trio

Hull KR’s Grand Final-winning trio Mikey Lewis, Jez Litten and Joe Burgess have all been named in England’s final 24-man squad for the autumn Ashes Test series against Australia but there is no place for Super League’s Man of Steel winner Jake Connor.

Litten’s only previous cap arrived against France in 2023, while Burgess, who scored two tries in Hull KR’s triumph over Wigan on Saturday, returns to the England set-up after a 10-year absence.

But Connor, who was also omitted from the squad get-together in June, has been unable to convince head coach Shaun Wane he deserves a spot amid fierce competition in the halves.

Wane’s stellar options in those berths include captain George Williams, Wigan’s Harry Smith and Lewis, who won the Rob Burrow Award for man of the match with a sparkling performance at Old Trafford.

Australia face England at Wembley on 25 October, at Everton’s Hill Dickinson Stadium on 1 November and at AMT Headingley on 8 November. All three matches are 14:30 kick-offs and will be live on BBC One.

“I’m really excited by the 24 players we have selected ahead of this upcoming Ashes Series,” said Wane.

“There were some tough decisions to be made given the quality we have across both Super League and the NRL and that’s never easy, but I am confident that the 24 selected will give us the best chance of winning this series.”

England squad: John Bateman (North Queensland Cowboys), AJ Brimson (Gold Coast Titans), Joe Burgess (Hull KR), Daryl Clark (St Helens), Herbie Farnworth (Dolphins), Ethan Havard (Wigan Warriors), Morgan Knowles (St Helens), Matty Lees (St Helens), Mikey Lewis (Hull KR), Jez Litten (Hull KR), Mike McMeeken (Wakefield Trinity), Harry Newman (Leeds Rhinos), Mikolaj Oledzki (Leeds Rhinos), Tom Johnstone (Wakefield Trinity), Kai Pearce-Paul (Newcastle Knights), Harry Smith (Wigan Warriors), Morgan Smithies (Canberra Raiders), Owen Trout (Leigh Leopards), Alex Walmsley (St Helens), Jake Wardle (Wigan Warriors), Kallum Watkins (Leeds Rhinos), Jack Welsby (St Helens), George Williams (Warrington Wolves), Dom Young (Newcastle Knights)

Ejae, Audrey Nuna and Rei Ami went up, up, up for their “Golden” moment on “The Tonight Show Starring Jimmy Fallon.”

The trio, who provide the singing voices for the animated “KPop Demon Hunters” central girl group Huntr/x, hit the late-night TV show Tuesday to perform the Netflix movie’s signature song. It marks the first time they have hit the stage together for a live, full-length performance of “Golden,” and even Fallon could not contain his excitement.

The first No. 1 female K-pop song in the history of the Billboard Hot 100, “Golden” has helped propel the “KPop Demon Hunters” soundtrack to its newest accolade. Fallon informed Ejae, Nuna and Ami during the show that the record had gone platinum.

When asked about their experiences around the massive popularity of “KPop Demon Hunters,” the trio offered words including “surreal,” “scrumptious” “delicious,” “stunning” and “bonkers.”

“We try to come up with new adjectives every time,” said Nuna, who provides the singing voice for Mira.

Their “Tonight Show” appearance follows their brief cameo on the Season 51 premiere of “Saturday Night Live.” During their sitdown interview with Fallon, both Nuna and Ami (the singing voice of Zoey) recounted real-life encounters with “Golden” that drove home the magnitude of “KPop Demon Hunters’” impact.

For Nuna this happened on a trip to Korea when she saw an elderly street performer playing “Golden” on a traditional Korean instrument.

“I had to do a double take because in Korean culture, it’s especially impressive if an elderly person is impressed with you,” said Nuna, who explained that Korean elders rarely bat an eye at accomplishments like attending an Ivy League college or graduating top of your class. “It’s really hard [to impress them]. They have high standards. So for the older generation to embrace it, it’s something different.”

Ami’s encounter was with a much younger fan. She recalled a trip to an H Mart where she saw a young boy singing “Golden” at the top of his lungs while holding hands with his mother.

“I think it’s one thing to hear our song on the radio, but to hear it come out of a child, live?” Ami said. “In H Mart, my favorite place? … I just cried at HMart.”

Ejae, meanwhile, offered an anecdote that suggests “Golden’s” success may have been preordained.

Prompted by Fallon, the co-writer of “Golden” shared that while recording her part of the song at the studio, she saw a brief glimpse of “a grunge ghost.”

It was “a tall dude with a flannel … and blue jeans,” Ejae said. And this brief encounter may have been auspicious.

“My mom reminded me later [that] there’s a myth in Korea in the music [business], if you see a ghost or any paranormal activity while recording a song, it’s a hit,” she said.

All good things come in threes — including reliability.

Anchored by kicker Cameron Dicker, punter JK Scott and long snapper Josh Harris, the Chargers’ specialists have been a bedrock of stability the past three seasons. That steadiness seemed in jeopardy when Scott’s contract expired this offseason.

Like a rock band losing its guitarist, it looked as though the group might have played its final tour together. But for Scott — whose bond with Dicker and Harris runs deeper than football — staying in L.A. felt like divine intervention.

“Truly, it was something me and my wife made a decision together from a place of prayer,” Scott said of re-signing. “We felt like we were supposed to be here. The relationships that we have here, we just felt like this was the right fit.”

Assembled by special teams coordinator Ryan Ficken, the unit thrives on contrast. Dicker is the lively free spirit. Scott brings a reserved, thoughtful presence. Harris, 36, is the seasoned veteran.

“They’re like big brothers,” Dicker, the youngest of the group, said. “It’s been really cool to have them in my life and helping with things on the field, off the field. Leading me through it all, and just going through the journey of life coming out of college, it’s nice to have those guys.”

The three specialists, along with Ficken, are holdovers from the previous regime. Ficken, one of the few coaches retained when Jim Harbaugh was hired as head coach, engineered the transformation.

Before his arrival, the Chargers ranked near the bottom in special teams DVOA, or defense-adjusted value over average — 32nd in 2020 and 28th in 2021. With Harris and Scott’s offseason signing and Dicker’s arrival midseason, the unit rose to sixth by the end of 2022 and second in 2023.

“The way they approach the game and how they respect one another and they understand that each other’s success is going to help all of us,” Ficken said. “Having all three of them back another year just continues to allow us to grow.”

Under Ficken’s guidance, Dicker has become one of the league’s most accurate, converting 89 of 95 kicks since 2022. He had a franchise-record 150 points last season with 39 field goals and 33 extra points.

Chargers special teams coordinator Ryan Ficken, left, works with long snapper Josh Harris before a game against the Buffalo Bills in December 2023.

(Kyusung Gong / Associated Press)

Scott finished top 10 in downed punts inside the 20-yard line and posted the second-highest hang time in the league at 4.65 seconds last season.

“Selfishly, I’m going to say we have the best room in the league,” Harris said. “Getting to come to work with JK, Dick and Fick, we really work well together. … There’s nobody else that I’d rather go out there with.”

When the Jacksonville Jaguars cut Scott early in the 2021 season and he went unsigned for the rest of the year, Ficken advocated bringing him to the Chargers.

“He called me and told me he wanted to have me as his punter for a while,” Scott said. “I attribute a lot of just me being here to him. So I’m grateful for him. Really, really love that guy.”

And when there was a chance the trio could drift apart, Ficken acted as the glue keeping them together. His faith in Scott ultimately factored into Scott’s decision to re-sign.

“He really believes in me, believes in Josh and Cameron,” Scott said. “He always expressed that, and it’s crazy, the power of when you have people believing in you, it helps you believe in yourself more.”

The group is guaranteed to stay together for at least one more year.

Scott signed a two-year, $6-million contract in March. Dicker secured a four-year, $22-million extension last season, making him among the highest-paid kickers. Harris, however, is in the final year of his contract and will miss at least the first four games after being placed on injured reserve with a shoulder injury. Rick Lovato will take over until Harris returns.

While the turnaround of a once-abysmal special teams unit is the measurement of success, the playful off-field moments define their time together.

Sometimes it’s Harris offering Scott smelling salts — a practice Dicker, who is naturally amped, skips. Or it’s Harris snapping a photo of Dicker, Scott and Ficken next to the Dicker’s famous fair-catch kick cleats on display at the Pro Football Hall of Fame.

Then there’s Scott, who asked Harris a loaded question during a recent news conference: “Who do you like more, JK Scott or Cameron Dicker?”

“I can’t answer,” Harris said with a chuckle. “You guys are the best, but you’re sitting in here, so I guess I’ll have to go with my guy right now, showing support.”

Maybe it’s knowing the beach is a short walk from their high school campus, but the special teams trio of punter Jackson Shevin, long snapper Jackson Reach and kicker Nico Talbott are feeling relaxed, comfortable and confident for Mira Costa High‘s football team.

Early in the season, fans sometimes need to close their eyes and pray when there’s a punt or PAT attempt. The special teams play can be that bad.

At Mira Costa, this coming season should be a good one for the special teams. The two Jacksons, Shevin and Reach, did their roles last season. Shevin is also a holder on field goals. Talbott assumes the No. 1 role for kicking. And Reach rarely leaves the field, because he’s also the team’s standout linebacker.

On any football team, it’s always intriguing to see how the special teams players blend in. Many are soccer players trying to learn the football culture.

The Mira Costa trio work well together, and it helps with their versatility. Mira Costa opens its season Aug. 29 against St. Francis. …

This is a daily look at the positive happenings in high school sports. To submit any news, please email [email protected].

When it comes to special teams, Mira Costa’s football team has a dream group ready to handle punting, kicking, long snapping and holding.

The senior trio of punter Jackson Shevin, kicker Nico Talbott and long snapper Jackson Reach is an impressive group.

Shevin, who’s also the holder on PATs and field goals, averaged 38 yards on punts last season. Talbott waited his time to handle kicking duties on junior varsity and being the backup. He has performed well at the Chris Sailer kicking camps. Reach is an elite long snapper and terrific linebacker.

Shevin also says he’s ready to pass or run if coach Don Morrow calls for any fake punts or fake field goals.

“It’s pretty cool,” Morrow said of his special teams trio. Morrow is entering his 33rd season at Mira Costa and No. 37 overall and thinks special teams is pretty important for a football program.

With two of the three named Jackson and being from Manhattan Beach, you can imagine the trust and fun they have playing on the same team.

Mira Costa is one of a talented group of teams in the Bay League joining Palos Verdes, Inglewood, Leuzinger and Culver City, all of whom could be title contenders depending on what division they are placed in.

Mira Costa returns top quarterback Liam Meeker and top running back AJ McBean. But they know if they need a punt or a field goal, the “Three Amigos” are ready.

PILTON, England — Irish-language rap group Kneecap gave an impassioned performance for tens of thousands of fans on Saturday at the Glastonbury Festival despite criticism by British politicians and a terrorism charge against one of the trio.

Liam Og O hAnnaidh, who performs under the stage name Mo Chara, has been charged under the Terrorism Act with supporting a proscribed organization for allegedly waving a Hezbollah flag at a concert in London in November. The rapper, who was charged under the anglicized version of his name, Liam O’Hanna, is on unconditional bail before a further court hearing in August.

“Glastonbury, I’m a free man!” O hAnnaidh shouted as Kneecap took the stage at Glastonbury’s West Holts field, which holds about 30,000 people. Dozens of Palestinian flags flew in the capacity crowd as the show opened with an audio montage of news clips referring to the band’s critics and legal woes.

Between high-energy numbers that had fans forming a large mosh pit, the band members led the audience in chants of “Free Palestine” and “Free Mo Chara.” They also aimed an expletive-laden chant at U.K. Prime Minister Keir Starmer, who has said he didn’t think it was “appropriate” for Kneecap to play Glastonbury.

The trio thanked festival organizers Michael and Emily Eavis for resisting pressure to cancel Kneecap’s gig and gave a shout-out to Palestine Action, a protest group that the British government plans to ban under terrorism laws after its members vandalized planes on a Royal Air Force base.

The Belfast trio is known for anarchic energy, satirical lyrics and use of symbolism associated with the Irish republican movement, which seeks to unite Northern Ireland, which is part of the U.K., with the Republic of Ireland.

More than 3,600 people were killed during three decades of violence in Northern Ireland involving Irish republican militants, pro-British Loyalist militias and the U.K. security forces. Kneecap takes its name from a brutal punishment — shooting in the leg — that was dealt out by paramilitary groups to informers and drug dealers.

The group has faced criticism for lyrics laden with expletives and drug references, and for political statements, especially since videos emerged allegedly showing the band shouting, “up Hamas, up Hezbollah,” and calling on people to kill lawmakers.

Members of the group say they don’t support Hezbollah or Hamas, nor condone violence, and O hAnnaidh says he picked up a flag that was thrown onto the stage without knowing what it represented. Kneecap has accused critics of trying to silence the band because of its support for the Palestinian cause throughout the war in the Gaza Strip.

A performance at the Coachella Valley Music and Arts Festival in April — where the band accused Israel, with U.S. support, of committing genocide against the Palestinians — sparked calls for the group members’ U.S. visas to be revoked.

Several Kneecap gigs have since been canceled as a result of the controversy.

The BBC, which airs many hours of Glastonbury performances, didn’t show Kneecap’s set live, but said it would “look to make an on-demand version of Kneecap’s performance available on our digital platforms” afterward.

About 200,000 ticket holders have gathered at Worthy Farm in southwest England for Britain’s most prestigious summer music festival, which features almost 4,000 performers on 120 stages. Headline acts performing over three days ending Sunday include Neil Young, Charli XCX, Rod Stewart, Busta Rhymes, Olivia Rodrigo and Doechii.

Glastonbury highlights Friday included a performance from U.K. rockers the 1975, an unannounced set by New Zealand singer Lorde, a raucous reception for Alanis Morissette and an emotional return for Scottish singer Lewis Capaldi, two years after he took a break from touring to adjust to the effect of the neurological condition Tourette syndrome.

Dixon writes for the Associated Press.

French Cambodian director Rithy Panh has often cited the genocidal regime of the Khmer Rouge, which killed his family and from which he escaped, as the reason he’s a filmmaker. His movies aren’t always directly about that wretched time. But when they are — as is his most memorable achievement, the Oscar-nominated 2013 documentary “The Missing Picture,” which re-imagined personal memories using clay-figurine dioramas — one senses a grand mosaic being assembled piece by piece linking devastation, aftermath and remembrance, never to be finished, only further detailed.

His latest is the coolly observed and tense historical drama “Meeting With Pol Pot,” which premiered last year at Cannes. It isn’t autobiographical, save its fictionalization of a true story that happened concurrent to his childhood trauma: the Khmer Rouge inviting a trio of Western journalists to witness their proclaimed agrarian utopia and interview the mysterious leader referred to by his people as “Brother No. 1.” Yet even this political junket, which took place in 1978, couldn’t hide a cruel, violent truth from its guests, the unfolding of which Panh is as adept at depicting from the viewpoint of an increasingly horrified visitor as from that of a long-scarred victim.

The movie stars Irène Jacob, whose intrepid French reporter Lise — a perfect role for her captivating intelligence — is modeled after the American journalist Elizabeth Becker who was on that trip, and whose later book about Cambodia and her experience, “When the War Was Over,” inspired the screenplay credited to Panh and Pierre Erwan Guillaume. Lise is joined by an ideologically motivated Maoist professor named Alain (Grégoire Colin), quick to enthusiastically namedrop some of their hosts as former school chums in France when they were wannabe revolutionaries. (The character of Alain is based on British academic Malcolm Caldwell, an invitee alongside Becker.) Also there is eagle-eyed photojournalist Paul (Cyril Gueï), who shares Lise’s healthy skepticism and a desire to learn what’s really happening, especially regarding rumors of disappeared intellectuals.

With sound, pacing and images, Panh readily establishes a mood of charged, contingent hospitality, a veneer that seems ready to crack: from the unsettlingly calm opening visual of this tiny French delegation waiting alone on an empty sun-hot tarmac to the strange, authoritarian formality in everything that’s said and shown to them via their guide Sung (Bunhok Lim). Life is being scripted for their microphones and cameras and flanked by armed, blank-faced teenagers. The movie’s square-framed cinematography, too, reminiscent of a staged newsreel, is another subtle touch — one imagines Panh rejecting widescreen as only feeding this evil regime’s view of its own righteous grandiosity.

Only Alain seems eager to ignore the disinformation and embrace this Potemkin village as the real deal (except when his eyes show a gathering concern). But the more Lise questions the pretense of a happily remade society, the nervier everything gets. And when Paul manages to elude his overseers and explore the surrounding area — spurring a frantic search, the menacing tenor of which raises Lise’s hackles — the movie effectively becomes a prison drama, with the trio’s eventual interviewee depicted as a shadowy warden who can decide their fate.

Journalism has never been more under threat than right now and “Meeting with Pol Pot” is a potent reminder of the profession’s value — and inherent dangers — when it confronts and exposes facades. But this eerily elegiac film also reflects its director’s soulful sensibility regarding the mass tragedy that drives his aesthetic temperament, never more so than when he re-deploys his beloved hand-crafted clay figurines for key moments of witnessed atrocity, or threads in archival footage, as if to maintain necessary intimacy between rendering and reality.

Power shields its misdeeds with propaganda, but Panh sees such murderous lies clearly, giving them an honest staging, thick with echoes.

The Grand Tour was hosted by Jeremy Clarkson, James May and Richard Hammond for Prime Video but there’s now speculation over their potential replacements on the show

There’s speculation over the line-up for the Grand Tour, with news hosts said to have signed up. It’s been teased that Jeremy Clarkson, James May and Richard Hammond‘s apparent replacements are “younger” and “cooler”.

Jeremy, 65, James, 62, and Richard, 55, hosted the Prime Video show together from 2016 until it ended last year. They are looking back over it in four special episodes though. One has aired so far and it was previously announced that the others will be released “later this year and into 2026”. It has now been reported that their replacements for the Grand Tour have been decided. It’s claimed that Thomas Holland and James Engelsman – who run the Throttle House channel on YouTube – will front the motoring TV show with viral trainspotter Francis Bourgeois, 24, moving forward.

A source has told the Sun: “Thomas and James are as knowledgeable about motors as Jeremy, Richard and James – the only difference is they’re younger, cooler and a lot more social media savvy. Francis became famous for his love of trainspotting and will be bringing his humour to the show.”

Thomas and James are behind the brand Throttle House, which has more than 3 million subscribers on YouTube. Through the channel, the pals post “everything from car reviews to track tests, to epic adventures”. Launched by Thomas, the channel dates back to 2013 and James later joined as a presenter in 2018.

Francis – whose real name is Luke Nicolson – instead rose to fame through TikTok in 2021. He’s known for posting content about trains, including footage of himself trainspotting, and has more than 3 million followers on the platform.

It was reported earlier this year that he was being considered for the Grand Tour. A source previously told the Sun: “Francis is a big noise online and Amazon producers are hoping to bring him into the mainstream. […] Francis is not just a social media sensation but trained as a mechanical engineer so knows his stuff.”

The latest speculation about the line-up comes after former host James May suggested that a younger generation should take the helm of motoring shows like the Grand Tour. He spoke about stepping back on Australia‘s ABC News in March.

After suggesting that he wouldn’t reunite with Jeremy and Richard in such a role, he said: “It was probably time for us to stop because we always said we would land it … we would land it with dignity not fly it into the cliffs. That’s the way we used to talk about it. We have come close to flying it into the cliffs a few times so it was probably the right time to stop.”

Discussing the future, he suggested that the former Top Gear presenters are “getting on a bit”. He then proposed that a “younger generation” should find a “new way” of discussing motoring, as opposed to their potentially “dated” view.

He said at the time: “We’re getting on a bit. Our view of the subject is probably becoming a bit dated. It’s time for a younger generation to reevaluate it and think of a new way of talking about things like cars and transport generally.”

James expressed hope that “somebody out there” will be able to, though said he wasn’t sure “exactly” how. He said in the interview: “I don’t know how they’re going to do it exactly but I feel sure there must be somebody out there.”

The Mirror has reached out to Amazon Prime Video for comment.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.