Mike

Seasons change. Kids grow up. Monsters evolve. Beloved TV series end.

“Stranger Things’” fifth and final season kicks off Wednesday after a nearly three-and-a-half-year absence. It’s a welcome but bittersweet reunion for fans of the show who’ve spent the last decade watching a gaggle of misfit kids (now teens) weaponize their nerd skills against supernatural and mortal enemies in the fictional town of Hawkins, Ind.

Will (Noah Schnapp), Mike (Finn Wolfhard), Lucas (Caleb McLaughlin), Dustin (Gaten Matarazzo) and Max (Sadie Sink) and their superpowered friend Eleven (Millie Bobby Brown) are now poised for a final battle against their mind-bending nemesis, Vecna, when the season’s Volume 1 arrives with four new episodes; Volume 2 (three episodes) drops Christmas Day, and the finale arrives Dec 31.

I might complain about the staggering of episodes — all timed for a holiday, of course — but the strategy gives sentimental viewers (my hand is raised) a bit more time to emotionally uncouple with the show.

The end of Netflix’s oddball-to-blockbuster series marks the end of an era, and surely the last generational touchstone to come out of series television. Gen Z, which grew up in the dawn of YouTube and, later, the emergence of TikTok, has generally favored short-form content over lengthier productions; however, “Stranger Things” became the exception. Young fans stretched their attention spans, watching entire seasons of a show where episodes might range anywhere from an hour to two hours plus. The Upside Down, a dark, gooey parallel universe of Hawkins, and its predatory demogorgons became part of their middle school vernacular, in the same way that pre-streaming generations used “isms” from their favorite shows: (“Just MacGuyver it, dude”).

“Stranger Things” takes place in the Reagan era, so from its very beginnings parents of Gen Zers could watch the series with their kids while revisiting their own fond and/or torturous memories of growing up in 1980s. My son was in the sixth grade when the show premiered, meaning I was there to confirm that, yes, tragic hairdos, pleated jeans and unchecked bullying were a thing in the ‘80s. But unlike Eleven, we did not have the power to make said bullies pee their pants in public. If only …

The Day-Glo decade still plays a pivotal role when “Stranger Things” returns this week. Look forward to a Tiffany “I Think We’re Alone Now” moment, nods to great bands like the Fall, and a well-timed mention of a flux capacitor. But Hawkins is no MTV dance party. The sleepy town is under a militarized quarantine. It’s for their own protection, and because the government is up to no good, again. Nothing comes in or out of the place without the knowledge of authorities, unless it’s smuggled in by the perpetually scheming Murray (Brett Gelman).

Hopper (David Harbour) and Eleven (Millie Bobby Brown) make their way to the Upside Down. (Netflix)

Max (Sadie Sink) remains comatose as Lucas (Caleb McLaughlin) attempts to reach her. (Netflix)

Last we knew, antagonist Vecna (who takes on many forms) had finally opened the gates to the dandruffy Upside Down, merging it with the real world. It was a violent event, but most of the town folk believed all that shaking and noise was because of an earthquake. Poor souls.

Hawkins’ beloved band of nerds know better. They’ve been doing covert “crawls” with the goal of locating and destroying Vecna before he turns the town, then the world, into an oozy wasteland. Joining the fight are Mike’s older sis Nancy (Natalia Dyer), Will’s big brother Jonathan (Charlie Heaton), friends Steve (Joe Keery) and Robin (Maya Hawke), Will and Jonathan’s mom Joyce Byers (Winona Ryder) and Elle’s adopted father, Jim Hopper (David Harbour). Max is comatose in the hospital. Her consciousness is trapped in Vecna’s mindscape, no matter how much Lucas plays Kate Bush’s “Running Up That Hill” to wake her.

Following multiple attacks on their modest home by demodogs and U.S. agents, the Byers have been living in the basement of Mike’s home with his family, the Wheelers. The unfulfilled Mrs. Wheeler (Cara Buono) has been hitting the sauce and the usually flaccid Mr. Wheeler (Joe Chrest) is finally bothered by something — they’re eating his morning bacon! The youngest Wheeler, Holly (Nell Fisher), is now approaching the age that the core cast of kids were when the series premiered in 2016. And Erica (Priah Ferguson), Lucas’s don’t-mess-with-me little sister who still delivers all the show’s best zingers, is now in Mr. Clarke’s middle school science class.

Elevating the storylines of younger characters helps bridge the age gap created when the core cast of kid actors had the audacity to grow up over the show’s run. Brown was 12 when the show premiered. She’s now 21. Critics have complained that they should not be playing high schoolers. But accepting 22-year-old Wolfhard as a teenage Mike is not a stretch — especially given everything else “Stranger Things” fans have been willing to believe in (“talking” Christmas lights, psychokinetic battles, a nefarious Soviet lab under the mall food court).

There are spoiler embargoes aplenty so there’s a limit to what can be said about the first four new episodes out for review. Suffice to say there’s a mega battle on the horizon. Eleven has been training hard, honing her powers. Now she can fling armored vehicles, leap atop large buildings and bend the toughest of minds with a minimal nosebleed. Dustin is fighting angry, hardened by the death of his Hellfire Club buddy, Eddie Munson (Joseph Quinn). Steve and Jonathan are still competing for Nancy’s attention while her focus is on perfecting her sharpshooting skills. Hopper has a distractingly long beard. And Mrs. Wheeler proves to be a formidable warrior when armed with a jagged, broken wine bottle.

Their original kids’ circumstances haven’t changed all that much, but their outlooks have, making for unpredictable twists in their powers, strengths and alliances.

In the final season of their little show that did, creators the Duffer Brothers (twin siblings Matt and Ross), lean heavily on the interpersonal feuds and friendships between all the aforementioned characters, pairing high-budget action with advancing storylines about folks that fans have come to love. It is, after all, the kids at the center of the story that kept us coming back for more. And it appears they’ll continue to do so, right up to the end.

Hugh Jackman never thought he’d be a karaoke guy. But then Neil Diamond happened.

Starring opposite Kate Hudson in the Christmas Day release “Song Sung Blue,” the 57-year-old Australian actor portrays not the legendary Grammy winner and shaggy-haired sex symbol, but rather a Neil Diamond “interpreter,” the real-life Mike Sardina, who, with his wife and stage partner, Claire (Hudson), found unexpected success with a tribute band in mid-1990s Milwaukee.

It was this film that recently brought the “Greatest Showman” star to Diamond’s Colorado ranch, where the two participated in a singing session that convinced Jackman to buy his own karaoke machine.

The only guide you need for holiday entertainment.

“Normally, I’m like, ‘I don’t want to do that,’” says Jackman, over Zoom from a New York hotel room, as if he’s confessing a mortal sin. “But I did karaoke with Neil, and I’m like, ‘All right, now I’m in.’”

What did they sing? Diamond soloed on “I Dreamed a Dream” from “Les Misérables,” paying tribute to Jackman’s musical theater bona fides, before the two duetted on Elvis Presley’s “Can’t Help Falling in Love” and, of course, Diamond’s own “Sweet Caroline.” The good times never seemed so good.

It was a hang session so epic that Hudson, joining the call, seems green with an envy that matches her sweater. “I can’t believe I missed this karaoke party,” she says. “I have a whole karaoke setup at my house with a microphone and everything. I feel very left out.”

Thankfully, when it came to making “Song Sung Blue,” it didn’t seem so lonely for her. Based on Greg Kohs’ 2008 documentary of the same name, the film is as much Claire’s tale as it is Mike’s, following the real couple’s love story set to the tune of Diamond’s extensive songbook. At the height of their success, which included playing with Pearl Jam at Eddie Vedder’s request, the Sardinas became local celebrities, billed as the duo “Lightning & Thunder.”

Hugh Jackman and Kate Hudson in the movie “Song Sung Blue.”

(Focus Features)

A Vietnam vet and mechanic with a dream of entertaining, Sardina seems a role tailor-made for Jackman, who can go from Wolverine to Broadway in a single season. “Song Sung Blue” writer-director Craig Brewer, who first saw the documentary at a small film festival in Memphis, Tenn., never envisioned anyone but Jackman as the insatiable Wisconsinite.

“It was always Hugh because there’s not anybody else out there who could understand the wild showmanship that Mike Sardina had,” says Brewer, calling from his Memphis home. “He’s doing two layers of a character. He’s playing this working-class guy that loves to entertain any way he can. If he’s got to wear sequined shirts, he’s going to. He’s going to give you everything he has.”

The role presented a puzzle for Jackman, despite having played career impresarios like pop idol Peter Allen and P.T. Barnum. “I had to lose Hugh Jackman to be Mike,” says the actor, relaxed in an umber-colored button-down shirt. “How does Mike find himself within his love of Neil? It took me a second to find him and lose my shtick, because I’m a performer too.”

Ultimately, the solution wasn’t his Neil Diamond impersonation, though Brewer encouraged Jackman to make a meal of that. “You can lay a little bit more butter on it,” the director remembers telling him.

Instead, Jackman’s breakthrough came via deep self-identification.

“His dream was always huge but this was not how he thought it was going to go,” Jackman says. “It was that ‘one plus one equals three’ thing where, all of a sudden, they found themselves being the next big thing.” Similarly, Jackman never intended to become a movie star synonymous with musical theater. He’d never even sung before a post-university audition changed the course of his life.

“One of the hardest things to do is fake chemistry,” Kate Hudson says. “You can’t do that. You have to actually fall in love with each other and find the chemical connection.”

(Victoria Will / For The Times)

Hudson is a less-obvious casting choice. Though she’s made a career playing rom-com heroines, with “Song Sung Blue,” she’s already generating awards buzz for her turn as a guileless Midwestern mom miles away from the glittering women Hudson typically portrays, and one with her fair share of trauma. She has to go to some dark places, channeling Claire’s depression, addiction to painkillers and more — but despite her penchant for playing more carefree women, Hudson says she wasn’t intimidated by the role’s meatier aspects.

“When you grow up with storytellers,” she says, referencing her actor parents Goldie Hawn and Kurt Russell, “you forget the camera’s there. You’re not thinking about anything glamorous. You’re looking at the role and what it needs. It’s what you long for as a performer. It allows you to almost leave your body.”

For Hudson, the opportunity also dovetailed with a new act in her own life as a recording artist. Even though she released her debut album “Glorious” only last year, Hudson has long identified as a singer-songwriter. “I was always so scared of it,” she confesses of her fear of going public about her songwriting. “But the studio is where I’m very happy. I’ve been in the studio since I was 19, but I just never shared my music because I was too scared to put it out.”

It was a discovery Jackman made while they were recording their vocal tracks for the film. “I said, ‘You’re a musician,’” he recalls, Hudson beaming at him. “You were so relaxed and in your home.”

“I’ve always had a lot of cheerleaders for me to do music,” Hudson replies, sheepishly.

Some might see it as a full circle moment for Hudson, who received an Oscar nomination for her performance as the groupie Penny Lane in Cameron Crowe’s 2000 rock memoir “Almost Famous.” It was such a formative experience that Hudson still remains close with Crowe. She tells me she’s reading his new book, “The Uncool,” to prepare to interview him on his tour.

But no matter how much Penny Lane has shaped her life, Hudson doesn’t see a through line from her to Claire. Instead, she draws a line between fandom and musicianship, specifically the distinction between those who chase the high of being in the room or backstage living the lifestyle, and those who have a song they have a visceral need to share.

“With Claire, it needs to come out,” she continues. “It doesn’t matter where or what we’re doing or how we’re doing it — we just need to do it. That is also how I feel about music.”

The real-life Claire Sardina and her two children (played by Ella Anderson and Hudson Hensley on-screen) threw their full support behind “Song Sung Blue.” But Hudson’s instinct was to build her own version of Claire without too much outside influence. “You want to make a choice in a film because it’s the right choice for the character, not because you’re trying to mimic something,” says Hudson.

Hugh Jackman and Kate Hudson in the movie “Song Sung Blue.”

(Focus Features)

That need to avoid mimicry and feel the moment was particularly crucial for the film’s heartbreaking second act, in which Claire is hit by a car in her front yard and loses a leg, plunging into self-loathing, depression, body dysmorphia and addiction. Hudson had to do extensive physical work to prepare to authentically represent Claire’s lived experience. “Movement is a huge part of what actors do,” she says. “There’s the emotional part but the physicality is like rebalancing your brain.”

In addition to watching YouTube videos of amputees and speaking with those in the disabled community, Hudson got useful advice from another screen legend — her dad.

“Kurt said that Claire is like Rocky,” she says, referring to the iconic character’s grit and determination to go the distance. “The part that really got my dad emotional was that she just wanted to figure out how to get on her feet.”

Jackman marvels at the bravery and skill of Hudson’s performance, noting that she even captured something the real Claire told him off-camera.

“Claire said, ‘The thing is Mike was a leg guy,’” he remembers. “Kate played that so well. That feeling of shame about: Is my partner attracted to me anymore? I found that incredibly moving.”

Hudson welcomed the challenge, but she did worry about one thing outside her control. For “Song Sung Blue” to work, the actors playing Claire and Mike need to be in perfect alignment: one the words, the other the tune.

“One of the hardest things to do is fake chemistry,” Hudson says. “You can’t do that. You have to actually fall in love with each other and find the chemical connection. That was my biggest anxiety.”

Jackman shared this concern. “I remember the first day after our table reading, you said, ‘This movie works if we work,’” he reminds her.

They needn’t have worried. “They were a net for each other as the other one was up on a tightrope,” Brewer says. “It was incredibly inspiring for the crew to see that kinship and respect.”

Their mutual generosity is evident in the way Jackman checks in with Hudson after each anecdote during our interview, confirming she has nothing to add or correct. Though this is their first film together, their repartee is so easy and warm it’s hard to believe they haven’t co-starred in at least a dozen movies.

“It felt easy to just inhabit these characters,” Jackman says. “The word that comes to me is trust. All of the scenes, particularly in that darker period, we could just live in that — the frustration, the paranoia, the anger, the loss, the fear. Every take felt really very different. I felt very free.”

Hudson agrees, adding with a giggle, “I told Hugh, ‘I’m really tactile. Just tell me if I make you uncomfortable. I’m going to kiss you all the time.’”

It helps that Hudson and Jackman are naturally sunny, curious people, celebrities who’ve never cared for the sound of being alone. “We like to connect with people,” Hudson says. “There’s no internal process that removes us. We’re both community people. We like to be in the circus. When we’re on set, we sit on set. There’s no separation of crew and cast. It’s very rare that you work with someone who is like that.”

Ultimately, that openness allowed Hudson and Jackman to approach Claire and Mike with honesty, essential for a film that’s a fullhearted paean to dreamers at their highest and lowest.

“Eddie Vedder told me something that moved me so much,” Jackman says, a note of emotion in his voice. “He goes, ‘Some might say these people led small lives. Their dreams were so huge and perhaps, naive. But dreams are so powerful that 30 years later, it’s come true.’”

From playing Milwaukee dive bars to becoming the subjects of a major motion picture, the Sardinas have far exceeded even their own expectations. To quote another beloved Diamond tune, it’s enough to make anyone a believer.