lips

The challenge for Dowman is to remain grounded as his profile grows and the excitement over his potential builds.

“For Max and his family and friends, I’m sure they’re all living in a dream and a fairy tale and it probably hasn’t hit home yet,” Rooney said. “But you can see his future is so bright, he is going to have a massive future.

“Everyone you speak to in football, the same name keeps coming back: Max Dowman.

“It’s difficult for anyone. I think the first thing you’ve got to do is just stay around your family and close friends.

“Listen to them because there are going to be people out there who are trying to be your friend or trying to get in touch with you – some for good reasons, some for not so good reasons.

“You just have to make sure the people who are closer to you, you stay around them and listen to their advice rather than outsiders.”

As well as stepping up on the pitch, Rooney says there are also adjustments off it for a young player breaking into the first team.

“It’s surreal. It’s so strange that one minute you’re in the youth team and the next you’re in the first-team dressing room with some of your heroes,” Rooney said.

“For me, it was some of my heroes growing up, then we’re training, we’re playing, we’re becoming friends.

“I was around at Duncan Ferguson’s house. He lived on the same road as me, and I’m just chilling with him and Alan Stubbs. And you’re like, ‘what is going on here?’.

“It’s something you really need to get used to quickly because it can be overwhelming.

“Max Dowman looks like a very level-headed lad from everything I’ve seen and you hope he manages to deal with it and understands what’s coming his way very soon.”

Rooney’s main words of advice for Dowman come from the heart.

“Enjoy it. I’m sure we’re going to see so much of him, so much of his talent and goals and assists, whatever,” he said.

“Alan Stubbs always said to me years ago, ‘make sure you enjoy it because it goes very quickly’.

“When you’re young, you don’t think that or you sometimes forget that, but enjoy it and make the most of it.”

Watch the Wayne Rooney Show on BBC Sport YouTube,, external and iPlayer. Listen on BBC Sounds.

Loretta Swit, the Emmy-winning actor best known for her time as Maj. Margaret “Hot Lips” Houlihan on the TV version of “M*A*S*H,” died Friday in her New York City apartment, her representative confirmed to The Times. She was 87.

Swit was found by her housekeeper around 10 a.m., according to publicist Harlan Boll, who said he had been on the phone with her at 11 p.m. local time Thursday night — 2 a.m. Friday in New York. Her doorman saw her drop something in the mail at 4 a.m. Friday, New York time, Boll said, and six hours later, she was gone.

The actor — born Loretta Jane Szwed on Nov. 4, 1937, in Passaic, N.J. — loved playing Hot Lips so much that she was the only performer other than Alan Alda who stayed on the series from its pilot in 1972 through its much-watched finale in 1983. “M*A*S*H,” set during the Korean War, was a sitcom but also more than that to Swit.

“There is, I think, an intelligence behind the humor,” she told The Times in 1977. “The audience is huge, and they deserve to be entertained on the highest level we can achieve.”

Though her portrayal of the libido-driven blond in fatigues and Army boots catapulted Swit to household-name status, she had been in acting since before her 8th birthday in stage productions and musicals in New York. She left home at 17 to work in the theater, temping at secretarial jobs while studying at the American Academy of Dramatic Arts.

A confessed workaholic, Swit moved easily from comedy to drama, acting in “Same Time, Next Year,” “Mame” and “The Odd Couple” before moving to Los Angeles to star in “M*A*S*H.” She appeared in iconic series such as “Hawaii Five-O,” “Mission: Impossible” and “Mannix,” and had a productive television career until very recently.

Her most recent TV appearance was as herself in the 2024 Fox tribute special “M*A*S*H: The Comedy That Changed Television.”

Her theater work was plentiful, and in addition to Broadway, off-Broadway, regional and national work, included shows in Southern California. She joined Harry Hamlin in “One November Yankee” at the NoHo Arts Center in 2012, three years after doing a reading of the play with a different actor at the Pasadena Playhouse.

“M*A*S*H” filmed its outdoor scenes at Malibu Creek State Park, where the set was re-created for fans’ enjoyment in 2008.

“It’s thrilling to be honored in this way,” Swit told The Times that year. “I think if I had to sum it up, what we’re most proud of is that we made everybody come together. And I think this will also bring people together.”

Swit was nominated for 10 Emmys for her Hot Lips role and won for supporting actress in a comedy, variety or music series in 1980 and 1982. She garnered four Golden Globe nominations for her work on “M*A*S*H,” in the lead and supporting actress categories, but did not win.

She was given a star on Hollywood’s Walk of Fame in 1989, near what is now the home of Amoeba Music.

An animal lover, Swit set up the SwitHeart Animal Alliance to prevent cruelty and end animal suffering. The alliance worked with numerous nonprofit organizations and programs to protect, rescue, train and care for animals and preserve their habitat, while raising public awareness about issues that concern domestic, farm, exotic, wild and native animals.

She created an art book, “SwitHeart: The Watercolour Artistry & Animal Activism of Loretta Swit,” which includes 65 of her full-color paintings and drawings and 22 of her photographs. Proceeds went to animal causes, and the 2016 Betty White Award from the group Actors and Others for Animals was but one of the many honors she received for her philanthropic work.

Former freelance writer T.L. Stanley contributed to this report.