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Ryan Coogler, Mary Corse to be honored at LACMA’s 2025 Art+Film Gala

Director Ryan Coogler and artist Mary Corse will be honored at the Los Angeles County Museum of Art’s 14th annual Art+Film Gala, the museum announced Sunday.

The splashy, high-fashion dinner is co-chaired by LACMA trustee Eva Chow and Leonardo DiCaprio, and is scheduled to take place on Nov. 1. It will be the last such event to occur before the museum opens its new Peter Zumthor-designed building next spring.

Los Angeles is uniquely suited for the gala, which seeks to highlight and strengthen the connections between film and visual art by bringing the two communities together in grand style. Last year’s honorees were Baz Luhrmann and Simone Leigh, and per usual, a host of celebrity guests attended the party including Blake Lively, Kim Kardashian, Laura Dern, Viola Davis, Andrew Garfield and Sarah Paulson. Charli XCX closed out the night with a banger.

LACMA Director and Chief Executive Michael Govan called last year’s event, which raised $6.4 million, its most successful ever. Proceeds go toward LACMA’s mission of making film more central to its programming, as well as toward funding exhibitions, acquisitions and educational programming.

Mary Corse will be honored at LACMA's Art + Film gala.

Mary Corse will be honored at LACMA’s Art + Film gala.

(Indah Datou)

Other previous honorees include artists Helen Pashgian, Betye Saar, Catherine Opie, Mark Bradford, Robert Irwin, James Turrell, Barbara Kruger, David Hockney, Ed Ruscha and John Baldessari. On the film side there has been Park Chan-wook, Alfonso Cuarón, Guillermo del Toro, George Lucas, Kathryn Bigelow, Alejandro González Iñárritu, Quentin Tarantino, Martin Scorsese, Stanley Kubrick and Clint Eastwood.

Coogler — who directed “Black Panther,” “Creed” and “Fruitvale Station” — is having a stellar year. His gory Southern-vampire horror film “Sinners,” which was released in mid-April, has been a massive hit. The film, which had a budget of $90 million, grossed $48 million in ticket sales in the U.S. and Canada during its opening weekend, and has gone on to gross more than $365 million worldwide.

Topanga-based painter Mary Corse is known for her connection to Southern California’s Light and Space movement, but her career has been defined by her willingness to experiment with form and various materials, including ceramics and acrylic on canvas. Corse devoted much of her life to her “White Light” series, which involves layering tiny glass beads — called microspheres — over white acrylic paint for a constantly shifting, reflective effect.

“Mary Corse has continually expanded the possibilities of painting in her exquisite works, which invite us to think deeply about the nature of perception,” said Govan in a statement. “Ryan Coogler’s films do something equally transformative. Through masterful storytelling and visual innovation, he reframes history, redefines narratives and opens new worlds of possibility.”

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Ann Philbin picks NPR, KCRW and LAist to receive her $500,000 prize

NPR is receiving a highly symbolic financial boost days before Congress is expected to vote on the fate of federal funding that supports the news and culture nonprofit.

Ann Philbin, former director and current director emeritus of the Hammer Museum at UCLA, has been named this year’s Getty Prize recipient. The honor comes with a $500,000 grant for a nonprofit of the winner’s choice, and Philbin has selected NPR and its Los Angeles member stations, KCRW and LAist.

The prize is considered the Getty’s highest honor and recognizes what the institution calls “cultural leaders whose work expands human understanding and appreciation of arts and culture.” Previous awardees include Frank Gehry, Mark Bradford, Ed Ruscha, Yo-Yo Ma and Thelma Golden.

“I wanted to shine a light on one of the most pressing issues of our day,” Philbin said in a phone interview. “And that’s freedom of speech and freedom of the press.”

Philbin said she requested that half of the Getty grant go to NPR and the other half to be split between KCRW and LAist.

“Those two radio stations for me — and I think for so many Angelenos who spend so much time in their cars — are constant companions,” Philbin said. “We listen to them all the time, and they’re precious to us. To even think about the fact that they might not exist is unbearable.”

NPR Chief Executive Katherine Maher in May filed a lawsuit against President Trump after he issued an executive order directing the Corp. for Public Broadcasting to freeze all funding to NPR and PBS. She said Philbin’s decision to split the donation between NPR and its local affiliates showed a level of understanding about the interdependency of the local and national radio platforms not often mirrored in the national conversation.

“It is an extraordinary gift at an extraordinary time with real, material impact for the stations,” Maher said.

Congress has until the end of the week to vote on a White House proposal known as the rescission bill that would claw back $9 billion in foreign aid and more than $500 million per year in federal funding already approved for the Corp. for Public Broadcasting, which funnels financial support to NPR and PBS as well as local public radio and TV stations across the country.

Trump has been adamant that his allies vote in favor of the rescission package, writing on Truth Social last week that he will withhold support and endorsements from any Republican who doesn’t vote in its favor. He called the Corp. for Public Broadcasting, NPR and PBS “a monstrosity.”

The proposed cuts to the Corporation for Public Broadcasting would total $1.1 billion over the next two years. Federal funding accounts for about 15% of PBS’ budget and 1% of NPR’s budget, according to NPR, but local stations would be the hardest hit and some may not survive, Maher said. If they vanished, she added, they would take with them the kind of hyper-local, community-based reporting that helps forge and maintain a sense of place, identity and purpose, particularly in rural communities.

“That impact is something that is hard to conceptualize, even when you are a member of Congress who represents some of these communities,” Maher said. “Because you spend so much time living with one foot in the world of places like Washington, D.C., and very little time in the areas of the country where broadband services are not reliable or easily available, and cellphone service is not necessarily consistent and universal.”

Philbin noted that NPR’s mission statement is to create a more informed public and to celebrate the diversity of the human experience, and that those values are being challenged by a storm of misinformation.

The Getty Prize was founded in 2013 as the Getty Medal. It was initially given to several individuals each year, but last year it transformed into its current incarnation, honoring a single person who chooses the “pay-it-forward” grant recipient.

Last year’s honoree was Mark Bradford, who chose to steer the grant money to the Arts for Healing and Justice Network, which brings arts programming to minors in the juvenile justice system.

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