The Dropkick Murphys’ have been “Fighting Nazis Since 1996.” Ken Casey, singer of the Boston Irish punk band, says don’t believe it when Republican politicians “cosplay” as working-class white males.
For three decades, the Dropkick Murphys have played their riotous brand of Boston Irish Celtic punk for legions of tattooed, mosh-pitting fans, but it wasn’t until last month that they found a new following among an unlikely demographic: C-SPAN viewers.
Washington policy wonks and political junkies who tuned in to watch former Justice Department special counsel Jack Smith testify before the House last month were treated to lurid details about President Trump’s alleged involvement in 2020 election meddling and the Jan. 6 insurrection. What they didn’t bargain for were the animated actions of former D.C. cop Michael Fanone, who was in the chamber wearing a Dropkick Murphys T-shirt that read “Fighting Nazis Since 1996.”
Fanone, who was brutally attacked by a pro-Trump mob while defending the Capitol in 2021, was impossible to miss. He was seated directly behind Smith and the only guy visible in a band T-shirt. Also notable were his reactions to GOP suggestions that the attack on the Capitol never happened, or was everyone’s fault but Trump’s: He coughed out expletives and flashed colorful hand gestures. Dropkick Murphys T-shirt sales spiked.
“It was this crazy, organic thing,” says Ken Casey, lead singer of the band. “We never put up a poster saying, ‘Hey, wear our shirt!’ But over the course of the next week, we sold like 6,000 of those shirts.” And for those who want one now? The shirt is on back order.
Casey, who speaks in a thick, working-class Boston accent (think “The Departed” meets a Ben Affleck Dunkin’ Donuts commercial), isn’t a stranger to mixing music and politics. He has been outspoken onstage and in the recording studio about his opposition to MAGA’s immigration policy, racist rhetoric and war on the working class. And the band announced Tuesday they’re parting ways with the Wasserman Music agency because the namesake of the agency turned up in the Epstein files.
Casey spoke with The Times about challenging MAGA through the rebellion of punk rock.
The Dropkick Murphys’ “Fighting Nazis Since 1996” T-shirt is a hot item now thanks to its appearance on Capitol Hill, via Fanone. He’s been very active and adamant about countering MAGA’s Jan. 6 narratives, including testifying with his colleagues in front of the House select committee investigating the insurrection.
Ken Casey: “Michael is an old friend. He was at our very first Dropkick show in D.C. in 1996, so it’s not like he’s some kind of jump-on-the-bandwagon guy. I appreciate just how vocal he is. It’s one thing to talk the talk, but it’s another to walk the walk and be showing up at all those events, and really putting himself out there.
But why is it important for the Dropkick Murphys to speak out? You’ve no doubt lost fans.
I hate to say it, but in some ways, MAGA needs to be countered with a mirror of them, like in physical appearance. They love painting themselves as righteous warriors and the rest of the country as immigrants, or whatever other stupid s— they come up with. But it seems to trigger them more when someone like Michael Fanone and the Dropkick Murphys speak up to them because it just like explodes their mind. It’s like, “You’re supposed to be on my side!” It’s like no, remember when you were on our side? Before you got twisted up by this lying con man?
In some ways, no band has more to lose because our fan base is the population that might jump into MAGA. But there is that middle ground — the people who don’t have time for politics. Who don’t follow it as closely as you or I do. They hear things about Biden, hear things about Trump, and it’s like “I don’t know what to believe.” That’s where voices like [mine] are important. You’re hearing it from someone who really doesn’t have skin in the game. I’m an American citizen, not a politician. I don’t have corporate interest involved in this.
And then there’s the new interest in your band, from folks who are just discovering you, or maybe just know your material from film soundtracks like “The Departed” (“I’m Shipping Up to Boston”).
It’s also brought back fans and there’s this [renewed] punk rock urgency and importance to our shows. It’s gained us a lot of new fans, in theory, like people who don’t necessarily listen to punk rock, or who wouldn’t listen to our music or come to our shows, they now speak out and say, “I support Dropkick Murphys for what they’re doing.” It’s support in solidarity. For the [longtime] fans, it’s rekindled this new dedication. It’s reconnected us with some old fans who had drifted away.
What do you say to other music artists who are afraid to speak out against what they see as an injustice or wrongdoing?
We’ve already had every death threat, every friggin’ cancellation threat. So what would we say to other bands and other people who are keeping their head down because they don’t want to deal with all the drama that comes along with speaking up? Come on in. The water is great. There’s nothing to worry about. The [trolls] are a vocal minority — online is bots and paid influencer types. Don’t let anybody silence you.
At this year’s Grammy Awards ceremony, every other acceptance speech contained anti-ICE sentiment, so it does appear that more musicians are speaking out against Trump’s policies.
Listen, if executions in the streets of your citizens [by ICE agents] doesn’t get people to speak out, then nothing will. But it’s nice to finally see there’s a wave starting to peak, out of frustration and realization. I can also tell from the amount of attacks we get that there’s some backpedaling. Obviously, there’ll always be the die-hards — Trump could be molesting someone in front of their eyes, and they’d still stick with him. But there’s a lot of people trying to quietly distance themselves.
Ken Casey of Dropkick Murphys
(Riley Vecchione)
If we’re being historically accurate, the Dropkicks have always had something to say about what’s going on in this country.
The very first line sung on our very first album was in regards to how Reagan started the dismantling of unions and [created a] wealth gap, so we’ve been about it the whole time. We’ve been showing up on picket lines the whole time. Social justice, we’ve always been about it. But before Trump, we weren’t necessarily having to make it a social media presence type of thing. But we’re in a different time now.
The Republicans started to cosplay as working-class white males, and people bought right into it. There’s a portion of this country that is sick and twisted and MAGA has been a great vehicle for them, but then there’s also a big portion of the country that just got caught up in the lies and the bull— and the rhetoric.
Your band is part of a new initiative aimed at getting more punk bands to speak truth to power.
The Dropkick Murphys and Michael Fanone, along with the guys in Rise Against, have started a collaborative called Down for the Cause. It’s basically going to be kind of a punk rock collaborative because years from now, we don’t want punk rock to be disgraced by the silence. Just kind of get involved, not necessarily supporting candidates but more like taking back the air waves let people know that we don’t have to accept this unacceptable behavior. Also reminding people to vote, because if all those people didn’t stay on the sidelines in the last election, we probably wouldn’t be in the mess we’re in now.
Your band just released a new song, “Citizen I.C.E.” But is it new?
The song is actually 20 years old. It was called “Citizen CIA.” It was basically a mock recruitment song for the CIA, poking fun at the damage the CIA has done around the world. Now we flipped it to a mock ICE recruitment song, with lines like “Too scared to join the military, too dumb to be a cop.” It’ll be out on a split album, “New England Forever,” that we did with a younger Boston band called Haywire. We’re touring with them now [ on the “For The People…In the Pit St. Patrick’s Day Tour”].
What do you say to people who say shut up and sing.
I get that even people who aren’t necessarily MAGA don’t want to listen to someone [on a] soapbox. But I view where we are as five-alarm fire, and if you got a microphone in front of your mouth, you better damn well be talking into it.
The popular bar divides people on whether it is a good place to drink or not, so we’ve put it to the test – and found there was more to the area than just pubs
Temple Bar gets louder and livelier after dark(Image: Getty Images)
It seems to divide opinion like Marmite – to go or no go drinking in Temple Bar when in Dublin. The area is full of pubs keen to sell you drinks, especially Guinness, but at the highest prices in the city edging towards ten Euros for a pint.
On arriving in Dublin I was lucky enough to attend a connoisseurs session at the Guinness Storehouse and Morgan, our man serving us up a variety of VIP pints was clear to avoid Temple Bar.
“You don’t need to be going there,” he said, clear that it was a bit of a tourist trap. Most importantly, for him, that also meant it was not serving the best Guinness in the city. Morgan favoured pubs like The Lord Edward in the Liberties area and The Long Hall in the heart of the city centre. Over the river from Temple Bar, The Cobblestone is a great pub renowned for its traditional music too.
However Dublin tour guide Mary Phelan says whilst it should not be the only place you see in the city, there is no harm in going to Temple Bar for some drinks or at the very least a stroll. “Why not go and see it even if its just strolling the main street which brings you up towards Christ church,” she said.
Highlighting one pub on the edges if the area which is excellent and unusually named, she added: “Darkey Kelly’s is there too on Fishamble Street and bit less crowded than the rest. They do food and have some music. The Palace Bar is an original pub on Fleet St associated with writers and journalists as The Independent and The Irish Times newspapers used to be nearby.”
“There’s also the IFI (film institute)and you might like to see the area during the day. Merchants Arch brings you over Halfpenny Bridge and they also have an Icon Walk which is a wall giving you some info on writers and public figures.”
Temple Bar has been popular long before the pubs arrived. The Vikings set up camp there back in 795 AD, and the remains of their original defences can be found at Dublin Castle nearby.
The name of the area comes from British diplomat Sir William Temple who built a grand residence and gardens there in the early 1600s. After that the name stuck and so Temple Bar was born.
Officially the Temple Bar area is the square on the south bank of the River Liffey with streets shooting off in all directions and some narrow laneways taking you back out onto the river. By day it is less rowdy as Mary mentioned and there are boutiques and cafes which are busy as well as the pubs.
But in truth it is in the nighttime the area comes to life, especially at the weekends. Temple Bar has the highest density of pubs of any area in Dublin, so there will be a buzz that many tourists will like and be happy to pay a premium for.
Live music and singalongs will be the norm and It will be lively, my message would be to also go further afield, it will be more authentic, better beer and also a lot cheaper.
For more information on visiting Dublin you can go to ireland.com
The charming village is a haven for peace and tranquillity, with its idyllic surroundings and rich history, but what makes it so distinctive is its unique building designs
The village is steeped in character with scenic views (Image: Getty Images)
Nestled peacefully at the mouth of the River Dun, this delightful village brims with charm and tales aplenty, encircled by stunning natural beauty.
Cushendun boasts both a scenic harbour and a serene shoreline, courtesy of its prime position along the Northern Irish coast whilst being embraced by undulating agricultural hills. It creates the perfect retreat from life’s chaos, allowing visitors to lose themselves in nature’s splendour.
Indeed, one of its natural caverns proved so captivating it served as a filming venue for the HBO hit series, Game of Thrones. These crimson caves took shape over 400 million years ago but gained fame during series two of the show when they provided the setting for the notorious shadow assassin’s emergence.
After exploring the cave, one visitor noted in their review: “The area around the caves is absolutely beautiful. I found the caves to be fascinating. The walls were made up of giant round rocks and solid dirt. Make sure you wear shoes to walk to the caves.”
Throughout the village, guests will notice the idyllic cottages that lend it such serenity. Ronald John McNeill crafted the surrounding area in 1912, commissioned by Ronald John McNeill, Baron Cushendun, aiming to replicate a Cornish settlement.
Constructed in 18th century fashion, a neo-Georgian dwelling joined the collection and Cushendun evolved to appear as though it had been transplanted directly from Cornwall’s coastline.
Combined with its tranquil coastal setting, this enabled the town to achieve Conservation Area status in 1980. Today, the area remains largely under the stewardship of the National Trust, which has protected it since 1954.
The village’s distinctive Cornish character was crafted as a tribute to the Baron’s wife, who hailed from Penzance, Cornwall.
This devotion persisted beyond her death, when Ellis commissioned a terrace of whitewashed cottages specifically in her honour – now known as Maud’s Cottages.
One recent visitor declared it their new “favourite spot”. They posted on TripAdvisor: “I would live there in a heartbeat. It’s a special place in every way. The beach is beautiful and safe. The little houses are cute, and the village is filled with flowers and hanging baskets. We’ll be back.”
Another added: “Cushendun is probably the nicest small town/village on the coastal drive. It is set in a conservation area managed by the National Trust at the mouth of the Glendun river and attracts many visitors annually. Anyone travelling the Antrim Coast road northwards should make a point of reaching here for a break to enjoy the tranquillity.”
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Martin McDonagh’s 2023 film The Banshees of Inisherin secured eight Academy Award nominations – including Best Picture – while collecting numerous other accolades, inspiring many to explore its stunning landscapes.
For those eager to experience the spectacular scenery firsthand, there’s welcome news: the majority was shot on a single island.
Achill Island, situated off the County Mayo coast, is accessible by car, linked to the mainland via the Michael Davitt Bridge and readily reached using the N59 from Westport to Mulranny, followed by the R319, according to Achill Tourism.
On the island’s south-eastern side, Cloughmore served as the backdrop for JJ Devine’s pub Jonjo’s. Regrettably, the structure was purpose-built for production and subsequently dismantled, meaning it’s no longer visible today.
Nevertheless, it remains a beloved birdwatching location and merits a visit for its sweeping coastal panoramas, reports the Irish Mirror.
Heading westward from Cloughmore along the shoreline, you’ll discover the spot used for the fork in the road, distinguished by a statue of the Virgin Mary in the film.
In reality, no fork exists at this location, and the production team positioned the Mary statue there specifically for filming. This site was also used for the sequence in which Colm (Brendan Gleeson) escorts Pádraic (Colin Farrell) home following a beating in the village.
The notorious opening sequence of a cheerful, contented Pádraic wandering into frame against a vividly coloured, rainbow-tinged landscape was filmed at Purteen harbour, situated between Keel and Pollagh.
The production team transformed the site into a harbourside street scene featuring the island’s post office. The shop – O’Riordan’s – was built specifically for the film, whilst the row of fishermen’s cottages was merely a front.
Keem Bay is a breathtaking beach, boasting white sands and gorgeous turquoise waters – establishing it as one of Ireland’s most beloved coastal destinations. It also serves as the location for Colm and Pádraic’s closing scene – the structure, which is privately owned, wasn’t purpose-built and remains standing, though the actual scene was filmed on a studio set.
Corrymore Lake provides the backdrop for Dominic’s (Barry Keoghan) and Siobhán’s (Kerry Condon) heartbreaking exchange and his demise.
St Thomas’s Church, located in Dugort, is a 19th-century Church of Ireland structure that functioned as the setting for the Catholic Mass sequences in the film. It remains an active church and isn’t accessible to visitors outside of service times.
Commentary: Boston Irish punk band the Dropkick Murphys could pass for Proud Boys. But look again.
The Dropkick Murphys’ have been “Fighting Nazis Since 1996.” Ken Casey, singer of the Boston Irish punk band, says don’t believe it when Republican politicians “cosplay” as working-class white males.
For three decades, the Dropkick Murphys have played their riotous brand of Boston Irish Celtic punk for legions of tattooed, mosh-pitting fans, but it wasn’t until last month that they found a new following among an unlikely demographic: C-SPAN viewers.
Washington policy wonks and political junkies who tuned in to watch former Justice Department special counsel Jack Smith testify before the House last month were treated to lurid details about President Trump’s alleged involvement in 2020 election meddling and the Jan. 6 insurrection. What they didn’t bargain for were the animated actions of former D.C. cop Michael Fanone, who was in the chamber wearing a Dropkick Murphys T-shirt that read “Fighting Nazis Since 1996.”
Fanone, who was brutally attacked by a pro-Trump mob while defending the Capitol in 2021, was impossible to miss. He was seated directly behind Smith and the only guy visible in a band T-shirt. Also notable were his reactions to GOP suggestions that the attack on the Capitol never happened, or was everyone’s fault but Trump’s: He coughed out expletives and flashed colorful hand gestures. Dropkick Murphys T-shirt sales spiked.
“It was this crazy, organic thing,” says Ken Casey, lead singer of the band. “We never put up a poster saying, ‘Hey, wear our shirt!’ But over the course of the next week, we sold like 6,000 of those shirts.” And for those who want one now? The shirt is on back order.
Casey, who speaks in a thick, working-class Boston accent (think “The Departed” meets a Ben Affleck Dunkin’ Donuts commercial), isn’t a stranger to mixing music and politics. He has been outspoken onstage and in the recording studio about his opposition to MAGA’s immigration policy, racist rhetoric and war on the working class. And the band announced Tuesday they’re parting ways with the Wasserman Music agency because the namesake of the agency turned up in the Epstein files.
Casey spoke with The Times about challenging MAGA through the rebellion of punk rock.
The Dropkick Murphys’ “Fighting Nazis Since 1996” T-shirt is a hot item now thanks to its appearance on Capitol Hill, via Fanone. He’s been very active and adamant about countering MAGA’s Jan. 6 narratives, including testifying with his colleagues in front of the House select committee investigating the insurrection.
Ken Casey: “Michael is an old friend. He was at our very first Dropkick show in D.C. in 1996, so it’s not like he’s some kind of jump-on-the-bandwagon guy. I appreciate just how vocal he is. It’s one thing to talk the talk, but it’s another to walk the walk and be showing up at all those events, and really putting himself out there.
But why is it important for the Dropkick Murphys to speak out? You’ve no doubt lost fans.
I hate to say it, but in some ways, MAGA needs to be countered with a mirror of them, like in physical appearance. They love painting themselves as righteous warriors and the rest of the country as immigrants, or whatever other stupid s— they come up with. But it seems to trigger them more when someone like Michael Fanone and the Dropkick Murphys speak up to them because it just like explodes their mind. It’s like, “You’re supposed to be on my side!” It’s like no, remember when you were on our side? Before you got twisted up by this lying con man?
In some ways, no band has more to lose because our fan base is the population that might jump into MAGA. But there is that middle ground — the people who don’t have time for politics. Who don’t follow it as closely as you or I do. They hear things about Biden, hear things about Trump, and it’s like “I don’t know what to believe.” That’s where voices like [mine] are important. You’re hearing it from someone who really doesn’t have skin in the game. I’m an American citizen, not a politician. I don’t have corporate interest involved in this.
And then there’s the new interest in your band, from folks who are just discovering you, or maybe just know your material from film soundtracks like “The Departed” (“I’m Shipping Up to Boston”).
It’s also brought back fans and there’s this [renewed] punk rock urgency and importance to our shows. It’s gained us a lot of new fans, in theory, like people who don’t necessarily listen to punk rock, or who wouldn’t listen to our music or come to our shows, they now speak out and say, “I support Dropkick Murphys for what they’re doing.” It’s support in solidarity. For the [longtime] fans, it’s rekindled this new dedication. It’s reconnected us with some old fans who had drifted away.
What do you say to other music artists who are afraid to speak out against what they see as an injustice or wrongdoing?
We’ve already had every death threat, every friggin’ cancellation threat. So what would we say to other bands and other people who are keeping their head down because they don’t want to deal with all the drama that comes along with speaking up? Come on in. The water is great. There’s nothing to worry about. The [trolls] are a vocal minority — online is bots and paid influencer types. Don’t let anybody silence you.
At this year’s Grammy Awards ceremony, every other acceptance speech contained anti-ICE sentiment, so it does appear that more musicians are speaking out against Trump’s policies.
Listen, if executions in the streets of your citizens [by ICE agents] doesn’t get people to speak out, then nothing will. But it’s nice to finally see there’s a wave starting to peak, out of frustration and realization. I can also tell from the amount of attacks we get that there’s some backpedaling. Obviously, there’ll always be the die-hards — Trump could be molesting someone in front of their eyes, and they’d still stick with him. But there’s a lot of people trying to quietly distance themselves.
Ken Casey of Dropkick Murphys
(Riley Vecchione)
If we’re being historically accurate, the Dropkicks have always had something to say about what’s going on in this country.
The very first line sung on our very first album was in regards to how Reagan started the dismantling of unions and [created a] wealth gap, so we’ve been about it the whole time. We’ve been showing up on picket lines the whole time. Social justice, we’ve always been about it. But before Trump, we weren’t necessarily having to make it a social media presence type of thing. But we’re in a different time now.
The Republicans started to cosplay as working-class white males, and people bought right into it. There’s a portion of this country that is sick and twisted and MAGA has been a great vehicle for them, but then there’s also a big portion of the country that just got caught up in the lies and the bull— and the rhetoric.
Your band is part of a new initiative aimed at getting more punk bands to speak truth to power.
The Dropkick Murphys and Michael Fanone, along with the guys in Rise Against, have started a collaborative called Down for the Cause. It’s basically going to be kind of a punk rock collaborative because years from now, we don’t want punk rock to be disgraced by the silence. Just kind of get involved, not necessarily supporting candidates but more like taking back the air waves let people know that we don’t have to accept this unacceptable behavior. Also reminding people to vote, because if all those people didn’t stay on the sidelines in the last election, we probably wouldn’t be in the mess we’re in now.
Your band just released a new song, “Citizen I.C.E.” But is it new?
The song is actually 20 years old. It was called “Citizen CIA.” It was basically a mock recruitment song for the CIA, poking fun at the damage the CIA has done around the world. Now we flipped it to a mock ICE recruitment song, with lines like “Too scared to join the military, too dumb to be a cop.” It’ll be out on a split album, “New England Forever,” that we did with a younger Boston band called Haywire. We’re touring with them now [ on the “For The People…In the Pit St. Patrick’s Day Tour”].
What do you say to people who say shut up and sing.
I get that even people who aren’t necessarily MAGA don’t want to listen to someone [on a] soapbox. But I view where we are as five-alarm fire, and if you got a microphone in front of your mouth, you better damn well be talking into it.
Source link
I visited iconic Irish bar to see if it’s worth the hype or just a tourist trap
The popular bar divides people on whether it is a good place to drink or not, so we’ve put it to the test – and found there was more to the area than just pubs
Temple Bar gets louder and livelier after dark(Image: Getty Images)
It seems to divide opinion like Marmite – to go or no go drinking in Temple Bar when in Dublin. The area is full of pubs keen to sell you drinks, especially Guinness, but at the highest prices in the city edging towards ten Euros for a pint.
On arriving in Dublin I was lucky enough to attend a connoisseurs session at the Guinness Storehouse and Morgan, our man serving us up a variety of VIP pints was clear to avoid Temple Bar.
“You don’t need to be going there,” he said, clear that it was a bit of a tourist trap. Most importantly, for him, that also meant it was not serving the best Guinness in the city. Morgan favoured pubs like The Lord Edward in the Liberties area and The Long Hall in the heart of the city centre. Over the river from Temple Bar, The Cobblestone is a great pub renowned for its traditional music too.
However Dublin tour guide Mary Phelan says whilst it should not be the only place you see in the city, there is no harm in going to Temple Bar for some drinks or at the very least a stroll. “Why not go and see it even if its just strolling the main street which brings you up towards Christ church,” she said.
Highlighting one pub on the edges if the area which is excellent and unusually named, she added: “Darkey Kelly’s is there too on Fishamble Street and bit less crowded than the rest. They do food and have some music. The Palace Bar is an original pub on Fleet St associated with writers and journalists as The Independent and The Irish Times newspapers used to be nearby.”
“There’s also the IFI (film institute)and you might like to see the area during the day. Merchants Arch brings you over Halfpenny Bridge and they also have an Icon Walk which is a wall giving you some info on writers and public figures.”
Temple Bar has been popular long before the pubs arrived. The Vikings set up camp there back in 795 AD, and the remains of their original defences can be found at Dublin Castle nearby.
The name of the area comes from British diplomat Sir William Temple who built a grand residence and gardens there in the early 1600s. After that the name stuck and so Temple Bar was born.
Officially the Temple Bar area is the square on the south bank of the River Liffey with streets shooting off in all directions and some narrow laneways taking you back out onto the river. By day it is less rowdy as Mary mentioned and there are boutiques and cafes which are busy as well as the pubs.
You also have Meeting House Square which has a stage for occasional screenings, and a weekly food market on Saturdays. It is surrounded by The National Photographic Archive and The Gallery of Photography (both free entry), and the Irish Film Institute.
But in truth it is in the nighttime the area comes to life, especially at the weekends. Temple Bar has the highest density of pubs of any area in Dublin, so there will be a buzz that many tourists will like and be happy to pay a premium for.
Live music and singalongs will be the norm and It will be lively, my message would be to also go further afield, it will be more authentic, better beer and also a lot cheaper.
For more information on visiting Dublin you can go to ireland.com
Source link
Beautiful Irish village that looks like it has been transported from Cornwall
The charming village is a haven for peace and tranquillity, with its idyllic surroundings and rich history, but what makes it so distinctive is its unique building designs
The village is steeped in character with scenic views (Image: Getty Images)
Nestled peacefully at the mouth of the River Dun, this delightful village brims with charm and tales aplenty, encircled by stunning natural beauty.
Cushendun boasts both a scenic harbour and a serene shoreline, courtesy of its prime position along the Northern Irish coast whilst being embraced by undulating agricultural hills. It creates the perfect retreat from life’s chaos, allowing visitors to lose themselves in nature’s splendour.
Indeed, one of its natural caverns proved so captivating it served as a filming venue for the HBO hit series, Game of Thrones. These crimson caves took shape over 400 million years ago but gained fame during series two of the show when they provided the setting for the notorious shadow assassin’s emergence.
After exploring the cave, one visitor noted in their review: “The area around the caves is absolutely beautiful. I found the caves to be fascinating. The walls were made up of giant round rocks and solid dirt. Make sure you wear shoes to walk to the caves.”
Throughout the village, guests will notice the idyllic cottages that lend it such serenity. Ronald John McNeill crafted the surrounding area in 1912, commissioned by Ronald John McNeill, Baron Cushendun, aiming to replicate a Cornish settlement.
Constructed in 18th century fashion, a neo-Georgian dwelling joined the collection and Cushendun evolved to appear as though it had been transplanted directly from Cornwall’s coastline.
Combined with its tranquil coastal setting, this enabled the town to achieve Conservation Area status in 1980. Today, the area remains largely under the stewardship of the National Trust, which has protected it since 1954.
The village’s distinctive Cornish character was crafted as a tribute to the Baron’s wife, who hailed from Penzance, Cornwall.
This devotion persisted beyond her death, when Ellis commissioned a terrace of whitewashed cottages specifically in her honour – now known as Maud’s Cottages.
One recent visitor declared it their new “favourite spot”. They posted on TripAdvisor: “I would live there in a heartbeat. It’s a special place in every way. The beach is beautiful and safe. The little houses are cute, and the village is filled with flowers and hanging baskets. We’ll be back.”
Another added: “Cushendun is probably the nicest small town/village on the coastal drive. It is set in a conservation area managed by the National Trust at the mouth of the Glendun river and attracts many visitors annually. Anyone travelling the Antrim Coast road northwards should make a point of reaching here for a break to enjoy the tranquillity.”
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Sykes Cottages offers a wide range of handpicked holiday homes across the UK and Ireland, from cosy countryside retreats to stunning coastal escapes. Prices start from £27 per night
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Walk ‘magical’ Irish island home to stunning beach where famous film was shot
The Banshees of Inisherin was nominated for eight Academy Awards – and much of it was filmed on one island
08:00, 02 Feb 2026Updated 08:24, 02 Feb 2026
The popular Keem beach on Achill island(Image: Alamy/PA)
On one enchanting Irish island, visitors can discover dramatic coastlines featuring white sand and expansive lakes, whilst treading the same paths as the characters from an Oscar-nominated film.
Martin McDonagh’s 2023 film The Banshees of Inisherin secured eight Academy Award nominations – including Best Picture – while collecting numerous other accolades, inspiring many to explore its stunning landscapes.
For those eager to experience the spectacular scenery firsthand, there’s welcome news: the majority was shot on a single island.
Achill Island, situated off the County Mayo coast, is accessible by car, linked to the mainland via the Michael Davitt Bridge and readily reached using the N59 from Westport to Mulranny, followed by the R319, according to Achill Tourism.
On the island’s south-eastern side, Cloughmore served as the backdrop for JJ Devine’s pub Jonjo’s. Regrettably, the structure was purpose-built for production and subsequently dismantled, meaning it’s no longer visible today.
Nevertheless, it remains a beloved birdwatching location and merits a visit for its sweeping coastal panoramas, reports the Irish Mirror.
Heading westward from Cloughmore along the shoreline, you’ll discover the spot used for the fork in the road, distinguished by a statue of the Virgin Mary in the film.
In reality, no fork exists at this location, and the production team positioned the Mary statue there specifically for filming. This site was also used for the sequence in which Colm (Brendan Gleeson) escorts Pádraic (Colin Farrell) home following a beating in the village.
The notorious opening sequence of a cheerful, contented Pádraic wandering into frame against a vividly coloured, rainbow-tinged landscape was filmed at Purteen harbour, situated between Keel and Pollagh.
The production team transformed the site into a harbourside street scene featuring the island’s post office. The shop – O’Riordan’s – was built specifically for the film, whilst the row of fishermen’s cottages was merely a front.
Keem Bay is a breathtaking beach, boasting white sands and gorgeous turquoise waters – establishing it as one of Ireland’s most beloved coastal destinations. It also serves as the location for Colm and Pádraic’s closing scene – the structure, which is privately owned, wasn’t purpose-built and remains standing, though the actual scene was filmed on a studio set.
Corrymore Lake provides the backdrop for Dominic’s (Barry Keoghan) and Siobhán’s (Kerry Condon) heartbreaking exchange and his demise.
St Thomas’s Church, located in Dugort, is a 19th-century Church of Ireland structure that functioned as the setting for the Catholic Mass sequences in the film. It remains an active church and isn’t accessible to visitors outside of service times.
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