Shelton

Fans of the seminal, long-running podcast “WTF With Marc Maron” — and I count myself among them — have been treated to thousands of deep-dive interviews with a starry array of actors, musicians, comics and even some politicians (Barack Obama was a guest in 2015). It’s also been an intimate window into the conflicted inner life of the show’s eponymous host. Maron has seemingly pulled few if any punches in his podcast’s opening monologues as he’s held forth on everything from his fraught emotional state and his two-decade struggle with drug and alcohol addiction (he’s been sober since 1999) to the untimely 2020 death of his romantic partner, the well-regarded indie filmmaker Lynn Shelton (“Humpday,” “Your Sister’s Sister”).

Much of this personal territory and more is revisited in the absorbing, fly-on-the-wall-style documentary “Are We Good?” (named after Maron’s “WTF” sign-off phrase), produced and directed by Steven Feinartz.

Feinartz, who also directed Maron’s last two HBO stand-up specials, began filming his subject in 2021. He trailed Maron as he performed in comedy clubs from Los Angeles to Montreal, recorded his podcast from the garage studio of his Glendale home, visited with his elderly father and, most pivotally, worked through the soul-crushing loss of Shelton. That loss becomes the driving force of the doc, with Maron’s grief informing his daily life and thought process, while also providing cathartic, darkly humorous fodder for his stand-up gigs.

It’s a tricky balancing act that Feinartz depicts with candor, grace and patience, never letting the film’s provocative pathos turn overly grim or sentimental. A stand-up bit in which Maron recalls his ghoulish urge to snap a hospital selfie after bidding goodbye to the deceased Shelton (don’t worry, he decided against it) provides a gulp-worthy example of the comic’s brazen yet reflective approach to the world around him.

That Shelton died at the start of the COVID-19 pandemic made for an additionally cruel and difficult time for Maron, who was unable to share his pain with many others as social distancing took over. He eventually found the funny in that conundrum as well, incorporating the memory into his routine with satiric glee.

Anyone familiar with Maron’s grumpy, F-bomb-tossing persona will likely savor these 90 or so minutes in his swirlingly neurotic company. He unabashedly leans into that vibe here, even while wrangling his pair of self-possessed cats. While Maron sometimes kvetches about Feinartz’s hovering cameras, he seems to have given him a kind of all-access pass to his daily life in a way that belies his trademark crankiness. He may be a reluctant showman, but he’s a showman nonetheless.

The uninitiated, however, might find Maron somewhat less engaging. He readily self-identifies as “selfish, anxious and panicky” and for some, a little of that may go a long way. Still, it’s not hard to relate to his many cogent musings (“How do you love somebody else if you really can’t love yourself?”) as well as to respect he clearly had for Shelton, who’s seen here in an array of luminous, heartbreaking clips.

Other comic talents such as Nate Bargatze, David Cross, Caroline Rhea, Michaela Watkins and John Mulaney also weigh in, bringing a mix of the sincere and the droll to their frank and friendly observations about Maron. On his podcasts and elsewhere, Maron has spoken at length about growing up with narcissistic, emotionally detached parents and how that dynamic likely laid the groundwork for his problematic sense of self. Although that’s not discussed in great detail here, the scenes between Maron and his dad, Barry, now in his mid-80s and living with dementia, have a subtle poignance that shows a kinder, more accepting side of the comedian than perhaps even he might have expected.

Meanwhile, a bit more could have been made of Maron’s acting work, a sideline that’s gained momentum over the last decade or so with worthy roles on TV’s “Glow” and “Stick,” and in films including “Joker” and the upcoming “Springsteen: Deliver Me From Nowhere.” Maron’s oft-stated uncertainty about his acting ability and the push-pull he has admitted to feeling might have dovetailed nicely with his other qualms.

That said, the profile, which features vivid archival and personal footage and photos of Maron throughout the years, is by no means comprehensive, nor does it try to be. At heart, it’s about a vulnerable man at a unique moment in time and how his past has prepared him — or perhaps not. And we are definitely good for experiencing this singular artist up close.

Shelton was the first player of this year’s tournament to play on the iconic Arthur Ashe show court, taking just over two hours to wrap up victory.

The former semi-finalist is in good form, having won his first ATP Masters 1000 title at the Canadian Open earlier this month.

“The US Open is the pinnacle of tennis for me and what I dreamed about as a kid,” Shelton said.

“It is starting to feel like home for me.”

Shelton beat Fritz in the semi-finals on his way to the title in Toronto and the two could potentially face one another in the last four in New York.

But Shelton, 22, remained cautious when asked if he could go far at this year’s tournament.

“As soon as you start looking ahead of yourself you stumble over your own feet so for me it is one day at a time,” he said.

“We are here for the long haul and I am looking forward to it.”

Fritz, who lost out to world number one Jannik Sinner in last year’s final, has also performed well in recent months.

He reached the semi-finals at Wimbledon and won grass-court titles at Eastbourne and Stuttgart, putting him in the sort of form that suggests he can go far at the year’s final Grand Slam.

LONDON — At least Novak Djokovic could laugh about it afterward.

Yes, he took what he called a “nasty slip” on his second match point at Wimbledon on Wednesday. Yes, he slid into the splits and ended up face-down on the Centre Court grass. And, yes, those sorts of things aren’t ideal for a 38-year-old seeking an unprecedented 25th Grand Slam title.

Still, Djokovic dusted himself off and took the next two points, reaching the semifinals at the All England Club for a men’s-record 14th time with a 6-7 (6), 6-2, 7-5, 6-4 victory over No. 22 seed Flavio Cobolli to set up a showdown against No. 1 Jannik Sinner.

“Well, I finished the match,” Djokovic said with a chuckle. “It did come at an awkward moment, but somehow I managed to … close it out. Obviously, I’m going to visit this subject now with my physio and hopefully all will be well in two days.”

That’s when he will take on three-time major champion Sinner, who didn’t play like someone dealing with an injured right elbow while using terrific serving and his usual booming forehand to beat 10th-seeded Ben Shelton 7-6 (2), 6-4, 6-4.

“I look forward to that,” said Djokovic, who has lost his last four meetings with Sinner, including in the French Open semifinals last month. “That’s going to be a great matchup.”

Novak Djokovic lies on the grass court after slipping and falling while attempting to return a shot Wednesday.

(Kin Cheung / Associated Press)

Djokovic is 2-0 against Sinner at Wimbledon, eliminating him in the 2023 semifinals and 2022 quarterfinals.

Against Cobolli — like Sinner, a 23-year-old from Italy — the late-match tumble was not the only thing that was far from smooth for Djokovic. He served for the opening set at 5-3 but was broken at love. He later was a point from owning that set before first-time major quarterfinalist Cobolli came through.

Djokovic did stretches and breathing exercises at changeovers. He whacked his shoe with his racket after one miss in the fourth set. He seemed bothered at times by the bright sun above Centre Court.

He also showed off all of his considerable skills, accumulating 13 aces, holding in 19 of 21 service games, using a drop-shot-lob-drop-shot combination to take one point and limiting his unforced errors to 22 — half as many as Cobolli.

On Friday, Djokovic will try to reach his seventh consecutive final at the All England Club and get one win closer to equaling Roger Federer’s men’s mark of eight trophies there. The other men’s semifinal is two-time defending champion Carlos Alcaraz, who defeated Djokovic in the 2023 and 2024 finals, against Taylor Fritz.

Against Shelton at No. 1 Court, Sinner wore a white sleeve on his right arm with strips of tape visible underneath — one above the elbow, one below it — after he was hurt when he fell in the opening game of his fourth-round match against Grigor Dimitrov on Monday.

Sinner, the runner-up to Alcaraz at Roland-Garros, had an MRI exam on Tuesday and initially canceled a practice session that day but did hit some balls in a 20-minute session at an indoor court later.

“When you are in a match with a lot of tension, you try to not think about it,” Sinner said. “It has improved a lot from yesterday to today.”

He played as though nothing were amiss, winning 27 of 29 service points in the first set while accumulating a total of 15 winners to just one unforced error.

“You can’t go into a match thinking that the guy’s not going to be at 100%,” Shelton said. “His ball was coming off pretty big today, so I didn’t see any difference.”

Shelton stayed right with him until 2-all in the tiebreaker. That’s when Sinner surged in front, helped by a double fault and four consecutive forehand errors by Shelton.

At the outset of the second set, Shelton finally made some headway in a return game, getting a pair of break points at 15-40.

On one, Sinner produced a forehand winner. On the other, he pounded a 132 mph serve — his fastest of the match — and rushed forward, getting to deuce when Shelton’s backhand pass attempt found the net. That was followed by a 118 mph ace and a 125 mph service winner.

Those were Shelton’s only break chances.

A first for Swiatek

Iga Swiatek reached the Wimbledon semifinals for the first time with a 6-2, 7-5 victory over 19th-seeded Liudmila Samsonova that went from a stroll to a bit of a struggle in the late stages Wednesday.

“Even though I’m in the middle of the tournament, I already got goosebumps after this win,” said Swiatek, who will face unseeded Belinda Bencic on Thursday for a spot in the final. “I’m super happy and super proud of myself.”

Bencic beat No. 7 Mirra Andreeva 7-6 (3), 7-6 (2) to reach her first Grand Slam semifinal since the 2019 U.S. Open. The other semifinal is No. 1 Aryna Sabalenka against No. 13 Amanda Anisimova; they advanced with wins Tuesday.

Italian top seed Jannik Sinner did not let an elbow injury hamper his performance as he beat American opponent Ben Shelton to reach the Wimbledon semi-finals.

Sinner, 23, who wore a sleeve on his right elbow, occasionally shook out his arm in a 7-6 (7-2) 6-4 6-4 victory but the injury did not hold him back.

The three-time Grand Slam champion had hurt himself after falling in the early part of Monday’s fourth-round match against Grigor Dimitrov, who led by two sets before retiring injured himself.

Sinner made the most of his reprieve with a dominant display against American 10th seed Shelton, who saved two match points on his own serve before succumbing to the third.

“I’m very happy with this performance,” said Sinner, who has reached at least the semi-finals in the past four majors.

“When you are in a match with a lot of tension you try not to think about [any pain]. It has improved a lot from yesterday to today.

“It is no excuse. Three is no better stage to play tennis and I showed this today.”

Sinner’s serve speed returned towards its normal pace and he was not broken, while his returning game was crisp and clinical.

To reach his first Wimbledon final, the world number one will have to beat 24-time major champion Novak Djokovic or Italian 22nd seed Flavio Cobolli in Friday’s semi-final.

More to follow.

U.S. soccer star Trinity Rodman is at Wimbledon.

Her father is not.

But that hasn’t stopped his name — Dennis Rodman — from coming up during coverage of the prestigious tennis tournament, which she has been attending in support of her boyfriend, Ben Shelton.

On Monday, after Shelton defeated Italy’s Lorenzo Sonego 3-6, 6-1, 7-6 (1), 7-5 to advance to the Wimbledon quarterfinals for the first time, Rodman took to her Instagram Story to express her frustration about the matter.

“For Ben’s matches he has his family there as his support system, which includes his dad,” wrote Rodman, who is often shown on the broadcast sitting in the stands with Shelton’s parents and his sister, Emma. “my dads not even in MY life no need to bring him up during HIS matches when I don’t even want him talked about during mine. It’s him and his loved ones’ moment. Thank you.”

Named the NWSL rookie of the year in 2021, Rodman helped the Washington Spirit win its first league championship the same season. She also has made a name for herself with the U.S. women’s national team, scoring three goals during the squad’s run to Olympic gold last year in Paris.

Rodman has made no secret of the fact that her father — a five-time NBA champion and basketball Hall of Famer — has not been a constant presence in her life. She spoke before the Olympics about his pattern of showing up occasionally — as he did for a 2021 NWSL playoff game — and then disappearing once again from her everyday life.

“Like I’ve said before, I’ve gotten closure with it all,” Rodman said at the time. “I know he’s proud of me. I truly do. He has his own things to deal with, but at the end of the day, he’s communicated to me that he knows I was going to be here, and that’s all I need.”

In December, Rodman spoke more about her complicated relationship with her father and the “anger” she often feels toward him.

“He’s not a dad,” Rodman said. “Maybe by blood but nothing else.”