News Desk

For kids with big dreams of manning the controls someday, there’s a designated area where they can sit in former airplane cockpits and play pilot, all alongside a fire engine, a “Star Wars” X-wing model and the nose of a Flying Boxcar that’s open for exploring. And every Saturday morning, the cockpit of a select aircraft parked inside the hangar is made available to guests who are able to climb inside.

There are also unique learning opportunities within the museum, which is dedicated to educating the public about the role that air power has played in upholding American life. The upstairs Education Center holds over 13,000 titles, as well as flight simulators that anyone can test out. And through the museum’s First Flight Experience, students from the Coachella Valley and surrounding areas who are 12 to 17 years old may apply to take their first flight lesson onboard the museum’s Cessna 182 Skylane, Inspiration One, at no cost. As part of the program, students work with a flight instructor to learn about protocols during an actual flight with the time spent in the air counting toward the number of hours required to qualify for a pilot’s license.

For those who would rather remain in the role of passenger, the museum offers the chance to fly on several different warbird planes. Ranging in price from a few hundred dollars to several thousand, visitors may board military cargo planes or fighter jets in group or private settings and take flight over the Coachella Valley.

Feb. 13 (UPI) — Two people are dead and a third is wounded following a shooting on the campus of South Carolina State University, officials said.

The shooting occurred Thursday night in an apartment at the Hugine Suites student residential complex on the university’s campus in Orangeburg, located about 75 miles northwest of Charleston.

The university issued a campus lockdown at about 9:15 p.m., according to officials, who said in a statement that they have asked the South Carolina Law Enforcement Division to investigate.

SLED investigators are on site and investigating the crime, the university said.

Little information about the shooting was immediately available.

“Stop what you’re doing and pray,” Rep. Nancy Mace, R-S.C., said in a statement posted to her personal X account following reports of the shooting.

“Join us in prayer for the students, staff and their families. God bless our brave law enforcement responding tonight.”

The identities of the victims have yet to be confirmed, the school said.

As of early Friday, the campus remained on lockdown.

School officials said Friday’s classes were canceled and counselors would be made available to students.

The shooting is the latest at the school since Oct. 4, when one person was killed and a second person was wounded in separate shootings on the historically Black university’s Orangeburg campus.

The deceased victim from one of the October shootings was identified as 19-year-old Jaliyah Butler.

Nablus, the occupied West Bank – For decades, the Zenabia Elementary School has been offering an intimate learning environment to aspiring young students from across the educational spectrum in the northern West Bank city of Nablus.

But now, due to Israel’s years-long withholding of tax revenues owed to the Palestinian Authority, the Palestinian school system is effectively broke. Like administrators at all government-run schools in the West Bank, the Zenabia school principal, Aisha al-Khatib, is struggling to keep her small, public school in session.

For most of the week, the Zenabia school is shuttered, and children roam the streets or stay at home. School supplies are woefully missing, with even regular schoolbooks now reduced to “bundles of pages”.

“We do everything we can, but we do not have the time or the materials or the consistency to properly teach our children and keep them off the streets,” says al-Khatib. “And this is everywhere in the West Bank.”

Targeting the education of Palestine’s children, she says, “means destroying the nation”.

Under the direction of far-right Finance Minister Bezalel Smotrich, Israel has systematically been withholding billions of dollars in tax revenues over the past two years that Israel collects on behalf of the Palestinian Authority (PA). The measure is partly intended to punish the PA for its longstanding policy of paying families of Palestinians imprisoned by Israel for resisting the occupation – even after the PA announced early last year that it was reforming such policies.

Public services have faced severe cuts, affecting the salaries of bureaucrats, sanitary workers, and the police.

But possibly nowhere has that budgetary crisis been felt more than in the education sector.

At Zenabia and elsewhere in the West Bank, public schools are currently only open for a maximum of three days a week. Teachers face long stretches of not being paid, and when they are, they only receive about 60 percent of what they were earning before, resulting in strikes.

And the effects of these cuts in education are showing up on the days when school is in session. Class time is so diminished at Zenabia that teachers focus almost solely on teaching mathematics, Arabic, and English, with subjects like the sciences being essentially cut altogether.

The result, educators warn, could be lasting educational gaps for a generation of Palestinian students.

“As principal of the school, I know that [the students] are not [at] the same [educational] level as before,” al-Khatib says.

‘We are always absent from school’

Spending most of his days out of school, star student Zaid Hasseneh, 10, tries to keep improving his English by looking up words on Google Translate. Zaid dreams of going to university someday in the United States, with hopes of becoming a doctor.

“I want my son to grow up to be cultured – not just memorise the material he learns at school,” says his mother, Eman. “No, I want his cultural knowledge to develop and become diverse and advanced.”

Eman helps Zaid when she can with his studies, but she is busy keeping the family afloat financially after her husband lost his work in Israel. Before Israel’s war on Gaza began in 2023, Eman’s husband worked in Tel Aviv as a mechanic. After Israel revoked his work permit, along with those of some 150,000 other West Bank Palestinians, he has been unable to find work. Eman now works in a halawa factory as the sole breadwinner.

“I go home tired from work, but I have to keep up with [Zaid] regularly,” says Eman. “I tell him, ‘The most important thing is studying. Studying is essential for life.’”

But Eman realises how limited she is in helping her son with his studies. “The teacher knows one thing, but I don’t know how to explain it,” says Eman. “And now, the books [they receive in school] aren’t complete books anymore. They’re bundles. Regular books are 130 pages, but these are 40 or 50 pages.”

To compound the dearth in school resources, students and their families describe erratic schedules that make cumulative learning a near impossibility. “The whole family’s routine is affected,” says Eman.

Even Zaid is now often spending his days out in the streets rather than studying in the classroom – or otherwise on his phone, playing mobile games.

That is the case for most students these days.

Muhammad and Ahmed al-Hajj joined Zenabia four years ago as six-year-olds when they faced extreme bullying in another school. They came to love the new school and the intimate setting it offers. But the twins now mostly spend their time on their phones. With their parents also struggling to earn enough money to get by, they’re left at home alone during their days off from school.

“It’s not good at all. We are always absent from school,” says one of the twins. “It’s not like a full schedule, and we try to study as much as we can, but still, we don’t feel good about it.”

Some families have switched their children over to private schools, but few can afford to do so. “My [monthly] salary is 2,000 shekels [$650],” explains Eman Hassaneh. “About 1,000 goes towards the home rent. Another 500 goes towards bills. And only very little is left for food. I cannot also take care of his education.”

Teachers quitting, and mounting dropouts

Collectively, the PA’s multi-year budget cuts of billions of dollars are shrinking both the attendance of students and the number of teachers, too.

“Many of the teachers left working in the schools to work in factories because they do not get enough salary,” says al-Khatib. “And they don’t feel that they are giving what they need to give the students.”

Tamara Shtayeh, a teacher at Zenabia, nowadays only teaches maths, English, and Arabic due to the reduced funding. “As a teacher, the three-day solution is a bad solution because it doesn’t cover the minimum education that is needed,” she said. “Not for the students, and not for the teachers as well.”

Due to her reduced salary, Shtayeh, a mother of three girls, is selling products online on the side to support her family. Even the school’s principal, al-Khatib, says she can now only afford to send one of her two college-age daughters to university, with the other daughter staying at home.

School hours are reduced even further as Israeli soldiers regularly raid the surrounding areas, closing the school every time they do so. With the crisis stretching on for years now, Shtayeh is sensing a generational gap widening between the previous generation that received five days of school, and this one going to school for about half of that.

Shtayeh and al-Khatib worry about the lack of routine in the children’s lives. For every student like Zaid, who is devoted to educating himself despite the circumstances, many more students are dropping out of the system altogether.

Not far from Zenabia, Talal Adabiq, 15, now spends his days selling sweets and drinks for eight hours a day on the streets of Nablus.

“I don’t really like school,” says Talal. “I prefer working.”

Talal told his parents about a year ago that he wanted to drop out of school. Though they wanted him to continue his studies, he told them he did not find much use for school anymore – and he used the irregular school schedule to prove his point.

Offering to help support his struggling family financially, Talal subsequently dropped out of al-Kindi School. He now makes “about 40 to 50 shekels a day” ($13-16) hawking street goods.

As he sells lollipops and other sweets on a Tuesday afternoon, several teenage boys looked on nearby. They say they’re still in school, but on this budget-mandated day off, some of the boys joke about how “fun” it would be to not go to school at all.

Talal, meanwhile, shrugs off questions about what dropping out of school portends for his future. “God willing, things will be better,” says Talal. “I don’t know how.”

In the estimations of educators and representatives from the Palestinian Authority, about 5 to 10 percent of students have dropped out of school in the West Bank in the past two years.

‘Our children deserve a chance at life’

While massive budget cuts roil the education sector, the Palestinian Authority is struggling to come up with solutions as its budgetary woes deepen – and schoolchildren otherwise face threats, violence and demolitions at the hands of Israeli soldiers, settlers and the Israeli Civil Administration.

Even before the war on Gaza began, the school sector was facing a variety of crises, with teacher strikes commonplace, as well as Israeli attacks on school infrastructure and children on their way to class, with at least 36 demolitions of 20 schools between 2010 and 2023.

But systemic attacks on education are now intensifying. According to Ghassan Daghlas, the governor of Nablus, in his district alone, three schools have been attacked in the last two months by settlers. In nearby Jalud last month, settlers set a school on fire. The rise in violence is leaving students at once traumatised and fearful of going to school, says Daghlas.

“In the past three months, most of the invasions that target homes in the Nablus district are targeting schoolchildren. They will take the kid along with one of the parents. They subject them to interrogation for a few hours,” says the governor. “What kind of psychological state will the students have after these interrogations?”

According to PA estimates, more than 84,000 students in the West Bank have had their education disrupted by incidents including settler attacks, military raids and demolitions of schools. More than 80 schools serving approximately 13,000 students are under threat of full or partial demolition by Israeli authorities in the West Bank and occupied East Jerusalem. Between July and September 2025 alone, more than 90 such education-related incidents were documented in the West Bank.

In Area C – the 60 percent of the West Bank under full Israeli military control – students from isolated villages sometimes have to walk several kilometres to reach their schools, in which they regularly face harassment or attacks from settlers as well as soldiers on the way, with a rising trend in settler outposts deliberately placed near schools.

“These are not individual acts by some violent settlers,” says Mahmoud al-Aloul, the vice chairman of the central committee of Fatah, the Palestinian Authority’s ruling political party. “Rather, it’s a general policy that is supported by the occupation.”

In 2025, Nablus governorate alone had 19 students killed by Israeli army gunfire, according to Daghlas. A total of 240 were injured.

Education officials say the longer the crisis persists, the greater the long-term impact will be as teacher attrition, interrupted learning and rising dropout rates compound over time.

“The continuation of the crisis means risking long-term institutional erosion, in which temporary solutions become permanent, and the regime becomes less able to restore its previous level of quality, efficiency and justice,” says Refaat Sabbah, the president of the Global Campaign for Education. “Saving education today is not a sectoral option, but a strategic necessity to protect society and its future.”

For Eman Hassaneh, that means safeguarding her son Zaid’s future hopes and dreams. “We hope all of these barriers to education won’t actually affect our children and their passion for learning,” she says.

“Our children deserve a chance at life.”

Jesy Nelson: Life After Little Mix, which is out on Amazon Prime, follows Jesy’s life after she left Little Mix back in 2020, including her reflections on fame, pressure, and her own personal truth about that period

Jesy Nelson’s Amazon Prime Video documentary, which is out today (Friday February 13) is a major new six-part series.

Jesy Nelson: Life After Little Mix follows Jesy’s life after she left Little Mix back in 2020, including her reflections on fame, pressure, and her own personal truth about that period. It’s her most candid account yet of why she departed the group and how she’s processed everything that happened. Another central focus of the documentary is Jesy’s pregnancy with her twin girls, Ocean Jade and Story. The cameras follow the 34-year-old Romford star through what became a high-risk pregnancy including complications like twin-to-twin transfusion syndrome and emergency medical moments.

After the birth is also covered, when Jesy’s daughters were diagnosed with Spinal Muscular Atrophy (SMA) Type 1 — a severe, progressive genetic condition that causes muscle weakness.

Jesy uses the documentary to share her family’s real-time experience with this diagnosis and to raise awareness about it, including campaigning for expanded newborn screening in the NHS.

Besides the physical journey, the Amazon Prime series also revisits her personal and emotional challenges, including struggles with the pressure of fame, mental health battles, and what it’s been like stepping back from one of the UK’s biggest pop acts.

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Many fans have been excited to watch the documentary, however some have confessed online they ‘don’t think they can watch it’ for one reason – that it will leave them too emotional.

One person wrote: “I’m not gonna handle this well I’m already emotional about it.”

While another added: “My heart. I don’t even think I can watch this. I’m already crying.”

A third chimed in: “I’m gonna weep aren’t I,” while a fourth added: “She deserves to tell her side of the story after years of being silent.”

Jesy recently confessed that she considered leaving Little Mix after just two years as she struggled to cope with the pressure and the spotlight after winning The X Factor.

However, she went on to spend a decade in the band before quitting.

Jesy said: “That [leaving] presented itself far before I made that decision.

“There was a time where I was like ‘Oh, I want to leave’ and I remember sitting down with my family… and it was actually because of my brother that in the end I stayed.”

She added: “The first time I wanted to leave I remember I went home and we were kinda weighing up the [pros and cons]… and at that point we weren’t even like at our biggest.

“We were, it had only been like two years, but we were still big. Everyone still knew who Little Mix were so it was like ‘if you leave now, what are you going to do?’”

Speak on the Great Company with Jamie Laing podcast, Jesy also praised her brother for his advice that ultimately kept her in the band and for encouraging her to make as much money as she could off of Little Mix‘s fame.

“My brother was like ‘you are so much stronger than you give yourself credit for and I think you can stick this out for another few years,” she explained.

Feb. 12 (Asia Today) — South Korea’s major game developers reported sharply mixed 2025 results, with companies backed by strong intellectual property and hit new titles posting record earnings while others struggled amid delays in releases.

Nexon said annual revenue rose 6% to 475.1 billion yen (about 4.51 trillion won, or roughly $3.13 billion), marking a record high. Operating profit reached 124 billion yen (about 1.18 trillion won, or $819 million).

The company attributed growth to the success of new title “Arc Raiders,” which has sold more than 14 million copies, and global expansion of the MapleStory franchise. Franchise revenue for MapleStory rose 43%, while Dungeon & Fighter posted double-digit growth in South Korea and China.

Krafton joined the so-called “3 trillion won club,” reporting annual revenue of 3.33 trillion won (about $2.31 billion) and operating profit of 1.05 trillion won (about $729 million), both record highs. Revenue from the PUBG: Battlegrounds IP increased 16% from a year earlier, supported by global collaborations and new game modes.

Netmarble posted revenue of 2.84 trillion won (about $1.97 billion) and operating profit of 352.5 billion won (about $244 million), helped by new titles based on in-house IP such as Seven Knights Reverse and RF Online Next.

NCSoft saw revenue fall 5% to 1.51 trillion won (about $1.05 billion) but returned to profitability with operating profit of 16.1 billion won (about $11 million), aided by cost-cutting and the November launch of Aion 2.

In contrast, Kakao Games reported a 26% drop in revenue to 465 billion won (about $322 million) and an operating loss of 39.6 billion won (about $27 million), citing a gap in new releases and restructuring costs.

Pearl Abyss posted revenue of 365.6 billion won (about $253 million) and an operating loss of 14.8 billion won (about $10 million), extending losses for a third consecutive year. The company said its upcoming title Red Desert, scheduled for release in March, will be key to a turnaround.

Industry analysts said the results underscore the importance of long-running hit franchises and well-timed new launches.

“Companies that steadily operated successful IP while expanding revenue through updates and collaborations were able to limit volatility,” one industry official said. “Those with prolonged gaps in new releases inevitably faced short-term revenue declines.”

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260213010004838

If you’re reading this review of Gore Verbinski’s maniacal farce “Good Luck, Have Fun, Don’t Die” in newsprint, congratulations on being a Luddite.

But if you’re reading it on a smartphone, then you’re one of the suckers that Sam Rockwell is hoping to reach when his unnamed time traveler barges into a late-night Los Angeles diner screaming, “I am from the future and all of this goes horribly wrong!” The patrons pause scrolling to glance at this unhinged, unwashed man wearing a crown of computer wires wrapped around his head like an IT messiah. Then they get a good look at his shoes when he stomps on their tables, kicking cheeseburgers as he tries to make these regular folks engage with the tech-pocalypse he swears is coming.

It’s a sermon we’ve heard plenty of times before and possibly even delivered ourselves. Coming from the ever-charismatic Rockwell, a lecture to stop wasting our lives online sounds no more insurmountable, only more immediate.

Half of the world will die, he foretells. The other half will be too distracted to notice. That is, unless a handful of strangers join him right now, right this moment, to fight for humanity’s cerebral freedom. Unsurprisingly, volunteers don’t raise their hands. (The one eager guy who does has failed him too often in other scenarios.) But Rockwell’s time traveler — he really is one — is used to a firewall of resistance. He’s given this speech at this diner 117 times. Some combination of the 47 people in it is fated to succeed.

That opening scene sounds as if an AI merged “The Terminator” with “Groundhog Day.” True, Matthew Robinson’s funny, savage and surprising script doesn’t downplay its inspirations. (He even lets Rockwell rip off Indiana Jones’ line about snakes.) But the screenplay gets so intricate and angry — and so shamelessly ambitious — you can’t believe someone in today’s Hollywood was willing to put up the money to get it made. Even helmed by proven hitmaker Verbinski of the “Pirates of the Caribbean” franchise, it’s a feat akin to convincing someone to fund a skyscraper-sized cuckoo clock that has a bird that pops out and heckles the crowd.

Eventually, a dubious crew enlists: public school teachers Mark and Janet (Michael Peña and Zazie Beetz), grouchy ride-share driver Scott (Asim Chaudhry), assistant Boy Scout leader Bob (Daniel Barnett), jittery mom Susan (Juno Temple) and forlorn Maria (Georgia Goodman), who keeps sighing that all she wanted was a slice of pie. Rockwell also impulsively yokes in Ingrid (Haley Lu Richardson), a grungy girl in a princess dress, who seems to be on her own suicide mission. The actors are mostly just pegs in a complicated plot, but they snap into place well.

The man from the future doesn’t have a plan — and worse, he considers himself the only person who isn’t expendable. The others can die (and do). As the group shuffles toward catastrophe, Verbinski intercuts their mission with flashbacks to their civilian lives. Their ordinary days, the digital indignities they’ve borne, that’s where Verbinski really gets mean.

The film’s feints and twists are fabulous as they explore how the internet’s promise has soured. One plotline involves a corporate brainstorm to make people love and nurture their own talking adbot, essentially a human-sized Tamagotchi. In another, school shootings have become such an epidemic that when Temple’s Susan gets summoned to identify her ninth-grader’s corpse, the other grieving mothers at the station calmly chitchat about traffic until one glances over at her nonchalantly and says, “First time?”

At first, the not-so-original idea that phones have turned children into zombies is a Romero-style parody of brain rot. (The young actor Cassiel Eatock-Winnik has a great scene as a vicious teen who stares down one of her elders and says, “You’re 35? That’s, like, older than most trees.”) But Verbinski reveals an unexpected angle of attack: Here, society has groomed the next generation to behave like machines. We don’t know why, exactly, but we can imagine a few reasons.

Even coping mechanisms take fire. Susan meets more parents who’ve snapped under the strain and become nihilistic trolls raising their daughter to be toxic so it won’t matter as much if she dies. Another character is quick to insist that everything he’s looking at — the walls, the people — is a facade. A 20-something gig worker named Tim (Tom Taylor) wants to permanently live in a VR simulation. His story is a little rushed but we get the idea that Tim’s not a jerk, just an idealist who can’t handle the tawdriness of the 21st century. As he puts it, “Why would I choose this world over that one?”

Verbinski doesn’t say much outright about the creeping concern that we’re living in a highly surveilled, aggressive and unpredictable police state. He’s able to make that point without words when cops arrive and our heroes-slash-hostages, none of whom have yet done anything worse than skip out on their bill, all assume the itchy trigger finger of the law will shoot them on sight. (And they’re right.) He also makes an ominous refrain of “Thank you for your service.”

It’s easier to howl at a classic like “Dr. Strangelove,” which mocked the leaders giddyuping the planet’s destruction, than at a present-day satire where we ourselves are the joke. As with “Idiocracy” (and eventually “Eddington”), our ability to fully appreciate this merciless, furious comedy might take a decade of remove. Even then, though, I won’t like James Whitaker’s cinematography, which goes for a deliberate ugliness but just looks dishwater drab.

“Good Luck, Have Fun, Don’t Die” anticipates the audience’s resistance. We do think for ourselves and so we scour the movie for flaws that will justify the urge to roll our eyes. For example: Why does Rockwell let some characters die and not others? Is the movie just as shallow as its j’accuse of us? Some quibbles get answered. Larger questions are left coyly unresolved so that we leave the theater uneasy.

There are so many overwhelming ideas in “Good Luck, Have Fun, Don’t Die” that, at over two hours, it does have the sense of a dissociative doomscroll. There’s even a plot point involving an algorithmic overlord that creates randomly generated armies: “Ghostbusters” with AI slop. The normie survivors try to convince themselves it might send something good, like they’re thumbing TikTok hoping for a treasure worth the time. Rockwell assures them it won’t. Nothing good will ever come. And what does arrive is so hellacious that it makes the Stay Puft Marshmallow Man look sweet.

The film is too cynical to take itself that seriously; Verbinski would roll his eyes at any thoughts and prayers it could do much good. Yet, anyone born with “19” at the start of their birthyear still remembers how it felt to leave the house without a black rectangle in their hands. That makes us all time travelers of a sort, too, beacons of an increasingly distant era in which it was possible to be unplugged.

But it’s OK if you’re on your screen right now. Just sit before a bigger one to see this film.

Ruemmler’s resignation comes after emails revealed her links to the late sex offender.

The top lawyer at Goldman Sachs, Kathy Ruemmler, has announced that she will resign following revelations of her links to the late financier and sex offender Jeffrey Epstein.

Ruemmler’s resignation comes after the United States Department of Justice’s latest release of investigative files about Epstein showed that she had received gifts from Epstein, offered him advice on managing his reputation, and likened him to an older brother.

Goldman Sachs CEO David Solomon confirmed Ruemmler’s resignation in a statement on Thursday, saying that he respected her decision.

“Throughout her tenure, Kathy has been an extraordinary general counsel, and we are grateful for her contributions and sound advice on a wide range of consequential legal matters for the firm,” Solomon said in a statement provided to Al Jazeera.

“As one of the most accomplished professionals in her field, Kathy has also been a mentor and friend to many of our people, and she will be missed,” he said.

In an interview with the Financial Times on Thursday, Ruemmler, who previously served as White House counsel under US President Barack Obama, said that she would step down as chief legal officer and general counsel at the end of June.

Ruemmler told the newspaper that media attention on her relationship with Epstein, who died in prison in 2019 while awaiting trial on sex trafficking charges, had become a “distraction”.

She had previously expressed regret for knowing Epstein, and denied providing the financier with legal representation or advocating on his behalf to any third party.

Ruemmler is just the latest in a slew of high-profile and powerful figures to exit prominent roles or face legal scrutiny in connection with the Epstein case.

British Prime Minister Keir Starmer on Thursday announced the resignation of his cabinet secretary, Chris Wormald, in his latest effort to quell controversy surrounding his appointment of Peter Mandelson, Britain’s former ambassador to the US, whose ties to Epstein have prompted a police investigation into suspected misconduct in public office.

Also on Thursday, police in Norway searched properties belonging to former Prime Minister Thorbjorn Jagland as part of a corruption probe focused on the politician’s associations with Epstein.

The CIA’s latest YouTube video offers instructions on how to contact the agency on the encrypted Tor Browser.

The CIA has released a new Chinese-language recruitment video on its YouTube channel, encouraging members of China’s military to spy for the United States.

Released on Thursday, the video is the latest addition to a YouTube series targeting Chinese and Russian citizens with information about how to securely contact the US spy agency using the encrypted Tor Browser.

The videos typically focus on a fictional character who is having doubts about their government before deciding to spy for Washington.

The latest video by the CIA, which runs just under two minutes, focuses on a Chinese military officer going through the motions of his job while sharing his growing alarm with his country’s leadership, who are said to be “protecting only their own selfish interests” in the clip.

The video then moves to the officer at home with his wife and daughter, observing that he cannot “allow these madmen to shape my daughter’s future world”.

Alluding to ancient China’s military strategist Sun Tzu’s The Art of War text, the narrator observes that while the greatest winner is the one who “triumphs without fighting”, China’s leadership is eager “to send us to the battlefield”.

In its final scenes, the video cuts to the protagonist removing a bag from a work safe and then driving through a military checkpoint to a deserted car park. Sitting alone, he logs onto a computer to contact the CIA, which he says is a “way of fighting for my family and my nation”.

The video ends with a dramatic flourish of words: “The fate of the world is in your hands” – before sharing instructions on how to download the Tor Browser to contact the CIA.

The accompanying text below the YouTube video asks users: “Do you have information about high-ranking Chinese leaders? Are you a military officer or have dealings with the military? Do you work in intelligence, diplomacy, economics, science, or advanced technology fields, or deal with people working in these fields?”

Beijing did not immediately comment on the CIA’s video, but its Ministry of Foreign Affairs has described previous US intelligence recruitment drives as malicious “smears and attacks” against China that deceive and lure Chinese personnel to “surrender”.

The CIA’s network in China was famously dismantled by Beijing between 2010 and 2012, leading to the death or imprisonment of at least 30 people, according to a 2018 investigation by Foreign Policy magazine.

The collapse of the US spying network was linked in part to a botched communication system.

AFTER five long years, the dark truth behind Jesy Nelson’s feud with Little Mix has been laid bare for the first time – as the singer reveals she made a secret suicide attempt days before quitting the group.

Jesy — whose abrupt exit from the girl band has been shrouded in mystery until now — claimed her cry for help in the lead-up to her overdose was ignored by bandmates Leigh-Anne Pinnock, Perrie Edwards and Jade Thirlwall.

Thankfully, she was saved by her quick-thinking mum Jan, who raised the alarm after Jesy fell unconscious while on the phone to her.

Speaking about her daughter’s near-death experience for the first time,

Jan said: “For a few days before, she had just been really down and not talking much. She wanted to be on her own quite a lot.

“I got a gut feeling that something wasn’t right. I kept ringing and ­ringing, but there was no answer.

PROUD MUM

Jesy Nelson shares unseen snap of baby twins holding hands after SMA diagnosis

SUPER CUTE

Jesy Nelson reveals unseen pics of twin babies after SMA diagnosis

“She eventually answered the phone and the way she talking was really slurry.

“I heard the phone drop and didn’t hear anything else — I knew she’d done something.”

It was the second time Jesy had tried to take her own life following an overdose in 2013, which she ­previously opened up about in her NTA-winning BBC documentary Jesy Nelson: Odd One Out.

She later said that online abuse over her appearance left her unable to “tolerate the pain any more”.

‘You’ve got to stop’

Her boyfriend at the time, Diversity dancer Jordan Banjo, called an ambulance and she was taken to ­hospital, but one week later was told to “pull it together” to film a video for Little Mix’s single Salute.

Jesy, 34, admits: “It all just got too much for me. My manager was like, ‘Come on Jesy, you need to pull ­yourself together.’

“So it just got swept under the rug and everything went back to normal.”

Reflecting on her second attempt seven years later — just days before she quit Little Mix — Jesy said: “I was so sad. I was so down.”

The star was rushed to hospital by ambulance and missed the final of Little Mix’s BBC talent show The Search, with host Chris Ramsey ­telling fans she had fallen ill.

The singer recalled: “I knew after coming out of hospital that I ­mentally couldn’t do it [be in the band] any more.”

Jesy had sunk into a deep depression after returning to work following the 2020 pandemic.

Recalling the painful breakdown of Little Mix’s friendship days before her overdose, Jesy said: “I sat ­everyone down to explain how I was feeling and I remember one of the responses being, ‘Are you done now? Is that it?’

“She [one of the girls] was like, ‘Can I go now?’”

Fighting back tears, Jesy added: “That made me feel really alone. I felt like there was no point. That no one cared.”

Hidden turmoil within the group led to Jesy trying to take her own life, with her mum Jan insisting: “I can see why they [the other Little Mix members] did get angry at times.

“It’s hard to work with someone who is always down when you are always happy.

“But I personally believe that at Jesy’s lowest of low times, the girls were not really there for her and I think that’s why she’s so sad now.”

In her new Prime Video docuseries Jesy Nelson: Life After Little Mix, Jesy also makes the bombshell claim that another bandmate tried to quit a year before her shock exit.

Unbeknown to fans, the girls had agreed their next tour would be their last, but a two-year delay pushed their “sisterhood” to the brink.

After Jesy’s second suicide attempt, her mum said: “I kept cuddling her and said, ‘Right, that’s it now. No more.

I didn’t get my opportunity to explain why I couldn’t do this any more. I feel mad that that was taken away from me

Jesy Nelson

“You’ve got to stop doing what makes you unhappy’.”

While in hospital recovering, Jesy made the difficult decision to quit.

But after seeking legal advice, she felt betrayed when her lawyer ­delivered the news to the rest of ­Little Mix without her consent.

Jesy said: “I think they felt really hurt about that and it should never have played out like that.

“I didn’t get my opportunity to explain why I couldn’t do this any more. I feel mad that that was taken away from me.”

When Jesy later attempted to meet up with the girls, she claims her manager said that Leigh-Anne, Perrie and Jade “would only feel comfortable if there was a therapist present”.

Jesy tearfully said of Little Mix: “I didn’t feel like they were my sisters [any more]. I’d just come out of the hospital. This is the time I need you the most.”

Despite what she’d been through with her mental health battle, Jesy never saw the girls again.

Leigh-Anne went on to say the girls were left so “traumatised” by their bandmate’s exit they needed counselling.

Jesy explained: “Eventually there was a phone call.

“It was really awkward and so weird. It was like talking to strangers.

“It was the most uncomfortable phone call of my life. No one knew what to say.

“And that’s the last time I ever spoke to them as a group. It’s been five years now and every time I think about it, I think, was it them or was it the management? I’ll never know.”

‘Me and Jade cried’

Speaking for the first time about the end of Little Mix being planned a year before her exit when one of the other girls announced they wanted to walk away, Jesy said: “I thought everyone was in a really good place, but I was wrong.

“We got called in for a meeting and I just had this gut feeling that it wasn’t going to be good.

“One of the girls had decided they didn’t want to be in the band any more. I remember feeling my whole world had fallen apart.

“It was a really sad day — me and Jade really cried. I was devastated.”

When pushed to reveal the name of singer who wanted to quit at the beginning of 2020, Jesy added: “I don’t think that’s for me to say because they still haven’t said.

“It’s been really hard to not speak out about this.

“I thought we’d be together ­forever. It was never my decision to leave first.”

When Covid hit, the band’s end date was pushed back by two years.

“That’s when everything got messy,” Jesy said.

“I knew the band was coming to an end because one of the girls had made the decision to leave and I felt like I was being fake.

“I got this very quick realisation that I wasn’t happy.”

Jesy felt “swarmed with insecurities” after returning to the limelight following lockdown.

She began to feel fearful of performing — with panic attacks leading her to pull out of live performances including a BBC Radio One Live Lounge and as a judge on The Search.

Her vocals are also missing from tracks on Little Mix’s final album.

Jesy continued: “I had mentally checked out. It was like my body was telling me, ‘Stop now’.

“That was the moment I thought, I can’t do this any more.

“I just remember thinking, I ­cannot last another two years.

“I felt like it [the relationship with the girls] had shifted.

“There would be days I would cry and be a miserable bitch.

“All those little things build up and build up and they do get to a boiling point.”

Explaining why she is speaking out now, Jesy insists she wants to draw a line under the speculation.

She said: “I really f*ing hate that there were nine and a bit really beautiful years that I had with the girls and I really didn’t want for us to be known for that one sh***y part.

‘Sad and hurt’

“It overrode every amazing thing that we ever did and what we stood for.

“We were genuinely like sisters and I think that is what’s so sad about this whole thing.

“As the years have gone on I see both sides. I see why they would be sad and hurt.”

Little Mix became the first group to win X Factor in 2011 before making UK singles chart history with five No1s and selling more than 75million records worldwide.

Jesy walked out of the girl band in November 2020 and two years later released her debut single Boyz with rapper Nicki Minaj.

On the track Mine, she paired up with Zion Foster — who later became the father of her two children before they split in January.

Little Mix went on an extended hiatus in 2022 to pursue solo careers and start families.

Despite never reconnecting in person again, in May last year Jesy’s former bandmates got back in touch after she became pregnant with identical twins.

Nine-month-old girls Ocean and Story have since been diagnosed with Spinal Muscular Atrophy Type 1 — the most severe form of a rare disease affecting muscle strength and movement.

Jesy recently told The Sun there was hope of reconciliation between her and the girls after the five- year feud was “healed” by her children arriving.

In the docuseries, Jesy said: “They reached out to me when I was pregnant.

“It was lovely because I never thought that would happen. It made me really emotional.

“We’re grown women. We’ve got kids. I just think there are so many more important things in life.

“It’s just one of those things that needs to be put to bed now.”

• Jesy Nelson: Life After Little Mix is available on Prime Video from today.

Taipei agrees to buy some $85bn of US energy, aircraft and equipment in exchange for 15 percent tariff rate.

The United States and Taiwan have finalised a trade deal to reduce tariffs on Taiwanese exports and facilitate billions of dollars of spending on US goods.

The agreement announced on Thursday lowers the general tariff on Taiwanese goods from 20 percent to 15 percent, the same level as Asian trade partners South Korea and Japan, in exchange for Taipei agreeing to buy about $85bn of US energy, aircraft and equipment.

Under the deal, Taiwan will eliminate or reduce 99 percent of tariff barriers and provide preferential market access to numerous US goods, including auto parts, chemicals, machinery, health products, dairy products and pork, the office of the US trade envoy said in a statement.

The US will, in turn, exempt a large range of Taiwanese goods from tariffs, including chalk, castor oil, pineapples and ginseng.

Taiwanese President William Lai Ching-te said Taipei had secured tariff exemptions for some 2,000 Taiwanese products, hailing the agreement as a “pivotal” moment for the self-governing island’s economy.

Lai said the deal, when various carve-outs are included, would take the average tariff rate on Taiwanese goods to 12.3 percent.

“From familiar items such as Phalaenopsis orchids, tea, bubble tea ingredients (tapioca starch), and coffee, to pineapple cakes, taro, pineapples, and mangoes – these products that represent Taiwan will become more price-competitive in the US market,” Lai said in a statement on social media.

“We aim not only to sell Taiwan’s great flavors overseas, but also to ensure Taiwanese brands truly enter international markets,” he said.

Lai made no mention of Taiwan’s chip industry, a crucial driver of the island’s economy that is estimated to account for up to 20 percent of gross domestic product (GDP).

Taiwan’s exports rose by 35 percent in 2025 on the back of furious demand for its AI chips, hitting a record $640.75bn.

Thursday’s agreement notably does not include specific commitments from Taiwan to invest in the US chip industry, despite an announcement by US President Donald Trump’s administration last month that Taiwanese firms would pour $250bn into the sector.

A fact sheet released by the Office of the US Trade Representative said the two sides “take note” of the January deal, which included a prior commitment by chip giant Taiwan Semiconductor Manufacturing to invest $100bn in the US.

US Trade Representative Jamieson Greer said Thursday’s agreement built on the longstanding trade relations between Taiwan and the US and would “significantly enhance the resilience of our supply chains, particularly in high-technology sectors”.

“President Trump’s leadership in the Asia Pacific region continues to generate prosperous trade ties for the United States with important partners across Asia, while further advancing the economic and national security interests of the American people,” Greer said.

Nearly one-third of Taiwan’s exports went to the US in 2025, making the country the island’s biggest market for the first time since 2000.

The forthcoming HBO show promises to do justice to the BAFTA award-winning source material that already has a global fanbase.

HBO has confirmed that it’s adapting a beloved fantasy video game series for the small screen.

The American cable network will be adapting the acclaimed video game Baldur’s Gate 3, which is set in the fantasy world of Dungeons & Dragons.

Baldur’s Gate 3 bagged game of the year at the 2024 BAFTA Game Awards, along with four other wins, cementing its status in the video games world. The video game has also been widely praised by players since it came out with the HBO series expected to grow its fanbase.

One fan gave a glowing review on Metacritic: “Absolutely beautiful game.”

They added in their critique: “I have around 200 hours now spent on this game and i’m still discovering more on my 3rd and 4th play throughs.”

While a second user posted an equally positive review: “The best new age RPG ever made. It perfectly encapsulates the scenery and feel of DND on the scale of a major video game release.

“The sheer amounts of decisions, both big and small, a player can make is both overwhelming and beautiful.”

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A third declared: “Masterpiece, best CRPG in the history of gaming, even so as we didnt have a great CRPG since Dragon Age 2 o Mass Effect 2 [sic].”

Yet another wrote: “Despite the odd bugs and broken quests, an exceptional game. This player of video games for 5 decades waited so long for something so rich and realistic.”

The drama series will be spearheaded by The Last of Us’ co-creator and Chernobyl writer Craig Mazin, who is confirmed to be writing, showrunning and executive producing the TV iteration.

Mazin said in a statement, as per Deadline, “After putting nearly 1000 hours into the incredible world of Baldur’s Gate 3 , it is a dream come true to be able to continue the story that Larian and Wizards of The Coast created.

“I am a devoted fan of D&D and the brilliant way that Swen Vincke and his gifted team adapted it.”

“I can’t wait to help bring Baldur’s Gate and all of its incredible characters to life with as much respect and love as we can, and I’m deeply grateful to Gabe Marano and his team at Hasbro for entrusting me with this incredibly important property.”

The Baldur’s Gate TV show is slated to be a continuation of the games and will focus on the story after Baldur’s Gate 3, with existing and new characters reeling from the events of the latest game.

This means that the show won’t be tied to the video games and can take its own direction and tell a story in its own right.

This is a sharp contrast to The Last of Us, which directly adapted the video game’s storyline as well as building upon the existing world.

Indeed The Last of Us’ second season was met with a far more muted response to the universally lauded first outing led by Pedro Pascal and Bella Ramsey.

The Last of Us is going to be ending with its third and final season, with Mazin recently paid tribute to the late Catherine O’Hara, who played therapist Gail in the post-apocalyptic drama.

HBO previously confirmed in 2025 that showrunner Neil Druckmann would be stepping away from the drama to focus on his existing commitments to his video game company Naughty Dog.

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President Cyril Ramaphosa says the military will work with the country’s police force to counter ‘gang wars’ that threaten ‘our democracy’.

South African President Cyril Ramaphosa said he will deploy the army to work alongside the police to tackle high levels of gang violence and other crimes in the country.

Ramaphosa said on Thursday that he had directed the chiefs of the police and army to draw up a plan on where “our security forces should be deployed within the next few days in the Western Cape and in Gauteng to deal with gang violence and illegal mining”.

“Organised crime is now the most immediate threat to our democracy, our society and our economic development,” the president said in his annual state of the nation address.

“Children here in the Western Cape are caught in the crossfire of gang wars. People are chased out of their homes by illegal miners in Gauteng,” he told Parliament in his address.

“I will be deploying the South African National Defence Force to support the police,” he said.

South Africa has one of the highest homicide rates in the world, with approximately 60 deaths each day involving killings in wars between drug gangs in areas of Cape Town and mass shootings linked to illegal mining in Johannesburg’s Gauteng province.

The South African leader said other measures to fight crime include recruiting 5,500 police officers and boosting intelligence while identifying priority crime syndicates.

“The cost of crime is measured in lives that are lost and futures that are cut short. It is felt also in the sense of fear that permeates our society and in the reluctance of businesses to invest,” Ramaphosa said.

Crime syndicates

Guns are the most commonly used weapon in South Africa, according to authorities, and illegal firearms are used in many crimes, despite the stringent rules governing gun ownership in the country.

Authorities in South Africa have also long struggled to prevent gangs of miners from entering some of the 6,000 closed or abandoned mines in the gold-rich nation to search for remaining reserves.

The government claims that the miners, referred to as “zama zamas”, or “hustlers” in Zulu, are typically armed, undocumented foreign nationals who are involved in crime syndicates.

In 2024 alone, South Africa lost more than $3bn in gold to the illegal mine trade, according to authorities.

Ramaphosa also said authorities would pursue criminal charges against municipal officials who fail to deliver water to communities where shortages are among the main issues that anger most voters.

“Water outages are a symptom of a local ⁠government system that is not working,” the president said of the worsening water crisis resulting from a drying climate and consistent failures to maintain ⁠water pipes.

“We will hold to account those who neglect their responsibility to ⁠supply water to our people,” he said.

Residents of the country’s biggest city, Johannesburg, held scattered protests this week after taps had been dry in some neighbourhoods for more than 20 days.

Ramaphosa also called out “powerful nations” who exert their “dominance and influence over less powerful states” and said South Africans could not consider themselves “free” as “long as the people of Palestine, Cuba, Sudan, Western Sahara and elsewhere suffer occupation, oppression and war”.

Ramaphosa, who became head of state in 2018, has led South Africa’s first-ever coalition government since ‌June 2024, when the ANC lost its parliamentary majority for the first time since ending apartheid 30 years earlier.

The coalition, which includes the pro-business Democratic Alliance, has helped restore confidence in Africa’s largest economy.

But widespread, persistent unemployment has not improved, and the government is under pressure to show it can improve service delivery.

The United States has revoked a scientific finding that has long been the central basis for its actions to regulate greenhouse gas emissions and fight climate change.

The decision on Thursday is the most aggressive move by President Donald Trump to roll back environmental regulations since the start of his second term.

Under his leadership, the Environmental Protection Agency (EPA) finalised a rule rescinding a 2009 government declaration known as the “endangerment finding”.

It is the legal underpinning for nearly all climate regulations under the Clean Air Act for motor vehicles, power plants and other pollution sources that are heating the planet.

Established under the presidency of Democrat Barack Obama, the finding establishes that carbon dioxide and other greenhouse gases threaten public health and welfare.

But President Trump, a Republican, has called climate change a “hoax” and a “con job”. The endangerment finding, he argued, is “one of the greatest scams in history”, adding that it “had no basis in fact” or law.

“On the contrary, over the generations, fossil fuels have saved millions of lives and lifted billions of people out of poverty all over the world,” Trump said at a White House ceremony on Thursday.

He hailed the repeal of the endangerment finding as “the single largest deregulatory action in American history, by far”.

EPA administrator Lee Zeldin, who also attended the ceremony, described the endangerment finding as “the Holy Grail of federal regulatory overreach”.

Rescinding the endangerment finding repeals all greenhouse gas emissions standards for cars and trucks. It could also unleash a broader unravelling of climate regulations on stationary sources such as power plants and oil and gas facilities, experts say.

But Thursday’s new rule is likely to face pushback in the US court system.

Overturning the finding will “raise more havoc” than other actions Trump has taken to roll back environmental rules, environmental law professor Ann Carlson told The Associated Press news agency.

Environmental groups described the move as the single biggest attack in US history against federal authority to address climate change. Evidence backing up the endangerment finding has only grown stronger in the 17 years since it was approved, they said.

As part of Thursday’s decision, the EPA also announced it will end tax credits for automakers who install automatic start-stop ignition systems in their vehicles. The device is intended to reduce emissions, but Zeldin said “everyone hates” it.

Zeldin, a former Republican congressman who was tapped by Trump to lead EPA last year, has criticised his Democratic predecessors, saying that, in the name of tackling climate change, they were “willing to bankrupt the country”.

The endangerment finding “led to trillions of dollars in regulations that strangled entire sectors of the United States economy, including the American auto industry”, Zeldin said, criticising the leadership of Obama and former President Joe Biden in particular.

“The Obama and Biden administrations used it to steamroll into existence a left-wing wish list of costly climate policies, electric vehicle mandates and other requirements that assaulted consumer choice and affordability.”

The endangerment finding had allowed for a series of regulations intended to protect against climate change and related threats.

They include deadly floods, extreme heat waves, catastrophic wildfires and other natural disasters in the US and around the world.

Gina McCarthy, a former EPA administrator who served as the White House’s climate adviser in the Biden administration, called the Trump administration’s actions reckless.

“This EPA would rather spend its time in court working for the fossil fuel industry than protecting us from pollution and the escalating impacts of climate change,” she said.

EPA has a clear scientific and legal obligation to regulate greenhouse gases, McCarthy explained, adding that the health and environmental hazards of climate change have “become impossible to ignore”.

Thursday’s EPA action follows an executive order from Trump that directed the agency to submit a report on “the legality and continuing applicability” of the endangerment finding.

Conservatives have long sought to undo what they consider overly restrictive and economically damaging rules to limit the greenhouse gases that cause global warming.

Democratic Senator Ed Markey said that keeping the endangerment finding should have been a “no-brainer”.

“Trump and Zeldin are putting our lives and our future at risk,” he said in a video statement.

“They have rolled back protection after protection in a race to the bottom. Instead of ‘Let them eat cake,’ Zeldin is saying, ‘Let them breathe soot.’”

EPiC is a hip-shaking, lip-curling, fist-pumping, wise-cracking, sequin-spangled, sweat-soaked, all singing and dancing grand spectacle. 

It stands for Elvis Presley in Concert — a film that brings The King back into the building. 

Directed with loving care and boundless pizazz by flamboyant Australian Baz Luhrmann, it is a fitting companion to his 2022 biopic Elvis, starring Austin Butler. 

Using an incredible patchwork of unseen footage and unheard interviews, painstakingly restored by high-end technicians, he is presenting Elvis singing and telling his story “like never before”. 

You hear the music icon talking about his adoring fans, saying: “Those people want to see a show. They want to see some action.” 

The “action” centres on two years, 1970 and 1972, and features the singer’s residencies in Las Vegas, tour engagements and upbeat rehearsals, all interspersed with telling insights from the man himself. 

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Aside from fleeting visits to Canada, Elvis never did shows outside the US and yet, as he admits in the movie, he yearned to spread his wings and bring THAT voice to the world. 

Movingly, he performs Never Been To Spain which includes the line: “Well, I never been to England but I kinda like The Beatles.” 

‘Seen all the stuff’ 

Now, with EPiC, he’s getting the world tour he never had. 

To celebrate its cinema release next Friday, along with a soundtrack album, I’m speaking to one of the most qualified experts on “the kid from Tupelo” who changed popular culture for ever. 

Angie Marchese is Vice President of Archives and Exhibits at Graceland, the Memphis mansion bought by Elvis in 1957 for $102,500. 

It’s where he lived with wife Priscilla, where the couple welcomed their only child, Lisa Marie, and where he died on August 16, 1977. 

Since 1982, Graceland has been a museum with exhibits including Elvis’s pink Cadillac, his private jets, his gold records, his jewellery, his ornate furniture, his deep-pile carpets and, of course, his legendary jumpsuits. 

During her years living and breathing the place, vivacious curator Marchese has seen “a whole lot of Elvis footage”. 

“I’ve scrolled YouTube and seen all the stuff,” she tells me. 

But nothing quite prepared her for EPiC, which she first saw last year when it premiered at Toronto International Film Festival.  

“I was captivated for 96 minutes,” she says. “I couldn’t take my eyes off the screen. 

“You get to see a real person through this movie. That’s the guy I know from going through his archives.” 

Marchese highlights the frequent snatches of interviews with Elvis, which she describes as a “window into his mind”. 

“You’re hearing him telling his story for the first time, in his own words,” she affirms. 

“It involved lots of manpower — finding all these interview clips, dissecting them and making a story out of them. That brought it to a personal level. If Elvis had ever done an autobiography, this is what it would be.” 

Hollywood’s image of me was wrong. I knew it and I couldn’t do anything about it

Elvis Presley

Marchese also saw EPiC at Graceland on January 8, on what would have been the music legend’s 91st birthday. 

“That was very special,” she says. “It was the first US screening of the movie — and you would have thought that you were at a live concert.  

“Everybody in the theatre was dancing and singing and applauding. With the clarity of the footage, it felt as if you could reach out and touch him and he’s there. 

“The look in his eyes, the little smirks — I’ve never seen Elvis performing this clearly before.” 

EPiC begins with a rapid-fire retelling of the Elvis story and how he led the rock ’n’ roll revolution in the Fifties, even if a few stuffed shirts thought his high- octane antics “triggered juvenile delinquency”. 

You see him being drafted into the US Army and posted to West Germany, serving with a tank battalion. There are glimpses of his frustrating movie career which saw him given increasingly lightweight roles, culminating in him talking to an actor dressed as a dog in Live A Little, Love A Little. 

“Hollywood’s image of me was wrong,” he decides. “I knew it and I couldn’t do anything about it.” 

EPiC continues with the dying throes of Elvis’s movie career coinciding with the momentous 1968 Comeback Special, his televised return to the live arena, looking as fit as a fiddle. 

“The black leather suit has a 28in waist,” says Marchese, again proving what a mine of fascinating information she has at her fingertips. 

“That size rolls into the next couple of years of touring. Even the Aztec Sun jumpsuit which Elvis wore in ’77 [for his last ever concert, on June 26, in Indianapolis] is not as large as people might envision it to be.” 

The focal point of EPiC is his Las Vegas residencies which began at the International Hotel in 1969 and continued until the end of 1976. 

You hear Elvis confessing to stage fright before emerging on to the stage in 1970 in his off-white “fringe” jumpsuit (Marchese’s favourite) and launching into the song that started it all, That’s All Right, his first hit from 1956. 

Marchese believes his anxieties stemmed from a burning desire to make shows as special as he could for his fans. 

“He was the kid who lived the American dream, coming from poverty in Tupelo to being on top of the world and able to do whatever he wanted, whenever he wanted. 

“But he never forgot where he came from.” 

Despite everything, Elvis was never exactly shy and retiring, as Marchese explains. 

“He sure knew how to dress. If a kid was going to high school in the Fifties with sideburns, greased hair, his collar pulled up and wearing pink, then he was confident in who he was as a person — even if he had come from humble beginnings.” 

There’s some astonishing footage of Elvis climbing off stage and wading into the crowd, hugging and kissing women — some on the lips. 

Marchese continues: “One of the questions I get asked the most is, ‘Why is Elvis still so popular?’  

‘He sang just to you’ 

“The answer is that he had a personal connection with his fans. If you were in the crowd and there were 18,000 other people in the audience with you, you felt like he was just singing just to you. He had this energy about him, and he was just so personable. 

“Even if you never had a chance to get a scarf or a kiss or even get close to him, you felt like he was there for you. That really comes across in this movie.”  

Another key aspect of Elvis, which shines through, is his mischievous sense of humour. 

There’s a moment where he grabs a drink after complaining of feeling “dry — like Bob Dylan, only in my mouth”. 

Marchese calls him “Graceland’s worst practical joker” and tells her favourite prank story. “Every year, he gave the Memphis Mafia [the nickname given to Elvis’s inner circle] Christmas bonuses,” she says. 

“One year, he overheard the guys as they sat around imagining what the bonus might be. So, Elvis goes to McDonald’s down the street from Graceland and buys them all 50-cent gift certificates. 

“He puts them in envelopes with their names on. Christmas Eve comes around, Elvis brings the envelopes out and hands them out.

“The guys open them up and stare at Elvis — and he just falls about laughing but, mind you, back then 50 cents would have got you an entire meal.”

Next, I ask Marchese if there’s a song in the EPiC movie which particularly grabs her attention. 

He never lost this desire to please his fans, to be with them and to perform for them

Angie Marchese, Vice President of Archives and Exhibits at Graceland

“Like everyone, I love the popular ones such as Suspicious Minds, but when he sings gospel, that’s huge for me. It takes everything to another level. So my answer is, How Great Thou Art. I don’t think anyone could have done it better.” 

Marchese describes how Elvis became infatuated with gospel at a young age. “He used to go to these all-night gospel sings at the North Hall in downtown Memphis when he was a kid. 

“He didn’t have money to buy a ticket so he would go round to the back door and listen. Sometimes, JD Sumner [who sang at Elvis’s funeral] would sneak him in.” 

Of his towering rendition of How Great Thou Art, Marchese says: “Typical gospel hymn, but Elvis put it in the middle of a rock concert. The crowd is silent, listening to every word, but it doesn’t slow down the vibe, it raises it even more.” 

Just before How Great Thou Art, you see cute home movies of Elvis with Lisa Marie when she was a baby and toddler. 

“It made me cry,” says Marchese. “I wonder if Baz [Luhrmann] did that on purpose because How Great Thou Art was her favourite Elvis song.” 

It’s so sad to think that, like her dad, she died young and is buried beside him in Graceland’s Meditation Garden. 

“Lisa was the apple of Elvis’s eye, and loved her dad more than life itself,” says Marchese. 

“She was loyal, authentically who she was and also a beautiful, doting mother to her kids [Riley, twin girls Harper and Finley, and the late Ben].” 

As the owner of Graceland, Lisa Marie also got to know Marchese well. “She really was a special friend. She had a lot of Elvis’s traits — she had no filter so whatever she was thinking was what she was trying to do.” 

Before we go our separate ways, Marchese returns to the subject of EPiC, which showcases some of Elvis’s best-loved songs with breathless intensity — Always On My Mind, Can’t Help Falling In Love, In The Ghetto and so on.  

Elvis announces that it’s time to “get dirty” before launching into a relentless Polk Salad Annie — a truly remarkable feat of film editing, employing footage from two concerts and a rehearsal, all spliced together to thrilling effect. 

“That was masterful editing [by Jonathan Redmond] right there,” enthuses Marchese. 

There are wonderful intimate moments where Elvis rehearses Beatles songs Yesterday and Something.  

Cue one final, illuminating anecdote from the curator with an encyclopaedic knowledge.  

“I actually took Paul McCartney through Graceland. He was most fascinated by the fact that Elvis had a remote control for his TV in 1965 — years before most people had them.

“Oh, and we have the first microwave ever sold in Memphis, inside Graceland’s kitchen.” 

Finally, I ask Marchese if Elvis felt “caught in a trap” by Vegas, resulting in him not touring the world. 

“He loved his Vegas audience. He loved being on tour. But there was a moment in time when he couldn’t get off the hamster wheel. He had so many people relying on him.  

“Yet he never lost this desire to please his fans, to be with them and to perform for them.” 

If you get the chance to see EPiC, you’ll realise Elvis Aaron Presley is STILL The King. 

EPiC – ELVIS PRESLEY IN CONCERT  

★★★★★

These are the key developments from day 1,450 of Russia’s war on Ukraine.

Here is where things stand on Friday, February 13 :

Fighting

• Russia launched a barrage of ballistic missiles and drones at Ukrainian cities in overnight attacks on Thursday, officials reported, as Ukrainian President Volodymyr Zelenskyy said Moscow was “hesitating” about another round of United States-brokered talks on stopping the war.
• Russian forces launched 219 drones and 24 ballistic missiles on Thursday night, causing injuries, deaths and damage to energy infrastructure in Kyiv, Odesa and Dnipro, President Zelenskyy wrote on the Telegram messaging app.
• Two people were killed and six more wounded in an attack on the railway hub of Lozova in the northeastern Kharkiv region bordering Russia, local prosecutors said.
• Kyiv’s Mayor Vitali Klitschko said on Telegram that close to 2,600 high-rise apartment buildings were left without heating following the latest Russian attacks, particularly in the capital’s Desnyanskyi, Dniprovskyi, Pecherskyi and Solomyanskyi districts.
• The attack on the capital came as 1,100 high-rise buildings in the Dniprovskyi and Darnytskyi districts were already “without heat after the previous shelling”, Klitschko said, as temperatures in Kyiv are forecast to fall as low as -13 degrees Celsius (8.6 degrees Fahrenheit) this week.
• ⁠More than 220,000 people in Russia’s ⁠Belgorod region ⁠have been left without electricity after a Ukrainian ‌attack caused an accident at a substation, regional governor Vyacheslav Gladkov ⁠said.
• In Odesa, the State Emergency Service said that Russian drones hit a nine-storey residential building, an outdoor market and a supermarket, causing multiple fires to break out. The drone attack also damaged energy infrastructure, the emergency service added in a post on Facebook.
• Ukraine’s General Staff said that, according to preliminary reports, Ukrainian forces hit an oil refinery in Ukhta in Russia’s Komi Republic, about 1,750km (1,087 miles) from the border with Ukraine, causing a fire to break out.
• A Russian attack last month on the Ukrainian branch of ⁠the Soviet-built Druzhba oil pipeline halted the transit of Russian oil to eastern Europe, Ukraine’s Foreign Minister Andrii Sybiha said. Despite its war with ⁠Russia, Ukraine continues to transport Russian oil to Slovakia and Hungary even though it stopped the transit of Russian gas last year.
• Ukraine said the bodies of two Nigerians fighting for Russia have been found in the east of the country. Hamzat Kazeem Kolawole and Mbah Stephen Udoka both served in the 423rd Guards Motor Rifle Regiment of the armed forces of the Russian Federation, according to a statement by Ukrainian intelligence.

Military aid

• Ukraine’s allies have pledged about $35bn in military aid to Kyiv this year, British Defence Minister John Healey said. The figure includes new commitments by individual countries, but also previous promises of weapons made by Ukraine’s allies, including the 11.5 billion euros ($13.6bn) already announced by Germany, a diplomat told the Reuters news agency.
• German Defence Minister Boris Pistorius said his country was ready to deliver five new PAC-3 interceptors for Ukraine’s air defence, provided Ukraine’s other allies deliver at least 30 more of their own.
• Norway announced it was buying a “large volume” of French glide bombs as part of a bilateral agreement to support Ukraine militarily against Russia’s invasion.
• The United Kingdom announced it will “urgently provide” air defence missiles and systems worth more than 500 million British pounds ($681m) “to protect Ukraine from [Russian President Vladimir] Putin’s brutal attacks on energy sites and homes”.
• US military aid to Ukraine fell by 99 percent in 2025 compared with 2024, according to a report from the Kiel Institute for the World Economy, a think tank based in Germany. “European military aid rose by 67 percent above the 2022–2024 average” in 2025, the Kiel report found.

Peace talks

• Kremlin spokesman Dmitry Peskov said that another round of talks on ending the war in Ukraine was expected “soon” but gave no further details.
• Ukrainian Foreign Minister Sybiha said that Russia’s more recent overnight attacks on Ukraine further undermined efforts to end the war through dialogue. “Each such strike is a blow to peace efforts aimed at ending the war. Russia must be forced to take diplomacy seriously and de-escalate,” Sybiha wrote on X.

Regional security

• Estonia is to buy 12 more Caesar self-propelled howitzer artillery pieces from France to strengthen its defence capabilities.
• European Union leaders broadly agreed Thursday on a plan to restructure the 27-nation bloc’s economy to make it more competitive as they face antagonism from US President Donald Trump, strong-arm tactics from China and hybrid threats blamed on Russia.
• Ukraine will begin exporting weapons, including drones, in the coming weeks, Ukrainian Defence Minister Mykhailo Fedorov said in a news conference, according to Ukraine’s Ukrinform news agency.

Energy

• Power plants in Ukraine that have been damaged by Russian missile and drone attacks continue to produce far too little electricity to supply the country’s citizens, Ukraine’s Energy Minister Denys Shmyhal told a parliamentary energy committee.

Politics and diplomacy

• French President Emmanuel Macron said there was no rush to open dialogue with Russian leader Putin, stressing the need for Europeans to fine-tune their objectives. Macron raised the prospect of reviving dialogue with Putin in an interview published on Tuesday by several newspapers.
• Six more Russian and Ukrainian children are being reunited with ⁠their families, Washington and Moscow said. One child would return to Russia, and five children would be reunited with their families in ‌Ukraine, Russia’s presidential commissioner for children’s rights, Maria Lvova-Belova, said in a post on Telegram.
• Ukraine has accused Russia of abducting thousands of children, and the International Criminal Court has called for the arrest of President Putin and Lvova-Belova on suspicion of unlawful deportation of children.
• ⁠US Secretary of State Marco Rubio ⁠said he would have a chance to ‌meet Zelenskyy at this week’s Munich Security Conference.

Sport

• Ukrainian athlete Vladyslav Heraskevych has lodged an appeal with the Court of Arbitration for Sport (CAS) after he was barred from competing in the Milano Cortina Winter Olympics. The skeleton racer was banned over a dispute concerning a helmet he wanted to wear in the event to honour Ukrainian athletes killed in the war with Russia.
• The International Olympic Committee (IOC) said in a statement: “[The decision] was taken by the jury of the International Bobsleigh and Skeleton Federation (IBSF) based on the fact that the helmet he intended to wear was not compliant with the rules.”
• Zelenskyy reacted to the decision, accusing the IOC of playing “into the hands of aggressors” as Ukraine’s Sport Minister Matviy Bidnyi said Ukraine would go through legal channels to reverse the decision.
• “We are proud of Vladyslav and of what he did. Having courage is worth more than any medal,” Zelenskyy said.

A United States judge has granted an injunction preventing the Department of Defense from stripping Senator Mark Kelly, a military veteran, of his retirement pension and military rank.

The Defense Department had taken punitive action against Kelly for critical statements he had made against President Donald Trump.

But on Thursday, Judge Richard J Leon, an appointee of Republican President George W Bush, issued a forceful rebuke, accusing the Trump administration of trying to stifle veterans’ free speech rights.

Leon directed much of his ruling at Defense Secretary Pete Hegseth, a senior Trump official who announced on January 5 that Kelly would be censured for what he characterised as “seditious” statements.

“Rather than trying to shrink the First Amendment liberties of retired service members, Secretary Hegseth and his fellow Defendants might reflect and be grateful for the wisdom and expertise that retired service members have brought to public discussions and debate on military matters in our Nation over the past 250 years,” Leon wrote.

“If so, they will more fully appreciate why the Founding Fathers made free speech the first Amendment in the Bill of Rights!”

History of the case

Thursday’s decision comes after Kelly, a Democratic member of Congress, filed a lawsuit against the Trump administration on January 12, alleging “punitive retribution”.

He had drawn the Trump administration’s ire with several public statements questioning the president’s military decisions.

Kelly, who represents the swing state of Arizona, had condemned the administration for sending military troops to quell protests in Los Angeles in June 2025.

Then, in November, he was also one of six former members of the US’s military and intelligence communities to participate in a video reminding current service members of their duty to “refuse illegal orders”.

That video quickly attracted Trump’s attention, and the president issued a string of social media posts threatening imprisonment and even the death penalty.

“This is really bad, and Dangerous to our Country. Their words cannot be allowed to stand. SEDITIOUS BEHAVIOR FROM TRAITORS!!! LOCK THEM UP?” Trump wrote in one post.

In another, he suggested a harsher punishment: “SEDITIOUS BEHAVIOR, punishable by DEATH!”

Shortly thereafter, the Defense Department announced it had launched an investigation into the video and Kelly specifically, given his role as a retired Navy captain.

Hegseth accused Kelly of using “his rank and service affiliation” to discredit the US armed forces, and he echoed Trump’s claims that the video was “reckless and seditious”.

His decision to pen a formal letter of censure against Kelly prompted the senator to sue.

Such a letter serves as a procedural step towards lowering Kelly’s military rank at the time of his retirement, as well as curbing his post-military benefits.

But Kelly argued that such punishment would serve to dampen the rights of veterans to participate in political discourse – and would additionally hinder his work as a member of Congress.

An exclamation-filled ruling

In Thursday’s ruling, Judge Leon determined that Kelly was likely to prevail on the merits of his case – and, citing the folk singer Bob Dylan, he added that it was easy to see why.

“This Court has all it needs to conclude that Defendants have trampled on Senator Kelly’s First Amendment freedoms and threatened the constitutional liberties of millions of military retirees,” Leon said in his often quippy ruling.

“After all, as Bob Dylan famously said, ‘You don’t need a weatherman to know which way the wind blows.’”

Leon acknowledged that granting an injunction against the government is an “extraordinary remedy”. But he argued it was necessary, given the gravity of the case.

The judge conceded that the Defense Department does have the ability to restrict the speech of active-service military members, given the need for discipline among troops.

But the Trump administration argued in its court filings that those restrictions extended to retired military veterans as well.

Leon, however, dismissed that assertion with the verbal equivalent of a snort: “Horsefeathers!”

“Speech from retired servicemembers – even speech opining on the lawfulness of military
operations – does not threaten ‘obedience, unity, commitment, and esprit de corps’ in the same way as speech from active-duty soldiers,” Leon wrote.

“Nor can speech from retired servicemembers ‘undermine the effectiveness of response to command’ as directly as speech from active-duty soldiers.”

Leon also acknowledged that Kelly’s role as a lawmaker in Congress compounded the harms from any attempts to curtail his free-speech rights.

“If legislators do not feel free to express their views and the views of their constituents without fear of reprisal by the Executive, our representative system of Government cannot function!” he wrote, in one of his many exclamatory statements.

The judge was also harshly critical of the Trump administration’s arguments that Kelly’s rank and retirement benefits were solely a military matter, not a judicial one.

Leon described Hegseth’s letter of censure as making Kelly’s punishment a “fait accompli” – a foregone conclusion – given that such a document cannot be appealed and could itself serve as the basis for a demotion.

“Here, the retaliation framework fits like a glove,” Leon said, appearing to validate the crux of Kelly’s lawsuit.

At another point, he rejected the government’s arguments by saying, “Put simply, Defendants’ response is anemic!”

The injunction he offered, though, is temporary and will last only until the lawsuit reaches a resolution.

Trump administration responds

In the wake of the injunction, Kelly took to social media to say the short-term victory was a win for all military veterans.

“Today a federal court made clear that Pete Hegseth violated the Constitution when he tried to punish me for something I said,” Kelly said in a video statement.

“But this case was never just about me. This administration was sending a message to millions of retired veterans that they, too, can be censured or demoted just for speaking out.”

He added that the US faces a “critical moment” in its history, warning of the erosion of fundamental rights.

Kelly then proceeded to accuse the Trump administration of “cracking down on our rights and trying to make examples of anybody they can”. He also acknowledged that the legal showdown had only just begun.

“I appreciate the judge’s careful consideration of this case,” Kelly said. “But I also know that this might not be over yet, because this president and this administration do not know how to admit when they’re wrong.”

Within a couple of hours of Kelly’s post, Hegseth himself shared a message on social media, confirming that the Trump administration would forge ahead with contesting Thursday’s decision.

“This will be immediately appealed,” Hegseth said of the injunction. “Sedition is sedition, ‘Captain.’”

Kelly is considered a Democratic contender for the presidency in 2028.

Andy Gilpin returns to his hometown and finds it has become the somewhat unlikely hottest thing in travel

It’s 1.24pm on Friday afternoon and while most pubs around the UK at this time would be empty, The Turf is full. There are regulars, a retirement party and a vociferous pool game.

There’s also Wayne Cram, from Boston (that’s Massachusetts, not Lincolnshire), supping pints with Max from Wrexham, who’s just come in for a swift half after a hospital appointment. These two would normally never meet, especially here, but they’ve been brought together by one thing – Wrexham FC.

Almost attached to the historic Racecourse Ground, The Turf is one of the main stars of the Welcome to Wrexham show that’s got people flocking to this unassuming and in some ways run-down North Wales city. It follows the fortunes of a football club bought by Ryan ‘Deadpool’ Reynolds and Rob ‘It’s Always Sunny’ McElhenney.

And people have fallen in love with the show. New research says Wrexham is the UK’s newest holiday hotspot for 2026 – with bookings surging an astonishing 184% compared to 2025.

But why and what leads the likes of Wayne to travel 3,200 miles to a place that used to be famous for a giant slag heap and a massive industrial estate?

Do you have a travel story to share? Email webtravel@reachplc.com

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“I’m like the Richard Dreyfuss character in Close Encounters of the Third Kind” explains Wayne. “I was looking for something. I was probably making models of the Racecourse Ground out of mashed potato. I didn’t know what I was looking for, but when I came here, I found it.”

Wayne has been over to see Wrexham five times – six if you count the 10 hours he drove to watch them play in Philadelphia. The first time he ‘kept under the radar’ and didn’t interact much.

Now, you can’t shut him up about Phil Parkinson’s 3-5-2, the recent transfer window and if the club have enough for four promotions in a row.

“I don’t know what the show’s demographic was, but I am it,” he adds. “I keep getting pulled here.”

The Turf’s landlord Wayne Jones is also about grafting, pulling pints, carrying boxes and chatting to regulars. While he’s a star of the show, he doesn’t particularly like the limelight, but will happily pose for selfies for people from all over the world. It’s what has got his pub so busy.

One of the people playing pool is Bryan Still. A former Wrexham Supporters Trust board member, he now runs tours of Wrexham in his minibus, taking eager foreigners to the places that feature and the people who star in them.

Bryan is one of those people who has a story or quip about everything and everyone. We jump into his taxi as he drives into town, pointing out interesting landmarks on the way. We go to the Wrexham Lager Brewery, now 95% owned by Ryan, Rob and their investing partners, the Allyn family.

We visit the historic St Giles Church, one of the seven wonders of Wales, where the founder of Yale University, Elihu Yale, is buried, as well as various murals around the city dedicated to heroes of the club.

We also pay a visit to Rob Clarke, owner of Mad4Movies in the Butchers Market and another regular in the show. Wayne chats to him, before an Aussie fella can’t wait and jumps in, much to the Bostonian’s amusement.

It’s good-natured fun, but it’s not all good news in Wrexham County Borough. While the Turf is full, the high street is empty. Rob’s shop is well visited, but other stalls in the market are struggling for footfall. Shop owners don’t believe the council is doing enough to get people spending in the city – whatever the benefits of the documentary are.

Back at the Turf, Wayne Jones is still busy, but he stops to talk about Flo’s ‘world famous’ baps on the counter at £2 a pop.

“They’re world famous because Rob McElhenney had one once,” says Wayne, before giving us some intel on Millwall fans’ whereabouts and carrying on the graft.

Scoot, lead singer of the Declan Swans who’s song ‘It’s Always Sunny in Wrexham’ is a soundtrack to the show (think this ‘less than a mile from the centre of town’) is talking to a German fella. Bassist from the band Mark Jones is milling around after finishing his shift. A Yorkshire-based reporter charged with covering the club has just walked in and Boston Wayne is holding court with all of them.

Everyone here seems to have a link to either the club, the documentary or both. Even me. I do the voice-over for the show.

My hometown is in the spotlight of the world, and I, Wayne(s), Bryan, Scott, and so many others want to show it off. And you may get embroiled in a chat about the merits of 3-5-2 and a world-famous bap in the bargain.

You get the slap heap for free.

Book it

For inspiration and where to stay and what to do in and around Wrexham, visit the Welsh tourist board.

Feb. 12 (UPI) — A group of two dozen Buddhist monks completed a barefoot, 2,300-mile Walk of Peace across the United States at the Maryland State House in Annapolis on Thursday.

The monks conducted a much shorter walk of 1.5 miles on Thursday, from the Navy-Marine Corps Memorial Stadium in Annapolis to the State House, where a crowd of about 6,000 awaited them.

Theravada Buddhist monk Venerable Bhikkhu Paññākāra told the crowd: “Today is going to be my peaceful day.” The crowd repeated the words back at the monk’s urging.

“Peace is always with us,” Paññākāra continued. “It’s been with us, never left us, never leaves us,” he said, as reported by WMAR.

“We are way too busy chasing,” he added. “So, now, all we need to do is just slow down.”

Paññākāra said it’s important to do more than simply call for peace.

“Without practicing mindfulness, peace is just a saying,” Paññākāra said: “Peace is just a word. It will never happen.”

He said peace only happens when people make it happen.

“Don’t expect anybody to bring peace to us,” the monk said. “It will never happen, either.”

The monks initially did not plan to walk to Maryland’s Capitol building but agreed to do so after receiving an invitation from state officials.

Maryland Lt. Gov. Aruna Miller welcomed the monks after they had walked across 10 states and the nation’s capital, ending their march to promote global peace at the Lincoln Memorial in Washington on Tuesday after walking for 109 days.

“Your walk is a reminder that peace and compassion begin within each of us every single day, one step at a time, one person at a time, one being at a time,” Miller told the monks.

Among the thousands who attended the gathering, Shannon Shea of Silver Spring, Md., who has followed the monks since their Walk of Peace began on Oct. 26 in Fort Worth, Texas, and estimated that she saw them 10 times.

Paññākāra’s words differed at each stop, but his message remained the same.

“It’s all about you, how you react to everything. It’s not what people do to you, it’s how you react to what they do,” Shea said.

“And that message has been clear over and over again,” she added. “It’s just been amazing.”

The monks initially intended to walk back to Fort Worth, but they agreed to take a bus so that they could return in time to participate in a special event.

We’ve seen animated animals belt out tunes in the “Sing” movies. We’ve learned about “The Secret Life of Pets” (twice). And we’ve visited them in “Zootopia” (also on two occasions). Now we get to see them play basketball. “Goat,” produced by Golden State Warriors prodigy Stephen Curry, is yet another underdog story about following your dreams wrapped in a by-the-numbers sports movie. It feels utterly unoriginal on multiple fronts.

Taking the popular acronym GOAT (Greatest of All Time) to its most literal form, the first feature by TV animation veteran Tyree Dillihay — from a screenplay by Aaron Buchsbaum and Teddy Riley — follows an anthropomorphic young goat who aspires to become the GOAT.

A lifelong fan of roarball (this film’s version of basketball), Will, who is voiced by Caleb McLaughlin, dreams of playing for his hometown team, Vineland. His admiration for the sport is embodied by Jett Fillmore (Gabrielle Union), Vineland’s most accomplished player, who carries the entire team on her back — she wants all the glory of victory for herself.

The world of “Goat” is divided between “smalls” and “bigs” (unlike “Zootopia” where the separation is between predators and prey). Will considers himself a “medium” but in the eyes of professional roarball players, he’s tiny. Still, after going viral for bravely challenging Mane Attraction (Aaron Pierre), one of the sport’s major stars who is double his size, Will lands a chance to play in the big leagues.

To the credit of the writers, roarball is a rather inclusive sport. There are no gendered teams, nor any discrimination based on species. Will might be the first “small” to make it big, but that stems from the public’s prejudice, not from rules that ban animals like him from playing.

Desperate for instant relevancy (like plenty of animated features these days), “Goat” is steeped in vapid internet references, from crypto to online memes. Sports fans, however, will find specific allusions, like contentious press conferences and even the kiss cam. Rowdy and kinetic from start to finish, “Goat” does in fact reflect the fast-paced dynamism of basketball, but it soon reveals itself a sugar rush without much substance.

Once Will joins the team, a “never meet your heroes” lesson ensues, since Jett feels like he’s usurping her position. Animosity on her part creates tension until Will opens up about his personal reason for playing. The emotions are not complex here, but they are heartfelt, thanks to how McLaughlin and Union conjure up larger-than-life personalities via their voice performances.

Meanwhile, Will’s other teammates — a rhinoceros, a giraffe (played by Curry himself), an ostrich and a Komodo dragon — don’t feel distinct enough from the ensemble casts of other animated projects like “Sing.” Each member of the assortment has their quirks, some of which occasionally yield a chuckle: Archie (David Harbour), the rhino, has two comically violent kid daughters.

There’s no denying “Goat” has a vibrant aesthetic, but that alone can’t overwrite its defects. Back in 2018, Sony Pictures Animation dazzled the industry when “Spider-Man: Into the Spider-Verse” introduced an approach that mixed 3D CGI with traditional hand-drawn animation. This combination of techniques doesn’t make “Goat” particularly unique anymore.

What’s most impressive, visually, about “Goat” is the way the natural world blends with the urban settings. Vineland, Will’s neighborhood, is indeed covered in vines and yet the vegetation appears organically integrated into the infrastructure. Each game takes place in a different ecosystem. The finale, for example, unfolds amid cracked volcanic rocks and lava. There’s visible handcraft and care in creating these backdrops for the action.

A mixed bag of eye-catching imagery and formulaic writing, “Goat” disappoints because it follows every expected path toward a triumphant conclusion. Its premise could have offered up a kid-friendly reading on failure that doesn’t simplify a way out of adversity. If talking animals will continue to be used as surrogates for human experiences — especially for young viewers — some nuance would be appreciated.