Bosnia’s Serb entity names an interim president after separatist Milorad Dodik is barred from politics by a state court.
Published On 18 Oct 202518 Oct 2025
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Bosnia and Herzegovina’s Serb-majority entity has appointed Ana Trisic Babic as interim president, marking the first formal acknowledgement that Milorad Dodik is stepping aside after being barred from politics by a state court.
The Republika Srpska parliament confirmed Babic’s appointment on Saturday, saying she would serve until the early presidential elections scheduled for November 23.
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Lawmakers also annulled several separatist laws passed under Dodik that had challenged the authority of an international envoy and Bosnia’s constitutional court.
Dodik, a pro-Russian nationalist who has pushed for Republika Srpska to break away and join Serbia, had refused to vacate office despite receiving a political ban. He has continued to travel abroad and claim presidential powers while appealing the court’s ruling.
The US Department of the Treasury announced on Friday that it had removed four Dodik allies from its sanctions list, a move he publicly welcomed as he campaigns to have sanctions against himself lifted.
Dodik is currently sanctioned by the United States, United Kingdom and several European governments for actions that undermine the Dayton peace agreement that ended Bosnia’s 1992–95 war.
Separatist moves
Bosnia’s electoral authorities stripped Dodik of his presidential mandate in August following an appeals court verdict that sentenced him to one year in prison and barred him from political office for six years.
The Central Electoral Commission acted under a rule that forces the removal of any elected official sentenced to more than six months in jail.
A Sarajevo court had convicted Dodik in February for refusing to comply with decisions issued by the international envoy, Christian Schmidt, who oversees implementation of the Dayton accords.
Dodik dismissed the ruling at the time, saying he would remain in power as long as he retained the backing of the Bosnian Serb parliament, which his allies control. The Republika Srpska government called the verdict “unconstitutional and politically motivated”.
Dodik maintains strong support from regional allies, including Serbian President Aleksandar Vucic and Hungarian Prime Minister Viktor Orban. He has repeatedly threatened to separate Republika Srpska from Bosnia, raising fears among Bosniak communities and prompting previous US administrations to impose sanctions.
Bosnia remains governed by the US-brokered Dayton Accords, which ended a devastating war that killed about 100,000 people. The agreement created two largely autonomous entities – Republika Srpska and the Bosniak-Croat Federation – with shared national institutions, including the presidency, military, judiciary and taxation system.
Tensions have surged in recent years as Dodik openly rejects the authority of the international envoy, declaring Schmidt’s decisions invalid inside Republika Srpska.
Music mogul Simon Cowell has finally explained his recent Britain’s Got Talent absence, revealing he suffered a fall that left him with a head injury
Simon Cowell ‘bashes head’ after fainting and falling down steps in latest accident(Image: Trae Patton/NBC via Getty Images)
Simon Cowell has revealed that his recent no-show at Britain’s Got Talent auditions came after he fell down another set of steps – the latest in a series of mishaps for the long-time judge.
The 66-year-old music mogul missed the first two days of filming in Birmingham after the incident, leaving producers to call in Stacey Solomon to temporarily fill his place on the panel.
Cowell then later reappeared on the third day of auditions with a visible graze on his forehead, explaining only that he’d had “an accident.”
His absence was finally addressed during the show’s Blackpool auditions, when a choir made up of ambulance staff took to the stage. Amanda Holden joked: “I thought they might be here in case anything went wrong with you again because you were poorly last week.”
Laughing off the comment, Cowell clarified what actually had happened as he finally shared the truth.
Speaking to the audience at the Winter Gardens, he said: “I fell down some steps, that wasn’t poorly, and I bumped my head, but I’m fine now.
“I wish you had been around a couple of weeks ago when I actually bashed my head. Seriously, no one sang for me then,” he added.
A show insider said the fall was a minor accident. They told The Sun: “Simon bumped his head when he stumbled on some steps. It’s the sort of thing that can happen to anyone. And, thankfully, he’s absolutely fine now.”
The timing of the incident, which occurred on October 1 and just a day before Birmingham auditions were due to begin, forced the show to cancel the opening session.
Rather than pause production entirely, Stacey Solomon was drafted in to maintain the four-judge panel, with Amanda Holden briefly stepping up as head judge.
Cowell later reassured fans via a short video, showing off the mark on his forehead and saying: “It’s Simon, I’m alive and I’m in Birmingham, I just want to say thank you for all your get well messages.”
It’s not the first time Cowell has been injured in a fall. In 2017, he was taken from his London home on a stretcher wearing a neck brace after tumbling down stairs just before The X Factor live shows.
Three years later, he broke his back testing an electric bike in Los Angeles, requiring major surgery and months of recovery.
Despite his latest setback, Cowell appeared in good spirits this week as he joined judges Amanda Holden, KSI, and Alesha Dixon on the red carpet for the Blackpool auditions.
On a blue-sky afternoon, kayakers paddle past dozens of sea lions lolling in the sun and make a beeline toward the sea otters lounging on beds of eel grass at Elkhorn Slough on California’s central coast. The playful predators not only generate millions of dollars in tourism revenue, but their voracious appetite for destructive species has revived this sprawling estuary while making the region’s carbon-sequestering kelp forests more resistant to climate change.
The U.S. government determined in 2022 that reintroducing sea otters to their historic range on the West Coast would be a boon to biodiversity and climate resilience, laying out a road map to restoration that would cost up to $43 million.
But as the Trump administration moves to slash funding for wildlife programs, a nonprofit co-founded by a Silicon Valley entrepreneur is stepping in to raise nearly that amount to finance and coordinate what would be a complicated, years-long effort to connect isolated populations of sea otters. So far it’s raised more than $1.4 million of its $40-million target.
“We are coming in at a time when we’ve seen these dramatic cuts from the federal government and conservationists are facing major funding gaps,” says Paul Thomson, chief programs officer at the Wildlife Conservation Network, the San Francisco nonprofit that launched the Sea Otter Fund earlier this year. In August, a veteran U.S. Fish and Wildlife Service official, Jen Miller, left the government to run the fund.
Sea otters prey on invasive green crabs, which fostered the return of eel grass at Elkhorn Slough.
(Rachel Bujalski/Bloomberg)
The initiative could be a harbinger of a future where private donors assume a more prominent role in financing and advancing wildlife restoration as climate impacts multiply.
While philanthropies have helped fund sea otter work, the Fish and Wildlife Service, which listed the Southern sea otter in California as threatened in 1977, assumes the cost of the species’ recovery as well as funding state and private research. “Sea otter recovery and supporting healthy coastlines go hand in hand, including finding ways to support the needs of our local fisheries,” a Wildlife Service spokesperson said in a statement, noting the agency has funded ongoing research.
Future support is uncertain, though, as the Trump administration proposes eliminating programs that underwrite sea otter science, including grants for state endangered species programs.
Understanding otter networks
Sea otters once inhabited the Pacific Rim from Japan to Mexico. By the turn of the 20th century, hunters had wiped out 99% of the population to satisfy demand for the animal’s pelt, known as “soft gold” for its luxurious warmth.
Since then, scientists successfully reintroduced otters to Alaska, British Columbia and Washington State, but that leaves a nearly thousand-mile stretch of coast from central California through Oregon without the animals.
“Adding sea otters completely changes the configuration of the food web and that has profound consequences for the structure of the nearshore ecosystem,” says Tim Tinker, an independent sea otter scientist who does research for the University of California at Santa Cruz.
He’s developing computer models to simulate the myriad factors that will determine where and which animals should be reintroduced, as well as risks and survival rates. Future versions of the model could also project the potential impact on fisheries.
The Sea Otter Fund is financing Tinker’s work, recruiting him to model restoration scenarios, the kind of research he previously has conducted with government funding. It’s the latest animal fund from the Wildlife Conservation Network, co-founded in 2002 by former software entrepreneur Charles Knowles. Ongoing campaigns fund the recovery of African elephants, lions, pangolins and other animals.
Michelle Staedler studies sea otters at Elkhorn Slough.
(Rachel Bujalski/Bloomberg)
The fund also underwrites marine biologist Michelle Staedler’s position on an Elkhorn Slough research team run out of UC Santa Cruz. “We’re really trying to understand the sea otters’ social networks,” she says.
Charting otters’ social graph is key to future restoration efforts. Past reintroductions have involved capturing random sea otters in the wild and relocating up to hundreds at a time, which resulted in high mortality of resettled animals. Of the 140 otters relocated off Southern California’s San Nicolas Island between 1987 and 1990 in a federally funded project, only about 15 animals initially survived. More than a quarter of the transported otters swam more than 150 miles back home.
Scientists say any future reintroductions will be highly targeted, selecting sea otters that are part of social groups whose bonds make them more likely to stay put and thrive. To lay that groundwork, Staedler spends a day on Elkhorn Slough twice a week, motoring through the estuary on an electric skiff to record the genders, locations, relationships, interactions, diets and caloric intake of tagged otters.
“Elkhorn Slough serves as a petri dish and the research work there will be critical for doing restoration,” says Knowles. State funding for that project has expired, however, and the Sea Otter Fund is considering replacing the loss.
Staedler keeps records of the sea otters on Elkhorn Slough.
(Rachel Bujalski/Bloomberg)
“This wave has been building”
Elkhorn Slough is California’s second-largest estuary, and the 7-mile-long outlet to Monterey Bay also serves as a real-time laboratory for how sea otters can rehabilitate degraded coastal ecosystems and benefit local economies.
In the early 1990s, invasive green crabs that made their way there destroyed eel grass meadows that serve as habitats for fish, shellfish, sea turtles and birds. Then a few sea otters began to venture in just as the Monterey Bay Aquarium began to release rehabilitated orphaned otters there. They feasted on the green crabs, consuming an estimated 120,000 of them a year, according to a 2024 paper.
As crab numbers plummeted, the eel grass returned and spawned an aquatic Serengeti. Today, there’s more than 120 sea otters at the estuary, which has fostered local ecotourism businesses that rent kayaks to visitors and take them on otter-spotting excursions, generating $5 million in revenues annually and creating more than 300 jobs, according to a 2023 study.
Kayakers approach a sea otter in Elkhorn Slough.
(Rachel Bujalski/Bloomberg)
Sea otters also have kept kelp-eating purple urchins in check on the central California coast when one of its other predators, the sunflower sea star, died off during a marine heat wave a decade ago. On California’s otter-less North Coast, the loss of sunflower sea stars wiped out more than 90% of the region’s kelp forests, triggering the collapse of fisheries.
But the competition that relocated otters’ prodigious appetites could pose to Northern California and Oregon commercial shellfish fishers worries Lori Steele, executive director of the West Coast Seafood Processors Assn. “It’s very difficult to really fully understand and account for the potential damage to a shellfish population that a very small number of sea otters could do,” she says.
The Wildlife Service found that impacts on fishing communities pose the biggest risk of sea otter introduction. If relocation moves forward, the agency will conduct an extensive review and consultations with state and federal agencies and tribal groups.
Until then, Jen Miller, the senior manager of the Sea Otter Fund, aims to keep the money for the work flowing. “It feels like this wave has been building and building and with just the right resources could crest to surf sea otter restoration to success,” she says.
PRINCE William has been seen boarding Doctor Who’s Tardis.
The future king stepped into the iconic time travel device during a studio visit – though he’s not making a surprise switch to acting or pursuing adventures through time.
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The Prince of Wales in the Dr Who Tardis during a visit to Bad Wolf Studios in CardiffCredit: Andrew Parsons / Kensington Palace
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The royal stepped onto the set last monthCredit: Andrew Parsons / Kensington Palace
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The future king ponders the control panelCredit: Andrew Parsons / Kensington Palace
The Prince of Wales, 43, was a special guest at the Bad Wolf Studios in Cardiff which produces the BBC sci-fi show.
Wills was given a tour around the set of the upcoming Beeb series The Other Bennet Sister by studio chief Jane Tranter – which included a look around the Tardis police phone box.
In a series of posts on The Prince and Princess of Wales X account today, the royal was seen in a video entering the famous set and posing near the control panel.
It said: “From period pieces to all of time and space, both the BAFTA bursary and @BadWolf_TV are inspiring the next generation of creative talent.”
Wills was following somewhat in his dad’s footsteps after King Charles was snapped in 2017 entering a replica Tardis during a visit to Worq co-working space for young entrepreneurs in Kuala Lumpur in Malaysia.
The royal was introduced to trainees who have come through Bad Wolf’s Screen Alliance Wales (SAW) training initiative and built careers in TV by scheme boss Allison Dowzell.
They were recipients of The Prince William Bafta Bursary programme.
Tranter said: “It was a complete joy to show Prince William around Bad Wolf.
“We are so incredibly proud of the outreach work being done by Allison Dowzell and the team at Screen Alliance Wales, and for Prince William to help highlight the work being done at the studios means a great deal.
“He was introduced to trainees from a wide range of departments, and it was fantastic to see him take such an interest in the new generation of TV creatives.
Moment Prince William zooms around Windsor Castle grounds on e-scooter as he appears in new travel show
“We are so proud that many of the SAW trainees have gone on to be awarded Prince William Bafta bursaries, and His Royal Highness was fascinated to hear how each of the trainees was using their bursary to further their careers.”
The visit on September 10 came as part of the studios’ 10th anniversary, and came on the day William visited the Jac Lewis Foundation centre at the city’s Principality Stadium to mark World Suicide Prevention Day.
During the engagement, William also met schoolchildren from St Albans RC Primary School in Tremorfa, Cardiff, during a puppetry workshop held by SAW education and training executive Sarah O’Keefe.
The puppets were used to represent characters’ daemons in the BBC series His Dark Materials and the workshop aimed to introduce children to the TV industry.
SAW has arranged 3,772 studio visits, including classroom lessons, since its inception, and created 149 paid traineeships on Welsh TV productions including Industry, Doctor Who and The Other Bennet Sister.
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Wills met with studio chiefs and traineesCredit: Andrew Parsons / Kensington Palace
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The royal met members of Bad Wolf’s Screen Alliance Wales (SAW) training initiativeCredit: Andrew Parsons / Kensington Palace
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He was happy to chat with trainees and other staffCredit: Andrew Parsons / Kensington Palace
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Ncuti Gatwa, who recently stepped down as the Doctor, and Millie Gibson as his companion Ruby SundayCredit: BBC
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King Charles enters through a door shaped in the style of Dr Who’s Tardis during his visit to Malaysia in 2017Credit: Yui Mok
The contradictions of mixed martial arts brawler Mark Kerr can’t be contained by a ring, an octagon or a film. A vulnerable man with a brutal career, he went undefeated on the mat while struggling in his private relationships and public addiction to painkillers, which he bravely revealed in John Hyams’ 2002 HBO documentary “The Smashing Machine: The Life and Times of Extreme Fighter Mark Kerr.” In that footage, shot between 1997 and 2000, you’re continually startled by how Kerr could clobber his opponents until some lost teeth — putting himself in a mental state he once likened to being a shark in a feeding frenzy — and then after the bell, flash a smile so wide and happy, it split his own head in half.
That’s Dwayne “The Rock” Johnson’s whole thing, too: Kill ’em with charm. So it’s as all-natural as his daily diet of organic chicken breast that the wrestler-turned-blockbuster-star would want to play Kerr in his own pursuit of excellence. He’s overdue for a sincere indie movie. Fair enough. Yet bizarrely, Johnson and writer-director Benny Safdie (“Uncut Gems,”“Good Time”), working solo without his brother Josh, have decided to simply shoot Hyams’ documentary again.
These two high-intensity talents, each with something to prove, seem to have egged each other on to be exhaustingly photorealistic. Johnson, squeezed into a wig so tight we get a vicarious headache, has pumped up his deltoids to nearly reach his prosthetic cauliflower ears. And Safdie is so devoted to duplicating the earthy brown decor of Kerr’s late-’90s nouveau riche Phoenix home that you’d think he was restoring Notre Dame. In setting out to establish his own style, Safdie just mimics another.
Their version of “The Smashing Machine” tells the same story that Hyams did, across the same years with the same handheld aesthetics and rattle-snap jazz score (by composer Nala Sinephro). It’s stiff karaoke that earns a confounded polite clap. That can’t possibly have been the intention, yet even the songs used as needle-drops are conspicuously borrowed: covers of the country crooner Billy Swan singing Elvis, and Elvis singing Frank Sinatra. Meanwhile, Johnson’s Kerr huffs up a set of stairs in a training montage that already belongs to “Rocky.”
Once again, Kerr gets shaken by his first defeat to Igor Vovchanchyn (played by Oleksandr Usyk, the current heavyweight boxing champion) in Japan’s Yokohama Arena, and responds by bottoming out, getting sober and committing to win his next tournament. All the while he bickers with his on-again, off-again alcoholic girlfriend, Dawn (Emily Blunt), who gets blamed for everything that goes wrong in the ring. A teeth-grindingly mismatched couple, they can’t get through a conversation without arguing. Even trying her best to empathize, she’s overbearing. When Dawn alerts his friend and colleague Mark “The Hammer” Coleman (MMA fighter Ryan Bader in his acting debut) that her battering ram of a boyfriend was drinking before a bout, Coleman snaps at her for letting him act so stupid.
Safdie frames Dawn as a force of domestic destruction (although Kerr tears down doors like wet cardboard). In her introduction, she — horrors! — makes his smoothie with the wrong milk and, a beat later, insists on cuddling the cat on their leather sofa. A shattered Japanese kintsugi bowl is a newly added visual metaphor of their relationship, as is Dawn’s attempt to fix it with Krazy glue, a wink-wink at her emotional volatility. Still, we never understand what holds them together. Blunt is stuck in a reprise of her Oscar-nominated supporting role in “Oppenheimer” as the drunk whose cruelty pardons the male lead’s flaws. Yeah, Mark fizzled in Yokohama, but boy was she awful.
What’s the point? Having stripped away most of the documentary’s narration and sit-down interviews with Kerr’s family and friends, the film barely explores anyone’s psychology — and Blunt’s railroaded Dawn loses her chance to speak for herself. “I don’t think you know a damn thing about me,” she snipes mid-screaming match. She’s right. We don’t know much about her either, nor any of the noisy things onscreen, from the bloodrush of combat to the pull of their co-dependent affair.
We’re supposed to find depth in Johnson’s weary, pinched grin as he appreciates the sunset on a flight to Japan or watches fans at demolition derby cheer just as loudly for mindless chunks of metal getting crushed. He’s quieter than the real Kerr, who could come across like a guileless chatterbox, and when he does talk, it’s often about the control he must exert on his body and his backyard — the diet, the exercise, the sobriety, the gardening — delivered with the conviction of someone giving motivational advice to the manosphere.
If you squint, there’s an idea here that his personal needs set an unyielding tempo in their home, a notion Johnson must resonate with as someone who sets his morning alarm for 3:30 a.m. But we become better acquainted with how light ripples across Johnson’s shirtless back in a tracking shot than with whatever’s going on in his character’s head. More often than not, we’re just watching him walk around in a skin suit of Kerr, trying and failing not to see the movie star underneath. I wonder if Johnson might have channeled the open-faced Kerr better without the fake eyebrows, if he’d trusted his own inner glow instead of immediately going for the dramatic kill.
Look at how dutifully Safdie and Johnson have worked to re-create this world, the movie seems to be saying. Appreciate the intentionally cruddy camerawork by Maceo Bishop that duplicates Hyams’ low-budget limitations. Enjoy how costume designer Heidi Bivens has put Johnson in another silver-buckled black leather belt similar to the one in his infamous, much-memed Y2K-era photo, the one with the turtleneck, chain jewelry and fanny pack. You know without doing the math that, at this time, 39-year-old Safdie was in his early teens, an age that’s a sweet spot for nostalgia. This is his chance to go back to the future. No wonder he doesn’t want to change a thing.
But “The Smashing Machine” should be about change. For the MMA, this was an era of evolution as it transitioned from a contest of raw strength to one of endurance and skill. Former collegiate wrestlers like Kerr and Coleman could no longer win with their signature ground-and-pound techniques. Organizers forbade several of their key moves as their brusque victories weren’t telegenic. Kerr’s early contests often ended in less than two minutes, an oops-I-missed-it-grabbing-a-beer brevity that would have made pay-per-view buyers grumble. Headbutts were disallowed in part to draw the action out, and also because John McCain didn’t want what he called “human cockfighting” on TV.
These underlying tensions were just coming into focus. The original documentary felt blurry because Hyams didn’t yet know how the off-camera legalities would play out. He would have never guessed that the once-maligned Ultimate Fighting Championship league, purchased in 2001 for $2 million, would become a powerhouse with the clout to ink a $7.7-billion television deal just this summer. He also didn’t know that the cash payments Kerr earned in Japan would be revealed to have the yakuza’s fingerprints on them, or that Kerr’s opioid addiction was start of a burgeoning national health crisis that would soon have America in a chokehold.
Surely, Safdie with his two decades of perspective and his own knack for movies about hard-charging, charismatic screwups like Adam Sandler’s gambling addict Howard Ratner in “Uncut Gems” has something to add? Nope, just tell the same tale twice.
Hyams stopped filming in May 2000, at a point when it appeared that Kerr had chosen love over war. Safdie is aware that Kerr would live on to make more choices and that love doesn’t win, either. But despite the benefit of hindsight, Safdie doesn’t seem to have considered that the old narrative no longer fits. He just updates the title cards on the end: a sentence about Kerr and Dana’s future, a note that today’s MMA stars are better paid, a point undermined by a shot of the actual Kerr climbing into an exorbitantly glossy new truck. Turns out Kerr has been a car salesman for the last 15 years, but you wouldn’t know that leaving “The Smashing Machine.” You wouldn’t know why this movie existed at all.
The Pentagon says it will require credentialed journalists at the military headquarters to sign a pledge to refrain from reporting information that has not been authorized for release — including unclassified information.
Journalists who don’t abide by the policy risk losing credentials that provide access to the Pentagon, under a 17-page memo distributed Friday that steps up media restrictions imposed by the administration of President Trump.
“Information must be approved for public release by an appropriate authorizing official before it is released, even if it is unclassified,” the directive states. The signature form includes an array of security requirements for credentialed media at the Defense Department, which Trump has moved to rename the War Department.
Advocates for press freedoms denounced the nondisclosure requirement as an assault on independent journalism. The new Pentagon restrictions arrive as Trump expands threats, lawsuits and government pressure as he remakes the American media landscape.
“If the news about our military must first be approved by the government, then the public is no longer getting independent reporting. It is getting only what officials want them to see,” said National Press Club President Mike Balsamo, also national law enforcement editor at the Associated Press. “That should alarm every American.”
No more permission to ‘roam the halls’
Defense Secretary Pete Hegseth, a former Fox News Channel personality, highlighted the restrictions in a social media post on X.
“The ‘press’ does not run the Pentagon — the people do. The press is no longer allowed to roam the halls of a secure facility,” Hegseth said. “Wear a badge and follow the rules — or go home.”
The Pentagon this year has evicted many news organizations while imposing a series of restrictions that include banning reporters from entering wide areas of the complex without a government escort — areas where the press had access in past administrations as it covers the activities of the world’s most powerful military.
The Pentagon was embarrassed early in Hegseth’s tenure when the editor in chief of the Atlantic, Jeffrey Goldberg, was inadvertently included in a group chat on the Signal messaging app where the Defense secretary discussed plans for upcoming military strikes in Yemen. Trump’s then-national security advisor, Mike Waltz, took responsibility for Goldberg being included and was shifted to another job.
The Defense Department also was embarrassed by a leak to the New York Times that billionaire Elon Musk was to get a briefing on the U.S. military’s plans in case a war broke out with China. That briefing never took place, on Trump’s orders, and Hegseth suspended two Pentagon officials as part of an investigation into how that news got out.
On Saturday, the Society of Professional Journalists also objected to the Pentagon’s move, calling it “alarming.”
“This policy reeks of prior restraint — the most egregious violation of press freedom under the First Amendment — and is a dangerous step toward government censorship,” it said in a statement Saturday. “Attempts to silence the press under the guise of ‘security’ are part of a disturbing pattern of growing government hostility toward transparency and democratic norms.”
And Matt Murray, executive editor of the Washington Post, said in the paper Saturday that the new policy runs counter to what’s good for the American public.
“The Constitution protects the right to report on the activities of democratically elected and appointed government officials,” Murray said. “Any attempt to control messaging and curb access by the government is counter to the First Amendment and against the public interest.”
Kyiv in sanctions push as NATO states on Europe’s eastern flank take preventive action after Moscow’s air incursions.
Published On 20 Sep 202520 Sep 2025
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Ukrainian Volodymyr Zelenskyy is preparing to meet US President Donald Trump on the sidelines of the United Nations General Assembly in New York City next week in a bid to urge him to impose stronger sanctions on Russia.
The Ukrainian president shared his plans on Saturday, as Russia intensified attacks on his country following air incursions into Europe’s eastern flank that have sparked anxiety over a potential spillover of the ongoing war in Ukraine.
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The announcement, reported by the AFP news agency, came the day after the European Union presented its 19th sanctions package.
“We now expect strong sanctions steps from the United States as well – Europe is doing its part,” Zelenskyy posted on X on Saturday.
This week brought us closer to finalizing the 19th sanctions package – we expect its approval soon. We will quickly synchronize the package in Ukraine. Russia’s energy resources are being restricted. The infrastructure of the “shadow fleet” will face new pressure. Cryptocurrency… pic.twitter.com/JzgvsQQHHQ
— Volodymyr Zelenskyy / Володимир Зеленський (@ZelenskyyUa) September 20, 2025
Trump already signalled last week that he was ready to impose “major sanctions” on Russia, which has so far evaded his attempts for a ceasefire, but only if all NATO allies agree to completely halt buying oil from Moscow.
Zelenskyy is also expected to discuss security guarantees for Ukraine to prevent future Russian attacks after an eventual truce, though Russian President Vladimir Putin has warned that he would not accept the presence of Western troops in Ukraine.
Moscow stepped up attacks on Ukraine overnight, firing 40 missiles and some 580 drones in one of the biggest barrages of Russia’s war on its neighbour, killing at least three people and wounding dozens.
Preventive operations in east
NATO countries took measures to strengthen defences on Europe’s eastern flank after Russian drone incursions in Poland and Romania over the past two weeks, and unprecedented reports of three Russian fighter jets entering Estonian airspace on Friday.
Poland’s army said that Polish and allied aircraft were deployed early on Saturday in a “preventative operation” to ensure the safety of Polish airspace after Russia launched air strikes targeting western Ukraine, near the Polish border.
The United Kingdom said that its fighter jets had flown their first NATO air defence sortie to patrol Polish skies and defend against potential aerial threats from Russia as part of the alliance’s Eastern Sentry mission.
On Saturday, Russia’s Ministry of Defence denied that its aircraft flew into Estonia’s airspace the day before, but Estonian officials said the 12-minute violation was confirmed by radar and visual contact.
Colonel Ants Kiviselg, the commander of Estonia’s Military Intelligence Centre, said that it still “needs to be confirmed” whether the border violation was deliberate.
This is what Palestinians in Gaza City are facing as Israeli forces relentlessly bomb the area as part of the ‘second phase’ of their plan to capture it.
SINGER Dua Lipa looks all strung out in a black dress — but manages to hold it all together.
The 30-year-old showed off her fringe benefits in the stunning gown, which she wore to the Harper’s Bazaar Icons dinner in New York City.
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Singer Dua Lipa stuns in a black gownCredit: Getty
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She wore the dress to the Harper’s Bazaar Icons dinner in New York CityCredit: Getty
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Dua posted pictures on Instagram of herself doing yoga in her hotel roomCredit: Instagram
The Levitating singer is in the United States for her Radical Optimism world tour but took a break to party with stars including Benny Blanco and Sadie Sink.
Earlier, she posted pictures on Instagram of herself doing yoga in her hotel room.
The couple, who got engaged last Christmas, have called on a property expert to tap up a series of very posh holiday homes in Andalusia in southernSpain.
A source said: “Dua and Callum are looking for a sunny bolthole to enjoy with their families.
“Their preference has been pretty clear: nice weather and properties that have space.
“They have a man scouting for homes in Portugal and Andalusia, which have amazing weather all-year round.
“The house has to be able to comfortably fit Dua and Callum, as well as their family and friends.
“They also want peace and tranquility, that has been made very clear.
“Dua and Callum have a healthy budget too. They’ve been sent details on properties priced between £3million and £9million and are weighing them up.
Inside Dua Lipa’s one-off 184mph Porsche 911 GT3 RS set to raise £100,000s for charity
The host has confirmed she’ll be appearing on the iconic red sofa for a second week running and fans appear to like the change
BBC Breakfast has undergone a presenter shake-up(Image: (Image: BBC))
Presenter Emma Vardy has revealed she’ll be appearing on BBC Breakfast for the second week running. She first took over duties on September 2, where she confirmed she would be with her BBC Breakfast colleagues for a “while”.
After fronting Sunday morning’s instalment (September 7) with co-host Ben Boulos, Emma signed off by saying that she would be back on Monday morning (September 8).
During the closing moments, she expressed: “That’s all from us today but Breakfast will be back tomorrow from 6am. I will be there too, setting my early alarm clock for 4am.”
Ben then smiled before adding: “Enjoy the rest of your Sunday, have a great day. Goodbye,” as the iconic theme tune played.
Eagle-eyed fans were quick to comment on the shake-up as they flocked to X, with one writing: “Nice change, Emma Vardy and business school Ben this morning #bbcbreakfast.”
Emma Vardy will be back on the red sofa again tomorrow morning(Image: BBC)
Another said: “Emma Vardy is better viewing,” while someone else penned: “She is lovely Emma.”
Yet another asked: “#bbcbreakfast Has Emma Vardy replaced Northern Nina on Breakfast?,” and a fifth added: “Emma Vardy is great #bbcbreakfast.”
Emma’s equation with the BBC is long-running as she’s the broadcaster’s Ireland correspondent, covering Northern Ireland and the Republic of Ireland.
After revealing she would be appearing as an anchor for BBC rolling news back in May, the journalist told her fans on September 2 that they’d be seeing her on their screens a lot more.
She wrote on X: “Goooood morning!! I’m back with the @BBCBreakfast gang for a while. First day back at school vibes, been finding my coat peg and writing my name neatly at the top of scripts. Will see if @sallynugent wants to be my bf at lunch break.”
Naga Munchetty delivered some tragic news during Saturday’s instalment(Image: BBC)
Jon Kay and Sally Nugent usually host the show from Monday to Wednesday, with Charlie Stayt and Naga Munchetty leading the charge from Thursday to Saturday. Sunday editions of BBC Breakfast are usually presented by members of the stand-in presenting team.
Emma’s announcement comes after Naga was forced to deliver some sad news during Saturday’s edition of the show (September 6).
She confirmed: “14 minutes past six is the time. The founding member of the band The Turtles, Mark Volman, has died at the age of 78.”
Following a clip from one of their classic tracks, photographs of Mark flashed across the screen.
She went on: “The band was known for the number-one hits Happy Together and Elenore. Volman passed away yesterday after a brief and unexpected illness, according to his representative.”
Learn how to protect yourself from being targeted by financial fraudsters.
It’s an unfortunate reality that older adults, who have had more time to accumulate wealth, are at an increased risk of being targeted by some fraudsters — and of losing more money per fraud incident. However, the risk might not affect everyone equally. In research by the FINRA Investor Education Foundation, certain behaviors and characteristics were found to be associated with an increased risk of fraud victimization in older adults.
Some of these risk factors include: engagement in activities that increase fraud exposure, such as opening all of your mail (especially unsolicited marketing materials or sweepstakes announcements), participating in conversations with telemarketers and answering unknown calls or texts; a preference for higher financial risk; loneliness; and financial fragility.
How to Help Reduce Risk
Reduce your exposure. Cut off contact before it starts by taking precautions like declining or blocking calls from unknown numbers, deleting messages from unknown senders, saying no to or hanging up on telemarketing offers, and throwing away junk mail. If you suspect a text message or email is spam, block and report the sender.
Ignore promises of big rewards. There are no guarantees with investing. Look out for red flags like promises of risk-free investing, guaranteed returns and high profits. Be especially wary if you were solicited for an investment when you weren’t even looking for one. Likewise, competitions and prize drawings, particularly if they require an upfront fee, are often fraudulent.
Check out sellers and products. Be alert to signs of imposter investment scams and, before you make any investment, research the seller and the product to make sure they’re legitimate and a good fit for you. You can look up financial professionals using FINRA BrokerCheck to confirm whether they’re registered and/or licensed and view their employment history.
Stay connected. If you’re struggling with feelings of loneliness, try to bolster your existing relationships or seek new connections in person, rather than virtually. Unfortunately, random contact from strangers online or via text message is all too often the start of a scam. Reach out to family and friends, if possible, whether in person or from a distance, and look for opportunities to participate in community programs and interact with others.
Monitor your emotions. Don’t make investing decisions in a rush or when your emotions are strong. Take time to think things over — or even better, talk over decisions with someone you trust.
Practice healthy financial habits. To bolster your sense of financial security, develop a budget for yourself and try to build an emergency fund. If you’re not sure where to start, look for money management webinars and/or financial counseling services offered by banks, libraries and local nonprofit organizations.
Increase your financial knowledge. Having a foundational knowledge about financial products and the basics of investing can make fraudulent offers easier to spot. If you have a brokerage account, make sure you know how to read your account statements, and take steps to protect your financial accounts like adding a trusted contact.
Stay informed about fraud. The more people hear about different scams, the less susceptible they are, which is a great reason to keep learning. Educate yourself about the red flags of fraud and current scams to be on the lookout for. Organizations like AARP and the BBB can help you learn about and track current scams. You can also look for coverage by your local news outlet, or discuss the matter with people you trust.
Resources
If you have a question or concern about your brokerage account or an investment recommendation, you can call FINRA’s Securities Helpline for Seniors toll-free at 844-574-3577. You can also file a complaint about a brokerage firm with FINRA or submit a tip about possible securities fraud to the SEC.
If you think you’ve been the victim of a scam, report it to law enforcement.
And if you’re experiencing emotional effects from fraud, there are resources available to help.
BALTIMORE — The Dodgers’ pitching plans were thrown into flux again Friday.
The team’s scheduled starter for their series opener against the Baltimore Orioles, Tyler Glasnow, was scratched with what manager Dave Roberts said was back tightness. And in his stead, Shohei Ohtani was tapped to fill in on short notice, offering to take the ball two days after having his own scheduled pitching start on Wednesday scratched because of an illness.
“Shohei was up to it, feels good physically,” Roberts said. “Wants the ball tonight.”
According to Roberts, the team is hopeful Glasnow’s issue is not serious. They are targeting to have him pitch again early next week.
“We just didn’t want to put him in harm’s way,” Roberts said. “It’s not something where we got to the point where he’s hurt or anything like that. It’s back stiffness. So we feel that to not take this start will allow him to be able to start hopefully early next week.”
In the meantime, Ohtani will be on the mound Friday for the first time since Aug. 27, when he completed his first five-inning start of the season in his continued progression back from Tommy John surgery.
Roberts said Ohtani’s start Friday “could be a little shorter,” given the short-notice nature of how it came together.
But he was also hopeful that Ohtani’s willingness to take the mound now — as opposed to Monday, when he had been next scheduled to pitch — could provide the team a much-needed jolt, as they try to bounce back from a sweep against the Pirates in Pittsburgh earlier this week.
“For a guy who is a starter that’s got a routine, that was going to pitch a couple days later, to then change course speaks a lot to what this team needs,” Roberts said. “So I expect our guys to respond to that.”
Chloe Malle will become the top editor at American Vogue after Dame Anna Wintour stepped aside as editor-in-chief, the publication has announced.
The 39-year-old worked her way up the fashion magazine ranks over the past 14 years to become editor of Vogue.com and host the magazine’s podcast The Run Through.
Malle’s appointment marks a new era for the magazine, considered one of the most influential and glamorous fashion publications.
Dame Anna, the British-born fashion magnate, announced she was leaving the role in June after holding the position for 37 years. The magazine said she would retain senior positions at its publisher.
In a statement announcing the news, Malle said she had worked across every platform during her time at the magazine. “Vogue has already shaped who I am, now I’m excited at the prospect of shaping Vogue,” she said.
Dame Anna said Malle had proven adept at finding the balance between Vogue’s “long singular history” and its future “on the front lines of the new”.
“I am so excited to continue working with her, as her mentor but also as her student, while she leads us and our audiences where we’ve never been before,” Dame Anna said.
Long-time Vogue employee
Malle, the daughter of actress Candice Bergen and French film director Louis Malle, grew up splitting her time between Paris and Los Angeles until her father died when she was 10 years old.
In a previous job, Malle covered real estate for the New York Observer. Her next gig as a freelance writer led her to Vogue, where she began a full-time position as the social editor in 2011, aged 25.
Much like an iconic scene in the acclaimed fashion film The Devil Wears Prada, Malle has previously recalled attending her interview wearing a “boring” ensemble.
“I was hesitant when I was interviewing, because fashion is not one of my main interests in life, and I wanted to be a writer more than an editor, but I was so seduced by the Vogue machine that I couldn’t resist,” she also said in 2013.
Malle rose through the ranks of the organisation and later became the editor of Vogue.com, while also hosting a podcast for the magazine called The Run Through.
While at Vogue, Malle has reportedly been responsible for securing the magazine’s photoshoot with Naomi Biden for her 2022 White House wedding, as well as an interview with Lauren Sanchez ahead of her wedding to Amazon CEO Jeff Bezos.
Reuters
Dame Anna will retain senior positions at Vogue’s publisher
Political activism
Like her predecessor, Dame Anna, she has not shied away from politics while in her job.
Both on her social media and on her podcast, she has supported Democratic causes and candidates.
She participated in the Women’s March in 2017 and was photographed with a sign that read “Keep Your Tiny Hands Off My Rights”.
And during a 2024 episode of her podcast, which aired after Donald Trump was re-elected as US president, Malle expressed her disappointment with the election result.
She asked her guest on the programme, Jack Schlossberg – the grandson of former President John F Kennedy – “what would [Kennedy] say to people who are struggling this week and advice on getting through it?”
Wintour to continue oversight role
It is unclear exactly when the transition from Dame Anna to Malle as chief of the magazine will be, but 75-year-old Dame Anna is not completely leaving the picture.
In an interview with the New York Times, Malle acknowledged that working alongside Dame Anna could be a balancing act.
“I know that some people who were interested in this job were sort of daunted by the idea of Anna being down the hall,” she said. “I’m very happy she’s down the hall with her Clarice Cliff pottery.”
Dame Anna will remain publisher Condé Nast’s chief content officer – a role to which she was appointed in 2020 – which means she will still oversee Vogue’s content, along with the company’s other titles such as GQ, Wired and Tatler.
Lauren Sherman, a reporter with Puck News who broke the story, told BBC News that Malle had the pedigree and background of those in Dame Anna’s inner circle, but was also known as being a hard worker.
“She’s still reporting to Anna Wintour, so the buck stops with Anna Wintour,” Sherman said. “I don’t think we’re going to see any big splashy changes to start, but let’s see how much she pushes back on Wintour and makes it her own.”
Marvel fans say this blockbuster was their best movie of 2025 and you’ll soon be able to stream it at no extra cost
Disney+ will soon be streaming one of the best comic book movies of the year at no extra charge.
The film is currently available to rent or buy at home, though you’ll still have to pay up to £13.99 on platforms such as Apple TV, Prime Video and Sky Store.
Thankfully, there’s not long to wait until Disney+ users will be able to stream the film whenever they want without paying anything on top of their monthly subscription.
Comic book fans have called it one of Marvel Studios’ best blockbusters in years – and, no, it’s not the recently released The Fantastic Four: First Steps.
Instead, we’re talking about Thunderbolts*, which is set to debut exclusively on Disney+ on Wednesday, 27th August.
Starring Florence Pugh, David Harbour and Sebastian Stan, the film follows an unlikely team of heroes and villains from across the Marvel universe who reluctantly team up to protect the Earth from a dangerous and unpredictable new threat.
Superhero fans have called Thunderbolts* Marvel’s best movie in years(Image: MARVEL STUDIOS)
Pugh returns as Yelena Belova, the new Black Widow, an elite mercenary who is struggling to find her place in the world when the enigmatic Valentina Allegra de Fontaine (played by Julia Louis-Dreyfus) entrusts her with an important but suspicious new mission.
Following a period of disappointment for the superhero franchise, both box office and critical, Marvel fans were pleasantly surprised when Thunderbolts* burst onto the big screen back in April.
One five-star Google review described the film as an “absolute gem of the superhero genre”.
“If you’re looking for a fresh, high-octane adventure with a unique twist, Thunderbolts is exactly what you’ve been waiting for,” they went on to promise.
“This story is a masterclass in reimagining the traditional superhero team-up, featuring a lineup of antiheroes, former villains, and morally ambiguous characters who are forced to work together for a common cause.”
Someone else gushed: “Thunderbolts* was an incredible surprise. This movie fixes so many of the problems that recent MCU projects have suffered from.
“It actually feels like one director was in charge of this, not a committee of executives. The humor also feels natural, not forced.
Florence Pugh shines as Marvel’s new Black Widow Yelena Belova(Image: MARVEL STUDIOS)
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Disney+ has added La Liga football to its line-up, with fans able to stream the games with a Disney+ subscription from £4.99
“Which makes everything better. It doesn’t feel like this movie was reworked and reshot a thousand times. The characters are also great. Every actor is doing their absolute best and their chemistry is great.”
Another die-hard fan raved on X: “Had the time of my life with #thunderbolts! One of the best mcu projects in recent years.
“The movie does an outstanding job of exploring its themes surrounding mental health. I absolutely love [the] team and their dynamic, I cared so much about all of them. Easy 10/10.”
And a final viewer admitted: “Shocked how good THUNDERBOLTS* is. Putting emphasis on the character work and practical action makes this feel like the old Marvel that had us for a decade plus.
“Wish we’d gotten this sooner. Helps that this dysfunctional team has chemistry too.”
Will you be checking out Thunderbolts* for the first time or giving the film a much-deserved rewatch next week?
Thunderbolts* will be available to stream on Disney+ from Wednesday, 27th August.
CHELSEA’S free-flowing attack tripped at the starting line of the Premier League title race, as Enzo Maresca’s side stuttered to a bore-draw at home to Crystal Palace.
Reportedly on the verge of a move away from the club, it was Eberechi Eze who thought he had opened the scoring, only for VAR to rule his free-kick out over an infringement in the wall by Marc Guehi.
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Chelsea struggled to find a way past Crystal Palace in a 0-0 drawCredit: AFP
It was a VAR call that really wrote the story of this game, with both teams unable to create any moves with much meaning beyond it.
A tightly contested first half was met with an equally tight second 45 minutes.
The introduction of teenage wonderkid Estevao threatened to shake things up in the second half, as the Brazilian injected pace and enthusiasm into a lacklustre Chelsea attack.
But even his Brazilian brilliance wasn’t incisive enough to carve an opening for Maresca’s men.
And despite a number of substitutes following Estevao, including new number nine Liam Delap, Stamford Bridge’s shooters could only fire blanks before going to West Ham next week.
Here’s how SunSport Chelsea Reporter Lloyd Canfield rated the players…
Robert Sanchez – 6
It’s unclear if Robert Sanchez was blinded by the sun or by a player as an Eze free-kick was rifled past him, but VAR perhaps saved him in that sense, as it was ruled out.
The Spaniard made a solid stop to deny Jean Phillipe-Mateta in the first half, and his distribution seemed improved from last season, but there are still question marks over him among the Blues’ fanbase.
With an ‘elite’ goalkeeper like Gianluigi Donnarumma up for grabs, he is under a lot of pressure to perform at this moment in time.
Ex-Premier League ref on Eberechi Eze’s disallowed goal vs Chelsea
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Reece James – 7
Chelsea’s captain was tasked with marshalling Ebere Eze from right-back for the Blues, as well as leading from the back with the young Josh Acheampong next to him.
It wasn’t a vintage, flying fullback Reece James performance, but one that showed a maturity to his game with a good passing range and an air of calmness on the ball that he has always possessed.
Josh Acheampong – 9
The Cobham Academy graduate was thrown in the deep end once more in the absence of Levi Colwill and Tosin for Chelsea.
With all the talk of whether or not the Blues will sign a new central defender or not, the teenager did extremely well under huge pressure, putting in crunching tackles and showing elite composure on the ball, sending something of a soothing aura around Stamford Bridge with it at his feet.
Dealing with the physicality of Jean Phillipe Mateta is a tough task for any defender, and Acheampong will need to grow physically before he can dominate that kind of threat, but it didn’t bother him much today.
Enzo Maresca has got the answer to his injury dilemma from within the club, as they wanted, and Chelsea will hope the youngster can build on such an impressive display.
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Josh Acheampong had a brilliant game at the backCredit: AFP
Trevoh Chalobah – 7
Perhaps should have done better when he had a chance to open the scoring after 30 minutes, as the ball fell kindly to him eight yards out, only to be fired over the bar.
But Trevoh Chalobah put in a solid showing against his former club, with an array of good tackles and blocks, as well as guiding Josh Acheampong next to him into a brilliant showing.
Marc Cucurella – 5
Almost opened the scoring with a header before a clumsy challenge gave a free kick to Crystal Palace, from which they thought they had opened the scoring.
Marc Cucurella has often become a source of attacking threat and chance creation under Enzo Maresca, but wasn’t able to create many openings when he did progress further up the pitch, losing the ball too often.
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Marc Cucurella was clumsy going forwardCredit: Getty
Moises Caicedo – 8
Consistency personified in blue, Moises Caicedo was his usual brilliant self today.
Vital interceptions, tackles full of heart and the stamina of a marathon runner, Caicedo distributed the ball through Chelsea’s midfield and put out fires from the very first whistle to the last.
A bit more creativity and ball progression from the deep-lying midfielder would have improved his rating to that truly elite level.
Enzo Fernandez – 4
A very quiet first half saw Moises Caicedo doing the work of two people on his own, with Enzo Fernandez seeming overrun by the enigmatic Ebere Eze.
Struggled to get his foot on the ball and create chances as he has done so well in recent games for the Blues, before being swapped for Andrey Santos in the final 15 minutes.
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Enzo Fernandez was hauled off after failing to impressCredit: Getty
Jamie Gittens – 4
After an electric pre-season that left fans excited to see him in Premier League action for the first time, he was somewhat disappointing in the first half.
He was given a run for his money by Daniel Munoz and failed to deliver any sort of end product on his PL bow.
Better things will be coming from Chelsea’s new number 11, who was substituted after 54 minutes for wonderkid Estevao Willian.
Cole Palmer – 3
A shadow of his usual self, Cole Palmer didn’t deliver the same kind of fireworks we have become so accustomed to seeing from him under Enzo Maresca.
Instead for much of the game he looked the same player we saw during his ‘rough patch’ last year.
He wasn’t allowed much, if any, space on the ball and wasn’t able to create something from nothing in this game, which everyone knows he can do at his mind-blowing best.
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Cole Palmer struggled to impress for the BluesCredit: Getty
Pedro Neto – 5
Chelsea fans know what to expect from Pedro Neto by now, at his worst he will give you heaps of hard work and running, even on a baking hot day at Stamford Bridge like today.
He was more impressive than Gittens on the other wing, but also struggled to really create any meaningful chances, with a few deliveries sailing over any Chelsea attackers.
Neto was switched to the left side when Estevao was introduced, but it was much the same as the first half in truth.
Joao Pedro – 4
After five goals in his first five games for Chelsea, he had fully justified his place in Enzo Maresca’s starting XI for this game.
In this game, though, fans were keen to see the introduction of Liam Delap after the half-time whistle, which came to fruition with little under 20 minutes to go.
The Brazilian struggled to grasp the game by the scruff of the neck against Palace, and couldn’t provide the link-up with Cole Palmer that was so impactful in the Club World Cup.
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Joao Pedro could not continue his goal streakCredit: AFP
Substitutes
Estevao – 7
Instantly injected energy and enthusiasm into the game but also into the crowd, Estevao is a catalyst for making things happen in this team.
As soon as he came on he had Marc Guehi in a twist before delivering a cross that created a Chelsea chance, despite not being finished off – a move that will have Blues’ fans clamouring for him to start against West Ham next week.
Estevao perhaps should’ve opened the scoring, with a chance falling to him in the second half that he seemed to overthink before firing over.
Nonetheless, with the iconic Romario watching on at Stamford Bridge, he will be confident that Joga Bonito has a place here for years to come.
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Estevao looked sharp when he came off the benchCredit: Getty
Malo Gusto – 4
Took on Reece James’ role when he came on, and was mostly solid at the back but also unable to create any kind of forward spark.
Saw his name up in lights in the 88th minute, but those lights may have blinded him as his shot from range sailed into row Z.
Andrey Santos – 5
A solid showing from the Brazilian in midfield, but leaned back too much and fired over the bar in the dying embers of the game with a left-footed shot in front of the Matthew Harding end.
He came close moments later, this time with a header that was grasped by Henderson.
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Andrey Santos missed a great moment in front of goal late onCredit: PA
Liam Delap – 5
His determination and hard work allowed him a sight of goal as the game came to a close, but his effort on the half-volley was stopped relatively easily by Dean Henderson.
Delap will no doubt be a handful for defenders this season if he is coming from the bench, and likely won’t want to settle for playing second fiddle to Joao Pedro for too long.
WASHINGTON — President Trump is promising new steps to tackle homelessness and crime in Washington, prompting the city’s mayor to voice concerns about the potential use of the National Guard to patrol the streets in the nation’s capital.
Trump wrote in a social media post that he would hold a White House news conference on Monday to discuss his plans to make the District of Columbia “safer and more beautiful than it ever was before.”
Ahead of that news conference, Trump said Monday on social media that the nation’s capital would be “LIBERATED today!” He said he would end the “days of ruthlessly killing, or hurting, innocent people.”
For Trump, the effort to take over public safety in Washington reflects a next step in his law enforcement agenda after his aggressive push to stop illegal border crossings. But the move involves at least 500 federal law enforcement officials, raising fundamental questions about how an increasingly emboldened federal government will interact with its state and local counterparts.
Combating crime
The president has used his social media and White House megaphones to message that his administration is tough on crime, yet his ability to shape policy might be limited outside of Washington, which has a unique status as a congressionally established federal district. Nor is it clear how his push would address the root causes of homelessness and crime.
About 500 federal law enforcement officers are being tasked with deploying throughout the nation’s capital as part of the Trump administration’s effort to combat crime, a person familiar with the matter told The Associated Press on Monday.
More than 100 FBI agents and about 40 agents with the Bureau of Alcohol, Tobacco, Firearms and Explosives are among federal law enforcement personnel being assigned to patrols in Washington, the person briefed on the plans said. The Drug Enforcement Administration, Immigration and Customs Enforcement and the Marshals Service are also contributing officers.
The person was not authorized to publicly discuss personnel matters and spoke to the AP on the condition of anonymity. The Justice Department didn’t immediately have a comment Monday morning.
Focusing on homelessness
Trump in a Sunday social media post had emphasized the removal of Washington’s homeless population, though it was unclear where the thousands of people would go.
“The Homeless have to move out, IMMEDIATELY,” Trump wrote Sunday. “We will give you places to stay, but FAR from the Capital. The Criminals, you don’t have to move out. We’re going to put you in jail where you belong.”
Last week, the Republican president directed federal law enforcement agencies to increase their presence in Washington for seven days, with the option “to extend as needed.”
On Friday night, federal agencies including the Secret Service, the FBI and the U.S. Marshals Service assigned more than 120 officers and agents to assist in Washington.
Trump said last week that he was considering ways for the federal government to seize control of Washington, asserting that crime was “ridiculous” and the city was “unsafe,” after the recent assault of a high-profile member of the Department of Government Efficiency.
The National Guard
The moves Trump said he was considering included bringing in the D.C. National Guard.
Mayor Muriel Bowser, a Democrat, questioned the effectiveness of using the Guard to enforce city laws and said the federal government could be far more helpful by funding more prosecutors or filling the 15 vacancies on the D.C. Superior Court, some of which have been open for years.
Bowser cannot activate the National Guard herself, but she can submit a request to the Pentagon.
“I just think that’s not the most efficient use of our Guard,” she said Sunday on MSNBC’s “The Weekend,” acknowledging it is “the president’s call about how to deploy the Guard.”
Bowser was making her first public comments since Trump started posting about crime in Washington last week. She noted that violent crime in Washington has decreased since a rise in 2023. Trump’s weekend posts depicted the district as “one of the most dangerous cities anywhere in the World.”
For Bowser, “Any comparison to a war-torn country is hyperbolic and false.”
Crime statistics
Police statistics show homicides, robberies and burglaries are down this year when compared with this time in 2024. Overall, violent crime is down 26% compared with this time a year ago.
Trump offered no details in Truth Social posts over the weekend about possible new actions to address crime levels he argues are dangerous for citizens, tourists and workers alike. The White House declined to offer additional details about Monday’s announcement.
The police department and the mayor’s office did not respond to questions about what Trump might do next.
The president criticized the district as full of “tents, squalor, filth, and Crime,” and he seems to have been set off by the attack on Edward Coristine, among the most visible figures of the bureaucracy-cutting effort known as DOGE. Police arrested two 15-year-olds in the attempted carjacking and said they were looking for others.
“This has to be the best run place in the country, not the worst run place in the country,” Trump said Wednesday.
He called Bowser “a good person who has tried, but she has been given many chances.”
Trump has repeatedly suggested that the rule of Washington could be returned to federal authorities. Doing so would require a repeal of the Home Rule Act of 1973 in Congress, a step Trump said lawyers are examining. It could face steep pushback.
Bowser acknowledged that the law allows the president to take more control over the city’s police, but only if certain conditions are met.
“None of those conditions exist in our city right now,” she said. “We are not experiencing a spike in crime. In fact, we’re watching our crime numbers go down.”
Klepper writes for the Associated Press. AP writers Ashraf Khalil, Alanna Durkin Richer and Michelle L. Price contributed to this report.
An Amazon Prime remake of the classic sci-fi War of the Worlds has managed to get the lowest-possible score on Rotten Tomatoes, meaning it has been universally panned
Ice Cube stars in a new version of War of the Worlds, but it has been panned by critics and viewers(Image: Prime Video)
An Amazon Prime remake of a classic sci-fi film has earned the lowest-possible score on Rotten Tomatoes. The streaming platform’s new version of War of the World stars Ice Cube and Eva Longoria, but even having two massive names attached to it did not help things when it came to impressing fans of the original.
On the review-aggregation website, which attracts nearly 80 million film and TV fans on a monthly basis, not one of the 13 reviews is positive and it has therefore been left with a rating of 0%. User ExxtraZY wrote: “I am traumatised. Not because of how graphic it is, but how awful it is. It feels like a 10 year old had a fever dream and decided to write the story at the top of their head.”
The film is the latest in a long line of adaptations based on the HG Wells classic(Image: Prime Video)
A fourth reviewer said: “Stayed 20 minutes longer than I should have because of Ice Cube. But even he couldn’t save this disaster of an adaptation,” whilst one social media user took to X to write: “This new War of the Worlds movie might be the worst movie I have seen in years.” Despite this, some fans who had watched the movie felt that they could defend it.
One wrote: “I felt the story was strong enough to suspend belief. I didn’t care too much about the special effects, I cared about are the kids going to be OK and how this story is different from the many other renditions I have seen,” and another said: “Ok so I am gonna buck the system here. I truly enjoyed WAR OF THE WORLDS. I thought Ice Cube was great – loved the entire cast. Eva Longoria – great. Loved the kids. What is the problem here??”
One irate viewer took to X to vent: “War of the Worlds (2025) is the worst adaption of the source material to date. It had no ideas beyond the found footage approach, and even then the film is struggling to find ways to present coherent scenes.
“Ice Cube is so lost. Maybe one of the worst movies I’ve ever seen. Most of the film just doesn’t make sense because they’re trying to rush through a mountain of developments.
The latest version of War of the Worlds, which focuses on an attempted alien invasion, was released last week on the streaming service. But the original novel by HG Wells was published in 1898, and the story has been adapted for the screen multiple times.
After first being broadcast on the radio in the late 1930s, three film adaptations were releases from 1953 and 1981. In 2005, Tom Cruise starred alongside a young Dakota Fanning in a modern remake of the Victorian classic.
The synopsis for the latest incarnation of the story reads: “‘A gargantuan invasion is coming with this fresh take on the legendary novel of the same name. Renowned actress Eva Longoria is joined by iconic rapper and actor Ice Cube, along with Michael O’Neill and Iman Benson, for a thrilling out-of-this-world adventure that is filled with present-day themes of technology, surveillance, and privacy.”
It was clobberin’ time this weekend, as Marvel’s “The Fantastic Four: First Steps” nabbed the top spot at the box office with a performance that returned the Walt Disney Co.-owned superhero franchise to form.
The movie hauled in $118 million in the U.S. and Canada and grossed $218 million globally in its opening weekend. The film, which stars Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach and Joseph Quinn, is just the latest remake of the comic book property, though the first under Walt Disney Co.’s ownership.
Disney has already capitalized on its ownership of the “Deadpool” and “X-Men” properties — its 2024 film, “Deadpool & Wolverine,” garnered more than $1 billion in global box office revenue.
Fox produced and released three “Fantastic Four” movies, none of which were well-received by audiences or critics. A 2015 reboot was particularly reviled.
Quality was not an issue this time. The movie notched a 88% approval rating on aggregator Rotten Tomatoes and an “A-” grade from audience polling firm CinemaScore.
The movie exceeded pre-release estimates. “First Steps” was expected to gross $100 million to $110 million in its debut weekend, on a reported budget of about $200 million.
The theatrical reception for “The Fantastic Four” is a relief for Disney and Marvel, which has struggled in recent years to reap the box office earnings it once did with its superhero films.
The Anthony Mackie-led “Captain America: Brave New World” received middling reviews from critics and brought in about $415 million in global box office revenue. Ensemble movie “Thunderbolts*” received strong reviews, but made only $382 million worldwide.
Disney Chief Executive Bob Iger said earlier this year that the company “lost a little focus” in its zeal to produce more shows and movies for the Disney+ streaming platform, acknowledging that “quantity does not necessarily beget quality.”
“By consolidating a bit and having Marvel focus much more on their films, we believe it will result in better quality,” he said during an earnings call with analysts in May.
Anticipation was high for “The Fantastic Four,” and Disney went all out with the marketing. The company hired a skywriter to craft encircled 4’s in the sky near downtown Los Angeles on the day of the premiere and featured a drone show outside the Dorothy Chandler Pavilion after the showing.
“While Marvel films have settled into a fairly predictable core audience after multiple under-cooked films and streaming series in the post-’Avengers: Endgame’ era, the brand remains sturdy when the right film comes along,” Shawn Robbins, director of movie analytics at Fandango and founder of site Box Office Theory, wrote in a weekend theatrical forecast published Wednesday.
Warner Bros.’ DC Studios’ “Superman” came in second at the box office this weekend with a domestic total of $24.9 million for a worldwide gross so far of $503 million.
“The Fantastic Four: First Steps” slots into summer blockbuster season like a square peg in a round popcorn bucket. Prestige TV director Matt Shakman (“WandaVision”) isn’t inclined to pretzel himself like the flexible Reed Richards to please all four quadrants of the multiplex. His staid superhero movie plays like classic sci-fi in which adults wearing sweater vests solemnly brainstorm how to resolve a crisis. Watching it, I felt as snug as being nestled in the backseat of my grandparents’ car at the drive-in.
This reboot of the Fantastic Four franchise — the third in two decades — is lightyears closer to 1951’s “The Day the Earth Stood Still” than it is to the frantic, over-cluttered superhero epics that have come to define modern entertainment. Set on Earth 828, an alternate universe that borrows our own Atomic Age decor, it doesn’t just look old, it moves old. The tone and pace are as sure-footed as globe-gobbling Galactus, this film’s heavy, purposefully marching into alt-world Manhattan. Even its tidy running time is from another epoch. Under two hours? Now that’s vintage chic.
“First Steps” picks up several years after four astronauts — Reed (Pedro Pascal), his wife, Sue (Vanessa Kirby), his brother-in-law Johnny (Joseph Quinn) and his best friend Ben (Ebon Moss-Bachrach) — get themselves blasted by cosmic rays that endow them with special powers. You may know the leads better as, respectively, Mr. Fantastic, the Invisible Woman, the Human Torch and the Thing. For mild comic relief, they also pal around with a robot named H.E.R.B.I.E., voiced by Matthew Wood.
Skipping their origin story keeps things tight while underlining the idea that these are settled-down grown-ups secure in their abilities to lengthen, disappear, ignite and clobber. Fans might argue they should be a bit more neurotic; screenplay structuralists will grumble they have no narrative arc. The mere mortals of Earth 828 respect the squad for their brains and their brawn — they’re celebrities in a genteel pre-paparazzi time — but these citizens are also prone to despair when they aren’t sure Pascal’s workaholic daddy will save them.
Lore has it Stan Lee was a married, middle-aged father aging out of writing comic books when his beloved spouse, Joan, elbowed him to develop characters who felt personal. The graying, slightly boring Reed was a loose-limbed version of himself: the ultimate wife guy with the ultimate wife.
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But Hollywood has aged-down Lee’s “quaint quartet,” as he called them, at its own peril. Make the Fantastic Four cool (as the movies have repeatedly tried and failed to do) and they come across as desperately lame. This time, Shakman and the script’s four-person writing team of Josh Friedman, Eric Pearson, Jeff Kaplan and Ian Springer valorize their lameness and restore their dignity. Pascal’s Mr. Fantastic is so buttoned-down that he tucks his tie into his dress shirt.
The scenario is that Sue is readying to give birth to the Richards’ first child just as the herald Shalla-Bal (Julia Garner), a.k.a. the Silver Surfer, barrels into the atmosphere to politely inform humanity that her boss Galactus (voiced by Ralph Ineson) has RSVP-ed yes to her invitation that he devour their planet. In a biologically credible touch, the animators have added tarnish to her cleavage: “I doubt she was naked,” Reed says evenly. “It was probably a stellar polymer.”
Typically, this threat would trigger a madcap fetch-this-gizmo caper (as it did in the original comic). Shakman’s version doesn’t waste its energy or our time on that. Rather, this a lean showdown between self-control and gluttony, between our modest heroes and a greedy titan. It’s at the Venn diagram of a Saturday morning cartoon and a moralistic Greek myth.
The film is all sleek lines, from its themes to its architecture to its images. The visuals by the cinematographer Jess Hall are crisp and impactful: a translucent hand snatching at a womb, a character falling into the pull of a yawning black hole, a torso stretched like chewing gum, a rocket launch that can’t blast off until we get a close-up of everyone buckling their seatbelts. Even in space, the CG isn’t razzle-dazzle busy. Meanwhile, Michael Giacchino’s score soars between bleats of triumph and barbershop-chorus charm, a combination that can sound like an automobile show unveiling the first convertible with tail fins.
There is little brawling and less snark. No one comes off like an aspiring stand-up comic. These characters barely raise their voices and often use their abilities on the mundane: Kirby’s Sue vanishes to avoid awkward conversations, Moss-Bachrach’s Ben, in a nod to his breakout role as the maître d’ on “The Bear,” uses his mighty fists to mash garlic. Johnny, the youngest and most literally hotheaded of the group, is apt to light himself on fire when he can’t be bothered to find a flashlight. He delivers the meanest quip in a respectful movie when he tells Reed, “I take back every single bad thing I’ve been saying about you … to myself, in private.”
Yes, my audience giggled dutifully at the jiggling Jell-O salads and drooled over the groovy conversation pits in the Richards’ living room, the only super lair I’d ever live in. The color palette emphasizes retro shades of blue, green and gold; even the extras have coordinated their outfits to the trim on the Fantasticar. Delightfully, when Moss-Bachrach’s brawny rock monster strolls to the deli to buy black-and-white cookies, he’s wearing a gargantuan pair of penny loafers.
If you want to feel old, the generation of middle schoolers who saw 2008’s “Iron Man” on opening weekend are now beginning to raise their own children. Thirty-seven films later, the Marvel Cinematic Universe has gotten so insecure about its own mission that it’s pitching movies at every maturity level. The recent “Thunderbolts*” is for surly teenagers, “Deadpool & Wolverine” is the drunk, divorced uncle at a BBQ, and “First Steps” extends a sympathetic hand to young families who identify with Reed’s frustration that he can’t childproof the entire galaxy.
Here, for a mass audience, Kirby gets to reprise her underwatched Oscar-nominated turn in “Pieces of a Woman,” in which she extended out a 24-minute, single-take labor scene. This karaoke snippet is good (and even a little operatic when the pain makes her dematerialize). I was as impressed by the costumer Alexandra Byrne’s awareness that even super moms won’t immediately snap back into wearing tight spandex. (By contrast, when Jessica Alba played Sue in 2007’s “Fantastic Four: Rise of the Silver Surfer,” the director notoriously asked her to be “prettier” when she cried.)
This reboot’s boldest stride toward progress is that it values emotionally credible performances. Otherwise, Pascal aside, you wouldn’t assemble this cast for any audience besides critics and dweebs (myself included) who keep a running list of their favorite not-quite-brand-name talents who are ready to break through to the next level of their career while yelling, “It’s clobbering time!”
Still, this isn’t anyone’s best role, and it’s a great movie only when compared to similarly budgeted dreck. Yet it’s a worthy exercise in creating something that doesn’t feel nostalgic for an era — it feels of an era. Even if the MCU’s take on slow cinema doesn’t sell tickets in our era, I admire the confidence of a movie that sets its own course instead of chasing the common wisdom that audiences want 2½ hours of chaos. Studio executives continuing to insist on that nonsense deserve Marvel’s first family to give them a disappointed talking-to, and send them to back their boardrooms without supper.
‘The Fantastic Four: First Steps’
Rated: PG-13, for action/violence and some language
Israel has carried out powerful air strikes near Syria’s presidential palace and on the military headquarters in the heart of Damascus, a major escalation in its bombardment of the neighbouring country.
At least three people were killed and 34 others were wounded in the attacks on Damascus on Wednesday, Syrian state media reported, citing the Ministry of Health.
While targeting Damascus, the Israeli military continued to pound areas in southern Syria, including Suwayda, where a new ceasefire deal has been struck after four days of clashes between Druze armed groups, Bedouin tribes and government forces, which left hundreds dead.
Syria’s Ministry of Foreign Affairs said the Israeli attacks on Damascus and Suwayda were “part of a systematic Israeli policy to ignite tension and chaos and undermine security in Syria”, calling on the international community to take “urgent action” against Israeli aggression.
Israel said its bombing campaign is aimed at protecting the Druze minority, and it has called on the Syrian government to withdraw its troops from the city of Suwayda, where much of the violence has taken place.
Defence Minister Israel Katz said on X that the Israeli military would “continue to operate vigorously in Suwayda to destroy the forces that attacked the Druze until they withdraw completely”.
Later on Wednesday, United States Secretary of State Marco Rubio said that the parties to the fighting in southern Syria had agreed on “specific steps that will bring this troubling and horrifying situation to an end tonight”.
“This will require all parties to deliver on the commitments they have made and this is what we fully expect them to do,” Rubio said on X of the ceasefire deal, reached one day after an earlier iteration had collapsed.
More than 300 people had been killed in fighting as of Wednesday morning, including four children, eight women and 165 soldiers and security forces, according to the UK-based war monitor, the Syrian Observatory for Human Rights.
Army withdrawal from Suwayda
The Syrian Ministry of Interior and Druze leader Sheikh Yousef Jarbou confirmed on Wednesday that they had reached a ceasefire. But the new deal was rejected by Sheikh Hikmat al-Hajari, another Druze leader, who promised to continue fighting until Suwayda was “entirely liberated”.
According to the ministry, the deal declares a “total and immediate halt to all military operations”, as well as the formation of a committee comprising government officials and Druze spiritual leaders to supervise its implementation.
That evening, the Syrian Ministry of Defence said it had begun withdrawing the army from Suwayda “in implementation of the terms of the adopted agreement after the end of the sweep of the city for outlaw groups”.
Speaking shortly before Rubio’s announcement of a deal, State Department spokeswoman Tammy Bruce had said that the US wanted Syrian government forces to “withdraw their military in order to enable all sides to de-escalate and find a path forward”.
But while Syrian troops are withdrawing, the government will be maintaining a presence in the city,
Reporting from Syria’s capital Damascus, Al Jazeera’s Zeina Khodr said the deal included the “deployment of government forces”.
“They will set up checkpoints, and this area will be fully integrated into the Syrian state,” she said.
A complete withdrawal by the government would, she said, “mean a failure in efforts by the new authorities to unite a fractured nation and extend its authority across Syria”.
“But staying could open a much bigger conflict with Israel that has promised more strikes if, in the words of Katz, the message wasn’t received.”
Pretext to bomb
The escalation in Syria began with tit-for-tat kidnappings and attacks between Druze armed factions and local Sunni Bedouin tribes in the southern province of Suwayda.
Government forces that intervened to restore order clashed with the Druze, with reports of the former carrying out human rights abuses, according to local monitors and analysts.
The actions committed by members of the security forces – acknowledged as “unlawful criminal acts” by the Syrian presidency – have given Israel a pretext to bombard Syria as it builds military bases in the demilitarised buffer zone with Syria seized by its forces.
Haid Haid, consulting fellow at London-based think tank Chatham House, told Al Jazeera that Israel had been clear since the ouster of Bashar al-Assad last year that they did not want Syrian forces “to be deployed to the deconfliction line in southern Syria”.
“One way Israel is trying to advance that plan is to present itself as the ‘protectors’ of the Druze community,” Haid said.
Ammar Kahf, the Damascus-based executive director of the Omran Center for Strategic Studies, said: “It’s a clear message to the Syrian government that the Israelis are not going to be silent.
“The Israelis are not going to allow the Syrian government to spread its authority all over the territory.”