SHOW BIZ

WOKE BBC bosses could thwart a fresh bid to finally get Fairytale of New York to the Christmas number one spot – 38 years after it was released.

The corporation’s radio stations refusing to play a newly released ‘live’ version of The Pogues’ Fairytale of New York because it contains the “cheap, lousy f****t” lyric.

The track by the Irish rockers, originally released in 1987, is one of several vintage festive tracks that only reached number two in the charts, despite becoming classic anthems

Another example is White Christmas by Wham! which was kept off the number one spot by Band Aid’s Do They Know It’s Christmas in 1984.

But fans finally got that to the top spot in 2023.

Fairytale has long been surrounded by controversy because it contains a perceived homophobic slur which has either been removed in some versions or not played at all.

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A music industry insider said: “It feels unfair that this live version which shouldn’t be edited has now been barred from the Beeb’s playlist.

“It’s an authentic performance of a much loved track by a much loved band and this move might be the measure that prevents it from getting to number one at Christmas, which is where it has always deserved to be.”

The original single was only kept from the top spot by Pet shop Boys classic Always On My Mind, which was a high-energy cover version of the Elvis Presley ballad.

Despite always making it into the top ten every Christmas, and featuring in the 2019 festive special of Gavin & Stacey, it’s never made it to number one.

The BBC were approached for comment.

Joe Ely, a singer-songwriter and foundational figure in Texas’ progressive country-rock scene, has died. He was 78.

According to a statement from his representatives, Ely died Dec. 15 at home in New Mexico, from complications of Lewy Body Dementia, Parkinson’s disease and pneumonia.

Ely had an expansive vision for country and rock, heard on singles like “All My Love,” “Honky Tonk Masquerade,” “Hard Livin’,” “Dallas” and “Fingernails.” Born in 1947 in Amarillo, Texas, Ely was raised in Lubbock before moving to Austin and kicking off a new era of country music in the region, one that reflected both punk and the heartland rock of the era back into the roughhousing country scenes they came from.

After founding the influential band the Flatlanders with Jimmie Dale Gilmore and Butch Hancock (which dissolved soon after recording its 1972 debut), he began a solo career in 1977. He released several acclaimed albums, including 1978’s ambitiously rambling “Honky Tonk Masquerade,” before finding his popular peak on 1980’s harder-rocking “Live Shots” and 1981’s “Musta Notta Gotta Lotta.”

Ely, beloved for barroom poetry that punctured country music’s mythmaking, was a ready collaborator across genres. He befriended the Clash on a tour of London and sat in on the band’s sessions recording their epochal “London Calling” LP. He later toured extensively with the group, singing backup on “Should I Stay or Should I Go,” and earning a lyrical tribute on “If Music Could Talk” — ”Well there ain’t no better blend than Joe Ely and his Texas men.”

Ely was a favorite opener for veteran rock acts looking to imbue sets with Texas country swagger. He performed with the Rolling Stones, Stevie Nicks, Tom Petty & the Heartbreakers and Bruce Springsteen, who later sang with him on “Odds of the Blues” in 2024. Springsteen once said of Ely: “Thank God he wasn’t born in New Jersey. I would have had a lot more of my work cut out for me.”

In the ‘90, Ely joined a supergroup, the Buzzin Cousins, with John Mellencamp, Dwight Yoakam, John Prine and James McMurtry, to record for Mellencamp’s film “Falling From Grace.” Robert Redford later asked Ely to compose material for his film “The Horse Whisperer,” which led to collaborations with his old Flatlanders bandmates and a reunion in the 2000s. He also acted in in the musical “Chippy: Diaries of a West Texas Hooker” at Lincoln Center in New York City and joined the Tex-Mex collective Los Super Seven — he shared in the band’s Grammy for Mexican-American/Tejano Music Performance in 1999, his only such award.

Ely was inducted into the Austin City Limits Hall of Fame in 2022 and released his last album, “Love and Freedom,” in February.

Death in Paradise star Don Gilet has opened up on returning to the BBC drama for the Christmas special

Death in Paradise star Don Gilet has expressed his delight at reprising his role, admitting “It was great to come back”.

The actor, 58, joined the BBC drama as DI Mervin Wilson last year, following in the footsteps of previous stars such as Ben Miller and Ralf Little.

Now, he’s eagerly awaiting the 2025 Christmas special and shared his feelings about returning to the role, confessing it was “slightly daunting”.

“It felt good. Slightly daunting, but in a positive sense because you want to do the same again, if not better,” he revealed in a BBC interview ahead of his return. “I jokingly describe it as the second album, the first album went really well, but you can’t rest on your laurels and be complacent, there’s still more audience out there to win over.”

He continued: “So, I went out to Guadeloupe with a renewed appetite. It was great to come back and reconnect with the characters and the actors,” reports the Express.

Discussing what fans can expect from the festive special, Don promised “plenty of humour, but even more heart”.

He elaborated: “It pushes and pulls emotionally and comedically in equal measure. Mervin faces far more antagonism, and things are a lot more challenging for him, especially now he knows there’s a half-brother out there to find.

“But you can still get cosy, sip your Baileys and enjoy another great Death in Paradise Christmas special,” he added.

The forthcoming special presents one of the team’s most perplexing cases yet, as a victim is found dead in a swimming pool on Saint Marie, whilst the murder weapon was locked away in a drawer back in England at the time of the killing, leaving detectives completely stumped.

This comes as Don recently spoke candidly about the “pressure” of filling the boots of previous stars as the latest detective on the show.

During his stint on BBC The One Show on Monday (December 16) evening, he confessed to Alex and co-host Roman Kemp: “I feel the pressure doing this. I’ve said this before, it feels like the second album, you know the first one went well, I was the replacement like a replacement Doctor Who and people have their favourites prior to that.

“So there’s always this sense of ‘well is he going to be as good as…’ are people going to switch off, but luckily no one has switched off yet but you’ve got to come back and do it again and better so I’m not resting on my laurels.

“I do feel a bit pressure but it’s an enjoyable pressure. I love coming back and doing more of the same but with something a bit extra.”

Death In Paradise Christmas special airs on BBC One on Sunday, December 28 at 8.30pm.

KATHERINE Ryan has revealed that she has had “serious cosmetic surgery” just eight weeks after giving birth to her fourth child.

The comedian and her husband Bobby Kootstra welcomed daughter Holland in October.

And Katherine, 42, says that the little one came along to the surgery, which took place in York – hours away from their London home.

Talking on her podcast, Telling Everybody Everything, Katherine said she is in “no pain” following the procedure.

Katherine explained: “I went to York, it was three and a half hours, I elected to take the baby with me because she just turned eight weeks that day and I’m still breastfeeding her, obviously, I will be for a long time.

“You can’t breastfeed immediately after surgery but I could obviously spend the night with her before and breastfeed her then.

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“I was thinking to myself, after I got this surgery – which, wait until you see it, is pretty serious surgery – I was like, ‘Katherine Ryan what is your damage? What the f*** are you doing? Why have you brought a baby to surgery.’

“But then i thought, up and down this country, worldwide, everyday, we are giving women C-sections and then saying, ‘Sweet, go keep these twins alive’.”

Katherine clarified that a C section is “much more serious” than the procedure she had.

She joked: “So, what’s an elective cosmetic procedure with a newborn?”

Continuing that she is in “no pain”, Katherine said that while she’d like to share what procedure she has had done, it’s under wraps.

The comedian was joined by a filming crew who captured the whole thing for an upcoming docuseries.

She says there is more information coming soon on the show.

Katherine’s husband, Bobby, revealed in October that the comedian welcomed their newborn in just 45 minutes.

She appeared to have a speedy bounce back, as Bobby even shared a snap of the star enjoying a flute of prosecco in hospital following he birth,

Alongside baby Holland, Katherine and bobby share children Fenna, two, and three-year-old Fred.

The comedian is also a mum to 15-year-old Violet, who she has from a previous relationship.

Netflix and iHeartMedia announced Tuesday they have an exclusive video partnership deal to bring more than 15 original podcasts, including “The Breakfast Club,” true crime podcast “My Favorite Murder” and Chelsea Handler’s “Dear Chelsea” to the subscription streaming service.

The multi-year deal, which launches in early 2026, includes new episodes from the podcasts and some library episodes. The video podcasts will first roll out on Netflix in the U.S. and later to other markets. Netflix declined to disclose the financial terms of the deal.

The announcement comes as Netflix is adding more video podcasts to its lineup to diversify the content on its streaming service and better compete with YouTube. Several of the iHeart podcasts involved in the deal, including “My Favorite Murder,” have posted videos of their podcasts on Google’s video platform prior to the deal’s announcement.

“With this partnership we are incredibly excited to offer our members such unmatched variety, and to deliver highly entertaining podcasts featuring some of the world’s most dynamic personalities,” said Lauren Smith, Netflix’s vice president of content licensing and programming strategy in a statement.

In October, Netflix announced next year it would stream 16 Spotify video podcasts, including sports audio programs like “The Bill Simmons Podcast” and “The Ringer Fantasy Football Show.”

Video podcasts have become more popular among audio listeners. Roughly 70% of podcast listeners prefer their shows with video, according to a Cumulus Media study. Some of the programs also have huge followings — for example, “My Favorite Murder,” with hosts Karen Kilgariff and Georgia Hardstark, has generated about 2 billion lifetime downloads according to iHeart and Netflix in a press release.

Other video podcasts coming to Netflix include comedy podcast “This is Important,” mental health podcast “The Psychology of your 20s” and history podcast “Behind the Bastards.”

iHeart will keep its audio-only rights and distribution as part of the deal, with its podcasts continuing to be on iHeartRadio and “everywhere podcasts are heard,” the companies said. iHeart did not immediately return a request for comment on the financial terms of the Netflix deal.

“Netflix has a leading video-first service, and this partnership perfectly complements our strong audio foundation,” Bob Pittman, iHeartMedia CEO in a statement. “Working with Netflix—an important leader in entertainment— gives fans one more way to connect with the personalities they love and opens the door to new audiences, including viewers discovering these shows for the first time.”

Gogglebox’s Helena Worthington has been a fan favourite since joining the Channel 4 show eight years ago and now her family is expanding

Everything you need to know about pregnant Gogglebox star Helena Worthington

• Helena Worthington joined Channel 4 show Gogglebox back in 2017 for series 10 with the rest of the Worthington family: her mum Alison and Alison’s partner George. And it didn’t take them long to become firm favourites with fans. Over the years, the family – who live in Manchester – have had fans in stitches thanks to their hilarious one-liners and comical takes on the telly highlights.
• Away from the programme, Helena is in a relationship with partner Dan. She is also a proud mum to six-year-old son Erwin. Recently, Helena confirmed she was pregnant as she reflected on welcoming another child into the family. Taking to her Instagram, Helena shared several snaps from a recent day out.
• In the caption she penned: “Pregnant. Tired. Raging indigestion. Still crouching down to explain why we don’t dig up all the bullbs. 33 weeks pregnant at RHS Bridgwater with my first baby, while waiting for my next one. We took Erwin here often when he was a new bean. These in-between moments feel really precious lately — messy, slow, and very real. I’m excited but I feel weird that Erwin will seem so big all of a sudden.”
• While the Worthington family films their segments for Gogglebox at Alison and George’s abode, Helena has made a cosy nest of her own in Salford with Dan and Erwin. Her Instagram is a gallery of domestic bliss, featuring everything from handmade crochet blankets to walls adorned with artwork, all set against a palette of vibrant colours.
• When she’s not on Gogglebox, Helena is an accomplished artist and focuses on sculpting and painting. Her artwork has been displayed in prestigious venues such as The Whitworth Art Gallery and The Manchester Open at Home, and her paintings have found homes in various private collections. In a candid chat with ilovemanchester.com, Helena opened up about her personal life. Reflecting on what sparked her artistic journey, she shared: “When I was very little I used to draw on the walls and in my mum’s cook books and then blame it on my brother… so I guess that was the start of things.”

READ THE FULL STORY: Gogglebox star confirms she’s pregnant as fans rush to congratulate

CHARLOTTE Dawson has revealed that she is “stepping away” from her podcast, Naughty Corner.

It comes after a rocky few weeks for the TV personality, 33, following a split from her fiancé Matt Sarsfield and a subsequent reunion just days later.

Charlotte began her podcast in 2024 and often shares details from her family life on it.

Taking to Instagram, Charlotte shared a statement which read: “After an incredible year and more than a million downloads, we’ve decided it’s time to pause the podcast for now.

“With life being especially busy at the moment (kids, chaos and everything in between) this feels like the right moment to take a breather.”

She continued: “Naughty corner has been a place where I’ve shared my life and parenting journey, and it’s also been a place where your stories, whether beautiful, bonkers or everything in between, have lifted me up.

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“A huge thanks to my partner in crime Janine for being by my side every step of the way and to all the fab guests that have joined me this year!”

The statement ended: “Thank you for being here and for supporting the pod my darlings. CD x”

Earlier this month, The Sun revealed that Charlotte and her partner Matt had split after a blazing row on a night out, but reunited days later.

A friend of Charlotte told The Sun: “Charlotte is extremely apprehensive about marrying Matt.

“They’ve been engaged for five years but their relationship has been far from smooth sailing. Their latest explosive argument has planted further doubts in Charlotte’s mind.

“When they’re good, they’re good – but problems often arise when either one or both of them are out.

“They have blazing rows that, in the moment, make it seem impossible that they’ll make it down the aisle, but then they’ll kiss and make up.”

It’s the second time they’ve ended their nine-year relationship, having previously split in August last year after Charlotte found messages to other women on Matt’s phone.

The couple share three children; Noah, Jude and Gigi.

The Sun previously revealed how Charlotte’s family and friends have begged her to bin the shamed rugby star in the past.

Even the most accomplished actors sometimes feel out of their depth on a movie.

Gwyneth Paltrow, who returns to the big screen this fall as an Old Hollywood star trying to make a new start in “Marty Supreme,” was “way out over her skis” in her early 20s when she played a Park Avenue wife opposite older co-star Michael Douglas in “A Perfect Murder.” Jennifer Lopez, who showcases her triple-threat skill set in the musical “Kiss of the Spider Woman,” felt a “huge” responsibility to get it right when portraying Tejana icon Selena Quintanilla in the 1997 biopic about the late singer. And Emily Blunt, who goes toe-to-toe with Dwayne Johnson in the mixed martial arts saga “The Smashing Machine,” had to avoid being typecast as the go-to “acerbic British bitch” after the success of 2006’s “The Devil Wears Prada.”

These and many more tales from inside the maelstrom of megawatt stardom were the subject of The Envelope’s 2025 Oscar Actresses Roundtable, where Paltrow, Lopez and Blunt were joined by Sydney Sweeney, who transformed physically and emotionally to play boxing legend Christy Martin in “Christy”; Tessa Thompson, who tries to keep up appearances as the title character in “Hedda,” Nia DaCosta’s acclaimed new adaptation of “Hedda Gabler”; and Elle Fanning, who plays an American star struggling to find her way into a Norwegian art film in “Sentimental Value.”

In conversation with Times critic Lorraine Ali, the six performers discussed how they deal with bad press, resist being put in career boxes and inhabited some of the most-talked-about film roles of the year.

Jennifer, you play the title role in “Kiss of the Spider Woman,” a story set in Argentina during a military dictatorship. It takes place in a political prison where the men imagine themselves in a glamorous, sweeping musical. As producer on the film, why was it important for you to tell this story now?

Lopez: It’s never been more relevant, which is really scary. Manuel Puig wrote the novel in the 1970s about these two prisoners during the uprising in Argentina. It really is a love story about seeing the humanity in another person, like two very different people with different political views. One is queer, and the other is a political revolutionary. The two of them were like oil and water. But they escaped into the [fantasy of] a movie, which is “Kiss of the Spider Woman.” They slowly come together and see each other’s souls instead of who they were on the outside. I think with everything that’s happening in the world right now, especially in this country, with Latinos and queer communities being targeted, demonized — there’s never been a more important time to say, “Look at me on the inside. Stop with all of this divisiveness. See people for who they are.”

Gwyneth, “Marty Supreme” is set in the 1950s. You play Kay Stone, a faded starlet. Who did you base her on?

Paltrow: She’s an amalgam of a few ideas, but principally Grace Kelly, who also had this amazing movie career and was this incredible star, and then walked away from it for marriage. My character does the same. When I was looking at photographs [of Kelly during] her films, and then photographs after she got married, it was like the light dimmed. She lost something. My character had a very rough road to get to stardom, so she walks away from this big career to marry an unsuitable but very wealthy man. And then her son dies, so she has a lot of tragedy.

Sydney, “Christy” is the story of Christy Martin, a pioneer in popularizing women’s boxing in the 1980s and 1990s. You really transformed for the role. Can you talk about that transformation?

Sweeney: Her story is probably one of the most important stories I’ll ever get to tell, so I felt that immense importance. I needed to fully transform myself. I trained every day for three months leading up to shooting. I put on 35 pounds. And I got to spend time with her, and now she’s like one of my best friends. I just kinda lived and breathed Christy for the entirety of the whole thing.

There’s so much violence in her world, particularly outside the ring. Was the real-life Christy there when you shot the domestic abuse scenes between her and her husband, Jim Martin (played by Ben Foster)?

Sweeney: To protect her, we didn’t have her on set when we were shooting the last part of the movie where the domestic violence came into play. The following Monday, we had her come to set, and the entire crew stood up and just started applauding. It was so beautiful. Then after that, she was on set all the time. We would be in the ring, and she’d be sitting [outside the ring], and I’d hear her say, “Hit her with the left hook, Sydney!”

Lopez: She was coaching from the sidelines?

Sweeney: Oh, yeah. We were having a blast. And in the fights, we actually fought. My No. 1 thing with all the girls was that I don’t want this to be fake because so much of Christy comes to life in the ring. I didn’t want to have [the camera] at the back of my head or have to cut to fake the punches. Every single one of those girls, they’re badasses. They punched me, and I punched them. We had bloody, broken noses. I had a concussion.

Blunt: Sydney broke someone’s nose.

Sweeney: I got a concussion. I’m not going to confirm [what else happened]. But I definitely caused some, uh, bruises and blood.

Emily, with “The Smashing Machine,” you play Dawn Staples, girlfriend to Mark Kerr, who was a pioneer in the field of MMA fighting. How much did you know about that world before taking on the role?

Blunt: I knew very little, and I was moved that Mark Kerr was my first window into [MMA] because he is such a juxtaposition to the violence of the world. This is a man who headbutted people to oblivion, and when you meet him, he’s like [subdued tone], “Hi, how are you?” He’s so nice. And I said to Mark one day, “How did you do that?” And he goes, “I know, it was nasty.” He’s just so sweet and dear and eloquent. But I think he was sort of filled with this uncontrollable rage that he hardly knew what to do with, and he struggled so much with his own demons. The movie is more about struggle and fragility than it is about fighting.

Tessa, “Hedda” is an adaptation of Henrik Ibsen’s play “Hedda Gabler” and you play the title role. Your castmate, Nina Hoss, said the role of Hedda Gabler is for women actors what Hamlet is for men. Do you agree?

Thompson: I like to say that Hamlet is the male Hedda, just because I think it’s a nice reversal. But people say that because the truth is that we don’t have that many [roles] that are canonical in the same way that Hedda Gabler is, so it feels like this behemoth. It’s one of the parts in theater that feels like a mountain to climb. There’s a kind of complexity to the character that has compelled audiences and actors for centuries … which is the case with both [Hedda and Hamlet]. But I think the comparison is kind of boring, frankly. I remember an actor saying to me, “Oh, I learned in drama school you have to have your Hedda ready.” And I did not have my Hedda ready, but I got it ready.

The wardrobe and sets in “Spider Woman,” “Hedda” and “Marty Supreme” are beautiful. Did you swipe mementos when the films wrapped?

Paltrow: No, you can’t.

Lopez: I mean, you can.

Paltrow: I tried the Birkin bag from “The Royal Tenenbaums” [but I could not], so I took the loafers instead.

Blunt: Not the same. Not quite.

Thompson: [To Gwyneth]: I was almost you [in “Tenenbaums”] for Halloween, but I couldn’t get it together in time and I wanted do you justice. But one day …

Paltrow: Next year. I’ll lend you the loafers.

Elle, in “Sentimental Value,” you play a Hollywood star who’s cast in an art–house European production. In reality, you were shooting the massive production “Predator: Badlands” when you joined “Sentimental Value,” a smaller European film. Were the parallels with your character, Rachel, apparent at the time?

Fanning: I got a call that “Joachim Trier has a part for you and would like to talk over Zoom, and here’s the script.” I was like, “Oh, my gosh, Joachim Trier [who made] ‘The Worst Person in the World.’” I would’ve said yes to one line. But I was already doing “Predator.” I was about to go off to New Zealand, but it’s very important for Joachim to rehearse, so he [wanted me] to come to Oslo. I wasn’t sure which movie I could do, and I wanted to do both. So, of course, there were parts to the character that I could relate to. I kept thinking, “There’s a lot of meta-ness going on in this film,” particularly for my character, being the Hollywood actress coming to Oslo for the first time, working with a Norwegian director. And coming off of this action-packed film to go to this very intimate, emotional foreign film, they fed into each other in ways that I didn’t expect them to.

How do you all deal with rough reviews?

Paltrow: I try to never read anything about myself, full stop, ever. Period.

Lopez: Wait, not anything about yourself? Ever? Period? Because I don’t read reviews of my films either, but people will bring it to you it when it’s good and you’re like, “Oh, nice.” But there’s other things they’ll bring you …

Paltrow: Sometimes I’ll come upon it.

Lopez: And you want to die.

Paltrow: Want to die. Like when someone forwards you a link to something really horrible about yourself, and they’re like, “Oh, this is bull—.” I do try to avoid [that kind of stuff]. I deleted Instagram.

Blunt: Me too.

Lopez: You need to cleanse every once in a while.

Sweeney: Sounds nice. I can’t do that.

How do you push the negative stuff about you or your personal life aside and focus on your work?

Sweeney: It helps when you love what you do. Like, if you’re loving the characters that you get to play, you’re loving the people you get to work with, and you’re proud of what you’re doing, then it’s just outside noise. When we walk on set, the world kind of disappears and we get come to life in a different kind of way. Those are the moments and the relationships that matter. Everything else is just people we don’t know.

Paltrow: [To Lopez] I want to hear your answer to this question.

Lopez: From the very beginning, for whatever reason, I’ve been a lightning rod for nice things and a lot of negativity. And it’s hard because you say to yourself, “These people don’t get me. They don’t see me. They don’t understand me.” Then all of a sudden they do. And then they don’t again. Even from when I was very young, I would always say, “I know who I am. I’m a good person. I know what I’m doing. People wouldn’t hire me if I wasn’t good at what I do.” I was always affirming myself and keeping my feet on the ground. Luckily, I had a great mom and dad who really instilled in me a sense of self. And what Sydney was saying, I’d have to block out the noise so I can put my head on the pillow at night and go, “I did good today. I was a good person. I was kind to people. I worked really hard. I’m a good mom.” That has always helped me through.

Thompson: Not having your sense of self or identity entangled in this other self that belongs to the public seems like such a healthy thing. I’m still trying to figure out my balance with that. When I was acting in some projects, I felt like I was delivering a lump of clay that got sculpted by somebody else. So if someone was harsh on the final [product], I was like, “Well, I didn’t sculpt it. I’m just the material.” But now that I produce, it’s a completely different thing. It’s building it from the ground up and feeling so much responsibility to the people that you’ve made it with. You made a baby and sent it into the world, and you just hope it doesn’t get misunderstood.

Gwyneth, you’re stepping back into the film world with “Marty Supreme” after seven years doing other things, such as Goop. Were you nervous coming back into the fold?

Paltrow: I [had been] doing things like “Iron Man” and “The Avengers,” which are totally fun, but it’s like doing a TV show where you go back in and you know the character. It’s not that difficult. So it had been a really long time, and I was like, “How did I used to do this? How are you, like, natural?” And then I did the camera test and I was really nervous. I felt like a fish out of water. And then luckily the first scene that I shot for real was a scene in the movie where she’s rehearsing a play. And I started in the theater, and I did a million plays before I ever did a film. The camera was far away, and I had my mom’s voice in my head. She’s like, “You’re on the boards, you know, just let the energy come through your body.”

Can wardrobe and styling help you embody the emotional core of a role?

Blunt: Dawn’s got a vibe for sure. It was that very overt ’90s, overglamorized thing, and everything was so revealing. I feel like my t— looked like two heads by the time they were done with the Wonderbra. They were just up under my chin. That helps you stand different, walk different. And the nails helped me. She had this incredibly long, square, chunky French tip manicure, and she’d talk with her hands. And the spray tan and the wig. It’s all fabulous. It’s such an amazing thing to look at yourself and go, “Who’s that?”

Thompson: [In “Hedda”], the construction of those dresses in the ’50s, there’s so much boning. We had Lindsay Pugh, who’s a brilliant costume designer. I also started looking up the starlets of the time and what their waist sizes were. It was like 20 or 21 inches. They were extreme. In the beginning, when we were constructing the dress, I was like, “I’m going to try to get down to that Dior-like silhouette,” which is impossible. Then we [fell in] love with the idea that the dress doesn’t actually fit her, because she’s inside of a life that doesn’t fit her. But the sheer sort of circumference of the dress makes her a woman who comes into a room and takes up space. A big part of [a woman’s] currency was their beauty and their body. That felt very foreign to me to inhabit. I didn’t recognize or had maybe suppressed the idea of using that part of me to gain power in the world.

The 2025 Envelope Oscar Actresses Roundtable: Top row, left to right, Tessa Thompson, Gwyneth Paltrow and Elle Fanning. Bottom row, left to right, Sydney Sweeney, Jennifer Lopez and Emily Blunt.

Hollywood likes to put people in boxes, particularly women. What boxes has it tried to stuff you in?

Fanning: I was in “Maleficent” and I played Sleeping Beauty, so like Disney princess in pink. Blond.

Blunt: But look at that face. Come on!

Fanning: But I can be mean too! In “The Great,” [I played] Catherine the Great, she was a queen, but she was raunchy. It was such a delicious show in that way. People were like, “Whoa.” They were surprised [seeing me like] that.

Blunt: If there’s a movie that takes off, you will have to carve out space away from that. I remember after “The Devil Wears Prada,” I got offered every acerbic British bitch. I’m like, “I should not do that for a while.”

Paltrow: When I stepped back to be an entrepreneur around 2008, I really confused and upset people. Nobody understood what I was doing, and I faced a lot of criticism and confusion over the course of the 17 years since I sent out my first Goop newsletter. I really do think that women, we are so incredibly multifaceted. We are all the archetypes. We’re not just a mother, or an artist, or an intellectual. We’re all the things. So I’ve always kind of tried to make it my mission to say, like, “No, don’t put us in boxes. We get to define who we are.”

Blunt: Was it hard for you to keep going and ignore it?

Paltrow: It was really hard. Some days I was like, “Why did I do this? The headwinds are so extreme and I’m so misunderstood. I had a perfectly good job. People did my hair. Why on earth did I do this to myself?”

Thompson: And you also did it before there was a cultural appreciation for people doing multihyphenates and starting businesses.

Lopez: I think our generation started thinking, like, “We need and want to do other things.” Even when I started acting and I had done my early films, “Out of Sight” and “Selena,” and then decided I wanted to record music, and it was such a big deal. People were like, “They’re never going take you seriously as an actor ever again.”

Paltrow: And you had the No. 1 movie and the No. 1 album in the same time, right?

Lopez: It was in the Guinness Book of Records. But that’s the thing, everybody’s always trying to tell you: “You can only do this,” or “You can only do that.” I had my perfume line. I had my clothing lines. I have my J Lo beauty now. You have to just do what feels good for you. It doesn’t mean it’s for everybody. Somebody wants to just act their whole life, that’s beautiful too. That’s fantastic. I still want to direct. I still want to write more books. And I don’t ever feel like there’s somebody who can say to me, “No, you can’t.”

Blunt: Say that to Sydney and she’ll break their nose.

SIMON Cowell could be locked in another copyright row after it emerged a group of British rockers also share the same name as his newly formed group.

Tattooed Scottish band December Tenth told the music mogul to get his lawyers to call them over the name dispute.

This week Netflix announced his new show Next Act will feature his latest band – December 10.

The seven-piece group – which conissits of Nicolas Alves, 16, Cruz Lee-Ojo, 19, Hendrik Christoffersen, 19, John Fadare, 17, Josh Olliver, 17, Danny Bretherton, 16, and Seán Hayden, 19 – released their new music earlier this week.

But they have an unexpected rivalry in the form of the Glasgow-based metallers, who are named after the date their pen pal was executed on death row.

They have challenged Simon after he and Netflix announced the new boy band with a very similar name to their group.

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In a post on social media the lead singer of the band said: “It came to light over the last few days that Simon Cowell, Netflix and Universal Music, are involved in a new boy band that share, to some extent, our name December Tenth.

“Now if anyone in Simon’s team, Universal or Netflix, would like to get in touch with ourselves and our legal team they can do so.

“I would like to point out, the hundreds of new followers we have over the last few days are most welcome, but I’m not entirely sure they are all genuine.”

The band, who formed in 2020, have also been swamped with messages with confused boy band fans who mistakenly followed them online.

He added: “Our social media accounts have blew up and we had no idea why. It turns out that Simon Cowell has released a new Netflix show, called “December 10”.

“We are now being inundated with well wishes from fans of the show thinking we are that band.”

It’s not the first time Simon has faced issues over a pop group’s name.

In 2011 X Factor was forced to change their girl band Rhythmix to Little Mix after a disabled children’s charity in Brighton with the same name threatened them with legal action.

I think about Rob Reiner almost every time I put on my socks.

I am old enough to remember the famously hilarious (and largely improvised) bit from “All in the Family” in which Reiner’s Mike “Meathead” Stivic and Carroll O’Connor’s Archie Bunker argue about the correct order of donning footwear — both socks first (Archie’s method) or sock/shoe, sock/shoe (Mike’s).

The straight-faced back and forth was, and is, a pitch-perfect exhibition of how much time and energy we waste judging, and arguing about, personal differences that are none of anyone’s business and matter not at all.

I also think about Reiner whenever my now-adult children and I sit down for a movie night. When all other suggestions fail, at least one of his films — ”Stand by Me,” “The Princess Bride,” “A Few Good Men,” “When Harry Met Sally…,” “Misery” — will achieve consensus, in large part, because of that same understanding.

Reiner was, above all, a compassionate filmmaker, willing to excavate all manner of conflict and tension in search of the essential humanity that connects us all.

Reiner helped shape the culture of my youth and early adulthood with such brilliant empathy that his random appearances on television — as Jess’ (Zooey Deschanel) father in “New Girl” or, more recently, Ebra’s (Edwin Lee Gibson) business mentor on “The Bear” — sparked immediate reflexive delight, as if a beloved uncle had shown up unexpectedly at a family dinner.

It helped, no doubt, that I share his political leanings. Reiner’s advocacy for gay marriage and early education were well-known, as was, in recent years, his unvarnished criticism of President Trump, who Reiner, like many others, considered a danger to democracy.

That criticism should have prepared me for the chilling invective unleashed by some, including Trump, in the wake of the news that Reiner and his wife, Michele Singer Reiner, were found dead in their home on Sunday night, victims of a knife attack, and that their son Nick, who has a history of drug addiction, was in police custody.

Even as the millions who were touched by Reiner’s work struggled to process their shock, grief and horror, Trump responded with a post in which he claimed that the Reiners’ murders were “reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME, sometimes referred to as TDS.”

Horror unfolds around the world on a daily basis. This weekend, a father and son opened fire on a Hanukkah celebration in Australia, killing 15 and wounding many others; a gunman killed two and wounded nine at Brown University; and two members of the Iowa National Guard were killed and three others injured by gunmen in Syria.

Even so, between the shocking news of the Reiners’ deaths, the possible involvement of their son and the unhinged and cold-hearted response of the president of the United States, it is difficult to know how to react, short of tearing out one’s hair and screaming up to an indifferent sky.

No person’s life means intrinsically more than any other — many people are killed by violence each and every weekend, often by family members; that we seem to have become inured to mass shootings is another sort of horror.

But Reiner’s work, in film, television and politics, affected millions around the world personally and culturally. In “All in the Family,” his young leftie was far from the hero of the piece — Mike’s values were more humane and progressive than the bigoted Archie’s, but he could be just as narrow-minded as his father-in-law and just as capable of change.

As a director, Reiner championed independent filmmaking, which is to say smartly written movies that told interesting stories about characters that were recognizable in their humor and humanity (which is one reason he was so successful in adapting Stephen King’s work, including the novella “Stand by Me” is based on and “Misery”).

His political activism too was grounded in the desire to make life better for those historically marginalized by policy and culture. He campaigned against tobacco use and for Proposition 10, which increased the tax on cigarettes, and funded early education. In 2009, he used his considerable influence to co-found the American Foundation for Equal Rights and successfully fought to legally challenge Proposition 8, which banned same-sex marriage in California.

As an artist and a public figure, he put his money where his mouth was and remained invariably sincere, a powerful and compelling trait that has become increasingly rare in a time of the sound-bite inanities, muddy thinking, obvious contradictions and outright falsehoods that threaten our public and political discourse.

Reiner mastered many mediums and wielded a broad palette but his signature artistic trait was empathy. No story was too small, or too brutal, to be examined with kindness and an understanding that the most grave injustice we can commit is to choose apathy or revenge when connection and transcendence are always possible.

The news cycle surrounding the Reiners’ deaths is likely to get worse, as details emerge and reactions of all kinds continue. For a long while, it will be difficult to think of Reiner and his wife as anything but victims of a brutal crime of truly tragic proportions and the regrettable heartlessness that our political divisions have created.

Ironically, and mercifully, solace for this loss, and so many others, can be found in Reiner’s work, films and performances that are impossible to watch without feeling at least a little bit better.

As Hollywood and the world mourns, I will try to think of Reiner as I always have. After all, no matter the order, we all put on our shoes and socks one at a time.

And then, as his artistic legacy teaches us, we stand and try to do the best we can with whatever happens next.

As Donald Trump threatens legal action against the Beeb, the Mirror takes a look at the broadcaster’s most recent list of top earners, which includes some surprises

US President Donald Trump is suing the BBC to the tune of $5 billion, yesterday claiming, “they put words in my mouth”.

POTUS is here referring to an episode of Panorama which aired a week before the 2024 US election, which showed comments he made to supporters ahead of the deadly 2021 Capitol riots. The episode appears to show Trump telling crowds: “We’re going to walk down to the Capitol and I’ll be there with you, and we fight. We fight like hell.”

However, these words were created from different segments of the 79-year-old’s speech, delivered nearly one hour apart. The BBC has since issued an apology over the edit, admitting to an “error of judgment” while clarifying there was no legal basis for Trump’s claim. As the row continues, the Mirror takes a look at the Beeb’s list of top earners.

READ MORE: Donald Trump sues BBC $5 billion for Panorama speech edit: ‘They put words in my mouth’

Back in July, the BBC published the salaries of its highest-paid stars as part of its annual report, and a number of significant changes amongst the top earners. Former Match of the Day presenter Gary Lineker, who this year left the corporation was once again the top earner with a take home salary of £1.35million. This was followed by former Radio 2 breakfast host Zoe Ball, who took home £515,000 despite being replaced on the Breakfast Show by Scott Mills.

Match of the Day Host Alan Shearer emerged as the third highest paid BBC star of the year, increasing his salary from the year before after covering the Euros last year. The former Newcastle star boosted his paycheck to almost half a million pounds with his punditry at the tournament.

Radio host and political expert Nick Robinson also had a pay rise last year, while Radio 2 host Vernon Kay joined the top 10 for the first time. Perhaps surprisingly, BBC North America Editor Justin Webb also made the top 10, with a very impressive salary of £365,000.

The BBC’s top earners:

1. Gary Lineker £1,350,000-£1,354,999 (no change)
2. Zoe Ball £515,000-£519,999 (down from £950,000-£954,999)
3. Alan Shearer £440,000-445,000 (up from £380,000-£384,999)
4. Greg James £425,000-£429,999 (up from £415,000-£419,999)
5. Fiona Bruce £410,000-£414,999 (up from £405,000-£409,999) and Nick Robinson £410,000-£414,999 (Up from £345,000 and £349,000)
6. Stephen Nolan £405,000-£409,999 (up from £400,000-£404,999)
7. Laura Kuenssberg £395,000-£399,999 (up from £325,000-£329,999)
8. Vernon Kay £390,000 – £394,999 (joined Radio 2 in May 2023)
9. Justin Webb £365,000-£369,999 (up from £320,000-£324,999)
10. Naga Munchetty £355,000-£359,999 (up from £345,000-£349,999)
11. Scott Mills £355,000-£359,999 (up from £315,000 – £319,999)

Last year, Vernon Kay made the list for the very first time after joining BBC Radio 2. The Bolton born presenter replaced Ken Bruce and took home a whopping £320,000 from the corporation in his first year. Despite this staggering sum, his take-home pay was almost 20 per cent less than what Ken earned in the previous year in the slot.

Meanwhile, disgraced BBC News host Huw Edwards also remained on the list last year, coming in at third place with a wage of £475,000-£479,999 (up from £435,000-£439,999). Edwards, who had been off-air since July 2023, left the BBC after being named as the presenter at the centre of days of allegations and speculation regarding his private life.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , X , Facebook , YouTube and Threads .

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PETER Andre has shared a heartbreaking update on his mother’s health, admitting he worries this Christmas may be her last.

89-year-old Thea, who lives in Australia, was diagnosed with Parkinson’s and Alzheimer’s back in 2023.

Peter has spoken over the last year about his mother’s deteriorating health and the heartache that comes with it.

And in a new interview with OK! Magazine, he admitted: “Of course I worry this could be Mum’s last Christmas.

“She’s very delicate. Her Parkinson’s has progressed quite a bit. Her speech is almost gone. She’ll say a word or two. It’s heartbreaking, because she’s our world, our pillar of strength.”

Peter, who was raised in Australia, often goes back Down Under to visit Thea and his dad Savvas, 92.

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His older sister, Debbie, also resides back home and helps to look after their parents.

Admitting that it’s tough to also see his dad’s health decline with age, the dad-of-five said: “Then I see Dad and he’s 92 and with her every single day. But he’s getting delicate now, too.

“His memory’s going, but I am so grateful that they made that milestone I prayed for – 70 years of marriage in September.”

“It’s a raw pain. I’m a grown man, but I still can’t accept in my heart that these things happen to the people I love the most,” he added.

In September last year, Peter shared a heartwarming clip of his parents to social media as they celebrated their 69th anniversary,

His dad, Savvas, could be seen in the clip bringing wife Thea a beautiful bouquet of flowers.

He wrote at the time: “You inspire me so much mum and dad. Love you so very much.

“My 91-year-old dad giving flowers to my beautiful mum.”

Last year, Peter’s eldest children, 20-year-old Junior and Princess, 18, took a solo trip to visit their grandparents last year.

The holiday fell just days after his wife Emily MacDonagh had given birth to their third child together, Arabella.

The couple also share kids Theo and Amelia, while Peter shares his eldest children with ex-Katie Price.

At the time, the singer shared how proud he was of Princess and Junior for taking the time to visit Emily in hospital after labour before then flying to Austrlia.

He said on Instagram: “Junior and princess. The fact that you drove to Somerset to be with us hours before and the days that followed to see the arrival of your baby sister,”

“AND THEN to get on a plane and travel 12,000 miles to be with your grandmother in a very difficult time for her shows me what beautiful children you are.”

Carl Carlton, the funk and R&B singer known for upbeat, era-embodying singles like “Everlasting Love” and “She’s a Bad Mama Jama (She’s Built, She’s Stacked)” has died. He was 72.

Carlton’s son, Carlton Hudgens II, posted to social media confirming the death on Sunday. “RIP Dad, Legend Carl Carlton singer of She’s a Bad Mama Jama. Long hard fight in life and you will be missed.” The post did not cite a cause of death.

Born Carlton Hudgens in Detroit in 1953, he debuted as “Little Carl” Carlton, but changed his stage name and moved to Houston after he was signed to the local label Back Beat Records. He had a minor soul-scene hit in 1971 with “I Can Feel It,” and broke through nationally in 1974 when his regal cover of Robert Knight’s “Everlasting Love” hit No. 6 on Billboard’s Hot 100 and spent 15 weeks on that chart.

Carlton is perhaps best known for his 1981 single, “She’s a Bad Mama Jama (She’s Built, She’s Stacked),” a grooving and awestruck ode to the female form that hit No. 22 on the Hot 100 and helped his self-titled album that year reach gold status.

The song has enjoyed a long life in popular culture — it’s been sampled by rappers like Foxy Brown, BigXThaPlug and Flo Milli, and frequently appeared on soundtracks for TV shows and films like “Friends.”

He continued releasing records into the ‘80s, and appeared several times on “American Bandstand” and “Soul Train,“ though his output slowed in the ‘90s. In 2003, he performed for Barry Glazer’s TV special, “American Soundtrack: Rhythm, Love, and Soul,” which featured Aretha Franklin and other marquee R&B and soul acts. His last album was 2010’s gospel LP “God Is Good.”

Stranger Things fans have pinpointed a specific tragic moment in the season 5 volume 2 trailer.

Stranger Things fans are in a frenzy after Netflix released the official trailer for the second part of season five. The epic video shows Will Byers (played by Noah Schnapp) feeling deflated after the gang failed to save the children from Vecna (Jamie Campbell Bower).

The teaser also shows Max Mayfield (Sadie Sink) and Holly Wheeler (Nell Fisher) as they attempt to escape Vecna’s trap, while the rest of the gang discover something major about the Upside Down.

While many fans still believe Steve Harrington (Joe Keery) could be at risk in the final season, other viewers believe another major death has flown under the radar, until now. They took to YouTube to pinpoint a specific moment, just over half-way into the video, when one of the main characters is seen coming face to face with a Demogorgon.

Robin Buckley (Maya Hawke) is seen walking down a hospital corridor, flanked by two armed men, as a Demogorgon comes charging towards them. The camera then turns to face the Demogorgon as it lunges at its target. @Kaiiizerrrp said: “1:18 omg, did you see Robin behind the military? [crying emoji]” While @Obama_Plays added: “Omg Robin please runnn” and @Sham-d3y shared: “I am gonna cry so bad.”

More fans picked up on the hint, with @AviAuthorColorado adding: “I’M GONNA CRY BRO LIKE ACTUALLY,” and @Sham-d3y expressing: “FINALLY SOMEONE SAW IT. I AM 100% SURE THAT’S THE SAD DEATH WHICH THE DUFFERS WERE TALKING ABOUT, IT WAS ROBIN ALL ALONG.”

This could be the case as episode five is titled Shock Jock, which refers to a DJ on a radio show who expresses opinions in a deliberately offensive or provocative way. At the start of season five, viewers saw Robin hosting her own show for The Squawk, which serves as a decoy for them to relay information regarding military operations to the Upside Down and the rest of the gang.

This is not the first time fans have predicted Robin’s death, as they believe Netflix had teased her demise after the unveiling of some photos for the fifth and final outing. The official Netflix Instagram account posted multiple photos showing cast members staring at an unseen threat, but one person was left out.

Robin’s absence did not go unnoticed, with one fan writing: “UM HI I BEG YOUR FINEST PARDON WHERE IS MY GIRL ROBIN AT?” Another added: “Hahaha very funny, where the HELL is Robin.”

Robin’s role in season five was pivotal as she helped Will harness his powers by making him believe in himself and not fear his authenticity. She also helped validate Will’s feelings when it came to romance, as she opened up on her relationship with Vickie Dunne (Amybeth McNulty).

Fans took to Reddit to explain how they believed Robin’s emotional speech in volume one of the final season is “SO intensely ‘this character will die’ coded.” MedievZ said: “The Duffers most definitely are not killing off the main core cast. Steve is too obvious of a death.

“Robin is the perfect character to die and get the maximum emotional impact while fitting into the story nicely and being an unexpected gutpunch. We do not see much of Robin in the remaining trailer shots.”

Elsewhere in the season five, volume two trailer, Eleven (Millie Bobby Brown) was seen asking Kali (Linnea Berthelsen) to help her find and kill Venca, after the character’s epic return was unveiled in episode four. Dustin Henderson (Gaten Matarazzo) and Steve were also seen making a pact as they said: “You die, I die.”

Regardless of whether she meets her demise in the final season, Robin is set to live on through the latest Stranger Things novel – One Way or Another. The book, by TV writer and novelist Caitlin Schneiderhan, focuses on Nancy Wheeler (Natalia Dyer) and Robin as they solve an unexplained phenomenon.

The story is set following the events of Stranger Things season four – two months since Vecna’s earthquake tore through the town. Nancy and Robin are convinced they have discovered Vecna’s next victim – fellow student Joey Taft.

Stranger Things season 5 part 2 airs on Christmas Day in the US and Boxing Day in the UK

A HUGE Noughties boyband has sparked speculation of a 2026 tour after all ten members recently reunited.

The unexpected get-together has sent fans into a frenzy begging the question of whether a full-scale comeback could finally be on the cards.

Blazin’ Squad shot to fame in 2002 and are best known for their top three hits Crossroads, We Just Be Dreamin’ and Flip Reverse.

Blazin’ Squad was made up of James MacKenzie (Kenzie), Ollie Georgiou (Freek), Marcel Somerville (Rocky B), Chris McKeckney (Melo-D), Stuart Baker (Reepa), Lee Bailey (Krazy), Sam Foulkes (Spike-E), James Murray (Flava), Tom Beasley (Tommy-B), and Mustafa Omer (Strider) when they shot to fame.

The group officially split in 2005 and over the years the band members have gone in different directions.

Marcel Somerville enjoyed success on Love Island, having been on the show in 2017, before having another go in January on the All Stars spin-off.

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All ten members have since reunited for the festive season, it being the first time since Marcel’s first stint on the ITV2 dating show.

Rapper James Kenzie, who’s had his own reality stint appearing on Celebrity Big Brother in 2005, took to Instagram to share brand new snaps of the band.

The photos show the group beaming ear to ear as they came together at the bar Flight Club in London.

James uploaded a series of pics of the band alongside a nostalgic throwback from the 2000’s, showing the group decked out head-to-toe in red.

He captioned the post: “The Original Squad,” adding a number one medal emoji.

Fans flooded the comments, gushing over the pics and speculating about whether this could hint at a future tour.

One user said: “Please tell me talks of a tour was in conversation? (side eye emoji).”

Another added: “Aged like a fine wine (heart eye emoji)”

“Blazin’ squad reunion incoming plz,” penned a third, whilst a fourth commented: “Need a new Blazin’ Squad Album.”

“So good to see Blazin’ Squad as a 10 piece again now that is the Blazin’ Squad I grew up with,” chimed another.

The group’s various attempts to get all members back together have been stalled.

Marcel Somerville, Stuart Baker, Sam Foulkes and Chris McKeckney reunited in 2006, but later split again.

Three years later a slim-lined Blazin’ Squad returned as a five-piece featuring Mustafa Omer, James Murray, James McKenzie, Lee Bailey and Marcel.

And now the band consists of Sam, Marcel, Chris and Ollie Georgiou.

But, what fans really want to see is all ten members come back together on stage again.

Previously speaking to The Sun about a potential reunion and tour, Marcel said: “Obviously there are ten of us, it makes it a little bit harder, because that’s more people we have to bring back to the camp.

“Do you know what? I feel like if we could get all ten of us back together, I reckon we could definitely do the O2.

“Back in the day, before we split, we’d played Wembley, and had two nights in Manchester, two nights in Newcastle, and two nights in Birmingham.

“We were playing all the arenas, so it’s like, if we could get everyone back.

“Last year was the 22nd anniversary, so I think the 25th anniversary is probably the sweet spot. So maybe in three years’ time, 25th anniversary, I might start a whole campaign for it now, to bring the Squad back together.”

Months before his slaying, Rob Reiner talked about the power of forgiveness after the “horrific” assassination of conservative influencer Charlie Kirk.

“Horror. An absolute horror,” the director, actor and political activist said when asked about the shooting in a TV interview with Piers Morgan. “I unfortunately saw the video of it and it’s beyond belief what happened to him, and that should never happen to anybody. I don’t care what your political beliefs are. That’s not acceptable.”

Contrast that with President Trump’s reaction to the killing of Reiner and his wife, Michele Singer Reiner, who on Sunday were found stabbed to death in their Brentwood home. Their son, Nick Reiner, has been arrested in connection with the slayings.

“Rob Reiner, a tortured and struggling, but once very talented movie director and comedy star, has passed away, together with his wife, Michele, reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME, sometimes referred to as TDS,” Trump said in a social media post.

“He was known to have driven people CRAZY by his raging obsession of President Donald J. Trump, with his obvious paranoia reaching new heights as the Trump Administration surpassed all goals and expectations of greatness, and with the Golden Age of America upon us, perhaps like never before. May Rob and Michele rest in peace!”

How is that anyone’s initial reaction to a tragic slaying, let alone an official comment from a sitting U.S. president? That’s a rhetorical question, of course. It’s just another Monday at Trump’s White House.

I’d be screaming into the void if I were to use the rest of this column to argue that the president is not only off his rocker but also has tumbled down the stairs and is in the foyer, mumbling something about speedboats, piggies and ballrooms. In his race to the bottom, he’s broken through the floor. Now we’re in the Trump Upside Down, where empathy and decency are negative attributes.

Even Republican lawmakers were compelled to speak out against their feared leader. “This is a family tragedy, not about politics or political enemies,” said Georgia Rep. Marjorie Taylor Greene in response to Trump’s post.

Rep. Mike Lawler (R-N.Y.) wrote on X, “Regardless of one’s political views, no one should be subjected to violence, let alone at the hands of their own son. It’s a horrible tragedy that should engender sympathy and compassion from everyone in our country, period.”

Don Bacon (R-Neb.) said it short and sweet to CNN’s Jake Tapper: “I’d expect to hear something like this from a drunk guy at a bar, not the President of the United States. Can the President be presidential?”

No, he cannot. When given the chance on Monday to appear leader-like during a White House news conference, Trump doubled down on his dislike for Reiner, saying he “wasn’t a fan” and that the director “was a deranged person.”

Translation: Reiner was a Trump critic and the president has skin so thin it’s practically rice paper at this point. But the filmmaker’s social conscience was evident in everything he did, starting with his role as “All in the Family’s” liberal, hippie son-in law to conservative crank Archie Bunker. It was the 1970s, and Meathead (a.k.a. Michael) consistently called out Archie’s racism, bigotry and sexism on the weekly sitcom. Archie’s rants are now the ugly stuff embraced by feckless politicians and attention-seeking influencers, but back then, his tirades against “queers” and “coloreds” represented old prejudices that needed to be shed if the country were to move forward. Show creator Norman Lear made the ugliness funny by using Meathead to expose Archie’s ignorance. Even back then, Reiner was poking the bear.

Reiner was a staunch critic of Trump and other leaders and movements that sought to curtail the freedoms that were previously believed to be enshrined in the Constitution — until MAGA began shredding them one by one. The comedian was an advocate for democratic ideals, Democratic candidates, same-sex marriage, early childhood education, and government transparency, spearheading California’s Proposition 10 (First 5) to fund early development programs via tobacco taxes. He also helped overturn Proposition 8, California’s brief ban on gay marriage.

Reiner’s understanding that it takes all kinds was evident in his work. He was a director with range, as they say in the industry, helming a string of films that became cultural touchstones, starting with 1984’s groundbreaking mockumentary “This Is Spinal Tap,” a satire that forever changed the language around heavy-metal decibel levels (“Crank it to 11!”). Then came 1986’s coming-of-age drama “Stand by Me,” 1989’s seminal romantic comedy “When Harry Met Sally…,” and the terrifying, psychological horror-thriller, 1990’s “Misery,” about an injured novelist held captive by his biggest fan.

Some of his films directly addressed the inequity and violence that Reiner fought so hard to correct in his lifetime. “Ghosts of Mississippi” explored the 1994 trial of Byron De La Beckwith, a white supremacist accused of the 1963 assassination of civil rights activist Medgar Evers. And Reiner’s 2017 drama “Shock and Awe” told the true story of a team of reporters who countered the Bush administration’s justification for invading Iraq in 2003 when they found evidence of falsified intelligence about weapons of mass destruction.

Though it was already acceptable to speak out against that Middle Eastern war, in the same week of the film’s release, he caught flak for signing a petition led by Palestinian director Annemarie Jacir condemning Trump’s 2017 decision formally recognizing Jerusalem as the capital of Israel. Reiner, who was Jewish, told the National that Trump had “no concept of geopolitical events or how things are interconnected. There was no consideration that went into this decision, no outreach to allies in the Arab world, or even the non-Arab world to see what the impact of something like this is.”

Reiner saw tragedy and sadness in the death of Kirk because he was able to empathize with the loss of life, no matter the difference of opinion.

Strictly Come Dancing could be set for more big changes to go alongside Tess Daly and Claudia Winkleman’s decision to step away from presenting duties at the end of the current series

Strictly bosses are reportedly eyeing up a big change for the scandal-hit show. Insiders claim the BBC dance contest could be about to up sticks and move north.

Currently, the long-running series is being filmed at a studio in Elstree, Hertfordshire. But reports suggest Kate Phillips, the BBC’s Chief Content Officer is “thinking seriously” about relocating to Media City in Salford, Greater Manchester.

It would see the show move to Dock 10, which is a purpose built studio complex in Media City. And it’s claimed any move would also see the show get a new boss with speculation rife over whether long-standing executive producer Sarah James is currently overseeing her final Strictly contest.

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A source told MailOnline: “She [Kate Phillips] is thinking about it seriously.” A TV insider also told The Sun: “A shift to Salford would be seismic.

“It would also make sense on many levels, but mostly from a PR perspective. It’s a clear statement of intent from the Beeb, who want to draw a line under the show’s troubled time at Elstree.

“There is a lingering sense of anguish that now seems to hover around the show and it’s one that bosses really want to dispel.”

And the source also claimed the move would be “logical in many ways”. However, a BBC spokesperson has since told the Mirror: “There are no plans to move Strictly Come Dancing, any suggestion is pure speculation.”

The show has been hit with a number of controversies and scandals in recent years. And there will also be new presenters from the next series after the announcement that Tess Daly and Claudia Winkleman are stepping away from their duties.

After shocking fans with their statement part way through the current series, speculation quickly mounted about who will replace the dynamic duo. And professional dancer Ian Waite, who appeared on the show from 2004 until 2009, has shared who he thinks will be a great replacement for the pair.

Speaking to Reach about Tess and Claudia’s decision to leave the show on behalf of Zingo Bingo, Ian said: “I think it was a big, big shock for everybody that they decided to leave but when you’ve been doing something so long.

“Tess has been doing it for 21 years, it’s a long time to be doing any job. She might want to just move on to do different things and Claudia’s got Traitors, which is huge now So I can understand why they made the decision.

“I think they’ve been amazing but wouldn’t it be nice to have two men presenting this time just to spice it up? It’s been very much female presenter led.

“The main show and It Takes Two, so it would be nice to see some male presenters back in there just to balance it up. I think the public would like to see it.”

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ROB Reiner’s daughter has broken her silence over her dad’s death – revealing she saw him just one day before the film director and his wife Michele were murdered.

Tracy Reiner, 61, said the brutal double killing left her devastated – before paying her respects to the “the greatest family ever”.

Tracy, who was adopted by Rob during his marriage to Penny Marshall, said she was left speechless.

The actress said: “I came from the greatest family ever.

“I don’t know what to say. I’m in shock.”

She added that she had seen her late dad at a family gathering just one day before horror knife attack.

TEARS FOR ROB

Tragic moment Rob Reiner’s assistant breaks down in tears outside LA mansion

‘OBSESSION’

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The iconic director was married to Marshall from 1971 to 1981, during which time he adopted Tracy.  

Rob, 78, and Michele, 68, were found dead by their other daughter Romy, 28, with their throats slit at their sprawling $13.5million Brentwood mansion on Sunday afternoon.

The Hollywood icon’s youngest son Nick has been charged with murder in connection with the grisly killing.

A source revealed to The U.S. Sun that Rob and Michele got into a heated public argument with Nick at a Hanukkah party on Saturday evening.

The clash is believed to have continued overnight at the family’s home where Rob and Michele were found dead at around 3:30pm local time.

The party was hosted by Conan O’Brien, according to TMZ.

Nick, 32, was booked into a Los Angeles jail on Monday morning, according to online records viewed by The U.S. Sun.

He has since been charged with murder and is being held at Parker Center Jail on $4 million bail, Los Angeles Police Department Chief Jim McDonnell announced during a press conference on Monday.

Nick, who reportedly lives in the Los Angeles area, is rarely seen in public since he opened up about his struggles with drug addiction in 2016.

He admitted to first going to rehab at the age of 25 and said his addiction issues even led him to being homeless at one point in his life, according to People.

“When I was out there, I could’ve died. It’s all luck. You roll the dice and you hope you make it,” Nick said.

In 2015, Nick and his father worked on the semi-autobiographical film, Hey Charlie, which centered around the entitled, drug-addicted son of a renowned actor turned political candidate in California.

Rob told the Los Angeles Times at the time that he had to push past trauma and tough memories during filming.

“It was very, very hard going through it the first time, with these painful and difficult highs and lows,” the beloved director told the outlet then.

“And then making the movie dredged it all up again.”

Fellow Hollywood stars paid tribute to both Rob and Michele.

Ex-Monty Python member Eric Idle said he had spoken to Rob the night before his death.

Paying his respects, he said: “Rob Reiner was a lovely man. I spoke to him last night for over an hour. I always enjoyed his company.

“I met him at his Dad’s in 1975. He was telling me about filming at Stonehenge and his thoughts for the future … I shall miss him.

“A clever, talented and very thoughtful man. So awful.”

Ben Stiller said Rob was one of his favourite directors, and called him “a kind caring person who was really really funny”.

Josh Gad, who voiced Olaf in Frozen, described Rob and his wife’s deaths as a “devastating” loss.

Actor John Cusack, who starred in Rob’s 1985 film The Sure Thing, said he “saw the soul in others”.

Timeline of the double murder

ROB Reiner and his wife of Michele Singer Reiner were found dead in their Los Angeles home on December 14, 2025.

Timeline:

• December 13, 2025: Reiner and his wife Michele attended a holiday party on the evening of December 13 with their son, Nick.
• Sources conveyed to The U.S. Sun that the couple and their son were engaged in a heated public argument while at the event.
• December 14, 2025: Reiner and Michele were found dead in their Brentwood home in Los Angeles at around 3:30 pm PST.
• The couple’s daughter, Romy, reportedly discovered her parents bodies.
• Online police records show Reiner and Michele’s 32-year-old son, Nick, was arrested at 9:15 pm PST on December 14.
• December 15, 2025: Authorities in Los Angeles announce that Nick Reiner was arrested and charged with murder.
• Nick was booked into a Los Angeles jail at 5:04 am and is being held on $4 million bail.

HOLLYWOOD HORROR

The gruesome homicides of Rob and his wife, Michele, 68, shocked the world of Hollywood after reports emerged that the couple were discovered with multiple lacerations.

The Misery director and his wife, who had been married for 36 years, had their throats slit by a family member following a heated argument, according to TMZ.

Romy, 28, told authorities that a family member “should be a suspect” because they’re “dangerous,” the outlet reported.

The Los Angeles Police Department is investigating the deaths as an apparent homicide.

Alan Hamilton, the deputy police chief of the LAPD, told reporters on Sunday evening that authorities would interview several family members of the Reiners as the investigation continued.

Hamilton said the property showed no signs of forced entry.

FILM ICON

Rob, who was raised in the Bronx by famed actors Carl and Estelle, was a huge presence in the film industry after more than five decades as one of Hollywood’s top directors and actors.

His career as an actor began in the early 1960s, but it was not until the 1970s that Rob gained recognition after portraying Michael “Meathead” Stivic on the TV comedy All in the Family.

Throughout the 70s, Rob continued to make guest appearances on several TV series, including The Partridge Family.

However, it was in the director’s chair where Rob flourished into a star in the world of film.

He helmed a string of hit movies, including, When Harry Met Sally, The Princess Bride, and the Academy Award nominated film A Few Good Men, among others.

It was on the set of When Harry Met Sally that he met the photographer and his eventual wife, Michele Singer.

“I look over and I see this girl, and ‘Whoo!’ I was attracted immediately,” Rob told The New York Times in 1989.

The couple wed in 1989, the year the film was released.

After their marriage, Michele began helping her husband with producing films, including Shock and Awe and Albert Brooks: Defending My Life.

The legendary career of iconic director Rob Reiner

FAMED actor, director and producer Rob Reiner, 78, died on December 14 alongside his wife Michele Singer, 68, in an apparent homicide.

Here is a look at the prodigious list of achievements the Hollywood powerhouse earned before his tragic and sudden death.

Director’s Beginnings

• Reiner was born in New York City on March 6, 1947, to legendary comedy writer Carl Reiner and singer Estelle Reiner
• He studied at the University of California, Los Angeles film school before breaking into the entertainment industry

Hollywood Career

• Reiner first found fame as an actor playing Michael “Meathead” Stivic on the iconic sitcom All in the Family from 1971 to 1979
• In 1984, he directed his first film This Is Spinal Tap – a mockumentary following a fictional heavy metal band
• Reiner went on to direct cult classic films like The Princess Bride in 1987 and When Harry Met Sally… in 1989
• Other notable movies made by the director include Misery, The American President, and A Few Good Men, which earned an Academy Award nomination for Best Picture
• The production company he co-founded, Castle Rock Entertainment, has also produced hits like Seinfeld and The Shawshank Redemption
• Reiner didn’t halt his acting career either, recently starring in The Wolf of Wall Street in 2013 and The Bear in 2025

Personal Life

• Reiner married actress Penny Marshall in 1971 and adopted her daughter, Tracy, from a previous marriage. The couple divorced in 1981
• He met photographer Michele Singer while shooting When Harry Met Sally
• They married in 1989 and had three children: Jake, born 1991, Nick born 1993, and Romy born 1997)
• Nick opened up about his struggle with drug addiction in 2016. The movie Becoming Charlie, directed by Reiner, was based on Nick’s story
• Reiner was an outspoken Democratic activist and a fierce critic of Donald Trump

Rob and Michele are survived by their children, Romy, Jake, Nick, and Tracy, the director’s daughter, whom he adopted from his previous wife, Penny Marshall.

Tributes have been paid to the actor and director and his wife following their deaths.

“Rob was the big-hearted genius behind so many of the classic stories we love, with projects as wide-ranging as The Princess Bride to A Few Good Men,” California Governor Gavin Newsom wrote on X.

“His boundless empathy made his stories timeless, teaching generations how to see goodness and righteousness in others — and encouraging us to dream bigger.

“Rob will be remembered for his remarkable filmography and for his extraordinary contribution to humanity.”

Former US president Barack Obama spoke warmly about the couple.

“Rob’s achievements in film and television gave us some of our most cherished stories on screen,” he said.

“But beneath all of the stories he produced was a deep belief in the goodness of people—and a lifelong commitment to putting that belief into action.

“Together, he and his wife lived lives defined by purpose. They will be remembered for the values they championed and the countless people they inspired.”

Former US House Speaker Nancy Pelosi described Rob as someone who was creative and funny.

She also hailed him as an actor who could make fans laugh and cry when they watched his films.

Pelosi described Rob’s wife as an “indispensible partner and intellectual resource.”

Rob Reiner was a movie director who began as an actor who wanted to direct movies. The bridge between these careers was “This Is Spinal Tap” in 1984, his first proper film, in which he also acted. His original inclination, based on the music documentaries he had studied, had been not to appear onscreen, but he decided there was practical value in greeting the audience with a face familiar from eight seasons of “All in the Family” as Archie Bunker’s left-wing son-in-law, Michael “Meathead” Stivic.

Reiner’s television career began at 21, partnered with Steve Martin, writing for “The Smothers Brothers Comedy Hour.” As an actor, his early years were characterized by the small parts and guest shots that describe the early career of many performers we come to know well. He played multiple characters on episodes of “That Girl” and “Gomer Pyle, USMC,” a delivery boy on “Batman,” and appeared on “The Andy Griffith Show” and “Room 222.” His last such role, in 1971, the same year “All in the Family” premiered, was on “The Partridge Family” as a tender-hearted, poetry-writing, tattooed biker who becomes attached to Susan Dey‘s character and somewhat improbably takes her to a school dance. It’s a performance that prefigures the tenderness and humanity that would become a signature of his work as a writer, director and performer — and, seemingly, a person.

On “All in the Family,” in his jeans and work shirt, with a drooping mustache that seemed to accentuate a note of sadness, Reiner largely played the straight man, an irritant to Carroll O’Connor’s Archie Bunker, teeing up the issue-oriented dialectic. Once in a while he’d be given a broad comic meal to chew, as when wife Gloria (Sally Struthers) goes into labor while they’re out for dinner, and he accelerates into classic expectant-father sitcom panic. But minus the “Meathead” material, “All in the Family” is as much a social drama as it is a comedy, with Mike and Gloria struggling with money, living with her parents, new parenthood, and a relationship that blows hot and cold until it finally blows out for good. He’s not a Comic Creation, like Archie or Edith with their malaprops and mispronunciations, or even Gloria, but his importance to the storytelling was certified by two supporting actor Emmys.

Rob Reiner, Sally Struthers, Caroll O’Connor and Jean Stapleton in a scene from Norman Lear’s television series “All in the Family.”

(Bettmann Archive via Getty Image)

What Reiner carried from “Family” into his later appearances was a sort of bigness. He could seem loud — and loudness is something Norman Lear’s shows reveled in — even when he’s speaking quietly. Physically he occupied a lot of space, more as time went on, and beginning perhaps with “Spinal Tap,” in which he played director Marty DiBergi, he transformed tonally into a sort of gentle Jewish Buddha. In the 2020 miniseries “Hollywood,” Ryan Murphy’s alternate history of the 1930s picture business, the studio head he plays is not the desk-banger of cliche, but he is a man with an appetite. (“Get me some brisket and some of those cheesy potatoes and a lemon meringue pie,” he tells a commissary waiter — against doctor’s orders, having just emerged from a heart attack-induced coma. “One meal’s not going to kill me.”) He’s the boss, but, in a scene as lovely as it is historically unlikely, he allows his wife (Patti LuPone), who has been running things during his absence, to also be the boss.

Reiner left “All in the Family” in 1978, after its eighth season to explore life outside Michael Stivic. (In 1976, while still starring on “Family,” he tested those waters, appearing on an episode of “The Rockford Files” as a narcissistic third-rate football player.) “Free Country,” which he co-created with frequent writing partner Phil Mishkin, about a family of Lithuanian immigrants in the early 1900s, aired five episodes that summer. The same year, ABC broadcast the Reiner-Mishkin-penned TV movie “More Than Friends” (available on Apple TV) in which Reiner co-starred with then-wife Penny Marshall. Directed by James Burrows, whose dance card would fill up with “Taxi,” “Cheers” and “3rd Rock From the Sun,” it’s in some respects a dry run for Reiner’s “When Harry Met Sally…,” tracking a not-quite-romantic but ultimately destined relationship across time.

Future Spinal Tap lead singer Michael McKean appears there as a protest singer, while the 1982 CBS TV movie “Million Dollar Infield,” written again with Mishkin, features Reiner alongside future Spinal Tap lead guitarist Christopher Guest and bassist Harry Shearer; it’s a story of baseball, families and therapy. Co-star Bruno Kirby the year before had co-written and starred in Reiner’s directorial debut, “Tommy Rispoli: A Man and His Music,” a short film that aired on the long-gone subscription service On TV as part of the “Likely Stories” anthology. Kirby’s character, a Frank Sinatra-loving limo driver (driving Reiner as himself), found its way into “This Is Spinal Tap,” though here he is the center of a Reineresque love story.

After “Spinal Tap,” as Reiner’s directing career went from strength to strength, he continued to act in other people’s pictures (“Sleepless in Seattle,” “Primary Colors,” “Bullets Over Broadway” and “The Wolf of Wall Street,” to name but a few) and some of his his own, up to this year’s “Spinal Tap II: The End Continues.” On television, he mostly played himself, which is to say versions of himself, on shows including “It’s Garry Shandling’s Show,” “Curb Your Enthusiasm” and, of all things, “Hannah Montana,” with a few notable exceptions.

Rob Reiner and Jamie Lee Curtis play the divorced parents of Jess (Zooey Deschanel) in Fox’s “New Girl.”

(Ray Mickshaw / Fox)

The most notable of these, to my mind, is “New Girl,” in which Reiner appeared in 10 episodes threaded through five of the series’ seven seasons, as Bob Day, the father of Zooey Deschanel’s Jess. Jamie Lee Curtis, married to Guest in the real world, played his ex-wife, Joan, with Kaitlin Olson as his new, much younger partner, Ashley, who had been in high school with Jess. He’s positively delightful here, whether being overprotective of Deschanel or suffering her ministrations, dancing around Curtis, or fencing with Jake Johnson’s Nick. Improvisational rhythms characterize his performance, whether he’s sticking to the script or not. Most recently, he recurred in the fourth season of “The Bear,” which has also featured Curtis, mentoring sandwich genius Ebraheim (Edwin Lee Gibson); their scenes feel very much like what taking a meeting with Reiner might be like.

Coincidentally, I have had Reiner in my ear over the past couple of weeks, listening to the audiobook version of “A Fine Line: Between Stupid and Clever,” which he narrates with contributions from McKean, Shearer and Guest. A story of friendship and creativity and ridiculousness, all around a wonderful thing that grew bigger over the years, Reiner’s happy reading throws this tragedy into sharper relief. I have a DVD on the way, though I don’t know when I’ll be up to watching it. I only know I will.

Actor Sir David Jason, known for playing Del Boy in the hit show Only Fools and Horses will discuss the sitcom and show unseen footage in new series

Sir David Jason has insisted “the love for Only Fools has never faded” after reuniting with cast members from the beloved sitcom for a new documentary series.

Celebrating the show’s 45th anniversary, Only Fools And Horses: The Lost Archive will air behind-the-scenes footage as well as material that the series producer said was “filmed but never broadcast”.

The sitcom, which was a ratings smash hit for the BBC, including at Christmas, first aired on September 8 1981 and proved to be a career-defining role for Sir Jason, who played Del Boy, and Nicholas Lyndhurst, who played his brother Rodney.

Announcing the new UKTV documentary series, Sir David, 85, said: “The love for Only Fools has never faded. It’s incredible to see how many people still hold it close to their hearts. Revisiting these rediscovered moments reminded me just how special the show was – and still is. It’s incredible to be able to share them now.”

The two-part series features interviews with cast and crew and includes archival material from more than 10 classic episodes, including The Jolly Boys’ Outing and Mother Nature’s Son.

In interviews, cast members including Sir David, Tessa Peake-Jones (Raquel), Gwyneth Strong (Cassandra) and Sue Holderness (Marlene) pay tribute to creator John Sullivan, who died in 2011 at the age of 64.

Further discoveries, which didn’t make it into the original episodes due to timing or structural constraints include new material from the episodes He Ain’t Heavy, He’s My Uncle, Mother Nature’s Son, Time On Our Hands. There is also an unseen opening scene of Del and Rodney in a nightclub from The Class Of ’62.

Clips have been digitally scanned and restored from 16mm negatives, meaning the cast appear in high definition. Sean Doherty, director and series producer, said: “Few shows have the kind of enduring popularity that Only Fools enjoys.

“The archive has uncovered some extraordinary material – 66 unseen clips and scenes so far that were filmed but never broadcast because they didn’t fit the timing or structure of the original episodes, plus nearly 100 assets from rushes and location filming. We’ve truly been spoilt for choice.”

Helen Nightingale, UKTV’s head of factual and factual entertainment, commissioning, said: “Only Fools And Horses is part of the national DNA.

“With its humour, heart and unforgettable characters, it’s British comedy at its very best. This series is a celebration of its legacy and a chance to share new discoveries with the fans who’ve loved it for decades.”

In 2019 a musical adaptation of Only Fools And Horses starring Paul Whitehouse opened at the Theatre Royal Haymarket and it toured across the UK and Ireland in 2024 and 2025.

In 2022 on Only Fools and Horses actor Michael Fenton Stevens told how many jokes were lost from the sitcom over time due to time constraints.

Speaking on the Only Fools and Horses podcast he recalled his own episode and said: “It was a very big programme by then. I was in Series 6 and it had just gone to 40 minutes so they had the extra time to do things. That was the point by which they had turned into mini plays, they were just beautiful.

“They did that because John Sullivan would always write 10 minutes more than was needed. So every half hour script has 10 minutes of material which was cut. If you can find the original scripts from before they were printed to be used in the studio, if you can get them from when he was writing – and they must be somewhere, his family must have them on record, I think – it would be brilliant to read through all those bits that were cut.” The extra scenes and gags from Del Boy and Rodney were filmed, only to be omitted in the final edit.

The sitcom featured the colourful escapades of market trader Del Boy and his less streetwise younger brother Rodney as they went through the highs and lows of life trying to become rich.

The characters lived in Peckham with Grandad, played by Leonard “Lennard” Pearce, and their friends included Trigger, played by Roger Lloyd Pack, and Boycie, played by John Challis.

* Two part series Only Fools and Horses: The Lost Archive will be airing on U&GOLD in 2026.

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Simon Cowell is making a second series of his boyband documentary to follow December 10 as they try to make it big.

It means the group’s brand new fans will have a front row seat to everything that’s happened since cameras stopped rolling on The Next Act.

The six-part series followed Simon through auditions and recording studio bootcamp as he selected seven boys for the group.

The second run will pick up where it left off and show December 10 heading to Nashville to record new music, prepare for launch and take their first steps towards fame.

Simon Cowell: The Next Act has dominated the top three on Netflix since its launch last Wednesday.

A source said: “There was a quiet hope that a show about finding a boyband would be as popular now as it was back in the days of The X Factor, but everyone has been thrilled by the reception because of course the whole world of entertainment has totally changed since then.

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“Following December 10 for a second series is a no brainer.

“They’re rocketing online and already have a strong fan base, and a camera crew has been following them pretty much since series one wrapped.”

The lads officially began their journey today (mon) when they launched a new music video on YouTube – their cover of N*Sync’s Bye Bye Bye.

The group are Cruz, 19, Danny, 16, Hendrick, 19, John 17, Josh, 17, Nicolas, 16 and Sean, 19.

But there’s been another big character behind The Next Act’s success with viewers – the newly-minted Mrs Cowell.

Fans have loved seeing Lauren Silverman’s personality shine as part of the fly-on-the-wall scenes at home with Simon and their son Eric.

The source added: “The whole show has been a real boost for the whole family really, Simon is back doing what he loves and he’s been happy to reveal a little more about who he really is behind closed doors.

“Production firm Box To Box are back shooting the content for series two and it’s hoped Netflix will be on board to stream the next chapter of The Next Act.”

It comes after Simon told The Sun last week that he’s confident the boys will be a success.

Simon revealed December 10 had chosen the name themselves because it was the release date of the documentary

Iris eyes easy life

No wonder top model Iris Law is enjoying a lie down after a stellar year on the catwalk.

She has walked in Victoria’s Secret’s fashion show and fronted campaigns for Marc Jacobs, Knwls and Zara.

But Iris, the daughter of Sadie Frost and Jude Law, isn’t just taking it easy, she was reclining on the sofa for a shoot for Los Angeles-based fashion brand Casablanca.

She is one of the most in-demand women in fashion, so I’m sure we will see a lot more of her in 2026.

Thor-t I’d be actor

THOR superhero Chris Hemsworth became “obsessed” with being an actor at a young age. 

On the On Purpose with Jay Shetty podcast he said: “Once I locked into the idea that I was going to become an actor, it was an absolute obsession.  

“There was no doubt that was what I was going to do. There was a naivety about the reality of how difficult that was going to be.  

“But I guess it was sort of an escapism.” 

If you’re bored of the same old festive tunes, check out Christina Aguilera’s brand new festive album Christmas In Paris.

It was created in the French capital this year and celebrates the 25th anniversary of her album My Kind Of Christmas.

Lead single Someday At Christmas was recorded at the Eiffel Tower and the album is out now.

Judi hero Jagger rolls up

With a stellar acting career and a little black book packed with some of the biggest names in showbiz, it’s amazing to see Dame Judi Dench still gets starstruck.

Her friend Gyles Brandreth organised for Sir Mick Jagger to come on stage to surprise her as she was interviewed about her career, inset, at London’s Sondheim Theatre.

The former Bond actress was stunned by her idol’s appearance.

Sharing snaps of the moment online, Gyles said: “I’ve been working in the theatre for nearly 60 years and I’ve never known a moment quite like it.

“As a surprise, I invited Sir Mick Jagger on to the stage. Dame Judi Dench told me it was her dream to meet him.

“He was amazing: she was overwhelmed. Yesss.”

He added of the legendary Rolling Stones frontman: “He kindly made her dream come true. What a night.”

Huge congratulations to Essex lad Sam King who has just completed 79 marathons in 79 days for brain injury charity Headway UK.

I told you about Sam’s challenge last month after one of his pals got in touch to tell me about his feat.

And after adding five extra marathons on to his challenge, Sam has now set a new world record for the most consecutive ultramarathons run by a male – completing 79 in 79 days.

Sam took on the challenge to raise money for Headway UK, after they supported his mum when she suffered a life-changing bleed on her brain.

He’s now just short of his £74,000 fundraising target so if you want to get involved and donate, check out his Instagram @fatboysking.

Madge ‘n Guy reunite for Rocco

MADONNA and Guy Ritchie put aside their differences for the sake of their son Rocco.  

The former couple, who were last pictured together in 2008 – when they divorced – were proud as punch to support Rocco’s art exhibition in London.