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South Korea’s ex-First Lady Kim Keon-hee in court on corruption charges | Courts News

Kim Keon-hee is standing trial on three charges related to corruption and stock manipulation.

Former South Korean First Lady Kim Keon-hee has appeared in court for her first hearing in a corruption trial involving bribery and stock manipulation.

With her face partially covered with a mask and wearing her inmate number, 4398, Kim, 53, was brought to the Seoul Central District Court on Wednesday from detention, where she had been held since August 12.

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During an identity check from the bench, Kim told the court she was currently “unemployed” and did not want a jury trial.

Kim becomes the first spouse of a former president to stand trial after she was accused of violating the Capital Markets Act, the Political Funds Act and a law on the acceptance of bribes for mediation.

The former first lady’s charge under the Capital Markets Act is related to claims that she conspired with the former head of Deutsch Motors, a BMW dealer, and a close associate to manipulate the company’s stock prices and make 810 million won ($581,000) in profits in two years, between 2010 and 2012.

TOPSHOT - South Korea's former first lady Kim Keon Hee (L) arrives for her first trial hearing on corruption charges at the Seoul Central District Court in Seoul on September 24, 2025.
Kim Keon-hee (L) arrives for her first trial hearing on corruption charges [AFP]

Kim’s second charge is based on allegations that she and her husband, ousted President Yoon Suk-yeol, received free opinion polls from a self-proclaimed power broker, for free, ahead of the 2021 elections, which Yoon went on to win.

However, the trade-off for the free polling was securing the nomination of the former People Power Party representative, Kim Young-sun, for a by-election later that year.

Kim’s final charge, related to corruption, is connected to her alleged acceptance of luxury bags and jewellery from the Unification Church in 2022.

The head of the church, Han Hak-ja, was arrested on Tuesday for bribing Kim, a claim that Han and her church have denied.

Meanwhile, Yoon is also standing trial for his failed attempt to impose martial law in the country in December of last year.

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Lady Gaga, 39, covers herself in flesh-coloured paint as she promotes her new makeup range in epic photoshoot

POP superstar Lady Gaga gets a bit emulsional in a photoshoot to promote her new makeup range.

The 39-year-old US singer completely doused herself in beige-tinted paint in the advertising campaign for her beauty brand Haus Labs.

Lady Gaga in a HAUS LABS campaign, covered in beige paint.

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Lady Gaga covers herself in flesh-coloured paint to promote her make-up brand Haus LabsCredit: Haus Labs
Lady Gaga covered in tan-colored makeup for a HAUS LABS campaign.

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Gaga’s brand boasts 51 different shades of foundationCredit: Hauslabs

She launched the firm in 2019, and the range has 51 different shades of foundation — all vegan.

Her sold-out Mayhem Ball tour will reach the UK later this month. Let’s hope she’s brought an extra coat.

Earlier this month Gaga was forced to cancel a show and issue an emotional apology to gutted fans.

Barely an hour before she was due on stage in Miami, she shared a message on her Instagram Stories saying that she had no choice but to cancel the concert.

Gaga wrote: “Hi everyone, I am really so, so sorry but I need to postpone tonight’s show in Miami.

“During rehearsal last night and my vocal warmup tonight, my voice was extremely strained and both my doctor and vocal coach have advised me not to go on because of the risk it poses.

“I want to be hardcore and just push through this for you but I don’t want to risk long-term or permanent damage to my vocal cords.”

She continued: “There is a significant risk based on all our combined experience with a show like ours and as you know I sing live every night.

“And even though this was a hard and agonizing decision I would be more afraid of the long term implications on my voice.”

She then begged her fans to understand the position she was in, writing: “I hope you can forgive me and accept my sincerest apologies for any disappointment, let down, inconvenience.

Lady Gaga breaks down in tears as she shares rare emotional tribute on electric first night of sold-out LA concerts

“I am so, so sorry, I tried so hard to avoid this, I take serious care of myself to be able to put on this highly demanding show.”

Gaga concluded: “I love my fans so much, respect you and hope you can accept my sincere, regretful apology.”

The announcement was made at 8pm ET, 45 minutes before she is usually on stage.

Lady Gaga in a Haus Labs campaign.

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Gaga is currently on her epic Mayhem Ball tourCredit: Haus Labs

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Inside the MTV VMAs including Lady Gaga’s secret set, Mariah Carey’s diva antics & Yungblud’s Ozzy Osbourne tribute

LADY GAGA dominated the MTV VMAs – winning four gongs out of 12 nominations and performing her new single The Dead Dance on stage for the first time.

She is now the third most awarded artist in the ceremony’s history with 22 gongs — one more than Madonna.

Lady Gaga accepting an award at the MTV Video Music Awards.

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Lady Gaga won four gongs out of 12 nominationsCredit: Getty
Lady Gaga performing onstage.

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She performed her new single The Dead Dance on stage for the first timeCredit: Getty

Gaga is now just behind Beyonce and Taylor Swift who are tied on 30 awards each.

Despite putting on the best performance of the night, Bizarre can reveal the superstar wasn’t actually inside the UBS Arena in Elmont, New York, when she appeared on stage.

In fact Gaga secretly recorded her performance across town at Madison Square Garden, where she was performing on her Mayhem Ball tour, and shot it four times to make sure they had the perfect take.

Gaga pushed back her performance there by 90 minutes in order to walk the red carpet at the VMAs before racing back across town to get on stage.

A source said: “Gaga was adamant she wanted to be involved in the VMAs but obviously cancelling her show at MSG was never an option.

She and her team worked with MTV for weeks in order to get in two places at once.

2025 MTV VMA winners graphic.

“As soon as she won Artist of the Year she raced backstage for pictures and then drove to MSG. It was full on but if anyone could pull it off it’s Gaga.

“During her show she performed with some of her Moonmen — she’s so proud to be still winging awards.

“It was a really special moment, especially as her mum and dad were in the crowd.”

As she picked up the Artist of the Year gong, Gaga gave a shout-out to her fiance Michael Polansky and said: “To my partner in all things, Michael.

Yungblud’s subtle message to mentor Ozzy Osbourne during VMAs tribute performance for late rock icon

“Creating this year with you was a beautiful, beautiful dream, and you have been my partner every step of the way.

“I dedicate this to you too, my love. I wish I could stay and watch all these amazing performances, but I have to go back to Madison Square Garden.”

Feeling reflective the superstar went on to admit she wants to be performing until 2045 and feels like New York has shaped her into the artist she is today.

Jack Hardwick at the 2025 VMAs.

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Bizarre’s Jack Hardwick was at the VMAsCredit: Supplied

Gaga said: “I hope in 20 years when I have written lots more albums that I will still be back here. I can’t tell you how fortunate I feel that this is where I grew up because it made me so much of who I am.

“I think about what [my music] would have sounded like if I hadn’t grown up here.

“I feel like when you are from New York it kind of grows roots in your veins. You have this understanding of life and community, it’s very strong. It’s a feeling. I can’t quite describe it as it’s a feeling.”

Now Gaga is on a roll, the wheels are in motion for her to come to the UK for four headline shows at London’s O2 Arena.

The gigs, along with two more in Manchester’s Co-op Live arena, sold out in seconds.

And if her performance in New York was anything to go by, us British fans are in for a treat.

IT’S RAINING MEN FOR SABRINA

Sabrina Carpenter performing at the MTV Video Music Awards.

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Sabrina Carpenter stunned fans with a rain-soaked  rendition of her new single TearsCredit: Getty

SABRINA CARPENTER wowed fans with a seriously sexy and rain-soaked  rendition of her new single Tears.

And there was something for everyone, as she was surrounded by a troupe of very attractive male dancers dressed as policemen as well as drag queens.

During the evening, Sabrina won three MTV VMAs and used her performance to call for the advancement of trans rights.

Speaking on stage, the Manchild singer said: “This world, as we all know, can be so full of criticism and discrimination and negativity.

“So to get to be part of something that can make you smile, make you dance, and make you feel like the world is your f***ing oyster, I’m so grateful to do that.”

NIGHT’S YUNG FOR AEROSMITH

Joe Perry, Steven Tyler, and Yungblud at the MTV Video Music Awards.

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Yungblud was joined by Aerosmith legends Steven Tyler and Joe PerryCredit: Getty
Black and white photo of Ozzy Osbourne receiving a gift.

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He led a special tribute to the late Ozzy Osbourne after his death in JulyCredit: Instagram

HOMEGROWN star Yungblud led a special tribute to the late Ozzy Osbourne after his death in July.

The punk rocker was joined by Aerosmith legends Steven Tyler and Joe Perry for a medley of the Black Sabbath singer’s hit singles Crazy Train, Changes and Mama, I’m Coming Home.

Speaking on the carpet, Yungblud  revealed he was wearing Ozzy’s cross necklace (which Ozzy had given him, inset above) as a mark of respect.

He added: “It’s a big moment to honour someone you love.

“I’m wearing his cross tonight. I love him and always have. I hope he’s up there with a drink watching tonight.”

Teasing his future plans, Yungblud, whose real name is Dominic Harrison, added: “There is a new project coming in two weeks… I’ve not said that yet.”

As the cameras cut away from the singer, to Steven Tyler’s impressive guitar solo, Bizarre watched as Yungblud turned his back on the audience and sipped an alcoholic drink, looking up to the emotional montage of the late rock legend.

Over the past few years Yungblud had grown close to Ozzy and his family. He was one of the star acts at Black Sabbath’s homecoming gig in Birmingham earlier this summer.

Yungblud revealed to Bizarre that he learned of Ozzy’s passing via a text from the heavy metal legend’s son Jack Osbourne. The singer said: “You get to know someone personally, who you love and then they leave.

“I was texting him, then his son Jack texted me and said, ‘He’s gone’.

“Being around the family and being at the funeral, the amount of love there. That family are real as f***.

“The dream is to have kids and a family like that. There’s no gimmicks. It’s authentic.”

VMA SPOT

BUSTA RHYMES gave fans a nostalgic trip down memory lane by performing eight of his ­biggest hits after collecting the inaugural Rock The Bells Visionary Award.

The rapper belted out a medley of his best-loved songs including Break Ya Neck, Gimme Some More and Stop the Party – which got some of the night’s biggest cheers.

TATE’S IN TRAINING TO WED

Tate McRae performing at the MTV Video Music Awards.

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Tate McRae gave a red-hot performance of Revolving Door and Sports Car in this two-pieceCredit: Getty

TATE McRAE appeared to be using the VMAs as a dry run for her own wedding.

The singer wore a sheer white dress with a statement train that was so long she needed two members of staff to carry it like bridesmaids.

Tate is thought to be single at the moment, but after watching her red-hot performance of Revolving Door and Sports Car in this two-piece we imagine she won’t be short of offers.

ARI: MIC’S TUTU TALL

Ariana Grande accepting a Video Music Award.

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Ariana Grande joked that the height of the mic got taller each time she took to the stageCredit: Getty

ARIANA GRANDE may be small but she took home some of the biggest gongs of the night.

She picked up the award for Best Pop and Video of the Year for her Brighter Days Ahead.

Despite not being a performer, Ari was given her own dressing room backstage to cater for her three wardrobe changes.

The superstar arrived in a fitted polka dot number and ended things in a white ballerina tutu.

During her time on stage, Ari seemed overcome with emotion at her wins, before joking that the height of the mic got taller each time she took to the stage.

VMA SPOT

BIZARRE’S Jack got the A-List treatment before the main event after Virgin Atlantic invited him for champers at their Clubhouse Lounge at Heathrow before he set off to New York.

Not all of the stars flying out for the bash fancied a tipple, as Gogglebox’s Joe Baggs put Jack to shame by swerving the bubbles for a green juice.

MARIAH’S MEDLEY

Mariah Carey and Ariana Grande at the MTV Video Music Awards.

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Mariah Carey and Ariana Grande were all smiles at the eventCredit: Getty

MARIAH CAREY returned to the VMAs stage for the first time in two decades to pick up the Video Vanguard Award and to perform a medley of her hits.

And, naturally, the notorious diva made sure the luxuries were laid on before she even stepped foot in the Big Apple.

Insiders said Mariah flew in via private jet, which had been decked out with white roses and cashmere blankets.

After laying low for a couple days at her sprawling £16million penthouse in Tribeca, Mariah and her glam squad then spent most of Sunday getting her red carpet-ready.

MTV bosses were on alert for the infamous diva to be hard work, but I’m told everything went smoothly . . . even if she did keep a wide berth from almost every other star.

Mimi opted to swerve both the red carpet and on stage VIP seats, instead zipping in and out via the backdoor.

She was handed her gong by Ariana Grande. Mariah told Ari: “I love you. I’m so grateful for you and I’m beyond proud of everything you’ve achieved, girl.”

It marked the first time the We Belong Together singer has ever won a coveted Moonman.

RICKY WINS LATIN ICON

Ricky Martin performing on stage with backup dancers.

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Ricky Martin gave a hip-thrusting medley of his biggest hitsCredit: Getty

RICKY MARTIN proved he’s still got it with a hip-thrusting medley of his biggest hits.

The Latin pop king belted out Livin’ La Vida Loca, Shake Your Bon Bon, Maria, The Cup Of Life along with two Spanish tracks.

Ricky, who also picked up the first ever Latin Icon award, was hoisted high above the crowd to kick off his medley before an outfit change mid performance.

A beaming Ricky told fans: “I’m addicted to your applause that’s why I keep coming back.”

Later this year he will tour Australia with support from Rita Ora. It’s been a long time since he played the UK so hopefully dates over here are not far off.

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‘Wednesday’: How Lady Gaga joined Season 2 and Thing’s origin story

This article contains spoilers for the Season 2 finale of “Wednesday.”

In a world where teenagers grapple with accusations of withering attention spans and a lack of motivation, Wednesday Addams managed to rouse from a coma and made the back-to-school scaries feel even more like a mind trip by … summoning Lady Gaga?

“Wednesday” returned for the second half of its sophomore season on Netflix this week, picking up right after Part 1’s ominous cliffhanger to reveal its moody teenage protagonist evaded potential death and that she was ready to dive back into the twisty world of deadly family secrets, monsterly situationships and friendship woes.

In the middle of the new threats and old mysteries are the show-stopping contributions from the pop superstar (and honorary mother to all outcasts, including her legion of Little Monsters, as her fanbase is called). Lady Gaga, whose real name is Stefani Germanotta, made a roughly two-minute appearance as Rosaline Rotwood, a deceased professor at Nevermore, the school for outcasts that Wednesday (Jenna Ortega) attends, with second sight capabilities that trigger a Freaky Friday/body-swap interlude between Wednesday and her estranged friend Enid (Emma Myers). The multi-hyphenate artist also provides the song “The Dead Dance” to score what’s poised to be another social media dance trend akin to Ortega’s viral Season 1 moves to the Cramps’ “Goo Goo Muck.”

The Times spoke with creators and showrunners Al Gough and Miles Millar to break down the season. These are edited excerpts from the conversation.

You know where we have to start: Lady Gaga. Tell me the origin story of this casting.

Gough: It all grew out of the viral dance from the first season. Some fan, who should collect a lot of money, put Lady Gaga’s “Bloody Mary” [over the dance] — because it was “Goo Goo Muck”— and suddenly the dance became its own, whole new thing. We’ve always been huge Lady Gaga fans. And if there was anybody who was the ultimate outcast, it would be her. We just started a conversation with her and her team … is there a way for her to be involved in Season 2? We found this character — because obviously, she’s very busy and touring — that could be a small role, but it’s an impactful one. Out of that grew “The Dead Dance,” a song that she had which we heard a year ago and loved it. They’re like, “She’ll hold it for the show.” And we were like, “Oh my God.”

Millar: When we heard the lyrics, it was almost like she had written the song for the show. And we had this moment in Episode 7, which we’d always planned — we never wanted to repeat ourselves with Jenna doing a dance — but it feels like music and the show and dancing are integral now. To not scratch that itch creatively in Season 2, I think the audience would have been so disappointed. So it felt like, how do we honor the incredible Rave’N dance in Season 1, which became such an iconic moment, but do it in a way that’s different and celebrate new characters? That’s why we came up with the idea of the gala and seeing Agnes [Evie Templeton] and Enid come together. They’ve been antagonistic, and it felt like a beautiful moment of female friendship and blossoming and this incredible Gaga song was just like the icing on the cake.

I was expecting a long courting process when you’re trying to get Lady Gaga — like, writing letters.

Gough: The process wasn’t fast, but it was always very pleasant and complimentary. Everybody wanted it to work. I think that’s where we were starting from, is everybody wanted it to work.

A young woman in black stands opposite a woman in white
A woman wears a white veil

Jenna Ortega as Wednesday Addams and Lady Gaga as Rosaline Rotwood. (Helen Sloan / Netflix)

There’s a lot of discussion right now about gaps between seasons, and obviously there were some factors that caused the gap here — namely the strikes, but also other projects. How do you feel about that, especially knowing the fan base skews younger? Is it harmful to maintaining that relationship with the material?

Millar: We certainly never wanted a three-year gap. I think the show feels like an event movie, in a weird way, so I think people are prepared to wait, but it’s not ideal. It’s something that we would never want ourselves, as viewers. It’s been gratifying that people have come back in the way they have, and we definitely feel their love for the show, but we had obstacles in terms of getting to that place, coming back. No one’s to blame. It’s just the reality of the strike and everything else. Now the focus is coming back quicker. We rolled right from production into the writers’ room; now we’re rolling right into production [on Season 3 in October]. We’re definitely on a faster cadence, and that’s certainly the plan moving forward.

That said, as hopefully you see on screen, it is a huge show. We have over 3,500 visual effects shots. We’re still finishing [the finale] this week. There are still shots that are going to be dropped in that monster fight on the roof, the fight in the clock tower. The most complex visual effects in the show actually is Professor Olaf, which is the Christopher Lloyd character. But that takes a lot of time and trial and error to get to the point where I think the show looks as good as it does. Certainly our imperative is to get the show back faster; I know Netflix has that goal and wish as well.

Gough: Our goal is we’ve got to create the best show we can create. As Miles said, it takes us a certain amount of time. When you get in your head like that, you can’t actually do your best work. I can guarantee you that’s something that the Netflix marketing department thinks about a lot. They certainly try to keep fans engaged online and through other ways. And the Netflix Houses now that have those [fan] experiences. Can you translate that and keep engagement? You’re right, there’s a lot of shows and movies out there and you want to be able to stay in the zeitgeist in that time when you’re not in the zeitgeist. But for us, at a certain point, we just got to create the show, try to keep all the noise outside.

In the space between Season 1 and 2, Jenna was pretty vocal about not connecting with the character choices from the first season. I’m curious how you felt as it happened? And what has “Wednesday” taught you about how to work with actors and how to consider their opinions or perspective about the material?

Gough: We’re not going to speak to some of that because we’ve spoken to it in previous interviews, but I think our philosophy has always been — from “Smallville” on down “Into the Badlands” — it is a collaboration and a conversation with the actors. We always say movies is a party, but a television show is like a family. They have to feel ownership. We had that with Jenna in Season 1 — she read all the scripts, she gave notes. She’s continued to do that in Season 2. She’s taken a more active role in terms of being in production meetings and understanding the marketing perspective and just having all of that. She’s a generational talent and she’s going to have a very long career, and the career will be more than just acting. Actors are the keeper of the world and they have to be able to [understand] their characters. We’ll take a good idea from anybody. You just want them to be engaged and to have good ideas and be thinking about their characters. It’s something we learned from John Wells, who we met with very early on, before we started running “Smallville,” to get his advice. That’s what he told us. As a creator, you have to have the vision for the show, but you have to be open to these ideas and funnel them through.

A smiling girl with colorful hair stands beside a girl with a flat expression

Enid (Emma Myers) and Wednesday (Jenna Ortega) in “Wednesday.” Season 2 explores the growing pains of the polar-opposite friends: “The end of Season 1, Wednesday made a friend, but then it’s like, OK, how do you be a friend?”

(Netflix)

Is it fair to say you took some of it into consideration because there was less of an emphasis on a love triangle, at least with Wednesday? We really see things build in the friendship between Enid and Wednesday.

Gough: The thing is, if your first boyfriend turns out to be a monster, there was never going to be like, “Oh, I can’t wait to dive back into a romance” idea. The show’s been in our head for six years; it was always like, Season 2 was once bitten, twice shy, especially if you’re Wednesday Addams — or once bitten, twice stabbed. That felt like the natural evolution. Again, she’s not a character who was, even Season 1 [boy crazy] and it worked great. People were invested and intrigued and wanted to know. I can tell you from having daughters — because most times it’s portrayed as the girls are loving for the boys. That’s not true in every situation. With my two daughters, it’s the boys who’ve been way more interested in the girls, and then they eventually come around or think, maybe I’ll do it. If you look at Season 1, Xavier and Tyler were way more interested in Wednesday. Wednesday had no interest and any time she even delved into what you would see as romance — she went to the dance because she thought he was a suspect. Wednesday never does anything because she goes with the flow. She’s either backed into a corner or it’s going to help her in her larger case. Even in that love triangle, we never betrayed Wednesday. She was never starry-eyed for either boy.

Millar: That love triangle worked, actually, very well. It’s the dramatic backbone of the season and leads Wednesday — because I think Wednesday, as we like to say, is often wrong; she is someone who just is very headstrong, and I think that’s what makes her so intriguing, that she’s complex and flawed. That’s an interesting thing for teenage female protagonist, who often aren’t that. It’s the journey of a teen; with Season 2, we can change it, and Jenna was in an agreement with that. It’s been a very successful partnership in terms of the steering the course of the character, and where she goes and how she behaves and what she says.

What were you interested in exploring between the Enid-Wednesday dynamic in Season 2? And how did you arrive at the body-swapping idea?

Gough: The end of Season 1, Wednesday made a friend, but then it’s like, OK, how do you be a friend? That’s something that she is still very Wednesday [about] and she still has her preconceived notions of Enid, which is, “I can’t tell her the secret, I have to save her. I can’t include her — she’s weak, she’ll lose her mind.” She doesn’t think that Enid can handle it, so she doesn’t really see her friend. With Enid, it’s even the case with Ajax, and moving on to Bruno, which is Ajax saw her one way, and she’s not that girl anymore.

The body-swap episode was a way to explore that so that they could see [what it’s like] literally walking a mile in somebody else’s shoes — in this case, their bodies — and seeing what it is that they appreciate about each other. It’s an idea that’s sitting there — they’re so polar opposites and they’re both such good actors that they’ve created characters with such specific quirks and body movement and cadences and things like that. To then put the one in the other, it just felt like, why wouldn’t we do that?

Millar: We’ve had moments of real darkness this season; we just need to have an episode where the audience is going to have the best time and it be a great ride. I remember we were on set and it was the moment where Enid wakes up in [Wednesday’s] body and starts screaming. Jenna can scream nonstop. She was screaming all day, but it was so incredible to hear. You didn’t know who it was really. It was complete transformation. It was definitely a challenge. It was more than halfway through the season, they were tired and it was a real testament to their resilience and professionalism that they really just went for it.

Gough: They would record each other doing the line so that they could hear. They studied like two A students. They really put everything into it.

A family sits around a table in a dimly lit room

The Addams family plays a bigger role this season. From left, Morticia (Catherine Zeta-Jones), Wednesday (Jenna Ortega), Gomez (Luis Guzmán) and Pugsley (Isaac Ordonez).

(Helen Sloan / Netflix)

You brought the Addams family further into the fold this season, particularly giving attention the mother-daughter dynamic between Morticia and Wednesday — their parallels, their tension.

Gough: The show‘s a comedy, it’s a satire, but it always comes down to [being] a family drama. Season 1 even went back Wednesday’s ancestor, Goody vs. Crackstone; then it was Gomez and Morticia vs. the Gates family. It all comes down to family secrets in this show. We wanted to expand that. The feedback we also got was people love the Addams Family and they’re intrigued by them because there’s no real mythology for the Addams Family. They didn’t have names until the TV show in the ’60s. Then you got a couple movies in the ’90s. People love them, but you don’t know much about them. For us, it’s great because it’s the opposite of “Smallville.” It is a clean slate where you can build the family tree. And we do it with the blessing of Kevin Miserocchi, who runs the Addams Foundation.

You got a taste of it in Season 1, with Morticia and Wednesday, and then you saw it in the Parents’ Weekend episode. But then the idea of Morticia is here, and what does that do? And the idea of this mother-daughter relationship, which especially in the teenage years, can be very fraught. They’re a lot more alike than they want to admit, on both ends. To take that very universal idea and relationship that a lot of people have experienced, but put it through the prism of the Addams Family with Morticia and Wednesday, and they solve their fights with swords and there’s more life-and-death sort of circumstances — that felt like a fun way to do it and a way to open up the show.

Millar: We really wanted to give Jenna some relief as well; she was in every scene of Season 1. It was a creative opportunity for us to explore different characters and to really expand the world of the show.

A lone hand rests on the shoulder of a young girl.

Thing, performed by Victor Dorobantu, and Jenna Ortega as Wednesday Addams in “Wednesday.” The rogue appendage received a backstory in Season 2.

(Netflix)

I loved getting an origin story for Thing.

Millar: The first thing you see of Slurp is this gloved hand coming out of the ground. We thought, “Oh, everyone’s going to know immediately; it’ll be the worst kept secret in Hollywood.” It’s been really gratifying because that’s such a great twist, if we could pull it off — it’s right in front of your face the whole time.

We talked about [whether Thing] should be attached to someone who is so evil. Obviously, he’s flawed. He’s often doing things for the right reasons; they’re sort of deranged reasons. But Isaac Night [Owen Painter] is a flawed character, but he’s also the noble genius as well. That was a debate. We had some other options we explored and went down the road with, but ultimately we thought it was this idea of transformation of seeing a zombie who then becomes human and the comic foil of Pugsley [Isaac Ordonez] choosing him like a pet dog, and then he starts eating brains — it just sounds so insane, but actually it make sense in the show.

Now I want to know the path you didn’t take with him.

Millar: We had a whole backstory for him, which is he was in a circus and he fell in love with a circus performer. It was a very much more sweet story, rather than this one, which is much more macabre, sort of inspired by Frankenstein, zombie movies.

What can you tease about Season 3? Will there be more Lady Gaga? Things ends with Enid being seemingly trapped in wolf mode and there’s Wednesday’s psychic vision of Ophelia, Morticia’s sister.

Millar: We’re in the middle of [writing] Season 3 now. Our lips are sealed. We can’t say anything, but obviously the end of Season 2 does set up that Ophelia will be coming to feature in Season 3. We’ll say that much.

By this time next year, will we have a Season 3?

Gough: I can’t say anything to that.

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Former South Korean first lady Kim Keon Hee indicted

Aug. 30 (UPI) — The Seoul Central District Court on Friday indicted former South Korean first lady Kim Keon Hee for alleged corruption during her husband’s presidency.

Kim is the wife of former South Korean President Yoon Suk Yeol, who also was indicted on corruption charges on Friday and is being held in detention.

Kim is charged with influence peddling during South Korea’s 2022 by-elections, bribery and stock manipulation.

“I am truly sorry for the distress this situation has caused the public, but I will not make excuses under any circumstances,” Kim said, as reported by The Korea Herald.

“I will endure this time by holding on to the truth,” she said.

A special counsel investigation began two months ago and accuses Kim of receiving free polling data on 50 occasions during her husband’s 2022 presidential election race.

The special counsel also accuses Kim of helping former People Power Party Rep. Kim Young-sun to win that party’s nomination in 2022.

She also is accused of engaging in a stock market manipulation scheme from 2009 to 2012 involving shares in Deutsch Motors and receiving a diamond necklace worth $34,244.

A high-ranking Unification Church official allegedly gave Kim two Chanel designer handbags in exchange for supporting related projects in Cambodia.

More charges might be filed against Kim as the special counsel continues its investigation through Nov. 29.

Her husband in December briefly imposed martial law in South Korea amid the political scandal that resulted in his impeachment and the current charges against him and Kim.

In a related case, former South Korean Prime Minister Han Duck-soo was indicted for assisting Yoon in the martial law declaration.

President Donald Trump is scheduled to meet with current South Korean President Lee Jae Myung on Monday in the United States, CNBC reported.

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South Korea indicts former first lady for bribery, ex-PM over martial law | Politics News

Former prime minister and the wife of ex-president Yoon Suk-yeol both indicted on separate charges on the same day.

South Korean prosecutors in separate cases have indicted former Prime Minister Han Duck-soo for aiding and abetting former President Yoon Suk-yeol’s short-lived imposition of martial law last year, and the ex-president’s wife, Kim Keon-hee, for bribery and other charges.

The charges were laid against Han, 76, on Friday, according to South Korea’s Yonhap news agency. Additional charges include perjury and falsifying official documents.

Han had been under investigation by a team of special prosecutors for several weeks, according to media reports.

Former First Lady Kim was also indicted on charges stemming from her alleged participation in a stock manipulation scheme and acceptance of gifts from the controversial Unification Church, among other activities.

Lawyers for Kim have denied the allegations against her and said news reports about some of the gifts she allegedly received were groundless speculation.

Assistant special counsel Park Ji-young told a televised briefing that Han was the highest official who could have blocked Yoon’s attempt to impose martial law.

Park said Han still played an “active” role in Yoon’s martial law declaration by trying to get Yoon’s decree passed through a Cabinet Council meeting as a way to give “procedural legitimacy” to it.

Han has maintained that he conveyed to Yoon that he opposed his martial law plan.

Kim and her ex-president husband have been arrested and are in jail, with Yoon already undergoing trial on charges that include insurrection for his attempt to impose military rule.

His wife had been the subject of numerous high-profile scandals, some dating back more than 15 years, which overshadowed his turbulent presidency and inflicted political damage on him and his conservative People Power Party (PPP).

Yoon was formally impeached in April.

Former Prime Minister Han stepped in twice to serve as acting president during the post-martial law chaos between December and May, but he later resigned to participate in South Korea’s presidential election.

He failed, however, to secure the candidacy for the PPP.

The June 3 election was later won by the liberal Democratic Party’s Lee Jae-myung, who had livestreamed himself climbing over the walls of South Korea’s National Assembly to vote down the martial law declared by Yoon.

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South Korea’s ex-first lady arrested in bribery probe

The wife of South Korea’s jailed former president, Yoon Suk Yeol, has been arrested over a raft of charges, including stock manipulation and bribery.

Former first lady Kim Keon Hee denied all charges during a four-hour court hearing in Seoul on Tuesday. But the court issued a detention warrant, citing the risk that she may destroy evidence.

South Korea has a history of former presidents being indicted and imprisoned. However, this is the first time both the former president and former first lady have been jailed.

Yoon was detained in January to face trial over a failed martial law bid last year that plunged the country into chaos and eventually led to his ouster.

Prosecutors say Kim, 52, made over 800 million won ($577,940; £428,000) by participating in a price-rigging scheme involving the stocks of Deutsch Motors, a BMW dealer in South Korea.

While this allegedly happened before her husband was elected the country’s leader, it continued to cast a shadow throughout his presidency.

“I sincerely apologise for causing trouble despite being a person of no importance,” Kim told reporters.

She allegedly also accepted two Chanel bags and a diamond necklace as bribes from the controversial Unification Church in exchange for business favours.

Among other charges, Kim is also accused of meddling in candidate nominations during the parliamentary by-elections in 2022 and the general elections last year.

Kim appeared solemn as she attended Tuesday’s hearing wearing a black suit and a black skirt.

“I sincerely apologise for causing trouble despite being a person of no importance,” she told reporters.

While he was president, Yoon vetoed three opposition-led bills that sought a special counsel investigation into allegations against Kim.

He issued the last veto in November, a week before he declared martial law.

A special counsel was set up in June this year after Yoon’s rival Lee Jae Myung became president.

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South Korea awaits ruling on bid to arrest former first lady | News

Charges against Kim, punishable by years in prison, range from stock fraud to bribery and illegal influence peddling.

South Korea’s former first lady, Kim Keon-hee, has appeared in court for a five-hour hearing, but the judge has yet to issue a ruling on a prosecution request for a warrant to arrest her on accusations of interfering with an investigation.

If detained, she would be South Korea’s only former first lady to be arrested, joining her husband, former President Yoon Suk-yeol, in jail as he faces trial, following his removal in April, over a botched bid to impose martial law in December.

Kim, wearing a black suit, bowed as she arrived on Tuesday, but did not answer reporters’ questions or make a statement.

After the hearing ended, she left to await the ruling at a detention centre in Seoul, the capital, in line with customary practice.

The charges against her, punishable by years in prison, range from stock fraud to bribery and illegal influence peddling that have implicated business owners, religious figures and a political power broker.

She has been accused of breaking the law over an incident in which she wore a luxury Van Cleef pendant reportedly worth more than 60 million won ($43,000) while attending a NATO summit with her husband in 2022.

The item was not listed in the couple’s financial disclosure as required by law, according to the charge.

Kim is also accused of receiving two Chanel bags together valued at 20 million won ($14,500) and a diamond necklace from a religious group as a bribe in return for influence favourable to its business interests.

Kim denies accusations

The prosecution sought Kim’s arrest because of the risk of her destroying evidence and interfering with the investigation, a spokesperson for the special prosecutor’s team told a news briefing after Tuesday’s hearing.

The spokesperson, Oh Jeong-hee, said Kim had told prosecutors the pendant she wore was a fake bought 20 years ago in Hong Kong.

The prosecution said it was genuine, however, and given by a domestic construction company for Kim to wear at the summit, Oh said.

Kim’s lawyers did not immediately comment on Tuesday, but they have previously denied the accusations against her and dismissed as groundless speculation news reports about some of the gifts she allegedly received.

The court is expected to announce its decision late on Tuesday or overnight, media said, based on the timing of the decision to arrest Yoon.

Yoon is on trial on charges of insurrection, which could result in life imprisonment or even the death penalty.

The former president, who also faces charges of abuse of power among others, has denied wrongdoing and refused to attend trial hearings or be questioned by prosecutors.

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Commentary: Dean Cain wants to join ICE. Forget Lex Luthor, this Superman is after Tamale Lady

There are people who keep reliving their glory days, and then there’s Dean Cain.

The film and TV actor is best known for his work in the 1990s series “Lois & Clark: The New Adventures of Superman.”

He was no Christopher Reeve or Henry Cavill.

But enough people remember Cain in blue tights and a red cape so that he’s a regular on the fan convention circuit.

It’s his calling card, so when the Trump administration put out the call to recruit more ICE agents, guess who answered the call?

Big hint: Up, up and a güey!

On Aug. 6, the up until then not exactly buzzworthy Cain revealed on Instagram that he joined la migra — and everyone else should too!

The 59-year old actor made his announcement as an orchestral version of John Williams’ stirring “Superman” theme played lightly below his speech.

Superman used to go after Nazis, Klansmen and intergalactic monsters; now, Superman — er, Cain — wants to go after Tamale Lady. His archenemy used to be Lex Luthor; now real-life Bizarro Superman wants to go to work for the Trump administration’s equally bald-pated version of Lex Luthor: Stephen Miller.

“You can defend your homeland and get great benefits,” Cain said, flashing his bright white smile and brown biceps. Behind him was an American flag in a triangle case and a small statue depicting Cain in his days as a Princeton Tigers football player. “If you want to save America, ICE is arresting the worst of the worst and removing them from America’s streets.”

Later that day, Cain appeared on Fox News to claim he was going to “be sworn in as an ICE agent ASAP.” a role Assistant Homeland Security Secretary Tricia McLaughlin later on clarified to the New York Times would be only honorary. His exaggeration didn’t stop the agency’s social media account to take a break from its usual stream of white supremacist dog whistles to gush over Cain’s announcement.

“Superman is encouraging Americans to become real-life superheroes,” it posted “by answering their country’s call to join the brave men and women of ICE to help protect our communities to arrest the worst of the worst.”

American heroes used to storm Omaha Beach. Now the Trump administration wants their version of them to storm the garden section of Home Depot.

Dean Cain gestures with one hand while speaking into a small microphone at a lectern outdoors.

Dean Cain speaks during a ceremony honoring Mehmet Oz, the former host of “The Dr. Oz Show,” with a star on the Hollywood Walk of Fame on Feb. 11, 2022.

(Chris Pizzello / Invision / Associated Press)

Its appeal to Superman is part of their campaign to cast la migra as good guys while casting all undocumented people as shadowy villains who deserve deportation — the faster and nastier the better. But as with almost anything involving American history, Team Trump has already perverted Superman’s mythos. In early June, they put Trump, who couldn’t leap over a bingo card in a single bound let alone a tall building, on the White House’s social media accounts in a Superman costume. This was accompanied with the slogan: “Truth. Justice. The American Way.” That was the day before Warner Bros. released its latest Man of Steel film.

Even non-comic book fans know that the hero born Kal-El on Krypton was always a goody-goody who stood up to bullies and protected the downtrodden. He came from a foreign land — a doomed planet, no less — as a baby. His alter ego, Clark Kent, is humble and kind, traits that carry over when he turns into Superman.

The character’s caretakers always leaned on that fictional background to comment on real-world events. In a 1950 poster, as McCarthyism was ramping up, DC Comics issued a poster in which Superman tells a group of kids that anyone who makes fun of people for their “religion, race or national origin … is un-American.”

A decade later, Superman starred in a comic book public service announcement in which he chided a teen who said “Those refugee kids can’t talk English or play ball or anything” by taking him to a shabby camp to show the boy the hardships refugees had to endure.

The Trumpworld version of Superman would fly that boy to “Alligator Alcatraz” to show him how cool it is to imprison immigrants in a swamp infested with crocodilians.

It might surprise you to know that in even more recent times, in a 2017 comic book, Superman saves a group of undocumented immigrants from a man in an American flag do-rag who opened fire on them. When the attempted murderer claimed his intended targets stole his job, Superman snarled “The only person responsible for the blackness smothering your soul … is you.”

Superman used to tell Americans that immigrants deserved our empathy; Super Dean wants to round them up and ship them out.

Rapists? Murderers? Terrorists? That’s who Superman né Cain says ICE is pursuing — the oft repeated “worst of the worst” — but Syracuse University’s Transactional Records Access Clearinghouse found that 71% of people currently held in ICE detention have no criminal records as of July 27 .

I don’t think the real Superman — by whom I mean the fictional one whom Cain seems to think he’s the official spokesperson for just because he played him in a middling dramedy 30-some years ago — would waste his strength and X-ray vision to nab people like that.

Dean “Discount Superman” Cain should grab some popcorn and launch on a Superman movie marathon to refresh himself on what the Man of Steel actually stood for. He can begin with the latest.

Its plot hinges on Lex Luthor trying to convince the U.S. government that Superman is an “alien” who came to the U.S. to destroy it.

“He’s not a man — he’s an It. A thing,” the bad guy sneers at one point, later on claiming Superman’s choirboy persona is “lulling us into complacency so he can dominate [the U.S.] without resistance.”

Nicholas Hoult as Lex Luthor and David Corenswet as Superman

Nicholas Hoult as Lex Luthor and David Corenswet as Superman in Warner Bros. Pictures’ “Superman.”

(Jessica Miglio / Warner Bros. Pictures)

Luthor’s scheme, which involves manipulating social media and television networks to turn public opinion against his rival, eventually works. Superman turns himself in and is whisked away to a cell far away from the U.S. along with other political prisoners. Luthor boasts that “[constitutional] rights don’t apply to extraterrestrial organisms.”

Tweak that line a little and it could have come from the mouth of Stephen Miller.

Director James Gunn told a British newspaper that his film’s message is “about human kindness and obviously there will be jerks out there who are just not kind and will take it as offensive just because it is about kindness. But screw them.”

He also called Superman an “immigrant,” which set Cain off. He called Gunn “woke” on TMZ and urged Gunn to create original characters and keep Superman away from politics.

Well, Super Dean can do his thing for ICE and Trump. He can flash his white teeth for promotional Trump administration videos as he does who knows what for the deportation machine.

Just leave Superman out of it.

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Keeping a Low Profile With ‘First Lady Who?’ : Gloria Deukmejian, Perceived as Traditional Wife, Juggles Politics and Family

She shops for groceries at a neighborhood supermarket in suburban Sacramento, usually in the company of a plainclothes state policewoman who could pass for her sister, and for months she went unrecognized. Only lately have people begun to take note of who she is.

As First Lady of California, Gloria Deukmejian might have passed her shopping list on to someone else, but she said no thanks , she preferred doing the family marketing herself–as the woman who is listed on the Deukmejian joint tax return as “housewife” has always done.

When their 18-year-old son, George, the second of their three children, went to UC Berkeley last September, Gloria Deukmejian, like any mother might, visited the dormitory room he had arranged to share with two friends, and encountered other students who rather excitedly wondered whether she had heard the governor’s son was going to be staying on their floor. Why no, she hadn’t, she said at first, straight-faced.

Parents’ Night And when it came time for Parents’ Night at Rio Americano High School, where their youngest, Andrea, who’ll be 16 next month, is a sophomore, the state’s First Couple stood in line–like everyone else. So unassuming were the Deukmejians that another mother, who had been in a rush, didn’t realize she had accidentally bumped into them until the principal announced he was “honored to have Gov. and Mrs. George Deukmejian” in the audience–and they stood up.

Such is the low-key, low-profile life style of Gloria May Deukmejian, who pursues privacy with the same driven intensity that her husband has courted votes for two decades.

Now, after California’s eight mate-less years under former Gov. Edmund G. Brown Jr., she has become successor–an Administration once removed–to the peripatetic Nancy Reagan, who even then was forever at her husband’s side and in the public eye.

Yet despite George Deukmejian’s 22 years in public office–four in the Assembly, 12 in the state Senate, four more as state attorney general, and with his current four-year term half over– she is still Gov. Deukmejian’s wife who?

Meet Gloria Deukmejian–at 52, she has been married to George (whom she had met at a big family wedding) nearly 28 years–and the most striking thing, indeed the surprise, is her sense of humor. It is quick, spontaneous–and rather irreverent.

She’s somewhat taller than you might expect, a solid-looking 5-feet-6 or so. Photographs, however, do not do her justice. They fail to reflect her vivid coloring: merry black-brown eyes, apple cheeks and flawless olive skin. She has the kind of looks a slash of bright red lipstick only enhances.

B.T. Collins, Brown’s last chief of staff, a Republican, now executive vice president for Kidder-Peabody in Sacramento, experienced her humor more than a year ago. They had corresponded, mentioning a lunch, and at one point she hand-wrote: “I would like to meet you but George won’t let me. He thinks you’ll corrupt me–but then I don’t always listen to George!” And they lunched.

‘Surprise Roaster’ She also floored them at a roast of her husband in Sacramento–a benefit dinner for the Coro Foundation, a national public affairs training program, and the California Journal, a magazine about governmental affairs. The “surprise roaster,” the presumably staid Republican’s wife, more than held her own against the likes of State Treasurer Jesse Unruh and State Atty. Gen. John Van de Kamp.

Donning a Groucho Marx mask–a jab at the dark, mustachioed lineup of her husband’s top aides–Gloria Saatjian Deukmejian, first-generation Armenian-American like her husband, told how George was a man who “never forgets birthdays or anniversaries.” One year she got a screwdriver, another a wrench set. “As a result I have a complete tool set.”

The governor was surprised. So, perhaps from another point of view, was the audience. “She stood up there against her image,” recalled 31-year-old Robin Kramer, Coro’s director and a former aide of the Southern California Democratic Party. “I didn’t know her at all, other than she was this quiet, churchly lady who lived in Long Beach. She was not timid, and she was not square.”

Nor did she appear intimidated Dec. 5 on “Look Who’s Talking,” a morning television show, part listener call-in, part interview, on KCRW, the Sacramento NBC affiliate. In her first, and, thus far, only solo television appearance, she defied image by talking about an issue–speaking out, as her husband had in a press conference the day before, on behalf of the death penalty–while sidestepping questions on government cutbacks.

‘Just Moved In’ And she candidly discussed her husband’s future. A second term? “Of course,” she smiled. “I just moved in.” Beyond the governorship? “We’ve really given many many years to political office. I think not . . . one more term and I think it’s our turn (to relax).”

Yes she had heard, “they do have a house in Washington, a little different than ours,” and smiled. And she’s not interested? “No, not at all.”

The next day in the anteroom of the governor’s office in San Francisco, Gloria Deukmejian was back to her image–the self-described “traditional wife.” Her voice is mellow, soothing. At times her answers sound almost memorized.

“I just believe in everything he does, and I just believe that anything I can do to further the cause I will do.”

Do they ever disagree on issues? “Oh occasionally–but I’ll never tell .”

Traditional Role Has she ever tried to sway him? “Have you ever tried to sway an attorney over to your side? . . . “

Elaborating on the traditional-wife theme, Gloria Deukmejian, an art school graduate, who came of age before Gloria Steinem had a cause and women’s liberation a name, said she simply feels “more comfortable” with the traditional. “Like family, three teen-agers (actually Leslie, the oldest, a junior at the University of Colorado in Boulder, turned 20 last September), dogs (three beagles), neighbors, organizations, some relating to the family, some relating to volunteer work . . . like the Bluebirds, Campfires, oh yes PTA, I put my time in all those things.”

No Interviews at Home As comfortable as she is at home, she does not allow interviews at home, whether in Sacramento or her native Long Beach. Home is for privacy, for family. As the governor’s wife she’s been interviewed in his Sacramento office, in the sunny glass-encased coffee shop at the Long Beach Hyatt Regency or in Long Beach’s St. Mary’s Community Hospital gift shop, still dressed in her pink volunteer’s smock. And she just about never allows more than 45 minutes.

She is easiest talking about family. “Our oldest is majoring in communications and she is interested in the public relations aspect. Our youngest daughter, at 15, I don’t think too many of them know what they want to do, other than meet Rick Springfield, Matt Dillon and all those people. She can be very dramatic at times. And our son, he doesn’t know what. . . . They are sort of very independent thinkers.

“We’ve been fortunate, we’ve never really had any great problems with them,” she said in response to a question.

She said she does not know what she has done right. “I have heard of people doing the same thing as I. It hasn’t happened that way for them.” But she added with a laugh that she knows how to say no. “They say I know how to say no too often but you can’t be afraid to. . . . Later they respect you for it. I’ve had comments come back.”

Like Betty Ford, Gloria Deukmejian has had the burden of raising her children much of the time on her own. Only the governor’s wife never viewed that–or their commuter marriage–a burden.

Baby Comes Early For about a decade, from the time Leslie was of school age until George Deukmejian got elected attorney general and used the Los Angeles office as his base of operation, she raised the children from Monday morning through Thursday nights, and sometimes Friday during the legislative session. When it came time to give birth to Andrea, her next-door neighbors drove her. The baby was earlier than expected, and George, a state senator then, was in Sacramento.

It is like a litany among family and close friends, that most protective network that surrounds Gloria Deukmejian, and you hear it constantly: Gloria never gets angry or upset. Gloria never complains–be it about parental burdens or her husband’s rather paltry (by comparison to other states) $49,100-a-year gubernatorial salary, or vacations spent in their Long Beach backyard. “She doesn’t bitch,” said Darlene Thornton-May, the former next-door neighbor and one of her closest friends. Anna Ashjian, Deukmejian’s sister, said the last real vacation they had was in Hawaii where he had a speaking engagement “and they took the kids.”

Alice Deukmejian, who will be 87 on Valentine’s Day, said it best: Gloria, she said upon her son’s election two years ago, has “the patience of Job.”

As the parent at hand, as her own mother was to a degree when she was growing up, Gloria Deukmejian became, of necessity, the stricter one–while carrying out the general’s orders. “And also George, he’s very softhearted, especially with the girls. . . . It’s funny,” she said with a smile. “I can raise my voice. I would have to do it several times. When George raises his voice, he has that very deep voice. Only once ! Just like with the dogs. Same way. They listen to him.”

The middle child and only daughter of the late Krikor and Mary Saatjian (pronounced Say-chen), Gloria Saatjian was born Nov. 1, 1932, in Long Beach and, though raised in a traditional way, hardly came from an average immigrant family.

Her father Krikor, a carpenter’s son who grew up in Aintab, Turkey, graduated with honors from Yale, Class of 1914, became a civil engineer, worked on the Panama Canal, and for most of his career was a middle-management executive in the purchasing department at Texaco in downtown Los Angeles–and an active member of the Petroleum Club in Long Beach.

Today, Gloria Deukmejian’s elder brother Clarence Saatjian, 56, is chief of thermal power engineering for Southern California Edison, and her younger brother, the Rev. Lloyd Saatjian, 50, is Santa Ana district superintendent of the United Methodist Church, responsible for 57 congregations in the Orange County area. (As minister of a Palm Springs congregation for 17 years, he was in the Coachella Valley in 1968 at the time of the table-grape boycott in the dispute between the growers and Cesar Chavez and his migrant farm workers. In the critical years between 1970 and 1973, Saatjian served as mediator. He still is the arbitrator on certain contracts.)

Graduates of USC Both Saatjian brothers are graduates of USC.

Gloria had an interest in art that included years of piano lessons and classical recitals–Lloyd has said she might have become a concert pianist. After graduation in 1950 from Long Beach Poly High School, she went to the old Chouinard Art Institute in Los Angeles and completed the three-year course in interior design. “Then I got out and never did pursue it. I guess I just didn’t have that real interest. . . . Someday, maybe, I’ll get back to it.”

Instead, having already taken some typing and shorthand in high school, she took a job as a secretary for Howard Zink Seat Covers, a large car-seat upholstering company in Long Beach. She worked there for several years until just about the time she met George.

Diane Hansen Roslee, a Chouinard classmate who was maid-of-honor at Gloria and George’s wedding, noted that it wasn’t easy getting a job in the art world in the ‘50s. “So she went to work for the seat-cover king. Closest to home was the easier thing to do. They (the family) didn’t want her to live in an apartment or something, because the family was so close. And she was perfectly happy. . . . Gloria was more domesticated.”

Occasionally while at Chouinard, said Roslee, who owns a dress boutique south of Tucson, Gloria would “spend the weekend with me at my apartment. But they (the family) were very protective of her. They made sure she was a good girl. . . . “

Five Languages Krikor Saatjian, who came to America in 1911 as a scholarship student, spoke five languages–Armenian, Turkish, French, English and German, his English learned from a Christian missionary–and helped pay his way by working in the school cafeteria.

During that early period, he also served with the Army Corps of Engineers at the Panama Canal. Meanwhile in 1915, back in his hometown, his family was being dispersed, and worse, during the Armenian massacre. He volunteered for service in France during World War I, rose to the rank of sergeant, and while in the Army found his mentor in Clarence Olmstead (for whom his eldest would be named). Olmstead brought him to Texaco.

The war over, Saatjian, the eldest of four brothers, set about bringing his family to America. The immediate family had escaped the massacre, but as Eddie Saatjian, the youngest brother, recalled: “After the war was over we returned home. . . . The rest of the family were either gone or dead, or we didn’t know where they were.”

On Gloria’s mother’s side today are uncles, aunts and first cousins living in Beirut.

In 1921, Krikor brought his brother Charles; in 1923, his mother, Sadie; the last two brothers, Jack and Eddie, and in the party his future wife, Mary, a distant cousin 13 years his junior, whom he married a year later– after she started learning English.

After settling briefly in Lockport, Ill., where Olmstead ran a small Texaco refinery, Texaco bought California Petroleum, “and within less than a year,” Eddie recalled, “we were here, the whole gang of us.”

Throughout the Depression, none of the brothers was without a job, and there was always a decent car in the garage. By 1941, the car was a Cadillac. Until they married, Krikor Saatjian’s brothers lived in his house, a large Victorian-style 2 1/2-story frame house on a corner in central Long Beach.

Until her marriage, Gloria Deukmejian shared a bedroom with her grandmother Sadie. In 1941, when Eddie and Alice Saatjian married, there was a portent for her own future. Before coming to California to meet Eddie, Alice Saatjian lived across the street from the Deukmejian family in Menands, N.Y., outside Albany, the state capital. She remembered George, “a beautiful, handsome boy. He had rosy cheeks.” In this intertwining of family-tree branches, Alice also was a second cousin of Isabelle Melkasian. It was at Isabelle’s wedding in San Marino on May 27, 1956 that Gloria and George met. Isabelle’s mother knew the Deukmejians too. (George and Gloria were married Feb. 16, 1957. His sister’s husband, Noubar Ashjian, is Gloria’s second cousin once removed.)

Mary Saatjian–the person Gloria Deukmejian had been closest to, the woman she confided in and is said to emulate–provided the warmth. “An Armenian mother who cared for her children . . . a saint,” said Lloyd. “An amazing cook. She didn’t have the education my dad did, but her relationship to her children and anyone who came into our home was one of love, caring and generosity.”

With her husband at work from 6 in the morning until 6 at night, she was “the one we told the bad things to,” said Clarence, “she was our confidante.”

One gets fleeting, cozy images of Gloria’s girlhood. Isabelle remembers taking the Red Car down to Long Beach with her twin, Annabelle, for weekends at the beach, and Gloria at 10, a junior bridesmaid at her Aunt Alice’s wedding in their home, getting out the carpet-sweeper to clean up a batch of the inevitable pistachio nuts. And whenever the Saatjians would visit her house they would pile out of the Cadillac bearing a box of See’s candy.

Lloyd remembers her getting up early in the morning, before anyone else in the house, practicing piano, and accompanying him at recitals while he played the violin.

And Diane, for whom Gloria would name her third child, Andrea Diane, remembers weekends at Gloria’s house:

“Every time I would come, her mother would tell us our fortunes. She always made something special–meat rolled up in grape leaves and a dessert, baklava, and after dinner, over Turkish coffee, she would tell us our fortunes. Later I realized she knew everything that was going on in our lives, and what we wanted to hear something about a tall, dark, handsome stranger that was coming into our lives.”

Diane also remembered how Gloria would have a new dress before big family weddings, because invariably there was someone they wanted her to meet. The girls never talked politics.

“I happen to come from a Middle Eastern heritage and ancestry. In my background and culture . . . ladies were always sort of kept in the background,” Gov. Deukmejian was saying lightly at a reception honoring his women appointees. “The husbands would go out in front and the ladies would follow behind; they would take care of the things at home. . . . It was always a very peaceful relationship.”

Deukmejian was explaining why Gloria was not in attendance. The joke was that ever since his wife had seen Queen Elizabeth walking ahead of Prince Philip on the royal visit to California, and had spoken about it, he wasn’t taking her “to any more of these.”

The joke notwithstanding, the Deukmejians always had that peaceful relationship.

In the first two years of their marriage, he worked as a deputy county counsel before setting up his own practice. They lived in a small apartment near the Crenshaw district for about a year, and she took a job as a secretary in the public relations department of the California Bank.

Moved to Apartment Later, they moved to an apartment in Long Beach, and she “commuted from Long Beach to Los Angeles. After a while there was the traffic and all, it was very tiring . . . “ and she quit. In 1959, Deukmejian opened a law office in Belmont Shore. The Ashjians remember that Gloria’s father bought Deukmejian his desk. Meanwhile, he plunged into community life, becoming active in the Lions. And she joined the Lady Lions.

In 1960, they bought the rather modest house they still live in Belmont Shore–today driving past one sees a mustard-colored house, second from the corner, with a large picture window and lamp in front.

Her husband’s entry into politics came as a surprise to Gloria Deukmejian. “There wasn’t any mention of politics at the beginning.” But she went along. As she said on the Sacramento television show: “I just said, ‘Whatever you would like to do.’ It’s better to have a husband happy at the job that he’s doing, doing something that he enjoys.”

She’s very much in tune with his career. Ask in the private interview what about it has given her the most satisfaction, and after saying she doesn’t “know where to begin there ,” she talks about his “transformation” of state finances from deficit to surplus. And the biggest disappointment?

A Lost Race “Losing the one attorney general’s race years ago. Remember that one? It was a four-man (GOP primary) race, and that was the last (loss).”

Gloria Deukmejian is down-to-earth, unpretentious, the same person she has always been. “I don’t think you will hear one negative”–it is all a constant refrain. She doesn’t drink–”if you see a glass in her hand it’s tonic or diet soda,” said Aunt Alice. She doesn’t swear. And she is content.

“I don’t think Gloria feels she’s given up anything,” said Joan Lucas, wife of Judge Malcolm M. Lucas, Deukmejian’s first, and, thus far, only appointment to the California Supreme Court. “She’s a very happy, secure person. I’m sure she has a lot of problems that she doesn’t discuss; but I can’t think of her having any big problems.”

Joan Lucas has known Gloria casually since high school and better since their husbands formed Lucas, Lucas & Deukmejian in 1963. “She doesn’t discuss other political people or wives, or anything like that, ever. Gloria is a very refined person, very classy–and closemouthed.

She is an excellent listener. “She’s always a lady,” said Willie Tauscher, a fellow hospital volunteer who’s known her 20 years.

“I’ve had a great deal of trauma over the years,” said Darlene Thornton-May, “and there is no more stauncher friend. When I get down, she’d say, ‘You do what you have to do.’ ”

There is a genuine niceness. When decorators Dennis Murphy and June Given first went up to see the Sacramento residence–purchased with surplus funds from the governor’s inaugural and which will be given to the next governor and successors, or sold with the proceeds going to charity–she met them at the airplane gate. Moreover, said Murphy, though she wanted to move in during the last week in August to prepare Andrea for school, “she never once applied pressure about getting it done unlike a lot of clients.”

When she hosted the luncheons for the Western governors’ wives in Palm Springs she went out of her way to invite others along who had helped her make the social events a success. And when her mother was dying in December, 1983, she stayed at the governor’s side to host the annual Christmas party before rushing to the Long Beach hospital. It was the same kind of “devotion to duty” her own mother had practiced in preparing the elaborate funeral feast after Krikor Saatjian had died 1 1/2 years earlier at 92.

As much as anything else, Gloria Deukmejian is a private person. After her mother’s illness, Aunt Alice took over the role as chief confidante. “If there were things to complain about,” allowed Alice Saatjian in connection with the search for the gubernatorial home, “we used to talk. It didn’t go out from my house; it didn’t go out from her house.”

California’s First Lady is by all accounts an excellent cook. She likes to golf, needlepoint, garden. She reads Erma Bombeck, and watches “Hill Street Blues” and “60 Minutes.” She hates the soaps. She plays the piano, Mozart still her favorite. But Gloria Deukmejian plays only for herself. “When I was growing up and took piano for over 10 years, I had a recital every month and had to memorize so I played for enough people I think.”

Time with the governor’s wife is nearly up. She grows fruit, vegetables? “No flowers . . . just whatever you think.”

Toward the end she had been asked to define Gloria Deukmejian. “Being myself. My door is open for coffee to friends who want to stop by. Just because I’m First Lady doesn’t mean the door is locked. And just doing the things I’ve always done. Shopping. . . . It’s just life as usual; it’s just that my husband has a different job. . . . We’ve always kept a low profile.”

May we come by for coffee?

“Leave your pad behind,” she said.

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Paula Deen abruptly closes her the Lady and Sons restaurant

In the late 1990s, Paula Deen was an independent restaurateur whose family-operated restaurant had just received a glowing review from USA Today. Her life and career were permanently changed.

Now, over 25 years later, the Georgia native has announced the closing of the Lady and Sons — the iconic restaurant that made her a star of Southern cuisine and a household name in the cooking world.

Opened in downtown Savannah, Ga., in 1996, the Lady and Sons boasted a menu of local classics like fried green tomatoes, banana pudding and hoecakes. The signature dish, Southern fried chicken, was enough to draw lines wrapping around the block — and the restaurant came to be viewed as an embodiment of the indulgent and buttery flavors that characterize Southern cooking.

“There in Savannah, Paula Deen’s homestyle Southern menu at the Lady and Sons turned me into a ravenous beast, unmindful of manners, cholesterol, North-South diplomacy and the dropped jaws of my companions,” USA Today, then the nation’s most-read daily newspaper, wrote on Dec. 17, 1999.

Earlier that year, the popularity of the Lady and Sons caught the attention of Food Network journalist Gordon Elliott. Deen appeared on Elliott’s short-lived show “Door Knock Dinners” that led to her own Daytime Emmy-winning Food Network program, “Paula’s Home Cooking.”

On her website and social media accounts, Deen bid farewell to the Lady and Sons and its longtime fans. Also closing is her newer restaurant, the Chicken Box, which opened in 2023.

“Hey, y’all, my sons and I made the heartfelt decision that Thursday, July 31st, was the last day of service for The Lady & Sons and The Chicken Box,” Deen said in the statement. “We will now focus our attention on the four Paula Deen’s Family Kitchen locations across the country.”

The announcement came without warning, especially as the restaurant continued to draw tours and lines of customers. Three weeks prior to the announcement, the Lady and Sons posted on Instagram that it was hiring for all positions.

Over the years, some of Deen’s other restaurants have also closed suddenly. In 2014, employees at Uncle Bubba’s Seafood and Oyster House — a Savannah eatery she co-owned with her brother, Earl W. “Bubba” Hiers Jr. — reportedly arrived to work to find the doors locked and the appliances removed. A sign on the door said, “Thank you for 10 great years. Uncle Bubba’s is now closed.”

The Panama City, Fla., location of Paula Deen’s Family Kitchen also closed abruptly in 2019, laying off 30 employees without advance notice. Several former employees told local news channel WJHG that they were left without their main source of income following the closure.

Uncle Bubba’s closure came a year after controversy began to surround Deen after a former manager at the restaurant sued Hiers, alleging sexual and racial discrimination.

Food Network canceled “Paula’s Home Cooking” after Deen admitted to using a racial slur during a deposition for the 2013 lawsuit. Lawyers asked Deen if she had ever used the N-word, to which Deen replied, “Yes, of course,” later adding, “It’s been a very long time.”

Since then, the 78-year-old has focused on her restaurants.

The Lady and Sons, as her core establishment, was the result of a litany of personal struggles and ambition. Both of her parents passed away when she was in her early 20s and Deen, then a young mother, struggled with depression and agoraphobia, or fear of going outside.

With only $200 left, Deen founded a catering company out of her kitchen called the Bag Lady. Her handmade bag lunches were delivered by her sons Jamie and Bobby and earned Deen a local reputation for her homestyle cooking. After one attempt at a restaurant, the Lady in 1991, the follow-up, the Lady and Sons, co-owned with Jamie and Bobby, would be her success.



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Trump, first lady head to Texas to review flood damage

1 of 6 | Marine One carrying U.S. President Donald Trump and first lady Melania Trump lifts off from the South Lawn of the White House on Friday in Washington, D.C. The president and his wife are heading to Kerrville, Texas, to meet with local officials and first responders after a deadly flash flood a week ago killed at least 120 people with at least 160 people still missing. Photo by Samuel Corum/UPI | License Photo

July 11 (UPI) — President Donald Trump and first lady Melania Trump on Friday toured areas devastated by flash flooding in central Texas that has killed more than 100, including at least 36 children, on the Fourth of July.

The president and first lady arrived in Kerr County, Texas, shortly after 12:20 p.m. CDT to meet with people and families in Kerr County, where the Guadalupe River rose 26 feet and killed at least 121, including several children who had been staying at a Christian summer camp, Camp Mystic.

“This is a tough one,” Trump said during a roundtable discussion in Kerrville, Texas. “We were just making a little tour of the area. It’s hard to believe the devastation.”

He called the Guadalupe a “little narrow river that becomes a monster” when torrential rains pummeled the area during the early morning hours on Independence Day.

“I’ve never seen anything like it,” he said. “We just gave our warmest condolences, but how do you give condolences?”

The president praised the first responders and community members who risked their lives to save others during the tragedy.

The first lady also met with victims’ families and offered her “deepest sympathy to all of the parents who lost beautiful young souls.”

“We are grieving with you,” Melania Trump said. “Our nation is grieving with you.”

The president and first lady were joined by Texas Gov. Greg Abbott and Republican U.S. Sens. Ted Cruz and John Cornyn, both of Texas, during Friday’s visit.

Trump approved a major disaster declaration for Texas earlier this week. He told NBC’s Meet the Press on Thursday that the flood was a “once-in-every-200-year” event and said he supported the installation of a dedicated alarm system to warn of future floods.

“After having seen this horrible event, I would imagine you’d put alarms up in some form,” he said.

According to Abbott, search and rescue operations still continue with some sources saying more than 170 people are still missing, including many children.

Department of Homeland Security Secretary Kristi Noem announced Thursday that “We remain laser focused in our work with Governor Abbott and local Texas leaders to support those impacted by the tragic flooding.”

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Kings captain Anze Kopitar wins Lady Byng trophy for third time

Winnipeg’s Connor Hellebuyck has won the Hart Trophy as NHL MVP and the Vezina Trophy as the league’s best goaltender, becoming the first at the position to do so since Carey Price a decade ago.

Hellebuyck was unveiled as the top MVP vote-getter on an awards show Thursday night prior to Game 4 of the Stanley Cup Final, hosted by actor and former Arizona State wide receiver Isaiah Mustafa.

Kings captain Anze Kopitar won the Lady Byng for sportsmanship and gentlemanly conduct for a third time.

Edmonton’s Leon Draisaitl finished second in the Hart voting and Tampa Bay’s Nikita Kucherov third, a single point ahead of Colorado’s reigning MVP Nathan MacKinnon, as chosen by members of the Professional Hockey Writers Association. Hellebuyck was a landslide winner of the Vezina as picked by general managers, receiving 31 of 32 first-place votes.

Hellebuyck won the Vezina for a second year in a row and for the third time in his career. He backstopped the Jets to the Presidents’ Trophy for the best regular season and the William Jennings Trophy for the fewest goals allowed before losing in the second round of the playoffs to Dallas.

Price was the last to pull off the Hart-Vezina double in 2015. Hellebuyck is just the sixth goalie to do it, joining Price, Jose Theodore in 2002, Dominik Hasek in 1997 and ‘98 and Jacques Plante in ’62.

Kucherov, the Art Ross Trophy winner for leading all scorers with 122 points this season, was also chosen for the Ted Lindsay Award as most outstanding player, as voted on by his peers. The Russian winger was MVP in 2019 when the Lightning finished atop the standings.

Draisaitl, the Rocket Richard Trophy recipient for scoring a league-high 52 goals, won the Hart in 2020 after the season was cut short by the pandemic. He became the first German player to be MVP.

A majority of the awards were already presented over the past few weeks, given out as surprises for the first time with no advanced notice. Colorado’s Cale Makar got the Norris as the top defenseman, Florida’s Aleksander Barkov the Selke as the best defensive forward and Washington’s Spencer Carbery the Jack Adams as coach of the year.

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At Our Lady of the Angels, free organ recitals unleash the majesty of Los Angeles

Even in a building as massive as the Cathedral of Our Lady of the Angels in downtown, the organ stands out. How could it not?

Standing 85 feet tall behind the right side of the altar, weighing 42 tons, featuring over 6,000 pipes and bearing the epic name Opus 75, it looks half smokestacks, half battleship and all awesome. It’s regularly used during Mass and has hosted organists from around the world since its 2003 debut.

But what’s coolest about Opus 75 — and what not enough people know — is that the Cathedral holds free lunchtime recitals featuring its star instrument on the first Wednesday of each month.

As an organ fanatic, I have long wanted to attend one. I finally had the chance this week.

A cathedral of and for L.A.

Accompanied by my Times colleague (and fellow classical music head) Ruben Vives, I arrived at the cathedral during the daily 12:10 service, just before the Eucharist. Resident organist Sook Hyun Kim worked the King of Instruments like the seasoned pro she is, including a moving version of “Make Me a Channel of Your Peace” — an apropos hymn for the era of Pope Leo XIV.

About 40 people representing the breadth of L.A. — white, Latino, Asian, Black and all age groups — spread out across the pews after Mass ended to listen to guest organist Emma Yim. The 22-year-old graduated from UCLA (Go Bruins!) two years ago with degrees in biology and organ performance. She is pursuing a master’s from our alma mater in the latter discipline, does research for a UCLA Department of Medicine women’s health lab and also plays the cello.

Man, and I thought I covered a lot of ground!

Her choice for the cathedral recital: three of the five movements from French composer Charles-Marie Widor’s Symphony No. 5. It would be Yim’s first time playing Opus 75.

Playing the King of Instruments

The first movement was mostly variations on a cascading theme. Kim stood to Yim’s side to flip the pages of the score while the latter’s hands leaped around the rows of the organ’s keys. Yim played at first like she didn’t want to tempt the power of the behemoth before her — the notes were soft and cautious.

But during Widor’s playful second movement, the young adults in attendance who had been on their smartphones began to pay attention. Heads began to sway with every swirl of Baroque-like chords that Yim unleashed. “I could hear elements of ‘Lord of the Rings’ in there,” Ruben whispered to me as we looked on from our center pews.

Opus 75 was waking up

She skipped two movements to perform the Fifth’s fifth, better known as Widor’s Toccata. Its soaring passages have made it a popular song for weddings. More people began to poke their head in from the hallways that ring the cathedral’s worship space to see what was going on. Yim became more animated as she worked the keys and foot pedals faster and faster. High-pitched arpeggios accentuated resonant bass notes.

Kim stopped flipping the score, stepped back and looked on in awe like the rest of us as Yim roused Opus 75 to its full might.

A performance that pushes us to a better place

The majesty of L.A. suddenly crossed my mind. Even in tough times like these, it’s unsurpassed in beauty, in its people and especially in its capacity to surprise and delight in places expected and not. It’s people like Yim and performances like hers that stir us all forward to a better place.

The recital ended. “Beautiful, just beautiful,” Ruben said, and I agreed. The applause the crowd gave Yim was swallowed up by the cathedral’s size and our sparse numbers, but she was visibly moved. “Thank you all for coming,” the youngster quietly said, and we all went off to our day.

Kim told Ruben and me that the cathedral’s organ series will take a summer break before it relaunches in September. See you then!

Newsletter

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Today’s top stories

A home destroyed by the Eaton fire is for sale

A for-sale sign is posted at a home on Lake Avenue that was destroyed by the Eaton fire.

(Robert Gauthier / Los Angeles Times)

Developers are buying up Altadena

Elon Musk and Donald Trump have very publicly broken up

UCLA Chancellor Julio Frenk vows to restore campus trust amid ‘nervousness and anxiety’

  • Since he took the helm this year at UCLA, Chancellor Julio Frenk has found himself in a vortex of unprecedented obstacles not only to his campus, but also to the nation’s institutions of higher education.
  • In an interview, he defended scientific university research, diversity efforts, admissions practices and international students amid attacks from Trump, and said he wanted to “eradicate antisemitism.”

Candidates for California governor faced off in first bipartisan clash

  • In the first bipartisan gathering of 2026 gubernatorial candidates, four Democrats and two Republicans agreed that despite the state boasting one of the world’s largest economies, too many of its residents are suffering because of the affordability crisis in the state.
  • Their strategies on how to improve the state’s economy, however, largely embraced the divergent views of their respective political parties as they discussed housing costs, high-speed rail, tariffs, climate change and homelessness.

California petitions the FDA to undo Kennedy’s new limits on abortion pill mifepristone

What else is going on

Commentary and opinions

This morning’s must-reads

Other must-reads

For your downtime

Side by side photos with two people roller skating and a person riding a bike past a row of palm trees

(Carla Blumenkrantz / For The Times)

Going out

Staying in

A question for you: What’s the best advice you’ve gotten from your father or father figure?

Polly says, “My dad used to love the saying, ‘if you’re not living life on the edge, you’re taking up too much space!’ He would say it as reminder for himself and to my sister and I to not overthink things and to just let loose, stop worrying, or try something new.”

Peter says, “I was around 8 or 9 years old and prattling on about something I knew nothing about, when my father sternly admonished me. He said ‘Peter, you only learn when you listen, never when you talk.’ His words resonated and got me to my core.”

Email us at [email protected], and your response might appear in the newsletter this week.

And finally … your photo of the day

An open kitchen that opens on to a courtyard, lawn and ADU

Sliding Fleetwood pocket doors open the airy kitchen and living spaces to the backyard.

(Juliana Yamada / Los Angeles Times)

Today’s great photo is from Times photographer Juliana Yamada at the Manhattan Beach home of Paul and Cailin Goncalves, who turned their formerly compartmentalized home and ADU into a bright, flexible family home.

Have a great day, from the Essential California team

Kevinisha Walker, multiplatform editor
Andrew Campa, Sunday writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

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Trump, alongside the first lady, signs a bill to make posting ‘revenge porn’ a federal crime

President Trump, alongside his wife, Melania, on Monday signed the Take It Down Act, a measure the first lady helped usher through Congress to set stricter penalties for the distribution of non-consensual intimate imagery online, or “revenge porn.”

In March, Melania Trump used her first public appearance since resuming the role of first lady to travel to Capitol Hill to lobby House members to pass the bill following its approval by the Senate.

White House Press Secretary Karoline Leavitt told reporters earlier Monday that the first lady was “instrumental in getting this important legislation passed.”

The bill makes it a federal crime to “knowingly publish” or threaten to publish intimate images without a person’s consent, including AI-created “deepfakes.” Websites and social media companies will be required to remove such material within 48 hours after a victim requests it. The platforms must also take steps to delete duplicate content.

Many states have already banned the dissemination of sexually explicit deepfakes or revenge porn, but the Take It Down Act is a rare example of federal regulators imposing on internet companies.

The bill, sponsored by Sens. Ted Cruz (R-Texas) and Amy Klobuchar (D-Minn.), received overwhelming bipartisan support in Congress, passing the House in April by a 409-2 vote and clearing the Senate by unanimous consent.

But the measure isn’t without critics. Free speech advocates and digital rights groups say the bill is too broad and could lead to censorship of legitimate images, including legal pornography and LGBTQ+ content. Others say it could allow the government to monitor private communications and undermine due process.

The first lady appeared at a Capitol Hill roundtable with lawmakers and young women who had explicit images of them put online, saying it was “heartbreaking” to see what teenagers and especially girls go through after this happens to them. She also included a victim among her guests for the president’s address to a joint session of Congress the day after that meeting.

After the House passed the bill, Melania Trump called the bipartisan vote a “powerful statement that we stand united in protecting the dignity, privacy and safety of our children.”

Her advocacy for the bill is a continuation of the Be Best campaign she started in the president’s first term, focusing on children’s well-being, social media use and opioid abuse.

In his speech to Congress in March, the president said the publication of such imagery online is “just terrible” and that he looked forward to signing the bill into law.

“And I’m going to use that bill for myself, too, if you don’t mind,” he said. There’s nobody who “gets treated worse than I do online. Nobody.”

Superville writes for the Associated Press.

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‘My mum was Everton’s first official Goodison Park toffee lady’

Lynette Horsburgh

BBC News

Family photograph Everton FC toffee lady Mary Morgan (nee Gorry) wearing Victorian style confectionary attire with white pinny and bonnet with Tommy Eglington who played for Everton wearing a suit taken between 1953 and 1956.  Family photograph

Everton FC toffee lady Mary Morgan with Blues player Tommy Eglington

Saying goodbye to Goodison Park is “going to be like losing a little bit of my mum”, the daughter of Everton’s first official toffee lady has said.

The tradition of handing toffees out at Everton’s stadium dates back to the 1890s when Old Ma Bushell, who ran the nearby Ye Ancient Everton Toffee House, dressed her granddaughter in her finest clothes and sent her with a basket of Everton toffees to throw into the crowd.

Lifelong Evertonian Mary Morgan (nee Gorry) was the Blues’ toffee lady from 1953 until 1956.

Speaking ahead of the final men’s fixture at Goodison Park before their move to Bramley-Moore Dock this summer, Patricia Smith said: “It’ll be a sad day – there’s going to be a lot of tears.”

Family photograph Black-and-white image of Eddie Morgan wearing a suit and his bride Mary Gorry wearing a bonnet.Family photograph

Mary gave up the role when she married Eddie Morgan

She said her mum’s role as the toffee lady “started off as a joke” when she customised a bridesmaid dress, handstitched “Everton Supporters Federation” on a white pinny, and teamed it with a bonnet.

It was a nod to the traditional attire worn more than 60 years previously, when Jemima Bushell handed out Everton toffees to fans as Ye Ancient Everton Toffee House battled to outdo Everton mints creator Mother Noblett, whose shop was situated closer to Goodison.

And so the enduring link between Everton and toffee was born.

While toffees are no longer hurled into the stands due to health and safety concerns, the matchday tradition endures with the sweets being handed out instead.

Everton said the role will be filled on Sunday by Jazz Barnes-Reen, sister of the stadium tour manager Elle Barnes-Reen.

PA Media massive white banner with The Toffees branded on it in blue is draped across an upper stand with fans packed above and in the stand below at a matchPA Media

Everton are known as the Toffees due to two rival producers which competed in the area in the 19th Century

Patricia told BBC News: “The club told mum they liked the idea and asked her if she would like to be the mascot and throw Everton toffees out at games.

“She jumped at the chance! She absolutely loved it and travelled all over to the games.”

The teacher said her mum Mary, who was born in 1925 and lived on Liverpool’s Scotland Road, had so many happy memories from her time as the toffee lady.

“She was exceptionally proud of her role – the whole family is.”

The toffee lady almost came unstuck at one game, however, when police tried to throw her out of an Everton fixture at Sheffield Wednesday’s Hillsborough stadium.

Already a much-loved figure within the club, Mary was reprieved thanks to an intervention from Everton captain Peter Farrell and another player Tommy Eglington.

Not only was she allowed to stay, but she was given a seat in the manager’s dugout during the game.

Perhaps unsurprisingly, the dedicated Blue ended up meeting her husband, Eddie Morgan, at the football.

When they got married in 1956, she decided to hand over the toffee lady reigns – and her dress – to her friend Peggy Morley.

Nothing could keep Mary away from her beloved Goodison Park though, and she continued to watch Everton until her death in 2017.

Getty Images Large flag at Goodison Park being passed over the heads of fans. It features a cartoon image of an old woman dressed in the Everton toffee lady uniform of a blue dress and white pinny.Getty Images

Everton and toffee are synonymous

Patricia said her mum loved to decorate their house when Everton won trophies, meaning the 1980s was a busy time.

After they lifted the FA Cup at Wembley in 1984, Patricia remembered her dad being ordered to repaint the whole house blue.

In addition to being the toffee lady, Mary helped set up Everton Supporters’ Club.

Patricia said her mum was “very proud” of her membership card which sported the number 0001

Sunday’s final game against Southampton will be a very “emotional” day, she said.

“It going to be like losing a little bit of my mum, like leaving her behind,” she said.

“It will be a sad day.”

As for the future, Patricia said it was a case of “onwards and upwards” as the men’s team prepares to move to its new 53,000-seater Bramley-Moore Dock stadium.

“I just hope it has the same special atmosphere.”

Getty Images An Everton toffee lady, wearing a traditional blue dress and white pinny, gives out sweets to young Everton fans at Goodison Park.Getty Images

The tradition of toffees being given out to fans on matchday endures

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