sensation

How did curling become a Winter Olympics sensation?

Jason Hills grew up in a rural hamlet in southern Alberta so small there were no traffic lights. Which wasn’t a problem because there wasn’t any traffic either.

But there was a curling rink.

“There was nothing else really to do,” Hills said. “So if you weren’t curling you’d go hang out at the curling rink. It’s a community thing. It’s like everyone gets together.”

In much of the world curling is a curiosity, a sport which, like luge or the biathlon, surfaces every four years at the Winter Olympics — as it will do in February in Cortina D’Ampezzo, Italy — then quickly fades from view.

Canada's Tracy Fleury (R) releases the stone during a gold medal match against Switzerland.

Canada’s Tracy Fleury (R) releases the stone during a gold medal match against Switzerland at the World Women’s Curling Championship in Uijeongbu on March 23.

(JUNG YEON-JE/AFP via Getty Images)

In Canada, however, it’s as much a part of the culture as poutine and maple syrup.

More than 2.3 million people — or one of every 18 Canadians — participate in the sport annually. That’s about 100 times the level of participation in the U.S. And more than 11 million Canadians watched the sport on TV in 2024, according to estimates from Curling Canada, the national governing body for the sport.

“It’s just embedded in the fabric of Canada,” said Elaine Dagg-Jackson, an Olympic bronze medalist and now one of Canada’s top curling coaches. “Canadians have a real identity with what curling is and what it stands for. It’s a gracious sport where people are being polite. They shake hands before and after the game.

“The curling rink was just a really good place to be in Canada. And still is. It just really suits the culture.”

The objectives of the sport are simple: Teams of two to four players slide 44-pound granite stones, also known as rocks, down a narrow 150-foot-long sheet of ice toward a target area called the house, aiming to get their stone closest to the center of the house. One or two players from the throwing team use carbon-fiber brooms to sweep the ice in front of the moving stone, influencing its path and speed.

A round of play ends when each team has thrown eight stones; in Olympic curling, a match consists of 10 ends, eight in mixed curling, with games typically lasting two to three hours.

The simplicity of the sport is both its charm and its curse. Because there is no running, jumping or lifting of heavy objects, everyone from young children to octogenarians can, and do, compete in amateur curling in Canada.

“It’s relatively inexpensive and it’s relatively accessible,” said Heather Mair, an associate professor at the University of Waterloo. “It’s not a hard sport to play and have fun at. It’s hugely entertaining. And you can really play your whole life.

“I don’t know too many sports you could go out with your grandfather and participate. It can be really family-oriented as a sport.”

But while it looks easy, to excel at the highest levels, where millimeters separate winners from losers in competitions that can stretch for as long as seven hours over multiple days, the sport requires surprising strength, stamina, precision and agility.

Canada's Brett Gallant curls the stone during the 2022 Winter Olympics in Beijing on Feb. 17, 2022.

Canada’s Brett Gallant curls the stone during the 2022 Winter Olympics in Beijing on Feb. 17, 2022.

(LILLIAN SUWANRUMPHA/AFP via Getty Images)

“It definitely takes a toll on your body,” Rachel Homan, a three-time Canadian Olympian and three-time world champion, said during a break in training on a bright Edmonton morning. “That part of the game is maybe overlooked; the physical toll it takes. It’s definitely demanding.”

The curling events at February’s Winter Olympics will be held at the Cortina Olympic Stadium in Cortina D’Ampezzo, one of four event clusters in and around Milan. Canada, which has medaled in curling in every Olympics in the modern era, winning a record six golds, will send a dozen athletes — including Homan, the reigning world champion — to Italy to compete in the men’s, women’s and mixed doubles.

The U.S., which has won two Olympic curling medals, both in the men’s competition, will also have a dozen curlers in Italy competing in all three events. But if the sport is a national pastime in Canada, one that competes with hockey for fans and media attention, it remains something of an oddity in the U.S., where it draws huge TV audiences every four years during the Olympics, then fades from view until the next Winter Games.

“It’s so frustrating to see curling become the next best thing to sliced bread for a month and then it comes off the radar for four years,” said Korey Dropkin, a five-time U.S. champion and a 2023 world champion in mixed doubles. “I want to see something that’s on national television in the U.S. every week. I want to be able to expose our amazing sport to the U.S. audience day in, day out.

“I hope that in the near future we’ll be able to create more opportunities for exposure for curling.”

Curling was born in Scotland in the early 16th century but grew up centuries later on the Canadian prairies, where the severe weather, rural landscape and boredom provided fertile ground.

“In many parts of the country there’s long, long winters,” Dagg-Jackson said. “The farmers would be busy all summer, but in the winter they were looking for something to do. So the old adage in Canada is you could go to any town in rural Canada and find a grain elevator and a curling rink.”

Members of the Highland Curling Club, formed in 1898, play on flooded sheets of ice on Jan. 11 in Inverness, Scotland.

Members of the Highland Curling Club, formed in 1898, play on flooded sheets of ice on Jan. 11 in Inverness, Scotland.

(Jeff J Mitchell / Getty Images)

The sport, which predates hockey by several decades, was brought to Montreal by Scottish emigrants during the colonial period, more than a half-century before Canada became a country. It then moved west as settlers pushed into what would become the central provinces, where the game was played on ponds and lakes before coming indoors.

In many ways the sport and the harsh conditions in which it thrived embodied the traditional values and traits — resilience, community, politeness, resourcefulness — that have come to define Canada’s unique “northern character.”

Mair, the Waterloo professor, has studied the role curling played in creating social and inter-generational connections and found the sport may have been more important from a mental perspective than from a physical one.

“I don’t know if you can appreciate what a Canadian winter is like, but anything that gets us out of our homes and talking to one another is really, really important,” she said. “We know how necessary it is that we spend time socializing with one another, especially in the dark winter days.”

As a result, it quickly became hugely popular, but for reasons that went beyond sport. Most curling rinks, Mair said, provide social spaces where players can visit with the people they’re competing against.

“So you’re sitting there for half an hour with people that you might never run into in any other part of your life and you start to build social relationships,” she said. “In really small rural communities, those are pretty essential. That’s kind of how it started.”

Aksarban Curling Club president Steve Taylor demonstrates how to push off the hack to deliver a stone.

Aksarban Curling Club president Steve Taylor demonstrates how to push off the hack to deliver a stone in front of an all-ages group learning about the sport in Omaha, Neb., in 2018.

(Nati Harnik / Associated Press)

It’s also why the flat lands of Saskatchewan, Manitoba and Alberta became the earliest hotbeds of curling, which aligned well with the farming season. But the sport didn’t stay there. Curling clubs soon sprung up on Army bases and in fishing communities, in big cities and small towns, where it was taught in schools and played in retirement homes. (Curling has taken a different path in the U.S., where it has become popular in nontraditional winter-sports areas such as North Carolina, Florida, Texas and the San Francisco Bay area.)

“There were entire generations, for the most part, who really had a sense of the game,” Mair said. “The[re] were plumbers and carpenters and teachers, they had regular day jobs and yet they were these really talented athletes who would take the sport to these elite levels.

“So you could come from a teeny, tiny club and you might know someone who’s playing in the national championship.”

That romanticism inspired a radio play and novella by W.O. Mitchell, a writer and broadcaster who chronicled life on the Canadian prairies in the mid 20th century. In “The Black Bonspiel of Willie MacCrimmon,” which was also adapted for television, a cobbler from a small town in rural Alberta strikes a deal with the devil to trade his soul for curling success.

American John Shuster watches Matt Hamilton and Colin Hufman sweep his throw during a 2022 Olympics match.

American John Shuster watches Matt Hamilton, center, and Colin Hufman, left, sweep his throw during a match against Canada at the Beijing Winter Olympics in 2022.

(Brynn Anderson / Associated Press)

But as curling moved from the prairies to the cities, the object lessons the sport taught changed as well. If Mitchell’s tale is a decades-old take on the timeless tug of war between good and evil, “The New Canadian Curling Club,” a 2018 comedy by playwright Mark Crawford in which four immigrants show up for a learn-to-curl class, is a modern exploration of multiculturalism and acceptance.

What the immigrants share, however, is a belief that understanding Canada starts with understanding curling.

“It’s weird and wonderful. And like all good things, it takes a little time to appreciate,” Mair, who teaches in the department of recreation and leisure studies at Waterloo, said of the sport. “At first glance you’re not totally sure what’s going on. And then as the layers start to kind of unfold, you realize just how interesting and complicated and engaging it can be.

“It’s fun. It really is. It’s quirky and fun. And I think we need more of that.”

But, she added, much of that has changed since curling entered the Olympics.

“We’re at a bit of a crossroads,” she said. “Elite sport is doing just fine in a lot of ways. [But] we need to have a different conversation about community sport. It’s not about a pathway to Olympic gold. It’s about rebuilding our communities and providing safe and accessible sports for everything. And curling is just so special in that way.”

Curling debuted in the Winter Games in 1924 with just three countries taking part; Great Britain, which fielded a team of Scottish curlers, won the gold medal. But the sport didn’t return to the official Olympic program for another 74 years and when it did, the exposure fueled interest in winter sports powerhouses such as China, Japan and South Korea, but also in Afghanistan, Andorra, Bolivia, the Virgin Islands, Kuwait and Mexico, which are all among the 67 members of the World Curling Assn.

“There’s a little bit of perception from America that curling is small potatoes. And it probably is compared to the big four sports,” said Marc Kennedy, a world and Olympic champion from Canada who will be competing in his fourth Olympics in Italy. “But it’s a big deal. Arguably one of the fastest-growing sports internationally. It’s massive in Asia. Some of our most popular athletes are from Japan.”

That added competitiveness — 30 countries attempted to qualify for this year’s Olympic tournament — has not only raised the stakes and professionalized the sport, it also threatens to crush curling’s gracious and polite traditions in a stampede for the top of the medal podium. In last spring’s world championship in Canada, for example, Chinese athletes were accused of touching a stone with a broom, kicking a stone and illegal sweeping — all forbidden acts.

In most other sports, that would have been considered gamesmanship. In curling, the accusations alone were an affront to the sport’s tradition and dignity.

Team Shuster's Chris Plys throws the rock during the U.S. Olympic curling team trials in Omaha, Neb., on Nov. 20, 2021.

Team Shuster’s Chris Plys throws the rock during the U.S. Olympic curling team trials in Omaha, Neb., on Nov. 20, 2021.

(Rebecca S. Gratz / Associated Press)

“In curling you always divulge that you broke a rule … and apologize,” said Dagg-Jackson, the former Olympian turned coach.

“It’s supposed to be a gentleman’s game. You’re supposed to call your own fouls,” added Chris Plys, a three-time U.S. Olympian. “Now we’re starting to see people doing questionable things.

“It’s sad because the best part of the game is just how honest everything is. And there’s people out there 1766928496 that are willing to do whatever it takes to win.”

Those athletes certainly aren’t cheating for the money since curlers, even at the highest level, have often had to work regular jobs to pay the bills. That could change this spring with the launch of the Rock League, the sport’s first professional competition, which will begin play shortly after the Milan-Cortina Olympics.

“The Rock League is going to be a huge new chapter to the sport,” said Dropkin, the Olympian who will captain the U.S. Rock League team. “That is going to present a whole lot of opportunities to curlers. Curlers now, curlers [in] the pipeline. They can actually make a living.”

The five-week circuit will feature six teams of five men and five women — one from the Asian-Pacific, two from Canada, two from Europe and one representing the U.S. — playing a variety of formats during stops in the U.S. and Canada. Competitors will not just earn money based on performance, but will receive salaries as well.

Historically the sport has relied heavily on prize money, which doesn’t go far. Kennedy’s winning five-man team at the 2025 Brier, the annual Canadian men’s championships, split $108,000 of the tournament’s $300,000 purse last March, which didn’t leave much after paying for travel and housing at the 10-day event.

The Dodgers will pay Shohei Ohtani more than that every time he comes to the plate over the next 10 seasons.

“I don’t think any of us get into curling with the idea of making millions of dollars,” said Kennedy, 43, a father of two who sold his frozen-food franchise 14 years ago to support his curling career. “You’ve got a lot of curlers out there that still play for the love of the game and for the opportunity to represent Canada at the Olympics or World Championships.

“If money was your motivation, then you’re probably in the wrong sport.”

Rachel Homan throws a rock during Canadian Olympic curling trials in Halifax, Nova Scotia, Canada, on Nov. 25.

Rachel Homan throws a rock during Canadian Olympic curling trials in Halifax, Nova Scotia, Canada, on Nov. 25.

(Darren Calabrese / Associated Press)

For Homan, 36, a mother of three young children who has traditionally relied on sponsorships, stipends from the national federation and winnings from underfunded tours such as the Grand Slam of Curling to make ends meet, the Rock League has the potential to change not only her life, but her legacy as well.

“In this league, being a part of it, might not mean anything for me financially right now. But it’s more about what you’re leaving behind and what you’re helping create,” said Homan, who will captain one of the league’s two Canadian teams.

Financing a professional league isn’t the only challenge curling will face coming out of the Milan-Cortina Games, though. Because while the Olympics may help the sport gather viewers, it has done little to reverse a steady decline in participation at the grassroots level, which is robbing the sport of its future athletes.

“It’s just hard to get young kids introduced to it and have access to it,” Kennedy said. “Back in the ‘50s, ‘60s, ‘70s and ‘80s it was the community center. Everybody kind of learned curling, especially out west. That’s what was driving a huge part of our sport for a long time.”

Not any more. Canada, like the U.S., has seen millions of people flee rural areas for big cities over the last several decades and as a result the local curling rink is no longer the civic hub it was when Jason Hills was growing up on the frigid plains of central Alberta. And what investment there is in the sport is now being directed to events such as the Olympics, the Grand Slam of Curling or the fledgling Rock League, not to building more community rinks.

“Curling had to pivot a bit,” said Dagg-Jackson, who takes her five grandchildren curling. “It used to be all about membership, about the thousands and thousands of curlers across the country. Now those few competitive curlers that shine in the spotlight are known to all Canadians because they’re on television all the time and they draw attention to the sport.

“Fifty years ago you just waited at the rink and people showed up because it was the place to be. Big events, Olympics, pro leagues, that’s the future of curling. But the culture and the lore, the history of curling, it’ll always be there.”

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How did a middle-aged British man in a bathrobe become a global DJ sensation?

A different type of British invasion had EDM fans in a trance at the Queen Mary in Long Beach.

Armed with turntables, social media-star-turned-professional-party-starter Fish56Octagon made his U.S. festival debut Nov. 21 and 22 at Insomniac’s Dreamstate SoCal, where he performed alongside some of the world’s most preeminent electronic artists, including Tiësto, Paul Oakenfold, Gareth Emery, Ferry Corsten and Chicane.

Fish, as he’s called, is a 46-year-old from the London suburbs who joined TikTok on a drunken whim after being introduced to the app by friends in 2021. Now boasting over a million followers across platforms, he’s seen his life flip because of that choice — quitting a full-time marketing career to become a DJ, produce music and play sets at some of the world’s biggest music festivals in the four years since he uploaded his first video.

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Though his initial post was about his watch collection, the self-described “petrol head” quickly went deep into creating content about cars and made a successful side hustle within a couple years. Crossover between auto enthusiasts and the music lovers in his audience meant the dance songs he used to soundtrack his car videos and sporadic vinyl-haul unboxings spawned passionate discussion in the comments about the classic rave songs Fish was sharing with the world.

He also benefited from an accidental, scroll-stopping visual hook repeated across videos born from his employer asking him to ensure it didn’t look like he was posting during business hours: middle-aged, thin and bald, dropping dad moves in front of his sprawling Technics decks and pumping his fists to the beat between bites of Weetabix biscuits, all while wearing a red and black dressing gown (what Americans would call a robe), gifted to Fish’s wife by his mother.

Screen shot of Fish DJing on TikTok in his bathrobe

Screen shot of Fish DJing on TikTok in his bathrobe

(TikTok)

“That gown is elegant,” wrote a fan in the comments.

“It was legit my mum’s but she found it too hot,” Fish responded.

“You the same build as your mum” another person wrote back, punctuating the comment with a sweating smiley face emoji.

Fish also began to livestream on TikTok late into the night, playing his own mixes for the first time in 20 years.

“I remember seeing people commenting on the Live going, ‘Mate, we were watching you before we went out. We’ve just gone on a whole night out in our city, come back and you’re still here playing,’” Fish said. “I just love it. Sharing and being able to get out those obscure records. Sometimes it’s the big anthems everyone knows and sometimes it’s a tune that was an anthem to me.”

He’s had a decades-long education in electronic music. Fish was introduced to the genre on the cusp of his teen years through an episode of the British detective show “Inspector Morse.” One episode took place in the illegal rave scene and he thought it looked like fun to party in an old warehouse.

Fish’s taste quickly developed by listening to pirate radio and vinyl. He pieced together his first setup with two hi-fi record players his dad had in the attic. Only one had pitch control. He learned to beatmatch by plugging a player into each side of his amplifier and using the balance knob to fade between them. He was given Soundlab DLP-1 belt-driven turntables for his birthday and his obsession accelerated over the next several years.

Fish56Octagon performing at the Dreamstate music festival in Long Beach.

Fish56Octagon performing at the Dreamstate music festival in Long Beach.

(Niyaz Pirani)

“By then I was just spending every penny that I had on vinyl building my record collection up. It was all rave music, early old school, hardcore jungle, and then happy hardcore, drum and bass around that sort of time, early to mid-’90s,” he said. “I played quite a few house parties.”

He became a de-facto resident DJ in college, spinning vinyl in the student union, and dabbled in music production at the same time. He eventually sold his analog kit and synthesizers when he switched to Ableton. He downsized his record collection as he converted them to MP3s.

The demands of his post-college marketing career meant the DJ dream disappeared for many years. That was until his TikTok Live sets gave him a second chance as club promoters reached out in the hope of booking him. Fish admits a lack of confidence caused him to stay on the sidelines. It was an offer in February 2024 to play a solo show at Hidden in Manchester — about the same time he switched his channel over entirely to music — that got him out of his house and onto a stage.

“Even if I wasn’t sure that people would come, I knew that anyone that did come would be coming to see me,” he said. “ … I ended up putting a night on where I played for five hours straight, just me from the start to the end. When the tickets went on sale, it sold out a good couple of months before the event.”

Fish wondered if it was a one-off event or the beginning of a life-changing run. Then the offers came in from other big U.K. cities — FishTales in Newcastle; acid techno at Beaverworks in Leeds; raves in Liverpool and Birmingham. He hired an agent. Dropped some merch.

“Not sure how this happened! But I’m here for it and hope you are too,” he wrote online.

A 20-date summer tour featured three different sets at the famed Glastonbury Festival, and appearances at Reading and Creamfields. He also traveled to Ireland, Scotland and Malta, marking his first time playing professionally outside of England.

He quit his day job in August 2024 to DJ and focus on music production full time with the support of his wife, children and parents.

“They support me even though it comes at a cost that I can’t always spend as much time with them, but they understand that I’m following my dream, following my passion, and doing something positive,” he said.

He’s gained an appreciation as a historian of the genre. Fish’s followers have grown to include Skrillex, David Guetta, Disclosure, Bicep and more of the artists he has admired and now counts among his peers.

“For about the first year, I often would wake up in the morning — I’m gonna get a little bit emotional just talking about this — but I’d wake up in the morning and just think, ‘Wow, that was all a dream, wasn’t it?” he said. “Then I look at my phone. I can see that actually it was real.”

Fish attributes his success to social media, though he said it’s a mistake to think just having social media followers guarantees bookings and the upward trajectory of one’s career.

“They’re actually a function of each other. It’s because I was making content that proved to be popular about music that I managed to build up a following and have those opportunities come my way,” he said. “I’ve now played, getting on for, 200 professional gigs at various clubs, festivals, events, raves, all around the world.”

Fish waited until November 2025 to make his first trek to North America with an 11-date run featuring his first U.S. festival booking. He chose Dreamstate because he’s always had a special place in his heart for trance and the emotional connection people have with the music.

“I love all dance music, but trance is the one that can kind of tug at your heartstrings a bit with those melodies, and the chord progression, and the way that the beats can be so crisp when they come in, and the way the bass hits,” he said.

Fish performed Friday night on “The Vision.” It’s the same stage played by legends Chicane and Paul Oakenfold this year and Darude last. He also co-headlined an hour-long B2B with Night 1 Dreamstate headliner Gareth Emery early Sunday morning, as the top-billed act for the festival’s afterparty in the Grand Salon of the iconic Queen Mary.

He made his way to LAX after stepping off stage at 3 a.m. to fly to New York and play the last three hours of a 24-hour rave.

Two men taking a selfie

Chicane and Fish56Octagon run into each other in the lobby of the Long Beach Hilton after playing the same stage Night 1 of Dreamstate.

(Niyaz Pirani)

Fish has tour dates in New Zealand and Australia toward the end of the year, plus the largest show of his career March 28 at London’s O2 Academy Brixton. He’s also releasing music for himself and others under his record label Octagon Discs.

As his audience multiplies, Fish’s earliest followers remain enthralled by his seemingly infinite rise.

“How did the dude who recommends second-hand cars get to this. So happy for you dude,” one fan wrote in the comments of his Dreamstate recap video post.

“Music was my number 1 passion but i thought I was too old. Thanks for the support bro,” Fish replied.

“Amazing,” another chimed in. “But I would not recognize u in the wild without the bathrobe.”

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