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Abraham Quintanilla, father and manager of the late Tejano pop icon Selena Quintanilla, has died. He was 86.

“It’s with a heavy heart to let you guys know that my Dad passed away today,” Quintanilla’s son, A.B. Quintanilla III, wrote on his Instagram account on Saturday. The cause of death has not been disclosed to the public.

As patriarch of the famous Mexican American music family, Quintanilla played a critical role in the development of his daughter Selena’s career. After her tragic death in 1995, he dedicated his life to safeguarding her legacy and overseeing primary control over her estate. This included managing the rights to her image, name and likeness — at times, to controversial ends.

Born in Corpus Christi, Texas, in 1939, Quintanilla began his music career as a member of the singing group the Dinos in 1956, a Chicano rock group that was met with racial discrimination. In one instance, a club owner paid the group not to perform after realizing they were Mexican American youth; but the group was also sidelined by its Mexican counterparts for not making Spanish-language music.

Quintanilla’s exasperation informed a real quote that was later made famous by actor Edward James Olmos, who played Quintanilla in the 1997 “Selena” biopic: “We have to be more Mexican than the Mexicans and more American than the Americans, both at the same time. It’s exhausting!”

Quintanilla would eventually step away from the group in the 1960s to start a family with Marcella Samora, whom he met in Tacoma, Wash., while serving in the U.S. Air Force. The family quickly grew following the births of A.B., Suzette and Selena. In them, he saw the potential to fulfill his own dreams of musical stardom.

With A.B. on bass, Suzette on drums and Selena as the tender vocalist, the trio would often perform at the family restaurant, PapaGayo’s, which later closed following the 1981 recession. The family was forced to sell their home in Lake Jackson, Texas, and move to Corpus Christi. In order to make ends meet, Selena y Los Dinos would perform on street corners, family parties and other social functions. Under the guidance of their father, who assumed the position of band manager, Los Dinos eventually signed with Freddie Records in 1984.

Selena was met with much skepticism from an early age as a young girl in a male-dominated genre, including by their first label head, Freddie Martinez. Still, Los Dinos persevered in the Tejano music scene, hopping from label to label before the group finally released eight albums under Manny Guerra’s independent labels, GP Productions and Record Producer Productions. With multiple albums under her belt, Selena was then able to dominate the Tejano Music Awards; she won the title of Female Vocalist of the Year in 1987.

Selena eventually caught the attention of Jose Behar, the former head of Sony Music Latin, who saw her crossover appeal — despite Selena’s primary language being English — and signed her to EMI Latin (Capitol Records) in 1989. This led to the release of her most career-defining hits across five albums, such as “Como la Flor,” “Amor Prohibido,” “Bidi Bidi Bom Bom” and the posthumously released ballad, “Dreaming of You.”

Following Selena’s murder in 1995 — by Yolanda Saldivar, the former president of her fan club — Quintanilla became a fierce protector of her image, which was often sensationalized by the public.

Because of the grisly and highly publicized nature of Selena’s death, Quintanilla felt that the film needed to be made sooner than later, in order to do justice to his daughter’s legacy, said “Selena” director Gregory Nava in a 2025 interview with De Los.

“For me, as a filmmaker, I wanted to really tell a true story,” said Nava. “I had conflict, not really with the family, but with Abraham. Her father was very protective of her.”

Tensions flared most when Nava began to shape the story of the singer’s elopement with guitarist Chris Perez, whom she married in 1992.

“You can’t put on the screen that it’s right for a young girl to disobey her father,” Nava recalled Quintanilla saying.

“Isn’t it a more important point to make that she is doing what she knows is right? And [that] she’s doing the right thing because she knows she loves Chris and Chris loves her?” Nava responded.

Eventually, Quintanilla relented. “I guess if I have to look bad to make Selena look good, I’ll do it,” Nava recalled him saying. “He has a soft heart. He finally saw that was the right thing to do, but it took hours of heated discussion.”

Although Suzette has said that the 1997 biopic came too soon in her eyes — and prompted criticism of her father, who some viewed as money-hungry and opportunistic — she ultimately stood by his decision, stating that there was a pressure within the family to control the narrative at the time.

Nava agreed.

“Abraham was very wise in pushing it through quickly,” he said. “Selena brought us all together, and it cemented her legacy in a positive way. All the negativity was dispelled by that movie. You see that in the film and you feel it.”

The ITV period drama boasts an impressive 87% rating on Rotten Tomatoes

A period drama boasting a recognisable face from Outlander has landed on Netflix, with viewers insisting it’s a must watch.

Victoria originally premiered on ITV in 2016 and spanned three series before concluding in 2019. Crafted by bestselling author and screenwriter Daisy Goodwin, the show stars former Doctor Who actress Jenna Coleman in the title role of Queen Victoria.

Coleman, who audiences will recall as Clara Oswald from the time-travelling series, appears alongside fellow Doctor Who alum Tommy Knight, plus Tom Hughes (About Time), Adrian Schiller (Tolkien), and Jordan Waller (The Gilded Age).

The series follows the 19th-century monarch’s rule, spanning from her ascension to the British throne aged merely 18 through to her union with Prince Albert (portrayed by Hughes).

The ensemble also includes Outlander star Nell Hudson, known for playing Laoghaire MacKenzie, who takes on the part of Queen Victoria’s lady’s maid, Nancy Skerrett, reports the Daily Record.

Hudson was utterly charmed by her fellow performers and sang their praises enthusiastically. In a chat with Town and Country, she revealed: “I made such good friends on Victoria, and luckily I’ve forced them all to stay friends with me, and I make them all hang out with me a couple of times a month. [laughs]”.

“I really couldn’t have been around a better bunch of people. It was such a privilege, going to set everyday and hanging out with a bunch of brilliant people, who were also so talented.”

It seems the cast’s behind-the-scenes camaraderie translated brilliantly on screen, as audiences found themselves utterly captivated.

One fan took to IMDb, sharing their emotional journey: “This has been the most amazing series since Downton Abbey I have watched. I laughed, I cried, I got angry. I felt every emotion humanly possible through watching it.

“My mother and I binge watched it together and couldn’t believe how much it draws you in from beginning to end.”

Someone else raved: “The settings, costumes, and general production values were first rate, the show felt incredibly plush and lavish, I shudder to think of the budget for this series. Totally engaging, this was first rate viewing 9/10.”

A third fan added: “If you love period drama and English history, you will be enthralled by Victoria. I wish there were more shows like this on television. A definite must for fans of this genre.”

Victoria, with its impressive 87% rating on Rotten Tomatoes, continues to garner praise. Another fan noted: “This production seems to strive for a cross between Gossip Girl and Downton Abbey, and is thus an amusing trifle.”

Victoria is streaming now on Netflix and ITVX

DAVINA McCall has shared a sweet tribute to her new husband Michael Douglas after confirming they have finally tied the knot. 

The couple, who have been together since late 2018, said their I Dos in a small and intimate ceremony in front of family and friends earlier this week. 

Just days later, Davina took to Instagram to reshare an on-stage tribute she made to Michael back at the 2024 NTAs – declaring her love for the celebrity hairdresser. 

At the time, Davina, who picked up the Special Recognition Award that evening, joked that when she meant Michael Douglas she meant “the younger one, not the older one” in a jab to his shared name with the Hollywood actor married to Catherine Zeta-Jones. 

“I love being on this journey with you, you make me a better person and you make me so happy, thank you!,” she sweetly said. 

Michael was seen watching on from the audience with tears in his eyes as she spoke about him. 

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Sources have shared how the couple had opted to keep their wedding on Friday “very low key” before attending a friend’s wedding the following day. 

A friend added: “Their wedding was perfect, exactly what they wanted. They chose a small venue close to their home, and just invited about ten of their friends and relatives to be there with them.

“It was very intimate and everyone who attended is very special in their lives.”

They went on: “They’ve been through a huge amount in recent months, with Davina’s health, and it just felt right to formalise their marriage. They didn’t see the point in waiting.

“The next day they just carried on with life as normal, and as coincidence would have it they were guests at another friend’s wedding day.

“So they went as a married ­couple for the first time and happily showed off her wedding ring. It was the perfect weekend.”

Their happy day comes amid a string of health battles for Davina, who was diagnosed with breast cancer in November after finding a small lump. 

Davina shared the news and revealed she had been reminded to check her breasts by a campaign on ITV’s Lorraine Kelly show, and had caught it early. 

“It was very, very small, so I got it very, very early which is incredibly lucky,” she told fans. 

“But I am so relieved to have had it removed and to know that it has not spread.

“I’m talking about this because I think it might help someone. And this is what I always do.”

She added she was due to have five days of radiation to ensure the cancer was gone. The diagnosis comes just a year after she had a six-hour brain op after a benign but very rare tumour was discovered by chance when she was offered a scan.

We should be grateful for filmmakers who have a special artistic relationship with an actor: Akira Kurosawa with Toshiro Mifune, Martin Scorsese with Robert De Niro and, by all indications, Yorgos Lanthimos and Emma Stone. Count the Italian duo of Paolo Sorrentino and star Toni Servillo among them, a fertile partnership that began nearly 25 years ago with the director’s first film (“One Man Up”) and continues with their seventh together, the political drama “La Grazia” (“Grace”).

The wielding of power seems to be a frequent backdrop for these two, with “La Grazia” — about an Italian president facing tough decisions as he ends his term of office — marking the third time Sorrentino has asked his favorite leading man to be a head of state, following their breakthrough 2008 collaboration “Il Divo” (about Prime Minister Giulio Andreotti) and 2018’s romp about Silvio Berlusconi, “Loro.”

The difference this time is that, while the other two films centered controversial real-life figures, Servillo’s character in “La Grazia” is fictional, yet pressured to deal with contentious issues. The result is a much more somber, ruminative exploration of morality in governmental authority than the stylish violence of “Il Divo” and exploitative raunch of “Loro.”

A decade after his lush Oscar-winning bacchanal “The Great Beauty” (starring an especially great you-know-who), Sorrentino is no less drawn to pictorial beauty or arresting visuals. But there’s a grayer, graver tone to the long shadows of “La Grazia,” as if the natural, appealing gravitas of Servillo playing an important man fighting a planned obsolescence was the only palette Sorrentino and cinematographer Daria D’Antonio needed.

Servillo’s Mariano De Santis has mere months left — as a leader, that is. But besides being pushed to eat healthier and stop smoking cigarettes by his daughter Dorotea (a wonderful Anna Ferzetti), the idea of ending things isn’t entirely figurative as this austere jurist-turned-president wanders the halls of his official Roman residence, the grand Palazzo del Quirinale, wryly contemplating retirement.

He’s a widower, for one thing, whose love for his deceased wife is still deep enough to keep him jealous regarding her early infidelity with a mystery man he’s eager to identify, even as his old friend, art curator Coco (a vibrant Milvia Marigliano), stays tight-lipped about what she knows. He’s also being pushed by Dorotea, a treasured advisor who is herself a legal scholar, to consider two cases of clemency for convicted spousal killers, both with circumstances that would test any arbiter of sound legal judgment. And finally, though De Santis is a devoted Catholic, on good terms with the pope (Rufin Doh Zeyenouin), he’s grappling with signing right-to-euthanasia legislation.

You wouldn’t think a movie with such heavy topics would count as escapism. But when you consider current headlines, a thoughtful leader engaging with thorny issues from a place of psychological honesty, social integrity and fatherly love could almost count as fantasy. And Sorrentino, a dedicated sensualist, does allow himself some lighter touches, including, toward the end, a fanciful visual metaphor for a burdened man’s spirit that maybe only he could get away with.

Most assuredly, though, this is a duo of director and star once more moving in concert together, maybe not as confidently as with some previous efforts, but with a knowing intelligence. Servillo is no less than magnificent, conveying a buttoned-up statesman’s management of earned wisdom and inconvenient emotion (and, at one point, an interest in rap lyrics) with enough lessons in actorly craft to fill one of his character’s treasured law tomes. The title doesn’t just describe what’s sometimes elusive in governance. “La Grazia” is Servillo in every scene.

Four years on from the death of her father, reality TV star Chloe Ferry has shared a touching tribute to her dad as she opened up about her pain

Chloe Ferry has paid tribute to her father four years on from his death. The Geordie Shore star’s dad passed away after losing his fight with cancer four years ago, and the reality TV favourite says she faces an ‘ongoing battle’. The MTV favourite was flooded with messages of support as she opened up on the anniversary of her father’s death on Facebook.

She posted a throwback photo of herself, her sister and father all standing outside with a pink umbrella. Chloe herself looked far from the Geordie Shore star she is today.

The post had a heartfelt message which read: “4 years ago today my dad was taken away from me.” She continued: “No matter how many years pass it doesn’t get easier! Your family miss you deeply and we would do anything to have you back I cherish all of our amazing memories and how much you used to make everyone around you laugh I love you dad Until we meet again,” signing off with a red love heart and crying emoji face.

Her parents split when she was six-years-old, with the reality star raised by her mother Liz. But she was always close with her dad and she shared a touching tribute on the day of his burial. “RIP dad you were taken from us too soon you’ll always be in my heart miss and love you always,” she captioned the post. She had shared a throwback picture of her leaning on her father’s shoulder as they both smiled for the camera. On her Instagram Stories, the reality star shared a video of herself holding a feather she found on a staircase.

She was inundated with sweet messages from fans and friends after her latest one. Co-star Marnie Simpson wrote: “Love you. Always here for you” as Sophie Kasaei added: “U got this girl.” Another told her” “Here for you Chloe, you’re not alone my darling and there are a lot of people that go through this xx”

Chloe said she “would give anything to hold” her father again and that her “whole world came crashing down” when he got diagnosed a few years earlier. She wrote: “What I would do to hold you, to tell you things I didn’t before, to have our stupid jokes. I would give everything to do that.”

Chloe had shared the news of his death, taking to her Stories to provide a short statement. “I’ve struggled to write this and still can’t accept it what I’m about to say!” Chloe began. I’m a very open person and normally happy to share all details of my life, however, this is a time where I really need to have some privacy.

“I sadly lost my dad after his battle with cancer and it still doesn’t feel real! “I am going to take a break from social media and work commitments. As a family we are all dealing with this and trying to come to terms with it… I’d really appreciate it if I was given some time to deal with it in my own way!”

In October this year, Chloe sadly admitted how much she is struggling after her dog Ivy died during the week. The star shared that she has “cried for two days”. Taking to Instagram, Chloe opened up about her grief. She started with a selfie as she woke up late and wrote over the top that she had to “try my hardest to get up and get my house sorted”.

She then filmed a teary video where she shared that her grief “comes in waves”. “I have literally cried for the last two days. Losing a pet is so hard, it’s just like a human and it [the grief] comes in waves when you least expect it.

“One day you’re alright, the next you’re not. Today I’ve just tried to get on with jobs, my house has been a mess, so I’ve tried to clean it. It has actually made us feel a little bit better but then you sit and overthink everything, and think could I have done more.”

In both the first selfie and the video, Chloe added that it was hard for her other dog, Narla, too, as she could tell something was wrong but didn’t know what. She also shared that her dog Narla was the less independent dog, and “needed” Ivy. Later in the video, the star admitted to “smelling Ivy’s blanket” and said she was having “bits of breakdowns”.

When Ivy died a few days ago, Chloe took to Instagram to share that it was the “worst night of my life”. She hopped online begged followers for advice on how to help her dog, who had been rushed to the emergency vet.

But just hours later, she had to get back on the app to tell her fans that Ivy had died. Chloe wrote: “I can’t put into words how heartbroken I am to lose my baby girl so unexpectedly.

“I’ve had the worst night of my life last night with the worst possible outcome. Losing Ivy, my first dog, who has seen me go through my worst times and always been there for me when I’ve needed her. She was the most caring loving dog and I’m absolutely devastated that she was taken from me so soon and so unexpected. RIP my girl, you will never be forgotten.”

If you have been affected by this story, Cruse Bereavement Support offers free help to make sense of how you are feeling. Click here for their website or call 0808 808 1677.

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THE father of singer Selena Quintanilla has died at the age of 86, his family has confirmed.

Abraham Quintanilla Jr. died on Saturday; his son, A.B. Quintanilla III, confirmed it on Instagram.

“It’s with a heavy heart to let you guys know that my Dad passed away today…,” he wrote.

A cause of death has not yet been revealed.

He famously managed the career of his daughter Selena, overseeing her rise to fame in the late 1980s before she was killed in 1995.

The iconic singer known for her hits including Como la Flor and Dreaming of You, was murdered in Texas by her friend and former nurse Yolanda Saldivar.

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Saldivar was president of Selena’s fan club and manager of her boutiques business, jobs that she lost shortly before the murder after it was discovered that she had been embezzling money.

She was denied parole in March this year after being sentenced to 30 years to life behind bars in October 1995.

Her next opportunity for parole will be in March 2030.

After the death of his daughter, Abraham made it his mission to preserve her legacy as the Queen of Tejano Music and one of the greatest Latino artists of all time, as named by Billboard magazine.

News of her murder shocked the nation, especially those in her home state of Texas, with the then governor George W. Bush declaring April 16 as Selena Day.

Her album, Dreaming of You, released after her death, soared to the top of the Billboard 200 – a first for a Latin artist.

Two years later, the film Selena was released by Warner Bros, starring Jennifer Lopez at the beginning of her career.

Selena: The Series was released by Netflix in 2020, documenting her life and career and featuring Christian Serratos from The Walking Dead.

This has been followed this year by the November release of the new Netflix doc, Selena y Los Dinos: A Family’s Legacy.

It is told by her immediate family including her father.

In it, he recalled the time he first took his daughter to a record label in San Antonio with the hope of launching her career.

“At first, they were skeptical because it’s a girl — and a young girl. I said, ‘Well, let’s give it a try one time,’” he said.

It was then that she recorded her first song and was catapulted to fame.

Around 1:30 a.m. on a Saturday last month, two masked men approached a black Cadillac Escalade idling outside a Northridge apartment building.

One held a shotgun, the other a handgun. A surveillance system captured the sounds of what happened next: A gang challenge, confusion, a demand for property.

Then six shots and sounds of the Escalade speeding off.

In the passenger seat was Maria De La Rosa, 22, with a gunshot wound to the chest. A musician who performed as DELAROSA, she had a growing following at the time of her death on Nov. 22.

Authorities said De La Rosa was killed during a robbery but revealed little else about the case. The Times recently reviewed a search warrant affidavit written by the Los Angeles Police Department detective who investigated the homicide. According to the document, De La Rosa was set up by her friends — two of three people now charged with her murder.

Arrested the day after the homicide, Francisco “G Boy” Gaytan told police he’d known De La Rosa since they were teenagers, Det. Siranush Simonyan wrote in the affidavit.

Gaytan said his friend, Benny “Player” Gomez, made plans to meet De La Rosa on Bryant Street for a “drug buy,” but the plan was to rob the musician, the affidavit said.

Gaytan, Gomez and the two alleged gunmen are from Bryant Street, a gang in Northridge, according to the affidavit.

Gaytan claimed he took no part in the robbery, but after he consented to a search of his phone, Simonyan said she found text messages sent to one of the alleged gunmen, Eduardo “Active” Lopez.

“Go get ski mask,” Gaytan allegedly told Lopez five hours before De La Rosa was killed.

Gaytan’s lawyer didn’t return a request for comment.

Gomez was interviewed the day after Gaytan spoke to police, Simonyan wrote. He too said he was “childhood friends” with De La Rosa.

Gomez told detectives he met up with De La Rosa after going to a club. He was talking with her outside Gaytan’s apartment building when two masked men walked up and opened fire. He ducked and ran, he said, and only learned that De La Rosa had been killed when her mother called him.

Gomez insisted he had nothing to do with the shooting. His lawyer didn’t respond to a request for comment.

Gomez’s account was belied by surveillance video, Simonyan wrote. Cameras fixed to a nearby apartment building showed Gomez speaking with Lopez and the second suspected gunman minutes before De La Rosa arrived.

According to the affidavit, Gomez shook their hands and made a Bryant Street hand sign before gesturing for them to walk down an alley, Simonyan wrote.

De La Rosa called Gomez as he walked to greet her, the detective wrote. Meanwhile, the two alleged gunmen approached the Escalade from the alley, pulling a shotgun and handgun from their pants.

“This is Bryant gang, n—,” one said, according to the affidavit.

After De La Rosa was shot and the Escalade sped away, a voice — Gomez’s, detectives suspect — can be heard in surveillance video asking, “Why’d you shoot them, fool?”

After stashing their guns in a Chevrolet Astro van, Lopez and his accomplice got into Gaytan’s BMW 328i, Simonyan wrote. As he stepped into the sedan, the detective wrote, Lopez dropped a key piece of evidence — a court document with his name and case number.

Gaytan appeared to argue with the alleged shooters inside the car, the detective wrote. When he opened his door, surveillance cameras captured him saying, “Get out of here.”

“You fools are dumb,” Gaytan said. According to the affidavit, he could he heard saying what sounded like, “What you fools did — I told you what to make it look like.”

The alleged shooters got out of Gaytan’s car and sped off in a Honda Civic, presumably to Mexico, Simonyan wrote. About 13 hours after De La Rosa died, Gomez allegedly wrote in a text to Gaytan: “We good they left to tj.”

Gaytan and Gomez have yet to enter pleas to charges of murder and attempted robbery. Prosecutors also announced charges against Lopez, but it’s unclear if he’s in custody. Authorities have not said if the second alleged gunman is charged with De La Rosa’s murder, and his whereabouts are unclear.

The new short documentary has proven a tough watch for Netflix viewers

Netflix fans have been left in tears over the “saddest” true crime documentary that they are forced to “take a break” from.

Just this month, the streaming giant quietly added a short, but “poignant”, true crime documentary which aims to highlight the need for action against the “rising epidemic of gun violence” in America.

All The Empty Rooms on Netflix is around 35 minutes long but is a powerful story following reporter Steve Hartman and photographer Lou Bopp who embark on a journey to memorialise the bedrooms of children who were killed in school shootings.

Netflix states about the documentary: “The untouched bedrooms of American children killed in school shootings tell a story of memory, loss and enduring love in this poignant short documentary.”

The documentary was released on December 1 with true crime fans urged to give it a watch. But for some, it is a struggle to watch in one go as they are left “sobbing”.

Taking to X, formerly Twitter, one Netflix fan said: “I just watched All the Empty Rooms documentary on Netflix and wow 30 minutes of sadness. Everyone should watch it.”

Another wrote: “All the Empty Rooms documentary on Netflix … the saddest 30 min documentary I’ve ever seen. Cried my eyes out!”

Over on TikTok, may videos have been made as one user warned: “When I tel lyou this one is going to have you stopping to catch your breath, I’m not being dramatic, please heed this warning.”

One fan replied: “Every gun owner should be made to watch this before getting a gun. I’m sobbing.”

Another penned: “I just started this in the UK. It’s crazy. I can’t believe it’s normalised. The dirty clothes in the laundry basket [crying emoji] poor souls [broken heart].”

A third echoed: “Ohhhh!!! I started it tonight and I had to stop… had to take a break. I may try later tonight but may have to wait until tomorrow. I feel guilty for stopping it but I just can’t make it in one sitting.”

In another video, one true crime fanatic said: “This is the most powerful and heartbreaking 33 minutes of anything I’ve ever watched.”

As one person replied: “I bawled so hard I actually couldn’t finish it, it’s just… haunting…”

The short film, by Oscar-nominated Joshua Seftel, follows the after effects of school shootings and the heartbreak families are continuing to endure several years after the tragedies. Reporter Steve speaks to families involved as they share of their heartache and what the rooms now mean to them.

In an emotional trailer, the clip starts with a video of a young girl speaking to the camera as she says “Hi”. This is then followed by an emotional Steve who can be heard saying: “I’ve been typecast as, you know, the feel good happy news kind of guy… What I’ve been doing is just whitewashing the whole thing.”

Writing in another clip, it reads: “For seven years, journalist Steve Hartman has documented the empty bedrooms of children lost to school shootings.”

Heartbreaking clips are then shows of some of the children who were killed as fans were quick to comment on the heartbreaking watch. One person posted on the YouTube trailer: “The feeling this trailer gave me was just a visceral punch to the stomach that I think is really needed right now. The empty rooms become memorials in place of their child and I can’t even fathom the weight of that.”

All The Empty Rooms can be streamed on Netflix now

LADY Gaga was forced to stop her Sydney gig mid-show after one of her dancers fell off the stage.

The Poker Face hitmaker, 39, halted the action during her Mayhem Ball concert following heavy rain at the Accor Stadium.

The Sydney venue is open-air and, two hours after the show kicked off, the painful mishap brought a temporary stop to proceedings.

Lady Gaga kick-started her 31-song setlist with tracks Bloody Mary and Abracadabra.

She belted out the likes of Judas, Poker Face and Aura before the issue struck mid-way through Garden of Eden.

The track is from her 2025 album Mayhem on which the tour is named.

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With a soaking wet floor, the dancers charged to the front of the stage.

One, named Michael Dameski, fell down during the choreography and A Star Is Born actress Gaga was quick to wave her arms and call a stop to the show at around 9pm.

The singer and her dancers then retreated inside during a temporary pause, to try to find more suitable footwear.

They then resumed the show, with further tracks including Rain On Me, How Bad Do You Want Me and Always Remember Us This Way playing out.

FAN PRAISE

Fans were quick to praise Gaga’s actions in what was her last Aussie show of the tour.

One took to X to write: “Sending love and well wishes to Gaga’s dancer, Michael, who fell off stage during Garden Of Eden.

“So grateful that Gaga paused the show to check on him. True professionalism and compassion.”

Another put: “She’s so special the way she ran straight over, climbed down and made sure he was okay.”

Gaga kicked off the tour’s epic global run in Las Vegas in July.

The show is a dramatic depiction of Gaga’s lifelong battles with the “light and dark” inside herself.

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TOP 15 UNLIKELY DUOS:

1. Elton John and Eminem
2. Lady Gaga and Tony Bennett
3. Laurel and Hardy
4. Han Solo and Chewbacca
5. GK Barry and Rev Richard Coles
6. Ed Sheeran and Courteney Cox
7. Snoop Dogg and Martha Stewart
8. Noel Fielding and Alison Hammond
9. Georgia Toffolo and Stanley Johnson
10. Simon Cowell and Cheryl Cole
11. Walter White and Jesse Pinkman
12. Sam Thompson and Pete Wicks
13. Bette Midler and 50 Cent
14. Harry Styles and Lizzo
15. Pitbull and John Travolta

Gaga’s career has seen a meteoric resurgence this year, following the release of her seventh album Mayhem in March.

Singles Abracadabra and Disease broke into the Top Ten, while her Bruno Mars collaboration Die With A Smile became one of the biggest hits of the year worldwide.

Yet it hasn’t come without incident, after she previously fell off stage in front of fans during one live show.

SPEAK OUT

Speaking to Bizarre as Mayhem was released, a source explained that Gaga has finally found inner peace after years of struggling with her pop star persona and the real person behind it, Stefani Germanotta.

The insider explained: “Gaga has never hidden her real self from the world.

“But she’s more comfortable now in her ability to associate herself as the creator instead of the product.

“The person she wakes up as is the same person who hits the stage.”

The singer’s energetic routines showed that she has fully recovered from a hip injury and fibromyalgia, a condition which caused musculoskeletal pain, extreme fatigue and deep anxiety — and resulted in the cancellation of part of her Joanne world tour in 2018.

The sale of Warner Bros. — whether in pieces to Netflix or in its entirety to Paramount — is stirring mounting worries among Hollywood union leaders about the possible fallout for their members.

Unions representing writers, directors, actors and crew workers have voiced growing concerns that further consolidation in the media industry will reduce competition, potentially causing studios to pay less for content, and make it more difficult for people to find work.

“We’ve seen this movie before, and we know how it ends,” said Michele Mulroney, president of the Writers Guild of America West. “There are lots of promises made that one plus one is going to equal three. But it’s very hard to envision how two behemoths, for example, Warner Bros. and Netflix … can keep up the level of output they currently have.”

Last week, Netflix announced it agreed to buy Warner Bros. Discovery’s film and TV studio, Burbank lot, HBO and HBO Max for $27.75 a share, or $72 billion. It also agreed to take on more than $10 billion of Warner Bros.’ debt. But Paramount, whose previous offers were rebuffed by Warner Bros., has appealed directly to shareholders with an alternative bid to buy all of the company for about $78 billion.

Paramount said it will have more than $6 billion in cuts over three years, while also saying the combined companies will release at least 30 movies a year. Netflix said it expects its deal will have $2 billion to $3 billion in cost cuts.

Those cuts are expected to trigger thousands of layoffs across Hollywood, which has already been squeezed by the flight of production overseas and a contraction in the once booming TV business.

Mulroney said that employment for WGA writers in episodic television is down as much as 40% when comparing the 2023-2024 writing season to 2022-2023.

Executives from both companies have said their deals would benefit creative talent and consumers.

But Hollywood union leaders are skeptical.

“We can hear the generalizations all day long, but it doesn’t really mean anything unless it’s on paper, and we just don’t know if these companies are even prepared to make promises in writing,” said Lindsay Dougherty, Teamsters at-large vice president and principal officer for Local 399, which represents drivers, location managers and casting directors.

Dougherty said the Teamsters have been engaged with both Netflix and Paramount, seeking commitments to keep filming in Los Angeles.

“We have a lot of members that are struggling to find work, or haven’t really worked in the last year or so,” Dougherty said.

Mulroney said her union has concerns about both bids, either by Netflix or Paramount.

“We don’t think the merger is inevitable,” Mulroney said. “We think there’s an opportunity to push back here.”

If Netflix were to buy Warner Bros.’ TV and film businesses, Mulroney said that could further undermine the theatrical business.

“It’s hard to imagine them fully embracing theatrical exhibition,” Mulroney said. “The exhibition business has been struggling to get back on its feet ever since the pandemic, so a move like this could really be existential.”

But the Writers Guild also has issues with Paramount’s bid, Mulroney said, noting that it would put Paramount-owned CBS News and CNN under the same parent company.

“We have censorship concerns,” Mulroney said. “We saw issues around [Stephen] Colbert and [Jimmy] Kimmel. We’re concerned about what the news would look like under single ownership here.”

That question was made more salient this week after President Trump, who has for years harshly criticized CNN’s hosts and news coverage, said he believes CNN should be sold.

The worries come as some unions’ major studio contracts, including the DGA, WGA and performers guild SAG-AFTRA, are set to expire next year. Two years ago, writers and actors went on a prolonged strike to push for more AI protections and better wages and benefits.

The Directors Guild of America and performers union SAG-AFTRA have voiced similar objections to the pending media consolidation.

“A deal that is in the interest of SAG-AFTRA members and all other workers in the entertainment industry must result in more creation and more production, not less,” the union said.

SAG-AFTRA National Executive Director Duncan Crabtree-Ireland said the union has been in discussions with both Paramount and Netflix.

“It is as yet unclear what path forward is going to best protect the legacy that Warner Brothers presents, and that’s something that we’re very actively investigating right now,” he said.

It’s not clear, however, how much influence the unions will have in the outcome.

“They just don’t have a seat at the ultimate decision making table,” said David Smith, a professor of economics at the Pepperdine Graziadio Business School. “I expect their primary involvement could be through creating more awareness of potential challenges with a merger and potentially more regulatory scrutiny … I think that’s what they’re attempting to do.”

The I’m a Celebrity…Get Me Out of Here! Coming Out reunion will air on Saturday night and Alex Scott is not expected to be on the show

Alex Scott is expected to miss the official I’m a Celebrity Coming Out reunion due to her girlfriend’s family emergency. This news comes after the ex-Lioness avoided the final episode of the show and called out ITV chiefs for not showing her true personality.

Scott was the first person eliminated from the jungle and immediately headed back to the UK. The former Arsenal star reunited with popstar beau Jess Glynne under difficult circumstances, after her mum suffered a major stroke and needed brain surgery.

Sharing on social media after fans noticed her missing from the famous bridge walk, Glynne said: “Over the last few weeks, my mum suffered a major stroke and needed urgent brain surgery. It’s been a really life-altering time for my family, and I’ve had to stay close to home.

“Alex would always want me to be where I’m needed most. I can’t wait to have her back by my side.”

Scott was initially grateful for the I’m a Celeb experience, as she said: “It’s been such an incredible experience. I didn’t think that… mentally it is so tough, and I did struggle at times, missing home and everything.

READ MORE: Why Alex Scott isn’t with the other campmates at I’m A Celeb finalREAD MORE: I’m A Celebrity’s highest paid stars – and those with lowest pay cheques ever

“But I’m so glad I got to do this series with such a great bunch of campmates. We really connected, and I never expected that coming into the jungle, to make the bonds that we all did.”

However, she is yet to reunite with any of her campmates after the show and also called out the broadcaster for not showing her true self. During an appearance on Lorraine, Scott said: “It’s me actually being out and learning what’s been aired and what’s been shown.

“I had so much fun, and that bit wasn’t shown. I had so much fun. I was called the Games Master in there, the stuff that I was doing with everyone.

“It’s only an hour show so only so much can go into the edit but when I reflect, I wish more of the fun stuff, people had seen that side of me. I wanted them to see the more fun Alex Scott that they didn’t see.”

She added: “Ginge and Aitch have had all the airtime and everyone has seen them, but my special bond with Shona, I don’t think the public have seen the real journey she’s been, she’s spoken so much about her anxiety and her fun side but I don’t think anyone has seen it.”

After missing the final episode and wrap party, Scott is likely not to appear on Saturday’s reunion show. Speaking to the Daily Mail, she added: “It’s been a hard couple of months, but Jess was like I want you to go on the show and do it for my mum.

“It’s been tough because I want to be here for the wrap party and I have to get home straight away. She’s my Jessica, and I’m going home to be her rock. My campmates knew what I was going through and I just want to thank everyone at ITV and my camp mates because they’ve all shown me so much support.”

The I’m a Celebrity Coming Out show will air on ITV1 and ITVX on Saturday, December 13 at 9:05pm.

PETER Greene, the character actor best known for his chilling turns in Pulp Fiction and The Mask, has died aged 60.

Greene was discovered unresponsive inside his New York City apartment on Friday afternoon and pronounced dead at the scene, his manager confirmed.

No foul play is suspected and the cause of death will be determined by the medical examiner, cops said.

Greene’s long time manager Gregg Edwards told the New York Post: “He was a terrific guy.

“Truly one of the great actors of our generation.

“His heart was as big as there was. I’m going to miss him. He was a great friend.”

Read more on entertainment

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Greene built a reputation in the 1990s as one of Hollywood’s most memorable screen villains.

He played Zed, the sadistic security guard in Quentin Tarantino’s 1994 hit Pulp Fiction, and ruthless mobster Dorian Tyrell opposite Jim Carrey and Cameron Diaz in The Mask the same year.

Edwards said: “Nobody played a bad guy better than Peter.

“But he also had, you know, a gentle side that most people never saw, and a heart as big as gold.”

With nearly 95 screen credits, Greene appeared in The Usual Suspects, Training Day, Blue Streak, and Laws of Gravity.

He also starred in Clean, Shaven – a 1993 indie film that earned critical acclaim for his portrayal of a man with schizophrenia.

A New York Times review said his performance turned the role “into a compellingly anguished, volatile character.”

Edwards revealed Greene was preparing to begin production in January on an independent thriller titled Mascots alongside Mickey Rourke.

After notifying the film’s writer-director Kerry Mondragón of the death, Edwards said “they were very upset.”

While Greene had a reputation for being difficult on set, his manager said it stemmed from high standards.

He was “a perfectionist who gave every job his all and wanted his performance to be just ‘right’,” according to Edwards.

“He worked with so many amazing actors and directors,” the manager said, adding that his role in The Mask was “arguably his best role.”

Peter Greene was born on October 8, 1965, in Montclair, New Jersey.

At 15, Greene ran away from home and lived on the streets of New York City, where he struggled with drug addiction.

Greene is survived by a sister and a brother.

This is breaking news. More to follow… please refresh for more updates and follow the-sun.com for the biggest stories of the day…

The true story behind the family drama “Rosemead” may not be the saddest tale ever brought to the screen. But boy, it’s up there.

Inspired by a shattering 2017 Times article by then-staff writer Frank Shyong (and now the first narrative feature film from LA Times Studios), “Rosemead” has long been a passion project for its star, Lucy Liu, also a producer. It’s not hard to see why.

This powerful account of humble, terminally ill Taiwanese American widow Irene Chao (based on real-life Rosemead resident Lai Hang), who takes the fate of her schizophrenic teen son into her own hands, offers the transformational role of a lifetime for Liu. Best known for stylish, commanding turns in the “Charlie’s Angels” and “Kill Bill” movies and in TV series such as “Ally McBeal” and “Elementary,” she’s a revelation here.

But the narrative also shines a crucial spotlight on L.A.’s Asian American community and its sometimes insular approach to handling emotional trauma, particularly mental illness. Shame over the condition’s perceived stigma, language barriers and a general fear of expressing oneself add to this cultural dilemma, one that hasn’t been widely explored on the big screen.

Liu is tender and heartbreaking as Irene, who runs the local print shop that her husband (Orion Lee, seen in flashbacks) left behind several years ago. She also helps out in the herbal pharmacy run by childhood best friend Kai-Li (Jennifer Lim). Given that Irene displays a troubling cough from the start, it’s no surprise where her health is heading.

Of more immediate worry to Irene, though, is her only child, Joe (an excellent Lawrence Shou), a high school senior diagnosed with schizophrenia after his beloved dad’s untimely death — and it’s gotten worse. This downturn has impacted his grades, competitive swimming status and overall focus; he obsessively doodles eerie clusters of spiders and draws a disturbing map of his school’s floor plan.

Joe maintains a supportive circle of friends, but they, like Irene and other observers, are ever more alarmed by his bouts of extreme behavior. The boy’s abrupt, inexplicable disappearances are increasingly commonplace, as is a destructive streak.

If that wasn’t enough, Joe has secretly stopped taking his meds. He’s also seemingly become fixated on guns and the endless string of school shootings that make the news.

His deeply concerned therapist, Dr. Hsu (James Chen), assures Irene, who has kept herself at arm’s length, “Most people with schizophrenia don’t engage in violence.” But it’s cold comfort to a mother whose days are numbered by a dire diagnosis. She’s convinced that when she is no longer there to monitor and protect her son, he will hurt himself and others.

Something must be done. The result is an act so unthinkable that, if it hadn’t happened in real life, Marilyn Fu’s otherwise sensitively constructed screenplay might seem beyond repair. But, as they say, truth is stranger than fiction and viewers won’t soon forget the film’s devastating conclusion.

Eric Lin, who has served as cinematographer on such disparate indie films as “The Exploding Girl,” “My Blind Brother” and “Hearts Beat Loud,” makes a worthy feature directing debut here, even if the picture tends to unfold a bit more prosaically than its singular story might demand. Yet when Lin attempts to break out using strobe effects to reflect Joe’s schizophrenic episodes, it comes off more jarring than immersive.

Still, with an able assist from cinematographer Lyle Vincent (“A Girl Walks Home Alone at Night”), Lin vividly captures the look and feel of life in and around Rosemead. This is a special achievement since only about a quarter of the movie was shot in L.A. The rest was filmed in Queens, Brooklyn and Long Island to take advantage of New York’s tax incentives. No matter: The final product, featuring an effective array of SoCal exteriors to tie things together, looks seamless.

Enough can’t be said about Liu’s astonishing, naturalistic turn. She’s a physical marvel here, making herself as small and inconspicuous — yet also as quietly resolute — as her complex character requires. Liu, who was raised in a Chinese-speaking New York household, proves a verbal wonder as well, impeccably toggling between Irene’s halting English and her fluent native Mandarin. Prizes may elude Liu this awards season, but she should be in the conversation.

Despite the film’s downbeat subject matter and its grim finale, watching “Rosemead” isn’t as wholly depressing as it may sound. Like many films and TV shows that have dealt with life’s most unimaginable trials, there are profound human and societal lessons to be gleaned. Moreover, at this moment in time, any truthful, heartfelt story about America’s immigrant experience deserves our attention. That the film contains one of the year’s finest performances may seal the deal for more serious viewers.

Man Vs Baby has just been released on Netflix with subscribers more curious than ever to find out about Rowan Atkinson’s life.

Rowan Atkinson is a British treasure, so it’s no surprise devotees are keen to learn everything about the 70-year-old performer.

Man Vs Baby landed on Thursday, December 11, on Netflix, a four-episode comedy following Trevor Bingley (portrayed by Rowan Atkinson) as he unexpectedly becomes guardian to an abandoned infant in London.

The sitcom may have only just arrived on the platform but has already soared to Netflix’s top spot, demonstrating that audiences remain captivated by the Mr Bean icon.

As fans carry on devouring Man Vs Baby this weekend, here’s everything worth knowing about the legendary Rowan Atkinson.

Unexpected career

Whilst everyone recognises Atkinson primarily for his comedic work, breaking into acting wasn’t his original plan.

He first pursued electrical engineering at Newcastle University and embarked on a PhD at Oxford University when he uncovered his love for performing.

During his Oxford years, he encountered the writer of Four Weddings And A Funeral, in which Atkinson made a brief appearance, and also co-penned the beloved Blackadder.

Stutter

The Man Vs Baby performer has lived with a speech impediment throughout much of his life but has apparently discovered it troubles him less whilst he’s on stage.

Atkinson generally avoids the limelight regardless, but he also steers clear of numerous interviews due to his stammer.

He told Time magazine: “It comes and goes. It depends on my nerves, but it can be a problem.

“I find that when I play a character other than myself, the stammering disappears. That may have been some of my inspiration for pursuing the career that I did.”

Mr Bean

Beyond his memorable role in the Blackadder series, Atkinson’s early work centred on the wordlessly chaotic persona of Mr Bean.

It’s thought that Mr Bean draws from nine year old Atkinson’s experiences after being bullied at school by youngsters who thought he resembled an alien, earning him cruel nicknames such as Doople and Greenman.

Speaking to The Independent, he said: “There’s a lot of Mr Bean in me. He’s socially inept, selfish and has no manners – yet he can be sweet, innocent and well-meaning.”

Personal life

Atkinson was married to makeup artist Sunetra Sastry who he first met in the 1980s during filming of Blackadder’s second season.

Sastry worked as makeup artist for his co-star Stephen Fry, but it wasn’t long before Atkinson formed a connection with her, and they married in 1990.

The couple remained together for 24 years and welcomed children Benjamin and Lily before divorcing in November 2015.

During the divorce proceedings, the pair were midway through building an £11 million property in Oxfordshire.

The star met his current girlfriend Louise Ford in 2013 – who was then dating comedian James Acaster – whilst working on the West End production Quartermaine’s Terms.

Ford, who is roughly 30 years younger, has appeared in Horrible Histories, The Windsors and Crashing. The couple, who became parents to their darling daughter Isla in December 2017, have chosen to keep her away from the public gaze.

Man Vs Baby can be streamed on Netflix.

ADAM Peaty’s estranged family are demanding Netflix remove them from Gordon Ramsay’s upcoming docuseries amid their wedding feud.

The Olympic swimming champion’s mum, Caroline, has written to the streamer to say they did not consent to being filmed at Adam and Holly Ramsay’s engagement do.

His family want a prompt response, a source said, as the series, Being Gordon Ramsay, is due for release early next year.

A source said they expected Netflix to answer within 14 days from when it was sent the letter.

Dad-of-one Adam, 30, and Holly, 25, are due to wed at Bath Abbey in Somerset on December 27 but he has banned his mum and other family members from attending.

His decision last month came after a row over Caroline not being invited to Holly’s hen-do.

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He also called police after his brother, James, 34, allegedly made threats via text while Adam was on his stag do in Budapest.

James was arrested at home in Uttoxeter, Staffs, on suspicion of harassment before being bailed.

A source said: “Caroline has written to Netflix to say the family were not asked for their consent to be filmed for Gordon’s documentary at last year’s engagement do.

“She was very clear that, after everything that’s happened, they do not want to be featured.

“She was filmed giving a speech as were the family during arrivals and while mingling at the party.

“They’re expecting a response from Netflix within 14 days of the letter’s arrival.”

A source close to Gordon Ramsay said filming notices were displayed at the lavish party which took place in London.

They said: “They stated that by attending you were giving your consent to appear in the show.

“Everyone had a brilliant time and the Peaty family members were not interviewed so no additional consent would have been needed. It’s possible they may not even make the final edit.”

Since the falling out, sister Bethany is the only member of Adam’s family still invited to the wedding.

She was very clear that, after everything that’s happened, they do not want to be featured

Source

She was also the only Peaty at Holly’s hen-do at Soho Farmhouse in Oxfordshire although several pals of the Ramsay clan, including Victoria Beckham, turned up.

On Thursday, Adam glossed over the feud when he captioned recent social media snaps “a few good weeks to backend the year”.

The Sun asked Netflix for comment.

TV legend Bryan Fuller, known for his cult classics “Pushing Daisies” and “Hannibal,” just earned an Independent Spirit Award nomination for first feature. It’s somehow a surprise that the well-known creator just directed his first movie, after spending almost three decades working in television on series like “Dead Like Me” and “American Gods.” Now he turns to the world of indie film, reuniting with actor Mads Mikkelsen, his Hannibal Lecter, on the dark fairy tale “Dust Bunny.”

Fuller has a thing for idioms, extending them to their most extreme ends (e.g., “pushing daisies”), and so in “Dust Bunny,” he imagines what those bits of fluff could be if our nightmares came to life. He also posits an outlandish notion: What if a kid hired an assassin to kill the monster under her bed?

Aurora (Sophie Sloan) is an imaginative young girl who hears things that roar and scream in the night. The dust bunny under her bed is a ravenous, monstrous thing. When her parents go missing, she’s convinced they’ve been eaten by the monster bunny, and seeks out the services of an “intriguing neighbor” (Mikkelsen, that’s how he’s credited) whom she has seen vanquishing dragons in the alley outside. With a fee that she purloins from a church collection plate, she implores him for help and he agrees, as he learns more about this young girl’s challenging childhood.

At first, “Dust Bunny” feels a little light, the story skittering across its densely designed surface, with very little dialogue in the first half. But it grows and grows, more bits and pieces accumulating as Fuller reveals this strange, heightened world. We meet Intriguing Neighbor’s handler, Laverne (Sigourney Weaver), revealing the larger Wickian world of killers that he inhabits.Weaver chomps through her scenes like the monster bunny chomps through the floorboards — literally, as she consumes charcuterie, dumplings and “suckling pig tea sandwiches” with gusto. Some monsters grin at us from across the table.

The film is essentially “Leon: The Professional” meets “Amélie” (one of Fuller’s favorite films), but with his distinct wit and flair. That style also means that “Dust Bunny” is quite fussy and mannered and if you don’t buy in on the film’s arch humor and stylized world, you’re liable to bounce right off of it. As Fuller opens the world up, revealing a sly FBI agent (Sheila Atim) and more baddies (David Dastmalchian, Rebecca Henderson), the plot becomes more intriguing beyond its unwieldy childhood-trauma metaphor, but there’s also not quite enough embroidered on this tapestry. It feels shallow, not fleshed out.

Fuller demonstrates a strong command over his visual domain but the pat allegory he presents about the monsters with whom we have to learn to live feels a bit muddled. Sloan and Mikkelsen are terrific together, but you feel that there is much more they could have sunk their teeth into here, and perhaps the limits of the tale reveal the limits of the budget, carefully wallpapered over with opulent production design — explosions of patterns and color crafted by Jeremy Reed, captured with shadowy but lush cinematography by Nicole Hirsch Whitaker.

It’s a first feature that feels like one — a bit of a surprise from someone so experienced. But the project has Fuller’s signature style, even if it doesn’t add up to much more than a neat kiddie-centric hard-R genre exercise.

Katie Walsh is a Tribune News Service film critic.

Shirley Ballas has admitted that she has had her fair share of sleepless nights after this year’s season of Strictly took an unexpected turn when Lewis Cope was eliminated

Strictly Come Dancing judge Shirley Ballas has admitted she was left wide awake all night after Lewis Cope’s emotional exit from the competition.

While on BBC spin-off show It Takes Two, Shirley opened up to host Fleur East about the toll this stage of the competition has taken on her, especially as the remaining couples edge closer to the final.

When Fleur asked how she was feeling with the semi-final less than 24 hours away, Shirley replied sombrely: “Well I didn’t sleep yesterday, I didn’t sleep when Lewis got eliminated and I probably won’t sleep tonight because you never know where the show is going to go at the moment.”

She went on to explain just how unpredictable this year’s contest has become, adding: “It is not set and it could be anyone who goes home and anyone who can win, so it will be very interesting tomorrow.”

Lewis, who is best known to viewers for his role on Emmerdale, was eliminated last week after going head-to-head with Love Island star Amber Davies in the dreaded dance-off.

Many fans were devastated to see him leave just before the semi-finals. But Lewis spoke fondly of his time on Strictly after his exit, saying: “It’s been more than I could have ever wished for. If someone would have said that I’d have done 11 weeks on the show at the beginning, I’d have been over the moon and snap their hand off.”

He went on to thank the show and his professional partner Katya Jones, telling her: “You’ve literally given me absolutely everything I could wish for as a friend, as a teacher, and yeah, I couldn’t imagine it with anybody else.”

An emotional Katya returned the praise, calling Lewis one of the most memorable contestants the show has seen. “You will be remembered as one of, if not, the best male celebrity we’ve ever had on the show,” she said, adding that he would also be remembered for being “an incredible person”.

Away from the ballroom, Lewis’s girlfriend Rachel Lopez also spoke out following his exit, hitting back at viewers’ claims that he had an unfair advantage due to his musical theatre background.

In a heartfelt Instagram post, she wrote: “What most people never saw was the pressure you carried, especially with people assuming you would walk in as a trained dancer (which you absolutely weren’t!).”

Rachel praised Lewis for handling the criticism he received with grace, adding: “The heartbreak isn’t a sign you have failed, it just shows how much courage you had.”

On It Takes Two Shirley went on to offer some quick advice to the remaining couples ahead of the semi-final, encouraging Amber and Nikita to “bend knees and have a lot of fun,” while calling for more “connection and partnering” from some of the other contestants.

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SEX PISTOLS frontman John Lydon has slammed singer Chrissie Hynde in a furious rant after accusing her of ‘doing a very nasty thing’.

The former I’m A Celeb star, 69, had a lot to say about The Pretenders band member, even admitting that she was jealous of his late wife Nora Forester.

John, who’s stage name is Johnny Rotten, first crossed paths with music star Chrissie in the 1970’s becoming close friends, amidst London’s punk scene.

But years later, Lydon has revealed he has a very different view of his longtime pal, launching into a furious rant about the singer. 

Speaking to comedian Paul Whitehouse and his wife Dr Mine Conkbayir, on the latest episode of their podcast I’m ADHD! No You’re Not, John unveiled the shocking revelation.

Paul opened up the line of fire, saying: “Anyone would think you were in the Sex Pistols? 

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“Talking of which, by the way, Chrissie Hynde sends her love,” he chimed.

John replied: “F*** her. No, no. She did a very, very nasty thing. I met her before Nora died and on all of that. And she never told me what they were doing behind my back. 

“Oh, sorry,” Paul quipped.

John continued: “And she knew, and she was involved with all that, that film and like and these are my friends. Yeah. And you’re not telling me, you know.”

 “It was hurtful,” he added.

Mine went on to further question the music star: “And you never had it out for her?”

To which he replied: “She was always jealous of Nora as you know. Right. I don’t date horse hair blankets. Hello, Chrissie. How you doing?”

The punk icon became the primary carer of his beloved wife Nora following her battle with Alzheimer’s – she sadly passed in 2023.

Chrissie herself opened up about her own experiences with Lydon this week. 

Speaking to The Guardian about a wild night with the star, she said: “The one thing I remember about that Nashville Rooms show was that I had drunk a lot of tequila beforehand and I never drank before a show again because it impaired my abilities.”

“That night, I pierced Johnny Rotten’s ear in the toilet, by pushing an earring through it into a bar of soap.”

The American born singer had even proposed to Johnny Rotten and his Sex Pistols bandmate Sid Vicious in 1976, but not for romantic reasons. 

Chrissie proposed the idea of marriage after needing a visa so she could stay in the UK.

When asked what she thought her life would be like if she had married either star, she said: “That was just so I could stay in the country, but life with either of them would have been chaos.”

‘I’m ADHD! No You’re Not’ is available every Thursday on all podcast platforms.

You often hear that short stories make the best movies, as if the notion is to take something compact and widen it with cinema’s scalability. But the reverse can also be true: Certain movies benefit from feeling pocket-sized and unfettered, as if you’ve curled up with a tight, evocative short story, filled with just enough humor, detail and feeling to evoke a warm glow.

Set over two days during the instant relationship between a desperate young man from New York and a lonely older Los Angeles street musician, the black-and-white micro-indie “Burt” from director and co-screenwriter Joe Burke is one such half-slice of heart and calories, neither too much nor undercooked. You could watch a lot of films made with its equivalent budget (think that of a used 2007 sedan) and sense an ambition straining against constraints or a deliberate attempt at slumming. Not so with “Burt,” the movie equivalent of a cherry sour drop on a day when you need something a little tart, a tad sweet and that won’t outstay its welcome.

“Burt” stars Burt Berger as, well, Burt Berger, a 69-year-old troubadour type whom we first see in a sparsely attended coffeehouse plucking away at his guitar and, as if the ’60s never went away, singing about freedom. (Via Berger’s earnest, aged voice, the concept sounds hard-won.) Watching him intently is Sammy (co-screenwriter Oliver Cooper), who asks for a moment of Burt’s time. Over a picnic table in a field, this kind-eyed, spindly musician, visibly dealing with Parkinson’s, is informed that Sammy is the son he never knew he had. To which you might think: Finally, a movie that doesn’t waste time getting straight to what we’re already thinking.

Burt is tickled by the news and very quickly wants Sammy to stay overnight in the modest North Hollywood house he shares with his live-in landlord Steve (Steven Levy), a suspicious, rules-obsessed crank with mad-prophet facial hair, a nascent vegetable garden and, he’d like this new visitor to know, a gun. The distrust is mutual for Sammy, but he’s trying to stay focused on getting to know Burt for reasons that soon become apparent and which give this quirky, Jarmusch-inflected scenario an extra dab of seriocomic urgency.

But “Burt” isn’t driven by narrative. Director Burke is way more invested in the interpersonal dynamics of oddballs than anything else and, to that end, a fair amount of humorous tension is maintained — from Sammy’s fearful accommodation of Steve’s peculiarities to some contentious phone calls with a haranguing aunt (Caitlin Adams) who lives in a trailer park, is behind on rent and apparently makes a fine soup. Meanwhile, one of the more endearingly amusing aspects of “Burt” is how spiritedly the title character takes to sudden dadhood, especially his immediate adopting of such phrases as “No son of mine is …” and “That’s my boy!”

There’s no way for a general moviegoer to know what the ratio of fiction to nonfiction in is a scruffy DIY object like “Burt,” with characters playing versions of themselves. (If Levy doesn’t have an agent, he should consider it.) And while you don’t expect things to get sentimental, there’s a quiet faith as “Burt” shuffles along — its jazz-tinged music score a little rough and the editing not always smooth — that the movie won’t ignore the feelings its director has efficiently triggered. Most notably, Berger, whose life inspired the film, is a natural, easy to root for and an ideal center for a movie with a warmhearted view of life as best appreciated when you can set aside your hang-ups and adopt the occasional stray.

ESPN

Basketball legend Jason Collins has opened up about his Stage 4 brain cancer diagnosis.

Back in September, Collins’ family announced that the former NBA star, who made history as the league’s first openly gay player, was undergoing treatment for a brain tumour.

⁠They added: “Jason and his family welcome your support and prayers and kindly ask for privacy as they dedicate their attention to Jason’s health and well-being.”

Over the last few months, Collins has kept additional details about his treatment and diagnosis private.

However, on 11 December, the 47-year-old talent peeled back the curtain on his journey in a new heartfelt essay shared on ESPN.

“A few months ago, my family released a short statement saying I had a brain tumour. It was simple, but intentionally vague,” he wrote.

“They did that to protect my privacy while I was mentally unable to speak for myself, and my loved ones were trying to understand what we were dealing with. But now it’s time for people to hear directly from me.”

Collins then revealed that he was diagnosed with “one of the deadliest forms of brain cancer,” Stage 4 glioblastoma, adding that it came on “incredibly fast.”

The former Brooklyn Nets player explained that he first noticed something was “really wrong” in August, two months after he got married to his husband, film producer Brunson Green.

“We were supposed to go to the US Open, just as every year, but when the car came to take us to the airport, I was nowhere near ready,” he continued.

“And for the first time in decades, we missed the flight because I couldn’t stay focused to pack. I had been having weird symptoms like this for a week or two, but unless something is really wrong, I’m going to push through. I’m an athlete.”

Due to his symptoms, Collins said that he had a CT done at UCLA, but it only lasted five minutes.

“The tech pulled me out and said they were going to have me see a specialist. I’ve had enough CTs in my life to know they last longer than five minutes, and whatever the tech had seen on the first images had to be bad,” he wrote.

Following the scan, the trailblazing athlete said that his “mental clarity, short-term memory and comprehension” disappeared within hours, adding that he turned into the “NBA player’s version of Dory from Finding Nemo.”

“What makes glioblastoma so dangerous is that it grows within a very finite, contained space – the skull – and it’s very aggressive and can expand,” he explained.

“What makes it so difficult to treat in my case is that it’s surrounded by the brain and is encroaching upon the frontal lobe – which is what makes you, you. My glioblastoma is ‘multiforme.’ Imagine a monster with tentacles spreading across the underside of my brain, the width of a baseball.”

Collins discovered just how severe his glioblastoma diagnosis was after a biopsy, which revealed that it had a growth factor of 30%.

“Meaning that within a matter of weeks, if nothing were to be done, the tumour would run out of room and I’d probably be dead within six weeks to three months,” he said.

“My glio is extraordinary for all the wrong reasons, and is ‘wild type’ it has all these mutations that make it even more deadly and difficult to treat. What’s that mythical creature where you cut off one head, but it learns to grow two more? The Hydra. That’s the kind of glio I have.”

Fortunately, Collins isn’t showing any signs of giving up, writing that he has been hard at work researching all of his options and receiving different forms of treatment, which included taking the drug Avastin and undergoing radiation treatments.

“We aren’t going to sit back and let this cancer kill me without giving it a hell of a fight. We’re going to try to hit it first, in ways it’s never been hit: with radiation, chemotherapy, and immunotherapy that’s still being studied but offers the most promising frontier of cancer treatment for this type of cancer,” he wrote.

“Currently, I’m receiving treatment at a clinic in Singapore that offers targeted chemotherapy – using EDVs – a delivery mechanism that acts as a Trojan horse, seeking out proteins only found in glioblastomas to deliver its toxic payload past the blood-brain barrier and straight into my tumours.

“The goal is to keep fighting the progress of the tumours long enough for a personalised immunotherapy to be made for me, and to keep me healthy enough to receive that immunotherapy once it’s ready.”

Collins came out in 2013 on the cover of Sports Illustrated, becoming the first active male athlete from one of the four major North American professional sports leagues to do so.⁠

At the time, he said: “I didn’t set out to be the first openly gay athlete playing in a major American team sport. But since I am, I’m happy to start the conversation.”

Read Collins’ full essay here and watch his full interview with ESPN below.

BBC bosses have reportedly selected their top ten options for replacing Tess Daly and Claudia Winkleman as Strictly Come Dancing hosts, and they are set to undergo ‘chemistry tests’

The BBC is ramping up its search for the next faces of Strictly Come Dancing, with insiders revealing that a shortlist of ten high-profile presenters is set to be put through intense on-screen chemistry tests as the corporation prepares for a new era of the hit show.

Now that Tess Daly and Claudia Winkleman are stepping down from the series after more than two decades at the helm, bosses are said to be leaving nothing to chance.

According to insider sources, a “Golden Ten” have been assembled to take part in a secret studio session next month where presenters will reportedly be paired up in various combinations to see who has the strongest rapport on camera.

A source told The Sun: “Replacing Claudia and Tess is a mammoth task, but the BBC have whittled down the talent to ten people. They will go to a studio and be put into different pairs to see who works together best.”

Some of the frontrunners are Bradley Walsh, The One Show’s Alex Jones and British comedian Alan Carr, who is understood to be the current favourite among senior BBC figures.

Rylan Clark, Rob Rinder, Zoe Ball, Holly Willoughby, Amanda Holden, Alison Hammond and Angela Scanlon are also taking part. The source added: “It could be two women or two men paired, or a mix. They will ultimately choose whoever has the best chemistry in each partnership.”

Some contenders already have tried and tested on-screen dynamics. Rylan and Rob currently front a BBC travel series together, while Alan and Amanda host a home renovation show.

Meanwhile, Zoe Ball is seen as a safe pair of hands after previously presenting the Strictly spin-off It Takes Two. Alan’s growing appeal at the BBC has reportedly pushed him into first place among the talent being considered.

Given he is fresh off winning the Celebrity Traitors and has just recently landed a new quiz show, insiders believe he could bring a whole new audience to the ballroom.

Meanwhile, Strictly fans are bracing themselves for a sad goodbye to Tess and Claudia. The pair announced their decision to leave the show in October, explaining that it felt like “the right time” to step away after years at the helm.

Tess, who has presented Strictly since its launch in 2004, and Claudia, who joined in 2014, insisted they were always determined to leave together, calling their partnership “an absolute dream”.

The duo hosted Strictly for their penultimate episode tonight, and have already filmed their final Christmas special. Those at the recording studio said emotions were running high, with one insider revealing: “Tess was wiping away tears. The last Strictly episode next week is going to be emotional.”

The presenters were recently honoured with a touching message from the widow of the late Sir Bruce Forsyth, Wilnelia Forsyth, who praised both women for the “laughter, the elegance and the heart” they brought to the show.

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MODEL Emily Ratajkowski looks fab-yule-ous as she poses in a red dress for a festive event.

The 34-year-old wore the minidress, tights and heels at the event for hair brand Kérastase in New York on Thursday evening.

Emily was recently seen on a date with singer Dua Lipa’s ex, Romain Gavras.

They were spotted last month kissing during a romantic winter stroll through New York City.

Emily was recently linked to Elvis star Austin Butler after the pair enjoyed an evening of cocktails together.

She has a four-year-old son Sylvester Apollo Bear, who she shares with her ex-husband Sebastian Bear-McClard. 

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Emily Ratajkowski shows off cleavage in plunging black coat with crystal necklace

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Emily Ratajkowski rocks sheer hot pink bra, thong and garter belt for new shoot

Emily finalized her divorce with the film producer, who faced a slew of sexual misconduct allegations, in July, after filing for divorce in September 2022.

Emily recently bared her soul about how she suffered from self-doubt. 

She revealed how writing her 2021 memoir My Body had sparked feelings of inadequacy.

The model explained: “I had imposter syndrome.”