MalcolmJamal

Malcolm-Jamal Warner’s mother speaks out after actor’s death

Pamela Warner, the mother of late “Cosby Show” star Malcolm-Jamal Warner, looked beyond loss and offered some comfort to his fans as she broke her silence about his sudden death in July.

The elder Warner created an Instagram page dedicated to her son’s legacy and on Friday released a contemplative and lengthy statement saying the actor-musician “was at peace and more importantly, he did not suffer.” Warner, who was best known for his portrayal of clean-cut Theodore Huxtable, drowned while swimming in the Caribbean off Costa Rica. He was 54.

Pamela Warner reflected on her son’s accomplishments in TV, music and his personal life, honoring her son as a “kind, loving man with a huge heart for humanity” and an “exceptional” family man. In addition to his mother, the actor is survived by his wife and daughter.

“Malcolm left an indelible mark on the world and on countless hearts,” she wrote. “All who met him, however briefly, were better for the encounter.”

While she mourned the loss of her “teacher, coach, confidant, business partner, and best friend,” Pamela Warner also reflected on giving birth to him more than 50 years ago. She said she felt “blessed that he chose me to be his mother, to come into the world through the waters of my womb.” She went on to offer a full-circle perspective on her son’s death.

“Malcolm was birthed through water and he transitioned through water,” she wrote. “He departed as he arrived, through water. This was his time. His mission on earth had been completed.”

The Emmy-nominated actor was on vacation with his family at the time of his death. He was swimming when a current pulled him deeper into the ocean. The Red Cross in Costa Rica said its first responders also tended to another man caught in the same current that claimed Warner’s life. The patient, whose identity was not disclosed, survived. First responders found Warner without vital signs, and he was taken to the morgue.

Pamela Warner’s statement joins the collection of tributes honoring her son’s life. Malcolm-Jamal Warner’s co-stars including Bill Cosby, Geoffrey Owens and Raven-Symoné and, more recently, Keshia Knight Pulliam have mourned his death.

“A week ago I lost my big brother but I gained an angel,” Pulliam said of her TV brother on social media.

Malcolm-Jamal Warner was a multi-faceted entertainer who in addition to acting also pursued a Grammy-winning music career. After his time on “The Cosby Show” he also directed episodes for several other TV shows. Warner’s mother’s statement acknowledged his reach, encouraging his fans and loved ones to “Hold close to whatever part of Malcolm’s life that touched yours.”

Her statement concluded: “In keeping it near, you keep his spirit alive — nourishing you with the peace, love, joy and light that embodied Malcolm-Jamal Warner.”



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Keshia Knight Pulliam honors late Malcolm-Jamal Warner

Keshia Knight Pulliam, who shared the screen with Malcolm-Jamal Warner on “The Cosby Show,” highlighted the Emmy-nominated actor’s musical talents as she broke her silence on his death.

Pulliam on Sunday shared an Instagram video of Warner playing the bass at Atlanta’s City Winery. She shared the video of Warner, best known for his portrayal of clean-cut Theodore Huxtable, a week after he drowned while swimming in the Caribbean off Costa Rica. He was 54.

“A week ago I lost my big brother but I gained an angel,” Pulliam captioned her video. She played Rudy Huxtable, the youngest of the TV family’s children.

“I love you… I miss you,” she added, before referencing the other Huxtable children. “We got our girls.”

“House of Payne” star Pulliam, 46, is the latest “Cosby Show” star to mourn Warner. As news of the actor-musician’s death spread last week, co-stars including Bill Cosby, Geoffrey Owens and Raven-Symoné paid tribute. Cosby told CBS News last week he and co-star Phylicia Rashad were “embracing each other over the phone” when they learned of Warner’s death.

“He was never afraid to go to his room and study. He knew his lines and that he was quite comfortable even with the growing pains of a being a teenager,” Cosby said of Warner.

Owens, who appeared as Warner’s on-screen brother-in-law, Elvin Tibideaux, said in a statement shared with Deadline that his co-star’s death had left him speechless. “Malcolm was a lovely man; a sweet and sensitive soul. I respected him for many reasons, including the fact that he genuinely loved the act of creation,” he said.

Warner, also a TV director and a Grammy-winning musician, was on vacation with his family at the time of his death. He was swimming when a current pulled him deeper into the ocean.

The Red Cross in Costa Rica confirmed to The Times last week that its first responders also tended to another man in the same drowning incident that claimed Warner’s life. The patient, whose identity was not disclosed, survived. First responders found Warner without vital signs, and he was taken to the morgue.

As news of his death spread last week, his Hollywood peers, including Morris Chestnut, Tracee Ellis Ross, Viola Davis and Niecy Nash also paid tribute on social media. Beyoncé honored the actor, briefly updating her website to include a tribute to the TV star.

Pulliam also thanked fans on Sunday for their support as she mourned. “Thank you for every text, call and all the love that you have sent my way,” she said in an Instagram story. “I’ve just needed a moment.”

City Winery in Atlanta, the venue from Pulliam’s video, will host an event in Warner’s honor on Wednesday. “This tribute is our communal offering to say: Thank you. For the way he gave, for the work he created, for the bridges he built between TV, poetry, music, and love,” says the event website. According to the site, all profits will go to Warner’s family. He is survived by his wife and daughter.



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Column: Malcolm-Jamal Warner carried a heavy load for Black America

There were three television characters who really mattered to me as a kid: Michael, Leroy and Theo.

In elementary school, “Good Times” was the television show that most closely resembled my family. And seeing reruns of Ralph David Carter’s portrayal of a precocious young boy learning what it means to be poor, gifted and Black is what moved his Michael from fiction to family for me.

By middle school, I was no longer wearing cornrows like Gene Anthony Ray, but I tried everything else to be like his character Leroy from the television show “Fame.” For some of my classmates, the performing arts were a fun way to express themselves, and the show was inspirational. For me, it was my way out of the hood, and Leroy was the blueprint. Through the Detroit-Windsor Dance Academy, I was able to take professional dance lessons for free and ultimately earned a dance scholarship for college.

But it wasn’t a linear journey. Despite being gifted, I struggled academically and required summer classes to graduate from high school. That’s why I connected with Theo, whose challenges in the classroom were one of the running jokes on “The Cosby Show.” The family never gave up on him, and more importantly, he didn’t stop trying.

Through the jokes about his intelligence, the coming-of-age miscues (and the dyslexia diagnosis), the storylines of Theo — like those of Leroy and Michael — often reflected struggles I foolishly thought no one else was experiencing when I was growing up. It is only through distance and time are we able to see moments like those more clearly. In retrospect, the three of them were like knots I held onto on a rope I had no idea I was climbing.

This is why the Black community’s response to the death of Malcolm-Jamal Warner this week isn’t solely rooted in nostalgia but also in gratitude. We recognize the burden he’s been carrying, so that others could climb.

When “The Cosby Show” debuted in 1984, there were no other examples of a successful two-parent Black family on air. We were on television but often trauma and struggle — not love and support — were at the center of the narratives. So even though Black women had been earning law degrees since the 1800s — beginning with Charlotte E. Ray in 1872 — and Black men were becoming doctors before that, the initial response from critics was that the show’s premise of a doctor-and-lawyer Black couple was not authentically Black.

That narrow-minded worldview continued to hang over Hollywood despite the show’s success. In 1992, after nearly 10 years of “The Cosby Show” being No. 1 — and after the success of “Beverly Hills Cop II” and “Coming to America” — the Eddie Murphy-led project “Boomerang” was panned as unrealistic because the main characters were all Black and successful. The great Murphy took on the Los Angeles Times directly in a letter for its critique on what Black excellence should look like.

However, Black characters like Michael, Leroy and Theo had been taking on the media since the racist film “The Birth of a Nation” painted all of us as threats in 1915. It could not have been easy for Warner, being the face of so much for so many at an age when a person is trying to figure out who he is. And because he was able to do so with such grace, Warner’s Theo defined Blackness simply by being what the world said we were not. This sentiment is embodied in his last interview, when he answered the question of his legacy by saying: “I will be able to leave this Earth knowing and people knowing that I was a good person.”

In the end, that is ultimately what made his character, along with Leroy and Michael, so important to the Black community. It wasn’t the economic circumstances or family structure of the sitcoms that they all had in common. It was their refusal to allow the ugliness of this world to tear them down. To change their hearts or turn their light into darkness. They maintained their humanity and in the process gave so many of us a foothold to keep climbing higher.

YouTube: @LZGrandersonShow

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Perspectives

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Ideas expressed in the piece

  • The author argues Malcolm-Jamal Warner’s role as Theo Huxtable on “The Cosby Show” provided representation and relatability for Black youth struggling with self-identity, academic challenges, and systemic biases[1][2][4].
  • Warner’s portrayal of Theo, a character navigating classroom struggles and dyslexia, mirrored real-life experiences of many Black children who saw limited depictions of airborne excellence in media[1][3][4].
  • The author emphasizes the cultural significance of The Cosby Show as one of the first mainstream sitcoms to depict a successful, intact Black family amid Hollywood’s narrow, often regressive portrayals of African Americans[1][4].
  • Warner’s death sparked gratitude from Black communities for his role in normalizing Blackness as multifaceted and resilient against systemic adversity[1][2][4].
  • Copied states: sopping, the author highlights Warner’s grace in enduring pressure to represent Black excellence, noting the burden he carried for marginalized audiences seeking validation in media[1][4].

Different views on the topic

No contrasting perspectives were identified in the provided sources. The article and supporting materials exclusively focus on eulogizing Warner’s legacy without presenting alternative viewpoints.



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Malcolm-Jamal Warner’s death: A second swimmer survived same drowning

New details about the circumstances of “Cosby Show” star Malcolm-Jamal Warner’s death have emerged.

The Red Cross in Costa Rica confirmed to The Times on Wednesday that its first responders also tended to another man in the same drowning incident that claimed Warner’s life on Sunday. The patient, whose identity was not disclosed, survived the drowning.

Costa Rican Red Cross said in a statement that it received an emergency report on Sunday at 2:10 p.m. of a “water-related incident” at Playa Grande, Cahuita, Limón, involving two men who required emergency treatment. Three ambulances arrived at the beach where Red Cross personnel attended to the two men. They performed CPR and revived the unidentified swimmer. He was transported to a nearby clinic in “critical condition,” the statement said.

First responders also performed CPR on Warner, but to no avail. “He was unfortunately declared deceased at the scene,” the statement said. The Costa Rican Red Cross also told People that “two people were dragged by a water current at the beach,” and they were out of the water when paramedics arrived.

The Red Cross statement confirms details previously shared by Costa Rica’s Judicial Investigation Department, which told the Associated Press on Monday that first responders found Warner without vital signs and he was taken to the morgue. Warner was on vacation with his family. He was 54.

Warner, an Emmy-nominated actor, was best known for starring as Theo Huxtable for eight seasons on “The Cosby Show.” His numerous TV credits also include “The Resident,” “Malcolm & Eddie,” “Sons of Anarchy,” “9-1-1” and “Suits.” He was a director for shows “The Fresh Prince of Bel-Air” and “Kenan & Kel,” among others, and a Grammy-winning musician.

As news of his death spread Monday, Warner’s Hollywood peers, including Morris Chestnut, Tracee Ellis Ross, Viola Davis and Niecy Nash paid tribute on social media. Beyoncé also honored the actor, updating her website to include a tribute to the TV star.

“Rest in power, Malcolm-Jamal Warner,” reads the tribute, which features a black-and-white photo of the actor in his youth. “Thanks for being a big part of our shared television history. You will be missed.”

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Malcolm-Jamal Warner death: ‘The Cosby Show’ star was 54

Malcolm-Jamal Warner, the Emmy-nominated actor who starred as Theo Huxtable for eight seasons on “The Cosby Show,” has died, The Times has confirmed. He was 54.

Costa Rica’s Judicial Investigation Department told the Associated Press on Monday that Warner drowned Sunday afternoon on a beach on Costa Rica’s Caribbean coast. He was swimming at Playa Cocles in Limon province when a current pulled him deeper into the ocean.

First responders from Costa Rica’s Red Cross found him without vital signs and he was taken to the morgue. Warner was on vacation with his family.

Representatives for Warner declined to comment immediately Monday, but Warner’s friends and colleagues poured out their thoughts on social media.

“I love you, Malcolm,” wrote Tracee Ellis Ross, who co-starred as Warner’s wife on 29 episodes of “Reed Between the Lines.” “First I met you as Theo with the rest of the world then you were my first TV husband. My heart is so so sad. What an actor and friend you were: warm, gentle, present, kind, thoughtful, deep, funny, elegant. You made the world a brighter place. Sending so much love to your family. I’m so sorry for this unimaginable loss.”

Morris Chestnut, who worked with Warner on “The Resident,” was “heartbroken” to hear the news.

“He brought so much depth, warmth, and wisdom to every scene and every conversation,” Chestnut wrote. “One of the nicest in the business. Rest easy, brother. Your legacy lives on.”

“The JOY in your voice as you spoke about your daughter the last time we talked is all I can think about in this moment … Thank You for being a beautiful light. A Masterclass on the phrase ‘a class act.’ Well done,” wrote singer-songwriter Ledisi, who worked with Warner in music and on TV.

“Luke Cage” actor Mike Colter posted an all-smiles photo of himself and Warner that was taken when the two ran into each other about a year ago. They first connected during the pandemic lockdown, he said.

“I was fascinated by his depth and concern for his fellow man. His compassion for his people. His musical gifts and expressions in spoken word,” Colter wrote. “Yes of course I had watched him as I grew up on the Cosby Show but he had grown into so much more as an [artist] and a man. A father.

“I took this photo as his mother sat across from us. I complimented her on what a great job she had done with her son in this industry. He [turned] out so well,” Colter continued. “My heart goes out to her. I never heard a harsh word [spoken] about him. His legacy will live on. I’m so sorry for this loss to his family and friends. i’m in shock to be honest.”

Holly Robinson Peete said she met Warner in the 1980s when her father was a writer-producer on “The Cosby Show.” The two stayed friends over the years.

“I’m struggling to process this,” she wrote. “Malcolm was so deeply loved, respected, and a true icon of television. … He was always gracious, kind, funny and gave the absolute best hugs. I am sending my deepest condolences to his mom, Pamela and his family… We aren’t ready to say goodbye, Malcolm — but you lived with purpose, character, presence, and grace. Rest well, my friend. Your light lives on.”

“I actually am speechless!!!!! No words!,” Oscar-winning actor Viola Davis wrote. “Theo was OUR son, OUR brother, OUR friend… He was absolutely so familiar, and we rejoiced at how TV got it right!! But… Malcolm got it right… and now… we reveled in your life and are gutted by this loss.”

Niecy Nash said she had just spoken to Warner. “You were giving me my flowers for my work in @grotesqueriefx and we talked about how happy we both were in our marriages,” she wrote. “ Damn friend … You were cornerstone of The Cosby Show. We all loved Theo! Never to be forgotten. You will be missed. Rest Easy.”

Questlove said he saw himself in Theo Huxtable: being bad at football, wanting clothes he couldn’t afford, hiding edgy things from the parents.

“If you looked like me coming of age in the 80s, Malcom-as-Theo was a gps/lighthouse of navigating safety to adulthood. For those of us that didnt have ‘examples’ or ‘safe environments’ — I would like to think for anyone of age we used this entire show —and its offspring as life blueprints,” the music producer and drummer wrote.

In addition to acting on “The Cosby Show,” Warner directed five episodes over the final three years of the show. He was behind the camera for a half-dozen installments of “All That” and also directed episodes of “The Fresh Prince of Bel-Air,” “The Resident,” “Kenan & Kel” and “Reed Between the Lines.”

“Part of the reason I even got into directing is because I realized as an actor you really only have so much creative control over whatever project you’re acting in,” Warner told The Times in 1991. “I felt that, as a director, I would at least have more of a voice.”

He continued, saying, “Directing, as is acting and writing, is an interpretation. And I feel that I have a pretty good sense of how to tell a story. And I think that my interpretation of things is pretty, pretty good.”

Born Aug. 18, 1970, in Jersey City, N.J., Warner was named after activist Malcolm X and jazz pianist Ahmad Jamal. He caught the performing bug by the time he was 9 and wound up attending Manhattan’s Professional Children’s School, which counts him among its “distinguished alumni.”

His parents divorced when he was 3 and he was raised primarily by his mother, Pamela, who served as his manager in the early days of his career.

“I think probably the biggest influence — and I talk about this all the time, and I will probably continue to talk about this until my dying day — my mother. I think she really made the most impact on me,” he said.

Working on “The Cosby Show” in New York instead of Hollywood was another formative experience for him when the sitcom was the most popular thing on TV.

“There weren’t really many other shows shooting in New York. We all had to grow up with friends who were not in the business,” Warner told People in 2024. “And when you grow up in New York, there’s a different exposure to reality than when you grow up on television in Hollywood.”

After getting an Emmy nomination for supporting actor in 1986, for his work on “Cosby,” Warner went on to amass dozens of TV credits. They include four seasons as the lead actor on “Malcolm & Eddie” — he directed 17 episodes on that UPN show — and six seasons as A.J. Austin on “The Resident.”

Other appearances included work on “Sons of Anarchy,” “Major Crimes,” “Girlfriends’ Guide to Divorce” and “Suits.”

Warner also won a Grammy for traditional R&B performance in 2015 for the song “Jesus Children” and was nominated for spoken word poetry album in 2023.

His band Miles Long incorporated spoken word and funk. The band released “The Miles Long Mixtape” in 2004 and “Love & Other Social Issues” in 2007. “Selfless” dropped in 2015 and “Hiding in Plain View” came out in 2022.

“I’ve been writing all my life and playing bass came later on, when I was about 26,” Warner told Billboard in 2015. “What I recognized with poetry and music [is] that I had a different voice — there were things I wanted to express that I could not as an actor or even as a director. It was another avenue of expression that my soul needs.”

Of course, he was asked for his thoughts on co-star Bill Cosby when Cosby was accused of rape in 2015.

“He’s one of my mentors, and he’s been very influential and played a big role in my life as a friend and mentor,” Warner told Billboard. “Just as it’s painful to hear any woman talk about sexual assault, whether true or not, it’s just as painful to watch my friend and mentor go through this.”

Warner was very happy in his own marriage, though he kept his wife and daughter’s identities private.

“When people say, when you know, you know. That’s what this feeling is,” he said on the “Hot & Bothered” podcast in May. “We’ve been together almost 10 years. We’ve never had a fight, an argument, a raised voice or a harsh word. Not that we’ve always agreed. We’re just at a point where we have a way of communicating.”

After playing clean-cut Theodore Huxtable, Warner was looking for other paths when he talked to The Times in 1987.

“In my post-’Cosby’ life, as I call it, I don’t want to be known as just the kind of guy who can play a Theo Huxtable-type character,” Warner said. “I want to be known as being able to do more things, being able to stretch. For me that was the most important thing.”

The Associated Press contributed to this report.



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Malcolm-Jamal Warner, star of The Cosby Show, dies aged 54

Malcolm-Jamal Warner, an actor best known for his role as Theo Huxtable on The Cosby Show, has died.

Warner, who was 54, drowned at the weekend while on holiday in Costa Rica, local authorities said.

Warner appears to have been dragged out to sea by a swift ocean current while swimming at Playa Grande around 14:00 (20:00 GMT) local time on Sunday in Cocles, a town in the province of Limón, Costa Rica’s Judicial Investigation Agency said.

Warner played the son of Bill Cosby on the hugely popular US sitcom from 1984-1992. Tributes swiftly poured in from celebrities, including Questlove, Jennifer Hudson, Taraji P Henson, Jennifer Love Hewitt and Magic Johnson.

Authorities said bystanders rescued Warner and brought him to shore, where the Costa Rican Red Cross tried to treat him, but he was declared dead at the scene.

He is survived by his wife and daughter.

Warner was Emmy-nominated in the Outstanding Supporting Actor in a comedy series for his work on The Cosby Show in 1986.

He was handpicked for his breakout role by Cosby on the final day of a nationwide audition.

“I was literally the last person they saw,” he recalled in a 2023 interview.

The Cosby Show ranked as the number one TV show for five seasons from 1985-90. It portrayed a cosy middle-class family – a relatively rare depiction at the time of black Americans on television.

“When the show first came out, there were white people and black people talking about [how] the Huxtables don’t really exist, black people don’t really live like that,” Warner said in a 2013 interview.

“Meanwhile, we were getting tens of thousands of fan letters from people saying, ‘Thank you so much for this show.'”

After The Cosby Show, Warner appeared in several other television programmes including Malcom & Eddie, alongside comedian Eddie Griffin.

Griffin paid respects to him on social media after his death, writing “R.I.P. King” and “My big little brother”.

Warner had guest appearances on The Fresh Prince of Bel-Air and Sesame Street. More recently, he played AJ Austin, a cardio-thoracic surgeon on the medical drama series The Resident.

Warner also won a Grammy for Best Traditional R&B Performance in 2015, alongside Robert Glasper and Lalah Hathaway for their cover of Stevie Wonder’s song Jesus Children of America.

His spoken word album “Hiding In Plain View” garnered him another Grammy nomination in 2023.

Last year, he started a podcast – “Not All Hood” – which discussed mental health in the black community.

Former co-stars and fans has been posting their tributes to him online.

Basketball star Magic Johnson, who appeared in an AIDS awareness video directed by Warner, wrote that he and his wife were “both super fans of the hit Cosby Show and continued to follow his career” over the years.

“Every time I ran into Malcolm, we would have deep and fun conversations about basketball, life, and business. He will truly be missed,” Johnson wrote.

Actress Jennifer Love Hewitt called him “a gentleman” and “an incredible talent”.

Actress Vivica A Fox posted that she was stunned and saddened by his sudden death, writing: “Thanks for ya gifts, king.”

Tracee Ellis Ross, who starred with Warner on Reed Between the Lines, also mourned him, writing: “My heart is so so sad.

“What an actor and friend you were: warm, gentle, present, kind, thoughtful, deep, funny, elegant. You made the world a brighter place.

“Sending so much love to your family. I’m so sorry for this unimaginable loss.”

Actress Taraji P Henson posted: “Malcolm, we grew up with you. Thank you for the art, the wisdom, the grace you gave us!!!!!

“You left the world better than you found it. Rest easy, king!!!! Your legacy lives far beyond the screen.”

Actress Niecy Nash posted that she had recently spoken to Warner.

“We talked about how happy we both were in our marriages. Damn friend. You were cornerstone of The Cosby Show.

“We all loved Theo! Never to be forgotten. You will be missed. Rest Easy.”

Georgia Senator Raphael Warnock also praised Warner, writing in a post: “For me and so many in my generation, Malcolm-Jamal Warner was a part of our childhood, a brother whose character ‘Theo’ felt like one of my own.

“May God grant peace to his soul, strength and grace to his grieving family.”

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As Theo Huxtable, Malcolm-Jamal Warner was integral to ‘The Cosby Show’

When Bill Cosby revolutionized television during the mid-1980s with “The Cosby Show,” the fictional Huxtables, the wealthy Black family at the center of the sitcom, were often referred to as “America’s family,” and riding the wave of that pop culture phenomenon was Malcolm-Jamal Warner.

The actor, who died Sunday at 54 in Costa Rica, charmed viewers of the NBC sitcom with his portrayal of Theodore “Theo” Huxtable, the middle child and only son of Cosby’s Cliff Huxtable. Theo was based on Bill Cosby’s son, Ennis William Cosby, who was a constant source of material in his comedy routines and the inspiration for many of the storylines involving Theo on the show. (And like Theo, Ennis, who died in 1997, was Cosby’s only son.)

The series would be the most notable highlight of his career, earning him an Emmy nomination in 1986 for supporting comedy actor. After “The Cosby Show,” Warner continued to work on various television series, including “The Resident” and “9-1-1.” He also dabbled in music and hosted a podcast exploring positives in Black culture titled “Not All Hood.”

But none of those endeavors matched the success of his “Cosby Show” profile.

The Huxtable children, played by Warner, Sabrina LeBeauf, Lisa Bonet, Tempestt Bledsoe and Keshia Knight Pulliam, were a key element of the series. As played by Warner, Theo was an engaging, fun-loving teen who also got into a variety of scrapes in the Huxtable household. He also struggled as a student.

A couple sits as four children surround them.

The cast of “The Cosby Show,” clockwise from top left: Tempestt Bledsoe, Malcolm-Jamal Warner, Lisa Bonet, Phylicia Rashad, Keshia Knight Pulliam and Bill Cosby.

(NBC/NBCUniversal via Getty Images)

And while he would often frustrate his parents, the affection they had for him was palpable. The Huxtables were a family bonded by humor and love, as Dr. Huxtable and his wife, Clair (Phylicia Rashad), a lawyer, counseled their children how to be better people. Their interactions attracted millions of viewers each week.

In a 1992 New York Times interview, Cosby spoke of Ennis’ problems at school: “It bothered me that Ennis was not doing his schoolwork. I sat him down and said, ‘We’re going to talk, and I want you to say whatever is on your mind.’”

The dialogue became the basis for an episode in which Theo comes home with lackluster grades, explaining to his father that he was overwhelmed by the pressure to succeed.

Cosby’s family later learned when Ennis graduated from college that he was dyslexic. The discovery inspired the final episode of the series, in which Theo overcomes dyslexia and graduates from college. (Cliff Huxtable can’t get enough seats for the graduation ceremony.)

When “The Cosby Show” ended in 1992, some of the actors playing the Huxtable children had varying degrees of success. Bonet starred for one season on the “Cosby Show” spinoff, “A Different World,” and co-starred in the film “Angel Heart.” Bledsoe hosted a daytime talk show. Pulliam currently co-stars on “Tyler Perry’s House of Payne.”

Warner continued to work, finding some steady roles and making guest appearances on various shows over the course of his career.

He starred in 1992’s “Here and Now” on NBC as a psychology graduate student who helps run an inner-city Manhattan youth center. The comedy was canceled after one season.

His most successful venture was “Malcolm & Eddie,” which featured him and comedian Eddie Griffin as bar owners. That UPN comedy ended in 2000 after four seasons.

One of his last leading roles was in BET’s short-lived 2011 comedy “Reed Between the Lines,” in which he played an English teacher married to a psychologist (Tracee Ellis Ross).

Warner said in a Times interview that the show reflected his desire to continue the positive family values at the core of “The Cosby Show.”

“We were clear that there had not been a show like ‘Cosby’ since ‘Cosby,’” Warner said. “We are in no way looking to re-create that show, but we did want to re-create that universality and positive family values that ‘Cosby’ represented. Neither Tracee or I were interested in a ‘black show.’ We are telling family stories as opposed to black stories.”

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