stephen graham

‘Heel’ review: This isn’t your everyday family of kidnappers

The movie is called “Heel” and its frenetic opening — a flash-cut glimpse of young, handsome, swaggeringly cruel Tommy (Anson Boon) in drug-fueled party mode — seems enough to explain the title. The next time we see him, though, he’s neck-shackled in the basement of a remote English estate. What follows in Polish filmmaker Jan Komasa’s blackly comic, unnerving thriller is clearly meant to evoke “Heel’s” more obedience-minded reading.

And who would be harshing this hooligan’s buzz with a case of reform-minded abduction? An eerily isolated, rules-driven nuclear family: mild-mannered, soft-spoken Chris (Stephen Graham), haunted Catherine (Andrea Riseborough) and polite son Jonathan (Kit Rakusen). They all may as well have sprung from the combined neo-gothic conjurings of Edward Gorey and Harold Pinter. Under Komasa’s direction, the mix of fractured fable and terroristic morality play in Bartek Bartosik’s screenplay is absurd but potent, giving “Heel” enough psychologically twisted juju to nearly always feel like more than the sum of its parts.

Our first glimpse of Tommy chained up, pleading to be let go, is through the eyes of a young Macedonian refugee, Katrina (Monika Frajczyk), being given a tour of the large countryside manor where she’s just been hired by Chris for twice-a-week housework. Katrina, like us, is rightly horrified but she’s in her own bind: undocumented, saved by Chris from the streets, with her signature on a confidentiality agreement and a deportation threat hanging over her. She’s hardly in a position to do much more than accept what’s going on as a grimmer version of her own dead-end predicament.

And yet what’s readily apparent is that this weird, fragile, insular family is genuinely keen on folding Tommy into their lives. They’re also convinced of their unorthodox methods, which hinge on reinforcement and reward. Tommy seems receptive, too, with each invitation to participate in his abductors’ togetherness (meals, movie nights, a picnic). This is when “Heel” is at its most alluringly queasy, a dark commentary on all families as institutions inherently built on confinement and emotional blackmail. (It’s no coincidence one of the movie’s executive producers is Jerzy Skolimowski, who made his own pointed kidnapping allegory with “Moonlighting.”)

Everyone’s broken, so the collective strength of the cast in keeping us on our toes about where this is all headed is a huge plus. The wiry Boon doles out his brash character’s reserves of vulnerability to stunning effect — Tommy is a difficult part and Boon knows how to make it revealing and suspenseful. Graham’s tweaked, sensitive patriarch is tantalizingly far from the heartbreaking dad of “Adolescence” and the gloriously oddball Riseborough makes the most of her faint-voiced mom’s severity. Frajczyk and Rakusen are also pitch-perfect.

Last year Komasa had another family-centered thriller with “Anniversary,” a movie about politics corrupting a happy home. But we know that equation already. “Heel” is Tolstoy’s happy-family maxim cooked in a mad scientist’s lab. While it sometimes shows its seams as an idea movie, its elegant disturbia has a boldness, recalling that great mind-game ’60s era that gave us “TheServant,” “The Collector,” and the early psychological freak-outs of Komasa’s countryman, Roman Polanski.

‘Heel’

Not rated

Running time: 1 hour, 50 minutes

Playing: Opens Friday, March 6 at Laemmle NoHo 7

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2026 Actor Awards winners list

When the Screen Actors Guild gathers to present its annual awards for the 32nd time on Sunday at 5 p.m. at the Shrine Auditorium in L.A., the event will have a new name: the Actor Awards presented by SAG-AFTRA. The new moniker aligns with the name of the statuette that’s been presented to winners since 1995 (but a lot of folks are still referring to them as the SAG Awards). The show will stream live on Netflix, with Kristen Bell hosting for the third time, after previous gigs in 2018 and 2025.

In the film categories, just two weeks before the Academy Awards, the top contenders are “One Battle After Another” and “Sinners.” Paul Thomas Anderson’s political thriller led all films with seven nominations, including cast in a motion picture and individual recognition for actors Leonardo DiCaprio, Chase Infiniti, Teyana Taylor, Benicio del Toro and Sean Penn.

“One Battle’s” toughest competition will likely be Ryan Coogler’s Southern vampire horror-musical, “Sinners,” which earned five nominations. Michael B. Jordan, Wunmi Mosaku and Miles Caton each earned individual nominations, as well as nods for the film’s cast and stunt ensembles.

Timothée Chalamet, nominated for male actor in a leading role for “Marty Supreme,” could be the first performer to win in consecutive years after taking home the Actor last year for his portrayal of Bob Dylan in “A Complete Unknown.” “Marty Supreme” has three nominations overall, including Odessa A’zion for female actor in a supporting role and performance by a cast in a motion picture.

In television, Apple TV’s “The Studio” scored the most nominations, with five, including one for performance by an ensemble in a comedy series. The show’s individual nominees are Seth Rogen, Kathryn Hahn, Ike Barinholtz and the late Catherine O’Hara.

HBO’s “The White Lotus” and Netflix’s “Adolescence” followed with four nominations each. The latter’s nominees include 16-year-old Owen Cooper, who would be the youngest performer to win an individual Actor Award. Currently, the youngest winner is Kate Winslet, who was 20 when she won for female actor in a supporting role for “Sense and Sensibility” in 1996.

Harrison Ford will be presented the SAG-AFTRA Life Achievement Award during the telecast. Recent honorees include Jane Fonda, Barbra Streisand and Sally Field.

Follow along as we update the list live throughout the evening. Nearly everyone in attendance will go home with an actor, but who will take home an Actor statuette?

Performance by a cast in a motion picture

Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners

Performance by a female actor in a leading role

Jessie Buckley, “Hamnet”
Rose Byrne, “If I Had Legs I’d Kick You
Kate Hudson, “Song Sung Blue”
Chase Infiniti, “One Battle After Another”
Emma Stone, “Bugonia”

Performance by a male actor in a leading role

Timothée Chalamet, “Marty Supreme”
Leonardo DiCaprio, “One Battle After Another”
Ethan Hawke, “Blue Moon
Michael B. Jordan, “Sinners”
Jesse Plemons, “Bugonia”

Performance by a female actor in a supporting role

Odessa A’Zion, “Marty Supreme”
Ariana Grande, “Wicked: For Good”
Amy Madigan, “Weapons”
Wunmi Mosaku, “Sinners”
Teyana Taylor, “One Battle After Another”

Performance by a male actor in a supporting role

Miles Caton, “Sinners”
Benicio del Toro, “One Battle After Another”
Jacob Elordi, “Frankenstein”
Paul Mescal, “Hamnet”
Sean Penn, “One Battle After Another”

Performance by an ensemble in a comedy series

Abbott Elementary
The Bear
Hacks
Only Murders in the Building
The Studio

Performance by a female actor in a comedy series

Kathryn Hahn, “The Studio”
Catherine O’Hara, “The Studio”
Jenna Ortega, “Wednesday”
Jean Smart, “Hacks”
Kristen Wiig, “Palm Royale”

Performance by a male actor in a comedy series

Ike Barinholtz, “The Studio”
Adam Brody, “Nobody Wants This”
Ted Danson, “A Man on the Inside”
Seth Rogen, “The Studio”
Martin Short, “Only Murders in the Building”

Performance by an ensemble in a drama series

The Diplomat
“Landman”
The Pitt
Severance
The White Lotus

Performance by a female actor in a drama series

Britt Lower, “Severance”
Parker Posey, “The White Lotus”
Keri Russell, “The Diplomat”
Rhea Seehorn, “Pluribus”
Aimee Lou Wood, “The White Lotus”

Performance by a male actor in a drama series

Sterling K. Brown, “Paradise”
Billy Crudup, “The Morning Show”
Walton Goggins, “The White Lotus”
Gary Oldman, “Slow Horses”
Noah Wyle, “The Pitt”

Performance by a female actor in a television movie or limited series

Claire Danes, “The Beast in Me”
Erin Doherty, “Adolescence”
Sarah Snook, “All Her Fault”
Christine Tremarco, “Adolescence”
Michelle Williams, “Dying for Sex”

Performance by a male actor in a television movie or limited series

Jason Bateman, “Black Rabbit”
Owen Cooper, “Adolescence”
Stephen Graham, “Adolescence”
Charlie Hunnam, “Monster: The Ed Gein Story”
Matthew Rhys, “The Beast in Me”

Action performance by a stunt ensemble in a motion picture

F1
“Frankenstein”
Mission: Impossible — The Final Reckoning
“One Battle After Another”
“Sinners”

Action performance by a stunt ensemble in a television series

“Andor”
“Landman”
“The Last of Us”
“Squid Game”
“Stranger Things”

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