hollywood reporter

The film tells the story of a woman who is grieving the death of her father and becoming obsessed with training a goshawk

An upcoming film hailed as an “unconventional yet moving grief drama” by Variety is set to hit the big screen soon.

Based on Helen Macdonald’s bestselling memoir, the film follows Helen, a woman grappling with the loss of her father, Alisdair Macdonald, portrayed by Brendan Gleeson.

Other stars such as Sam Spruell, Josh Dylan, Denise Gough, Lindsay Duncan, Emma Cunniffe and Arty Froushan also feature in the film.

The much-anticipated movie, H is for Hawk, will be released in cinemas across the UK and Ireland on 23 January 2026, with a new trailer now available for viewing.

Overwhelmed by grief, Helen finds solace in memories of exploring the natural world with her father, reports the Express.

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She becomes fixated on the idea of training her own goshawk, introducing us to Mabel.

The synopsis further reveals: “As she labours to tame Mabel, a grieving Helen undergoes an untaming of her own.”

H is for Hawk is a record of a spiritual journey, a story about memory and nature and how it might be possible to reconcile death with life and love.

The drama has already received positive feedback following its premiere at the 52nd Telluride Film Festival in August, boasting a Rotten Tomatoes score of 82%.

Geek Vibes Nation commended the lead cast, stating: “Foy’s emotionally resonant performance is a genuine depiction of grief, while Gleeson anchors the movie with his tender and engaging acting.”

Next Best Picture also chimed in, adding: “Whatever one makes of the title, Claire Foy’s performance alone is reason enough to see it.

“She soars in a role that proves once again why she is among the finest actors working today.”

The Hollywood Reporter concluded: “As an appreciation of birds and our connection to them, it’s engrossing and endearing — a fresher take, certainly, than yet another weepie about dog or cat owners.

“But as an exploration of grief, it’s hindered by a 128-minute run time.”

H is for Hawk will be hitting UK and Ireland cinemas on January 23.

Floating in the vastness of unknowable space, our miniscule planet contains all of our stories — victories and tragedies orbiting around a dying star. But what if we could leave it all behind and start anew elsewhere? To migrate if you will.

Elio Solís (voiced by Yonas Kibreab) dreams of leaving Earth — he feels he doesn’t belong. As day turns to night, the eponymous orphaned boy in Pixar’s new intergalactic adventure looks up at the sky and wonders if perhaps somewhere out there, on another levitating rock or among a still undiscovered alien race, he might feel more at home.

The animated voyage, with its themes of alienation and aliens, arrives at a time when immigrants in this country, and Latinos at large, have become the target of brutal ICE raids that ignore due process and racially profile citizens and undocumented people alike.

In turn, the production of “Elio” also illuminates the regressive political climate in this country. Last week, a piece published by The Hollywood Reporter claimed that leadership at Pixar erased the protagonist’s queer identity, prompting the original writer-director Adrian Molina to exit the project, with Domee Shi and Madeline Sharafian stepping in to co-direct “Elio.” Had his take come to fruition, Molina, who is Mexican American, would have become the first Latino and the first openly LGBTQ+ person to solo direct a movie for Pixar.

Still, the version that did make it to the screen, where Elio feels ostracized because of his obsession with extraterrestrial life and all its possibilities, remains relevant. Though not overt about his ethnicity, the movie features visual nods to Elio’s Latino upbringing: a Day of the Death altar (pertinent since Molina co-directed “Coco”), a Spanish language song on the radio and colorful conchas as part of a feast.

It’s not a stretch to think that the premise of a Latino kid alienated for who he is and who believes that he won’t ever feel fully accepted in the place he calls home could speak to millions of Latino children across this country; especially here in California, witnessing the disturbing, life-threatening consequences of the administration’s policies.

Elio (voice of Yonas Kibreab), left, and Glordon (voice of Remy Edgerly) in Disney and Pixar’s “Elio.”

(Disney/Pixar)

Kids who must be wondering why there are masked men violently abducting people that look like their family members solely based on their appearance, or why their parents don’t want to leave the house, or why the vendor near their school hasn’t shown up in weeks.

They might be devastated to learn via online chatter that the people in charge of this country don’t want them to feel like they belong, even if they were born here. Now think about the children whose parents were among those taken. Words fail to estimate the trauma they must be experiencing without any certainty of when or if they’ll be reunited.

How do you explain to a child that the president of the United States is gleefully targeting anyone he deems looks “illegal,” regardless of their immigration status? That millions of people in this country harbor such hatred against immigrants that they cheer on an ill child being deported, children crying for their mothers and people dying in detention centers?

“I voted for this,” they write on social media endorsing the inhumane atrocities their government is committing against people they consider “criminals.” But their rigid version of legality only applies to immigrants from underprivileged backgrounds, those who have no choice but to cross borders without documents in order to survive, to aspire to a dignified life. The “right way” is not available to the poor, and those in power know it.

Down here in our chaotic reality, the villains currently have the upper hand. But up in space, nobody asked Elio for a passport or questioned the validity of his existence. On the contrary, the leaders of other planets, who gathered in a striking locale known as “Communiverse,” take his claim that he is the leader of Earth at face value and the singular boy rises to the occasion. Elio helps deescalate a conflict with a space warlord and reconnects with his aunt Olga (Zoe Saldaña) by befriending and then saving the life of the warlord’s young son.

Unfortunately, “Elio” has become Pixar’s biggest box office failure, despite being one of the studio’s best reviewed releases in recent years. Grosses were low globally, perhaps as a result of poor marketing or because audiences have been conditioned to wait for Disney’s animated films to hit streaming rather than seeing them in theaters.

But while that outcome can’t entirely be attributed to Latinos not going to the movies, when millions who are part of the audience that most devoutly purchase tickets in this country — we see movies even though the movies don’t often show us — are frightened to step outside their door, one can’t help but wonder if the numbers for “Elio” would be at least slightly different if the ICE raids were not terrorizing the community. If people are afraid to even go to the grocery store, movie theaters are certainly not a priority.

This country takes Latinos for granted, including how our money impacts Hollywood.

I hope that “Elio” lands in front of Latino children soon, and that they see that the hero who saves not only himself but the entire planet is a Latino boy who ultimately redefines the meaning of home on his own terms. Amid the horrors, I also wish for them to not feel alone, and that they know thousands of people have taken to the streets to speak up for them.

People who believe they do belong here, that they are not “aliens” or “invaders,” but integral part of this country. And that their parents and others in their lives, documented or not, deserve dignity and compassion, no matter what the overlords do to deny them.

Critic Bethanne Patrick recommends 10 promising titles, fiction and nonfiction, to consider for your July reading list.

It’s officially beach-reads season: Whether you do your reading outdoors or inside in air-conditioned comfort, July’s hot new releases will help you stay cool. Topics range from analog memories of Golden Age Hollywood to a maverick female athlete. Happy reading!

FICTION

In Pursuit of Beauty: A Novel
By Gary Baum
Blackstone: 256 pages, $29
(July 1)

Baum, a journalist for the Hollywood Reporter, draws on knowledge he has gleaned about cosmetic surgery, the profession of his protagonist, Dr. Roya Delshad. Dr. Delshad, who is multiracial and once supposedly plain, remakes herself into a glorious bombshell — but then lands in prison. She’s agreed to consider interviews with a ghostwriter named Wes Easton, who will soon discover why she’s called “the Robin Hood of Roxbury Drive.”

Typewriter Beach: A Novel
By Meg Waite Clayton
Harper: 320 pages, $30
(July 1)

Like the carriage of a well-oiled Olivetti, this novel moves between Carmel and Hollywood, in two different centuries, with ease. In 1957, actress Isabella Giori hopes to land a career-making role in a Hitchcock film; when her circumstances change and she winds up secluded in a tiny cottage in Carmel-on-the-Sea, a blacklisted emigre screenwriter named Léon Chazan saves her. In 2018, his screenwriter granddaughter finally learns how and why.

Vera, or Faith: A Novel
By Gary Shteyngart
Random House: 256 pages, $28
(July 8)

Vera, the child narrator of this wry and relevant new novel from Shteyngart (“Our Country Friends”), brings a half-Korean heritage to the Russian-Jewish-WASP Bradford-Shmulkin family. Between Daddy, Anne Mom, and her longing for her unknown bio Mom Mom, Vera has a lot to handle, while all she really wants is to help her dad and stepmom stay married — and to make a friend at school. It’s a must-read.

Mendell Station: A Novel
By J. B. Hwang
Bloomsbury: 208 pages, $27
(July 22)

In the wake of her best friend Esther’s 2020 death, Miriam loses faith in almost everything, including the God that made her job teaching Christian scripture at a San Francisco private school bearable. She quits and takes a job as a mail carrier (as the author also did), not only finding moments of grace from neighborhood to neighborhood but also writing letters to Esther in an effort to understand the childhood difficulties that bonded them.

Necessary Fiction: A Novel
By Eloghosa Osunde
Riverhead: 320 pages, $28
(July 22)

The title tells so much about how queer people must live in Nigeria, and so does the structure: Osunde (“Vagabonds!”) calls it a novel, although its chapters read more like short stories. If it doesn’t hang together like a traditional novel, that may be part of the point. Characters like May, struggling with gender identity, or Ziz, a gay man in Lagos, know that their identities don’t always hang together in traditional ways — and that’s definitely the point.

NONFICTION

The CIA Book Club: The Secret Mission to Win the Cold War With Forbidden Literature
By Charlie English
Random House: 384 pages, $35
(July 1)

Decades of Cold War espionage between the United States and the Soviet Union included programs that leveraged cultural media. The Central Intelligence Agency’s Manhattan-based “book club” office was run by an emigre from Romania named George Midden, who managed to send 10 million books behind the Iron Curtain. Some of them were serious tomes, yes, but there were Agatha Christie novels, Orwell’s “1984” and art books too.

The Hiroshima Men: The Quest to Build the Atomic Bomb, and the Fateful Decision to Use It
By Iain MacGregor
Scribner: 384 pages, $32
(July 8)

Crucially, MacGregor’s painstakingly researched history of the atomic bombs dropped on Japan at the end of World War II includes Japanese perspectives. The historian (“Checkpoint Charlie”) treats the atomic bomb more as a weapon of mass murder and less as a scientific breakthrough, while managing to convey the urgency behind its development for the Allied forces.

On Her Game: Caitlin Clark and the Revolution in Women’s Sports
By Christine Brennan
Scribner: 272 pages, $30
(July 8)

Let this sink in (basketball pun very much intended): Caitlin Clark has scored more points than any player in major college basketball history. Not just the female players — the male players too. Now that she’s in the WNBA as a rookie for the Indiana Fever, Clark is attracting the kind of fan base once reserved for male basketball stars like Michael Jordan and LeBron James. Brennan’s longtime coverage of Clark’s career makes this book a slam dunk.

Strata: Stories From Deep Time
By Laura Poppick
W. W. Norton & Co.: 288 pages, $30
(July 15)

Each stratum, or layer, of our planet tells a story. Science writer Poppick explains what those millions of strata can tell us about four instances that changed life dramatically, from oxygen entering the atmosphere all the way to the dinosaur era. Ultimately, she argues that these strata show us that when stressed, the earth reacts by changing and moving toward stability. It’s a fascinating peek into the globe’s core that might offer clues about sustainability.

The Feather Detective: Mystery, Mayhem, and the Magnificent Life of Roxie Laybourne
By Chris Sweeney
Avid Reader Press: 320 pages, $30
(July 22)

The once-unassuming Roxie Laybourne became the world’s first forensic ornithologist in 1960, when the FAA asked the Smithsonian — where Laybourne was an avian taxidermist — to help them identify shredded feathers from a fatal airplane crash in Boston. She analyzed specimens that contributed to arrests in racial attacks, as well as in catching game poachers and preventing deaths of fighter pilots. In her way, Laybourne was a badass.

Actor George Wendt, who starred in the beloved Cheers TV series, has passed away at the age of 76, and he has a famous Ted Lasso nephew he’s sadly leaving behind

George Wendt, the legendary actor who has sadly passed away at the age of 76, is related to a major Ted Lasso star.

The actor, who was best known for his role as Norm Peterson in the iconic sitcom Cheers, died peacefully in his sleep at his home, his family confirmed.

A representative told the Hollywood Reporter: “George was a doting family man, a well-loved friend and confidant to all of those lucky enough to have known him. He will be missed forever. The family has requested privacy during this time.”

During his notable career, the American star delighted viewers on Saturday Night Live, portraying Bob Swerski, one of the fervent superfans often seen crowding around Coach Mike Ditka’s diner, passionately rooting for “Da Bears.”

READ MORE: George Wendt dead: Cheers icon’s family pay tribute to Norm Peterson actor

He also boasted an impressive back catalogue of film appearances, gracing screens in Dreamscape (1984), House (1985), Fletch (1985), Gung Ho (1986), Plain Clothes (1987), Never Say Die (1988), Guilty by Suspicion (1991), Forever Young (1992) and the pop culture hit Spice World (1997).

But away from work, George spent time with his doting family, including his wife Bernadette Birkett and their three children: Hilary, Joe, and Daniel. He also leaves behind his nephew, Jason Sudeikis, who plays the lead role in the hugely popular TV series Ted Lasso.

While appearing on an episode of the Still Here Hollywood podcast, George gushed over his pride for his famous nephew. The Cheers star shared: “Proud especially, you know, not only of the success, but he’s solid. Have you read profiles and stuff? I mean he is such a mesh, so smart, so thoughtful. I mean, it all comes out in the show. Right?”

There has even been a touching link between the finale of Ted Lasso and the final episode of Cheers – a homage to the uncle and nephew duo.

During the season three finale of Ted Lasso, bartender Mae straightens a framed photo of Apache leader Geronimo at the Crown & Anchor. The subtle but touching scene was inspired by the ending of Cheers, which saw a similar picture and a small gesture from Sam.

Marked by heartbreaking coincidence, the news of George’s death comes precisely 32 years after the last episode of Cheers graced our television screens. With a run of 275 episodes under his belt, the actor garnered six Primetime Emmy Award nods for his beloved role as the beer-chugging regular, Norm.

On X, formerly Twitter, tributes poured in from fans mourning their favourite TV bar patron, with one writing: “George Wendt, beloved for his role as Norm on Cheers, has died at 77. With a beer in hand and a heart of gold, he made millions feel like regulars. A true legend of TV comfort and comedy.”

Another wrote: “Rest in peace to George Wendt, responsible for Norm Peterson, one of the most iconic sitcom characters of my lifetime. Cheers big guy. Rest easy.”

A third also shared a touching tribute: “RIP George Wendt. You were a big part of my childhood and the impact you had on society was positive and substantial. We are sad to see you go, but know you will be in a better place. Thanks for the laughs.”