LGBTQ

Let’s go Dodgers. High fives all around.

Because this time, with the newest historical exhibit at Dodger Stadium, the team got it right.

Amid all the historical installations and tributes in the open-air museum that is the Centerfield Plaza, and just a few feet from a Fernando Valenzuela mural, a new display honors Glenn Burke and Billy Bean, two former Dodgers outfielders who were the first and second professional baseball players to come out as gay.

It’s not a fleeting mention on Pride night, it’s a permanent record. A static reminder of progress made — and still to be made. And a much-deserved thank-you.

A wall inside Dodger Stadium honors former Dodgers and LGBTQ+ pioneers Billy Bean and Glenn Burke.

(Ronaldo Bolanos/Los Angeles Times)

“It’ll be here tomorrow, it’ll be here on the weekend and if you come next month, it’ll be here,” said the Dodgers’ team historian Mark Langill, who pointed to a spot just down the hall where in 1976 he was an 11-year-old getting Burke’s autograph.

Baseball is steeped in such history. The personal, the statistical, the societal. And the Dodgers’ is incomplete without their stories — Burke’s and Bean’s.

But the Dodgers have not, of course, always gotten this stuff right.

In 1978, they did Burke wrong, trading him — he believed — after management learned he was gay.

In his three seasons in L.A., Burke had proved himself a capable reserve outfielder who was popular with his teammates.

As far as we know, in 1977, he was the first guy to initiate a high five — spontaneously reaching above his head to slap hands with Dusty Baker after the home run that made Baker the fourth Dodger, along with Ron Cey, Steve Garvey and Reggie Smith, to hit at least 30 home runs that season, a MLB first.

Glenn Burke, left, goes to give a high-five to teammate Dusty Baker after Baker hit a home run in 1977. It is believed to be the first instance a high five was exchanged.

(Los Angeles Times)

There’s a fantastic photo of the historic high five included in the tribute to Burke and Bean, which is situated on a hallway wall beneath the left-field bleachers, beside the “Dodger Dugout” augmented reality photo booth.

Burke was also the first guy in that Dodgers clubhouse to crack a joke when the team needed it, his former teammate Rick Monday said.

“When called upon, he could play really well,” Monday said before the Dodgers took the field against the Angels on Friday, when the Dodgers and many of their rainbow-sporting fans celebrated the team’s 13th annual LGBTQ+ Pride Night. “And when we needed a moment of levity, Glenn was not afraid to come forward and put a smile on people’s face.”

But shortly before he died of AIDS in 1995 at 42, Burke published an autobiography, “Out at Home,” in which he described the team’s management being “afraid of my sexual orientation, even though I never flaunted it. To this day, the Dodgers deny trading me because I was gay. But it was painfully obvious.”

“Oh, what he had to deal with and keep it hid,” said Joyce Burke-Henderson, one of Glenn’s sisters at Friday’s pregame unveiling, where family members of both players gasped and cried and cheered the installation’s reveal.

“But as time went on, people did know. And then I think he came to the point where he just didn’t care and he just told it like it was.”

Joyce Henderson, sister of Glenn Burke, speaks about her brother during a ceremony honoring the former Dodger and LGBTQ+ pioneer at Dodger Stadium Friday.

(Ronaldo Bolanos/Los Angeles Times)

Burke came out in 1982, three years after playing his 225th and final big league game, in an Inside Sports article, “The Double Life of a Gay Dodger.”

“We just appreciate that now people are opening their eyes and just trusting in the Lord,” Burke-Henderson said Friday, “that things will go forward and work out and everybody will be loved regardless of their situation.”

The Dodgers first honored Burke in 2022, at their ninth Pride Night.

The next season, they made a mess of the Pride festivities, inviting and uninviting and then reinviting the Sisters of Perpetual Indulgence, a group known for its work in support of AIDS patients and whose members dress in drag, as nuns.

In 2023, the Dodgers also invited Bean — who was MLB’s senior vice president for Diversity, Equity and Inclusion. He appeared in a pregame ceremony on the field while protesters gathered outside the stadium.

Bean died the next year, at 60, 11 months after being diagnosed with acute myeloid leukemia.

Greg Baker, husband of the late Billy Bean, wipes away tears during a tribute honor Bean as a LGBTQ+ pioneer at Dodger Stadium on Friday.

(Ronaldo Bolanos/Los Angeles Times)

Once a Northeast Santa Ana Little Leaguer, Bean became valedictorian at Santa Ana High, played for Loyola Marymount and went on to appear in 272 big-league games — including 51 for the Dodgers in 1989 — before abruptly walking away from baseball in 1995.

It got to be too much, he’d explain later, continuing to hustle to keep his baseball career afloat while keeping his sexuality secret, acutely aware of the blowback he’d get if it got out.

“For nine years,” he told the New York Times, “I felt as though I had one foot in the major leagues and one on a banana peel.”

“When he left baseball suddenly, I knew something was wrong,” Bean’s mother, Linda Kovac, said Friday, pausing to wipe away tears. “He was playing very well, it wasn’t like he was kicked out or anything. And it just didn’t make any sense.”

When Bean finally told his family he was gay, in 1996 — three years before clueing in an unsuspecting public via a Miami Herald article — none of his loved ones blinked. That included his stepfather, Ed Kovac, the homicide cop and former Marine who’d had a partner on the force who was gay.

“He worked with someone that he respected, side by side, on criminal cases,” Linda said. “We’re still friends with that guy.”

Linda and Ed Kovac, parents of Billy Bean, hold hands in front of a tribute dedicated to their son at Dodger Stadium on Friday.

(Ronaldo Bolanos/Los Angeles Times)

Knowing someone — or of someone — who is gay or lesbian has long tended to dispel falsehoods and quell fears that might exist.

“One of the most important things any one of us can do in our community is be out, to be proud,” said Greg Baker, Bean’s husband. “The fact that someone can be out in a world that typically doesn’t have a lot of role models of the same ilk, it’s a brave thing to stick your neck out. It’s also very important.”

And it’s not a surprise, Baker said, that more athletes aren’t out in sports like baseball. Not with Gallup polling released last week telling us that with public acceptance of same-sex marriage and relationships in the U.S. has flattened after two-plus decades of growing support — down from 71% to about 65%.

“I want to thank the Dodgers organization,” Baker said. “It’s brave of them in this day and age to spotlight someone in our community when other organizations are trying to erase us.”

The Dodgers have done the opposite, putting up a permanent marker. A long time coming, a tribute to last.

June 3 (UPI) — People in the United States have pulled back from support of LGBTQ+ issues over the past few years, with 65% percent showing support for same-sex marriage now as opposed to 71% in 2022-2023, a Gallup poll released Wednesday shows.

The percentage of U.S. residents saying that gay or lesbian relations are “morally acceptable” also fell to 62%, the lowest that percentage has been since 2016.

This comes after a surge in acceptance in the late 2010s and early 2020s. Gallup said that between 1996 and 2022, the percentage of those in favor of legal same-sex marriage increased from 27% to 71%. However, that percentage has declined since.

The poll (Gallup’s annual Values and Beliefs survey) first asked about same-sex relationships and morality in 2001. Then, 40% percent said they were “morally acceptable.” That percentage grew to 71% by 2022, dropping to 64% in 2023.

The Gallup release noted that Republicans are largely responsible for the decline in acceptance. In 2021 and 2022, it said, 55% of Republicans expressed acceptance for same-sex marriage, but that has now dropped to 37%. Democrat views, however, are the same today as in 2022, with 87% in favor. Independents dropped from 73% to 67%.

There is a similar trend in opinion on the overall morality of same-sex relationships. In 2022, a high of 56% of Republicans said same-sex relationships were morally acceptable, but that percentage has now fallen 21 points to 35%. Democrats remain at 81% for that measure, while Independents have fallen eight points to 64%.

Gallup noted that Republican views on that measure are now where they were between 2005 and 2014.

The poll also asked about the perceived morality of changing one’s gender. The percentage of those in support has decreased from 46% over five years to 38 percent. Among Republicans, 22% expressed support in 2021, the first year the question was asked, compared to 5% today. Among Independents, the percentage decreased from 48% to 42%, and among Democrats, it decreased from 67% to 60%.

“The change has come as conservative leaders have pushed back against diversity, equity and inclusion programs that were intended to foster greater acceptance of LGBTQ+ people and other historically disadvantaged groups,” a Gallup release said.

The Trump administration has worked against protections for LGBTQ+ people in both terms, including ending civil rights settlements with college and school districts intending to prevent discrimination against transgender students.

Gallup surveyed 1,001 adults between May 1-17 with a 4% margin of error.

A new LGBTQ+ travel risk map has assessed safety for LGBTQ+ travellers across 233 countries and territories worldwide, with conditions worsening in several nations including the US, India and Japan

Major travel hotspots including the US, Japan and India have faced travel warnings as a new map highlights the risk for LGBTQ+ travellers. Fresh criminal legislation, curbs on established rights, and political reversals mean that LGBTQ travellers could encounter heightened legal and societal dangers when journeying overseas.

The LGBTQ Risk Map 2026, published by Safeture, evaluates the circumstances for LGBTQ travellers across 233 countries and territories around the world. Worldwide, the assessment categorises 91 countries as high risk for LGBTQ travellers. A further 62 countries are rated medium risk, while 80 are deemed low risk.

In comparison with last year, circumstances have deteriorated in multiple countries, including Belarus, Burkina Faso, India, Japan, Kazakhstan, Senegal, Slovakia, and the United States. The factors differ but encompass restrictions on established rights, legal setbacks, stricter penalties, and fresh constraints on the recognition of gender identity and on travel documentation.

Where is safest for LGBTQ travellers?

Western Europe remains the safest region for LGBTQ travellers, with every country in the region classified as low risk in the most recent assessment.

According to the LGBTQ Risk Map 2026, the UK remains in the ‘Normal’ zone as somewhere LGBTQ+ travellers are “unlikely to face difficulties”. Local attitudes towards the LGBTQ+ community for countries in the normal zone, including the UK, Brazil, Spain, France and Italy have “are overall open and progressive”.

Botswana and St. Lucia have scrapped legislation criminalising same-sex relations between men, leading to better ratings on this year’s map.

Where is risky for LGBTQ travellers?

By comparison, the Middle East and North Africa remain home to some of the globe’s most perilous destinations for LGBTQ travellers. The majority of nations in the region are categorised as high risk, with Israel given a low risk rating and Lebanon designated medium risk.

Across Sub-Saharan Africa, conditions remain extremely difficult. Roughly 80 per cent of evaluated countries in the area fall within the highest risk bracket. The decline is especially noticeable in Burkina Faso and Senegal. Following the 2022 military coup, Burkina Faso introduced its first legislation criminalising same-sex relations. In Senegal, prison terms for same-sex relations have been doubled.

Throughout Europe and Eurasia, fresh legal restrictions have resulted in lower ratings for certain countries. Kazakhstan has introduced constraints on information concerning so-called “non-traditional sexual orientations,” while Slovakia has further curtailed the rights of same-sex couples. Belarus has passed legislation against so-called “LGBT propaganda,” which could lead to fines or even detention.

Backward steps have also been documented in Asia. In India, new laws aim to restrict transgender individuals’ ability to self-identify. In Japan, a court maintained the constitutionality of the nation’s prohibition on same-sex marriage.

In North America, the United States has strengthened requirements for travel documents. Passports will display only the sex assigned at birth, and the “X” gender marker will no longer be accepted.

For more than 40 years, Barry Walters has been closely watching the dance floors of New York and San Francisco, chronicling the ways in which LGBTQ+ culture has influenced mainstream culture. As a writer for the Village Voice, the Advocate and Spin, among others, Walters became one of music journalism’s most eloquent and crucial voices, championing artists like the Pet Shop Boys and Madonna during their formative years.

Walters’ new book, “Mighty Real,” draws on his deep firsthand knowledge, offering a comprehensive history of LGBTQ+ music from 1969 to 2000. I recently spoke with Walters about Babs, Madge and Bowie.

✍️ Author Chat

In the book, you make a distinction between pre-Stonewall LGBTQ music and post-Stonewall LGBTQ music.

Gay culture before Stonewall really had to be hidden, or at least secretive. I think of Barbra Streisand as a quintessential pre-Stonewall figure. Judy Garland, as well. These women are tough, and even though they sing songs written by men, it’s not in a submissive way. They are singing like they are the champions, even when they are suffering through what men do to women through the torch songs they perform.

What can you say about the encoded nature of certain songs that spoke to gay culture in a way that flew under the radar of hetero listeners in the pre-Stonewall era?

The music that spoke to gay culture, by necessity, had to be encoded. “Secret Love” by Doris Day is a good example. It’s about struggling to have something that’s otherwise forbidden. Sinead O’Connor covered that song. There was a song I loved as a young child called “Have I The Right?” by the Honeycombs, which was written by two British gay men at a time when homosexuality was illegal in England. You know, have I the right to be with whomever I want to be with?

What, in your view, was the big bang of post-Stonewall LGBTQ music?

David Bowie to a large degree. Right around the time that “Hunky Dory” was being released in 1971, he told the Evening Standard newspaper that he was gay, flat out just said it. And it was such a strange thing to say that many people doubted his sincerity.

Barry Walters, a writer for the Village Voice, the Advocate and Spin, among others, wrote a new book about the history of LGBTQ+ music.

(Kelly Lawrence for Walters)

I remember seeing Bowie wearing that dress on the cover of “The Man Who Sold The World,” thinking that was the most transgressive act any rock star had ever committed.

And then he performed “Starman” on Top of the Pops in 1972 and he put his arm around his guitarist Mick Ronson, who also looked gorgeous. They were displaying a familiarity men aren’t supposed to have.

I thought I knew everything about pop music, but you have uncovered so many fascinating stories. Tell me about Olivia Records.

Olivia Records was an independent record label in the Bay Area owned and controlled by lesbians for female artists. This is years before punk or indie rock, when so many small labels cropped up. They pioneered so much. They would recruit fans in different cities to man the merchandise and to help get their records in stores. The idea of a merch table was something new at the time. They also created the forerunner of Burning Man. They would go find a farm somewhere and create an impromptu village, with food, sanitation and the rest.

You have given the most space in your book to Madonna, whom you have written about extensively over the years. Why is Madonna such a huge figure in the history of LGBTQ music?

Her art is so queer. I feel like she is one of us. She’s very much like Grace Jones, in that her sensibility is so aligned with gay culture. I related to Madonna on multiple levels. In the early ‘80s, I would see her around town, dancing at the same New York clubs I was frequenting, like Danceteria. She was steeped in gay culture, and then she brought all of this into the mainstream, and that was profound. I also feel like she was misunderstood in many ways. When straight men called her a slut, things like that. That is so far from the truth. She is such a complex artist. If you are making that claim, you don’t know anything about her.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

(Javier Pérez / For The Times)

Pulitzer prize winner Elizabeth Strout has a new novel called “The Things We Never Say,” and Julia M. Klein approves. “[Strout] reprises her familiar themes: the mysteries of human personality, the perils of solitude, the occasional possibility of grace … in deceptively simple, occasionally mannered prose that draws readers in and immerses them in her fictional worlds,” Klein writes.

They’re on a boat! Paula L. Woods climbed aboard a 130-foot yacht in Marina del Rey to soak in the vibes of the Yacht Girls Book Club. “I wanted conversations with like-minded women that were intellectual but fun,” club founder Aloni Ford told Woods. “And talking about books seemed to be the ideal way to achieve that.”

“PEN15” co-creator Anna Konkle has written a memoir called “The Sane One,” and Rachel Brodsky talked to her about it. “In some ways, ‘PEN15’ was a reaction to loving memoirs,” she tells Brodsky. “Raw memory has always been very exciting to me.”

Finally, our Times critics take the measure of this summer’s hottest beach reads.

📖 Bookstore Faves

Kinokuniya bookstores sell Japanese manga, stationery and literature.

(Courtesy of Kinokuniya)

When Kinokuniya opened its first L.A. shop in 1977, it was primarily to provide Japanese expats with imported books and magazines to read in their native tongue. Forty years later, the store has become a locus of Japanese printed matter for Angelenos eager to scoop up Japanese literature and manga in Japanese and English, as well an expansive selection of imported stationery products that, in L.A., can only be found in Kinokuniya’s three stores. I spoke with Sakura Yamaguchi, who manages two of Kinokuniya’s stores downtown (the third is in Mar Vista) about its many-splendored pleasures.

How did the store travel from Japan to Los Angeles?

Books Kinokuniya was founded by Moichi Tanabe in 1927. Located in the Shinjuku district of Tokyo in a two-story wooden building, the first Kinokuniya started with five employees, including Mr. Tanabe himself. In 1969, Kinokuniya opened its first overseas bookstore in San Francisco. The first Los Angeles store opened in 1977.

Who are your customers?

We first started as a store for Japanese customers, so we imported Japanese books and magazines and sold them, mainly. But in the past 10 years, Japanese manga/anime, stationery and literature has been quite popular in the U.S. Therefore our customers are a mix of Japanese-speaking customers and non-Japanese speakers who are interested in Japanese culture.

What percentage of your clientele buys Japanese–language products?

Forty percent Japanese-language products versus 60% English books.

What specific titles are selling for you right now?

“Witch Hat Atelier Grimoire Edition, Volume 1,” “JoJo’s Bizarre Adventure: Purple Smoke Distortion” and the “Strange Houses” series.

Are you seeing more young people turning to printed matter? It seems like there is an analog revival at the moment.

We have been trying to make exclusive editions that come with freebies to make the printed manga more attractive, but without that our English manga sales have been increasing and our main target for the manga is young people. There are many titles that are published exclusively in e-book format, but we frequently hear from customers asking when they will be released in print form. Also, recently there has been a growing number of cases where titles that were originally available only in digital format have later been published as physical books.

Kinokuniya at the Bloc in Los Angeles is located at 700 W 7th St.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Raid is part of Moscow’s hardline social conservatism and clampdown on political life.

Russian police have raided the country’s top publishing house on suspicion that it has been disseminating “homosexual propaganda”, local media report.

Police reportedly seized thousands of books on Tuesday and took Yevgeny Kapiev, the chief executive of Eksmo, in for questioning. The raid appears to be part of Moscow’s pivot to hardline social conservatism with repressive laws running alongside a clampdown on political life and aggressive foreign policy.

Police targeted Kapiev as part of a “criminal case on extremism” over the publication of books “dealing with LGBT themes”, Eksmo communications director Yekaterina Kozhanova told the AFP news agency.

The firm’s finance director, head of distribution and deputy commercial director were also interrogated, Kozhanova said.

Eksmo is suspected of unofficially marketing books, including novels, that promote “gay propaganda” to Russian youth, the broadcaster Ren-TV reported.

An investigation into Eksmo was opened last year when authorities said “LGBT propaganda” had been “detected” in books published by its Popcorn Books subsidiary and they arrested several members of its staff.

Ultraconservative turn

Books showing approval of same-sex relations have been banned in Russia for more than 10 years.

The law has been tightened recently, requiring publishers to remove publications and destroy entire editions if they depict same-sex relationships.

The persecution of LGBTQ individuals, organisations and communities has intensified in the past decade or so as the Kremlin heralds “traditional values”. That drive has included a crackdown on films, books, art and culture, among other areas of social life.

Cultural producers have faced significant pressure even when they focus on giants of Russian culture. Biographies of Mikhail Bulgakov, author of The Master and Margarita, and the poet, actor and singer Vladimir Vysotsky have to be marked with warning labels because they are seen as promoting drug-taking.

The ultraconservative social turn has accelerated since Russia launched its full-scale invasion of Ukraine in February 2022.

In 2023, Russia’s Supreme Court ruled that LGBTQ activists should be designated as “extremists” and banned activities of the “international LGBTQ movement”.

Courts have issued fines and jail sentences to people displaying LGBTQ “symbols”, such as clothes, jewellery or posters featuring the rainbow flag.

Out of 49 European countries, the Rainbow Europe organisation ranked Russia third from bottom in terms of tolerance of LGBTQ people.