Stephen Graham has revealed that a follow-up to Adolescence is in the works following the Emmy Award-winning success of the Netflix hit but cannot say much right now
Stephen Graham has revealed that a follow-up to Adolescence is in the works.(Image: Variety via Getty Images)
Stephen picked up Outstanding Lead Actor in a Limited or Anthology Series or Movie at the ceremony, whilst Owen Cooper, 15, who played teenager Jamie, received the gong for Outstanding Supporting Actor.
Filming for each episode of the drama series was carried out in one continuous take, and Stephen, who is also known for his roles in This Is England and Peaky Blinders, has revealed that another project that would follow the same sort of production method is potentially on the way, but has to be ‘tight-lipped’ about it at the moment.
Stephen said: “Right now we are having talks and discussions about finding another story. I think we have to be tight-lipped at the moment.” He went on to tell the Daily Mail: “And we’re all talking at the moment. The same concept with the idea of doing something in one take.”
The programme examines so-called incel (involuntary celibate) culture, which has led to misogyny online and bullying using social media.
Adolescence has prompted a national conversation around online safety, with Graham and co-creator Jack Thorne accepting an invitation to a parliamentary meeting on the subject by Labour MP Josh MacAlister.
Speaking to Parliament’s Women And Equalities Committee (WEC) during an evidence session, Thorne spoke about being subjected to “personal criticism or even abuse” since it began streaming.
The Netflix series received critical acclaim when it was released earlier this year (Image: AP)
He said: “You know that I’m a bald, skinny, weird-looking man, and some people have made something of the fact that I’m a bald, skinny, weird-looking man, and saying these things and that somehow my masculinity is the reason why I’ve questioned other people’s masculinity.
“Well, if you look at how Stephen Graham looks, he looks more male than anyone else on the planet, I think, and so we’re a combination of things and we work together on it all.
“So, yes, my looks have been put under the microscope a little bit by it all, but I’m absolutely comfortable with those questions being answered, and that’s the thing, when I talk about boys feeling that they need to look a certain way.”
Stephen picked up Outstanding Lead Actor in a Limited or Anthology Series or Movie at the ceremony, whilst Owen Cooper, 15, who played teenager Jamie, received the gong for Outstanding Supporting Actor(Image: Variety via Getty Images)
He said the comments about his appearance were a symptom of the issues the show is highlighting. Prime Minister Sir Keir Starmer has also praised the show, urging Parliament and schools to watch it, and saying he had watched the show with his own children.
During an edition of Prime Minister’s Questions in March, Sir Keir said: “This violence carried out by young men, influenced by what they see online, is a real problem, it’s abhorrent, and we have to tackle it.”
The show also received plaudits for the way it was filmed in a one-shot format, which sees each of the four episodes filmed in a single shot. Speaking about the show ahead of its release, Cooper, who beat Scott Jacoby’s long-held record for the youngest male Emmy winner, said he got the role after sending in a tape.
Talking about the impact the show had on him in February, Cooper said: “One week before filming, it was my last day in school before I was off for six weeks and at the final assembly my head of year told the whole school something like, ‘Owen is going on a journey and making this show for Netflix…’, and I was like, ‘oh my God’.
“So it went from two or three people knowing to suddenly the whole year knowing about it, and everyone coming up to me and asking about it. It was a bit weird but everyone is fine with it.”
At the Emmys, co-star Erin Doherty, who plays psychologist Briony Ariston, won best supporting actress in a limited series, dedicating the award to her older sister while Graham picked up the award for lead actor in a limited series.
Doherty, 33, also worked with Graham in Disney+’s A Thousand Blows, where she played Mary Carr, the leader of a crime syndicate called the Forty Elephants and she has also played the Princess Royal in The Crown.
Adolescence recently scooped two gongs at this year’s National Television Awards (NTAs), including the new drama award and best drama performance for Cooper.
Forget MasterChef’s Gregg Wallace and John Torode, Jessica Boulton’s ruthless rundown of the showbiz week reveals the EIGHT stories you should be talking about instead….. including the only cancelled BBC star who actually deserves our tears
Jessica Boulton works on the Mirror’s features desk, specialising in celebrity features and interviews. She also writes a weekly observational comedy column Jess Saying, which runs each Saturday. In addition, she oversees the entertainment pages, helps co-ordinate the Pride of Britain coverage and newsletter and guest edits The Diary. Jessica joined The Mirror’s sister paper The People in 2006, and has since worked on the Sunday Mirror and Now magazine. Most likely to be found raving about The Oscars, BAFTAs, Netflix, Friends or Star Wars.
Naked yoga, novel book launches, British Emmy nominations and one very heated situation in the Masterchef kitchen….Jess Boulton takes a no-holds-barred dive into this week’s most bizarre showbiz shenanigans
Daily Mirror Columnist Jessica Boulton brings you Jess Saying, her wry, witty and slightly whimsical take on the heroes and villains, winners and losers and the outright outrageous showbiz shenanigans keeping us amused this week. So….where better to start than….
JUSTICE FOR BBC ICON MONDAY
I’ve always considered myself to be woke. I’m left-wing, open-minded and look good in red (in the UK, definitely not in the US). I’d fully support trigger warnings on Bambi and The Lion King. And I’d argue there should be one on Titanic (for “scenes of disturbing door hoggery”). But this week I’m afraid to say, even I think the woke world has gone too far. For a true BBC icon has outrageously and undeservedly been cancelled. It’s a sad, sad state of affairs after 30 years of excellence. But it’s a sign of the times: one day everyone loves you and the next…you’re persona non grata, written off as a bad fit for the Gen Zs of today (who don’t watch TV anyway, so why are we pandering?). So which iconic BBC veteran has been tragically stripped of work this week? Clue: they first appeared in 1995 – and won millions of fans overnight. Yes, you’ve guessed it. There’s only one BBC star I’m weeping for: Mr Darcy. Well, his Wet White Shirt, to be precise.
Colin Firth’s Wet White Shirt makes its TV debut in BBC’s 1995 adaptation of Pride & Prejudice. It went on to become a TV icon in its own right (Image: BBC)
For three decades, the sterling performance of Colin Firth’s infamous Pride and Prejudice shirt has never been equalled. But its outstanding contribution to entertainment has now been called into question – over fears it’s been objectifying men. Yup. It’s true. Some buttoned-up bores at Netflix are currently debating what’ll make the cut and what won’t in their upcoming P&P remake.
But then I realised I’d got the wrong end of the stick…I’m only teasing of course. But I do have two little points I’d like to flag to people’s attention:
POINT 1. What else would Netflix need to change to fit a more ‘2025-friendly’ adaptation? Jane’s famous first line definitely loses a certain something after my woke rewrite:
“It is a truth universally acknowledged – but not necessarily accepted as we each have our ‘own truth’ – that a single man, sorry, dependent-free gender-neutral individual, in possession of a ‘good fortune’ (aka,a disproportionate amount of wealth thanks to genetic privilege and the unjust dominance of patriarchy), must be – although is under no obligation to be and will face no judgment if they are not – in want of a wife…..or a loving relationship that equally fulfils the needs of both you and your consenting partner/partners, but does not necessarily adhere to any societal expectations.”
Jonathan Bailey said this scene in Netflix’s Bridgerton was a homage to Colin Firth’s white shirt in 1995’s Pride & Prejudice (Image: LIAM DANIEL/NETFLIX)
NAKED AMBITION TUESDAY
The Primetime Emmy nominations are finally in! Adolescence was the UK’s biggest contender this year – with nods including Best Actor for Stephen Graham and Best Supporting for 15-year-old Owen Cooper (I’d argue it should be reversed).
Meanwhile, leading the way with a mindblowing 27 noms was Apple’s truly genius Severance – a drama in which people clock off at 5pm and all memory of work from that day is completely wiped. (You can decide for yourselves if that’s a good thing or not.)
The most delightful Emmy news of all? Nobody Wants This, with my all-time celeb faves Adam Brody and Kristen Bell, landed nods for best comedy series, actor and actress. It was an achievement Kristen’s hubby Dax Shepard immediately celebrated with this pic – of Kristen’s naked yoga workout.
Dax posted this picture of Kristen doing naked yoga to celebrate her Emmy nod
Dax Shepard and the newly-Emmy-nominated Kristen Bell (Image: WireImage)
I’m not married, so maybe I’m wrong… But should Dax really have gone so very public with his congratulations? A great big bear bare hug may have been the better choice.
The poor BBC now has an entire as-yet-unreleased pre-recorded series of MasterChef with not one but TWO disgraced hosts. That’s got to be tough to swallow. It also explains the reasoning behind one of its latest new hires. For even wholesome Blue Peter has had its share of scandalous stars…
So when faced with finding its latest prestigious presenter, the Beeb hired someone who’s been nothing but a safe pair of hands their whole career. Some might even go as far to say he’s the perfect corporate puppet.….(see below).
CBBC stalwart Hacker T. Dog has landed a top job on Blue Peter, no strings attached. He’ll join Shini Muthukrishnan, Abby Cook, Joel Mawhinney, and Henry the Labrador as the first non-human presenter(Image: PA)
FISHING FOR INSULTS? THURSDAY
Gregg and John might be in for a grilling over their alleged behaviour, but another under-fire celeb, Sacha Baron Cohen, was probably feeling a little, um, roasted this week. Yes, his actress ex-wife Isla Fisher has not had the most amicable of splits with Da Ali G and Borat actor. So some social media users took her quip on Instagram to be a tiny dig at his expense (literally). The Confessions Of A Shopaholic star wrote: “For all the men who say ‘Why buy the cow when you can get the milk for free?’, here’s an update for you. “Nowadays 80% of women are against marriage. Why?
In happier times: Isla Fisher gets her hands on a cardboard cut-out of her then-husband Borat, aka Sacha Baron Cohen(Image: COPYRIGHT UNKNOWN)
“Because women realise it’s not worth buying an entire pig… just to get a little sausage.” No porkies there! I’d rather bring home the bacon alone than be stuck with a man who’s the literal wurst. So, bravo, Isla! That took proper chops.
FACING FACTS FRIDAY
You can’t make this one up. And to be fair, whatever you say about Katie Price, at least she can take the mickey out of herself. Which is why she’s made a startling admission this week. Apparently Katie was travelling and got pulled over by security at passport control – because she’s had so many trips under the knife, the scanners couldn’t recognise her passport photo. Yes, Katie might have been accused of being two-faced in the past, but, as she’ll admit herself, she’s been through at least 10 of them now. On the upside, it’s something to add to her CV next time she’s bankrupt. After all, everyone wants their staff to multi-faceted nowadays.
PICTURE OF THE WEEK
She’s always been a woman with Klass. So it’s good to see Myleene hasn’t let her newly-award MBE go to her head. Ahem.
Myleene Klass MBE is keeping things real as she takes a quick soak(Image: INSTAGRAM)
Yes, Myleene was presented the honour this week after her tireless charity work, including raising the awareness of the emotional toll of miscarriage. But it looks like the Hear’Say singer might be taking the honour a little too literally.
For the morning after receiving the medal – alongside fellow honouree Leona Lewis OBE – Myleene posted this bathtime snap.
Umm….It looks like you’ve got a little something in your hair, Myleene. To be fair, it could have been worse. She could have posted a snap of her in her tiara….sitting on the throne.
JESS A QUICKIE:
Myleene’s not the only one having some bathroom fun. Charlotte Crosby decided to promote her new fiction tome by sitting in a bath of books. It makes sense: she’s always swimming with novel ideas.* *Sorry I couldn’t help myself
I mean, it’s probably better than a bath of baked beans, but it’s not what they mean when they say relax in the tub with a good book, Charlotte!
What do you think? Let me know in the comments or via IG/X @JessicaBoulton
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Owen Cooper has made history with his Primetime Emmy Award nomination, as Netflix’s surprise hit of 2025 has been smashing records again
Netflix’s unexpected smash hit of 2025 continues to shatter records, a full four months after its initial release on the streaming giant.
The buzz is palpable as the complete roster of Primetime Emmy Award nominations was unveiled this Tuesday (15th July).
Set for this September, television’s most prestigious night will witness titans like Severance, The Last of Us, and The Bear vie for top honours.
In a historic moment, Adolescence’s young sensation Owen Cooper has become the youngest nominee ever in the Outstanding Supporting Actor in a Limited Series category, surpassing a record that stood for over half a century, previously held by Scott Jacoby who was nominated at 16 for the 1972 TV movie That Certain Summer.
In the gripping Netflix series, Cooper delivers a compelling performance as Jamie Miller, a 13 year old boy detained under suspicion of murdering a female classmate, reports the Express.
Owen Cooper is the youngest person to ever be nominated in this category(Image: NETFLIX)
Stephen Graham, Cooper’s co-star, hailed him as a “rare talent” on The One Show, comparing the prodigious actor to the legendary Robert De Niro.
Graham himself has been acknowledged with a nomination for Best Lead Actor in a Limited Series and received accolades for his role in penning the acclaimed drama alongside Jack Thorne.
Ashley Walters, another cast member, earned recognition in the supporting actor category for his portrayal of DI Luke Bascombe.
Speaking to Deadline, Cooper confessed “it’s crazy” upon receiving one of his first significant awards nominations.
“It’s been the best year of my life,” he continued. “Now it’s over a little bit, I’m going back to a bit of normality. School has been perfectly fine.”
Having caught the eye of Hollywood bigwigs, Cooper is lined up to appear alongside Jacob Elordi and Margot Robbie in the forthcoming Wuthering Heights adaptation by Saltburn director Emerald Fennell.
His co-star Stephen Graham compared the young actor to Robert De Niro(Image: NETFLIX)
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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like The Last of Us and Black Mirror.
During filming, Cooper disclosed that Adolescence was gaining such traction on Netflix that his fellow actors couldn’t ignore it.
“They were all saying how big the show’s gone,” he shared with a grin.
“And they were sick of seeing me on TV and stuff. That’s what Jacob said. Margot said that she was dying to watch it.”
Both audiences and critics have unanimously hailed Adolescence as a “masterpiece” making it an essential addition to your watchlist if you’ve yet to discover this gem.
The Emmys’ limited series/TV movie acting categories have come to represent some of the best and most-talked-about shows on television, and this year’s crop of contenders is no exception.
The seven actors who joined the 2025 Envelope Roundtable were Javier Bardem, who plays father, victim and alleged molester Jose Menendez in Netflix’s “Monsters: The Lyle and Erik Menendez Story”; Renée Zellweger, who reprises her role as the British romantic heroine in “Bridget Jones: Mad About the Boy”; Stephen Graham, who co-created and stars in “Adolescence” as the father of a teenage boy who commits a heinous murder; Jenny Slate, who plays the best friend of a terminally ill woman in FX’s “Dying for Sex”; Brian Tyree Henry, who portrays a man posing as a federal agent in order to rip off drug dealers in Apple TV+’s “Dope Thief”; Elizabeth Banks, who takes on the role of an estranged sibling and recovering alcoholic in Prime Video’s “The Better Sister”; and Sacha Baron Cohen, who appears as the deceived husband of a successful filmmaker in Apple TV+’s “Disclaimer.”
The Times’ news and culture critic Lorraine Ali spoke to the group about the emotional fallout of a heavy scene, the art of defying expectations and more. Read highlights from their conversation below and watch video of the roundtable above.
The 2025 Limited Series / TV Movie Roundtable: Elizabeth Banks, left, Sacha Baron Cohen, Jenny Slate, Javier Bardem, Brian Tyree Henry, Renée Zellweger and Stephen Graham.
Many of you move between drama and comedy. People often think, “Drama’s very serious and difficult, comedy’s light and easy.” Is that true?
Banks: I think the degree of difficulty with comedy is much higher. It’s really hard to sustainably make people laugh over time, whereas [with] drama, everyone relates to loss and pining for love that’s unrequited. Not everybody has great timing or is funny or gets satire.
Henry: There’s something fun about how closely intertwined they are. In my series, I’m playing a heroin addict running for my life, and I have this codependency with this friend … There’s a scene where I’ve been looking for him, and I’m high out of my mind, and I find him in my attic, and all he’s talking about is how he has to take a s—. And I’m like, “But they’re trying to kill us.” You just see him wincing and going through all these [groans]. It is so funny, but at the same time, you’re just terrified for both. There’s always humor somewhere in the drama.
Banks: There’s a reason why the theater [symbol] is a happy face/sad face. They’re very intertwined.
Renée Zellweger of “Bridget Jones: Mad About the Boy.”
Renée, with Bridget Jones — how has she changed over the last 25 years and where is she now with “Mad About the Boy”?
Zellweger: Nobody’s the same from one moment to the next, one chapter to the next and certainly not from one year to the next. It’s been a really interesting sort of experiment to revisit a character in the different phases of her life.
What I’m really grateful for is that the timing runs in parallel to the sort of experiences that you have in your early 20s, 30s and so on. With each iteration, I don’t have to pretend that I’m less than I am, because I don’t want to be the character that I was, or played, when she was 29, 35. I don’t want to do that, and I certainly don’t want to do that now.
So it was really nice to meet her again in this place of what she’s experiencing in the moment, which is bereavement and the loss of her great love, and being a mom, and trying to be responsible, and reevaluating what she values, and how she comports herself, and what’s important and all of that, because, of course, I relate to that in this moment.
There’s a certain level of sociopathy.
— Brian Tyree Henry, “Dope Thief,” on the lengths actors will go to get the shot
Stephen, “Adolescence” follows a family dealing with the fallout of their 13-year-old son being accused of a brutal murder. You direct and star in the series. What was it like being immersed in such heavy subject matter? Did it come home with you?
Graham: We did that first episode, the end of it was quite heavy and quite emotional. When we said, “Cut,” all of us older actors and the crew were very emotional. There were hugs and a bit of applause.
And then everyone would be like, “Where’s Owen?” [Cooper, the teenage actor who plays Graham’s character’s son]. “Is Owen OK? Is he with his child psychologist?” No, Owen’s upstairs playing swing ball with his tutor. It was like OK, that’s the way to do this — not to take myself too seriously when we say, “Cut,” but when I am there, immerse myself in it.
Let’s be honest, we can all be slightly self-obsessed. My missus, she’s the best for me because I’d phone her and say, “I had a really tough day. I had to cry all day. My wife’s died of cancer, and it was a really tough one.” She goes, “The dog s— all over the living room. I had to go shopping and the f— bag split when I got to Tesco. There was a flat tire. They’ve let the kids out of school early because there’s been a flood. And you’ve had a hard day pretending to be sad?”
Bardem: I totally agree with what Stephen says. You have a life with your family and your children that you have to really pay attention to. This is a job, and you just do the job as good as you can with your own limitations. You put everything into it when they say, “Action,” and when you’re out, you just leave it behind. Otherwise, it’s too much.
Certain scenes, certain moments stay with you because we work with what we are. But I think it doesn’t make you a better actor to really stay in character, as they say, for 24 hours. That doesn’t work for me. It actually makes me feel very confused if I do that.
On the show “Monsters” I tried to protect Cooper [Koch] and Nicholas [Alexander Chavez], the actors who play the children, because they were carrying the heavy weight on the show every day. I was trying to make them feel protected and loved and accompanied by us, the adults, and let them know that we are there for them and that this is fiction. Because they were going really deep into it, and they did an amazing job.
Elizabeth Banks of “The Better Sister.”
Elizabeth, in “The Better Sister,” you portray Nicky, a sister estranged from her sibling who’s been through quite a bit of her own trauma.
Banks: I play a drunk who’s lost her child and her husband, basically, to her little sister, played by Jessica Biel. She is grappling with trauma from her childhood, which she’s trying not to bring forward. She’s been working [with] Alcoholics Anonymous, an incredible program, to get through her stuff. But she’s also a fish out of water when she visits her sister, who [lives in a] very rarefied New York, literary, fancy rich world. My character basically lives in a trailer park in Ohio. There’s a lot going on. And there’s a murder mystery.
I loved the complication … but it brought up all of those things for me. I do think you absolutely leave most of that [heaviness] on set. You are mining it all for the character work, so you’ve got to find it, but I don’t need to then infect my own children with it.
Sacha Baron Cohen of “Disclaimer.”
Sacha, you have played and created these really gregarious characters like Ali G or Borat. Your character in “Disclaimer,” he’s not a character you created, but he is very understated. Was that a challenge?
Cohen: It took me a long time to work out who the character was. I said to [director] Alfonso [Cuarón], “I don’t understand why this guy goes on that journey from where we see him in Act 1.” For me it was, how do you make this person unique?
We worked a lot through the specificity of what words he uses and what he actually says to explain and give hints for me as an actor. A lot of that was Alfonso Cuarón saying, “Take it down.” And there was a lot of rewriting and loads of drafts before I even understood how this guy reacts to the news and information that he believes about his wife.
Jenny Slate of “Dying for Sex.”
Jenny, “Dying for Sex” is based on a true story about two friends. One has terminal cancer, and the other — your character — supports her right up until the end. Talk about what it was like to play that role in a series that alternates between biting humor and deep grief.
Slate: Michelle Williams, who does a brilliant job in this show, her energy is extending outward and [her character] is trying to experiment before she does the greatest experiment of all, which is to cross over into the other side. My character is really out there, not out there willy-nilly, but she will yell at people if they are being rude, wasteful or if she feels it’s unjust. [And she’s] going from blasting to taking all that energy and making it this tight laser, and pointing it right into care, and knowing more about herself at the end.
I am a peppy person, and I felt so excited to have the job that a lot of my day started with calming myself down. I’m at work with Michelle Williams and Sissy Spacek and Liz Meriwether and Shannon Murphy and being, like, “Siri, set a meditation timer for 10 minutes,” and making myself do alternate nostril breathing [exercises].
Brian Tyree Henry of “Dope Thief.”
Brian, many people came to know you from your role as Paper Boi in “Atlanta.” The series was groundbreaking and like nothing else on television. What was it like moving out of that world and onto other projects?
Henry: People really thought that I was this rapper that they pulled off the street from Atlanta. To me, that’s the greatest compliment … When I did “Bullet Train,” I was shocked at how many people thought I was British. I was like, “Oh, right. Now I’ve twisted your mind this way.” I was [the voice of] Megatron at one point, and now I’ve twisted your mind that way. My path in is always going to be stretching people’s imaginations, because they get so attached to characters that I’ve played that they really believe that I’m that person.
People feel like they have an ownership of who you are. I love the challenge of having to force the imaginations of the viewers and myself to see me in a departure [from] what they saw me [as] previously. Because I realize that when I walk in a room, before I even open my mouth, there’s 90 different things that are put on me or taken away from me because of how I look and how I carry myself.
Javier Bardem of “Monsters: The Lyle and Erik Menendez Story.”
Javier, since doing the series are you now frequently asked about your own opinions on the Menendez case? The brothers claim their father molested them, and that is in part what led to them murdering their parents.
Bardem: I don’t think anybody knows. That’s the point. That was the great thing about playing that character, is you have to play it in a way that it’s not obvious that he did those things that he was accused of, because nobody knows, but at the same time you have to make people believe that he was capable.
I did say to Ryan [Murphy] that I can’t do a scene with a kid. Because in the beginning, they do drafts, and there were certain moments where I said, “I can’t. It’s not needed.” The only moment that I had a hard time was when [Jose] has to face [his] young kid. It was only a moment where Jose was mean to him. That’s not in my nature.
Henry: I discovered, while doing my series, “My body doesn’t know this isn’t real.” There’s an episode where I’m shot in the leg, and I’m bleeding out and I’m on all this different morphine and drugs and all this stuff, and I’m literally lying on this ground, take after take, having to mime this. To go through the delusion of this pain … in the middle of the takes, it was just so crazy. I would literally look at the crew and say, “Somebody hug me! Somebody!”
Stephen, that scene where you confront the boys in the parking lot with the bike, I was just like, “Oh, my God, how many times did he have to do that?” This kid gets in your face, and I was like, “Punch the kid!” My heart went out to you, man, not just as the character but as you being in there.
Graham: Because we did it all in one take, we had that unique quality. You’re using the best of two mediums. You’ve got that beauty and that spontaneity and that reality of the theater, and then you have the naturalism and the truth that we have with film and television. So by the time I get to that final bit, we’ve been through all those emotions. When I open the door and go into [Jamie’s] room, everything’s shaken. But it’s not you. It’s an out-of-body experience and just comes from somewhere else.
Bardem: Listen, we don’t do brain surgery, but let’s give ourselves some credit. We are generous in what we do because we are putting our bodies into an experience. We are doing this for something bigger than us, and that is the story that we’re telling.
What have been some of the more challenging or difficult moments for you, either in your career or your recent series?
Zellweger: Trying not to do what you’re feeling in the moment sometimes, because it’s not appropriate to what you’re telling. That happens in most shows, most things that you do. I think everybody experiences it where you’re bringing something from home and it doesn’t belong on the set. It’s impossible to leave it behind when you walk in because it’s bigger than you are in that moment.
Banks: I would say that the thing that I worked on the most for “The Better Sister” was [understanding] sobriety. I’m not sober. I love a bubbly rosé. So it really did bring up how much I think about drinking and how social it is and what that ritual is for me, and how this character is thinking about it every day and deciding every day to stay sober or not. I am also a huge fan of AA and sobriety programs. I think they’re incredible tools for everybody who works those programs. I was grateful for the access to all of that as I was making the series. But that’s what you get to do in TV. You get to explore episode by episode. You get to play out a lot more than just three acts.
Stephen Graham of “Adolescence.”
Stephen, about the continuous single shot. It seems like it’s an incredibly difficult and complex way to shoot a series. Why do it?
Graham: It’s exceptionally difficult, I’m not going to lie. It’s like a swan glides across the water beautifully, but the legs are going rapidly underneath. A lot of it is done in preparation. We spend a whole week learning the script, and then the second week is just with the camera crew and the rest of the crew. It’s a choreography that you work out, getting an idea of where they want the camera to go, and the opportunity to embody the space ourselves.
Cohen: That reminds me of a bit of doing the undercover movies that I do because you have one take. … I did a scene where I’m wearing a bulletproof vest. There were a lot of the people in the audience who’d gone to this rally, a lot of them had machine guns. We knew they were going to get angry, but you’ve got to do the scene. You’ve got one time to get the scene right. But you also go, “OK, those guys have got guns. They’re trying to storm the stage. I haven’t quite finished the scene. When do I leave?” But you’ve got to get the scene. I could get shot, but that’s not important.
Henry: There’s a certain level of sociopathy.
Slate: I feel like I’m never on my mark, and it was always a very kind camera operator being like, “Hey, Jenny, you weren’t in the shot shoulder-wise.” I feel like such an idiot. Part of it is working through lifelong, longstanding feelings of “I’m a fool and my foolishness is going to make people incredibly angry with me.” And then really still wanting to participate and having no real certainty that I’m going to be able to do anything but just make all of my fears real. Part of the thing that I love about performance is I just want to experience the version of myself that does not collapse into useless fragments when I face the thing that scares me the most. I do that, and then I feel the appetite for performance again.
Do you see yourself in roles when you’re watching other people’s films or TV show?
Graham: At the end of the day, we’re all big fans of acting. That’s why we do it. Because when we were young, we were inspired by people on the screen, or we were inspired by places where we could put ourselves and lose our imaginations.
We have a lot of t— in this industry. But I think if we fight hard enough, we can come through. Do you know what I mean? It’s people that are here for the right reasons. It’s a collective. Acting is not a game of golf. It’s a team. It’s in front and it’s behind the camera. I think it’s important that we nourish that.
Henry: And remember that none of us are t—.
Bardem: What is a t—? I may be one of them and I don’t know it.
