robert irwin

It looks like wowing the judges on “Dancing With the Stars” is now an Irwin family tradition.

Robert Irwin hit the stage Tuesday for the first time with pro partner Witney Carson on the Season 34 premiere of “Dancing With the Stars,” knocking out an upbeat jive set to “Born to Be Wild.” The first thing the wildlife conservationist did after nailing the routine was run to hug his sister, Bindi Irwin, who was in the audience along with other family and friends.

The judges called the performance, which closed out the night, “absolutely brilliant.”

“Crocs are my comfort zone, dancing is not,” Robert Irwin said in the introductory package that was shown right before his performance. In the same compilation, Carson explained that a jive is difficult for a first dance and praised Irwin’s positivity.

Bruno Tonioli was the first judge to address the pair, getting on his feet to tell Irwin that the performance “wasn’t [just] good, that was great.”

Derek Hough, who was Bindi’s pro partner when they won the Mirror Ball during “Dancing With the Stars” Season 21, told Robert that he was “so relieved because you had some big shoes to fill.”

“You didn’t just fill them; you owned those shoes,” said Hough, who asked if Irwin had been practicing for this moment for the last 10 years. “That was probably the best first dance I’ve ever seen on this show.”

Earlier in the episode, Irwin said that when he watched his sister win 10 years ago, he had thought, “One day, that’s going to be me.”

Watching Bindi win in 2015 also served as preparation for Robert.

“I feel like I had a good idea of what this show was about coming into it, cause my sister had done it,” Irvin told E! News. “Bindi just said, ‘Take a breath and enjoy every single second of it … really try and enjoy this cause it goes by so fast.’”

Irwin and Carson was awarded 15 points, which put them in a tie for top marks alongside team Whitney Leavitt and Mark Ballas.

Director Ryan Coogler and artist Mary Corse will be honored at the Los Angeles County Museum of Art’s 14th annual Art+Film Gala, the museum announced Sunday.

The splashy, high-fashion dinner is co-chaired by LACMA trustee Eva Chow and Leonardo DiCaprio, and is scheduled to take place on Nov. 1. It will be the last such event to occur before the museum opens its new Peter Zumthor-designed building next spring.

Los Angeles is uniquely suited for the gala, which seeks to highlight and strengthen the connections between film and visual art by bringing the two communities together in grand style. Last year’s honorees were Baz Luhrmann and Simone Leigh, and per usual, a host of celebrity guests attended the party including Blake Lively, Kim Kardashian, Laura Dern, Viola Davis, Andrew Garfield and Sarah Paulson. Charli XCX closed out the night with a banger.

LACMA Director and Chief Executive Michael Govan called last year’s event, which raised $6.4 million, its most successful ever. Proceeds go toward LACMA’s mission of making film more central to its programming, as well as toward funding exhibitions, acquisitions and educational programming.

Mary Corse will be honored at LACMA’s Art + Film gala.

(Indah Datou)

Other previous honorees include artists Helen Pashgian, Betye Saar, Catherine Opie, Mark Bradford, Robert Irwin, James Turrell, Barbara Kruger, David Hockney, Ed Ruscha and John Baldessari. On the film side there has been Park Chan-wook, Alfonso Cuarón, Guillermo del Toro, George Lucas, Kathryn Bigelow, Alejandro González Iñárritu, Quentin Tarantino, Martin Scorsese, Stanley Kubrick and Clint Eastwood.

Coogler — who directed “Black Panther,” “Creed” and “Fruitvale Station” — is having a stellar year. His gory Southern-vampire horror film “Sinners,” which was released in mid-April, has been a massive hit. The film, which had a budget of $90 million, grossed $48 million in ticket sales in the U.S. and Canada during its opening weekend, and has gone on to gross more than $365 million worldwide.

Topanga-based painter Mary Corse is known for her connection to Southern California’s Light and Space movement, but her career has been defined by her willingness to experiment with form and various materials, including ceramics and acrylic on canvas. Corse devoted much of her life to her “White Light” series, which involves layering tiny glass beads — called microspheres — over white acrylic paint for a constantly shifting, reflective effect.

“Mary Corse has continually expanded the possibilities of painting in her exquisite works, which invite us to think deeply about the nature of perception,” said Govan in a statement. “Ryan Coogler’s films do something equally transformative. Through masterful storytelling and visual innovation, he reframes history, redefines narratives and opens new worlds of possibility.”