sirens

Explosions and air raid sirens are being heard again in Iran and Israel as the two nations continue to exchange missiles and drones, a day after the Israeli military killed top Iranian generals and nuclear scientists in the worst such escalation in decades.

Iran’s retaliatory strikes have killed at least four people and wounded more than 200 others in Israel since Friday, as a barrage of dozens of Iranian missiles lit up the skies over Jerusalem and Tel Aviv overnight.

On the Iranian side, at least 80 people, including women and children, have been killed and more than 320 others injured, as the Israeli army targeted residential areas in capital Tehran, military sites and nuclear facilities, killing at least nine nuclear scientists so far.

Accusing Israel of initiating a war, Iran’s Supreme Leader Ayatollah Ali Khamenei said it “must expect severe punishment” for killing several top-level military commanders and scientists.

In a message on state TV, he said Israel “should not think that it is over because they attacked and it is finished”.

“No. They started this and initiated the war. We won’t allow them to escape unscathed from this great crime they have committed,” Khamenei said.

Following decades of enmity and conflict by proxy, it is the first time that Israel and Iran have traded fire with such intensity, with fears of a prolonged conflict engulfing the region.

‘Tehran will burn’

Israel’s Defence Minister Israel Katz warned on Saturday that “Tehran will burn” and its residents will pay dearly if Iran continues its missile strikes against Israeli civilians.

“The Iranian dictator is turning the citizens of Iran into hostages and bringing about a reality in which they – especially the residents of Tehran – will pay a heavy price because of the criminal harm to Israeli civilians,” said Katz.

“If Khamenei continues to fire missiles towards the Israeli home front, Tehran will burn,” the minister added.

On Saturday, two projectiles hit Tehran’s Mehrabad airport which hosts an air force base with fighter jets and transport aircraft, and is located close to key Iranian government buildings.

“The attacks caused explosions at the airport but did not affect any runways, buildings or facilities,” Iran’s state-run news agency IRNA said.

The Israeli military also continued to launch strikes on nuclear facilities in Iran.

“There has been limited damage to some areas at the Fordow enrichment site,” ISNA news agency reported Atomic Energy Organization of Iran spokesperson Behrouz Kamalvandi as saying on Saturday.

“We had already moved a significant part of the equipment and materials out, and there was no extensive damage and there are no contamination concerns.”

Israel’s Iron Dome penetrated

Meanwhile, several Iranian missiles penetrated Israel’s Iron Dome defence system and struck central Tel Aviv, Rishon LeZion and Ramat Gan areas.

Air raid sirens blared in Tel Aviv and Jerusalem, sending residents rushing into shelters. An Israeli official said Iran had fired about 200 ballistic missiles in four waves.

A high-rise building was hit overnight in a densely populated area of central Tel Aviv. At least nine buildings were also destroyed in Ramat Gan, according to Israel’s Haaretz newspaper.

Mike Huckabee, the United States ambassador to Israel, said he had to go to shelters five times overnight amid Iran’s missile barrage. “It’s now Shabbat here. Should be quiet. Probably won’t be. Entire nation under orders to stay near shelter,” he posted on X.

The Israeli army on Saturday said seven of its soldiers were wounded in a ballistic missile attack on central Israel. They were taken to hospitals and have since been released, according to a military statement.

This is the first confirmation of Israeli military casualties since the escalation of hostilities between Iran and Israel began two days ago.

Meanwhile, Palestinian news agency Wafa reported that five people in the occupied West Bank were also injured as rocket shrapnel fell near the town of Sa’ir near Hebron. The five injured included three children, aged six, seven and 12.

Wafa earlier reported that Israel had imposed widespread closures across the occupied West Bank amid the escalating conflict with Iran. Israeli forces have shut down roads, set up checkpoints and prevented freedom of movement for the Palestinians.

Iran warns Israel’s allies

Iran has also warned Israel’s allies – the United States, the United Kingdom and France – that their bases and ships in the region will be targeted if they help defend Israel.

“Any country that participates in repelling Iranian attacks on Israel will be subject to the targeting of all regional bases of the complicit government, including military bases in the Persian Gulf countries and ships and naval vessels in the Persian Gulf and the Red Sea by Iranian forces,” a government statement said, according to Iran’s semiofficial Mehr news agency.

Iran has already accused the US of being complicit in the attacks and said it shared full responsibility for the consequences.

Shahram Akbarzadeh, professor of Middle East politics at Deakin University in Australia, said both Israel and Iran appear to be “settling in for the long haul” and more attacks could be expected. He said the US would also be dragged into the conflict.

“When Israel launches attacks on Iran, Iran has to respond, and I think Israel is actually banking on this dynamic – that once the conflict starts, the United States has an obligation and a commitment to Israeli security,” Akbarzadeh told Al Jazeera.

Meanwhile, Israeli Prime Minister Benjamin Netanyahu urged people in Iran to stand up to the “evil and oppressive” regime under Khamenei and seek “freedom”.

Reporting from Tehran, Al Jazeera’s Tohid Asadi said according to the people in Iran, Netanyahu’s message was unwelcome.

“We have to remember that Iranian people are living under the shadow of war, which is now getting translated into a real war. They are also under the pressure of sanctions,” he said.

“People are angry, specifically at the fact that it’s not just military officials and nuclear scientists but very ordinary citizens who were affected by the recent strikes.”

“Sirens,” premiering Thursday on Netflix, is an odd sort of a series, an interesting mix of hifalutin ideas, family drama and what might be called dark farce.

Set over Labor Day weekend on a Cape Cod island peopled by rich folks whose taste runs to pastels and floral prints, it stars Julianne Moore as Michaela, formerly a high-powered attorney who has given that up for marriage to hedge-fund billionaire Peter (Kevin Bacon) and a life dedicated to rescuing birds of prey. The queen of all she surveys, she speaks in moony aphorisms, is posing for Vanity Fair and orchestrating a fundraising gala, among minor entertainments.

Meanwhile, in Buffalo, we meet Devon (Meghann Fahy) a working-class hot mess, making her entrance out a police station door, wearing a short black dress, looking the worse for wear. Struggling to care for her father Bruce (Bill Camp), diagnosed with dementia, she goes in search of her sister, Simone (Milly Alcock), who has been working as Michaela’s personal assistant. After traveling 17 hours — carting, for reasons of comedy, the giant edible arrangement Simone has sent in lieu of an actual response to her call for help, still wearing her night-in-jail clothes — Devon will discover that her sister has been transformed: She’s removed the matching tattoos they got together, had a nose job and presents as something like the Disney version of “Wonderland’s” Alice, minus the curiosity. (“You’re dressed like a doily,” says Devon.) Ingmar Bergman fans will note the meant-to-be-noted crib from “Persona,” underlining Devon’s observation that Simone loses herself in other people.

Simone, for her part, is delighted that she gets to call Michaela “Kiki,” “which is really a special honor,” and faithfully amplifies Michaela’s mercurial requests to the staff, personified by Felix Solis’ Jose, who hate her. (They maintain a text chain to joke about her.) For all that she’s loyal to Michaela, and considers her a best friend, she’s been hiding both her working-class roots and the fact that she’s been sleeping with Ethan (Glenn Howerton), Peter’s also-rich pal and neighbor.

Ethan (Glenn Howerton), Simone (Milly Alcock) and Devon (Meghann Fahy) during a gathering at Michaela’s home.

(Netflix)

Though Michaela worries he might be having an affair, Peter, for his part, comes across as an essentially good guy, for a hedge fund billionaire. He’s friendly with the help, who worked for him before his marriage to Michaela — there are a first wife and adult children offstage — can cook for himself and hides away from the pastel people in the mansion’s tower, where he strums a guitar and smokes a little pot. But room has been left for surprises.

“Sirens” is the sisters’ shared special code for “SOS,” which seems less practical than, you know, SOS, but ties into the vague Greek mythological references with which the series has been decorated — more suggestive than substantial, I’d say, though it’s possible that is my lack of classical education showing. The house Siri system is called Zeus. One episode is titled “Persephone,” after the goddess of the dead and queen of the underworld; Simone does indeed say to Michaela, “You are literally a goddess” — she does dress like one, in flimsy, flowing gowns — while Devon thinks that something’s gone dead behind Simone’s eyes, that she’s been zombified: “You’re in a cult.”

It was the sirens’ sweetly singing, of course, that drew sailors to their deaths in the old tales, and at one point Michaela looks out over the ocean and muses on the boats of whalers crashing bloodily on the rocks. (She is particular about the blood.) There is, in fact, a sailor in the series, Jordan (Trevor Salter), who captains Ethan’s yacht and whom Devon picks up in a hotel bar, but he is perhaps the least likely character in the show to crash into anything. And Michaela is attended by a trio of women (Jenn Lyon as Cloe, Erin Neufer as Lisa and Emily Borromeo as Astrid) who, suggesting the title creatures, speak in harmony and act as one, but they are more the embodiment of a notion, a throwaway joke, than active participants in the story. Michael Abels’ score features a choir of female voices, opts for something that one might well identify as ancient Greek music even with no notion of what ancient Greek music might have sounded like.

Kevin Bacon plays Peter, a hedge fund billionaire married to Michaela.

(Macall Polay / Netflix)

The core of the series is the struggle between Devon and Michaela for the soul of Simone, though there are ancillary battles that will help decide the fate of the war. For a viewer, it’s natural to side with Devon, who, after locking horns with Michaela, will go undercover at the mansion, dressing according to the house rules while she pokes around. (There is the suggestion of a murder mystery.) However hot a mess she may be, she isn’t pretentious; she has energy, boldness and consistency, and whatever she gets wrong, she lives in the world that most of us do. (I am assuming you are not a billionaire with a mansion on a cliff, a birdhouse full of raptors and a large staff to tend to your needs and whims, but if you are — thanks for reading!) That isn’t to say that Michaela doesn’t have her troubles — indeed, her neediness, which expresses itself as caretaking, resembles Devon’s. “I take care of everything in my orb,” says Michaela, “big and small, prey and predator.”

I hadn’t known when I watched “Sirens” that it was based on a play, the 2011 “Elemeno Pea,” by Molly Smith Metzler, who created the series as well, but I thought it might be. It had the scent of the stage in the way characters — including Bruce and Ray (Josh Segarra), Devon’s boss and adulterous occasional hookup — kept piling in, along with its farcical accelerations, its last-act revelations and reversals.

At “only” five episodes, it stays more focused than most limited series, though the tone shifts a bit; some characters come to seem deeper and more complex, which is good on the face of it, but also can feel a bit manufactured. Some bits of business are planted merely to bear practical fruit later. The ending I found half-satisfying, or half-frustrating, from character to character, but there are great, committed performances along the way, and I was far more than halfway entertained.