would agree to minimal uranium enrichment under strict IAEA supervision in exchange for lifting sanctions against its economy.

But Trump has repeatedly stressed that it is seeking zero enrichment.

Enrichment is the process of isolating and concentrating a rare variant, or isotope, of uranium that can produce nuclear fission.

At low levels, enriched uranium can power electric plants. If enriched to approximately 90 percent, it can be used for nuclear weapons.

Before the June 2025 war, Iran was enriching uranium at 60 percent purity.

Tehran had been escalating its nuclear programme since 2018, when Trump, during his first term, nixed a multilateral agreement that capped Iran’s enrichment at 3.67 percent. He instead started piling up sanctions on the Iranian economy, as part of a “maximum pressure” campaign.

The White House on Tuesday suggested the military option against Iran remains on the table.

“President Trump’s first option is always diplomacy. But as he has shown, he is willing to use the lethal force of the United States military if necessary,” Leavitt said.

The pitched battle for Warner Bros. took yet another turn Monday night as Paramount Skydance enhanced its bid for the storied studio.

The decision by Warner Bros. Discovery to leave the door slightly ajar for Paramount came after weeks of pressure from its leader, tech scion David Ellison, and his billionaire father, Oracle co-founder Larry Ellison.

The media company has been vying to acquire Warner since late last year, and that fight only increased after the “Casablanca” and “Harry Potter” studio chose Netflix as the winning bidder back in December.

The bidding war has divided Hollywood’s creative community, with filmmakers, producers and unions all staking positions on the deal.

The latest to weigh in was “Avatar” and “Titanic” director James Cameron, who reportedly described Warner’s sale to Netflix as “disastrous for the theatrical motion picture business” in a Feb. 10 letter to Sen. Mike Lee (R-Utah), chair of the Senate subcommittee on antitrust, competition policy and consumer rights.

“I am very familiar not only with ships that sail, but also those that sink,” he wrote. “And the theatrical experience of movies could become a sinking ship.”

Actor Mark Ruffalo shot back at Cameron: “Are you also against the monopolization that a Paramount acquisition would create? Or is it just that of Netflix?” he posted on Threads over the weekend, adding that he was “speaking on behalf of hundreds of thousands of filmmakers worldwide.”

Regardless of which bidder prevails, consolidation in the industry is a major fear, particularly after waves of job cuts due to the pandemic and pullbacks in production spending amid streaming losses. And for the theatrical exhibition business, any merger revives concerns about an even greater decrease in films headed to theaters — particularly if the winning bidder is Netflix.

The health and future of cinemas is an especially sensitive topic in Hollywood. Box office revenue still has not returned to pre-pandemic levels, and some fear it never will, leaving theaters scrambling for alternative ways to fill their auditoriums.

Paramount has positioned itself as a champion for theatrical films, and David Ellison has said a combined Paramount and Warner Bros. would release 30 films a year.

But theater owner trade group Cinema United and the Writers Guild of America have warned that further consolidation would further concentrate the entertainment business, bringing more layoffs and theater closures.

Netflix co-Chief Executive Ted Sarandos has since tried to temper these concerns.

In a recent Senate subcommittee hearing, he pledged to maintain a 45-day theatrical window for Warner Bros. films, while also saying the deal would increase production investments going forward. In a recent letter to Lee responding to Cameron’s missive, Sarandos said he had previously spoken with the director in December about Netflix’s plans for Warner Bros., and that he had been “very supportive.”

Then there’s the politics of it all.

My colleague Meg James has written about Paramount’s efforts to use its political influence with the Trump administration to push its deal — and undermine Netflix’s. Paramount has declined to comment on the matter.

To put it mildly, Trump is a deeply unpopular figure in liberal-leaning Hollywood.

Creatives have feared a chilling effect on speech, particularly after Federal Communications Commission Chair Brendan Carr has aggressively tried to enforce long-dormant rules that require broadcast TV stations to give equal time to opposing candidates. The free-speech matter came to a head last year, when Carr warned that ABC could lose its TV station licenses after late-night host Jimmy Kimmel made a remark about slain conservative activist Charlie Kirk.

More recently, the equal-time rules resurfaced when CBS late-night host Stephen Colbert blasted his own network over its handling of his interview with Democratic Senate candidate James Talarico. Colbert said that CBS told him he could not air the interview because it would require giving equal time to Talarico’s opponents in the Senate primary and that he was instructed not to talk about the issue on the air, which he refused. CBS has disputed Colbert’s comments, saying he was not prohibited from airing the interview.

News industry insiders also raised concerns after the installation of Bari Weiss as editor in chief of CBS News. Two months into her tenure, she made the decision to pull a “60 Minutes” episode that investigated the alleged abuse of detainees sent from the U.S. to an El Salvador prison, a highly unusual step that critics interpreted as a decision to placate the Trump administration.

CBS News, which aired the episode in January, denied the claim, saying the piece had only been held for additional reporting.

On the film side, Paramount continues to make deals with creatives, including the irreverent South Park creators, who have churned out parodies of the Trump administration, “Wicked” director Jon M. Chu and writer, producer and actor Issa Rae, who in a statement earlier this year vowed to “tell stories for and by the diverse communities that have supported my work over the years.”

As the Warner Bros. deal drama unfolds, we’ll see how the lines continue to form in Hollywood’s creative class.

Stuff We Wrote

Film shoots

Number of the week

Sony Pictures Animation’s “Goat” led the domestic box office this weekend with an estimated three-day total of $17 million, beating out the Margot Robbie and Jacob Elordi-led “Wuthering Heights.”

The film, which was also produced by Warriors star Stephen Curry’s production company, has bucked the trend for original animated movies, which have largely faltered at theaters in recent years.

What I’m watching

Last week, I watched more Olympic figure skating (who didn’t watch Alysa Liu’s joyful, gold medal-winning performance?), but I’m also now re-watching 2000s teen detective drama “Veronica Mars.” I’m not Gen Z, but my newfound zeal for comfort TV is not unlike the story my colleague Stephen Battaglio wrote last year about young people’s interest in nostalgic shows.

Who: Real Madrid vs Benfica
What: Champions League playoff, second leg
Where: Santiago Bernabeu, Madrid, Spain
When: Wednesday at 9pm (20:00 GMT)
How to follow: We’ll have all the build-up on Al Jazeera Sport from 17:00 GMT in advance of our live text commentary stream.

Real Madrid carry a slender 1-0 lead over Benfica going into the second leg of a Champions League playoff tie that has been overshadowed by allegations of racism.

UEFA has suspended Benfica midfielder Gianluca Prestianni from the second leg on Wednesday after he was accused of racially abusing Real Madrid’s Vinicius Jr, who scored the only goal in the first game in Lisbon last week.

Meanwhile, Benfica coach Jose Mourinho, who is also suspended for the second leg, has come under fire for criticising Vinicius for his effusive goal celebration.

So the Portuguese side will be expecting an especially hostile welcome at the Bernabeu as they try to overturn their one-goal deficit and reach the last 16.

Courtois ‘disappointed’ in Mourinho’s response

Vinicius wrote that “racists are above all cowards” on social media after the game while Madrid striker Kylian Mbappe backed his teammate and said he had heard Prestianni calling the winger a “monkey”.

The 20-year-old Benfica midfielder, who hid his mouth with his shirt during the confrontation with Vinicius, insisted he did not racially abuse the Brazilian forward after his stunning goal at the Estadio da Luz.

Prestianni could miss at least 10 games if European football’s governing body finds he racially abused Vinicius.

Mourinho waded into the controversy by saying Vinicius’s goal celebration was disrespectful and insisting Benfica was not a racist club because their biggest icon, Eusebio, was Black.

Madrid goalkeeper Thibaut Courtois said he disagreed with Mourinho’s words.

“At the end of the day, Mourinho is Mourinho. As a coach, you’re always, I think, going to defend your club and what your player has told you,” Courtois said.

“The only thing that disappoints me a bit is using Vini’s celebration. I don’t think Vini did anything wrong there,” he added.

“I don’t think we can justify alleged racism because of a celebration.”

Mourinho’s Bernabeu homecoming upended by suspension

Benfica’s boss has not set foot in the Santiago Bernabeu since leaving Real Madrid in 2013, and he cannot sit in the dugout for the playoff’s second leg after being sent off during his team’s 1-0 first-leg defeat in Lisbon last week for making vituperative complaints about the officials from the touchline.

Mourinho said referee Francois Letexier was avoiding booking Madrid players who were at risk of suspension for the second leg.

“I’ve had my butt on the bench for 1,400 games and [I could see that] he knew perfectly well who he could book and who he couldn’t,” Mourinho complained bitterly.

“I [won’t be] sitting on the bench. I can’t go to the dressing room. I can’t communicate with the team,” he added. “It’s hard for me, but my teammates and my assistants are there. They’ll do their job.”

Benfica also said Mourinho was not going to attend the pregame news conference on Tuesday and his assistant would take over.

Arbeloa says UEFA have chance for ‘turning point’ against racism

Real Madrid coach Alvaro Arbeloa called on UEFA to make their fight against racism into more than just a slogan after the alleged abuse of Vinicius Jr.

“We have a great opportunity to mark a turning point in the fight against racism,” Arbeloa told reporters on Tuesday.

“UEFA, which has always been and has led this fight against racism, now has the chance not to leave it at just a slogan, at just a nice banner before matches, and I hope that they seize this opportunity.”

Arbeloa said he believed Vinicius will thrive on Wednesday at the Santiago Bernabeu as the record 15-time champions bid to reach the last 16.

“Vinicius Jr has always shown a lot of bravery and a lot of character,” Arbeloa said. “That is always his response. It always has been, and I think it always will be.

“He is a fighter, and I’m sure tomorrow he will go out to fight and have a great game and keep showing he’s one of the best players on the planet.”

Head-to-head

This is only the sixth meeting between two of the biggest clubs from Spain and Portugal. Benfica have won three of the games while Real Madrid have won two.

The two clubs also faced each other in a league stage match in January when Mourinho’s team stunned his former club in a 4-2 win that allowed Benfica to qualify and prevented Madrid from automatically reaching the round of 16.

How many times have Madrid and Benfica won the Champions League?

Madrid are the record winners of Europe’s premier club competition with 15 titles to their name, the last coming in 2024.

Benfica have lifted the trophy on two occasions, and both of those came in consecutive years.

In what was regarded as Benfica’s golden era, Portuguese legend Eusebio helped the team to wins against Barcelona in 1961 and Real Madrid in 1962.

A hat-trick from Hungary’s finest export, Ferenc Puskas, could not save Madrid as Benfica earned a 5-3 win that included a double from Eusebio.

Real Madrid’s team news

Jude Bellingham, Dani Ceballos and Eder Militao have all been ruled out through injuries while centre back Dean Huijsen, who missed the 2-1 defeat at Osasuna over the weekend with a muscular problem, is a major doubt.

Winger Rodrygo will be unavailable due to a suspension but would anyway be a doubt as he struggles to recover from a hamstring issue.

Raul Asencio is available again after returning from suspension.

Vinicius Jr will be looking to score for the fifth game in a row as he is set to start up front alongside Mbappe.

Predicted starting XI

Courtois (goalkeeper); Alexander-Arnold, Asencio, Rudiger, Carreras; Valverde, Guler, Tchouameni, Guler; Mbappe, Vinicius Jr

Benfica’s team news

The Portuguese side’s only injury concern appears to be midfielder Joao Veloso, who will miss the game with a shoulder issue.

Richard Rios could come into the midfield to replace the suspended Prestianni.

Benfica will look to Greek striker Vangelis Pavlidis to add to his 28 goals in all competitions this season as he is set to lead the line.

Predicted starting XI:

Trubin (goalkeeper); Dedic, Araujo, Otamendi, Dahl; Rios, Aursnes; Lukebakio, Rafa, Schjelderup; Pavlidis

Paris St-Germain defender Achraf Hakimi says he is set to face trial after an allegation of rape was made against him.

A woman has accused the Morocco captain of raping her at his home in the French capital in 2023, when she was aged 24. He denies the allegations.

The public prosecutor’s office in Nanterre, a western suburb of Paris, began a preliminary investigation in March 2023.

“Today, a rape accusation is enough to justify a trial,” Hakimi posted on X, external.

“This is as unjust to the innocent as it is to the genuine victims. I calmly await this trial, which will allow the truth to come out publicly.”

No date has been set for the trial.

Hakimi’s lawyer confirmed in a statement that a “trial has been ordered” and that “it is with determination and resolve that we await this trial so that justice may be served”.

BBC Sport has contacted the Nanterre prosecutor’s office for comment.

Paris St-Germain host Monaco in the second leg of their Champions League knockout round play-off tie on Wednesday.

Hakimi was named in PSG’s initial squad, published last Tuesday.

The 27-year-old was born in Spain but represents Morocco and has made 194 appearances for Paris St-Germain, winning the Champions League and Ligue 1 titles last season.

His performances led to him being honoured at the Best Fifa Football Awards ceremony held in Paris on Monday, where he was named in the Fifpro men’s world team of the year.

Morocco will face Scotland, Haiti and Brazil at the World Cup in the USA, Mexico and Canada this summer.

The director of one of the best films of 2025 that’s up for several Oscars is working on a highly anticipated revival of an iconic series

Ryan Coogler’s The X-Files reboot has just been given a thrilling update.

The revamped sci-fi mystery drama was first announced back in 2023, with the acclaimed director releasing his hit period horror blockbuster Sinners in the meantime.

Nearly three years later, the project has finally been given a pilot greenlight by streaming service Hulu, with Jennifer Yale (The Copenhagen Test) coming on board as showrunner.

Black Panther filmmaker Coogler will write and direct the first episode, which will star Danielle Deadwyler (The Piano Lesson) as an FBI agent investigating the paranormal.

A synopsis via Deadline confirms the series will follow “two highly decorated but vastly different FBI agents — one played by Deadwyler — [who] form an unlikely bond when they are assigned to a long-shuttered division devoted to cases involving unexplained phenomena.”

Deadwyler has a big year ahead as she’ll next be seen in the HBO comedy series Rooster with Steve Carell as well as the third season of Euphoria. Her X-Files co-star has yet to be confirmed.

The original series starred David Duchovny and Gillian Anderson as agents Fox Mulder and Dana Scully, a believer and a skeptic who investigate unsolved cases known as X-Files.

Originally airing from 1993-2002 over nine seasons, the series is widely considered one of the greatest shows of all time, with Radio Times calling the first episode ‘the greatest pilot in TV history’. It returned for two new seasons in 2016 and 2018.

One Redditor claimed it’s “never to be dethroned”, and someone else agreed: “This show is my #1 of all time. It has its flaws but this is the show I go to every night.

“If TV died as a whole entirely and I was stranded on a desert island, this would be my one and only choice.”

And an X user called it “literally the best show ever made, so beautifully shot and a killer soundtrack!”

The reboot certainly has a daunting legacy to live up to, though thankfully director Coogler has more than enough credentials to meet fans’ high expectations.

His latest film, Sinners, starring Michael B Jordan as twin gangsters who encounter a chilling cult of vampires in 1930s Mississippi, was named the best film of 2025 by the African American Film Critics Association.

The critics consensus on Rotten Tomatoes reads: “A rip-roaring fusion of masterful visual storytelling and toe-tapping music, writer-director Ryan Coogler’s first original blockbuster reveals the full scope of his singular imagination.”

Teasing his next project on the Last Podcast on the Left, Coogler said: “I’ve been excited about that for a long time, and I’m fired up to get back to it. Some of those episodes, if we do our jobs right, will be really f***ing scary.

“We’re gonna try to make something really great and really be something for the real X-Files fans, and maybe find some new ones.”

He also revealed that he had spoken to Anderson about the revamped series, though her and Duchovny’s involvement is currently unconfirmed.

“She’s incredible. Fingers crossed there,” Coogler added cryptically.

The X-Files does not yet have a release date.

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Feb. 24 (UPI) — The U.S. military seized a third oil tanker moving from the Caribbean Sea to the Indian Ocean, the Pentagon said Tuesday.

The Bertha, a ship flying the Cook Islands flag, was intercepted overnight in the U.S. Indo-Pacific Command region after the Defense Department said it attempted to evade U.S. forces.

“International waters are not a refuge for sanctioned actors. By land, air, or sea, our forces will find you and deliver justice,” the Department of Defense said in a post on X. “The Department of War will deny illicit actors and their proxies freedom of maneuver in the maritime domain.”

The department alleges that the ship was “operating in defiance of President [Donald] Trump’s established quarantine of sanctioned vessels in the Caribbean.”

The Cook Islands is a nation of 15 islands located in the South Pacific.

Two more oil tankers were seized in the Indian Ocean by the United States earlier this month.

On Feb. 9, the military pursued an oil tanker from the Caribbean Sea to the Indian Ocean without incident.

On Feb. 14, another oil tanker was captured. The Veronica III was the ninth oil tanker the United States had intercepted or seized that was linked to Venezuela since Dec. 10.

The United States has enforced a blockade on oil tankers from Venezuela since Dec. 10. The initial operation was meant to pressure President Nicolas Maduro to step down. In January, the U.S. military captured and detained Maduro and his wife.

Last week, American diplomats and their Iranian counterparts sat down in Geneva for yet another round of talks mediated by Oman. The outcome seemed unclear. While the Iranians said “good progress” had been made, the Americans claimed there was “a little progress”. Meanwhile, United States President Donald Trump threatened once again to strike Iran.

In recent weeks, there has been a heavy US military build-up in the Middle East in preparation for what many observers see as an imminent attack. In this context, it may be apt to question whether the current negotiations are not simply a tactic to buy time to better prepare for the inevitable.

In the face of US military might, some have suggested that Iran’s only option is negotiating an agreement with the US, however unfair it may be. While Iranian military capabilities stand no chance against an army with the world’s biggest budget, accepting capitulation through a debilitating deal that may be broken again by Washington may not necessarily be Tehran’s only choice.

There is another way in which Iran can stand up to US bullying and win.

The fate of past negotiations

The ongoing US-Iran talks cannot be viewed in isolation. For Iran, any diplomatic engagement with the US is overshadowed by the legacy of the Joint Comprehensive Plan of Action (JCPOA).

Signed by the US, China, Russia, France, the United Kingdom, Germany, the European Union and Iran in 2015, the agreement provided sanctions relief in exchange for full transparency of the Iranian nuclear programme. Tehran accepted the deal even though it had some unfair provisions, including some US sanctions remaining in place.

Nevertheless, it fulfilled its obligations – a fact that was repeatedly verified by the International Atomic Energy Agency.

In return, however, the US as a signatory did not uphold its end of the deal. In 2018, Trump unilaterally withdrew from the JCPOA and reimposed maximum pressure sanctions aimed at crippling Iran’s economy.

It was a stark reminder that American promises are nonbinding. As a leader who has shown no regard for the interests of American allies in pursuit of an “America first” policy, Trump could hardly be expected to respect the interests of American adversaries.

However, even if a Democratic president had been in the White House, there would not have been any guarantee that the JCPOA would have remained in place. In the US’s polarised political climate, an American president’s signature is only valid until the next election.

For the US, negotiations can also be little more than a facade intended to lull adversaries into a false sense of security. Last year, just as US and Iranian representatives were scheduled to meet in Oman for another round of talks, Israel, a key American ally, launched a massive military campaign against Iran.

While the US denied direct involvement, it acknowledged having received prior notice. Given the close ties between the two countries, this prior knowledge strongly implied that the US had given Israel tacit approval for the air attacks.

Today, Iran is engaging in negotiations with the US again, and it is being pressured to accept an even more unfair deal. Should it back down and submit to US demands, then Trump – who preys on perceived weakness – would simply move the goalpost. Demands would shift from Iran’s nuclear programme today to its ballistic missiles tomorrow and regime change the day after.

The special US relationship with Israel means that Washington is fundamentally hostile to an Iranian government that sees the Israeli state as an enemy. Consequently, Trump’s goal is not to reach a durable agreement but to ensure that Iran can never fully comply with his demands, thereby justifying a permanent campaign of maximum pressure and hostility.

In this context and given its recent experience, it would be foolish for Iran to rely on US promises and negotiated agreements.

Leverage through strong regional ties

The current US-Iran standoff is a high-stakes game in which an all-out war is a likely outcome. While the US could achieve an initial victory through overwhelming military superiority, it could also get bogged down fighting a protracted counterinsurgency in Iran’s mountainous terrain.

Conversely, while Iran could eventually repel an American invasion – just as its Afghan neighbours did – the country would be reduced to rubble in the process.

That does not mean Iran should back down. The Greenland crisis and the China-US trade war have demonstrated that Trump’s propensity for sabre-rattling is tempered by his aversion to losses. Even though the EU and China are far more powerful than Iran, a clear show of resolve could compel Trump to retreat.

And Tehran does not have to be alone in its defiance. In its neighbourhood, there are other big players who recognise that another disastrous war led by the US is not in their interests. Iran can and should leverage the regional desire for stability.

For years, Iran pursued a policy of confrontation in the region until it realised that carving out a sphere of influence was actually exacerbating its security dilemma. This recognition ultimately led to the historic normalisation of relations with Saudi Arabia in 2023 – a breakthrough facilitated by China, Oman and Iraq – which in turn set in motion a broader detente with other Arab countries.

Three years later, that decision is yielding dividends. Notably, Saudi Arabia, Oman, Turkiye and Qatar are lobbying Trump to exercise restraint. Building on this neighbourly diplomacy and investing in developing regional stability and a security architecture could help stave off another major US war in the region.

The most important path to peace – and the only means of countering American gunboat diplomacy – does not lie in matching American military might, a contest Iran is destined to lose, but in establishing good relations with its neighbours and accepting regional stability as part of its national security.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

Britain’s Got Talent judge Amanda Holden has been open about her feelings towards Phillip Schofield in recent years, following the pair’s reported fallout in 2018

Amanda Holden has taken a fresh swipe at Phillip Schofield after his name was mentioned live on air on Tuesday. The 56-year-old and her Heart Radio co-host Jamie Theakston were joined by Jack Whitehall ahead of his hosting duties at The Brit Awards this weekend.

During the discussion, Amanda was keen to know what Jack was wearing for the gig, to which he confirmed it would be a suit. Pressed further on whether he would opt for a “snappy pair of socks” like his dad, he joked: “I’m not going to go too jazzy with the socks, you never want to be upstaged by a sock.”

Turning to her co-star following the response, she said: “Well, Jamie, I rest my case.”

Puzzled by her comment, her co-star asked: “What are you talking about? Children’s television? That wasn’t me, that was Phillip Schofield.”

After instantly hearing his name, Amanda didn’t hold back from taking a swipe at her former This Morning co-star. She said with a laugh: “Oh god, please, let’s not mention that name on air, it’s a family show!”

The pair fronted This Morning together for a brief period while Holly Willoughby was on maternity leave in 2014.

Four years later, reports claimed that Phillip had ruined her chances to co-host with him again, as Holly fronted I’m A Celebrity… Get Me Out Of Here! alongside Declan Donnelly.

A former daytime TV executive previously told The Sun that Phillip “actively campaigned” for Rochelle Humes to get the job instead.

However, an ITV spokesperson later denied the reports, stating that presenter decisions are only made by producers.

Phillip also addressed the rumours on social media, branding them “hurtful and wildly untrue”.

While Amanda didn’t comment directly on the reports, she has made no secret of her true thoughts toward him over the years.

During a playful game on Heart Radio about three things she didn’t want to find in her home, she quipped in 2019: “Spiders, flies and Phillip Schofield.”

Later, she revealed she had reached out to him for a heart-to-heart over coffee but claimed he didn’t respond.

Quizzed about her former co-star on Heart, Amanda confessed: “I did offer to meet him for a coffee months ago, he didn’t reply to my text. What can I say?”

Jamie added: “The olive branch had been extended,” to which she replied: “Oh, yes.”

The presenter has also previously appeared to take a swipe at Phillip’s former co-star Holly.

Discussing reports about her and Paul C. Brunson’s show Unfinished Business being commissioned for a second series, Amanda was asked if they were true.

“Well, yesterday I read in the paper that we are doing another series, but I don’t know for sure,” she confessed.

Cheekily stirring things up, he replied: “What are they suggesting, they getting Holly Willoughby?”

Caught off guard, Amanda responded: “I… what?!”, followed with a laugh and the comment: “No, they want a proper presenter.”

Jamie replied: “You’re going to get in trouble for that!”, to which Amanda said playfully: “No one’s listening.”

For casting director Gabriel Domingues, putting together the ensemble of “The Secret Agent” meant materializing characters inspired by director Kleber Mendonça Filho’s recollections.

“It’s not that he was showing us a picture and saying, ‘They must look like this.’ They were ideas of memories that could change,” Domingues says of the Brazilian period thriller about a father on the run during an interview at The Times newsroom. One of the nominees for this year’s inaugural Academy Award for casting, Domingues appreciates how politically charged Mendonça Filho’s films are. His narratives are often fertile ground for an eclectic mix of performers.

And there are no throwaway roles in “The Secret Agent”: “Even the small characters represent ideas about Brazilian life and its contradictions,” Domingues adds.

To honor his large cast, a “panorama” of his country’s people, Mendonça Filho includes a montage at the end of the film in which each actor is acknowledged individually. The director thinks of this as the cinematic equivalent of a curtain call or final bow at the end of a stage production.

“Gabriel tries to find an interesting mix of experienced actors and people that we can discover,” says producer Emilie Lesclaux about Domingues, with whom she’s worked on multiple projects. He first collaborated with Mendonça Filho and Lesclaux on “Aquarius” as a casting assistant.

Domingues believes working on “Aquarius” was instrumental in developing his casting method, which involves searching for the least obvious option to cast the character. He prides himself on doing the shoe-leather work of looking for fresh, compelling faces in cities where others might not think to look — those without a prominent arts scene, for instance.

Gabriel Leone as Bobbi/Abdias  (Victor Juca)

Hermila Guedes as Claudia  (Victor Juca)

Luciano Chirolli as Henrique Ghirotti  (Victor Juca)

Roberio Diogenes as Euclides Cavalcanti  (Victor Juca)

Tânia Maria as Dona Sebastiana  (Victor Juca)

Joalisson Cunha as Frentista  (Victor Juca)

Isabel Zuaa as Tereza Victoria  (Victor Juca)

Kaiony Venancio as Vilmar  (Victor Juca)

That’s not to say the entire cast was discovered. Mendonça Filho had lead Wagner Moura in mind from the outset, while others sprung to mind as he wrote the screenplay: Maria Fernanda Cândido, a famous soap opera actor, as a crucial ally to Moura’s character; and the late Udo Kier, who had previously appeared in the director’s blood-soaked film “Bacurau,” as a German Jewish immigrant who lived through World War II.

The filmmaker admits that envisioning parts with a specific person in mind is “dangerous.” “I can write a character thinking of you, but I never know if you will want to make the film,” says Mendonça Filho. “And I grow attached to the image.”

Among the other supporting roles, the most challenging to cast, the team agrees, was that of Euclides, the sleazy police chief. Though the character is “repulsive,” it also required an edge of charisma to make him more emotionally layered. Eventually, they came across actor Robério Diógenes. “Robério has studied the clown art in the theater, and he’s a very funny guy, so he adds a component of ridiculousness to this character,” Domingues says.

For Vilmar, an impoverished man hired as a subcontractor for a murder, Mendonça Filho had in mind a real-life contract killer he’d seen in a 1970s TV program. The actor had to convey a certain ambiguity not often afforded to people of a lower social class. There’s no doubt Vilmar is acting out of necessity, but he is not entirely without agency since he negotiates his payment. Domingues found the ideal embodiment of this complex character in Kaiony Venâncio, an actor from the city of Natal who had mostly worked in short films.

Then there’s the scene-stealing Tânia Maria, who plays the endearing, chain-smoking Dona Sebastiana. The 79-year-old talent first appeared in “Bacurau” as an extra. “I just could not help thinking of her,” says Mendonça Filho about casting her in his latest film. “I even pre-ad-libbed many of her lines knowing what she might say.”

Before finding her way onto the screen, Tânia Maria has long made a living as an artisan handcrafting rugs. “I never thought about being an actress. I only thought about sewing,” she says with an endearing smile. “All of this came as a surprise.”

Igor de Araujo as Sergio  (Victor Juca)

Joao Vitor Silva as Haroldo  (Victor Juca)

Robson Andrade as Clovis  (Victor Juca)

Maria Fernanda Candido as Elza/Sara Gerber  (Victor Juca)

Alice Carvalho as Fatima  (Victor Juca)

Thomas Aquino as Valdemar  (Victor Juca)

Licinio Januario as Antonio  (Victor Juca)

Udo Kier as Hans  (Victor Juca)

And though she’s still sewing, her acting prospects look bright. She’s already appeared in another film, “Yellow Cake,” premiering at the Berlin International Film Festival this month. That Tânia Maria also recently starred in humorous local commercials for Burger King and Heineken is proof of her current status in Brazilian pop culture — as are the Dona Sebastiana costumes that have become popular during this year’s Carnival.

“I can’t go out on the street without people stopping me. They ask me for autographs, for photos, they want to talk to me, they ask me questions,” she says in Portuguese via an interpreter while on a video call from her home. “I make time for everyone, and I’m enjoying all of it.”

Undaunted by what she calls the most challenging aspect of acting — memorizing the lines — Tânia Maria is eager to continue exploring this unexpected new facet. “I don’t want to stop because I’m not old! I’m waiting for more invitations to move forward in acting,” she says.

The success many of the actors have found thanks to “The Secret Agent” very much pleases the filmmakers, but it also has a major downside.

“That’s all that we want for the people that we work with, that the film is good for them and their career,” says Lesclaux. “But for us, it also makes things more complicated for the next film because we will want to work with them, and they might not be available.”

Feb. 24 (UPI) — Peter Mandelson, Britain’s former ambassador to the United States, was released on bail in the early hours of Tuesday after being arrested in London on suspicion of misconduct in public office related to his relationship with convicted sex offender Jeffrey Epstein.

The Metropolitan Police said in a news update that it released a 72-year-old-man arrested at an address in the Camden area of north London earlier on Monday evening, pending further investigation.

The force said the man had been taken to a London police station for questioning after search warrants were executed at two addresses in Wiltshire and Camden on Feb. 6.

Mandelson is 72-years-old and owns homes in Wiltshire and Camden.

The Met launched an investigation amid allegations that Mandelson passed details of confidential government documents when he was serving as Business Secretary in the cabinet of former Prime Minister Gordon Brown in 2009 after the latest tranche of Epstein files released by the Department of Justice show email exchanges in which Mandelson appears to share market-sensitive information.

In one email in 2009, Mandelson appeared to send Epstein information regarding Britain’s response to the then-financial crisis, including an “asset sales plan.”

In 2010, he apparently shared information about a “tax on bankers’ bonuses” and gave Epstein advance notice of a bailout package for the Euro, a day before it was announced.

The alleged emails were sent after Epstein’s conviction for sex offenses in the United States in 2008.

The BBC said it understands that Mandelson denies he acted in a criminal way or for personal financial gain in his relationship with Epstein, although he has not commented publicly in months.

Mandelson’s arrest came four days after the former Prince Andrew, now known as Andrew Mountbatten-Windsor, was arrested and released under investigation by Thames Valley Police in a parallel but separate misconduct in public office probe in connection with his friendship with Epstein.

Mandelson was fired as Britain’s U.S. ambassador by Prime Minister Keir Starmer in September after files from the U.S. House Oversight Commttee emerged showing the “depth and extent” of Mandelson’s relationship with Epstein was “materially different from that known at the time of his appointment.”

Andrew, who settled a sexual assault civil suit brought by the late Virginia Giuffre in 2022 for an undisclosed eight figure sum out-of-court, has also denied any wrongdoing — but has remained silent on the latest slew of allegations from 2010 and 2011 when he was Britain’s Trade Envoy.

Seven other police forces across the country are running live investigations into Epstein’s links to Britain including allegations he trafficked women and girls to and via Britain on private aircraft after Prime Minister Brown spoke about Epstein’s “Lolita Express” and its use of U.K. airports.

At least 87 flights that were related to Epstein arrived at or departed from U.K. airports between the early 1990s and 2018, according to an investigation by the BBC.

Sky Roberts and Amanda Roberts, Giuffre’s brother and sister-in-law, praised Britain’s proactive approach in investigating possible wrongdoing revealed in the files and criticized U.S. authorities for not doing more.

“As Virginia Roberts Giuffre’s family, we commend the British authorities for taking meaningful action and treating the Epstein files with the urgency they demand. While these arrests aren’t for the underlying exploitation, they are a crucial step toward truth and accountability,” they said in a statement Monday.

“The contrast with the continued inaction in the United States is undeniable. Survivors deserve transparency, swift investigation, and real justice, no matter who is implicated.”

Appearing in a London court, Brand denies accusations of raping one woman ​and sexually assaulting another in 2009.

British comedian and actor Russell Brand ⁠has pleaded not guilty to two further charges of rape and sexual assault nearly ⁠two decades ago.

Brand appeared at Southwark Crown ⁠Court in London on Tuesday and denied accusations of raping one woman and sexually assaulting a second woman in 2009.

Once one of the United Kingdom’s most high-profile broadcasters, he was charged last year with two counts of rape, one count of indecent assault and two ‌counts of sexual assault against four women between 1999 and 2005.

Brand pleaded not guilty in May last year to those five charges and is due to stand trial in June. A hearing will be held next month to decide whether the new allegations should be joined to that case, with Brand’s lawyer ⁠saying his client needs more time to address ⁠the latest offences.

“These new charges are in relation to two further women and are in addition to the charges issued to Brand in April 2025, which involved four women,” London’s Metropolitan Police said in a statement in December.

Brand, 50, arrived at court wearing a white cowboy hat and sunglasses. Asked how he was feeling, the actor, who said in 2024 he had become ⁠a Christian, told reporters he was feeling “blessed”.

Born in 1975 to working-class parents in Essex, east of London, Brand began his stand-up career as a teenager, eventually working as an MTV presenter and host of a reality TV series.

A regular on British screens in the ⁠2000s, he was known for his flamboyant ⁠style and appearance. He also worked as a radio presenter for the BBC.

Brand starred in several films, including Get Him to the Greek in 2010, the ‌same year he married American pop star Katy Perry. They divorced in 2012 after 14 months of marriage.

By the early 2020s, Brand had faded from ‌mainstream ‌culture and has since largely appeared online, airing his views on US politics and free speech.

KELLY Osbourne has clapped back at cruel trolls who have attacked her over her weight loss amid grieving her dad Ozzy.

The reality TV star was spotted front row at London Fashion Week on Sunday and her attendance sparked some awful abuse.

Kelly, 41,has denied the use of weight loss jabs, but has become the target of a slew of online abuse.

The singer and TV star has now called out the vicious online trolls for subjecting her to the string of vile comments.

Posting an unsavoury comment to her social media where a cyber bully claimed she “looked like a dead body”, Kelly responded: “Literally can’t believe how disgusting some human beings are! No one deserves this sort of abuse!”

Alongside her statement, she posted a collection of fans comments sticking up for the star and slamming the awful message.

Read more on Kelly Osbourne

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Kelly Osbourne pens heartfelt post about grief 7 months after dad Ozzy’s death

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Sharon & Kelly Osbourne left in tears after Grammys tribute to Ozzy

Kelly continued sticking up for herself as she posted yet another comment dissecting her weight loss and appearance.

She said: “This too shall pass, but like, holy f**k.”

The TV legend has bee forced to fend off a torrent of online abuse since the tragic passing of her dad Ozzy Osbourne.

But, things escalated when snaps of Kelly at the Royal Ascot Millinery Collective at Claridge’s emerged.

Kelly has often been candid about struggling with her weight, telling fans her insecurity developed in her teen years – while starring on the hit reality show The Osbournes.

Talking on The Osbournes podcast last year, Kelly said: “I got pulled into the head of the agency’s office and he … gave me a whole speech about how I was too fat for TV and I needed to lose weight, and that if I lost weight, I would look better.

“And he was just saying, ‘You’re not a movie star, but you could be one if you lost weight.’”

Kelly recently penned an emotional message about grief seven months after 76-year-old Ozzy’s death.

She said: “Some grief doesn’t end. It changes shape. It becomes a weight you learn to carry, the ache woven it your day. Making it through doesn’t mean leaving it behind.

“It means finding strength to live and love and keep going even with forever resting heavily on your heart…”

The Black Sabbath singer died at home with wife Sharon, 73, and his kids by his side, back in July 2025.

Ozzy passed away weeks after he took to the stage one final time with his bandmates at Villa Park in Birmingham.

Kelly has previously told how she has been struggling since her dad died, and confessed to fans she’s been sleeping in her late father’s bed along with her mum Sharon.

A number of European leaders prayed with Ukraine’s President Volodymyr Zelenskyy in Kyiv, during a service to mark the fourth anniversary of Russia’s full-scale invasion.

Hauwa Abdulkarim was inside her house when the violence began. 

As evening settled over Woro, a village in Kaiama Local Government Area (LGA) of Kwara State, North Central Nigeria, on Feb. 3, the terrorists descended on motorcycles like a sudden storm. What began as a seemingly ordinary evening quickly turned into chaos, with about 170 people killed, their homes set ablaze, celebrations interrupted, and families forced to flee.

“Most of the youths were at the field playing football [on a school field close to the house]. Then we saw people running back home with the news that kidnappers had entered the town,” Hauwa recounted. 

At first, she did not panic. The terrorists had sent word days earlier, a letter to the district head saying they were coming to “preach”. When the motorcycles rolled in, there was confusion and fear.

Then the shooting started. 

“Upon entering the village [around 5 p.m.], they started shooting at people,” she said. The football field emptied in seconds. Inside her house, Hauwa and her husband tried to gather their children, counting them quickly and realising some were still outside.

“We were thinking about some of our children who were outside and those that went to the football field. The shooting continued until 5 a.m., the next day,” Hauwa added. 

But the terror was not continuous. It came in waves.

“When it was time for the call to prayer, they suddenly stopped,” she recalled. “They made the call to prayer for Maghrib and called out people to pray.”

The silence was almost as frightening as the gunfire. After the prayer, the shooting resumed. “They did the same for the late-night prayer, stopping briefly to make the call to prayer and observe it. Afterwards, they resumed shooting through the night,” Hauwa told HumAngle.

Later that night, everything suddenly became quiet: the gunshots stopped. That was when the residents began to hear the call to come out and extinguish the blazing fires.

Many were confused and afraid, unsure whether to come out to help put out the flames, flee, or stay hidden. 

Hauwa and her husband came out with other residents, but they were ambushed. “We thought they had gone, so we came out with buckets to save our homes. That was when they opened fire again. It was a trap and my husband was almost killed in that encounter. He hid in a ditch, as I ran inside to stay with my children,” she recounted. 

By dawn, the village was scarred by destruction — dead bodies with gunshot wounds to the head and cuts to their necks, houses reduced to ashes, the district head’s residence consumed by fire, and families shaken by the night’s events. 

The alternating rhythm of violence and prayer created a chilling atmosphere that has left Hauwa to grapple with both physical loss and psychological trauma. She described the ordeal as a mix of terror and deception, designed to lure people into vulnerability. 

The attack on Woro and neighbouring Nuku communities has displaced at least 941 persons and exposed glaring intelligence failures, despite prior warnings, and the growing influence of terror groups operating from the Kainji Lake National Park axis. HumAngle met with some of the survivors in Wawa, a town in nearby Niger State. 

Ibrahim Ismail Dan’umar, a community leader in Wawa who serves as the coordinator of the displaced persons, told HumAngle that the community has been providing the families with relief materials and accommodation, as there is no designated camp for them. 

“On our records, we have people from Plateau, Nasarawa, Kebbi, Kwara, and Niger,” he noted. “We decided to organise a breakfast for them and announced that anyone offering shelter to the displaced should bring them to the gathering. On the first day, we had 381 people, even though we only projected for 200.”

“The next day, we distributed food items, and by the third day, the Emir of Borgu and representatives of Kaiama Local Government came with support, which we shared among them. Now, we have 941 displaced persons — adults and children — here in Wawa,” he explained.

Amnesty International, a global human rights organisation, described the killings as evidence of systemic neglect of rural communities. In a statement, the organisation condemned the attacks as “vicious” and criticised the Nigerian government for leaving rural communities at the mercy of rampaging terrorists.

Following the deadly attacks, the Nigerian military has formally launched a multi-agency offensive  in Kwara and Niger states, code-named ‘Operation Savannah Shield’, designed to dismantle terrorist networks and restore security in the region. 

The initiative was flagged off on Thursday, Feb. 19 at Sobi Barracks in Ilorin by the Chief of Defence Staff, General Olufemi Oluyede, the Chief of Army Staff, Lieutenant General Waidi Shaibu, and the Kwara State Governor, AbdulRahman AbdulRazaq. 

Unmasking those behind the terror

This attack is one of the deadliest this year.

In the weeks leading up to the Woro massacre, Sadiku’s faction of Boko Haram had already reached out to the community.  

According to the village head, Salihu Umar, a letter dated Jan. 8 — written in Hausa and bearing the signature of JAS (Jama’atu Ahlis Sunna Lidda’adati wal-Jihad) — was delivered to him. The message requested a “private” meeting with local leaders for preaching and assured residents that no harm would come to them.  

Umar said he made copies of the letter and forwarded them to both the Kaiama Emirate and the Department of State Services (DSS) office in Kaiama. Despite this warning, no preventive measures were taken, raising questions about Nigerian security intelligence.

However, security sources revealed that the killings are part of a jihadist campaign commanded by Malam Sadiku, a notorious terrorist whose influence has steadily expanded across multiple parts of Nigeria’s North Central region. 

HumAngle has extensively documented how Sadiku, once closely aligned with Boko Haram founder Muhammad Yusuf and later Abubakar Shekau, has re-emerged at the forefront of a dangerous wave of insurgency. 

After a stint with the Darul Islam sect, he returned to Boko Haram with renewed zeal, positioning himself as one of Shekau’s most loyal comrades. Sadiku’s financial windfall from the infamous Kaduna train abduction gave him the means to expand his influence, strengthen his network, and spread Boko Haram’s radical ideology across Niger State and neighbouring states. 

With resources and reputation firmly behind him, Sadiku built a growing base of followers and fighters. Under his leadership, extremist teachings were not only revived but embedded into local communities, turning quiet rural villages into recruitment and indoctrination centres.

His trajectory, security analysts such as Yahuza Getso of Eagle Integrated Security note, reflects a long-term strategy of territorial control and ideological entrenchment, with this latest attack underscoring both the scale of his operations and the devastating impact on local communities. 

But he is not alone.

Malam Mahmuda, the leader of the Mahmudawa (an Ansaru faction), has also turned the Kainji Forest into a safe haven for his fighters. Despite previous arrests of their leaders, the group has replenished its ranks and rearmed its foot soldiers. 

According to Ahmad Salkida, HumAngle’s founder, who is one of the foremost experts on the protracted Boko Haram insurgency and the complex conflicts in the Lake Chad region, “The relocation of Sadiku and Umar Taraba, both veteran jihadist operatives, to the Kainji axis in 2024 marked a shift. Their presence injected technical expertise into a space previously dominated by loosely organised armed groups.”

He added that they are fragmented into smaller camps: some closer to the Benin border, acting as brokers linking criminal networks of jihadist actors. The Mahmudawa are said to facilitate training, arms movement, ransom negotiations, and sanctuary for fighters arriving from outside the region.

“Official claims regarding the arrest of their leader, Malam Mahmuda, remain unconfirmed in border communities, where continued attacks and coordinated leadership are still attributed to the group,” he noted. 

“If the Mahmudawa are brokers, the Lakurawa are enforcers. With an estimated 300 fighters, they have become one of the most active jihadist–terrorist hybrids affecting […] border communities. Operating from within and around Kainji Lake National Park, they routinely launch incursions into Bagudo and Suru LGAs, combining attacks on military targets with ideological messaging aimed at delegitimising the Nigerian state.”

Security sources and community accounts indicate that Sadiku’s group and Mahmudawa, linked to jihadist networks across West Africa, have long operated in the dense Kainji Lake National Park and Borgu Reserve, straddling Niger and Kwara states. According to the sources, this is an attempt to create another Sambisa: a hotbed for Boko Haram in the North East.

Local residents have repeatedly warned authorities about the presence of terrorist camps in the forest, but responses have been slow. Between September and December 2025, the Federal Government carried out aerial and ground operations in the area, yet the group remains influential. The forest’s vast terrain and porous borders have provided cover for training, recruitment, and staging raids. 

Getso believes that Sadiku’s Boko Haram has rebranded and reorganised remnants of Ansaru and JNIM cells, consolidating them into a formidable force in North Central Nigeria. He also revealed that the Woro massacre underscores the growing threat posed by Sadiku’s network. 

“Nigeria’s current counter-terrorism strategy is insufficient. There is a need for a comprehensive review of military doctrine and intelligence operations,” Getso noted.

A dream on hold

At just 22 years old, Ibrahim Ishaq Woro had recently graduated from the School of Health in New Bussa, Niger State. He had only returned home to Woro a year earlier and was in the process of applying for jobs when the attack shattered his community.  

On the day of the assault, Ibrahim was sitting at a tea stall when he spotted the terrorists approaching. Recognising them from a previous encounter, he fled — but minutes later, gunfire erupted across the village. 

That day was meant to be joyous, with three weddings taking place, including his cousin’s. Instead, the celebrations turned into a massacre. 

“The wedding was taking place at our house. Yahaya, my cousin, was killed. His wife and children were abducted and taken to the forest,” Ibrahim recalled.  

Like Hauwa, who described how false calls to prayer lured residents into ambushes, Ibrahim witnessed the same deception. “Those who hid inside were warned: ‘you either come outside or burn in your houses.’ Those who opened their doors out of fear were kidnapped,” he said.  

By dawn, Ibrahim returned to find the bodies of women, children, and men scattered across the community. His closest friends — Zakari, Habib, and Shamsudeen — were among the dead. 

His mother, three siblings, and several family members who came for the wedding were taken captive. “Personally, we lost 20 people from my extended family and about 50 are still missing,” he said quietly, while looking away. 

Like Hauwa, Ibrahim and other survivors fled Woro to Wawa and other neighbouring communities, with their belongings in wheelbarrows and on their heads, trekking for about 42 kilometres with swollen feet in search of refuge.   

Now displaced, their only plea is for the government to secure the release of kidnapped women and children, and restore safety so families can return home. 

“For those we have lost, we can only pray for eternal peace. But we need our loved ones back. That is why we are afraid to even return home,” Ibrahim said.

Officials in Wawa town, speaking on condition of anonymity, said discussions are ongoing with the district head to facilitate the safe return of displaced residents. The move, they explained, would allow survivors to access federal and state-level interventions more effectively once back home.

“If I love you, I have to make you conscious of the things you don’t see.”

James Baldwin’s quote about the artist’s role in society is emblazoned on billboards across Los Angeles this winter. Created by artist Patrick Martinez, the purpose of the signage is two-fold: to promote Frieze Los Angeles and, in the case of neon signs at the art fair’s entrance, to stand as a discrete work of art on its own.

Martinez, an East Los Angeles-based artist, has long translated protest language into storefront-style neon, a strategy he now extends into a broader campaign tied to Frieze, which runs Feb. 26 through March 1 at the Santa Monica Airport and features more than 100 galleries.

This year, however, some of the fair’s most compelling work may be happening outside the tent. Frieze Projects’ “Body & Soul” features eight installations staged across Santa Monica’s Airport Park and beyond. The initiative is intended, organizers say, to broaden the fair’s reach beyond its art world audience — positioning Frieze as a civic platform rather than a purely commercial event.

In addition to Martinez’s creations, “Body & Soul” brings together site-specific works including Amanda Ross-Ho’s durational performance rolling a 16-foot inflatable Earth around the perimeter of a nearby soccer field; Cosmas & Damian Brown’s interactive fountain installation incorporating ceramic heads, incense and water; and Shana Hoehn’s first large-scale public sculpture, fabricated from a fallen tree sourced through Santa Monica’s Urban Forest program. Off campus, Kelly Wall extends the program to a former Westwood Village newsstand, where glass “magazines” will be displayed — 136 in all, priced at $300, with 15 given away.

Martinez’s billboards bearing 2024’s “If I Love You (James Baldwin)” serve as the most highly visible part of the fair’s public outreach. His neon installations respond to ICE raids and immigrant rights, placing protest at the literal threshold of one of Los Angeles’ most visible art events.

L.A. artist Patrick Martinez’s work is featured on billboards around the city, as well as at the entrance to Frieze Los Angeles.

(David Butow / For The Times)

The public art program acts as “a way that we can bring in people who may not be just the ticket goers or the VIP,” said Christine Messineo, Frieze’s director of Americas.

It also serves to amplify the city’s cultural temperature.

“Our job is to represent what’s happening in our community,” Messineo said, adding that immigration and social impact are not anomalies at the fair but part of its foundation.

Some of Martinez’s neon entrance signs — including “Abolish ICE” (2018), “No Body Is Illegal” (2021) and “Then They Came for Me 2” (2025) — predate the current political moment. Instead, they emerge from years of observation and protest.

The artist credits Messineo with approaching him last summer to utilize what he calls his “urgent warning signs” as the face of the fair. Demonstrators also carried signs bearing Martinez’s imagery last June during protests against ongoing federal immigration crackdowns in downtown Los Angeles.

Those events, Martinez says, are not experienced evenly across the city — particularly by the well-heeled audience that attends Frieze and spends $85 to $106 for weekend general admission tickets.

Patrick Martinez, “If I Love You (James Baldwin),” 2024.

(artwork Patrick Martinez / photo Paul Salveson)

Martinez wants his signs to unsettle viewers who are insulated from the city’s unrest.

“The Westside people aren’t even going to see any of that, right? So it’s bringing that kind of mindfulness to that space.”

“It felt prescient then,” Messineo said of engaging Martinez last year, “and I think even more so now.”

Frieze has integrated public art into its Los Angeles fair since its 2019 debut. But the works in “Body & Soul,” produced with the nonprofit Art Production Fund, lean into the particular conditions of public space.

The exhibition brings together Los Angeles artists exploring ideas of memory, community and collective experience — often in quieter ways than Martinez’s overt messaging.

Additional participants include Dan John Anderson, Polly Borland and Kohshin Finley.

Casey Fremont, Art Production Fund’s executive director, said most of the works are newly commissioned.

The program is designed to prioritize innovation over sales. “It isn’t transactional. It’s really just about experimenting and giving the public the opportunity to experience art like they’ve never experienced before.”

Artists scale up — and slow down

“Body & Soul” marks several participants’ first ventures into public work, including Hollywood artist Finley, whose “The Piano Player” will be installed near the corner of Airport Avenue and Donald Douglas Loop. Finley’s piece arranges ceramic vessels inside shadow-box shelving that the artist describes as containers for memory — some “you love to take out and peek into,” others that “should just stay shut forever.”

Kohshin Finley’s “The Piano Player” arranges ceramic vessels inside shadow-box shelving that the artist describes as containers for memory.

(Micaiah Carter)

The title references the film “Casablanca,” and its piano player, Sam, whose music stirs up memories of the central love story.

Finley said the public setting creates an unusually direct encounter as he, like many of his fellow artists, will be standing with his work.

“A lot of people have never seen a living artist,” he said.

Ross-Ho takes visibility even further with her inflatable soccer ball Earth, which weighs 78 pounds. The familiar “blue marble” image will no doubt draw spectators at the Airport Park Soccer Field outside the Frieze tent.

Amanda Ross-Ho is creating a durational performance on a soccer field by Frieze Los Angeles.

(Jennelle Fong for ILY2)

Ross-Ho’s performance, “Untitled Orbit (MANUAL MODE),” functions as an endurance test that is a response to what she calls “the temporal container of the art fair” — and to the pressures of contemporary life.

“Gesture and duration are the ways that I could achieve scale rather than something that was materially constrained like a giant sculpture,” she said.

Designing for gathering

Brown’s installation, “Fountain: Sources of Light,” invites guests to congregate. Positioned between the Airport Park playground and dog park, it combines running water, ceramic vessels, incense and sound.

“I really wanted to make a fountain because I thought that [it’s] something that … people tend to gravitate to,” he said.

The work will incorporate metal plates and bowls created by participants in the youth workshop Art Sundae, taking place Feb. 28 at Airport Park.

Near Brown’s fountain, Echo Park artist Hoehn will present “Deadfall,” a massive fallen fig tree embedded with carved cheerleader legs and skirts — imagery drawn from her Texas upbringing.

Shana Hoehn with one of her carved wooden sculptures.

(Josh Cohen)

“I’ve been working with cheerleading iconography for the past few years,” she said, linking the imagery to what she calls an omnipresent football culture layered with “American patriotism and militaristic qualities.”

Hoehn acknowledged that the fair’s four-day window and limited nearby parking may keep the audience closer to fair-goers than the broader public the program aims to reach.

Beyond the airport fence

A few miles away in Westwood Village, Mar Vista artist Wall will extend the program beyond the airport campus with “Everything Must Go,” installed at a defunct newsstand and on view from 5:48 p.m. (sunset) to 8 p.m. during the fair.

Where magazines and newspapers once were, glass stand-ins bearing skyline imagery will occupy illuminated lightbox shelves. As the glass “magazines” are removed, glowing silhouettes mark their absence.

Kelly Wall, ‘Everything Must Go’.

(Kelly Wall)

Wall’s related project will appear on the Frieze campus with found newspaper boxes transformed into lightbox displays for her glass publication.

“In things coming to an end, there is no real end … there’s transformation,” she said. “How you might see [the piece] may differ depending on different times — or where you’re personally at in your life.”

Feb. 24 (UPI) — Panama authorities have taken control of two ports operated by a subsidiary of a Hong Kong company, assets that came under scrutiny after President Donald Trump claimed China exerted too much influence over their operation.

Hong Kong-based conglomerate CK Hutchison Holdings condemned the Monday takeover in a statement on Tuesday that said the actions of Panama were “unlawful” and raised risks to the operations, health and safety of the Balboa and Critobal terminals that its subsidiary, Panama Ports, has been operating for decades.

“None of the actions by the Panama State were advised to or coordinate with PPC,” Hutchison Holdings said.

“The Panama State is responsible for harm and damage caused by the confiscatory actions it has taken.”

On Monday morning, Panama’s official gazette published a late-January Supreme Court ruling that made final the court’s decision that the contract law granting Panama Ports Company’s concession extension to operate the ports was unconstitutional.

The ruling came in a pair of lawsuits filed challenging the contract, which was issued by the Maritime Authority of Panama on June 23, 2021. According to a statement from the Panama presidency’s office, the contract was found unconstitutional because it gave a foreign-based company broad rights that limited the state’s control over the use and management of its resources.

After the gazette was published, Panama authorities arrived at the two ports and informed representatives of the Panama Ports Company that it must cease operations, and that those who do not comply with their orders will be prosecuted.

“PPC and CKHH will continue to consult with their legal advisors regarding the ruling and forceful takeover, the purported termination of PPC’s concession and all available recourse, including additional national and international legal proceedings against the Republic of Panama and its agents and third parties colluding with them,” CK Hutchison Holdings said.

The two ports and their Hong Kong connection were thrust into the spotlight on the first day of Trump’s second presidency, when in his inaugural address he said the United States has been “treated very badly” by Panama and that “China is operating the Panama Canal.”

Trump has repeatedly made the claim since, drawing attention to the Hong Kong-based conglomerate that has operated the two ports since 1997.

U.S. President Donald Trump on Monday warned countries against backing away from recently negotiated trade deals with the U.S. after the Supreme Court struck down his emergency tariffs, saying that if they did, he would hit them with much higher duties under different trade laws.

Trump, in a series of social media posts, said he also may impose license fees on trading partners as uncertainty over his next tariff moves gripped the global economy and sent stocks lower.

“Any Country that wants to ‘play games’ with the ridiculous supreme court decision, especially those that have ‘Ripped Off’ the U.S.A. for years, and even decades, will be met with a much higher Tariff, and worse, than that which they just recently agreed to. BUYER BEWARE!!!” Trump wrote on Truth Social.

Trump said that despite the court’s decision to invalidate his tariffs under the International Emergency Economic Powers Act (IEEPA), its decision affirmed his ability to use tariffs under other legal authorities “in a much more powerful and obnoxious way, with legal certainty, than the Tariffs as initially used.”

He suggested that the U.S. could impose new license fees on trading partners but did not provide further details. A spokesperson for the U.S. Trade Representative’s office did not immediately respond to requests for comment on Trump’s plans.

EU Trade Deal on Hold

In Brussels, the European Parliament decided on Monday to postpone a vote on the European Union’s trade deal with the U.S. after Trump said he would impose a new temporary import duty of 15% on imports from all countries.

EU goods under the deal would face a 15% U.S. tariff, with exemptions for hundreds of food items, aircraft parts, critical minerals, pharmaceutical ingredients, and other goods, while the EU would remove duties on many imports from the U.S., including industrial goods.

Trump initially announced the temporary duty under Section 122 of the Trade Act of 1974 at 10% but promised on Saturday to raise it to 15%, the maximum allowed under the statute. An initial 10% tariff came into effect at a minute past midnight on Tuesday, though it is unclear when the 15% rate would take effect, as Trump has only signed an executive order for the 10% tariff so far.

Markets React

Wall Street stocks ended lower on Monday as renewed tariff uncertainty following the Supreme Court decision, coupled with concerns about AI-fueled disruption, unnerved investors.

• The Dow Jones Industrial Average fell 1.65%
• The S&P 500 fell 1.02%
• The Nasdaq Composite fell 1.01%

The dollar weakened against the euro and the yen, reflecting market anxiety over potential trade escalation and economic uncertainty.

Global Trade Uncertainty

The path forward for Trump’s foreign trade deals remains unclear:

• China has urged Washington to scrap tariff measures.
• The EU has frozen its approval process.
• India delayed planned talks.

The U.S. Trade Representative, Jamieson Greer, said the administration expects to open new Section 301 unfair trade practices investigations on several countries, potentially paving the way for new tariffs.

Meanwhile, a group of 22 Democratic U.S. senators introduced legislation to force the Trump administration to issue refunds for all now-illegal IEEPA-based tariffs within 180 days, although the bill faces an uncertain path to a vote.

Trump also criticized the Supreme Court justices who ruled against him, including two he appointed, and expressed concern that the Court could rule against his administration in a forthcoming birthright citizenship case.

Analysis

Trump’s latest moves reflect his ongoing use of tariffs as a negotiating tool and political messaging device, rather than a targeted economic strategy. By threatening higher tariffs and potential license fees, he is signaling to trading partners that backing away from deals could carry immediate financial consequences.

However, the approach carries multiple risks:

1. Market Volatility: Investors are already responding with caution, as uncertainty over tariffs can disrupt supply chains, raise costs for U.S. companies, and weigh on stock prices.
2. Diplomatic Strain: Allies such as the EU, as well as emerging partners like India, may view the moves as destabilizing, complicating future trade negotiations.
3. Legal Vulnerabilities: Section 122 of the Trade Act has rarely been invoked, and using it in place of IEEPA may invite further litigation, leaving Trump’s administration open to judicial challenges.
4. Global Trade Ripple Effects: A 15% tariff on broad imports could increase prices for U.S. consumers, provoke retaliatory tariffs, and shift global supply chains, particularly in sectors like tech, automotive, and pharmaceuticals.

Economists suggest that while Trump’s threats may pressure trading partners, the overall economic rationale is weak, since the U.S. is not in a balance-of-payments crisis, and broad-based tariffs risk collateral damage to U.S. businesses and consumers.

In sum, Trump’s tariff strategy highlights a blend of economic pressure and political signaling, but it comes with high uncertainty and potential unintended consequences for both the U.S. and global markets.

With information from Reuters.

Rumours David Cave’s character Jack Hodgson is leaving Silent Witness have been rife

Silent Witness viewers have been left questioning whether David Caves is leaving the show after his character Jack ran into some trouble in the latest episode.

The much-loved forensic scientist, who joined the BBC drama back in the sixteenth series when he replaced Harry Cunningham, has struggled throughout season 29.

The new series has seens Jack, Emila Fox’s Dr. Nikki Alexander and the team relocate to Birmingham from London, where a new enviroment and fresh set of cases has seen Jack “more affected by the trials and tribulations of his work,” as he struggles to find balance.

In the latest episode, called Grace of God, Jack gets himself into a drunken bar brawl as pressure mounts, but things turn from bad to worse when the man he was fighting, Scott Ashton played by Chris Coghill, later winds up dead on Nikki’s examination table.

Consumed with guilt, Jack turns himself in and ends up in prison, with Nikki on the outside trying to keep her husband safe. With his career as a forensic scientist hanging in the balance, many have wondered whether the latest instalment is setting David Caves up for a Silent Witness exit. Warning: The below contains spoilers for Grace of God Part Two.

However, viewers will be pleased to know it looks like Jack is remaining where he is for now, after the second part of Grace of God clears him of the Scott’s murder.

The episode, which is already available on BBC iPlayer, reveals that Jack’s brawl was part of a wider investigation and he was simply a pawn, with Nikki confirming Scott died of injuries sustained after his fight with Jack.

In the instalment, which will air on BBC One on Tuesday, February 23, Jack and Nikki have a teary heart to heart as Jack tells his wife: “The reason I didn’t tell you about the fight is because you trust me and I let you down.”

Responding, Nikki tells him: “And you might do it again. And I might do it to you,” pointing to her wedding band she adds: “That’s what this is. We make mistakes but we come back to each other. We always come back.”

“I’m sorry,” he tells her before they share an emotional embrace and head back home. The episode ends with Jack opposite his therapist as he explains: “We deal with violence almost every day. I experienced the results of violent acts first-hand. And I fool myself that I can separate them from my own life. I grew up being told that strong was the thing. Strength would get you through, no matter how bad.”

“And now?” the therapist asks. “It’s okay to ask for help from time to time, right?” Jack says smiling.

His final reflection seems like a good omen that Jack is returning to work and remaining on the show, as he shares: “Someone once said life is understood backwards but lived forwards. I want to be there… for all of it. I’m ready.”

It’s also worth noting that Jack is scheduled to appear in the final two episodes of Silent Witness season 29 which aire next week on BBC One and BBC iPlayer.

Silent Witness is available to stream on BBC iPlayer now.

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