possession

CHICAGO — This was hardly a masterpiece of Big Ten basketball, what with the barrage of bricks and busted possessions. Nor was it the sort of night to convince you of UCLA’s chances as a surefire conference contender.

But amid the mess of its 72-59 win over 14th-seeded Rutgers on Thursday night, UCLA showed the sort of mettle it may need to keep its season kicking this March.

It started with Donovan Dent, whose masterful month continued with his first career triple-double — and the first triple-double in Big Ten tournament history. The senior tallied 12 points, 10 rebounds and 12 assists. He and Tyler Bilodeau, who added a game-high 21 points, were the rare bright spots on offense for the Bruins.

Otherwise, UCLA struggled to find any sort of rhythm. It shot just 38% from the floor, worse than it had in any win this season. And still, the Bruins were in control for most of the game after pulling away early in the second half.

None of that will fly against No. 3 seed Michigan State on Friday at 6 p.m. PDT, which beat UCLA by 23 points the last time they met.

But until Thursday it’d been quite some time since UCLA actually managed to win away from home. Not since Jan. 29 had it won outside of L.A., and only once this season had it won outside of the Pacific time zone.

For a while, it didn’t seem like UCLA intended to win Thursday, either. Even as Rutgers gave it every chance to pull away.

The Bruins did shut down Rutgers’ Tariq Francis, who was fresh off a 29-point performance in a first-round win over Minnesota. Francis didn’t score until the nine-minute mark in the second half. He finished with six points on two-of-11 shooting.

The two teams spent most of the first half trading wasted possessions and taking turns with their respective shooting slumps. Four minutes scoreless for Rutgers. Three scoreless for UCLA. Four scoreless for Rutgers. Then three scoreless for UCLA. Back and forth they went in their futility.

The Bruins had plenty of chances to build a lead early. While Rutgers struggled to find rhythm on offense, settling mostly for contested shots inside the arc, UCLA got its share of open shots all around the floor. It just wasn’t able to hit many of them. Both teams shot a meager 31% before halftime.

Those shots fell more frequently in the second half, as UCLA pushed its lead to 15. The Bruins still struggled to put the Knights away, until Dent took matters into his own hands late, pushing UCLA to victory.

Lakers center Deandre Ayton shoots over the Timberwolves’ defense on Tuesday at Crypto.com Arena.

(Ethan Swope / Associated Press)

With 33 missed shots between both teams in the first quarter, Deandre Ayton certainly had plenty of opportunities for rebounds, and the 7-foot center made the most of them.

Ayton almost single-handedly kept the Lakers in contention in the first half, scoring 12 of his 14 points in the second quarter and had a first-half double-double with 11 rebounds.

Ayton, who was scoreless in the first quarter but had six rebounds, scored three of his first four baskets off offensive rebounds. The only exception came when Reaves drove in the lane, wrapped a pass around his back as he found Ayton cutting down the lane for a vicious two-handed dunk. The crowd roared.

“He was a monster,” said Reaves, who had 31 points and eight assists. “… He was the only person scoring for us efficiently and then just being high energy on the other end, just doing what he does. That’s what we need him to do. When he does that, we’re a different team and we’re thankful to have him.”

Ayton’s effort has waned throughout the season, sometimes resulting in him getting benched late in games. But he provided major lifts in marquee wins against the Knicks (six points, eight rebounds) and Timberwolves to earn the confidence and trust of his teammates.

The Lakers needed Ayton at his best after backup centers Jaxson Hayes (back soreness) and Maxi Kleber (lumbar back strain) were ruled out of the game about 15 minutes before tip-off. Hayes was starring in his reserve role in recent weeks, bringing much-needed energy off the bench and a seamless connection with Doncic, but hearing that Ayton would have to hold down the front line by himself gave the former No. 1 draft pick extra motivation.

“I know I’m the only big,” Ayton said, “so I try my best to stay out there as long as possible, especially down the stretch.”

BOSTON — Charlie McAvoy scored 39 seconds into overtime and Jeremy Swayman stopped 14 shots on Tuesday night to earn the Boston Bruins their 13th straight victory at home, 2-1 over the Kings.

Mason Lohrei scored midway through the third period to break a scoreless tie. But the Kings tied it five minutes later when Drew Doughty’s shot from the blue line deflected off the heel of Bruins forward Elias Lindholm and into the net.

It was the seventh straight time the teams had gone to overtime in Boston.

In the overtime, Mark Kastelic blocked a shot in the defensive zone and made a long pass to David Pastrnak, who waited for McAvoy to come into the zone. The Bruins’ defenseman and U.S. Olympian, who went to the locker room at the end of the second period after taking a puck off his mouth, skated in on Darcy Kuemper and went to his backhand for the winner.

Kuemper stopped 21 shots for the Kings, who entered the night one point out of the second wild-card spot in the Western Conference. The victory kept Boston in possession of the East’s second wild-card spot.

Swayman tied his career high with his 25th win of the season. The Bruins haven’t lost at the TD Garden since before Christmas.

After the game, Kings forward and future Hall of Famer Anze Kopitar stayed on the ice to shake hands with the Bruins after what is expected to be his last game in Boston.

A pimp whose sex worker allegedly advertised on social media that she was willing to be anything from “arm candy” for a party to a “no strings attached girlfriend” has been charged with a slew of criminal charges in Kern County Superior Court.

The alleged pimp, Kevin Mays, was an assistant men’s basketball coach and former player at Cal State Bakersfield.

Mays faces 11 charges, including pimping, possession of automatic firearms and high-capacity magazines, and possession of methamphetamine and marijuana with intent to sell. An investigation by the Bakersfield Police Department also led to separate charges citing Mays for possession of more than 600 images of youth or child pornography and distribution of obscene matter involving someone younger than 18.

Mays, who was arrested in September 2025, is being held without bail. He has pleaded not guilty, and a preliminary hearing is scheduled for March 13 .

The case, first reported by Shwetha Surendran of ESPN, has upended the athletic department at CSU Bakersfield. Longtime basketball coach Rod Barnes and athletic director Kyle Condor have left their jobs, and Condor filed a lawsuit against the school alleging wrongful termination, according to court documents obtained by The Times.

CSU Bakersfield officials said the allegations against Mays did not involve a student. Nevertheless, the school formed a commission to examine the athletic program and recommend changes.

“When CSU Bakersfield received an anonymous report in August of 2025 that a member of our coaching staff was engaged in human trafficking, we took immediate action in notifying university police and the Bakersfield Police Department,” the school wrote in a statement. “Both agencies launched investigations that resulted in an arrest within days. Shortly after, the university terminated the coach.

“But the nature of the allegations devastated our campus community. We seized the opportunity to strengthen education and prevention efforts around human trafficking. To that end, we consulted with a local human trafficking expert and offered training and education focused on awareness and prevention for our campus community.”

Police said the alleged victim is 23. In the advertisement she posted last summer, she stated that she charged $300 for a half hour and $500 for 60 minutes. Authorities conducted a sting operation in September, arranging to meet her in a hotel room that Mays rented.

In an interview with police after the operation, she referred to Mays as her boyfriend and said he paid for her travel accommodations in Oregon, Washington and Nevada in addition to California.

Those locations were listed in an anonymous email to Barnes last fall titled “IMPORTANT MESSAGE 911 911.”

“HE IS TRAFFICKING A GIRL BY THE NAME OF [redacted],” the email read, according to police records. “HE HAS BEEN TRAFFICKING THIS GIRL SINCE MAY.”

Barnes turned over the email to university police, who attempted to contact the sender and received a subsequent email, according to ESPN. The tipster claimed to have known the alleged victim and Mays through previous travel for sex work. The person said Mays presented himself as a professional gambler and allegedly threatened to take away the tipster’s child if the person exposed his activities.

Mays, who was born in Queens, N.Y., attended high school at St. John’s Military Academy in Delafield, Wis., and played at Odessa Community College in Odessa, Texas, before transferring to CSU Bakersfield ahead of the 2014-2015 season.

“We are excited about signing Kevin as he fits our culture,” Barnes said of Mays at the time.

A year later, as a senior forward, Mays helped CSU Bakersfield to a 24-10 record and scored 14 points and grabbed eight rebounds in the Roadrunners’ first-round NCAA tournament loss to Oklahoma. He later returned to the school as a player-development coordinator.

In his application for the player-development position in 2019, Mays wrote that he was motivated by helping players improve on and off the court, according to school records obtained by ESPN.

“I gained lots of experience dealing with learning to lead young men and help them navigate the Division I experience in a successful manner,” Mays wrote. “CSUB helped me tremendously, and I look forward to giving back.”

Barnes was Mays’ coach, and he hired his former player last fall, paying him $3,000 a month. Now, Mays is in jail awaiting trial and Barnes is unemployed.

“The safety and well-being of our students and all CSU Bakersfield community members remain our highest priority,” the school said in its statement. “This work is sustained every day by the dedication of our faculty, staff and students. Their commitment to one another and to our shared values strengthens the culture of care and accountability we strive to build at CSUB.”

The Museum of Contemporary Art has acquired Kara Walker’s sculpture “Unmanned Drone,” a cornerstone of the museum’s groundbreaking “Monuments” exhibition.

It joins the 158 works by 106 artists that were added to MOCA’s permanent collection last year, including major works by Jacqueline Humphries, Mike Kelley, Shizu Saldamando, Mary Weatherford, Julie Mehretu and Nairy Baghramian. Fifty artists are new to the collection, including Jonathas de Andrade, Leilah Babirye, Meriem Bennani, Paul Chan, Cynthia Daignault and Ali Eyal.

“Unmanned Drone” — a towering testament to the power of transmogrification — commands a room of its own at the Brick, which co-presented the “Monuments” exhibition in October. Walker created the 13-foot-tall bronze sculpture out of a statue of the prominent Confederate Gen. Stonewall Jackson that was originally in Charlottesville, Va. The statue had been removed after serving as a significant gathering place for the infamous 2017 Unite the Right rally of white supremacists.

A detail of a severed arm — part of Kara Walker’s sculpture “Unmanned Drone,” which she created using a decommissioned statue of Confederate Gen. Stonewall Jackson.

(Etienne Laurent / For The Times)

In a review of “Monuments,” which declared the exhibition “the most significant American art museum show right now,” former Times art critic Christopher Knight called “Unmanned Drone” “devastating” and “brilliant.”

In an interview last fall, Brick director Hamza Walker explained to The Times that the city of Charlottesville issued a request for proposals from organizations interested in taking possession of the statue. The Brick applied and was deeded the statue, taking physical possession on Jan. 6, 2022. The gallery then gave the statue to Walker.

“They were getting rid of the Lee and the Stonewall Jackson statues, and they said, ‘We don’t want them put back up for further veneration,’” Hamza Walker said. “And so the idea of giving the statue to an artist fit that bill.”

Other applicants skipped over the line about not putting them up for further veneration, Hamza Walker said, noting that the Brick’s proposal was up against ones from Civil War battlefields and Laurel Hill, the birthplace of Confederate general J.E.B. Stuart.

A detail of the horse’s nostril in Kara Walker’s sculpture “Unmanned Drone,” which MOCA has acquired.

(Etienne Laurent / For The Times)

Kara Walker sliced apart the statue with a plasma cutter and welded it back together in an entirely new form. She did away with Jackson’s face and put much of the focus on his famous steed, Little Sorrel. The horse now stands upright with its head pushing out from the back of its saddle.

“She didn’t want you to be able to identify with him. She wanted the emphasis on Little Sorrel rather than the myth of the man,” Hamza Walker explained of Kara Walker’s intentions. “She wanted to reduce it to horse and rider.”

“The fiend has no head,” Knight commented in his review. “The folkloric Euro-American story of the ‘headless horseman’ comes to mind — a nightmarish, animated corpse who haunts the living. As a metaphor for obtuse white supremacy, still active today, that terror figure is hard to beat.”

Walker’s work was the only transformed statue out of the nearly dozen decommissioned statues related to the Confederacy featured in the “Monuments” exhibition. The others were all presented as they looked when they were removed, many during the protests that swelled in the summer of 2020 in the wake of the murder of George Floyd.

A detail of a sword on Kara Walker’s sculpture “Unmanned Drone.”

(Etienne Laurent / For The Times)

In addition to “Unmanned Drone,” MOCA announced several other acquisitions that were either featured in recent exhibitions or have significant connections to the museum. These include an environmental sculpture by Olafur Eliasson; work by Takako Yamaguchi; a media installation by Paul Pfeiffer titled “Red Green Blue” (2022), co-acquired with the Brooklyn Museum; and pieces by Cynthia Daignault, Shizu Saldamando and Henry Taylor.

“The expansion of MOCA’s collection this year reflects a sustained and deeply collaborative effort to think critically about what it means to build a museum collection in the twenty-first century,” Clara Kim, chief curator and director of curatorial affairs, said in a statement.