puerto rico

PHOENIX — Dodgers closer Edwin Díaz has been settling in with his new team at Camelback Ranch, but in his first comments to the media since camp opened, he faced questions about his old team.

In an interview with Mets broadcaster Howie Rose on Friday, team owner Steve Cohen called Díaz’s decision to a sign a three-year, $69-million contract with the Dodgers “perplexing.” Though Díaz was caught off guard by Cohen’s comments, he said Saturday he had no bad feelings towards the Mets or their fans.

“It’s a market and I was a free agent, so I got the chance to talk with everyone,” Díaz said. “I think the Dodgers did a great job of recruiting me, so at the end of the day, I chose to be here. I have a lot of respect for the Mets organization — players, staff, ownership — they treated me pretty good. I don’t have anything bad to say about them. But at the end of the day, I’m here, so this is a new journey for me. I’m happy to be with the Dodgers, so let’s see how it goes.”

Díaz participated in the Dodgers’ first day of official workouts Friday, throwing a clean bullpen session without any hiccups. Dodgers manager Dave Roberts has liked what he has seen thus far from the three-time MLB reliever of the year.

“I’m very excited to get to know him more,” Roberts said. “[He’s] just a great teammate, really good person, loves baseball, a good heartbeat. You can tell he knows what he needs to do to get ready. [He’s] likable, and at the end of the day, he chose to be here, so that’s something that is of a lot of value for us. High character. I’m really looking forward to getting to know him.”

One thing that attracted Díaz to the Dodgers was the team’s culture.

“That’s how they’ve been so good,” Díaz said. “They have a really good clubhouse… They’ve got different personalities in the clubhouse. They’ve got different players from different countries, and they all get together and have fun, so that’s something good.”

Part of having a melting pot of a clubhouse means missing some key ingredients for an extended period of spring training. The Dodgers will have several players participating in the World Baseball Classic, including Shohei Ohtani, Yoshinobu Yamamoto, Will Smith and Díaz.

Each Major League player competing in the event runs the risk of injury, something Díaz knows all too well. Moments after striking out the side to send Puerto Rico to the WBC quarterfinals in 2023, Díaz sustained a season-ending knee injury.

Despite suffering the trauma of the last WBC, Díaz told reporters it was a no-brainer, when he was asked to compete for his country again in 2026.

“It wasn’t in my mind,” Díaz said. “I have the chance to play in front of my family in Puerto Rico. It was an easy decision.”

Díaz’s fearlessness is one trait that Roberts admires about his new closer. Díaz met Roberts’ squad in the 2024 National League Championship Series, where the Dodgers managed only two hits off him across 5.1 IP, scoring no runs.

“He’s not scared,” Roberts said. “When he’s in the game, it’s an uncomfortable at bat for lefties and righties, and when we did see him in the postseason, [we were] really trying to keep him out of the game, knowing that he can go one, two [or] even three innings. That, he’s done against us in the postseason; [he’s] just a great competitor.”

The addition of Díaz should stabilize the back end of the Dodgers rotation. Since bidding farewell to Kenley Jansen after the 2021 season, the Dodgers haven’t had a closer tally more than 25 saves in a season. Over his nine-year career, Díaz has 253 saves.

With Díaz expected to be the regular ninth-inning guy, Roberts looks forward to having more flexibility when managing his bullpen.

“It’s huge,” Roberts said. “I don’t think that there’s one way to manage a pen, but when you have a guy like Edwin Díaz as your closer, I do think it frees up other guys, myself included. Not having to worry about matchups for the ninth, I think that’s freeing for me and allows for getting the matchups we need in the prior innings.”

Dodgers staying cautious with Graterol

One key relief weapon Roberts hopes to have in his armory is Brusdar Graterol.

The hard-throwing right-hander underwent labrum surgery shortly after the 2024 World Series, and hasn’t pitched in a game since.

Roberts provided an update on Graterol’s recovery Saturday.

“He’s in the picture, but I do think that coming back from the shoulder, it’s going to take some time,” Roberts said. “He’s in the bucket of, ‘We’re going to slow-play him’. I think yesterday he threw off the mound, and the velocity is not near where it’s going to be, so I think that it’s a slow progression. I just don’t know where that puts us, but it’s a slow process for Brusdar.”

Staff writer Anthony Solorzano contributed to this report.

CORTINA D’AMPEZZO, Italy — The Puerto Rican team at the Milan-Cortina Winter Games isn’t large.

In fact, Kellie Delka stands just 5-foot-3 and weighs about 120 pounds. That’s it; that’s Puerto Rico’s entire team.

Her only event is skeleton, in which athletes travel at about 80 mph down an icy mile-long track with 16 turns. And she won’t be in the hunt for a medal in Saturday’s final rounds after finishing 24th of 25 athletes in Friday’s two heats.

Yet her presence is important just the same because it means Puerto Rico has a team here, even if it was just one person. For most of the century, that wasn’t the case.

“I was approached by the federation. They’re like, ‘hey, they’re trying to grow their winter federation. Maybe that would be something you’d be interested in helping,” she said. “So in 2018, I dropped everything, and I’ve been living on the island ever since.”

That was the first step of what Puerto Rico hopes will be a rebirth of a Winter Olympics program that had been razed to the ground.

In 2002, the island was set to send a bobsled team to the Winter Games in Salt Lake City but one of its sledders couldn’t prove he met Puerto Rico’s residency requirement. Embarrassed, the local Olympic committee didn’t just withdraw its two-man team, it ended recognition for all of the island’s winter sports.

No athlete would represent the territory in the Winter Games for another 16 years, until Charles Flaherty, a teenage American-born skier who moved to Puerto Rico when he was nine, competed in the 2018 Winter Games. A year later an ice hockey federation was established and in 2023 a curling federation.

In between those two things Delka, 38, made her Olympic debut, carrying the Puerto Rican flag with William Flaherty, Charles’ younger brother, in the opening ceremony in Beijing.

She carried it by herself in Italy.

Kellie Delka waves the flag of Puerto Rico during the Winter Olympic opening ceremony on Feb. 6.

(Misper Apawu / Associated Press)

Because Puerto Rico is an unincorporated U.S. territory, its residents are citizens of the U.S., but to represent the island in the Olympics, you must be born in Puerto Rico, have a parent or grandparent who was born there or live there for at least two years.

It was that final requirement that Delka, a native Texas, was seeking to fulfill when she moved to the island.

“I love the island, I love the people,” she said. “I’ll probably live there forever.”

A pole vaulter and cheerleader at the University of North Texas, Delka was introduced to skeleton by Johnny Quinn, a fellow North Texas alum who competed in the bobsled. She made her international debut in 2013 and was competing for the U.S. through the end of 2017, when Puerto Rico’s federation called.

Leaving a team to go it alone was more difficult than she expected.

“That was the hardest part,” she said. “When you go by yourself, like, it’s a pretty lonely journey. And then not having a coach the whole time, because you have to pay for that as well.

“I love the sport. I wouldn’t be here if I didn’t love it, because you definitely don’t make money from it.”

Eight years later, Delka speaks no Spanish but says she feels intensely Puerto Rican. She gets some financial support from an International Olympic Committee scholarship fund and small, intermittent assistance from the federation. But mostly she supports herself in the sport, in part by selling bikinis she designed on the beach in Luquillo, the tiny community on the northeast tip of the island where she lives.

Puerto Rico’s Kellie Delka hopes she can inspire other athletes to represent the island in the Winter Olympics.

(Alessandra Tarantino / Associated Press)

“I love to sew, I like to make jewelry. I like to make bikinis, and I like to be involved in the community,” she said. “That’s how you meet people.”

Next she wants to inspire them. Because there’s no use in starting an Olympic team if no one else wants to join.

“I would love a teammate,” she said. “I don’t want it to just be me forever, like right now it is.

“I want to start mentoring younger people because I want kids to know that you don’t have to have everything to make it. I don’t have anything. I’m doing this by myself. I’m going to the gym by myself, I’m going to the track by myself, I’m traveling by myself.

“You can do it too, and I can help you do it.”

Sometimes all you need is one person to get started.

President Trump told the New York Post that music artist Bad Bunny was a “terrible choice” to headline the 2026 Super Bowl halftime show and that the NFL’s selection of the Puerto Rican singer and rapper sows “hatred.”

Department of Homeland Security adviser Corey Lewandowski suggested that Bad Bunny loathes the U.S. “It’s so shameful that they’ve decided to pick somebody who just seems to hate America so much to represent them at the halftime game,” he told conservative podcaster Benny Johnson.

Sen. Tommy Tuberville (R-Ala.) said on Monday that Bad Bunny disseminates “anti-American propaganda.”

The upshot: Bad Bunny (aka Benito Antonio Martínez Ocasio) is an enemy of the state. An outsider who doesn’t possess American values. A Super Bowl wrecker.

Bad Bunny took home multiple trophies from the 68th Grammy Awards last weekend in Los Angeles, including for album of the year. Very American, sir.

(Matt Winkelmeyer / Getty Images for the Recording Academy)

Heated debate around who is worthy to perform the halftime show is an American tradition (Prince, yes. The Red Hot Chili Peppers, no). But now, unsurprisingly, politics are part of that debate, so the mere fact that Bad Bunny is brown and Latino and sings in Spanish is seen by some as an affront to the right. Clearly the “Woke Bowl” is disrespecting the tough-on-immigration president, and in Español, no less.

But Bad Bunny is an American citizen, as are most people born in Puerto Rico after 1898, thanks to the Jones-Shafroth Act of 1917. Bad Bunny, born in 1994, made the deadline with 96 years to spare. If the fear is that foreigners are coming here to take our jobs and ruin beloved American traditions, there are plenty of nonnative artists to grouse about.

For decades, outsiders have foisted their foreign music upon us at the Super Bowl between commercials for Doritos and Budweiser.

The United Kingdom’s Phil Collins played the 2000 Super Bowl XXXIV Halftime Show, as did Enrique Iglesias, who is from Spain. The Irishmen of U2 stole jobs away from Americans when they played the 2002 Super Bowl. The following year it was sneaky Canadian Shania Twain and a sus character from England referred to only as Sting.

Then came bad hombre after bad hombre from the UK: Paul McCartney, the Rolling Stones, the Who, Coldplay. And don’t even get me started on Shakira, gyrating her Colombian self into 2020’s Super Bowl LIV Halftime Show, or the following year, the Weeknd using his sweet voice to distract from the fact he’s Canadian.

Remember all the anti-immigrant furor around those aforementioned performances? Of course not — because there was none. And this year, if the delicately reunited U.K. duo Oasis was to pull things together for 2026 and play the Super Bowl, it most certainly wouldn’t inspire the same kind of vitriol.

The right remembers that Bad Bunny criticized the Trump administration for its handling of Puerto Rico’s hurricane recovery, and that that he has spoken out against ICE’s inhumane treatment of immigrants. But calling Bad Bunny a dissenter is too direct, too Stalinist. It’s better to cast doubt upon the singer’s loyalty to America via thinly veiled racist rhetoric.

Turning Point USA, the right-wing group founded by Charlie Kirk and helmed by his wife, Erika Kirk, following his assassination, has organized its own counter-concert called the “All-American Halftime Show”. It will star rap-rocker Kid Rock and country artists Brantley Gilbert, Lee Brice and Gabby Barrett. The show is counter-programmed to compete with the Super Bowl halftime show, airing on X and conservative networks such as TBN and OAN around the same time as Bad Bunny’s set.

When the “alternative” show’s lineup was announced this week, Kid Rock took a jab at Bad Bunny in a statement: “He’s said he’s having a dance party, wearing a dress, and singing in Spanish? Cool. We plan to play great songs for folks who love America.”

Kid Rock isn’t known to wear dresses on stage, as Bad Bunny has done, but it’s unclear which songs of his he’ll play in the name of “loving America.”

Turning Point spokesman Andrew Kolvet said the show will reflect conservative values such as “faith, family, and freedom,” so Kid Rock likely won’t perform his 2001 track “Cool, Daddy Cool,” where he sings “Young ladies, young ladies, I like ‘em underage see / Some say that’s statutory, but I say it’s mandatory.” It’s also unlikely he’ll bust out his 2007 song “Lowlife (Living the Highlife)”: “I make Black music for the white man / Keep cocaine upon my nightstand.”

One thing is certain: He’ll continue to sing Trump’s praises, in English.

Bad Bunny is constantly making history. Last Sunday he broke a new record by winning album of the year at the Grammys for his 2025 album, “Debí Tirar Más Fotos,” which was the first fully Spanish-language album to claim the title; and come Feb. 8, a.k.a. Super Bowl Sunday, he’ll be the headlining act at the Super Bowl halftime show.

Yet he is also teaching history. Bad Bunny’s latest record is not only a celebration of Puerto Rico and its people, but it offers a window into some of the challenges the embattled territory is currently facing — including massive migration, displacement and an infrastructure on the brink of collapse. In a moment when education is under attack, both in the United States and Puerto Rico, Bad Bunny is using pop culture’s biggest stage to offer the world a history lesson. And in this political context, that matters greatly.

In December 2024, I was contacted by Bad Bunny’s team to produce 17 pages outlining Puerto Rican history, to pair with each song’s YouTube visualizer for “DTMF.” Altogether, they have been viewed more than 775 million times.

I later produced 40 slides jam-packed with historical and cultural facts about Puerto Rico, which were screened at Bad Bunny’s 31-show residency in San Juan. These ranged from facts about the history of women’s suffrage to the founding of Puerto Rico’s oldest punk band, La Experiencia de Toñito Cabanillas.

When Bad Bunny was announced as the NFL’s choice to headline the halftime show, I was hardly surprised by the backlash from conservatives — including multiple Fox News hosts, podcasters and even President Trump, who said, “I don’t know who he is. I don’t know why they’re doing it … [It’s] crazy.”

As communities of color celebrated on social media, critics raised two questions: Why would a Spanish-speaking artist — even if he is the most-streamed artist on Earth — be chosen for that stage? And why wouldn’t they choose a more patriotic, Anglo-American artist?

While undoubtedly xenophobic in nature, these questions highlight their acute ignorance about the place that birthed Bad Bunny, and its ongoing entanglement with the United States.

Puerto Rico was first colonized by the Spanish from 1493 until 1898, the year that the United States occupied the country as part of the Spanish-American War. Later, in 1917, Puerto Ricans became U.S. citizens through the Jones Law. Eventually, we drafted a constitution and became a Commonwealth of the United States in 1952. But there is never one single historical narrative.

What these facts occlude, however, is that Puerto Ricans are second-class citizens who cannot vote for the president — and those in the archipelago are not fully protected by the U.S. Bill of Rights. According to the U.S. Supreme Court’s early-20th century Insular Cases, we belong to the United States, but we are not part of it.

Put simply: We are a colony of the United States in the 21st century.

When drafting the historical narratives for “DTMF,” Bad Bunny understood that Puerto Rican history is often unknown, even to our own people. He was interested in making history available for those who don’t have access to higher education. He wanted me to write these narratives in a candid manner to be read by people in the barriadas y caserios (working-class neighborhoods and the projects). These were the places where I came of age in Puerto Rico.

With the success of “DTMF,” Puerto Rican history was amplified to the world. I’ve had countless conversations with journalists from around the globe, who marveled at how little they knew about Puerto Rico’s history or its relationship to the United States. This is precisely what I think drives those debates about language and who gets the right to claim Americanness — a lack of information.

And even though Bad Bunny is a U.S. citizen, conservatives have organized an alternative “All-American Halftime Show,” which reveals how “Americanness” is policed through language and race. This is the product of willful ignorance.

Puerto Rico’s history is also that of Latin American, Caribbean, United States and Latinx communities. I believe Bad Bunny’s performance will invite people to understand the beauty and complexity of our people’s history, even if it makes outsiders uncomfortable. That he will also be doing so entirely in Spanish in a moment when Latinx people in the United States are being arrested or interrogated by federal agents for speaking in Spanish — or simply for having an accent? That matters.

Of course, artists alone will not save us from the perils of racism and xenophobia — I learned that from my time in the punk community. We cannot just wait on anyone, especially not celebrities, to change institutions without some people power to back them up.

Yet given his enormous reach — just this week his latest album hit No. 1 on Apple Music in China — Bad Bunny has the power to move the cultural needle. And if there’s one thing to take from the Grammys ceremony last Sunday, it’s that he’s not alone — other artists have taken a stand on anti-immigrant violence. They are living up to the moment. That matters too.

So while conservatives organize their bland counter to the Super Bowl halftime show — with none other than Kid Rock as headliner — Bad Bunny will be offering the world a much more valuable history lesson, full of sazón, batería y reggaetón.

Jorell Meléndez-Badillo is the author of “Puerto Rico: A National History” and associate professor of Latin American and Caribbean History at the University of Wisconsin-Madison.

Following Bad Bunny’s landmark album of the year win at the 68th Grammy Awards for “Debí Tirar Más Fotos,” Ricky Martin penned a letter of appreciation to commemorate the moment.

In an opinion piece for the Puerto Rican newspaper El Nuevo Día published Tuesday, the Boricua hitmaker said Bad Bunny’s accomplishment stirred deep feelings within him.

“Benito, brother, seeing you win three Grammy Awards, one of them for album of the year, with a production entirely in Spanish, touched me deeply,” Martin wrote. “Not only as an artist, but as a Puerto Rican who has walked stages around the world carrying his language, his accent and his history.”

In addition to becoming the first all-Spanish album of the year winner, the “Nuevayol” artist took home the Grammy Awards for música urbana album and global music performance for the track “EoO” on Sunday.

Martin further called Bad Bunny’s achievement a “human” and “cultural” win, lauding him for not bending to the will of anyone who tried to change his sound in any way.

“You won without changing the color of your voice. You won without erasing your roots. You won by staying true to Puerto Rico,” Martin wrote. “You stayed true to your language, your rhythms and your authentic narrative.”

Martin, who first broke out as a solo musical act in the mid-’90s, became an international superstar off the back of his Spanish-language hits including 1995’s “María,” 1998’s “Vuelve” and “Perdido Sin Ti.”

He reached a new strata of stardom after his track “La Copa de Vida” was used as the official anthem for the 1998 FIFA World Cup. That song charted in over 60 countries and was translated into English. He landed his biggest hit with “Livin’ La Vida Loca,” which was the lead single from his 1999 self-titled English album.

When accepting his album of the year award Sunday night, Bad Bunny addressed the crowd predominantly in Spanish and spoke of the strugglesof the immigrant experience.

“I want to dedicate this award to all the people who had to leave their homeland, their country, to follow their dreams,” he said in English.

“Puerto Rico, believe me when I say that we are so much bigger than 100 by 35 and there is nothing that exists that we can’t accomplish,” the “Dakiti” artist said in Spanish. “Thank God, thank you to the academy, thank you to all the people who have believed in me throughout my whole career. To all the people who worked on this album. Thank you, Mami, for giving birth to me in Puerto Rico. I love you.”

The 54-year-old singer also showed love to Bad Bunny for using his platform to show solidarity for vulnerable communities.

“What touched me most about seeing you on the Grammys stage was the audience’s silence when you spoke,” Martin wrote. “When you defended the immigrant community, when you called out a system that persecutes and separates, you spoke from a place I know very well where fear and hope coexist, where millions live between languages, borders and deferred dreams.”

Martin concluded his letter by thanking Bad Bunny for reminding him and showing other Puerto Ricans that there is power in being true and authentic to yourself.

“This achievement is for a generation to whom you taught that their identity is non-negotiable and that success is not at odds with authenticity,” Martin wrote.

“This was for Puerto Ricans, for all our Latino brothers and sisters who dream in Spanish, for those crossing seas and borders wearing their cultures like a flag. From the heart, from one Boricua to another, with respect and love, I thank you for reminding us that when one of ours succeeds, we all succeed.”

New Dodgers closer Edwin Díaz will pitch for Puerto in the World Baseball Classic in March, it was announced Monday.

Díaz, who signed a three-year, $69-million contract in December as the most sough-after reliever in free agency, pitched for Puerto Rico in the 2023 WBC but sufferd a right patellar tendon tear while celebrating a win over the Dominican Republic that pushed the team into the quarterfinals. He missed the entire 2023 MLB season as a result.

His announcement comes days after it was revealed Dodgers teammate Shohei Ohtani will not pitch in the WBC in order to focus on ramping up to pitch during the season without restrictions. Yoshinobu Yamamoto will pitch for Team Japan and catcher Will Smith and recently-retired left-hander Clayton Kershaw will be on the Team USA roster.

Bad Bunny’s “Débi Tirar Más Fotos” was named album of the year at Sunday night’s 68th Grammy Awards — the first time a Spanish-language LP has won the Recording Academy’s most prestigious prize.

Bunny delivered the speech primarily in Spanish.

“I want to dedicate this award to all the people who had to leave their homeland, their country, to follow their dreams,” he said as the audience rose to its feet.

“Puerto Rico, believe me when I say that we are so much bigger than 100 by 35 and there is nothing that exists that we can’t accomplish,” he said in Spanish. “Thank God, thank you to the academy, thank you to all the people who have believed in me throughout my whole career. To all the people who worked on this album. Thank you, mami, for giving birth to me in Puerto Rico. I love you.”

“For all the people who have lost a loved one and even then have had to continue moving forward and continue with so much strength, this award is for you all.”

Intricately arranged with the sounds of the singer and rapper’s native Puerto Rico, “Débi Tirar Más Fotos” was released to rave reviews in January 2025 and quickly reached No. 1 on the Billboard 200 album chart. Last summer, Bad Bunny supported the project with a 30-date concert residency at San Juan’s José Miguel Agrelot Coliseum; he followed that with the announcement of a world tour that avoided the United States, in part, he told I-D magazine, because of his concern that immigration agents might turn up at shows.

Prior to Sunday’s win, “Débi Tirar Más Fotos” — the title translates in English to “I Should Have Taken More Photos” — was named album of the year at November’s Latin Grammy Awards. Next weekend, Bad Bunny (whose real name is Benito Antonio Martínez Ocasio) will headline the halftime show at Super Bowl LX in Santa Clara.

He won earlier in the night for música urbana album and global music performance.

The other LPs nominated for album of the year were Justin Bieber’s “Swag,” Sabrina Carpenter’s “Man’s Best Friend,” Clipse’s “Let God Sort Em Out,” Lady Gaga’s “Mayhem,” Kendrick Lamar’s “GNX,” Leon Thomas’ “Mutt” and Tyler, the Creator’s “Chromakopia.”

In 2025, Beyoncé took the prize with “Cowboy Carter.”

Miguel Rojas is the latest Dodger to withdraw from consideration for the World Baseball Classic, joining Teoscar Hernández, Andy Pages, Andy Ibáñez and perhaps other players. MLB Network will reveal all 20 team rosters Thursday at 4 p.m. PT.

Rojas, who turns 37 next month, will not represent his native Venezuela because of difficulty obtaining insurance. The versatile World Series star expressed regret that he cannot play in an Instagram story that included a photo of himself with the Venezuelan flag draped over his shoulders.

“Today I am very sad,” he wrote in Spanish. “A real pity to not be able to represent my country and wear that flag on my chest. On this occasion, age wasn’t just a number.”

Insurance was required to guarantee his $5.5-million salary in case he missed Dodgers games because of injuries incurred during the WBC, which will take place March 5-17 in Tokyo, Miami, Houston and San Juan, Puerto Rico.

Rojas’ situation is similar to that of Clayton Kershaw ahead of the 2023 WBC. The pitcher was disappointed that he couldn’t play for Team USA because his injury history made obtaining insurance impossible. The Dodgers declined to waive his insurance requirement and assume financial risk in case Kershaw got hurt during the tournament.

“I’m frustrated,” Kershaw said at the time. “They should make it easy for guys that want to play to play.”

Insurance coverage protects teams from having to pay a player for time missed because of an injury stemming from the WBC, which requires participants to undergo entrance and exit physicals to document injury information.

Players can be deemed uninsurable for several reasons, a source told The Times in 2023. Included are players who finished the previous season on the injured list or spent considerable time on the injured list. Also uninsurable are players diagnosed with a “chronic condition.”

Rojas, who has said this will be his last major league season as a player, has sustained a succession of lower-body injuries in recent years. The 12-year veteran utility infielder began his career with the Dodgers in 2014 then played for the Miami Marlins for eight years before rejoining the Dodgers in 2023.

He will always be remembered by Dodgers fans for his game-tying home run in the ninth inning of Game 7 of the 2025 World Series against the Toronto Blue Jays. The baseball Rojas struck sold for $156,000 at auction.

This will mark the second WBC in a row that Rojas has missed. He was on Venezuela’s 2023 roster but withdrew after fellow infielder Gavin Lux tore his ACL during spring training, increasing Rojas’ role with the Dodgers.

Hernández has elected not to play for the Dominican Republic while Pages and Ibáñez — who signed a one-year, $1.2-million contract with the Dodgers this offseason — won’t suit up for Cuba. It is unclear whether insurance concerns were factors in their decisions.

However, Houston Astros stars Jose Altuve and Carlos Correa were forced to withdraw because of their inability to obtain insurance. Altuve would have played for Venezuela and Correa for Puerto Rico.

Dodgers who plan to play in the WBC include World Series heroes Will Smith of Team USA and pitcher Yoshinobu Yamamoto of Team Japan. Shohei Ohtani announced in November that he would play for Japan, although the two-way superstar has not decided whether he will pitch.

Smith will be a teammate of Kershaw, who because he retired from the Dodgers doesn’t need insurance now to participate in the WBC. In fact, he’s gone from needing insurance to being insurance.

“I just want to be the insurance policy,” Kershaw told MLB Network. “If anybody needs a breather, or if they need me to pitch back-to-back-to-back, or if they don’t need me to pitch at all, I’m just there to be there. I just want to be a part of this group.

“I learned a long time ago, you just want to be a part of great things.”