third season

Big-time matchups for Division 1 flag football semifinals

It’s the third season of girls’ flag football in California, with athletes and teams getting better and better, which raises expectations for the Southern Section Division 1 semifinals on Saturday. Unbeaten JSerra plays at Dos Pueblos and defending champion Orange Lutheran hosts Huntington Beach.

Dos Pueblos (24-2) faces the most difficult task, trying to defeat a 26-0 JSerra team that owns two wins over No. 2-seeded Orange Lutheran. The good news for Dos Pueblos is that it has already proven it can compete against the best, having taken Orange Lutheran to overtime early in the season before losing.

“We definitely get to say we’ve faced the top,” Dos Pueblos coach Doug Caines said. “They have some crazy athletic girls.”

Dos Pueblos will have to avoid turnovers, relying on quarterback Kacey Hurley to stay away from interceptions. She has 4,603 yards passing and 84 touchdowns. Brooklyn Hendricks is the team’s standout receiver.

The other semifinal matchup involving Orange County teams will determine if Orange Lutheran can repeat as champion behind quarterback Makena Cook. Huntington Beach is 25-1. The Oilers’ only loss was to Newport Harbor. Roxie Shaia has made an impact at quarterback and on defense.

The winners advance to next weekend’s final at Fred Kelly Stadium next to El Modena High.

This is a daily look at the positive happenings in high school sports. To submit any news, please email [email protected].

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Netflix earnings surged last quarter. Thank ‘Squid Game,’ price hikes and advertising

Thanks to popular shows like “Squid Game,” plus price hikes and growing advertising revenues, Netflix on Thursday reported strong growth in the second quarter, beating analysts’ expectations.

The Los Gatos-based streamer’s revenue rose 16% to $11.1 billion, while the company’s net income increased 46% to $3.1 billion compared to a year earlier. Analysts polled by FactSet had expected about $11 billion in revenue and $3 billion in profit.

Wall Street analysts have long deemed Netflix the winner of the streaming wars. The company no longer gives quarterly updates on how many customers it has, last revealing it had more than 301 million subscribers in 2024. But there’s still pressure on Netflix to continue to show financial growth, as the company aims to attract more advertising dollars and subscribers around the world.

Many analysts believe that Netflix’s future sales boost will come from its advertising business, which began in November 2022. The streamer is expected to generate $2.07 billion in ad revenue this year in the United States, which is estimated to climb to nearly $3 billion in 2027, according to research firm Emarketer.

“They’re seeing some substantial revenue and they are also getting a lot of people to sign up or switch to the ad supported tier,” said Paul Verna, a principal analyst at Emarketer.

Netflix said it expects total revenue in to grow 17% in the third quarter. The company increased its full-year 2025 revenue forecast, estimating that it will generate $44.8 billion to $45.2 billion. That’s up from the range of $43.5 billion to $44.5 billion that it previously projected.

In May, Netflix said its cheaper plan with ads reaches more than 94 million monthly active users, indicating that its version with commercials is gaining traction as other services follow a similar strategy.

“We continue to make progress building our ads business and still expect to roughly double ads revenue in 2025,” Netflix said in its letter to shareholders.

Earlier this year Netflix raised prices on most of its subscription plans in the U.S. Its cheapest plan with ads went up $1 to $7.99 a month. Netflix said the response to its recent price adjustments has been “broadly in line with our expectations.”

Netflix continues to face competition from other streaming services globally and entertainment companies like YouTube and TikTok that also take up significant amount of watch time among consumers.

During the second quarter, Netflix released popular programs including Korean animated film “KPop Demon Hunters,” drama “Sirens” and the third season of “Squid Game.”

“Squid Game’s” third season, which premiered late last month, was the most watched series in 93 countries during its debut week and broke a record for the most views for a show in its first three days on Netflix, a boon for a streaming service that thrives on capturing the attention of audiences worldwide by releasing must-watch programs.

“These are positive initiatives and they’re the quality of the content that shows the uniqueness of it,” said Melissa Otto, head of research at S&P Global Visible Alpha, on shows like “Squid Game” Season 3. “These are all things that pull the users in and make them want to subscribe to Netflix or watch Netflix content.”

Netflix also has received critical acclaim for its programming, noting it has received 120 Primetime Emmy nominations for shows including the limited series drama “Adolescence” and comedy-drama series “Nobody Wants This.”

Netflix stock closed at $1,274.17 on Thursday, up about 2%.

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‘The Last of Us’ co-creator Neil Druckmann leaves HBO series

Neil Druckmann is leaving “The Last of Us.”

Druckmann, the co-creator of the hit HBO series and writer of the game on which it is based, announced Wednesday that he would be stepping away from the show ahead of its third season. Season 2 of “The Last of Us” concluded in May.

“I’ve made the difficult decision to step away from my creative involvement in The Last of Us on HBO,” Druckmann said in a statement posted on Naughty Dog’s Instagram account. “With work completed on season 2 and before any meaningful work starts on season 3, now is the right time for me to transition my complete focus to Naughty Dog and its future projects, including writing and directing our exciting next game, Intergalactic: The Heretic Prophet, along with my responsibilities as Studio Head and Head of Creative.

“Co-creating the show has been a career highlight,” the statement continued. “It’s been an honor to work alongside Craig Mazin to executive produce, direct and write on the last two seasons. I’m deeply thankful for the thoughtful approach and dedication the talented cast and crew took to adapting The Last of Us Part I and the continued adaptation of The Last of Us Part II.”

Druckmann was a key creative behind the acclaimed 2013 video game “The Last of Us.” The story of a man and a girl crossing a postapocalyptic landscape had been something on his mind for years before he joined the video game studio Naughty Dog, which he now leads. Set in a world ravaged by a fungal pandemic that turns human hosts into zombie-like creatures, “The Last of Us” showed that a big-budget violent action shooter could be a canvas for complex themes and storylines.

The television series, which premiered in 2023, was co-created by Druckmann and Mazin, an Emmy Award winner for HBO’s limited series “Chernobyl.” Starring Pedro Pascal and Bella Ramsey as Joel and Ellie, respectively, the first season was embraced by critics and audiences alike and went on to win eight Emmys (out of 24 total nominations). The show’s second season, which adapts the story from the follow-up 2020 video game, “The Last of Us Part II,” aired earlier this year. “The Last of Us” Season 3 will continue the story from “Part II,” from the perspective of Kaitlyn Dever’s Abby.

Naughty Dog’s next game, “Intergalactic: The Heretic Prophet,” in development now for the PlayStation 5, will star Tati Gabrielle (who portrayed Nora in “The Last of Us” Season 2) as Jordan A. Mun, an interplanetary bounty hunter stranded on a mysterious remote planet. Most of its details — including a release date — have yet to be revealed.

The Ankler first reported the news of Druckmann’s exit.



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