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Defending champion Rory McIlroy made a solid start to the first round of the AT&T Pebble Beach Pro-Am as Japan’s Ryo Hisatsune set the early pace with a 10-under 62.

Hisatsune, 23, was six under at the turn and concluded a stunning performance with four more birdies on the back nine on the PGA Tour’s first signature event of the season.

Northern Ireland’s McIlroy is still in contention six shots back after carding a four-under 68 in California.

But it was a case of what might have been for McIlroy, who opened with consecutive birdies on the 10th and 11th holes and another on the 17th at Spyglass Hill, with the highlight of his front nine coming when he chipped out of a greenside bunker on the 14th for an eagle.

However, his progress was checked after the turn with double bogeys at the two par-three holes – the third and the fifth – when his putter ran cold.

While the world number two picked up shots on the second, fourth and ninth, he has ground to make up in Friday’s second round, although not as much as the man directly above him in the rankings, Scottie Scheffler.

The American, who has not finished outside a top 10 place since last year’s Player’s Championship, struggled to a disappointing even par 72.

With the opening two rounds of the event split across two courses, Scheffler’s friend and compatriot Sam Burns fared much better at Pebble Beach golf links, to end the day in second on nine under alongside Keegan Bradley.

Chris Gotterup, a two-time winner already this season, began with six successive birdies and is well placed at eight under along with Tony Finau and Patrick Rodgers.

England’s Matt Fitzpatrick is at six under and Tommy Fleetwood and Ireland’s Shane Lowry made solid starts to sit at five under with Englishman Harry Hall one further back.

With a $20m (£14.7m) purse available, 18 of the top 20 players in the world are competing in the 80-man field, with Pebble Beach hosting Saturday and Sunday’s third and fourth rounds.

In the 1930s, the white matriarchs of tiny Natchez, Miss. — one of the 19th century’s wealthiest American towns thanks to the slavery-driven cotton trade — opened their stately antebellum mansions to save themselves from economic ruin. Tourism dollars flowed in, even if the prettified Southern history being sold ignored the immoral plague that built its riches in the first place.

By turns cheeky and disturbing, blunt and nuanced, Suzannah Herbert’s excellent documentary “Natchez” offers its own guided tour of a memory-challenged community (population: 14,000) struggling to reconcile its exquisite, carefully scrubbed façade with the inconvenient truths some would like to see better represented in the narrative.

That longstanding erasure has made Natchez a less commercially friendly prospect to younger generations of visitors. And meaningful progress turns out to be much harder than simply refashioning an exhibit or a docent’s spiel.

Can a place like Natchez — home to both a cherished tourist pageantry called the Pilgrimage and the slave market site called Forks of the Road — find a harmonious existence between its green-and-serene sightseeing pleasures and its terrible past? Its optimistic mayor seems to think so, if the first scene is any indication, in which he exalts a “new Natchez” at a spirited ladies’ luncheon held by the tour-umbrella association, the Garden Club, and featuring that group’s first Black member, Deborah Cosey.

Cosey, we learn, runs Concord Quarters, a burned-down plantation’s last remaining building, which once housed its enslaved. (She also lives there.) Centering the work and lives of these forgotten souls is a mission she sees as telling “the rest of the story.” In one tense scene with her white colleagues, Cosey winces at their version of historical enlightenment — the reclamation project is moving at a horse-drawn carriage’s pace.

The big house is still the main show, antiquated customs and preserved finery still the plot, even as some of these hosting descendants, faced with declining revenues, grasp that there’s an increasing awkwardness to the “Gone With the Wind” myth they’re peddling. Meanwhile, charming and knowledgeable Black pastor Tracy “Rev” Collins offers a lively van tour (“See the real Mississippi”), an educational reality check about slavery’s legacy laced with witty asides.

The divide gets more complicated when the documentary trails openly gay veteran Garden Club member David Garner, whose charity work benefiting the LGBTQ+ community would seem to point to an old world’s shifting tolerance. But when this outlier’s intensely Southern-fried tour patter reveals a chillingly deep-seated racism, it slaps you right back into sobriety about Natchez’s roots — a neo-Confederate mindset that doesn’t care if a camera is there to record it.

“Natchez” is full of quietly charged moments in dreamily scenic surroundings, one result of Noah Collier’s lush cinematography, deployed like a deliberately performative nostalgia that lets us know there’s always more to see if we look (and listen) closely enough. This stylistic approach allows Herbert to expertly avoid inadvertently selling Natchez itself, instead focusing on how this town’s peculiar relationship to an overwhelming past still lives inside those doing the selling.

The Los Angeles City Council on Tuesday signed off on a plan to give financial relief to Palisades fire victims who are seeking to rebuild, endorsing it nearly 10 months after Mayor Karen Bass first announced it.

On a 15-0 vote, the council instructed the city’s lawyers to draft an ordinance that would spare the owners of homes, duplexes, condominium units, apartment complexes and commercial buildings from having to pay the permit fees that are typically charged by the Department of Building and Safety during the recovery.

Forfeiting those fees is expected to cost as much as $90 million over three years, according to Matt Szabo, the city’s top budget analyst.

The vote came at a time of heightened anxiety over the pace of the city’s decisions on the recovery among fire victims. Bart Young, whose home was destroyed in the fire, told council members his insurance company will cover only half the cost of rebuilding.

“I’m living on Social Security. I’ve lost everything,” he said. “I’m not asking for special treatment. I’m asking for something fair and with some compassion.”

The ordinance must come back for another council vote later this year. Councilmember Traci Park, who pushed for the financial relief, described the vote as a “meaningful step forward in the recovery process.”

“Waiving these fees isn’t the end of a long road, but it removes a real barrier for families trying to rebuild — and it brings us closer to getting people home,” she said in a statement.

Bass announced her support for the permit fee waivers in April as part of her State of the City address. Soon afterward, she signed a pair of emergency orders instructing city building officials to suspend those fees while the council works out the details of a new permit relief program.

That effort stalled, with some on the council saying they feared the relief program would pull funding away from core city services. In October, the council’s budget committee took steps to scale back the relief program.

That move sparked outrage among Palisades fire victims, who demanded that the council reverse course. Last month, Szabo reworked the numbers, concluding that the city was financially capable of covering all types of buildings, not just single-family homes and duplexes.

Fire victims have spent several months voicing frustration over the pace of the recovery and the city’s role in that effort.

Last week, the council declined to put a measure on the June 2 ballot that would spare fire victims from paying the city’s so-called mansion tax — which is levied on property sales of $5.3 million and up — if they choose to put their burned-out properties on the market.

Bass and other elected officials have not released a package of consulting reports on the recovery that were due to the city in mid-November from AECOM, the global engineering firm.

AECOM is on track to receive $5 million to produce reports on the rebuilding of city infrastructure, fire protection and traffic management during the recovery. The council voted in December to instruct city agencies to produce those reports within 30 days.

Bass spokesperson Paige Sterling said the AECOM reports are being reviewed by the city attorney’s office and will be released by the end of next week. The mayor, for her part, said Monday that the city has “expedited the entire rebuilding process without compromising safety.”

More than 480 rebuilding projects are currently under construction in the Palisades, out of about 5,600, the mayor’s team said. Permits have been issued for more than 800 separate addresses, according to the city’s online tracker.

The council’s vote coincides with growing antagonism between the Trump administration and state and local elected officials over the recovery.

Last week, President Trump signed an executive order saying wildfire victims should not have to deal with “unnecessary, duplicative, or obstructive” permitting requirements when rebuilding their homes. On Tuesday, the county supervisors authorized their lawyers to take legal action to block the order if necessary.

Lee Zeldin, Trump’s administrator for the federal Environmental Protection Agency, is scheduled to meet Wednesday with Bass and LA. County Supervisor Kathryn Barger in Pacific Palisades to discuss the pace of the recovery. He is also set to hold a news conference with Palisades residents to discuss the roadblocks they are facing in the rebuilding effort.