Riverside

When it comes to Proposition 50, Marcia Owens is a bit fuzzy on the details.

She knows, vaguely, it has something to do with how California draws the boundaries for its 52 congressional districts, a convoluted and arcane process that’s not exactly top of the mind for your average person. But Owens is abundantly clear when it comes to her intent in Tuesday’s special election.

“I’m voting to take power out of Trump’s hands and put it back in the hands of the people,” said Owens, 48, a vocational nurse in Riverside. “He’s making a lot of illogical decisions that are really wreaking havoc on our country. He’s not putting our interests first, making sure that an individual has food on the table, they can pay their rent, pay electric bills, pay for healthcare.”

Peter Arensburger, a fellow Democrat who also lives in Riverside, was blunter still.

President Trump, said the 55-year-old college professor, “is trying to rule as a dictator” and Republicans are doing absolutely nothing to stop him.

So, Arensburger said, California voters will do it for them.

Or at least try.

“It’s a false equivalency,” he said, “to say that we need to do everything on an even keel in California, but Texas” — which redrew its political map to boost Republicans — “can do whatever they want.”

Proposition 50, which aims to deliver Democrats at least five more House seats in the 2026 midterm election, is either righteous payback or a grubby power grab.

A reasoned attempt to even things out in response to Texas’ attempt to nab five more congressional seats. Or a ruthless gambit to drive the California GOP to near-extinction.

It all depends on your perspective.

Above all, Proposition 50 has become a political ink-blot test; what many California voters see depends on, politically, where they stand.

Mary Ann Rounsavall thinks the measure is “horrible,” because that’s how the Fontana retiree feels about its chief proponent, Gavin Newsom.

“He’s a jerk,” the 75-year-old Republican fairly spat, as if the act of forming the governor’s name left a bad taste in her mouth. “No one believes anything he says.”

Timothy, a fellow Republican who withheld his last name to avoid online trolls, echoed the sentiment.

“It’s just Gavin Newsom playing political games,” said the 39-year-old warehouse manager, who commutes from West Covina to his job at a plumbing supplier in Ontario. “They always talk about Trump. ‘Trump, Trump, Trump.’ Get off of Trump. I’ve been hearing this crap ever since he started running.”

Riverside and San Bernardino counties form the heart of the Inland Empire. The next-door neighbors are politically purple: more Republican than the state as a whole, but not as conservative as California’s more rural reaches. That means neither party has an upper hand, a parity reflected in dozens of interviews with voters across the sprawling region.

On a recent smoggy morning, the hulking San Bernardino Mountains veiled by a gray-brown haze, Eric Lawson paused to offer his thoughts.

The 66-year-old independent has no use for politicians of any stripe. “They’re all crooks,” he said. “All of them.”

Lawson called Proposition 50 a waste of time and money.

Gerrymandering — the dark art of drawing political lines to benefit one party over another — is, as he pointed out, hardly new. (In fact, the term is rooted in the name of Elbridge Gerry, one of the nation’s founders.)

What has Lawson particularly steamed is the cost of “this stupid election,” which is pushing $300 million.

“We talk and talk and talk and we print money for all this talk,” said Lawson, who lives in Ontario and consults in the auto industry. “But that money doesn’t go where it’s supposed to go.”

Although sentiments were evenly split in those several dozen conversations, all indications suggest that Proposition 50 is headed toward passage Tuesday, possibly by a wide margin. After raising a tidal wave of cash, Newsom last week told small donors that’s enough, thanks. The opposition has all but given up and resigned itself to defeat.

It comes down to math. Proposition 50 has become a test of party muscle and a talisman of partisan faith and California has a lot more Democrats and Democrat-leaning independents than Republicans and GOP-leaning independents.

Andrea Fisher, who opposes the initiative, is well aware of that fact. “I’m a conservative,” she said, “in a state that’s not very conservative.”

She has come to accept that reality, but fears things will get worse if Democrats have their way and slash California’s already-scanty Republican ranks on Capitol Hill. Among those targeted for ouster is Ken Calvert, a 16-term GOP incumbent who represents a good slice of Riverside County.

“I feel like it’s going to eliminate my voice,” said Fisher, 48, a food server at her daughter’s school in Riverside. “If I’m 40% of the vote” — roughly the percentage Trump received statewide in 2024 — “then we in that population should have fair representation. We’re still their constituents.” (In Riverside County, Trump edged Kamala Harris 49% to 48%.)

Amber Pelland says Proposition 50 will hurt voters by putting redistricting back into the hands of politicians.

(Allen J. Schaben/Los Angeles Times)

Amber Pelland, 46, who works in the nonprofit field in Corona, feels by “sticking it to Trump” — a tagline in one of the TV ads supporting Proposition 50 — voters will be sticking it to themselves. Passage would erase the political map drawn by an independent commission, which voters empowered in 2010 for the express purpose of wrestling redistricting away from self-dealing lawmakers in Washington and Sacramento.

“I don’t care if you hate the person or don’t hate the person,” said Pelland, a Republican who backs the president. “It’s just going to hurt voters by taking the power away from the people.”

Even some backers of Proposition 50 flinched at the notion of sidelining the redistricting commission and undoing its painstaking, nonpartisan work. What helps make it palatable, they said, is the requirement — written into the ballot measure — that congressional redistricting will revert to the commission after the 2030 census, when California’s next set of congressional maps is due to be drafted.

“I’m glad that it’s temporary because I don’t think redistricting should be done in order to give one political party greater power over another,” said Carole, a Riverside Democrat. “I think it’s something that should be decided over a long period and not in a rush.” (She also withheld her last name so her husband, who serves in the community, wouldn’t be hassled for her opinion, she said.)

Texas, Carole suggested, has forced California to act because of its extreme action, redistricting at mid-decade at Trump’s command. “It’s important to think about the country as a whole,” said the 51-year-old academic researcher, “and to respond to what’s being done, especially with the pressure coming from the White House.”

Felise Self-Visnic, a 71-year-old retired schoolteacher, agreed.

She was shopping at a Trader Joe’s in Riverside in an orange ball cap that read “Human-Kind (Be Both).” Back home, in her garage-door window, is a poster that reads “No Kings.”

She described Proposition 50 as a stopgap measure that will return power to the commission once the urgency of today’s political upheaval has passed. But even if that wasn’t the case, the Democrat said, she would still vote in favor.

“Anything,” Self-Visnic said, “to fight fascism, which is where we’re heading.”

Shaquille O’Neal purchased a black 2025 Land Rover worth a reported $180,000 from an auto broker in Riverside. He paid even more to have it customized for his 7-foot-1 frame.

It was meant to be delivered to Baton Rouge, La., earlier this month but never arrived at its intended destination.

Instead, Shaq’s latest automobile purchase appears to be the “high-value vehicle” that is being investigated as stolen by the Lumpkin County Sheriff’s Office in Georgia and thought to be somewhere in Atlanta as of Monday morning.

In a news release last week, the Sheriff’s Office indicated that the vehicle had been “originally ordered through a California-based auto brokerage on behalf of a high-profile client.”

The New York Post was first to report that the client was O’Neal and the company was Riverside’s Effortless Motors. Ahmad Abdelrahman, owner of Effortless Motors, confirmed both facts to The Times during a phone interview.

Abdelrahman said his company had provided O’Neal with numerous customized vehicles over the last two years. He referred to the NBA and Louisiana State legend as “an amazing human being” and said that Effortless Motors was offering a $10,000 reward for information leading to the recovery of the vehicle.

“The last guy you want to steal a car from is Shaquille O’Neal, you know?” Abdelrahman said. “I’ve never had this happen to us before. We do all his vehicles. We’ve transported deals for him hundreds of times, and something like this is definitely insane.”

In a statement emailed to The Times on Monday, the Lumpkin County Sheriff’s Office said that its criminal investigations division “is actively investigating the theft of a high-value vehicle that was fraudulently removed from a business in the Dahlonega area earlier this month. Investigators have confirmed that the vehicle was transported from a local fabrication business under false pretenses and is believed to have been taken to the Atlanta metropolitan area.”

The department added that multiple search warrants had been obtained and executed as part of the investigation and several people of interest had been identified.

Abdelrahman told The Times that O’Neal’s Land Rover was customized locally by Effortless Motors but was supposed to have additional fabrication work done in Georgia before completing its trip to Louisiana.

After learning that the vehicle never arrived in Baton Rouge, Abdelrahman said, he contacted the company he had hired to ship the vehicle, FirstLine Trucking LLC, and was told that “their system was hacked.”

“They never got our order,” Abdelrahman said he was told, “and the hackers intercepted the vehicle and picked it up, and they vanished with the car.”

FirstLine Trucking did not immediately respond to messages from The Times. O’Neal has not publicly commented on the matter.

The first time Angel “Angel Baby” Rodriguez heard Art Laboe on the radio, he was 13, in his father’s garage in the City of Industry. Laboe was introducing “Nite Owl” (1955) by Tony Allen and the Champs. “His voice caught me first,” Rodriguez told me, “that very distinctive tone, and then I heard the listeners calling in. The rawness of connecting with a listener, of spinning the record, it was something.”

Rodriguez became a DJ himself, in the mold of Laboe, at first playing records for Radio Aztlan, the late-slot Friday program at KUCR in Riverside. “I didn’t sleep on a Friday night for over 20 years, from my 20s into my 40s,” he told me. Now he hosts “The Art Laboe Love Zone,” keeping alive his hero’s legacy — three hours of live radio, emanating five nights a week from a studio in Palm Springs, that bring “the music to someone,” in Angel Baby’s words.

I am one of those someones. I was a teenager when I first started listening to Laboe in the 1970s. I spent nights with him on the radio for the rest of his life, until he died Oct. 7, 2022. By then I’d already discovered Rodriguez, who took over the Laboe tribute broadcast in 2023, with his own old school “radio voice” and an oldies playlist suitable for dance parties, house parties, long-haul travel and anyone burning the candle at both ends.

Now, with algorithms curating Spotify and Sirius, with fewer live DJ voices anywhere, terrestrial American radio is said to be dying. But not Art Laboe’s voice.

The most beloved man I’ve ever met, hands down, was Laboe. He stood just over 5 feet but commanded theaters filled with thousands of people, standing onstage in shimmering sapphire or gold lamé suits, while four generations of fans screamed his name.

Born to an Armenian family in Utah, Laboe was always fascinated with radios and broadcasting. At the age of 9, he took a bus, alone, to Los Angeles to see his older sister, and eventually moved to California, attending Stanford, serving in the Navy and becoming a DJ on KRLA, the oldies station. His 1950s live music revues, at the El Monte Legion Stadium, were the first integrated dance concerts in California. He DJ’d on live radio continuously for 79 years, and emceed legendary music revues almost that long.

If Laboe didn’t invent the song dedication, he perfected it. Starting in 1943 on KSAN in San Francisco, Laboe read out dedications to loved ones sent to him by letter from wives missing husbands in World War II, and then later from call-ins sending songs to a lover lying next to them in bed, or sitting alone in the dark, separated by migrant labor, military service, a prison sentence or work.

DJ Angel Rodriguez, who carries on a tribute to Art Laboe, and a longtime fan, Proxie Aguirre, 82.

(Oscar Aguila for The Times)

Laboe’s resonant voice echoed through the Riverside neighborhoods where I grew up, from passing cars and open windows, a staple of la cultura in particular — the Chicano culture of lowriders, Pendletons and khakis. Even now, my neighbor Lydia Orta, 75, talks about going to his concerts in El Monte when she was 9, with her grandmother, while her son Johnny, 45, plays archived Laboe broadcasts through speakers in their yard.

On Aug. 9, at the Farmhouse Collective in Riverside, more than 500 Laboe fans from all over the Southland gathered to celebrate the man, two days after what would have been his 100th birthday. Onstage, Rodriguez, hosted in his own signature style — no gold lamé, but a fedora, black sunglasses and a white guayabera shirt. His handle, Angel Baby, derives from the iconic song of the same name recorded in 1960 by Rosie and the Originals, when Rosie Hamlin was just 15 years old, still a student at Mission Bay High School in San Diego, writing poetry about her boyfriend. Rodriguez is the Prince of Oldies now — Laboe is still the King — keeping la cultura, with its intense devotion to music and community, alive.

At the concert, I met Mary Silva, 73, who drove in with her daughter. “I grew up in East L.A.,” she told me, “and there were 14 siblings before I came. … We listened to Art Laboe in Florence. I still listen every night, on 104.7.” Her favorite song? “‘Tell It Like It Is,’ ‘cause I always tell it like it is.” The classic is by Aaron Neville.

Just at the stage edge were Elizabeth Rivas, 72, from San Bernardino, and her grandchildren Rene Velaquez, 34, and Raymond Velasquez, 16. Rivas has listened to Laboe and now Rodriguez for decades, and her favorite song is “Tonight,” by Sly, Slick and Wicked. Granddaughter Rene said, “She taught us to listen.” Rene’s pick was another by Sly, Slick and Wicked: “Confessin’ a Feeling.”

Near them was Henry Sanchez, 54, from my old neighborhood in Riverside, who grew up listening to Laboe on 99.1. His favorite? Brenton Wood’s “Take a Chance.” And Sal Gomez, 49, also from Riverside, loves Wood’s “Baby You Got It,” which he remembered from KRLA.

Onstage, Rodriguez — introduced by Joanna Morones, Laboe’s longtime radio producer — took the microphone and said, “Gracias a Dios that I am honored to be sitting in Art’s chair five nights a week, taking phone calls and dedications from all the listeners. It gives me chills to sit there.”

When Sly, Slick and Wicked took the stage, resplendent in three-piece suits and fedoras, their dance moves crisp and perfect, the lead singer told the crowd, “Art Laboe used to say ‘Confessin’ a Feeling’ was his most requested song at night, and for 50 years you all have kept us singing.” The audience joined in: “Baby, my love is real.” Time passes, love changes, but the song remains the same.

And yet these big gatherings are not where I hear the devotion. It threads through the dark, tracing the melancholy of separation and the intimacy of the night, as the voices of Angel Baby and Art Laboe come through radio speakers.

The Monday after the celebration, I listened from 9 p.m. to midnight, as always. At least eight terrestrial radio stations carry “The Art Laboe Love Zone,” and thousands of fans stream it in Texas, Arizona, New Mexico, Colorado and overseas.

Rodriguez, who drives the 110-mile round trip from Riverside to Palm Springs each weeknight after working as the head street sign maker for Riverside County, had gone through snail mail and DMs on Instagram and Facebook, collecting the dedications he’d read. Morones had chosen the recordings of Laboe for the night. From out of the past, Laboe spoke to a woman who wanted him to blow a kiss through the radio to a man far away.

Rodriguez read a letter from Papa Lito, from Wilmington, now in Delano. And then a dedication from Proxie Aguirre, who’d made an appearance at the birthday celebration. Aguirre is 83 now, a Laboe fan since she was 15. She was pictured on the cover of a Laboe compilation album, eyes sparkling, forever young. She was driven from Venice to Riverside by her sister-in-law.

“This is from the all-new Proxie, for her husband of 35 years, Eddie,” Angel Baby’s dulcet voice intoned. “She says, ‘Eddie, I love you mucho.’”

Then: “Let’s drop the needle on the record, baby bubba.”

Susan Straight’s 10th novel, “Sacrament,” will be published in October. It features a lowrider funeral in San Bernardino and a nurse who sings like Mary Wells.

Some SoCal residents spent their summer at the beach, or at their local rooftop pool; others spent it indoors, hiding from ICE agents.

It’s why Riverside artist Perry Picasshoe spent his summer documenting the melting of 36 ice blocks on sidewalks across the Inland Empire.

He traveled to nine locations, a mix of parks, storefronts and gas stations, where immigration enforcement raids have taken place in the past few weeks. In each spot, he placed four 25-pound ice blocks on the ground and took photos of them as they melted. He would periodically check on the progress, he explained, and found that some were smashed into pieces or completely disappeared.

“I took it as a metaphor of what’s happening,” Picasshoe said, referencing the recent ICE raids taking place across Southern California. “I was also thinking a lot about having these blocks of ice as almost a stand-in for people.”

This latest art piece is just one of the many other Chicano-focused projects that Picasshoe has created in his hometown in the past three years. His goal, among all of the artworks, is to push its residents to reflect on the complexity of the Inland Empire’s Latino identity.

Perry Picasshoe and his father place an ice block near the epicenter of the city’s monthly arts walk in downtown Riverside on July 3, 2025.

(Daniel Hernandez)

Juan Carlos Hernandez Marquez is an emerging Mexican American multidisciplinary artist from Riverside who goes by the stage name Perry Picasshoe. The moniker, which he created as a teenager, is a play on Pablo Picasso’s name mixed with an early 2010s social media term “art hoe.” Under this pseudonym, Picasshoe first gained recognition for creating art that explored the complexities of his dueling identities of being an LGBTQ+ artist while surrounded by traditional Latino ideals.

While studying visual arts at UCLA, he reimagined Sandro Botticelli’s painting “The Birth of Venus” with LGBTQ+ imagery, created a 9-foot-tall Christmas cactus in honor of the time he spent with his father during the holidays and hosted a solo exhibition called “Mystic Garden,” which showcased pieces inspired by flowers given to him by an ex-partner. It’s also where he developed his signature red-dominant style in both his fashion and art.

“Red is my comfort color,” Picasshoe said.

He suffered from occasional panic attacks while studying at UCLA, he explained, which discouraged him from going to school. It continued for months — until he found himself wearing a bright red outfit, which brought him a sense of peace.

“It just kind of grew from there,” he added. “It just followed me everywhere that I went.”

Picasshoe also posted videos showcasing his pieces on social media. Like his artwork, his posts were intricately filmed and edited with bright red accents. They were also accompanied by narration detailing the work’s inspiration, creation process and meaning. His efforts amassed him almost 200,000 followers between TikTok and Instagram.

This rapid growth, both on social media and within his network, brought new opportunities to grow professionally in Los Angeles. Yet after graduating in 2022, he decided to continue his career in his hometown instead.

“It was just a different pace that I was not ready for,” he said. “The art scene out here is much more [based in] community, as opposed to [money] or clout. It’s more of making work that people here will get to enjoy.”

It’s a decision that’s worked in his favor.

This year, he’s been honored by the city at the Mayor’s Ball for the Arts with the Emerging Artist award and recognized as one of UCLA’s top 100 alumni entrepreneurs for 2025. Picasshoe’s decision to be a professional artist within the Inland Empire also came at a time when opportunities for Latino artists in the region have grown in recent years.

Cosme Cordova, long-time Riverside Chicano artist and Division 9 Gallery founder, explained that for decades, Latino artists considered Riverside a “boot camp” instead of a city where they could make a living. They would earn some money in their hometown, then travel to other prominent locations, like Los Angeles or Palm Springs, where artists felt their work was more respected. As the years went on, he said, the local community began to understand the value in supporting its artists.

“Then when the Cheech came, it’s got international attention, so it’s just gotten even better,” Cordova said. “I’m starting to see a lot of artists now more genuinely focused on just trying to showcase their work here in Riverside.”

The most prominent addition within the region has been the Cheech Marin Center for Chicano Art and Culture — known colloquially as “the Cheech.” The museum is widely considered the only space in the country that exclusively showcases Latino-made exhibitions, including some of Picasshoe’s work.

Since returning to the Inland Empire, Picasshoe’s artistic vision caught the attention of both community leaders and larger institutions. While hosting one of his first solo exhibitions, called “Red Thoughts,” at the Eastside Arthouse in Riverside, the directors of the Cheech took notice of his unique style.

“They approach their work with abandon, with any medium,” said María Esther Fernández, the center’s artistic director. “They had an installation and it was very interactive and immersive. I think pushing the boundaries of that is really fun and innovative.”

It would lead Picasshoe to work on a wide range of projects in collaboration with the Chicano art center for the next three years.

Perry Picasshoe stands in front of the Cheech Marin Center for Chicano Art & Culture in Riverside, Calif., on July 3, 2025.

(Daniel Hernandez)

Last year, Picasshoe teamed up with Inland Empire-based artist Emmanuel Camacho Larios to curate an exhibition for the Cheech’s community gallery called “Desde los Cielos.”

“It was a group show that explored what the term ‘alien’ meant in the context of Chicanxs, and alien in the political, the social and the queerness of it all,” Picasshoe said. “I also made a huge painting for that one, the largest that I’ve ever done so far.”

The seven-foot-tall painting, called “Simulacra of Guillermo Hernandez, Beethoven, y los Guachimontones,” depicts his late grandfather sitting on the bed of a pickup truck alongside a small chihuahua. In the background, looming over his abuelo, is a giant circular pyramid built by the Teuchitlán people. A golden pyramid, made from Abuelita Mexican Chocolate bricks, was placed in front of the painting; the bricks were free for the taking during the exhibition’s debut.

After the time for his co-curated exhibition ended, another installation named “Queer Wishes” was featured in the Cheech for an exhibition co-curated by the Eastside Arthouse’s founder and resident artist.

The piece is a three-dimensional black box with a white dress made from bath towels and bedazzled gems displayed on a dress form mannequin inside. Next to the mannequin is a small black vanity desk and mirror with makeup and porcelain wishbones filling the table’s surface.

“The first time I was really able to express myself was when I would get out of the bathroom, put my bath towel on and pretend it was a dress,” Picasshoe said. “I know I’m not the only one with that experience of being in the bathroom and having that be the only time you have to yourself.”

Since debuting the installation at the Cheech, Picasshoe had hoped to take a step back from creating larger community-focused pieces and spend time finalizing some personal projects. However, as immigration enforcement raids ramped up in Southern California, Picasshoe felt the need to create artwork to express his frustration.

Picasshoe and his father drove the family truck to Fontana on July 3 to pick up three translucent ice slabs, each about 40 inches tall and weighing around 300 pounds, and brought them back to downtown Riverside.

They arrived 45 minutes before the start of the city’s monthly arts walk, an event where dozens of local vendors set up booths to sell their artwork to hundreds of residents.

Picasshoe and his father slowly unloaded the slabs from the truck’s bed onto a dolly and wheeled the installations out into the three chosen locations: the front of the Cheech Marin Center for Chicano Art and Culture, the epicenter of the city’s monthly arts walk event and the front of the Riverside County Superior Court.

A wooden platform was placed under each slab, with the words “life,” “liberty” and “the pursuit of happiness,” written upside down and divided between the three art pieces, along with a QR code explaining its meaning.

He chose this day, he said, because of its high foot traffic. It was the best opportunity to help some passersby feel represented while confronting others with a hard truth.

“Art should be lived in,” Picasshoe said. “It’s prevalent in a lot of my work, and especially this one, since it’s meant to be commenting on something regarding the public.”

PLANS for a giant new village next to a UK holiday hotspot with 1200 homes have now been unveiled.

The proposals to launch Canford Garden Village in Dorset will be essential in tackling the ever-pressing housing crisis in the UK.

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The Canford scheme aims to create a new community focusing on family housing and social infrastructure.

The site will be located near Wimborne in Dorset, and it is thought to be prime real estate, according to W.H. White.

W.H White are behind the plans which were submitted to Bournemouth, Christchurch and Poole Council (BCP).

The plans are to build 1200 new homes across the 230 hectares site, creating a characterful village which is architecturally striking which fits within the landscape.

In order to help ease the housing crisis currently taking hold of the UK, it has been reported that 40 per cent of the new buildings will be affordable homes.

What’s more, it will not be just a housing development, as the plans recognise the need for supporting infrastructure.

For example, there will be a community hub, flexible workspaces, community facilities, and a care home.

There will also be education and healthcare provision, as well as local infrastructure improvements to ease the pressure that would be placed on surrounding areas.

A total of 600 of the homes would be dedicated to first-time buyers, social rent and shared ownership schemes.

Scott Worsfold Associates were selected to create a complete design vision.

The plans for the site were was unanimously approved for a new sustainable community in March 2021 by the Bournemouth, Christchurch and Poole Council.

The land used to be a former quarry and golf course, and will now be made into a biodiverse community.

Current farmland is also earmarked to be turned into 90 hectares of publicly available green space with new habitats and allotments.

The proposal has garnered support from various stakeholders, including Dorset Chamber and Dorset Local Enterprise Partnership, who emphasise the economic benefits and job creation potential of the development.

However there has been some backlash to the proposals.

It was reported that there were critics to the plan due to concerns regarding the potential impact on existing infrastructure, traffic congestion, and highway safety, particularly concerning access to the site from Blandford Road.

Some were also concerned about the proximity to existing facilities like Lockyer’s Middle School, which could cause longterm disruption. 

Ward councillor for Bearwood and Merley, Richard Burton, said: “We’ve had a lot of development in Bearwood and therefore I know my residents will be very worried about this because of the impact it could have.” 

However, he said the scheme is in the very early stages and this scoping application does not mean the local authority is supporting it. 

“From a political point of view, I do totally understand that we need more affordable housing in BCP, but just choosing the easiest places to build, which is currently Green Belt, isn’t the way forward and it’s not sustainable,” said Cllr Burton. 

W.H. White said there would be a commitment to low carbon construction with solar energy, ground source heating and opportunities for localised renewable energy. 

A spokesperson for W.H. White said: “The current shortfall in housing supply, combined with well-documented viability challenges of delivering homes on urban land, has prompted renewed interest in strategic and deliverable opportunities such as at Canford Village.”

BCP Council previously said it would soon initiate a new call for potential development sites in the conurbation as part of ongoing efforts to deliver new homes.

Cllr Millie Earl, leader of BCP Council, previously said: “It is important that we balance our future development priorities whilst protecting the beautiful area that we live in and the precious natural environment we are so lucky to have.”

Despite the continuous presence of U.S. Immigration and Customs Enforcement in cities around California, organizers in Riverside have decided to forge ahead with the third edition of the Mucho Gusto Music Festival, an event held in the downtown area that’s billed as “a celebration of music without borders.”

The announcement comes as other events catering to Latinx audiences across Southern California have been forced to implement extra security measures because of potential ICE raids, or have been postponed altogether. Levitt LA, which organizes an annual summer concert series at the Levitt Pavilion in MacArthur Park, announced earlier this month that it was prepared to change venues if needed. Festival Chapín de Los Angeles, a popular two-day celebration of Guatemalan culture held in the Westlake neighborhood, has been postponed from late August to mid October.

Authorities have arrested more than 2,700 individuals since the raids began in June, according to Homeland Security. Many of the immigration enforcement operations have been carried out in predominantly Latinx neighborhoods and cities. According to the U.S. Census Bureau, 54% of Riverside’s population identifies as Hispanic or Latinx.

“It’s important right now that we put our money within our local economy to support each other,” said Eduardo Valencia, Mucho Gusto’s artistic director and one of the founders of the festival.

“We [needed] a place to celebrate ourselves … to be in a space that really celebrates the fact that we are [a diaspora of] people, that we are people from other countries who immigrated [to the U.S.],” he added.

É Arenas headlined Mucho Gusto on Sept. 23, 2023.

(Veronica Lechuga)

This year’s all-ages festival will be headlined by two bands that blend cumbia rhythms with psychedelic melodies, Tropa Magica and Combo Chimbita, as well as jazz band Brainstory.

Cosme Cordova, owner of art gallery Division 9 and co-organizer of the festival, said that he believes the ICE raids are bringing people together.

“People are gathering and becoming stronger and more educated about the laws and the rules,” he said.

Mucho Gusto organizers are hiring private security and will have two officers on site to ensure a safe space for the community.

Quitapenas performed at Mucho Gusto on Sept. 23, 2023.

(Edgar Robles)

“2025 is the year of arts and culture in Riverside,” Mayor Patricia Lock Dawson told The Times.

“Riverside loves its festivals; they represent the heart of our community, bring people together, and celebrate the cultures that make our city unique. Our focus is, and will always be, on ensuring that all public events in Riverside, including Mucho Gusto, are safe, welcoming, and inclusive for everyone.”

In a Facebook post from June 12, the chief of police, Larry Gonzalez, said the department will not enforce immigration laws and is dedicated to “protect the members of [the Riverside] community.”

“The trust we’ve built with our residents and businesses matters deeply to us, and we remain firmly committed to your safety and well-being,” he added.

Saturday is one of those busy days in summer passing competitions for fans to get a sneak peek of the high school football season.

Mission Viejo is hosting a seven-on-seven passing tournament that includes Mater Dei, which will then take its mandatory two-week dead period immediately after the tournament. A matchup of Mission Viejo and quarterback Luke Fahey against Mater Dei’s outstanding defensive backs will be something that’s likely to take place.

Santa Margarita has pulled out from participating in the Mission Viejo tournament and will be replaced by Schurr, which won a tournament earlier this month.

There’s also an eight-team passing tournament at St. John Bosco featuring the Braves, Servite and Gardena Serra, among others. Salinas pulled out and has been replaced by La Sierra in Riverside.

Simi Valley, Redondo Union and Baldwin Park are also hosting tournaments this weekend.

After Saturday, the next big day for passing tournaments is July 12, featuring Huntington Beach Edison’s Battle at the Beach, along with tournaments at Ocean View and Huntington Beach.

A cadre of civil rights groups brought a lawsuit late Wednesday challenging Riverside County’s use of cash bail to detain people as they await trial, citing squalid conditions inside the county’s jails where dozens of inmates have died in recent years.

The class-action suit is the latest to challenge the legality of cash bail systems in California after a 2021 state Supreme Court ruling found it is unconstitutional to jail defendants solely because of their inability to pay their way out from behind bars.

“Every day, Riverside County imprisons people based on nothing more than their inability to pay an arbitrary, pre-set amount of cash that Defendants demand for their release,” attorneys for the civil rights groups argue in the 80-page complaint. “These individuals are not detained because they are too dangerous to release: The government would release them right away if they could pay. They are detained simply because they are too poor to purchase their freedom.”

The suit was brought by the Washington, D.C.-based nonprofit Civil Rights Corps, Public Justice in Oakland and several other law firms on behalf of two people incarcerated in Riverside County jails and two local faith leaders. It names as defendants the Riverside County Sheriff’s Department, Sheriff Chad Bianco, the Riverside County Superior Court system and the county.

Lt. Deirdre Vickers, a sheriff’s department spokesperson, said she could not comment on pending litigation, as did a representative for the county court system. The county executive’s office did not immediately respond to requests for comment.

While the suit argues money bail is unconstitutional across California and seeks an injunction ending its use, attorneys said they are focusing on Riverside County following a spate of deaths in the jails in 2022. That year, Riverside County recorded 18 inmate fatalities, the highest number in a decade.

The following year, California Atty. Gen. Rob Bonta, a Democrat, opened what remains an ongoing investigation into complaints about living conditions in the county jails and allegations that deputies use excessive force against detainees.

Inmate deaths have fallen since 2022. The county reported 13 jail fatalities in 2023 and six last year, according to Vickers.

Bianco — a law-and-order conservative who has joined a crowded field of Democrats to succeed Gov. Gavin Newsom in the 2026 election — has previously dismissed the state’s investigation into his jails as politically motivated. Bianco maintains the jail deaths, many of which authorities attribute to drug overdoses and suicides, are a reflection of the inmates’ life choices rather than a sign of any problem with the jail system.

“Every single one of these inmate deaths was out of anyone’s control,” Bianco said after news of the state investigation broke. “The fact of the matter is that they just happened to be in our custody.”

The cash bail system has deep roots in the U.S. as a means of pressuring defendants to show up for scheduled court appearances. Attend trial, and the sizable cash payments are returned to you or your family; skip court, and you forfeit your deposit.

Critics argue it effectively creates a two-tiered justice system, allowing wealthy defendants to pay their way out while awaiting trial, and leaving low-income defendants stuck behind bars. Proponents of eliminating the bail system contend that decisions about whether to jail defendants ahead of trial should be based on the severity of their crimes and the risk they pose to public safety, and not hinge on their income status.

Brian Hardingham, a senior attorney with Public Justice, said people sometimes spend days in jail awaiting their first court appearance, only for a prosecutor to decline to file a case presented by local police. That stint behind bars can have an outsize effect on people’s lives, especially if they are low-income, Hardingham said.

“You meet people with 6-month-old kids in jail who, if they’re lucky, there is a partner or a parent or someone who can watch their kids,” he said, adding that even a brief stretch in a county jail can result in people losing their job, vehicle or even their residence.

Supporters of the cash bail system, including many law enforcement groups, say that doing away with it would leave too many defendants free to potentially flee and re-offend, leading to crime spikes.

The issue grew increasingly controversial during the COVID-19 pandemic, when the virus spread with deadly consequences through the state’s jails and prisons. Los Angeles County instituted a zero-bail policy for most offenses in 2020, trying to reduce jail crowding at a time when the virus was spreading rapidly. That policy was rescinded in June 2022.

Despite concerns from police groups, a 2023 report to the L.A. County Board of Supervisors showed re-arrest and failure-to-appear rates remained relatively static among those freed pre-trial while the zero-bail policy was in place.

A similar lawsuit to the one filed against Riverside County prompted Los Angeles County court officials to revise their bail policies in 2023. Under the new system, the vast majority of defendants accused of misdemeanors or nonviolent felonies are now cited and released, or freed under specified conditions after a judge reviews their case. Defendants accused of serious offenses, including murder, manslaughter, rape and most types of assault, still face a stiff cash bail schedule.

Fears that the new system would result in a crime spike have not been borne out. Total crime in areas patrolled by the Los Angeles County Sheriff’s Department fell by about 2% in 2024, the first calendar year the reduced bail policy was in place, according to department data. The city of Los Angeles has seen significant decreases in the number of robberies, property crimes and aggravated assaults committed this year, as of mid-May, records show.

Given the 2021 state Supreme Court ruling and the changes in Los Angeles, Hardingham said he is hopeful other counties will shift their bail policies without having to engage in a court fight.

“We would hope that they would be willing to see the writing on the wall and make the changes that are necessary,” he said.