Sweeney

SYDNEY Sweeney has stripped down to cheeky underwear while pulling on a man’s boxers in sexy new photos for her lingerie line.

The actress recently launched her new lingerie brand, Syrn, and has been modeling the sultry undergarments in ad campaigns.

Her latest was posted on the brand’s official Instagram page on Tuesday, showing Sydney, 28, flashing her bare butt in revealing white underwear.

The Housemaid star covered the top half of her curvy figure with a loosely fitted long-sleeved shirt and had her long blonde hair styled in loose waves.

However, Sydney wasn’t the only one in the photo.

A mystery man also appeared in the pic, facing away from the camera, wearing nothing but boxers, and his pants were draped around his ankles.

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Sydney latched onto the side of the man’s boxers with one hand and held a barcode scanner with the other, which she aimed at a barcode sticker on his lower back.

Another solo snap of The White Lotus star showed her smiling with her hands in the air, looking disheveled with the buttons on her shirt misaligned.

The caption announced Syrn’s “Midnight Snack Collection,” which was released earlier that day.

“She is absolutely stunning,” one fan gushed in the comments.

“OMG SHE IS SO PRETTY,” said another.

“I can’t wait to buy everything!!” a third added.

Sydney’s lingerie line rivals A-list celebrities Rihanna, Hailey Bieber, and Kim Kardashian, who also have widely successful lingerie brands.

The Christy star might have taken her racy promotional ads a bit too far after photos recently circulated of her littering the iconic Hollywood sign with dozens of bras.

Late last month, TMZ reported that Sydney had permission to film the sign but didn’t get clearance to touch or climb it, which she did in the ad.

The Hollywood Chamber of Commerce, which owns the sign, is reportedly investigating how Sydney’s team accessed the sign.

Sydney hasn’t yet commented on the legal situation, but she’s continued to post steamy content of her donning pieces from her collection.

The Anyone But You star is known for pushing the boundaries onscreen, which is especially seen in the Euphoria Season 3 trailer, where Sydney’s character, Cassie Howard, becomes an OnlyFans-style content creator.

“People forget that I’m playing a character, they think, ‘Oh, she gets naked on screen, she’s a sex symbol,’” Sydney previously said in an interview.

“I have no problems with those scenes, and I won’t stop doing them, but I wish there was an easier way to have an open conversation about what we’re assuming about actors in the industry.”

SYDNEY Sweeney and her ex-fiance appear to be moving forward with the renovation of the $6 million Hollywood home they purchased before their split, The U.S. Sun can exclusively reveal.

Sydney, 28, and producer Jonathan Davino, 42, reportedly bought a fixer-upper in Bel Air, Los Angeles, at auction in 2023.

According to property filings, it was purchased under a trust, and the couple paid $250,000 over the original asking price.

A mortgage was taken out with City National Bank for $4.34 million, with a maturity date of June 2053, according to documents.

Sydney and Jonathan split in early 2025, and the Euphoria star is now dating former music manager Scooter Braun, 44.

Despite the breakup, it appears they have no plans to abandon the home project.

Jonathan was seen at the property following their breakup with Sydney’s dog, Tank, as he checked on the clean-up progress.

Now, The U.S. Sun can confirm things are moving along with plans to renovate the pool at the historic home, once owned by Hollywood screenwriter Delmer Daves.

Records from late December indicate that an initial building permit application was submitted for a new pool and spa with a solar heating system.

The contractor on file is Ventura Pools Masonry, while the application was filed by Mae Wachtel of Helping Hand for Contractors.

EXTENSIVE CLEAN-UP

According to Ventura Pools’ website, they are a recognized name in the industry and “have built everything from Olympic-sized pools to 90-foot-long water features.”

They added, “We bring more than 20 years of experience to the table and look forward to the challenge of building projects that are difficult.”

Detailed plans obtained from the Los Angeles Department of Building and Safety show the pool’s layout and also list a second contractor from Pool Engineering, Inc.

The U.S. Sun has reached out to Sydney’s rep for comment on Jonathan’s involvement with the project.

The 1930s-era estate sits on 1.25 acres and offers roughly 4,477 square feet of interior space, featuring five bedrooms and four bathrooms.

The original listing highlights the site’s strong potential for a complete rebuild.

In addition to the two-story main house, the property includes a detached guest residence tucked behind it.

When Sydney and Jonathan took ownership, the land was choked with overgrowth, leaving them with an extensive cleanup.

The couple were first connected in 2018 and announced their engagement in 2022.

It is believed they quietly separated around January 2025, with the breakup widely confirmed by March of that year.

NEW ROMANCE

Sweeney later publicly acknowledged she was single and focusing on herself in a May interview.

But by the summer of last year, it was clear she had already found love again, as she was linked to music exec Scooter, who finalized his divorce from wife Yael, the mother of his three children, in 2022.

Sydney and Scooter first stepped out together at Jeff Bezos and Lauren Sanchez’s wedding in June, and they have since been photographed on romantic dates.

Scooter is reportedly worth $500 million, earned from years of managing major artists, including Justin Bieber, and later selling his company.

He owns several lavish homes, including a $65 million mansion in Brentwood, Los Angeles.

Although Sydney’s net worth stands at around $40million, she already has a property portfolio.

She owns a $3 million Tudor-style home just a mile down the road from her Hollywood compound, bought in 2021 after she found fame.

She also snapped up a lavish waterfront retreat in the Florida Keys, purchased in June 2024 for $13.5 million.

Designed for resort-style living, the home includes a private gym, a 520-bottle wine room, and a built-in aquarium.

Outside, the property offers docking for at least six boats, parking for multiple cars, and a saltwater infinity pool overlooking the water, complete with a swim-up bar and in-pool seating.

SYDNEY Sweeney is in knockout form in a 1950s cream gown. 

The Housemaid actress, 28, wore the fitted gown to the Santa Barbara International Film Festival, where her and Wuthering Heights actor Jacob Elordi, 28, held hands after each being honoured with the Virtuosos Award. 

Sydney, who won for boxing flick Christy, said: “We were actually fighting.  

“We were breaking noses, we had bloody noses, I had a concussion.  

“It was very real. I sent them all care packages afterwards – I felt really bad.” 

Christy was based on the incredible life and career of champion boxer Christy Martin. 

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Martin married her coach Jim Martin – despite being a lesbian – before he tried to KILL the fighter by stabbing and shooting her.

The boxing great – who later married her former opponent Lisa Holewyne – survived the attack while Jim was jailed for 25 years.

Martin’s sensational story was played out on the big screen by Sweeney – who went under a dramatic transformation for the role.

She trained for three months with a boxing coach before filming while also doing weights and having a nutritionist.

Sweeney worked out up to three times a day – while piling on the pounds with a fast food diet of Chick-fil-A and milkshakes.

SYDNEY Sweeney has debuted a sexy lingerie look, leaving fans’ jaws on the floor as she posed in a black thong and matching bra.

The stay recently announced her new brand, Syrn, which she’s been feverishly promoting with paparazzi-style shots, and daring ads.

Sydney, 28, posed for the camera in a lacy black bra, a tiny thong, thigh-high tights, suspenders, and a matching silk robe.

She shielded her face from the flash in the snaps, posted to the Syrn Instagram Story.

The promotional pic comes days after the release of a racy ad, showing the Euphoria actress doing some work around the yard in itty bitty lingerie.

SHOWSTOPPER

In the ad, she’s seen in a tiny house getting ready to start her day.

Birds outside her window are chirping, carrying bras and underwear on a wire.

She then heads out to do yard work, tending to a ruse bush, trimming imperfections off a shrub shaped after her body, and mowing the lawn.

After a long day of work, the bra and panty-clad star strips down to slip into something more comfortable.

Her silhouette is seen in the window as she slips off her bra and tosses it out.

Sydney’s impressive figure is on full display in the ad, which promotes the latest release from her brand.

She previously shared that Syrn will offer designs split into four “personas” – seductress, romantic, playful and comfy.

The range will come in 44 sizes from 30B to 42DDD.

She said at the time: “The secret is finally out . . . this is lingerie you wear for YOU, no explanation, no apology.

“I wanted to create a place where women can move between all the different versions of who we are.

“I love working on cars, I go water skiing, I’ll dress up for the red carpet then go home to snuggle my dogs.

“I’m not one thing, no woman is.”

They don’t make musicals like “Sweeney Todd: The Demon Barber of Fleet Street” anymore.

The ambition on display is awe-inspiring to an almost alarming degree. Consider the lyrical and orchestral complexity of Stephen Sondheim’s score, the way Hugh Wheeler’s book (from an adaptation by Christopher Bond) blends horror and comedy as if the two were natural bedmates and a production concept that views the material of a fiendish penny dreadful through a Brechtian lens.

Could the American theater ever again pull off such an outrageously brilliant musical experiment? Harold Prince’s 1979 Broadway premiere, starring Len Cariou and Angela Lansbury, seems like eons ago in terms of creative possibility.

This is the reason revivals, such as the solid one that opened Saturday at La Mirada Theatre for the Performing Arts under the direction of Jason Alexander, are so important. They remind us not only of the richness of our theatrical past but they also challenge our artists and producers to dream bigger in the future.

Will Swenson stars as “Sweeney Todd” at the La Mirada Theatre for the Performing Arts.

(Jason Niedle / TETHOS)

Alexander, the beloved “Seinfeld” star who made his Broadway debut in Sondheim and George Furth’s “Merrily We Roll Along” in 1981, knows a thing or two about American musicals, having served for a time as the artistic director of L.A.’s bygone Reprise Theatre Company. His direction has grown in sophistication and ease since he staged Sondheim and James Lapine’s “Sunday in the Park With George” for Reprise in 2007.

Alexander’s production of “Sweeney Todd” has breadth and heft, but also intimacy and lightness. The scenic design by Paul Tate dePOO III savors the show’s Grand Guignol flavors while leaving plenty of flexibility for antic comedy.

The barber chair, the locus of Sweeney’s revenge on the heartless cruelty of a Victorian London that wrecked his life, isn’t the elaborate contraption of other productions. His murder victims don’t fall down a chute after their throats are slit during their shave and a haircut. They have to be tilted into a dumpster that is moved into position, but Alexander makes the comic most of these clumsier stage mechanics.

Will Swenson, the accomplished Broadway actor, offers an unusually sympathetic yet never sentimentalized Sweeney. He understands that Sweeney is first and foremost a victim. The lust for vengeance eventually gets the better of him, but Swenson leads us step by step to depravity through sorrow, injustice and humiliation.

Andrew Polec, right, with the company of “Sweeney Todd” at the La Mirada Theatre for the Performing Arts.

(Jason Niedle / TETHOS)

He’s man-made rather than a natural monster. The same could be said of Lesli Margherita’s Mrs. Lovett, the proprietor of a filthy and failing Fleet Street pie shop, but it’s a shakier case. She’s the one who gets the bright idea of putting all those corpses Sweeney is intent on piling up into culinary use. Meat is in short supply, and the taboo of cannibalism is no deterrent to a woman who has taken to heart the jungle law of 19th-century British society: Eat or be eaten.

Swenson and Margherita are singing marvels, but Sweeney and Mrs. Lovett’s numbers set up Olympian challenges, vocally as well as lyrically. Their comically macabre Act 1 showstopper, “A Little Priest,” in which they gleefully imagine the variety of human pies, needs a little more time in the oven. Margherita, who played Mrs. Wormwood in “Matilda the Musical” on Broadway, is a deft clown. Swenson may be a step slower in this regard, but he plays it perfectly by accentuating the delight Sweeney takes in the merriment of Mrs. Lovett’s perverse rhyming game.

Swenson, who starred in the Broadway premiere of “A Beautiful Noise, the Neil Diamond Musical,” has a lush baritone. But Sweeney’s descent into an even lower range produces a sound that emerges from unimaginable depths. Finding the beauty in that hellish croak — something that Josh Groban was able to do in the last Broadway revival — can prove exceptionally difficult. It’s Swenson’s detailed character work as a singer that impresses most. His handling of “By the Sea,” the Act 2 duet with Margherita, forensically details Sweeney’s growing distaste for the conjugal fantasies of his partner in crime.

Allison Sheppard and Chris Hunter star in “Sweeney Todd: The Demon Barber of Fleet Street” at the La Mirada Theatre for the Performing Arts.

(Jason Niedle / TETHOS)

The romantic element of Sondheim’s score is best captured in the gorgeous singing of Chris Hunter’s Anthony Hope, whose crooning of “Johanna” provokes an epidemic of goosebumps throughout La Mirada Theatre. Allison Sheppard’s Johanna, Sweeney’s daughter under the lock and key of the wicked Judge Turpin (Norman Large), warbles as melodiously as the caged birds that mirror her plight.

Nicholas Mongiardo-Cooper’s Beadle Bamford, the judge’s henchman, has a malicious ebullience all his own. He’s not as unapologetically hammy as Andrew Polec’s Pirelli, the tonsorial con man who adopts a fake mustache and an even faker Italian accent, but he lends the musical a satiric gaiety.

Meghan Andrews’ Beggar Woman and Austyn Myers’ Tobias, giving voice to the downtrodden Dickensian masses, infuse the production with the charm of their singing. Myers makes the most of one of the musical’s most beloved numbers, “Not While I’m Around,” Tobias’ duet with Mrs. Lovett that both performers bring to poignant, demented life.

Austyn Myers, center, with the company of “Sweeney Todd: The Demon Barber of Fleet Street” at the La Mirada Theatre for the Performing Arts.

(Jason Niedle / TETHOS)

Alexander’s staging occasionally overdoes the comic exuberance. The ensemble-cum-chorus, burdened with overblown asylum imagery, is sometimes called upon to inject a circus-like atmosphere, complete with acrobatics. Lee Martino’s choreography, like the production as a whole, is at its best when observing decorous constraints.

If some of the more seductive colors of Sondheim’s score get lost in the acoustic shuffle, it may have more to do with the sound system than Darryl Archibald’s music direction. Unfortunately, the shattering beauty of the music is sometimes swallowed in the devilish din.

The stark visual panache of the production, however, is an impressive sight to behold. Jared A. Sayeg’s crepuscular lighting and Kate Bergh’s humanizing costumes lend contrast and texture to the world-building scenic design.

Hats off to this Southern California “Sweeney Todd” and to La Mirada Theatre for undertaking this Herculean feat. Sondheim and Wheeler’s haunted masterpiece doesn’t need perfection to live again.

SYDNEY Sweeney has told how her first bra inspired her new lingerie range.

The Housemaid actress, 28, revealed she was a 32DD at 12.

She told Cosmopolitan: “I remember going to the store to get my first wire bra.

“It was silk and the only bra I felt good in.

“I literally wore it to the point that it had holes in it.”

Her new SYRN range include bras up to size 42DDD.

Sydney said she still had her first bra, adding: “It has stood by my side my entire life.

“I want to make bras that stay with women.”

Sydney last week unveiled her SYRN range with a raunchy campaign.

Sweeney is said to be currently dating US music executive Scooter Braun, 44.

PHOTO op queen Sydney Sweeney appears to have gone all camera shy — but then it was all an act to promote her underwear range.

The Euphoria actress, 28, chose a paparazzi-theme to show off the Seduction Bra and String You Along thong from her brand Syrn.

Another photo showed her in a fantasy lace halter bodysuit.

And fans appear to be falling for the hype.

One would-be buyer on social media was disappointed to find it was sold out, adding: “So sad.”

Another commented: “How is it all gone already?”

Read more on Sydney Sweeney

perfect model

Sydney Sweeney sizzles as she strips off to lace thong, bra & suspenders

Among the items which were snapped up was the $89 fantasy lace halter bodysuit and the “String You Along” lace thong costing $19.

Sydney previously revealed Syrn will offer designs split into four “personas” — seductress, romantic, playful and comfy — with 44 sizes between 30B and 42DDD.

She said: “The secret is finally out . . . this is lingerie you wear for YOU, no explanation, no apology.

“I wanted to create a place where women can move between all the different versions of who we are.

“I love working on cars, I go water skiing, I’ll dress up for the red carpet then go home to snuggle my dogs.

“I’m not one thing, no woman is.”