Paul

Dakota Mortensen’s storyline will be edited out of the upcoming season of “Vanderpump Villa.”

Mortensen, who regularly appears in “The Secret Lives of Mormon Wives,” was set to be included in the third season of “Vanderpump Villa” — slated to premiere April 16 — as part of a getaway with members of DadTok, the group that consists of past and current partners linked to the MomTok influencers of “Mormon Wives.” Variety was first to report the decision.

Hulu declined to comment.

It’s the latest reality TV series caught in the relationship dust-up involving Mortensen and his ex, Taylor Frankie Paul.

Last month, a domestic violence investigation between the on-again, off-again pair prompted Season 5 of Hulu’s “Mormon Wives” to pause filming. Subsequently, the release of a video of a separate dispute in 2023 led to the shelving of Season 22 of ABC’s “The Bachelorette,” which featured Paul as its heroine. It has not yet been announced whether or not it will air at a later date.

Much of Paul’s story on “Mormon Wives” has revolved around her rocky relationship with Mortensen. Paul was previously arrested and charged in 2023, eventually pleading guilty to one count of aggravated assault; other charges were dropped. Part of that incident was documented on the series premiere of the show in 2024.

How does “Vanderpump Villa” figure into all of this? The third season of “Mormon Wives” featured the fallout from an explosive crossover with Hulu’s other reality series, which follows former Bravo star Lisa Vanderpump and her staff at various luxury European estates. “Mormon Wives” stars Demi Engemann and Jessi Ngatikaura were guests on that show’s second season and got embroiled in drama with staff member Marciano Brunette, who alleges he had intimate connections with both women. The recent fourth season of “Mormon Wives” revisits the crossover, with some of the women’s spouses partaking in their own “Villa” getaway that fuels more drama, including between Mortensen and Paul.

Mortensen isn’t totally out of the reality TV circuit, though. He is set to appear in “Unwell Winter Games,” a YouTube reality competition series produced by Alex Cooper, that premieres April 6.

Peaky Blinders fans were left baffled over Arthur Shelby’s glaring absence.

Peaky Blinders’ Arthur Shelby actor has finally opened up about his absence from The Immortal Man.

Peaky Blinders: The Immortal Man is on Netflix and the follow-up film explores Tommy Shelby’s (played by Cillian Murphy) redemption arc as he attempts to right his wrongs.

The Peaky Blinders film, which sees Barry Keoghan star as Tommy’s son Duke Shelby, focuses on the father and son relationship as Duke begins to head down a dangerous path.

Tommy, reluctant to return to his family, is forced to face the demons of his past following an unprecedented tragedy and viewers discover some hidden secrets about Tommy’s life in the events between the series and the film.

The film begins with Tommy living away from his family in a derelict mansion, which features a graveyard he regularly visits.

Viewers were shocked to see Arthur Shelby’s name written on one of the gravestones, and here is all you need to know about actor Paul Anderson’s absence.

Why is Paul Anderson not in The Immortal Man?

Arthur Shelby was last seen in season six of the flagship series, while he was battling an opium addiction following a relapse.

Paul Anderson played Arthur in all six seasons of the show, and is one of only three stars to have appeared in every episode, besides Cillian Murphy and Sophie Rundle.

Anderson opened up on the film and his absence to LADbible, explaining: “Well, what can you do eh? It is how it is. I thought I’d just leave them to it. I think it’s great. I [wasn’t] very nice to people in it [the series]. But people loved me.”

Creator Steven Knight said there were no plans to bring Anderson back, telling The Hollywood Reporter his character had been written out of the film.

He explained: “What I’ll say is that the story determines the cast, and the story was set. I knew that Tommy needed to have done something that he couldn’t forgive himself for.

“Therefore, that’s why the plot went in that particular direction. But in terms of Paul, all I’ll say is that he’s a fantastic actor.”

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What happened to Arthur Shelby in Peaky Blinders: The Immortal Man?

In the sequel film, Tommy was seen living in isolation as he was haunted by the ghosts of his past, including his brother, Arthur.

He often visited his brother’s grave, though it was not mentioned for a long time how his brother really died.

At first it was suggested he had died by suicide, but by the end of the film Tommy revealed what really happened as a flashback played out on screen.

He explained how he had killed his own brother in a drunken fit of rage, while they were both in a car together.

Tommy was seen strangling Arthur during a struggle, which ended with Arthur laying lifeless and Tommy almost instantly regretting his actions.

Peaky Blinders: The Immortal Man is on Netflix

SIR Paul McCartney got a social media platform ban — for supposedly breaking the rules on his own fan page.

The Beatles legend, 83, joined a Reddit forum to send photos from his no-phones-allowed gig that took place in Los Angeles last Friday.

But his official account on the site was taken down by moderators who thought it was spam — sparking fury from fans.

It is thought Sir Paul’s media team was posting on his behalf.

A message, alongside a link to photos, said: “We wanted to make sure you had memories from the show to share with friends, family and loved ones.”

It was the first time since 2020 that the account of the former Wings frontman, who composed classic 1973 album Band on the Run, had been used.

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But hours later, a message on his u/paulmccartney profile said: “Paul McCartney has been banned.”

One fan on the forum declared: “What clownery is going on here that Paul McCartney himself gets banned? I wanted to see the photos but now I can’t.”

The account has since been allowed back on Reddit — but with the photos message still deleted.

It is unclear why he got the boot in the first place.

The forum warns there must be no advertising on its list of rules. Reddit also has a zero-tolerance policy towards spam, banning things judged as responsible for “artificially inflating exposure to unwanted or irrelevant content”.

Sir Paul, who also played the Fonda Theatre venue on Saturday, releases his 19th solo studio album, The Boys of Dungeon Lane, in May.

Amid allegations of three domestic violence incidents involving reality TV star Taylor Frankie Paul, fans are worried about whether MomTok can survive this.

Paul, who gained an online following after founding MomTok — a loosely connected group of TikTokers who made content about their lives as members of the Church of Jesus Christ of Latter-day Saints — previously pleaded guilty in abeyance to a third-degree felony count of aggravated assault following a fight with former boyfriend Dakota Mortensen in 2023.

MomTok inspired the Hulu reality show “The Secret Lives of Mormon Wives,” which follows eight women in Salt Lake City who grapple with their relationship with the church. The first season explored the fallout of the group’s “soft swinging” scandal, which Paul exposed on TikTok prior to filming.

Throughout its four seasons, “Mormon Wives” has featured lighthearted content like the moms’ love of the soda shop Swig and more weighty topics, including gender roles within the Mormon church. “Mormon Wives” has also crossed over with various Disney reality shows, including “Dancing With the Stars,” “The Bachelorette” and “Vanderpump Villa.”

However, filming on Season 5 of “Mormon Wives” was paused and Paul’s season of “The Bachelorette” was shelved in the wake of domestic abuse allegations. A second investigation, which began in late February, gained even more attention when a video from Paul’s 2023 domestic dispute with Mortensen was made public. The footage showed Paul putting Mortensen in a headlock and throwing metal barstools while the couple fought. Paul’s daughter can be heard crying and was injured during the incident, according to the police report.

2020: The birth of MomTok

Paul, Whitney Leavitt, Mayci Neeley and Mikayla Matthews begin making videos together on TikTok. Their content focuses on motherhood and their relationship with the church mixed with dancing and skits.

May 2022: The Pauls split

Paul posts a video on TikTok announcing her divorce from her husband, Tate Paul. Fans begin speculating what led to their divorce.

May 25, 2022: ’Soft swinging’ scandal emerges

On TikTok Live, Paul explains that she and her husband had been in an open relationship and were part of a “soft swinging” group with other members of MomTok. Paul says she had violated the group’s rules by meeting with a partner without her husband’s knowledge, which contributed to their divorce.

Feb. 17, 2023: Paul is arrested

Hulu begins filming the first season of “Mormon Wives.” After a fight with Mortensen, Paul is arrested and charged with assault, criminal mischief and commission of domestic violence in the presence of a child, according to the Herriman Police Department. Filming of the show is put on hold during the investigation.

August 2023: Paul enters a plea deal

Paul enters a plea in abeyance to a third-degree felony count of aggravated assault. The agreement allows charges to be reduced after three years, if Paul meets the requirements of her plea deal.

Dakota Mortensen and Taylor Frankie Paul share 2-year-old son Ever.

(Fred Hayes / Disney)

March 19, 2024: Paul and Mortensen welcome a son

Paul has a son, Ever, with Mortensen. While the pair had been dating throughout Paul’s pregnancy, they choose to end their relationship and co-parent their son.

Sept. 6, 2024: ‘Mormon Wives’ debuts

The first season of “Mormon Wives” is released on Hulu. The series follows cast members Jen Affleck, Jessi Draper, Demi Engemann and Layla Taylor, as well as Leavitt, Neeley, Matthews and Paul from the original group of MomTokers. The pilot episode, “The First Book of Taylor,” explores the fallout of the swinging scandal and ends with Paul’s 2023 arrest. The second episode picks up nearly a year after the incident.

The show is Hulu’s most-watched unscripted season premiere of 2024 and is renewed just a month after its premiere.

October 2024: On again

Mortensen and Paul seemingly reconcile their relationship.

December 2025: Off again

Paul and Mortensen break up. On Christmas, Paul posts on TikTok that she “wouldn’t wish this pain upon anyone.”

Demi Engemann, Mikayla Matthews, Mayci Neeley, Layla Taylor, Whitney Leavitt, Miranda Hope and Taylor Frankie Paul in Season 2 of “The Secret Lives of Mormon Wives.”

(Fred Hayes / Disney)

May 15, 2025: Season 2 premieres

Season 2 of “Mormon Wives” is released. Miranda Hope joins the cast.

Sept. 10, 2025: Paul gets her roses

During an episode of Alex Cooper’s hit podcast “Call Her Daddy,” Paul announces she will star as “The Bachelorette.” Paul is the first-ever Bachelorette to have not competed on “The Bachelor.”

Fall 2025: Mortensen‘s mea culpa

While FaceTiming Paul before she begins filming “The Bachelorette,” Mortensen apologizes for his behavior and tells Paul “save a rose for me.” This conversation is shown in the fourth season of the show in March 2026.

Nov. 13, 2025: Season 3 debuts

”Mormon Wives” Season 3 premieres.

Feb. 24-25, 2026: A second investigation opens

The Draper City Police Department makes contact with Paul and Mortensen regarding an open “domestic assault investigation” between the two, with allegations being made in both directions.

March 12, 2026: Season 4 drops

Season 4 of “Mormon Wives” is released.

March 16, 2026: ‘Mormon Wives’ filming halts

Filming for Season 5 of “Mormon Wives” is paused as the new investigation involving Paul and Mortensen becomes public.

Taylor Frankie Paul’s season of “The Bachelorette” was canceled three days before it was set to premiere.

(Michael Kirchoff / Disney)

TMZ publishes a previously unreleased video taken by Mortensen during his February 2023 altercation with Paul. It shows Paul throwing barstools at Mortensen as her then-5-year-old daughter cries. After the video’s release, ABC cancels Paul’s season of “The Bachelorette.”

March 20, 2026: The court intervenes

Mortensen is granted temporary custody of Ever, his 2-year-old son with Paul, according to documents obtained by People.

March 24, 2026: A third investigation opens

The West Jordan Police Department in Utah begins investigating a third incident of domestic abuse between Paul and Mortensen, which occurred in “early-mid 2024.” No charges have been filed as the investigation is ongoing.

Paul has been denied visitation until their protective order hearing on April 7, which may determine whether a final protective order is granted by the court.

Paul McCartney sauntered onto the stage of the Fonda Theatre, took in the 1,200 faces before him — “I can see the whites of your eyes,” he said — then offered up a brief history lesson about where we’d gathered Friday night.

The Fonda, he told us, opened 100 years ago; back then, he added, it was called the Music Box.

“Cool little place, innit?”

At 83, McCartney is well into his cool-little-place era.

Last year the rock legend played a string of concerts at New York’s tiny Bowery Ballroom while in town for “Saturday Night Live’s” 50th anniversary; a few months after that, he hit the Santa Barbara Bowl as a kind of warm-up for the latest leg of his Got Back world tour.

Paul McCartney and his band during sound check for Friday’s show.

(MJ Kim)

Friday’s underplay — the first of two instant sell-outs at the Fonda — came as McCartney is drumming up interest in a new studio album he’ll release in May. Outside the venue, a double-decker bus was parked with signage advertising the LP, which is called “The Boys of Dungeon Lane” after a road in his Liverpool hometown.

But that hardly seemed like the purpose of the show itself, which lasted about an hour and 40 minutes and didn’t even include a performance of the album’s lead single. The truth is that Sir Paul genuinely appears to get a kick out of these intimate gigs — out of standing right in front of a crowd and doing the magic trick that is a song like “Get Back” or “Jet” or “Got to Get You Into My Life.”

And why wouldn’t he?

If a Paul McCartney concert in an arena or a stadium is a finely honed spectacle of boomer nostalgia and industrial-strength charm, one of his shows in a club or a theater is a chance to play music, which after six and a half decades still clearly turns his wheels.

You wouldn’t say the shows remind McCartney that he’s a regular guy. (Those six and a half decades have made him anything but.) What they might do, though, is remind him why he became so widely adored — valuable self-knowledge for an artist whose great subject has always been the transformative power of love.

Here, as in Santa Barbara, he and his seven-piece band (which featured three horn players) did a pared-down version of the most recent Got Back set, opening with a killer one-two punch — “Help!” into “Coming Up” — that alone said plenty about McCartney’s range and endurance.

“Let Me Roll It” had a funky swagger, while “Getting Better” chugged with cheerful insistence; “I’ve Just Seen a Face” showed off the group’s crisp harmonies and “Lady Madonna” its tight rhythmic interplay. After “Let ’Em In,” McCartney asked his band member Brian Ray to show off the song’s all-important bass line: a single note plucked over and over and over again.

Friday’s show was the first of two at the Fonda.

(MJ Kim)

He did a few other comic bits, including a memory of Tony Bennett singing without a microphone as a way to demonstrate the excellent acoustics of a concert hall — the punch line was that he later saw Bennett do the same thing at the Beverly Hilton — and some gentle ribbing of the folks sitting up in the “posh seats” of the Fonda’s balcony. Among them, McCartney pointed out, was Morgan Neville, director of the recent “Man on the Run” documentary about McCartney’s life in the aftermath of the Beatles’ breakup.

He also noted that his wife, Nancy Shevell, was in the house and dedicated “My Valentine” to her; truth be told, that one was a bit dreary, as was “Now and Then,” the so-called last Beatles song released in 2023 using machine learning to complete a scratchy demo left behind by John Lennon.

“Thank you, John, for writing that lovely song,” McCartney said afterward, which made it a little harder not to like.

In any event, there were more classics to come, not least a buoyant “Ob-La-Di, Ob-La-Da” and a “Let It Be”/“Hey Jude” twofer that inspired such a lusty singalong that McCartney probably could’ve gotten away with lip-syncing if he’d wanted to.

But of course he didn’t want to — that was kind of the whole point.

GO to Dungeon Lane today and it’s strange to think it occupies a special place in Paul McCartney’s heart.

Yet it will go down in pop history alongside other street names associated with him, joining Penny Lane and Abbey Road.

Situated in the Speke neighbourhood of Liverpool, the L24 postal district, a faded road sign sets the tone for its desolate air.

It is bordered on one side by a solar farm business and, on the other, by a fenced-off area of scrubland which separates it from the city’s John Lennon Airport.

Before you get very far, a bright yellow “emergency access gate” bars further exploration.

But, as a child, Dungeon Lane was McCartney’s gateway to a stunning rural idyll where he could escape the hustle and bustle of urban life.

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In the Fifties, the lane took him past a daffodil farm to the Oglet Shore on the widest stretch of the River Mersey.

I wonder if young Paul, a keen birdwatcher, ventured into this wilderness clutching his trusty The Observer’s Book Of Birds.

There, he may have spotted any number of waders — curlew, snipe, dunlin, black-tailed godwits.

What we do know is that his lifelong love of our feathered friends began in those days.

This helps explain the compositions dotted through his career such as Blackbird with The Beatles, Single Pigeon with Wings, Two Magpies with The Fireman and solo efforts Jenny Wren and Long Tailed Winter Bird.

To McCartney, his early rambles into the countryside represent humbler, simpler times before The Fab Four exploded on to the scene, before his storied life in the dazzling glare of publicity.

Sir Paul, 83, has called his 19th solo album The Boys Of Dungeon Lane . . . which is, as he suggests, a trip down memory lane.

He got the title from the lyrics of its first single, Days We Left Behind, released yesterday, a nostalgia-filled acceptance that he has a far longer past than future.

Intimate, beautifully sung with Macca playing acoustic guitar, bass, piano and harmonium himself (how does he do that!?), it is the first taste of a project that has been five years in the making.

“This is very much a memory song for me,” he says. “I was thinking about just that . . . the days I left behind.

“And I do often wonder if I’m just writing about the past — but then I think, how can you write about anything else?”

For McCartney, the song conjures up “a lot of memories of Liverpool. It involves a bit in the middle about John [Lennon] and Forthlin Road which is the street I used to live in. Dungeon Lane is near there.”

Paul was born on June 18, 1942, to his midwife mother Mary and salesman father Jim, and they moved with younger brother Mike to 20, Forthlin Road, Allerton, in the mid-Fifties from Speke, where they had lived since 1947.

We also know that Paul first bumped into John on July 6, 1957, at roughly 4pm, at a garden fete behind St Peter’s Church, Woolton.

In Days We Left Behind, he sings of the bond he formed with the lanky lad 20 months older than him: “We met at Forthlin Road/And wrote a secret code/To never be spoken.”

Continuing his reflection on the song, he says: “I used to live in a place called Speke which is quite working class.

“We didn’t have much at all but it didn’t matter because all the people were great and you didn’t notice you didn’t have much.”

As already mentioned, birdwatching was a hobby, one that required little cash and gave him a lot of pleasure “in the nearby woods and fields”.

A recent entry in Macca’s Spotify playlists, under the banner Sticking Out Of My Back Pocket, came accompanied by these musings . . .

“My mum had the midwife’s house on the edge of Liverpool, where we lived,” he says.

“It was where Liverpool just stopped and became deep countryside, so that was when I had the opportunity to do quite a bit of birdwatching.”

He particularly cherishes the moment he saw a “skylark rising into the sky, singing its sweet song”.

That unforgettable sight has found its way into Days We Left Behind, with its lines, “In the skies the skylarks rise/Above the sounds of war/Since that day I knew they’d stay/With me for evermore.”

All these decades later, he reflects: “And now because I live part-time on a farm [in Sussex], I’m able to see a lot of birds and I don’t need The Observer’s Book Of Birds quite so much as I did back then.”

McCartney’s new album promises to be one of the most personal, most autobiographical song cycles he’s ever recorded, while also finding room for up-to-date love songs dedicated to third wife Nancy.

Yesterday’s announcement states that it finds him in a “candid, vulnerable and deeply reflective mood, writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon”.

I’m guessing here but songs yet to be heard, Momma Gets By and Salesman Saint, appear to be affectionate remembrances of mum Mary, who died when Paul was just 14, and dad Jim.

This is not the first time Macca has delved into his early years for songwriting inspiration.

I talked to him about the playful On My Way To Work, which appeared on his 2013 album, New.

He called it a “collection of memories all morphed together”, providing a fascinating glimpse into his life before Beatlemania.

“It’s about me going to my first job, before The Beatles took off, which was working on a lorry for a delivery company called Speedy Prompt Deliveries — SPD.”

McCartney described going to work on the council-run green and cream buses which led to him looking at risqué magazines like Parade.

“I’d go on the bus at some unearthly hour of the morning,” he said. “I might buy a magazine and look at the nudies. I was too young to be interested in the news!”

He remembered how hard-up kids like him ripped the fronts off cigarette packets and traded duplicates with their mates, instead of collecting “football cards or, like in America, baseball cards”.

“It was like, ‘I’ll swap you two Craven A for a Woodbine’. Then there were the posh brands because this bus route went from the centre of Liverpool to the outskirts.

“Posh people would be smoking Passing Clouds or Sobranies and packets of those were very prized.”

Another song, Queenie Eye, referenced a childhood street game from “1940s Britain”.

“It’s what we used to get up to before video games and that whole home entertainment thing,” he said.

“Someone would be elected to be ‘the one’ or the ‘queenie eye’. We’d all stand behind that person and he would throw a ball over his head and one of us would catch it and hide.

“Then we would all chant, ‘Queenie eye, queenie eye, who’s got the ball? I haven’t got it. It isn’t in my pocket!’ It was simple entertainment for simple minds but great fun.”

Now it is time to return to the 2020s and the creation of The Boys Of Dungeon Lane, the follow-up to his captivating lockdown album, McCartney III.

This time, we’re told we can expect “Wings-style rock, Beatles- style harmonies and McCartney-style grooves”.

The process began around five years ago when Macca met American live-wire producer Andrew Watt, known for his work with Ozzy Osbourne, Lady Gaga, Post Malone and The Beatles’ greatest Sixties chart rivals, the Rolling Stones.

Watt, I gather, “pulled a guitar” on his latest rock icon, who instantly happened upon a chord he didn’t recognise.

As the story goes, the ever- experimental McCartney changed one note, then another, until he had a three-chord sequence.

That led to his new record’s opening track, As You Lie There, which in turn set the ball rolling for the other 13 songs.

It’s remarkable that, as with McCartney III, he is credited with playing all the instruments himself across the whole thing.

It brings to mind how at ease this enduring music obsessive seemed as he suggested specific drum beats and fills to Ringo Starr in The Beatles’ Get Back documentary.

With Macca still touring and playing momentous shows like his 2022 Glastonbury epic, Days We Left Behind has been honed over half a decade when time permitted.

During that period, he even managed to introduce the Stones to producer Watt, who helmed their 2023 comeback album, Hackney Diamonds.

When McCartney was in Los Angeles working with Watt, he was brought in to play bass on Mick Jagger and Co’s punk blast, Bite My Head Off.

Upon its release, I spoke to Keith Richards who was made up over their special guest.

“Yeah, Macca just strolled in with his bass,” the guitar legend drawled. “I think the song reminded him of those times [in the Sixties]. Beatlemania was equally as bizarre as Stones mania.”

There’s a moment towards the end of Bite My Head Off where you can hear someone saying, “Come on Paul, play something”.

“That might have been me,” smiled Richards.

But this is all about Britain’s greatest living songwriter, Paul McCartney, and his new album The Boys Of Dungeon Lane.

Time is precious but when it comes to music and life, he’s still facing forward at 83 — even if he’s remembering a youth long ago when “in the skies, the skylarks rise”.

Taylor Frankie Paul might have whiplash in the wake of a leaked video that derailed her “Bachelorette” debut, but she says her kids are also feeling the sting.

Last week, the embattled reality TV star was gearing up for Sunday’s launch of “The Bachelorette” when a video of a 2023 domestic dispute between Paul and Dakota Mortensen (her then-boyfriend and the father of her youngest son) was leaked to TMZ.

Paul’s initial claim to fame was launching #MomTok in 2020, which precipitated the 2024 Hulu series “The Secret Lives of Mormon Wives.” Although the incident was documented both in court records and on the first season of the reality series (a portion of Paul’s arrest was shown via police bodycam in Episode 1), the recently leaked video showed some of the altercation.

Paul is seen arguing with Mortensen, she is filmed kicking toward him, and throwing metal barstools across the room toward him. Paul’s daughter was on the couch at the time of the altercation, and toward the end of the video, she is heard crying while Mortensen says, “Stop throwing stuff and help your daughter.”

Paul later pleaded guilty to one count of aggravated assault, and four other charges were dropped.

As the leaked video made its way across the internet, content creators jumped to post commentary. Tiktok user @turtzc posted a take slamming Mortensen for allegedly leaking the video on their son’s 2nd birthday. “The fact that Dakota did this to the mother of his child on his child’s birthday tells you everything you need to know about Dakota,” he said.

Paul replied to the video, writing, “Worst part is my daughter having to relive and see it all over again years later after extensive work with her and apologies to her about that night.”

She added that her son’s birthday was “taken from him.”

Mortensen has denied that he leaked the video. He told ET that his “No. 1 priority” is protecting his and Paul’s son.

Paul spoke with the outlet and said, “I’ve never touched my children, so for me to see those headlines has been heartbreaking. I’m all for taking responsibility for my own life and actions. There is more to the story, and it just sucks to be known as the crazy girl.”

To make matters worse, reports surfaced that Paul and Mortensen were involved in another dispute in late February. Utah’s Draper City Police Department confirmed that there is an open investigation. As a result of the inquiry, Paul has temporarily lost custody of Ever, the son she shares with Mortensen.

Last week, Paul sat down with “Good Morning America” shortly after the video leaked and news that production on “Secret Lives” had paused.

Paul said it was “hard to say” how she envisioned her future on the show.

“It’s hard to see past this,” she said. “I’m not gonna lie. In this moment it’s just so heavy when your life is broadcast out there in these headlines. It’s like the end of the world. That’s what it feels like. … I will say I’ve been here before, and I got through it and, you know, shared my story and my light. So I’m hoping that I can do that again.”

In the summer of 2025, Walt Disney Co. executives placed a big bet on a reality TV star prone to high drama: messy personal relationships and allegations of domestic violence.

Now, Disney’s ABC network could lose at least $70 million with a nearly finished season of “The Bachelorette” sitting on the shelf.

Last week, ABC yanked this season of “The Bachelorette,” which features 31-year-old Taylor Frankie Paul, just three days before the premiere episode was set to air Sunday night. Disney pulled the plug after the emergence of a three-year-old video that showed Paul — the protagonist of Hulu’s massive hit series, “The Secret Lives of Mormon Wives” — physically attacking her ex-partner.

Paul can be seen screaming and throwing metal chairs, one of which apparently struck one of her children who witnessed the altercation. Her onetime partner, Dakota Mortensen, recorded the video of the attack on his cellphone.

Trouble has been brewing around “The Bachelorette” for weeks as Paul was doing publicity for the show.

Draper City, Utah, police have separately confirmed an investigation into a subsequent domestic violence incident in February between Mortensen and Paul. As part of that inquiry, Paul, 31, has temporarily lost custody of the couple’s son, Ever, who turned 2 last week — the day the troubling video came out.

“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security. After years of silently suffering extensive mental and physical abuse as well as threats of retaliation, Taylor is finally gaining the strength to face her accuser and taking steps to ensure that she and her children are protected from any further harm,” said a spokesperson.

Representatives of Mortensen could not immediately be reached for comment. In a statement to People magazine, a representative for Mortensen said that “his number one priority here is protecting” his son, Ever.

Last month, Disney requested an investigation to sort out Paul’s and Mortensen’s differing accounts of the February incident, according to people close to the situation who were not authorized to speak publicly about the sensitive situation.

The scandal has become the first big test for Dana Walden, who last week was installed as Disney’s president and chief creative officer — the day before the video showing a violent Paul was leaked to TMZ.

The episode has raised uncomfortable questions about why Disney made Paul the face of one of ABC’s marquee franchises.

It also has shined a light on the decision-making of Walden’s newly anointed ABC team: Debra OConnell, the chair of Disney Entertainment Television; Disney Television Group President Craig Erwich; and Rob Mills, Disney TV’s executive vice president of unscripted and alternative entertainment.

Disney declined to comment.

The network has not said whether it plans to eventually air Paul’s season of “The Bachelorette.”

But the network made a huge investment, paying a license fee of about $5 million an episode for the season to Warner Bros., said sources familiar with the matter. The season includes nine episodes and other programming elements, including a special that ran immediately after ABC’s Oscar telecast this month, which attracted 5.5 million viewers, according to Nielsen.

Dakota Mortensen, left, and Taylor Frankie Paul are stars of “The Secret Lives of Mormon Wives.”

(Fred Hayes / Disney)

ABC also orchestrated a huge marketing blitz — billboards for the show had sprouted around the country, social media channels were crackling and Paul appeared on ABC’s stalwart “Good Morning America,” where she discussed her role on “The Bachelorette,” where she dated nearly two dozen men in search of her soulmate.

She also acknowledged simultaneously facing domestic abuse allegations, which she called a “heavy time.”

“For me, dating as a mom of three is extremely difficult,” Paul told ABC anchor Lara Spencer. “I was like, I get to go out, get away from my toxic cycle here in Utah, go date, and also have my kids come out and visit me. That to me seemed like, why not?”

Advertisers, including Cinnabon, have also pulled back in light of the controversy.

Viewers have long been fascinated by Paul, who earned notoriety on TikTok and formed a community there called MomTok. Her combative relationships added to the intrigue.

Hulu’s “The Secret Lives of Mormon Wives” has been a massive hit, developing a loyal following and an alternative to the “Real Housewives” franchise on the rival network, Bravo. A clip from the show was included in a Disney video montage of movies, TV shows and other headlining attractions shown to investors last week.

Mills and other Disney executives who oversee ABC and Hulu programming had been looking for ways to reinvigorate “The Bachelor” franchise, and they had taken notice after fans latched on to a playful video that Paul had posted on TikTok, expressing her desire to join the long-running ABC show, which is produced by Warner Horizon.

Comments posted about Paul’s video were intriguing, particularly for viewers who said that they would return to watch “The Bachelorette,” if it featured her.

“I flew out to Utah and met with her and she was serious [about joining],” Mills told The Times two weeks before the controversy. “Then I sent her roses the next day and said, “Would you be ‘The Bachelorette’ and the rest is history.”

Disney recognized that Paul’s relationship with Mortensen was messy.

Disney executives were aware of the altercation in 2023 and briefly debated internally whether to move forward with Paul in a prominent role in “Mormon Wives,” according to a source close to the situation but not authorized to comment. Paul is an executive producer on that show.

The first episode of the first season of “Mormon Wives,” which debuted in September 2024, featured Utah police bodycam footage from the February 2023 fight that was the subject of the just-released video.

The final moments of the most recent season ended with Paul and Mortensen sleeping together again, the night before she was scheduled to fly to L.A. to begin filming “The Bachelorette.” She missed her initial flight, but took a later flight.

Disney also has paused filming on “Mormon Wives” during production of its fifth season.

Over the show’s four-season run, there have been tensions among the castmates, which accelerated as Paul and the other wives pursued fame in other venues, including on ABC’s “Dancing with the Stars.”

When the recent allegations of domestic violence surfaced, castmates expressed concerns about working with her, which contributed to the decision to hire an outside law firm to investigate.

The firm was hired, at Disney’s request, by the show’s production firm, Jeff Jenkins Productions, based in Sherman Oaks.

Times Staff Writer Yvonne Villarreal contributed to this report.

“What were they thinking?”

This is the question on everyone’s mind of “The Bachelorette’s” producers, ABC, Hulu and the Disney legal team.

On Thursday, ABC announced that the heavily promoted new season of “The Bachelorette,” scheduled to premiere Sunday, would not be moving forward “at this time.” Why not? Well, the Bachelorette in question, “The Secret Lives of Mormon Wives” star Taylor Frankie Paul, was the subject of a second domestic assault investigation as a damning video from her first, in which she pleaded guilty to aggravated assault, made the rounds courtesy of TMZ. Filming for Season 5 of “Mormon Wives,” which Paul executive produces, was also abruptly halted.

The disturbing video is hard to watch. Not so much because Paul puts on-again, off-again partner Dakota Mortensen into a headlock and then pelts him with metal bar stools — sadly, this is a scene that would not be out of place on many reality shows — but because a small child is in the room. After one of the stools bounces toward the camera, Paul’s then-5-year-old daughter Indy begins crying and Mortensen later says “help your child.” Even as the child cries “Mommy,” Paul continues on her rampage. When Mortensen belatedly attempts to help Indy, Paul screams at him to “get away from my child.”

And while “Bachelorette” producers and Disney lawyers may not have seen the video, which was introduced in the 2023 court case, the police report makes it clear that Indy was injured during the incident, noting a “goose egg” on the child’s head. Paul was charged with aggravated assault, child abuse and domestic violence in the presence of a child. Paul, who said she had been drinking before the incident, pleaded guilty to one count of aggravated assault, a third-degree felony. The other charges were dismissed and Paul, who was put on probation, submitted a plea of abeyance. In August 2026, a court will review the assault charge and, if Paul complies with the terms of her probation, could lessen it to a misdemeanor.

Should a new criminal charge be made after the current investigation, all bets are off.

So was it the emergence of the video or the possibility of a felony conviction that caused ABC to put this season of “The Bachelorette” on ice? Does the reason matter?

ABC knew that Paul had been charged in a domestic violence incident that led to the injury of her child and somehow thought she would make an excellent Bachelorette anyway.

What were they thinking?

“The Bachelorette” Season 22 billboard starring Taylor Frankie Paul is seen on Thursday — the day her season was axed.

(HIGHFIVE / Bauer-Griffin / GC Images via Getty Images)

They were thinking that audiences like messy “authenticity,” and it doesn’t get any more authentically messy than 31-year-old Paul, who climbed to social media fame by founding MomTok, a TikTok community of married Mormon women dancing, joking and pushing against the traditions and restrictions of their faith. Pretty and profane, funny and frank, Paul amassed a large following. After Paul discussed the “soft swinging” she and her husband engaged in with other Mormon couples, the group went viral and led to the creation of “The Secret Lives of Mormon Wives,” the first episode of which was titled “The First Book of Taylor.”

Chronicling the fallout from the “soft-swinging” scandal, the first season built on Paul’s frank discussions of her chaotic life; it was Hulu’s most-watched unscripted season premiere of 2024. The subsequent three seasons, in which the MomTokers deal with the pressures of fame, their romantic relationships and all manner of internal “Mean Girls” drama, have continued to grow the show’s audience even as ratings for “The Bachelor” franchise flagged.

To the algorithm, or a numbers cruncher, the hopes that Paul could bring some of the “Mormon Wives” magic to “The Bachelorette” might make sense.

Except Paul isn’t magic; she waves her red flags high and proud, and the good folks at ABC, Hulu and Disney charged at them with the oblivious desperation of so many trapped, maddened bulls. (It usually does not end well for the bulls either.)

The “soft swinging” led to her divorce from first husband, Tate Paul, with whom she has two children, including Indy. As chronicled on “Mormon Wives,” she began her turbulent relationship with Mortensen, with whom she shares a young son, Ever. Her 2023 arrest was a storyline — she called it one of the rock bottoms of her life, though in a recently resurfaced TikTok video, she brags about throwing things and being arrested — and in Season 4 she was found in bed with Mortensen, with whom she had allegedly broken up, on the morning she was supposed to fly to L.A. to film “The Bachelorette.” (She caught a later flight.) The season finale ended with the possibility that Paul might be pregnant.

Reality cross-pollination has become so increasingly popular — ABC’s “Dancing With the Stars” couldn’t live without it, and Peacock’s hit show “The Traitors” is built on it — that there seems to be little thought given to the apples-versus-oranges fact that not every reality show is the same. “Bachelorette” producers not only ignored the misgivings voiced by their own fans, many of whom did not think Paul would be approaching the show as a truly single woman searching for love, they reportedly extended her many freedoms denied other participants, including unmonitored use of her phone during filming.

They clearly wanted the ratings miracle that Paul’s unvarnished wildness had lent “Mormon Wives.”

Casting for maximum drama is a driving force in many reality shows. Even if one accepts that perfectly reasonable people are happy to live in a bubble with strangers for months in hopes of achieving love, fame or a cash prize, someone inevitably is cast to bring the crazy, er, conversation-sparking personality. And like all of television, reality is facing splintered and waning audiences so the decibel level of that conversation-sparking is often dialed way up.

Hence the ascendancy of Taylor Frankie Paul, queen of MomTok and “Mormon Wives,” a woman known for her lack of filter and habit of putting it all out there. For the purposes of our entertainment.

There is, of course, no point in mentioning the many past, and often show-derailing, scandals of the genre — the suicides, the racism, the sexual assault, homophobia, bullying, pedophilia, infidelity and just general ghastliness that has arisen from the popularity of people sharing their “real” lives. Audiences connect with these shows, the messier the better.

But, as it turns out, some messes are too big to leverage even for forgiving eyeballs of reality fans.

“The Bachelor” franchise should have known better. It’s been around for almost a quarter-century and has suffered its fair share of scandals during those years. But drafting a woman who was convicted of assault in an incident that harmed her own child, well, “The Bachelorette” knew it was playing with fire.

Clearly they hoped she would rekindle the dying embers of the show.

Instead, she burnt it down.

In a week rife with drama involving “The Secret Lives of Mormon Wives” cast, two stars of the hit reality series appear to be going their separate ways officially.

Jessi Draper and Jordan Ngatikaura’s marriage is coming to an end after five years, with the latter filing for divorce in Utah, according to TMZ, which cited court documents. The estranged pair married in October 2020 and share two children. Ngatikaura is also the father to a teenage daughter from a previous relationship.

A representative for Draper did not immediately respond to a request for comment Friday. Ngatikaura, who also did not respond to The Times’ request for comment, issued a statement about his filing to TMZ and People.

He told the outlets his decision to divorce Draper “comes with a heavy heart” and said he is grateful for their time together. Ngatikaura plans to prioritize his children, “ensuring they feel loved, supported, and protected through this transition,” according to People. He said in his statement that he is seeking privacy for his family.

Before Ngatikaura’s divorce filing, the pair’s marital struggles had become public. In November, Draper broke her silence on allegations she had cheated on Ngatikaura and admitted to having an “emotional affair” with “Vanderpump Villa” star Marciano Brunette. At the time, Draper spoke to People about the “emotional abuse” she said she faced from her husband — he took “full accountability for the pain I caused Jessi” — and said, “We both made mistakes for sure.”

The spouses had agreed to a 90-day separation and to work things out together in therapy, People reported last year.

News of the “Secret Lives of Mormon Wives” divorce comes as the franchise reckons with star Taylor Frankie Paul, who faces new allegations of domestic abuse against her on-again, off-again partner Dakota Mortensen. Paul, who was arrested and charged in 2023 for a separate dispute involving Mortensen, was tapped to lead the latest season of “The Bachelorette” set to premiere Sunday, but that all came to a screeching halt earlier this week.

As Utah’s Draper City Police Department confirmed it was investigating alleged incidents of domestic violence involving Paul and Mortensen, TMZ published video Thursday of Paul kicking and throwing chairs at Mortensen in a 2023 dispute while one of her children was in the same room. ABC, home network of “The Bachelor” and “The Bachelorette,” acted swiftly and pulled the plug on Paul’s upcoming season.

“In light of the newly released video just surfaced today, we have made the decision to not move forward with the new season of ‘The Bachelorette’ at this time, and our focus is on supporting the family,” Disney said in a statement Thursday.

“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security,” read a portion of a statement provided by a representative for Paul. The statement went on to say Paul had suffered “extensive mental and physical abuse as well as threats of retaliation.”

Amid the fresh allegations, Paul has seen brand deals fall to the wayside and production on “Mormon Wives” pause pending a decision on her status as a cast member, according to a person briefed on the situation.

Times staff writer Yvonne Villarreal contributed to this report.

“The best way I can describe it is, it’s an addiction,” says Taylor Frankie Paul.

The star of “The Secret Lives of Mormon Wives” is seated by a window in an empty Starbucks within a downtown Salt Lake City hotel, reflecting on her relationship troubles in an interview Feb. 19. Followers of Paul’s screen life are all too familiar with the drama. Now, others can’t escape knowing about it too.

Days later, a dispute with her on-again, off-again partner would lead to an investigation by police that surfaced in multiple news reports this week, and on Thursday, the release of a video recording of a separate dispute in 2023 would lead to a pause on “The Bachelorette,” her latest starring role on reality TV, three days before it was set to premiere.

Her brush with fame began with #Momtok, as the self-proclaimed founder of the Utah-based group of Mormon moms that spawned the so-called corner of TikTok where they shared choreographed dance videos and light lifestyle content. But in 2022, she rose to notoriety after revealing in a TikTok Live session details about an arrangement she had with her then-husband Tate Paul to pursue intimate relations with other consenting couples (without having extramarital sex); she confessed to violating their agreement by having an emotional affair. The salacious revelation, which became known as the “soft-swinging” scandal, lit up social media and, eventually, led to the creation of Hulu’s breakout hit “The Secret Lives of Mormon Wives.” Much of Paul’s story across the show’s four seasons has revolved around her rocky relationship with Dakota Mortensen, the man she began dating following her divorce.

Dakota Mortensen and Taylor Frankie Paul in a scene from “The Secret Lives of Mormon Wives.” The pair share a 2-year-old son.

(Fred Hayes / Disney)

Even as the show documented the lead-up to Paul becoming the new face of “The Bachelorette,” her biggest screen opportunity yet, the pair’s on-again, off-again dynamic remained as turbulent and confusing as ever, down to the “Mormon Wives” season’s final minutes. A despondent Paul nearly upended the start of production on ABC’S dating series when she missed her flight to Los Angeles after sleeping with Mortensen, who is the father of her youngest son, Ever, the night prior. (She took a later one.)

“I was just still stuck in the cycle,” she says, noting she hasn’t watched the “Mormon Wives” finale. “That’s why I knew I had to leave [to do ‘The Bachelorette’], if that makes sense … I can’t help people understand it because my own brain doesn’t understand it. The only thing I can relate it to is, it is a drug; the toxicity is a drug. It’s always a mind game and I fall for it every time, and I cave and it’s just so dumb. I get exhausted saying it to people because I’m like, ‘I don’t blame you guys. I’m mad at me.’”

The hook of a 31-year-old mother of three trying to find love — who unapologetically wears her troubles on her sleeve — was supposed to be what made her a desirable candidate for the latest crossover experiment to hit Disney’s reality TV universe. But in the week leading up to Sunday’s Season 22 premiere of “The Bachelorette,” reports surfaced detailing allegations of domestic violence involving Paul and Mortensen. Utah’s Draper City Police Department confirmed there is an open investigation involving the pair; a spokesperson for the department declined to share more details amid the ongoing investigation. But according to a person familiar with the situation, allegations were made by both parties involving incidents on Feb. 24 and Feb. 25, less than a week after our interview. No charges have been filed in the case.

Taylor Frankie Paul in a promotional still from ABC’s “The Bachelorette,” now on pause.

(Sami Drasin / Disney)

Paul was previously arrested and charged in 2023 for a separate dispute involving Mortensen, eventually pleading guilty to one count of aggravated assault; other charges were dropped. Part of that incident was documented in the first season of “Mormon Wives.” On Thursday, TMZ published a video of the incident, leading Disney Entertainment Television to hit pause on the planned premiere of “The Bachelorette.” “In light of the newly released video just surfaced today, we have made the decision to not move forward with the new season of ‘The Bachelorette’ at this time, and our focus is on supporting the family,” the statement from Disney read. Whether the season will be released at a later time or be re-edited remains to be seen, according to a person familiar with the matter.

“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security,” read a portion of a statement provided by a representative for Paul. The statement went on to say Paul suffered “extensive mental and physical abuse as well as threats of retaliation.”

While Season 5 of “The Secret Lives of Mormon Wives” began production in January, cameras were not following Paul during the time of the recent incidents; Paul was focused on publicity commitments for “The Bachelorette.” Hulu and ABC declined to comment on the ongoing investigation. Mortensen could not be reached for comment. Production on “Mormon Wives” is currently on pause and a decision on Paul’s status as a cast member has not been made, according to a person briefed on the situation.

Paul’s chaotic reality now casts a shadow on both shows. The programming experiment aimed at expanding and blending the audiences of ABC’s veteran dating series and Hulu’s budding answer to the “Real Housewives” franchise now becomes an example of too much of a good thing — in this case, overextending a breakout hit early in its run — and how it can backfire. And it puts a spotlight on the discourse surrounding vetting failures and oversights in reality TV, as well as the compulsion or limits by viewers to rubberneck, particularly by savvy viewers of a genre that thrives on sordid personal drama.

How the ‘Mormon Wives’ crossover took shape

At a time when the traditional television landscape faces steep challenges, accelerated by a radical shift in viewing habits spurred by streaming and social media, Disney has been blurring the lines between its linear and streaming properties — ABC and Hulu — to maximize the reach of its unscripted assets. “Mormon Wives,” which has released four seasons in less than two years, has become a key player in that effort. Earlier this year, two of its cast members, Jen Affleck and Whitney Leavitt, competed against each other on “Dancing With the Stars.” And Paul’s casting as “The Bachelorette” makes her the first heroine who was not a contestant on a previous season of “The Bachelor.”

Prior to the reports about Paul, The Times spoke to Robert Mills, who leads Walt Disney Television Alternative, as well as show producers, about collaboration efforts within the company’s broadcasting universe as a way to expand and reward viewer curiosity.

Mills, a veteran ABC unscripted executive, said it was a way the company can distinguish itself from its competitors, particularly as it seeks to build Hulu’s unscripted slate against streaming rivals with deeper benches. And the possibilities on how to apply it to “Mormon Wives” began the summer ahead of its launch. As “Dancing With the Stars” producers were in the final stretch of casting the show’s 33rd season, Mills says there was talk of having one of the women be a contestant on the competition that fall, to coincide with the new show’s arrival.

“I do remember saying, ‘If it’s not this season, I know we’re going to have somebody next season because you can just feel this,” he says, referring to the energy surrounding “Mormon Wives.” “When the show took off, then it became, ‘OK, now we know we’re doing it.’”

And while having a cast member compete on “Dancing With the Stars” may, on its own, create a curiosity factor for audiences of both shows, the added layer of having the journey play out on “The Secret Lives of Mormon Wives” had the potential to heighten the story and viewing experience. And why not have two “Mormon Wives” cast members in the same season to see how their competitiveness plays out? So they did.

Dancer Jan Ravnik with partner Jennifer Affleck on “Dancing With the Stars.” (Eric McCandless/Disney)

Mark Ballas and Whitney Leavitt, who reached the semi-finals on the dancing competition series. (Eric McCandless/Disney)

The casting process for “DWTS” was documented in the third season of “Mormon Wives,” with Affleck and Leavitt pitching themselves to ABC executives. And their journey on the competition, including moving their families to Los Angeles and their eventual falling out, is featured in Season 4.

Corporate synergy within the Disney portfolio is nothing new, particularly on “Dancing With the Stars.” Disney Night is a recurring themed episode on the competition show, with contestants dancing to Disney, Pixar and Marvel tunes. And the series has featured stars from “Bachelor” nation before. But navigating the ins and outs of stories that intertwine without overstepping has required nimbleness.

“We basically carved out times where they [the ‘Mormon Wives’ crew] could film rehearsals and we always had a producer present just in case something happened that was dramatically important for our show,” says Conrad Green, the showrunner of “Dancing With the Stars.” “It’s like a gentleman’s agreement — we’re borrowing talent off another show so we have to work together and it works for everyone’s benefit.”

Stretching out a successful series typically leads to spin-offs — and yes, Mills says, those conversations are happening with “Mormon Wives” — at least at the time of the interview. In the meantime, the crossover strategy has become its key feature. Its third season featured the fallout from an explosive crossover with Hulu’s “Vanderpump Villa,” which follows Lisa Vanderpump, a former Bravo star, and her staff at various luxury European estates. MomTok stars Demi Engemann and Jessi Ngatikaura were guests on that show’s second season and got embroiled in drama with staff member Marciano Brunette, who alleges he had intimate connections with both women. The recent fourth season of “Mormon Wives” revisits the crossover, with some of the women’s spouses partaking in their own “Villa” getaway that fuels more drama.

Layla Taylor, left, Jessie Ngatikaura, Mikayla Matthews and Demi Engemann of “The Secret Lives of Mormon Wives” at the castle in “Vanderpump Villa.”

(Andrea Miconi / Disney)

Paul’s casting in “The Bachelor” universe continues the long-running franchise’s efforts to revamp as it ages, to mixed results. In 2021, the franchise cast its first Black male lead; last year, it entered the senior citizen dating space with spin-off “Golden Bachelor.”

After Paul posted a TikTok in June 2025 jokingly announcing her “bid” as a single mother looking for love, members of the company’s publicity department took notice and, before long, discussions began. When the idea to bring on a star outside the franchise was presented to”The Bachelorette” showrunner Scott Teti, he did some homework.

“Of course, I had heard of her — it’s hard not to hear of that name,” he says. “But I had to familiarize myself with it because I hadn’t watched her show. Instantly, you realize how honest and truthful she is, almost to a fault. Although she’s unrelatable in a lot of ways, with the attention she gets from media and social media … she has a layered story that I think is very relatable to a lot of people — being a single mother and not having success in past relationships and still really wanting to find love.”

He adds that though she was a “fish out of water” the first night, she found her way. “She made herself vulnerable and she finally let her walls down and made herself open to being in a relationship, finding someone,” he says. “At the same time, because she is used to doing things her own way, and not really caring what anybody thinks, that is what made it interesting. That is why this season is so big, and there are so many pivotal points in the season that will leave you on the edge of your seat.”

At least that was the plan.

Dressed in beige lounge pants and an oversize T-shirt adorned with mushrooms when we meet, Paul is affable despite her sluggish demeanor as she navigates the schedule demands in this window between “Mormon Wives” Season 4 and her debut as “The Bachelorette.” She pulls out her phone to share a series of TikTok videos that capture what she says is her current mental state — one features a man sarcastically talking about how he’d rather be petty than regulate his emotions. No stranger to finding a wide audience with viral videos, Paul sees the crossovers as “genius marketing.” But also acknowledged their potential challenges to #MomTok.

“I think it’s really cool to see all the different opportunities you can venture off into,” she says. “I think the con of that, with #MomTok, is that with all the opportunities, it kind of spreads us apart. We’re doing our own thing. It could break friendships. You’re getting envious. You get competitive.”

As the cast’s fame and opportunities grow, whether across Disney or outside of it — Leavitt, for example, is starring as Roxie Hart in “Chicago” on Broadway — the way to keep the series interesting is to incorporate all those moments into the show rather than pretend they live outside of it.

“We have not shied away from breaking the fourth wall,” says “Mormon Wives” showrunner Andrea Metz. “We have not shied away from talking about what is really happening with them. And I think that people like that. The trajectory of their fame and their stars rising has been very quick, but it’s also been really exciting.”

And the highs and lows are in full view, as this week proves.

Was she ready for ‘The Bachelorette’?

How all this might impact #MomTok — the power of their clique to withstand the various in-fighting and drama has become a perennial concern each season — is already playing out in the headlines.

Before recent allegations against Paul threatened the outcome of “The Bachelorette,” Paul’s entanglement with Mortensen had already cast doubt for some viewers of both franchises about whether she went into the dating series with any seriousness. The break between wrapping “Mormon Wives” and starting filming on “The Bachelorette” was one day. Paul admits she isn’t sure she was ready for the experience.

“I might not have been ready, but ready is a decision — just do it,” she says. “It was like a rehab, almost. It’s full detox. I had no contact — in no world does it happen with the co-parent. Whether or not I was ready, it was what was so needed for me, at the very least to just get away from it. And I wanted to find someone and love.”

“‘The Bachelorette’ is one of the hardest things I ever did,” she continues, “but also the most amazing things I ever did. I have my kids back home. I’m not just here looking for me. The emotional exhaustion was a lot. I’m dating 20-something guys. I am putting my all into one conversation after the other, every single day, all day. Your brain is just kind of fried.”

Then she considers a question that didn’t feel as prescient then: Does she feel like it broke the cycle she’s had with Mortensen?

“Yeah, I feel like it helped,” she says. “Obviously things — [we’re] within the process of the show, I can’t speak on it yet. But you’ll see it all unravel.”

WASHINGTON — At a Senate hearing Wednesday to consider the confirmation of Sen. Markwayne Mullin (R-Okla.) as Homeland Security secretary, Sen. Rand Paul (R-Ky.) opened by asking whether “a man with anger issues” can set the right example for federal immigration agents.

Mullin, President Trump’s pick to replace Secretary Kristi Noem, faced tough questions before the Senate Homeland Security Committee about how he would carry out the administration’s mass deportation effort and how he would steer the agency in the wake of controversies that led to Noem’s firing earlier this month.

For his part, Mullin said he will work to ensure a secure homeland as well as to “bring peace of mind and confidence to the agency.”

“My goal in six months is that we’re not in the lead story every single day,” he said.

Throughout the hearing, Democrats made digs at Noem while examining Mullin’s character and ability to lead the nation’s largest law enforcement agency. Most Republicans painted Mullin as a good man and a hard worker while chastising Democrats for punishing federal workers with the continued Homeland Security funding shutdown.

The leadership shake-up comes amid intense scrutiny over increasingly violent immigration enforcement tactics since last year that intensified after the shooting deaths of two protesters in Minneapolis by immigration agents, which Noem — without evidence — called domestic terrorism.

She was fired days after testifying before congressional oversight committees, during which she faced criticism from Republicans and Democrats alike.

“It’s not the role of the secretary to be a cable news commentator in the wake of a crisis” said Sen. Gary Peters (D-Mich.). “This is a role where temperament matters, where judgment matters and where experience matters.

“We have seen under Secretary Noem’s leadership how shortcomings in these traits can compound the challenges that already come with leading a large and complex department, and now more than ever, we need a DHS secretary who is a steady hand, who will provide thoughtful leadership, follow the facts, tell the truth, and hold agency officials accountable when they need to be.”

Paul brought up incidents to illustrate why Mullin is not fit for the job, including a time in 2023 when he nearly got into a fight in a Senate hearing room and more recently when Mullin called Paul “a freaking snake.”

Paul also confronted Mullin for saying he “completely understood” why Paul was assaulted by a neighbor in 2017, which left him with six broken ribs and a damaged lung.

Mullin did not apologize for his remarks and instead accused Paul of smearing his character.

“I’ve worked with many people in this room,” Mullin told Paul. “It seems like you fight Republicans more than you work with us.”

But Mullin added that their personal differences wouldn’t keep him from doing his job — “it’s bigger than partisan bickering” — and asked Paul to let him earn his respect.

Paul appeared unmoved. Referencing the 2023 near fight with Sean O’Brien, the head of the International Brotherhood of Teamsters, Paul asked Mullin to “explain to the American public how a man who has no regrets about brawling in a Senate committee can set a proper example.”

Mullin was prepared for the moment: O’Brien was sitting behind him. The union president, he said, has become a close friend.

“Both of us agreed we could have done things different,” Mullin said.

There’s still nine months to go before audiences can return to Arrakis. Until then, Warner Bros. has released a trailer to hold us over.

“Dune: Part Three,” which takes place nearly two decades after the events of the sequel, promises more political upheaval, introduces a ruthless new villain and teases Paul and Chani’s future child, according to a trailer released Monday.

“Dune” stars Zendaya and Javier Bardem joined Denis Villeneuve to preview the trailer for the conclusion to his famed sci-fi trilogy. New cast members Anya Taylor-Joy and Robert Pattinson were also in attendance at the AMC event while Timothée Chalamet, Florence Pugh and Jason Momoa sent video messages.

“It’s a trailer launch? It looks like a premiere,” Villeneuve said during the event, which included a Q&A with the cast and was met by thunderous applause from the audience.

Zendaya, who stars in the films as Chani, a Fremen warrior, expressed excitement about the upcoming film, saying the “movies have meant so much to me over the years. I’ve literally been able to grow up in my entire 20s doing them, and so they have such a special place in my heart.”

Here’s everything to know about “Dune: Part Three.”

What is ‘Dune 3’ about?

The trilogy’s final installment picks up 17 years after the second movie, though the trailer hints at continued war and political turmoil in Arrakis and beyond.

Paul Atreides, played by Chalamet, is dealing with the consequences of defeating the Harkonnens and becoming emperor, struggling with his role as the Fremen’s messiah.

The trailer hints at a possible future child between Paul and Chani. The pair, who are introduced as potential love interests in the first movie, were split up at the end of the second film, with Paul marrying Princess Irulan, played by Pugh, in a political move to ensure his ascension to the throne.

In the trailer, Chani asks Paul, “If we have a girl, what will we name her?” hinting at a possible reconciliation. In a pre-recorded video played during the event, Pugh addressed the love triangle, and asked Zendaya what her character thinks of Irulan’s marriage to Paul.

“You guys will just have to see for yourself what happens, because it’s quite the journey,” Zendaya said during the event.

At the heart of the third movie, Villenueve said, is a love story, adding that “the heartbeat of the film is still the relationship between Paul and Chani,” according to Deadline.

The trailer also offers a sneak peek at continued battles in the universe, even years after Paul, the “chosen one,” becomes emperor.

Jason Momoa returns as Hayt in “Dune: Part Three,” a clone of Duncan Idaho.

(Warner Bros. Pictures)

When will ‘Dune 3’ be released?

The final installment of the trilogy will hit theaters Dec. 18.

“Dune: Part Three” is inspired by “Dune Messiah,” the second novel in Frank Herbert’s “Dune” series. The first two films were adapted from the first novel.

Villeneuve had planned to temporarily step away from the “Dune” universe, but “felt a responsibility to finish the story” after seeing audience excitement for the second film, which was released in 2024, he said during the trailer launch. The first two movies were box-office hits, collectively grossing more than $1.1 billion worldwide. “Part Two” won two Oscars, and the first film earned six Oscars out of 10 nominations, primarily in the technical categories.

The third film “is a very different movie,” Villeneuve said during Monday’s event.

“It’s a good idea to come back to those worlds, not by nostalgia, but by urgency,” he said. “If the first movie was contemplation — a boy exploring a new world — and the second one is a war movie, this one is a thriller. It is action-packed and tense. More muscular.”

Robert Pattinson plays shape-shifting villain Scytale in “Dune: Part Three.”

(Warner Bros. Pictures)

What have ‘Dune’ stars said about the film?

The trailer’s exclusive screening was introduced via a video message by Chalamet, who said Villeneuve’s third film is “a true act of cinema.”

“This film would not exist without the master of cinema, the great artist that is Denis Villeneuve,” Chalamet said. “I’m not alone in saying thank you to Denis for his dedication in bringing the ‘Dune’ films to life — and now the ‘Dune’ trilogy to life.”

Momoa, who starred in the first film as Duncan Idaho before his character was killed off, will be back in the third installment, he announced in a video at the event. Taylor-Joy, who had a brief cameo in the second movie, will return as Paul’s younger sister Alia.

Pattinson will take on the role of shape-shifting villain Scytale. Pattinson said he got the job just months after he asked Zendaya how he could join the “Dune” cast while on set filming their black comedy “The Drama.” (The A24 movie opens April 3.)

“Everybody wants to work with Denis. He’s a master,” Pattinson said during the event. “When you see the scope and scale and ambition of these movies, like on set, you get why they feel like this on the screen. It’s just extraordinary.”

Anya Taylor-Joy plays Paul’s younger sister Alia.

(Warner Bros. Pictures)

REALITY TV star Paul Preece Jr who won the Netflix survival show Outlast has been charged with raping a child.

The 51-year-old was arrested in Tennessee on Friday and booked into Knox County Jail.

Jail records show Preece has also been charged with aggravated sexual battery and attempted rape of a child, The Daily Mail reports.

The age of the victim has not yet been released.

Preece is currently being held on a $150,000 bond and will be required to wear a GPS tracker upon release.

His arrest comes after a capias warrant was issued, according to TMZ.

The court-ordered warrant is typically used when a person fails to appear in court, violates bond conditions, or neglects to pay court-ordered fines or child support.

Preece rose to prominence after competing on the first season of Outlast in 2023.

The gruelling reality show sees a group of contestants trying to survive remote Alaskan terrain in punishing conditions for a chance at a $1 million prize.

Sixteen participants are dropped by parachute into the wilderness before being divided into teams.

Season one was filmed on the Neka River on Chichagof Island, while series two moved south of Petersburg to Little Duncan Bay.

Unlike many competition shows, contestants cannot compete alone.

Participants are allowed to switch teams throughout the competition.

The only way to leave the game is to quit.

Preece won the inaugural season alongside teammates Seth Lueker and Nick Radner.

Season two landed in the Global Top 10 in 22 countries.

Two Texas men, Drake Vliem II and Drew Haas, won the million-dollar pay-out in the second series.

The series was renewed for a third season in February 2025.