Sweeney

JENNIFER Lopez and Sydney Sweeney lead the star-studded glamour at last night’s Governors Awards in Los Angeles.

The Hunger Games actress Jennifer Lawrence also turned heads at the 16th annual bash, held at the Ray Dolby Ballroom.

It honours achievements recognised by the Board of Governors of the Academy of Motion Picture Arts and Sciences.

Jenny from the Block hitmaker JLo, 56, stunned in a grey and black ball gown ensemble with a plunging neckline, elevated with black velvet opera gloves.

Euphoria’s Sweeney, 28, kept the glam going in a glittering sleeveless gown, leaving little to the imagination with her gorgeous getup.

Also, American Hustle star Lawrence, 35, showed off her legs wearing an off-the-shoulder cream number, with a thigh-high slit, by Dior.

Ariana Grande, 32, was also in attendance, taking a pastel route in a pale pink vintage Dior one-shoulder gown by John Galliano.

The Wicked star styled her hair in a clean, elegant updo.

She was joined on the red carpet by her co-star Cynthia Erivo, 38, after being grabbed at their premiere event in Singapore.

Erivo went more avant-garde in a Givenchy coat dress that swung with movement.

Also in attendance was Elle Fanning, 27, wearing a soft pink sleeveless gown, while Anya Taylor-Joy, 29, sported a white Maison Margiela look.

Zoey Deutch, 31, chose a crisp white buttoned dress finished with a sweeping black train, while Natalie Portman, 44, opted for a pale blue mini dress.

Dakota Johnson, 36, also chose blue, wearing a simple fitted gown in an icy shade.

Mia Goth, 32, joined them in the colour theme with a pale blue dress of her own as Emma Stone, 37, stayed understated in an off-the-shoulder black Louis Vuitton dress with subtle sparkle.

Gwyneth Paltrow, 53, and Kristen Stewart, 35, both appeared in unconventional black outfits as Kate Winslet, 50, kept things sleek in a tailored black suit.

Regina Hall, 54, flashed her toned pins in a daring black gown, and Rita Wilson, 69, shone in metallic green.

Octavia Spencer, 55, went feminine with a floral dress as Kate Hudson, 46, brought a pop of colour in a slinky green silk number with cutouts, arriving with Hugh Jackman.

As for the men, The Bear favorite Jeremy Allen White, 34, wore one of the more unusual menswear looks: an unbuttoned white shirt tucked into high-waisted black trousers.

Leonardo DiCaprio, 51, and Brendan Fraser, 56, arrived in classic black suits, as did Austin Butler, 34, Joe Alwyn, 34, Benicio del Toro, 58, Colin Farrell, 49, and Jason Bateman, 56.

Rami Malek, 44, mixed things up with a red velvet blazer, while Jacob Elordi, 28, leaned into a retro vibe with a vintage-inspired suit.

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Adam Sandler, 59, made a rare appearance in a proper suit alongside wife Jackie, and Jeremy Strong, 46, paired a brown suit with trainers and a bowtie.

Blake Slatkin and Ed Sheeran posed together on arrival.

Ruby Rose has entered the ring to take a swing at Sydney Sweeney — blaming the actor, now known for her choice in jeans, for “Christy’s” disastrous debut.

“The original Christy Martin script was incredible. Life changing,” the former “Batwoman” star wrote in a Monday post on Threads. “I was attached to play Cherry. Everyone had experience with the core material. Most of us were actually gay. It’s part of why I stayed in acting.”

“Christy” stars Sweeney as Christy Martin, the groundbreaking boxer who raised the profile of her sport during her Hall of Fame career. The movie follows Martin as a closeted lesbian boxer trying to navigate her professional ascent, an abusive marriage to her toxic coach and her identity. It made just $1.3 million at the domestic box office during its opening weekend.

In her Threads post, Rose mentions “losing roles happens all the time” in Hollywood, but doesn’t hold back from expressing her disapproval that Sweeney is the one portraying Martin.

“Christy deserved better,” Rose said. “None of ‘the people’ want to see someone who hates them, parading around pretending to be us. You’re a cretin and you ruined the film. Period.”

Her comments appear to be in response to Sweeney’s Monday Instagram post in which she shared how “deeply proud” she was of “Christy” despite it flopping at the box office.

“[W]e don’t always just make art for numbers, we make it for impact,” Sweeney wrote in the caption accompanying a gallery led by an image of her bloodied but smiling. “[A]nd christy has been the most impactful project of my life. thank you christy. i love you.”

Attitudes regarding the “Euphoria” actor have been increasingly divided since her part in a controversial American Eagle ad campaign around her “good jeans.” Since then, it has been reported that Sweeney registered to vote as a Republican in Florida shortly before the 2024 presidential election and prominent right-wing figures including President Trump and Vice President JD Vance have voiced their support for the actor.

Sweeney, for her part, has avoided discussing her political beliefs. In the lead-up to “Christy’s” release, she told LGBTQ+ news site PinkNews that she was “excited” for the queer community to see the movie because “she is an unbelievable advocate for the community and I believe this is a beautiful story to tell.”

FORGET who will be the next Bond or AI taking over acting.

There’s currently a bigger issue that’s tearing Hollywood in two… and standing in the middle of it is a doe-eyed firebrand named Sydney Sweeney, who might – or might not – know exactly what she’s doing.

Over the past few months, Sydney, 28, has found herself in the eye of a raging public storm, thanks to never-ending questions over her social and political leanings, and her unapologetic refusal to set the record straight. 

On the one side, we have fans, mostly on the right, praising their “anti-woke warrior” after she chose not to comment on or apologise for her controversial American Eagle advert. 

On the other, the woke corner of the internet accuses her and the commercial – which plays on saying she has “good jeans/genes” – of having a Nazi-like stance on eugenics. 

So, the fact that she hasn’t desperately begged for forgiveness in the wake of all the frenzy and outrage is music to woke-fatigued ears.

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Add to that the fact that Sydney’s been revealed to be a registered Republican and a MAGA supporter – with President Donald Trump himself publicly praising her – and it’s no surprise she’s copping flak to go with her fandom. 

In the past week, whether coincidental or not, her Oscar-touted biopic Christy has definitively bombed at the box office, making a paltry $1.3million in the US in its opening weekend.

Now, no one knows what to think. Has the young budding starlet, who could have been Hollywood’s next leading lady, shot herself in her genetically blessed foot? Or is this all just a storm in a teacup?

The jury’s still out, but for every commenter yelling “anti-woke warrior”, there’s another shouting “white supremacist!”

Yes, Sydney’s swiftly becoming the most polarising thing since pineapple on pizza.

And that’s before you consider her other public stunts – including, but not limited to, her overtly sexual self-branding and her apparent romance with another very controversial character in Scooter Braun.

Scooter, 44, is the disgraced record executive who people’s princess Taylor Swift called a “manipulative bully” after he bought the rights to her first six albums and blocked her performing some of the songs.

He’s also had very public fall-outs with his former protegés Justin Bieber, Ariana Grande and Demi Lovato.

With all this in mind, getting into bed – so to speak – with such a figure may not do Sydney any favours. But does she care? 

Fresh fury

Last week, the star caused fury again, after speaking to GQ to promote her new movie Christy, in which she plays the boxer Christy Martin. 

During the – at times – uncomfortable chat, the topic turned to all the noise surrounding the alleged white supremacist undertones of her American Eagle “good jeans” ad. 

The interviewer began: “White people shouldn’t joke about genetic superiority; that was the conversation. Since we’re talking about this, I just wanted to give you an opportunity to talk about that situation specifically.”

Seemingly unfussed, Sydney simply replied: “I think that when I have an issue that I want to speak about, people will hear.”

Elsewhere in the Q&A, she said: “I did a jean ad. I mean, the reaction definitely was a surprise, but I love jeans. All I wear are jeans. I’m literally in jeans and a T-shirt every day of my life.” 

As for President Trump’s praise for the jeans campaign – he called it “the hottest ad ever” specifically after hearing that Sydney was a registered Republican – the actress remained coy. She simply responded that his endorsement was “surreal”. 

Again, the masses were divided. Fans – and some loyal celebrity friends – spoke out in defence of the Euphoria star.

Sydney’s former Anyone But You co-star Glen Powell called the public indignation over the ad “bulls***”, while Amanda Seyfried – who’s starring in the upcoming movie The Housemaid alongside Sydney – commented under one of her posts: “You Kill. Brave and true.”

She’s also been publicly supported by Euphoria co-star Maud Apatow and fellow lightning rod Nicola Peltz-Beckham, who have both liked her Instagram posts over the past week.

Woke backlash

But then, there are the celebrities who have no time at all for Sydney’s supposed alt-right politics – and they’re letting it be known. 

In response to YouTuber Jupiter Baal’s video – shared to Instagram – in which he chastised the actress and said, “She was given an opportunity to push back, she didn’t, therefore she’s in on it”, actress Christina Ricci responded: “100%” .

Likewise, fellow The White Lotus star Aimee-Lou Wood made her own feelings known – posting a vomit emoji under a post that talked about the now notorious ad. 

According to insiders, Sydney’s Euphoria co-star Zendaya is refusing to speak to her co-worker, and she won’t be associated with her in any capacity…which makes their future promo trail for season three of Euphoria tricky. 

“It’s a difficult position for Zendaya to be in,” a source told Mail Online this week. “Because if she even stands next to Sydney on the red carpet, it can be read as her excusing Sydney’s views on Trump and her refusal to apologise for the racist ad.” 

I did a jean ad. I mean, the reaction definitely was a surprise, but I love jeans. All I wear are jeans.

Sydney Sweeney

Then, there’s model and actress Ruby Rose, who went apoplectic on Tuesday in response to a post shared by Sydney.

Earlier in the week, Sydney had reflected on the film’s box office failure, telling her followers: “We don’t always just make art for numbers, we make it for impact. And Christy has been the most impactful project of my life.”

But Ruby – who had previously been cast in the project before being let go – was having nothing of it, writing in a scathing Threads post: “Everyone had experience with the core material. Most of us were actually gay [like Christy]. It’s part of why I stayed in acting. Losing roles happens all the time.

“For her PR to talk about it flopping and saying SS [Sydney Sweeney] did it for the ‘people’. None of the ‘people’ want to see someone who hates them, parading around pretending to be us. You’re a cretin and you ruined the film. Period. Christy deserved better.”

She later doubled down in her comments again, calling Sydney a “psychopath”.

Joining the anti-Sydney brigade, Downton Abbey actor Dan Stevens reshared a post which read: “Sydney Sweeney’s GQ interview is a reminder that ‘not having a stance’ on white supremacy is 100% having a stance on white supremacy.”

So, what’s the strategy? And is there even one to begin with?

Brand and culture expert Nick Ede is unconvinced. Speaking exclusively to The Sun, he says that – whether it’s naivety or not –  Sydney’s not helping her career prospects, proven by the fact that her most recent film flopped. 

He explains: “She’s a young girl – she’s making a lot of money, but this proves she’s not a box office draw.

“That not only goes towards her movie career, but her brand deals too, and suggests that the equity she had really isn’t there anymore.

“She might decide to write an autobiography at this early age and be really honest about her opinions and how she felt. And that’s always a cathartic way of getting your story across and winning the affection of the public again. 

“But I think she’s almost too big now to be a character in a film or a show. You just go and see Sweeney and that can be really detrimental to her in the future.”

No backing down

All evidence so far suggests that apologising for herself is the one thing Sydney’s not willing to do. 

Last year, she teasingly wore a T-shirt that read: “Sorry for having great tits and correct opinions”. 

The suggestion was that she knew that people were writing her off as an overtly sexualised starlet – but that she was laughing all the way to the bank.

What’s more, in her most recent GQ interview, she again hinted at her secret shrewdness. 

She said: “I think as time goes on, people will see that I’m way more aware of things than people think.”

Then, in response to the interviewer’s claim that – by not speaking more about her intentions – she’s giving us permission to “keep taking what you do and putting it up on our board of ‘What does Sydney think?’ the actress remained non-committal. 

“I can’t wait to see what the board says,” she deadpanned. 

Last laugh

Sweeney has also got billionaire Jeff Bezos in her corner, who’s reportedly invested “seed money” into a private equity business that will help Sydney launch her very own lingerie line soon. 

Now that Jeff’s Amazon Prime empire has the rights to the James Bond franchise, his admiration for the actress might just clinch her that ultimate prize of being the next Bond girl.

In which case, again, this could all be nothing but hot air surrounding her supposed demise – and prove she might have the last laugh anyway.

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One thing we do know is that Sydney’s not about to go on some self-flagellating apology tour anytime soon. 

Love her or hate her, like Marmite, she’s here to stay. 

If you see “Christy,” you’ll remember Christy the person, not “Christy” the movie. This biopic of West Virginia’s other famous coal miner’s daughter Christy Martin, the first female boxer to make the cover of Sports Illustrated, is an efficiently inspiring and harrowing one when the physically transformed, emotionally present Sydney Sweeney is holding the screen as Martin. But otherwise, under David Michôd’s direction, it’s one more machine-pressed product that may as well have been chatbot-prompted into existence.

That’s a shame because early on, when butch, athletic, semi-openly gay Christy is just a picked-on high schooler punching her way into feeling good about herself, you can detect a keen level of attention, especially in the script by Mirrah Foulkes and Michôd, to what’s unspoken in these types of tales: the violence and verve that can mark a boxing talent and the pressure to conform in a male-dominated sport. In this case, it leads Christy to deny a part of her identity.

It’s a very specific tension that has made movies about female boxers in the 21st century — from “Girlfight” and “Million Dollar Baby” through last year’s “The Fire Inside” — so much more interesting as empowerment case studies than the male-centered ones, which still seem rooted in conventional mythmaking. (We’re still living in the Rocky Balboa Universe.)

As memorably conveyed with twang, sweat and tenacity by Sweeney, the young Christy is a natural competitor whose fists give her an out from the judgmental eyes of small-town life, most notably those of her mom (an effectively chilly Merritt Wever). She fights as if she’s been attacked, but can make winning in the ring look both spirited and a foregone conclusion.

That energy and commitment to turn boxing into a career gets an opportunistic fine-tuning — a feminizing pink kit — when she’s hooked up with trainer Jim Martin, played by an eerily dead-eyed Ben Foster as the ghoul-in-waiting he turned out to be. Foster’s Jim, believably disturbed and shady but a bit on the nose, isn’t the movie’s first problem. That would be Michôd’s addiction to montage-ifying every significant dramatic turning point, slathering on the music to keep the timeline moving.

But the famously chameleonic Foster’s portrayal is the film’s most curious dilemma, because it doesn’t allow us to see why Christy would trust her future to his judgment, much less marry him. It’s as if “Christy,” looking backward through a bloody yet unbowed lens, is afraid of presenting Jim Martin as anything but a shifty sleazebag, when what that does is undercut Sweeney’s more delicate job of convincing us why she’d stay with him for decades.

Sweeney manages it anyway, because, despite what you may have assumed, she’s a sturdy in-the-moment actor, especially with her eyes. Still, the movie’s lack of nuance about how toxic relationships develop makes this central twosome a head-scratchingly imbalanced one. Everyone invariably falls into two camps: unfailingly supportive (a sensitive dad played by Ethan Embry; Katy O’Brian as a former rival) or, whenever Wever reappears, jaw-dropping callousness. Much more galvanizing as a combo platter of high-wattage persuasion and dominance is Chad L. Coleman in his handful of scenes as Don King.

The central problem with “Christy” — which needs to be both uplifting about its star subject’s achievement and complex about her journey of sexuality and trauma — is that it screams for a treatment grittier than the slick melodrama we’ve been given. It’s all highlights and lowlights, rarely interested in the in-between stuff that makes watching all the rounds of a bout so necessary to appreciating what it means to survive on the canvas.

HER face is her fortune, but Sydney Sweeney told co-stars not to hold back from punching it during her new boxing biopic.

The scenes for her role as US fighter Christy Martin may have been carefully choreographed, but they were so ferocious she suffered a bloodied nose and concussion.

The 28-year-old actress said: “The girls and all the fights you see are real. When I walked in and I met with everyone, I said, ‘I want you to hit me. And I want you to hit me hard. And can I hit you?’.

“So when you watch all those fights, we’re actually hitting each other. We were knocking each other out, we were getting bloody noses. I got concussion. We were actually fighting.”

Sydney added of co-star Katy O’Brian, who plays ring rival Lisa Holewyne: “Katy is a badass. I mean, she is strong.

“Katy’s only request was, ‘Please don’t break my nose’.”

Sydney’s childhood in Idaho saw her “kickboxing and grappling” from the age of nine to 19, which helped with the fight scenes.

But her astonishing physical transformation — putting on more than 2st of muscle over three months — was hard-earned, with up to five hours of training a day and countless protein shakes chugged.

She said: “I built my own ‘Rocky’ gym in my grandma’s shed and I trained back home in Idaho.

“I worked with my weight trainer in the morning and night, and then I had a boxing coach I worked with every day for two to three hours.

“I put on 35 pounds during that time.”

The movie, called Christy, which opens in cinemas on November 28, tells the story of WBC female super welterweight champion Christy, now 57, who was a trailblazer in the 1990s and put women’s boxing on the map.

But her biggest battle was behind closed doors, as her marriage to her older manager Jim Martin descended into violence.

When she tried to leave him in 2010, he shot and stabbed her. He was found guilty of attempted murder and died in prison last year.

But for Sydney, it was the strained scenes between Christy and her mum that she found the hardest to film.

She said: “Everything that happens within the house towards the end of the story of her life in the film weighed on me emotionally. But the one I had the hardest time doing and just ­processing was when she asked for her mum’s help.

“I have such amazing parents and I can go to them for anything. And I couldn’t imagine how hard it was for Christy and for others that deal with that as well.

“And it broke my heart while I was making that scene.”

As soon as Sydney heard Christy’s story, she told her team she had to have a part.

She said: “When I first read the script, I was completely blown away that I didn’t know who this woman was. She is one of the most inspiring women I’ve met in my life.”

For her part, Sydney’s grit and ­determination to succeed began at the age of ten, when she made a “five-year business plan presentation” to persuade her parents to let her try to become a movie star.

When they realised she was serious at 13, they made 38-hour round trips for auditions before relocating to Los Angeles to give her a ­better shot at stardom.

Sydney said: “It’s not easy. I didn’t get a project that helped open more doors until I was, like, 19, 20. And you get told ‘no’ endlessly by everyone.”

Sadly, her parents’ decision to relocate was a catalyst for them going bankrupt and they divorced in 2016.

But that setback only served to fuel Sydney’s drive.

She worked as a cleaner and babysitter before her break came in 2018, with roles in three big TV shows — The Handmaid’s Tale, Sharp Objects and Everything Sucks!.

A year later, she was cast as Cassie Howard in global hit Euphoria, and The White Lotus followed in 2021.

‘Really scary’

Movie hits also came with 2019’s Once Upon A Time In Hollywood, 2023’s Anyone But You and last year’s Madame Web and Immaculate.

In her love life, she has been linked to 44-year-old US record executive Scooter Braun, who she met at Amazon boss Jeff Bezos’ wedding to Lauren Sanchez in the summer.

But she has insisted: “I’m single.”

She was previously engaged to movie producer Jonathan Davino, but they split in March.

For now, she’s firmly focused on her career as it goes stratospheric.

Speculation has also been rife that, with Amazon now owning the James Bond franchise, Bezos wanted her to be a Bond Girl in the next movie.

She responded that it would depend on the script and that she would have “more fun” playing 007.

She said of her upcoming roles: “Of course I have projects that I’m working on and I’m developing and I can’t wait to do. It’s kind of like this crazy rollercoaster.

“You’re never sure if it’s going to go up or down or upside down.”

Her path to success, Sydney admits, has been a battle at times.

I was so nervous. It’s so weird when you’re playing somebody and then you meet them.

Sydney Sweeney

She said: “I know what it feels like to be underestimated, to have people define you before you have a chance to define yourself.

“I know what it feels like to have to prove that you deserve to be here, to be seen, to be taken seriously.”

During filming of the boxing biopic, Christy herself turned up every day on set with her Pomeranian emotional support dog Champ.

And Sydney has since formed a friendship with her, with the pair going to a Nascar event in Phoenix together last week.

It is a leap forward from their first meeting.

Sydney recalled: “I was so nervous. It’s so weird when you’re playing somebody and then you meet them.

“You’re like, ‘Do you like me? Are you going to like what I do?’. It’s really scary.”

And the star admits the role has made her see life differently.

She said: “I think Christy has changed me. I’m a huge believer in separating yourself as much as possible from your character.

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“So that the moment they call ‘action’ and ‘cut’, you’re in and you’re out. And I go home and I’m Syd.

“But with Christy, I felt like I became the most free and powerful version of myself afterwards.”

ACTRESS Sydney Sweeney scores a hat-trick in a selection of outfits in one day.

The 28-year-old was spotted switching up her style in New York City while promoting her boxing biopic Christy.

As well as the three outfits pictured, Sydney changed into three more throughout the day for a total of six.

Actress Sydney described her latest role as “one of the most inspiring” experiences of her life.

Talking of the female boxer she said: “Christy’s strength isn’t in all of her punches it’s in her heart.”

Sydney became emotional as she detailed how Christy was shot and stabbed in the chest and left for dead after threatening to leave her abusive spouse.

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She added: “Every one of us has our own fight.

“Christy reminds us strength doesn’t have to look loud sometimes, it’s just about getting up again and again no matter who is watching.

“Playing her taught me it isn’t the end of the story, it’s about re-claiming it.

“And to every young girl out there I hope that you know your power is already within you.”

In her latest film, Christy, she learned to box to play US pro fighter Christy Martin — the first female boxer to appear on the cover of Sports Illustrated.

She won a world title before her husband tried to murder her.