Joy Behar is trading her usual spot at “The View’s” roundtable for the spotlight in one of London’s West End theaters.
The comedian, who is one of the talk show’s longest-running hosts, is taking a temporary leave from the daytime program to take her play, “My First Ex-Husband,” overseas for the first time. The 83-year-old TV personality announced her break on Tuesday, on the podcast, “Behind the Table,” a companion program of “The View.”
“I fly to Paris this week, and then I go take the Chunnel to London after a week, and I’ll be in London a second week doing my play, ‘My First Ex-Husband,’ at the Boulevard Theatre in the West End,” Behar said on the podcast.
Behar confirmed she has already pre-taped several installments of “The Weekend View,” ahead of her absence. She will miss the next two weeks of tapings. Her last appearance on the weekday edition of the show is Thursday.
In Behar’s absence, several “View” regulars will step in. Brian Teta, the show’s producer, said on the podcast that Sheryl Underwood, Kara Swisher and Ana Navarro will make appearances in the coming weeks. Whoopi Goldberg, another one of the talk show’s staple personalities, will also be coming in on Fridays, which is her usual day off.
“I don’t think she knows yet, but I’ll let her know that she’s going to be here,” Teta joked of Goldberg’s new responsibility.
Behar’s play, “My First Ex-Husband,” first debuted off-Broadway in New York in 2025. The comedian wrote the show over the span of 12 years. The story follows a rotating cast who tell chaotic stories about past relationships. The play is set to debut in the coming weeks, according to Behar. She and Jackie Hoffman will be two American narrators for the show, while two British actresses perform the scenes.
Spotify Technology SA announced several new initiatives — from concert ticket perks to a major AI-generated music licensing deal — that the Swedish audio streaming company said will help fuel growth over the next four years.
At the first investor day led by new co-chief executives Gustav Söderström and Alex Norström, Spotify outlined a vision revolving around features that will allow people to personalize their listening experience, whether with music, podcasts, audiobooks or working out. Investors liked what they heard, pushing Spotify shares up as much as 18% over the course of the presentation.
Spotify addressed one of Wall Street’s biggest concerns about artificial intelligence by announcing a major new licensing deal with Universal Music Group NV. The agreement will let Spotify launch a tool to let fans create covers and remixes of their favorite songs from artists and songwriters who opt in. Powered by generative AI, the tool will be available as a paid add-on for Spotify Premium users. It will open up additional revenue streams for Spotify and create a new source of income for artists and songwriters on top of what they already earn on the platform, according to the companies.
Spotify has been working with the music industry on ways to harness the power and consumer interest in AI without violating artists’ rights. Last October, the company announced an agreement with the biggest record labels to use AI in a “responsible way,” but didn’t specify at the time what those tools would look like.
“This era of generation doesn’t need to threaten the future of music,” said Charlie Hellman, Spotify’s head of music. “Because we built the system legal, trusted and aligned, we can make sure that the value flows back to the people who created it.”
In another big announcement, the company laid out plans to work with Live Nation Entertainment Inc. to offer Spotify subscribers the option to purchase two tickets to their favorite star’s concert before they go on sale to the general public. The move could help resolve some of the issues fans have had in beating ticket resellers to face-value tickets, while encouraging customers to stay on as subscribers even as Spotify raises monthly fees.
Fans have long complained about the ticketing process for live performances, which often pit people against bots and scalpers, leading to high prices and sold-out shows.
“It’s frustrating for fans,” said Rene Volker, head of live events. “It’s frustrating for artists too, who look out at a crowd and wonder, are the fans who built my career actually here?” The new “Reserved” perk is designed to relieve some of that tension. “No racing bots, no chasing around online for presale codes. Just two tickets held for you,” she said.
The presentations Thursday were designed to comfort investors and prove that Spotify can still innovate. Wall Street has been skeptical that the company can rein in costs while staying ahead of competitors, particularly as it relates to AI. Those concerns have weighed on shares this year, sending them down 25% through Wednesday’s close. While the company makes most of its money through subscriptions, the executives sought to reinforce the idea that they have other levers to pull in order to generate sales beyond monthly fees and that people are willing to spend more for certain features.
The company outlined its growth targets through 2030, including a compound annual growth rate in the mid teens, a gross margin of 35% to 40% and an operating margin above 20%. Spotify remains committed to its long-term goal of 1 billion subscribers, $100 billion in revenue and over 40% in gross margin, the executives said.
Spotify sees its podcast and audiobook features as complementary to music and said the combination of the multiple verticals has helped broaden its community and convert users from free listeners to paid subscribers. Today, more than 500 million people have streamed a video podcast on Spotify, up nearly 50% from a year ago. And in just a few years, Spotify has captured about 20% of the audiobooks market in the US, executives said. People who use all three verticals — music, podcasts and audiobooks — are engaging with Spotify almost every day of the month, according to the company.
Giving people the tools to personalize their listening experience helps keep them in Spotify’s universe — creating what executives described as the “all day user.”
Personal Podcasts, for example, lets people write a prompt in the Spotify app and AI will create a unique podcast in response.
“We see this much more as a daily brief and a recommendation engine than something that would replace you listening to one of your favorite podcasts,” Söderström said in an interview. He noted that 60% of users in mature markets for Spotify don’t yet listen to podcasts, so features like Personal Podcasts could get them to dive into the medium.
The company said its podcast business has been profitable for two years.
Spotify’s Audiobook+ tier gives listeners more than their allotted 15 hours of audiobook listening per month for an additional fee. It has 1 million subscribers and is on track to generate $100 million in annualized revenue, the company said. To capitalize on the demand, Spotify will start selling even more audiobook hours to super users. Additionally, it will allow podcasters to offer memberships, so subscribers can access special episodes and other content. Spotify will take an undisclosed slice of revenue from the memberships.
Lindsie Chrisley, one of reality star Todd Chrisley’s two children with his first wife, was arrested Saturday night on suspicion of driving under the influence in Concord, Ga.
The podcaster was booked on charges including DUI less safe — a DUI charge for those whose blood alcohol is less than 0.08% — attempting to elude police, improper passing, reckless driving and speeding, according to a police report obtained by The Times. Her bail on the five counts totaled $5,961, according to the Cherokee County Sheriff’s Office.
“I got pulled over speeding past a car on a two-lane road because they almost hit an animal,” Chrisley told TMZ, which first reported the arrest. She said she was trying to miss that car and “whatever the animal was.” She said she planned to fight the charges.
Law enforcement had a different story to tell in its report, alleging that she was pulled over for traveling 86 mph on a surface street. After the deputy activated the lights on his car and initiated the traffic stop, Chrisley allegedly passed “multiple suitable stopping locations” before finally pulling over at a Chevron station, the report said.
The sheriff’s deputy who spoke with Chrisley said in his report that her stories weren’t making sense, her speech was slurred and her breath smelled of alcohol. After she was asked to step out of the Ford Bronco, she told the officer she didn’t know why she had been pulled over, then said it was because she had swerved around another vehicle that had “almost hit a deer,” the report said. The officer asked her if that was why she was speeding and she said “that is exactly why,” according to the report, then talked about the car in front of her brake-checking her as she drove home and said she hadn’t been traveling at nearly 90 mph.
The report said she refused to participate in field sobriety tests when the deputy asked her to and she also declined a blood test. No contraband was found in the car, according to the report.
Chrisley, 36, was released from custody around 4:15 a.m. Sunday morning.
Her encounter with law enforcement comes after her then-boyfriend, David Landsman, was arrested in Cherokee County in mid-April on a felony charge of aggravated assault/strangulation and a misdemeanor charge of battery after he allegedly placed his hand around a person’s neck and told them they were “not going anywhere,” People reported.
Lindsie Chrisley, the host of “The Southern Tea” podcast, appeared in 20 episodes of “Chrisley Knows Best” from 2014 into 2017. She and brother Kyle Chrisley are the children of Teresa Terry, Todd Chrisley’s first wife.
Todd and second wife Julie Chrisley were convicted of bank fraud and tax evasion in 2022 and imprisoned at separate facilities. Todd was serving a 12-year sentence in Florida and Julie was serving seven years at a facility in Kentucky when President Trump pardoned them in 2025, clearing the convictions from their records and ending their sentences.
Lindsie was estranged from her family for years over their suspicion that she had squealed to state and federal officials. Todd and Julie sued the state of Georgia in 2019, alleging that a tax official had targeted the couple’s estranged daughter and improperly shared confidential tax information to try to elicit compromising information on the family. As a result of the official’s efforts, the Chrisleys were forced to “incur substantial personal and financial hardship,” the suit said.
Sources who said they were close to Lindsie told TMZ in October 2019 that she spoke with the state official only to get updates about when her father might be arrested, so that she could shield her young son from any drama. In 2022, she said on her podcast that she and her father got back in touch after her second filing to divorce husband Will Campbell went public in summer 2021. The family members did crossover appearances on their various podcasts.
However, the reconciliation appeared to be short-lived, with Lindsie saying on her podcast in March 2025 that she hadn’t had any contact with her dad in a year.
On The Chequered Flag podcast, former McClaren mechanic Marc Priestley and F1 journalist Rebecca Clancey discuss the rivalry between Mercedes team-mates Kimi Antonelli and George Russell in their bid to top the Drivers’ Championship.
OLIVIA Attwood has signed a huge seven figure beauty deal after it’s revealed she’s cracking US with her podcast.
Olivia, 35, was announced as a new brand ambassador for beauty giant Lookfantastic last month.
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Olivia Attwood has signed a huge seven figure deal with LookfantasticCredit: SplashOlivia was announced as a brand ambassador last month and stepped out in London on Friday to support the brands new pop upCredit: Splash
Today, the former Love Island star stepped out in London for a new pop up event in the capital as part of her new role.
Now, The Sun Online can reveal Olivia’s deal with Lookfantastic is worth seven figures.
A source said: “Olivia’s lookfantastic deal is worth a high seven figures and she also signed an exclusive deal with La Roche Posay as part of it.
“Olivia loves the brand and they love working with her so it’s a perfect fit. She’s got so many deals on the table right now”.
Olivia is making great strides into cracking the US with her podcast, Olivia’s HouseCredit: YouTubeOlivia has spoken about her fan base in the US and working across the pond moreCredit: Getty
Olivia, who rose to fame on series three of Love Island in 2017, has also featured in a Maybelline campaign for its Sky High mascara in recent weeks.
That’s alongside her fashion collaboration with River Island, her TV and radio work and her popular podcast, Olivia’s House.
“When I’m doing television and radio, people ask, ‘Why a podcast?’. The podcast is a connection with my audience that’s so direct.
“I also wanted it to aesthetically represent the vibe that I feel like it reflects me and my style more.”
She also added to Mail Online in March after her ITV series Getting Filthy Rich and The Price Of Perfection were picked up by Disney+: “Love Island is huge in America, the UK one so I feel really lucky there was already quite a large US audience on my Instagram, they are definitely happy to have the shows available, also in Australia as well.
“I’m very happy with my career as it is right now. I mean I’ve had offers, I’m not looking to jump ship right now, but yes, at some point I’m sure we’ll do something over there.”
The latest episode of the Venezuelanalysis podcast sees VA editor Ricardo Vaz speak with Austin Cole and Michela Martinazzi about international solidarity with Venezuela and the challenges of organizing against imperialism from inside the United States.
The discussion covers solidarity initiatives, escalating US attacks abroad and repression at home, the need to connect struggles for justice domestically and internationally, and the difficulties social movements face in building meaningful solidarity and broad coalitions.
The deal, valued at more than $300m, gives Murdoch control of a storied magazine and a podcast division with a reach valued by advertisers.
Published On 20 May 202620 May 2026
Media scion James Murdoch has agreed to acquire New York Magazine and the Vox Media Podcast Network in a deal that will significantly expand his portfolio and stands to boost his influence over news and entertainment.
“This acquisition reflects both our interest in the forward edge of culture and our deep commitment to ambitious journalism,” Murdoch, the younger son of media mogul Rupert Murdoch, said in a statement on Wednesday announcing the transaction. His company Lupa Systems will buy both properties from Vox Media.
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The deal, valued at more than $300m, gives Murdoch control of a storied magazine known for its coverage of culture, politics and fashion, and a podcast division whose reach, among a demographic coveted by advertisers, rivals that of cable television news networks, according to several people with direct knowledge of the acquisition. The politics news site Vox.com is also included.
Murdoch and his wife Kathryn Murdoch were intimately involved in courting key talent from Vox, specifically Kara Swisher and Scott Galloway, stars of the popular Pivot podcast, as well as several other programmes on the company’s podcast network.
“I like James and Kathryn,” Swisher said in a phone interview. “Unlike many other media owners these days, they’re savvy about the business and willing to take smart risks.”
Vox’s podcast division was valued much higher than New York Magazine in the transaction, two of the people said, spotlighting the importance of making sure top programmes were locked in. Pivot, for example, has three years remaining on its contract, which will continue under Murdoch. Swisher met with the investor and his wife Kathryn several times before the deal came together.
“In a company like Vox, if its talent doesn’t like something, it’s not gonna happen,” Galloway said in an interview. He added, “James is the only Murdoch that this deal could have happened with.”
Several years ago, James was locked in a fierce dispute with his father over the editorial direction and future control of the family’s media empire. In 2019, he founded Lupa after stepping down as chief executive of 21st Century Fox. In 2020, he resigned from the board of News Corp, the publishing arm of the family’s media empire, citing “disagreements over certain editorial content”.
Vox’s podcast and publishing assets will operate as a subsidiary of Lupa Systems, which also owns Art Basel, which hosts annual events in Paris, Miami, Hong Kong, and Doha, and Tribeca Enterprises, the media and entertainment company cofounded by Robert De Niro and Jane Rosenthal.
Vox Media CEO Jim Bankoff will join Lupa Systems and will continue to lead the brands under the Vox Media label, he said in a note to the company’s staff, adding the deal is expected to close in four to six weeks.
New York Magazine’s publications include The Cut, Vulture and Intelligencer, with a digital audience of tens of millions and more than 400,000 paying subscribers currently.
The acquisition does not include other Vox Media brands such as Eater, Popsugar and The Verge. These brands, along with SB Nation and The Dodo, will become an independent company under a new corporate name.
James’s father, Rupert Murdoch, once owned New York Magazine from the late 1970s till he sold it in 1991.
Considering the amount of comedy that was dropped on L.A. last week for the third Netflix is a Joke Festival, the idea that anyone can see it all is laughable. Yet of course, like fools, once again we tried. Between big outdoor shows, theaters and intimate club gigs, the seven day smorgasboard of stand-up, improv, variety shows, marathons and more was a wild ride we won’t soon forget. Here is our list of the funniest shows we saw at Netflix is a Joke 2026.
Monday, May 4
Ron White, from left, Jim Jefferies, Sam Jay, Shane Gillis, James McCann and Dan Soder at the Hollywood Bowl.
(Adam Rose / Netflix)
Shane Gillis and Friends Hollywood Bowl As a sea of comedy fans filled up the Hollywood Bowl to kick off the first outdoor event at Netflix is a Joke, Shane Gillis brought the energy of a season-opening football game to L.A.’s biggest bandshell. Commanding a solid roster of veteran comics including James McCann, Sam Jay, Ron White, Dan Soder, and Jim Jeffries, Gillis took on the role of a grizzled and playfully perverse football coach hosting the night and telling funny stories about his days as a very average high school football player on crappy all-white teams before he blew up in comedy.
“Whoever the home team was in high school football you got to pick the intro song that you would run onto the field to to get hyped. So when me and the white guys were the home team, our music would be like ‘Cut my life into pieces…’ [singing Papa Roach’s “Last Resort”] something scary, something suicidal. That’s as intimidating as white dudes get…sad. Those are the most dangerous whites. If this game doesn’t go well I might shoot this whole thing up on Monday,” Gillis joked.
Fortunately it did go pretty well throughout the night as Gillis brought up each comic that used their different styles to score plenty of laughs throughout the night. (Nate Jackson)
Mike Ward Dynasty Typewriter
Comedy transcends lines and borders, so when we heard that comedian Mike Ward hopped his own border in Canada to be at Dynasty Typewriter, we were all in. Rachel Bonnetta opened the show with a mix of playful confidence and high-energy hilarity, perfectly warming up the crowd before introducing the main attraction to fans. Record breaker and a master of storytelling in French, he didn’t disappoint with his all-English crossover, covering everything from his legendary Supreme Court of Canada case to teenage lust, dating after marriage, attempting generosity, and “trunk love.” Ward mentioned jokes translating from French to English and how they’d hit, but he was definitely in his element, and it all translated to perfect laughs. (Ali Lerman)
Tuesday, May 5
Theo Von and Mike Tyson record a live podcast at the Wiltern.
(Matthew Salacuse/Netflix )
Theo Von: ‘This Past Weekend’ Live- Guest: Mike Tyson- The Wiltern
Stand-up might own the Netflix Is a Joke Festival, but the podcasts they delivered are absolutely worth talking about. For Theo Von’s first-ever live taping of his hit podcast “This Past Weekend,” he landed the ultimate guest: Iron Mike Tyson. The sold-out crowd at the Wiltern erupted the second Von hit the stage, but that was nothing compared to the deafening roar of screams and “We love you, Mike!” when Tyson walked out.
Tyson admitted he wasn’t familiar with Von, but thankfully stated he did indeed like him, because that would have really messed up the rest of the episode! The two share an inquisitive and child-like energy, turning heavy conversations about growing up broke, the solitude of incarceration, and desperate cries for attention, into something remarkably light. Tyson’s vulnerable side was also on display while speaking about his daughter dying tragically, God’s plan for him, and speaking about his mentor Cus D’Amato, which quite literally brought him to tears. Can a show be heartfelt and insane at the same time? Definitely interested to see how they edit a few things, but when this knockout episode comes out, you’re truly in for a beautiful treat packed with plenty of wild moments. (A.L.)
Seinfeld featuring Leanne Morgan The Greek Theatre
Blending the big-city humor with hilarious Southern comfort might sound like an odd pairing when talking about comedy, but something about the combo of Jerry Seinfeld and Leanne Morgan just works. Yes, we love a good rant about the terrors of technology from a comedy legend like Seinfeld, who got famous long before the advent of artificial intelligence and smartphones. But his crotchety comedy on a cold night at the Greek Theatre was complimented by Morgan’s ability to add warmth and sweetness to her smack talk about being a small town cheermom in the world of competitive cheerleading which she described as “the Olympics meets Honey Boo Boo.”
Most big comedy shows at the fest had a strict no cellphones policy, Seinfeld was content with just reminding us that our friends are all sick of our stupid cellphone videos. “They don’t care what you’re doing, your life, your experiences, any more than you care about what your friends are doing…everyone is sick of everything. That’s where we’re starting tonight.”
Both are recognized around the world for being on popular TV shows bearing their names. One star seemed genuinely enthralled that people recognized her and clapped when she came out, the other one seemed like he couldn’t get out of the show fast enough and get back to bed. But the mix of both energies of these authentic polar opposites worked well together to keep the crowd laughing. (N.J.)
Wednesday, May 6
David Spade, Dana Carvey and Chris Rock at the Orpheum Theatre.
(Kit Karzen / Netflix)
‘Fly on the Wall’ podcast with Dana Carvey, David Spade and Chris Rock The Orpheum Theatre
The best way to get amazing stories out of a famous comedian is to be one yourself. It’s the reason a podcast like “Fly on the Wall” with David Spade and Dana Carvey succeed at squeezing the best out of their guests who are often on somebody’s Mt. Rushmore of Comedy. For the festival, the two “Saturday Night Live” alumni brought out the big guns by inviting their buddy Chris Rock downtown — ”way downtown” by his estimation — at 6 p.m. last Wednesday to the Orpheum for a live taping of the podcast. The three stars began by diving ever-so-casually into stories about their interactions with Michael Jackson, Tupac, Kanye and Dave Chappelle. Rock also got to expound on the classic period where he released some of the best comedy specials ever made.
He talked about his groundbreaking hour “Bring the Pain” being the result of doing as many shows as possible to pay for a divorce and as a result, “I got way better” he told Carvey and Spade. “Then I went on a Rocky run where he was knocking motherf— out.” He took that momentum into his next classic special, 1999’s “Bigger & Blacker,” that helped reshape the face of stand-up. “There’s a time in your life when you’re just a vessel and I was in that point of my life,” Rock said. (N.J.)
Nate Jackson at Laugh Factory Hollywood
It’s a skill for a comedian to be able to sit in the pocket of a crowd’s energy and keep a room full of people laughing and on their toes at the same time. Try doing it for six shows back to back. While it’s not the most consecutive sold-out shows he’s ever done at a venue (last year he delivered nine in a row at Zanies in Nashville), Nate Jackson’s ability to leave a mark on the fest at his week-long residency at Laugh Factory Hollywood was akin to watching an executive chef doing a week of cooking in his restaurant. In Jackson’s case that meant delivering some third-degree burns in the front several rows of the crowd known as the “roast zone.” When it comes to killing his customers Jackson prefaces every show the same way. “Rule number one, if I look at you and you don’t want no smoke, look away,” he told the Laugh Factory crowd.
“That is the rule and the standard, I do not get people unless they lock eyes and give me consent. As a matter of fact, this is called the Roast Zone. If anybody is accidentally down there, it’s time to get the f— out. Because rule number two is, if I look at you and you look at me and I start and you don’t like what I decided to talk about, looking away will no longer save you.” To the people that got a little too charred during his show, don’t say he didn’t warn you. (N.J.)
Thursday, May 7
Noah Wyle and Jon Stewart at the Hollywood Bowl.
(Adam Rose / Netflix)
Night of Too Many Stars Hollywood Bowl
It was a starry, starry night at Thursday’s sold-out Hollywood Bowl Netflix is a Joke Presents: Night of Too Many Stars epic comic bonanza fundraiser benefitting autism programs nationwide, including Autism Speaks. Founded in New York by writer-producer Robert Smigel and his wife Michelle in 2003 following their son Daniel’s autism spectrum disorder diagnosis, the Los Angeles gala was hosted by longtime supporter Jon Stewart and featured a roster of top–tier stand-up talent including Niki Glaser, Ali Wong, Conan O’Brien, Tiffany Haddish, Sarah Silverman, John Mulaney and Adam Sandler, who closed the show with a trio of upbeat tunes. Cast members of reality shows such as “Love on the Spectrum” were also on deck to introduce comics, and auction items throughout the event raised crucially needed funds for individuals on the spectrum: a mock “physical examination” by Noah Wyle, star of HBO’s juggernaut medical series “The Pitt” fetched $18,000; a woman paid $50,000 to be animated into an episode of “The Simpsons.” One man stood up and donated $100,000 with no prize attached. The most special part of the night: I attended along with my son, 19, who is on the autism spectrum and laughed and smiled for three hours straight. (Malina Saval)
Wanda Sykes Dolby Theatre
Politics, family, inflation, racism, weight gain and greed were among the multiple topics lampooned by Wanda Sykes during a dynamic and often wickedly funny tour stop at the Dolby Theatre last Thursday. Despite the large venue and packed-in audience, Sykes created an intimate club vibe, walking onstage in a utilitarian jumpsuit and instantly bonding with the audience over just how weird things have become in present-day America.
She likened 2026 to the Upside Down in “Stranger Things,” but populated with pedophiles, grifters and racists instead of demogorgons. Turn it upside down “and a billionaire falls through the ceiling,” she said. Her impersonation of Trump dancing and chatting with Epstein in the now infamous video clip was pure brilliance. How a 5-foot-2 Black woman looked more Trump than Trump was a feat unto itself.
Sykes also bemoaned the greed behind things marketed as conveniences, like supermarket self-checkout (“We’re working for free!”), food delivery bots and airport wheelchairs that get passengers to their gate without attendants. “That was someone’s job!” she said. Then added, “What if walking fast and [pushing heavy things] was the only thing they were good at?” Opening for Sykes was her former sidekick on “The Wanda Sykes Show,” Keith Robinson. (Lorraine Ali)
“Kill Tony” Intuit Dome
The number one live podcast in the world, “Kill Tony,” returned to its roots in our beloved city on Thursday, and this time for the local masses at Intuit Dome. Co-hosted by Tony Hinchcliffe and Brian Redban, when there’s a show of this caliber during a festival, you just know the guests are going to be jaw droppers. Fighting the L.A. traffic to kick off the Dome show were Jelly Roll and Teddy Swims backed up by the Kill Tony Band, maybe? You know, it was hard to hear through all the women screaming. Kidding, we were all scream-singing, and it was such a fun way to start a show. Sitting on panel were beloved KT guests Harland Williams and Gabriel Iglesias, and the “legends bucket” made its way to its first arena in L.A., and the pulls were indeed clutch. Ron White, Joe DeRosa, and Tony’s number one favorite comic, Tony Hinchcliffe (played by Adam Ray), showed the crowd exactly what effortless and absolutely merciless veteran comedy looks like. Between bucket pull madness, a ton of Golden Ticket winners dazzled throughout, treating L.A. to a little slice of what we see in Austin on Mondays. (AL)
Friday, May 8
“Stamptown” at the Montalbán Theatre.
(Aaron Epstein / Netflix)
‘Stamptown’ Montalban Theater
Comedy variety show “Stamptown” begins with master of ceremonies Jack Tucker (the clown persona of Zach Zucker) descending from the ceiling covered in sweat as pyrotechnic flares explode on stage and electric guitars summon him before he falls flat on his face. But don’t worry, it only gets more insane from there. Part musical revue, part comedy showcase, and part circus — “Stamptown,” which filmed its shows for an upcoming Netflix special, is what happens when the lunatics get control of the asylum and decide to put on a Las Vegas show from hell. Tucker’s rapid-fire delivery is punctuated with sound effects, music cues, and the use of a variety of props dangling from his person at all times (including handcuffs, a wad of cash, and two guns). Featuring celebrity cameos, acrobatic stunts, full-frontal nudity, and the show’s stagecrew and audience members getting in on the chaos — “Stamptown” is a true homage to the theatrical possibilities of performance that toes the line ofwhat you think is possible to be done under the label “comedy show.” “Stamptown” at the Montalbán was filmed as part of a Netflix special that will air later this year, which any lover of brain rot and pageantry should be sure to check out. (Leila Jordan)
Dave Chappelle The Palladium We’re not allowed to say anything about went on at the Dave Chappelle three-show residency at the Palladium other than the fact that it was an evening of music and comedy. Per usual they locked up the crowd’s phones to see his show but fortunately there were plenty of actual cameras capturing what went on so hopefully you get to see what we saw very soon. (NJ)
Hasan Minhaj versus Ronnie Chieng Dolby Theatre Known for their spirited debates on “The Daily Show,” political satirists Hasan Minhaj and Ronny Chieng faced off in a comedy showdown where they challenged one another to prove who is better suited to fix a broken America, Asians (Chieng is from Malaysia) or Indians (Minhaj’s parents are from India)?
Never mind that Indians are South Asians, the two comedians got plenty of laughs backing up their absurd arguments with flow charts, graphs, curated news clips, a faux AI bot called “Niri,” and plenty of racist rhetoric. They broke down the debate into categories: Who’s better at academics? Business and the economy? Cuisine? Chieng argued that Asians are better at sports with a list of Olympic gold medal wins over the past three Summer Games. He won’t use all of Asia, he said, just China. Result? The country had over 100 gold medals. India had just one. Minhaj wondered aloud: For people who love gold so much, why is it so hard for us to win one?
Their choreographed debate exploited and skewered stereotypes via expert timing and pointed wit, hitting home with the predominantly Asian and South Asian audience. (L.A.)
Saturday, May 9
Atsuko Okatsuka with Margaret Cho and Trevor Noah at the Orpheum.
(Andrew Max Levy / Netflix)
Atsuko Okatsuka The Orpheum Theatre
An Atsuko Okatsuka show is typically full of surprises as a result of her offbeat humor and twerk-master physicality. Her show at the Orpheum is the result of a brand-new hour she’s been performing on her Big Bowl Tour and includes plenty of jokes about dinosaurs and love of Jamaican dancehall choreography. But before she even took the stage with new material, fans got gleefully blindsided by the appearance of two comedy titans, Margaret Cho and Trevor Noah, who came out to deliver punchy opening sets that got loads of laughter to set the tone for Okatsuka’s evening of examining reality through her absurdist lens as an artistic performer who often feels like she’s from another planet. At the end of the show she announced that after releasing her first two specials on HBO (“The Intruder” in 2022) and Hulu (“Father,” which came out in 2025) her next special will be released (surprise!) on Netflix in 2027. (N.J.)
‘My Crazy Ex-Girlfriend’ Reunion
“Crazy Ex-Girlfriend” premiered on the CW Network in 2015 and managed to tell a complete four season story about mental illness in a musical comedy series that featured parody songs on everything from “Cats” to modern pop music to Jewish folk songs. Seven years after it ended, the cast and creatives behind the show reunited to perform a stripped-down selection of the series’ beloved songs. But this concert is not meant to serve as an introduction for those unfamiliar with the original show. The reunion performance is a tribute both to the miraculous existence of “Crazy Ex-Girlfriend” and to the devoted fans who still know all the words to songs like “Let’s Generalize About Men” and “Don’t Be a Lawyer.” (L.J.)
James McCann Hollywood Improv (Main Room)
Australian-born comedian James McCann topped the bill Saturday night at the Hollywood Improv, and the eclectic crowd packed the place ready to celebrate his arrival in L.A. Host Benton Harshaw and openers Ruby Setnik and Sam Campbell absolutely connected and killed. And if my word count were double, they’d get individual praise for setting the room up perfectly. High energy was the vibe when McCann got on stage to wild roars from the 9:30pm early show crowd and his energy match, noting he was excited to be at the historic club himself. Mullet looking flawless, poems in tow, and dark humor dialed to an 11, he questioned L.A.’s homeless crisis, may have questioned the audience a bit too much, and tore through his thoughts on a census overhaul, the insanity of the TV show “Survivor” (yes, it’s still on), the glory days of drinking, and having visions of finally being successful enough to hire his dream team. (A.L.)
Tom Segura, left, and Bert Kreischer speak during the Two Bears 5k event at the Rose Bowl.
(Jerod Harris / Getty Images for Netflix)
2 Bears 5K Rose Bowl
Can’t. Type. Too. Sore. And that’s not even from the run-walking, it’s from the afterparty inside Rose Bowl Stadium in Pasadena. Whether you kicked off this magical day of athleticism in downward dog with Ari Shaffir, or if you went straight for the starting line with Bert Kreischer, Tom Segura, and a svelte-looking Jelly Roll (bravo!), there was stretching, pacing, sweating and rejoicing to be had. The hang was so casual it allowed participants to rub elbows with a surplus of comics on hand like H. Foley, Kevin Ryan, Steph Tolev, Jefferson McDonald, Joe DeRosa, Jessimae Peluso, Greg Fitzsimmons, Daphnique Springs, Brittany Ross, Ian Fidance, Kim Congdon, and Dave Williamson. The finish line led runners directly into the Rose Bowl where there was plenty of Por Osos flowing, snacks, interactive games and recovery stations, and a live taping of 2 Bears 1 Cave with our favorite boys and celeb participants.
Sunday, May 10
Marcello Hernandez performed with Feid at the Hollywood Bowl on Sunday.
(Koury Angelo / Netflix)
Marcello Hernandez and Feid Hollywood Bowl
On “Saturday Night Live,” he plays a Latin Lover named Domingo. But at the Hollywood Bowl on Mother’s Day Sunday, headliner Marcello Hernández riffed on his real life as a mama’s boy growing up in Miami — expanding on material from his 2026 Netflix special, “American Boy” — and duly invited out his mom, Isabel, who was met with a standing ovation. “God gave me a mother who worked her entire life for me,” said Hernández, who eased on his elastic goofball schtick to exalt immigrant mothers. “Today, I give thanks to her — and to all the mothers who are here, as well as those you left back home.”
Attended by nearly 17,000 people, the Bowl’s biggest Spanish-language comedy event also featured a special (and sensual) musical performance by Colombian reggaeton heartthrob Feid, as well as Mexican comedian Sofia Niño de Rivera, who opened the show with her own riotous act. At some point she asked the audience if beating piñatas had been canceled by the woke mob; you’ll just have to trust me when I say it’s even funnier in Spanish. (Suzy Exposito)
Roast of Kevin Hart Kia Forum Los Angeles showed up to the Forum in Inglewood for the roast of Kevin Hart, the comedian we love to hate but also love to laugh with. It was a brutal takedown of Hart that could only be accomplished by the utmost respect and love from his peers. A surprise appearance by his longtime rival Katt Williams brought the entire house to their feet. Sheryl Underwood expertly executed the punchlines and made the culture the star of her set. Chelsea Handler could have been the star of her own show. The Rock’s WWE entrance brought the heat of the pyrotechnics to the stage with his explicit propositioning of Hart’s wife, Eniko, and an attempt to breastfeed Hart. Some controversial jokes by lesser, edgy comedians fell flat but Jeff Ross, the master of roasts, held the tempo together and kept the roast moving forward. There was something for everyone in this, as Hart, the hardest working person in comedy, has become famous for. (Janelle Webster)
Flight of the Conchords The Greek Theatre
Experiencing Flight of the Conchords at the Greek is something many fans of their lusty, yet-bone-dry musical comedy haven’t gotten to experience in a while. It’s been eight years since Jemaine Clement and Bret McKenzie have put us on “Business Time” with their stripped down odes to sexy R&B mixed with a hint of yacht rock, hip-hop power pop and whatever else they decided to throw together from their bag of classic jams that earned them fans in the early aughts. Following a killer opening set from comedian Arj Barker, Flight of the Conchords took the stage looking a bit more like silver foxes than young birds, which made the timeless chuckle-inducing tunes like “Robots,” “The Most Beautiful Girl (In the Room),” “Hurt Feelings” and “Business Time” land with even more impact as the crowd enjoyed some long-awaited nostalgia. Did they forget a few lyrics? Miss some solos? Mess up entire songs? Sure! But with a dose of Kiwi banter and the ability to laugh at themselves, the mistakes only made the show funnier and a reminder of why we’ve missed them. (N.J.)
When political commentator Ana Navarro recently arrived at Mercado Little Spain, the José Andrés-owned food hall downstairs from CNN’s New York studios, a seat was ready for her constant companion, a rust-colored miniature poodle named ChaCha.
“I am her service human because I’m servicing her all day,” Navarro said of the well-behaved pooch who has been by her side since the 2020 COVID-19 lockdown.
As Navarro and a reporter order tapas dishes for the next two hours, patrons at nearby tables raise their cellphone cameras. Andrés’ daughter Carlota stops by and gives an update on her father, a Navarro pal. Later, a Spanish-speaking young woman comes over and thanks Navarro, a political exile from Nicaragua, for defending immigrants amid the aggressive deportation efforts of the Trump administration.
In a fragmented media world where critical mass is becoming harder to attain, Navarro has become one of media’s most recognizable political talking heads thanks to her two high-profile TV roles.
She is a co-host of ABC’s “The View,” the No. 1-rated daytime talk show that has become a target in Federal Communications Commission Chairman Brendan Carr’s efforts to discipline President Trump’s broadcast media critics. She is also a regular panelist on CNN’s roundtable program “NewsNight with Abby Phillip,” which extends its reach far beyond its modest ratings through frequent viral clips on social media.
In February, Navarro, 54, joined the growing list of media personalities who have launched a digital platform to reach consumers no longer watching traditional TV with a weekly podcast for iHeart called “Bleep! With Ana Navarro.”
Navarro is her uncut self on “Bleep!” She interviews guests but can also go into a 30-plus minute monologue without a script when she records at iHeart’s midtown Manhattan studios, where ChaCha looks on from a cushy pillow.
Navarro delivers her arguments against the Trump administration as if she’s schmoozing with friends across a kitchen table. She always appears calm but as the podcast title suggests, she serves up a few four-letter words she doesn’t use on TV.
“Bleep!” gives Navarro her own platform at a time when the legacy media networks she works at are under pressure. Upheaval is expected at CNN if parent company Warner Bros. Discovery becomes a part of Paramount and its Trump-friendly owners David and Larry Ellison.
Carr recently called for an early review of ABC’s TV station licenses. He said its related to an investigation into parent company Disney’s diversity practices but it comes amid the administration’s criticism of the network’s Trump coverage, which has included “The View.”
Ana Navarro on the set of ABC’s “The View.”
(Lou Rocco (ABC))
Navarro was pulled into the fray last year when she was approached by Walt Disney Co. Chief Executive Bob Iger at ABC’s upfront advertiser presentation in New York. The huddle led to reports that they discussed the anti-Trump commentary on “The View.”
“We had an honest conversation but I’m not going to tell you what it was,” she said. “Nobody is muscling us. All I’ve got to do is show up and do the same thing that I’ve always done, which is be as truthful, and authentic and informed.”
(On Friday, ABC filed a petition with the FCC over the agency’s recent scrutiny of “The View,” and whether the program qualifies for an exemption from seldom enforced equal time rules for political candidates. The network accused the FCC of actions violating its 1st Amendment right to free speech.)
Navarro has been pounding at Trump for so long, it’s hard to remember that her rise as a TV pundit began 14 years ago when she was a loyal conservative Republican. Jeff Zucker, who ran CNN from 2012 to 2022, said her personal evolution sets her apart from other pundits.
“She’s funny, insightful, knows how to turn a phrase and she’s gone on a political journey,” Zucker said in a recent interview. “So she understands the entire political spectrum as well as anyone.”
Navarro was eight years old in 1980 when her family fled Nicaragua and sought political asylum in the U.S. after the socialist Sandinista National Liberation Front took power. Her father stayed behind to fight with the anti-communist rebel Contras in the country’s civil war.
“Reagan was taking on the Sandinistas when Bernie Sanders wasn’t,” she said.
She was granted amnesty and became a U.S. citizen under the immigration reform bill signed by President Reagan in 1986.
Growing up in Miami, Navarro was part of the enclave of Latinos whose political perspectives were shaped by having fled Fidel’s Castro’s Cuba and other communist regimes in Latin America. She became a political operative in Republican politics, starting in local Miami races and eventually served as national Hispanic chair for 2008 GOP presidential nominee John McCain. Her Cuban-born husband, Al Cardenas, was on Reagan’s transition team and once led the Republican Party in Florida.
Navarro watched in dismay in 2015 when Trump came down the escalator of the midtown Manhattan skyscraper that bears his name to announce he was seeking the Republican presidential nomination. “Calling Mexicans rapists and criminals — that just hurt my heart,” she said.
When Trump mocked a disabled journalist during a campaign rally, Navarro was reminded of family struggles with one of her older brothers, who has non-verbal autism and is self-injurious. “That brought back so much outrage and anger,” she said. “For me that was a line I could never forgive.”
But being an anti-Trump Republican has become a lonelier job in recent years as the party establishment’s support solidified behind Trump during the historically successful campaign in 2024 that returned him to the White House. For Navarro, it has meant the end of many long-standing relationships.
“I’ve lost some very close friends over Donald Trump,” she said. “And I’ve had to make peace with that. They feel that I’ve betrayed the Republican Party. Some of them think I’m an opportunist, doing this for today.”
One of those friends is Secretary of State Marco Rubio, who she’s known her entire adult life. Navarro still has his cell number in her contacts, but it’s been awhile since she’s called. She still respects Rubio‘s credentials in foreign policy but doesn’t see herself ever supporting him if he runs for president.
“Unless he was running against Satan incarnate, no, I would not go over to him,” she said.
Navarro keeps her cool on “NewsNight,” which occasionally erupts into bedlam when guests clash with Scott Jennings, the show’s resident MAGA Republican. But she misses the days of sparring with Democratic operative Donna Brazile when they were on opposing sides on CNN’s Washington set, and then went out for oysters and wine at Old Ebbitt Grill afterward.
“It’s a completely different world than it was,” Navarro said.
The highly self-confident Navarro has always spoken her mind, encouraged by her father and the Sacred Heart nuns who operated her private school in Miami where she still resides. “Those nuns could run Fortune 500 companies,” she said.
She is not afraid to draw on her own painful, personal experiences to deliver a point. Another older brother died of a heart attack at age 38. Her cousin’s son was a fatality at the 2016 Pulse night club shooting in Orlando, Fla.
“I refuse to live in hopelessness and trauma,” she said. “The things I’ve gone through have shaped me into who I am and made me resilient and empathetic. One of the reasons I abhor Donald Trump is because he completely lacks empathy.”
Where Navarro often separates herself from most Democrats is foreign policy. When Venezuela President Nicolás Maduro was ousted and arrested by U.S. forces, Navarro, on holiday in Madrid, joined exiles from the country as they celebrated in Puerta del Sol.
Navarro expects to have the same reaction if Trump makes good on his threats to end Cuba’s communist regime.
“I will go out there with my metal pan and my metal spoon and I will bang the drums in joy,” she said.
Skip Bayless is returning to ESPN’s “First Take” — but for a very limited time only.
Bayless will join Stephen A. Smith on Friday’s episode of the popular sports debate show in what the network describes as “a one-time reunion” between the two men who haven’t hosted the program together in nearly 10 years.
Bayless appeared on “First Take” from the show’s inception in 2007 until he left ESPN in 2016. Smith has remained on “First Take,” which he currently hosts with Shae Cornette.
It was Smith’s idea to bring back Bayless as a special guest, according to a person familiar with the situation but not authorized to discuss it publicly.
After leaving ESPN, Bayless joined Fox Sports, where he co-hosted similarly formatted show “Undisputed” — for much of the time with co-host Shannon Sharpe — from 2016- to 2024. He currently hosts a podcast, “The Skip Bayless Show,” and is a regular contributor on the digital sports show “The Arena: Gridiron,” starring Gilbert Arenas.
In 2024, Smith addressed rumors of Bayless possibly re-joining “First Take.”
“Skip Bayless and Stephen A. Smith, together as partners, working across from each other on a debate show, is over,” Smith said on his podcast. “It’s been over. And this is not the first time I’ve said it. There’s no negativity or shade being thrown on Skip Bayless. I have moved on.”
LOUISE Thompson is locked in a new feud with Alex Cooper after claiming the Call Her Daddy star stole her podcast name.
The former Made in Chelsea star, 36, posted a TikTok video as she began: “I don’t know how well this is going to land but I’m going to say it anyway because I’m feeling like a big, brave dog.
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Louise Thompson has claimed Alex Cooper “nicked” her podcast nameCredit: InstagramShe took to TikTok to make the bold claimsCredit: Instagram
“I was just on Instagram, I shouldn’t be doom scrolling on my way home, and I saw a Bloomberg business post that is essentially a takedown of Unwell, which is the podcast production company set up by Call Her Daddy host Alex Cooper and her husband.
“So there have been claims they’ve been treating staff badly, they have been shouting, they’ve been disrespecting people and obviously there’s been this very public feud that Alex Cooper has had with Alix Earle.
“I’m just gonna say something, karma is a b***h. Here’s a little story that none of you guys know, so I had a meeting when I was peak unwellness shall I say, a couple of years ago with an exec that come from the US who worked with a big talent agency about doing a podcast with us.”
Louise admitted that she wasn’t mentally in the right frame of mind during the meeting but she did suggest the name ‘Unwell’.
Alex founded her Unwell network in 2023Credit: GettyLouise has faced a number of health issues over the yearsCredit: Instagram
“I thought it would be a really clever play on what I’ve been through to call this new business and this new project or podcast venture, Unwell or Unwellness. I have it written in my list of notes that I wrote years ago when I was recovering early doors.
“Then I noticed four or five months later, she announces that her entire podcast thing is going to be called Unwellness and I think it’s just a little bit too suspicious that we both had exactly the same name idea, especially given that I had the conversation with people who a part of her overall management team.
“What are they saying? Copying is the highest form of flattery,” Louise concluded.
She wrote over the video: “Alex cooper nicked my brand name… and karma exists.”
The mum-of-one captioned it: “Never thought I’d share this, but in the interest of being honest… this happened and in the words of carrie Bradshaw…. I can’t help but wonder.
“Sometimes I hate how dog eat dog this industry is… but stealing names isn’t cool.”
Alex, 31, founded her Unwell network in 2023, which has extended into wellness with Unwell Hydration and the Unwell Creative Agency last year.
Louise has faced a number of health issues since the traumatic birth of her son Leo in 2021, which has culminated in her living with a stoma bag due to chronic ulcerative colitis.
She launched her own podcast, He Said, She Said, with her partner Ryan Libbey in late 2024, before joining Staying Relevant Productions this year, which is owned by her brother Sam Thompson and Pete Wicks.
The Sun have contacted Alex’s representatives for a comment.
Venezuela’s January 2026 hydrocarbons law reform marks a major shift in the country’s oil sector. It establishes a more flexible fiscal regime in the name of “international competitiveness,” while expanding the private sector role in extraction, operations, and dispute resolution mechanisms.
The reform follows years of US sanctions on Venezuela’s oil industry and coincides with new US licenses allowing Western conglomerates to move into Venezuela’s energy sector.
Join Blas Regnault, energy policy analyst and consultant focused on oil geopolitics, alongside Venezuelanalysis editors Ricardo Vaz and Lucas Koerner, as they break down the reform, its economic and political context, and what it means for control over strategic resources and national sovereignty.
Former Fox News host and ex-Trump advocate Tucker Carlson is feeling remorse for the role he and others played in publicly promoting Donald Trump as a candidate and as the president.
“In very small ways, but in real ways, you and me and millions of people like us are the reason this is happening right now,” Carlson said Monday on his podcast, “The Tucker Carlson Show.” He was chatting with Buckley Carlson, his brother and a former Trump speechwriter, about the erosion of conservative values within the Republican Party under Trump.
“I do think it’s a moment to wrestle with our own consciences,” Carlson said. “You know, we’ll be tormented by it for a long time. I will be, and I want to say I’m sorry for misleading people. It was not intentional, and that’s all I’ll say.”
After nearly 10 years of yammering nightly about the greatness of Trump, Carlson picks now to cut the conversation short?
There’s a lot more to say, but this time, it’s about Carlson’s too-little, too-late mea culpa. His claim that he did not intentionally mislead the public is in itself misleading. While Carlson promoted Trump and the Big Lie ad nauseam on his prime-time Fox News show, “Tucker Carlson Tonight,” he was privately disparaging the president and discrediting Trump’s claims that the 2020 election was stolen.
His off-camera thoughts were revealed when internal communications between Fox staffers went public in 2023 due to Dominion Voting Systems’ defamation lawsuit against Fox News for knowingly broadcasting false claims that its machines rigged the 2020 election. Texts and emails from Carlson and other high-profile hosts suggested they knew Trump’s election fraud claims were unfounded, yet they still pushed the “rigged” narrative on air.
In one such example, Carlson texted that Trump needed to concede, and agreed that “there wasn’t enough fraud to change the outcome” of the election, according to the filing. Yet three nights later, he was on air claiming that there were “legitimate concerns” about election integrity. There were several more communications from Carlson where he expressed doubt about Trump’s claims. But in the public eye, he continued to assail the election results and the legitimacy of Biden’s win.
The Fox News host also privately scorned the first Trump presidency as a “disaster,” then turned around and stumped for Trump in 2024, praising him as a “national leader” at the Republican National Convention and campaigning with him in Arizona just days before the election.
If that’s not intentionally misleading the public, then what is?
Perhaps Carlson should have heeded his initial instincts about Trump. Before gaining notoriety with his Fox show, he posted on the website Slate about Trump in 1999, referring to him as “the single most repulsive person on the planet.”
Today the podcaster is among a growing number of right-wing influencers who have turned on their former leader. Former Rep. Marjorie Taylor Greene and conspiracy theorist Alex Jones want to push Trump out of office by invoking the 25th Amendment. Carrie Prejean Boller, who was a Trump-appointed member of the Religious Liberty Commission up until February, simply called him an “evil psychopath”.
Carlson has criticized the Trump administration’s decision to go to war in Iran, calling it “absolutely disgusting and evil” in March, and later said it was the “single biggest mistake” of Trump’s presidency. And when Trump demanded on Truth Social that Iran “open the F—– Strait, you crazy bastards,” Carlson said the post was “vile on every level” and “the most revealing thing the president has ever done. … Who do you think you are? You’re tweeting out the F word on Easter morning?” Carlson said in his podcast.
But Carlson is hardly the only American with buyer’s remorse. A recent NBC poll found that Trump is facing the lowest job approval rating of his second term, largely due to strong disapproval of how the president has handled inflation and the cost of living. Carlson, unlike the rest of the country, rode the MAGA wave to prosperity. His show kicked off in 2016, within weeks of the election, and he rose to prominence on the fervor of Trumpism. Supporting Trump was a family business. From his brother, a Republican operative who previously wrote speeches for Trump, to his son, who worked until recently in Vice President JD Vance’s press office.
Now Carlson is making his way back into the conversation by opposing the man he once claimed to revere.
He is asking for forgiveness for backing a faulty product, while also claiming to be a victim of its beguiling charms. “You and I and everyone else who supported him … you wrote speeches for him, I campaigned for him. We’re implicated in this for sure,” Carlson told his brother on the podcast. “It’s not enough to say, ‘Well, I changed my mind,’ or ‘Oh, this is bad. I’m out.’”
True, that’s not enough. Carlson should apologize for misleading the public, intentionally.
Brian Williams, the veteran former anchor for NBC News and MSNBC, is joining Netflix where he will host a weekly podcast.
Netflix announced Thursday that “We’re Back! With Brian Williams” will debut later this year. The format will feature Williams in extended interviews with pop culture figures and newsmakers in a casual setting.
“With scientists predicting that every American will have a podcast by 2030, I thought it was time to get in the game,” Williams said in a statement.
Williams – long a stalwart of traditional TV news – will be the biggest name from that arena to join a major video streaming platform.
Williams has been off TV since he departed MSNBC (now MS NOW) in 2021. He the anchor of the nightly program “The 11th Hour” and handled major breaking news coverage for the network.
Before joining MSNBC in 2015, Williams spent 10 years as anchor of “NBC Nightly News.” He left the broadcast after being suspended for making false statements about his experiences covering the Iraq war.
Williams tested the streaming waters when he anchored extended coverage of the presidential election in 2024 on Amazon Prime Video. While Amazon was said to be pleased with the program, which earned an Emmy, but the company has made no further commitment to live news programming.
“We’re Back!” will likely emphasize the playful side of Williams, who once hosted “Saturday Night Live” during his NBC years. He occasionally told colleagues he harbored a desire to become a late night talk show host or a forum where he could work in a more conversational style.
“After 40 years in the news business whee an in-depth interview gets four minutes of airtime at best, I just want to have interesting conversations with creative, funny, smart, talented and consequential people – like the shows we all grew up watching and listening to,” he said. “Netflix is the perfect home.”
jonathan Wald, a veteran TV news executive who worked with Williams at NBC and MSNBC, will be the executive producer for “We’re Back!”
Netflix has moved aggressively into the podcast business. Sports columnist Bill Simmons, who helped popularize the format, recently moved his podcasts to the platform in January as part of a deal with Spotify. Currently Netflix is carrying 51 video podcasts.
Alex Cooper just asked Alix Earle what many extremely online people are wondering: “What’s the beef?”
Rumors of a feud between Cooper, the 31-year-old host of the “Call Her Daddy” podcast, and Earle, the 25-year-old mega-famous influencer, have been circulating for some time, but this week Cooper addressed the conflict online in a video that invited Earle to finally air out the dirty laundry.
Cooper said in a TikTok video Monday that she was embarrassed responding to the internet-fueled drama, but after being inundated with tags, comments and direct messages, she decided making a statement was long overdue.
“Alix Earle, hey girl, the passive-aggressive reposts and the likes and the commenting on things. I gotta call you out here,” Cooper said. “You’re gonna need to get specific and just say what you gotta say about me. There’s no NDA, no one is stopping you. Stop hiding behind other people, and just say it yourself. What’s the beef?”
Cooper continued that she was tired of waking up and seeing Earle using “fake drama to distract” and that she’s not interested in participating. “I know what happened, and so do you,” she said. “So talk, unless the fake narrative that you’re creating happens to be way more interesting than the truth, I have nothing to hide when it comes to you and me.”
While the cryptic video confirmed the beef, Cooper still didn’t offer any explanation as to what initially caused the turmoil between them. But thanks to internet culture, there are theories, and receipts to back them. The ball is now in Earle’s court.
August 2023
Cooper launched the Unwell Network, a Gen-Z-focused media company spotlighting “unique voices that embrace social challenges and personal insecurities through honest conversation.” One of the first big names to sign with Unwell was Earle, who, according to Cooper at the time, has a unique presence that captivates audiences.
“I feel honored to be at a place in my career where I can pass along knowledge and advice for a new generation of creators to flourish,” Cooper said in a statement.
February 2025
Online speculation that there may be a feud between Cooper and Earle picked up when Earle didn’t attend Unwell’s Super Bowl party in New Orleans, even though she was reportedly in the Big Easy at the time with her friends and then-boyfriend, Miami Dolphins wide receiver Braxton Berrios.
February 2025
Weeks after Earle was MIA at Unwell’s Super Bowl shindig, Variety reported that the production company dropped Earle’s “Hot Mess” podcast. Sources told Variety that SiriusXM would no longer sell ads for Earle’s show and that the Unwell Network renounced all rights to “Hot Mess” so that Earle would be able to “freely explore future opportunities.”
A few days after news dropped that “Hot Mess” was nixed, Earle posted a TikTok update responding to the chatter online about her work saying she also had “no idea what’s going on.”
March 2025
Earle posted an update to TikTok regarding the future of “Hot Mess.”
“I have to put a pause on podcasting right now for the foreseeable future,” she said. “Don’t really want to get into the details of it all, and I kind of can’t get into the details of it all right now, but I’ve loved it so, so much, and I’m really proud of what I built with the podcast.” Earle added that she would be pivoting to vlogging for the foreseeable future.
May 2025
The Wall Street Journal published a feature on Earle, writing that the relationship between the influencer and her podcast network had unraveled. Earle told the outlet, “That was, behind the scenes, a little bit of a hot mess.”
“We have plans to bring things back, elevate things,” she said of the show. “It might look a little different, but I’m excited to see what we do with it.”
August 2025
Earle seems to be in the mood for revenge. “My Co–Star told me that I can start…today. I mean, is this my time that I’ve been waiting for to go? I have so much information. We could go,” she said, referring to her horoscope, in a TikTok video as she sipped an iced coffee. “I think I’m losing my mind … but I wake up every day, and I’m like, ‘What should I do, Co-Star?’ And today, it’s like, ‘Revenge. Let’s go get ’em.’”
In the comment section, one fan replied to egg on the content creator, “Yes, tell us what happened with Alex Cooper thank you.”
Earle quipped back, “How much time do you have?”
October 2025
Cooper returns the slight with an Instagram post promoting an Unwell event in Las Vegas that seemingly mocked Earle’s performance on “Dancing With the Stars” by using the same song — “Circus” by Britney Spears — and including a caption that began, “How much time do you have? Cause we could go all night … “
April 2026
Earle reposts a TikTok video that likens Cooper to the grim reaper. The post describes Cooper as an ambulance chaser who preys on people who have just gone through a horrific accident so she can get the exclusive.
April 2026
Cooper catches wind of Earle’s repost and finally addresses the beef in the aforementioned TikTok, telling Earle to “Just say it yourself. What’s the beef?” Earle responded by reposting Cooper’s video with the comment, “Okay on it!!”
Since Earle and Cooper took their fight to the internet streets this week, speculation has flooded social media. Dave Portnoy, the founder of Barstool Sports who first put “Call Her Daddy” on the map in 2018, also weighed in.
On Monday’s episode of the “Chicks in the Office” podcast, Portnoy, who knows the feuding women well, said that while there have been rumors of jealousy between the women, he thinks the feud stems from conflicting business interests and contract disputes.
“I think people know this about Alex Cooper at this point — she’s a savage,” he said. “She’s a businesswoman, boss lady, savage.”
But will prying eyes across the interwebs ever learn the whole story? It’s anyone’s guess.
