Hodge

Landon Hodge, the Mission League player of the year from Crespi, was selected with the first pick of the fourth round by the Chicago White Sox in Monday’s MLB amateur draft. The catcher is an LSU commit.

Day 2 involved rounds four through 20. Pitcher Riley Kelly from Tustin High and UC Irvine went to the Rockies with the 107th pick. Shortstop Colin Yeaman from Saugus and UC Irvine was a fourth-round pick (No. 124) of the Orioles. Pitcher Sean Youngerman, who attended Chaminade, Westmont College and Oklahoma State, went to the Phillies at No. 131.

Outfielder Josiah Hartshorn from Orange Lutheran went to the Cubs in the sixth round (No. 181). USC pitcher Caden Hunter was a sixth-round pick (No. 184) by the Orioles.

In the eighth round (No. 237), Tampa Bay took former Burroughs and Fresno State pitcher Aidan Cremarosa. Outfielder Nick Dumesnil from Huntington Beach and Cal Baptist went to the Tigers are No. 249.

In the ninth round (No. 279), the Tigers selected pitcher Trevor Heishman, who helped St. John Bosco win the Southern Section Division 1 title.

For Chinaka Hodge, it’s important that Riri Williams is unapologetic.

Comparing the young engineering prodigy to the billionaire tech CEO and Avengers founding member Tony Stark, the head writer and executive producer of Marvel’s “Ironheart” says she wanted her show’s lead character to share some of that brash confidence to speak her mind yet still feel grounded.

“I wanted her to be unapologetic about her intellect,” says Hodge during a recent Zoom call. “I wanted her to be unapologetic about the people she hung out with — that they would look and feel like the America we inhabit.

“It was really important to me to make a character that didn’t just feel like a superhero in a skirt [but someone with] real dimension, real depth and real challenges and concerns,” she added.

Out now on Disney+, “Ironheart” follows Riri (portrayed by Dominique Thorne), a 19-year old MIT student introduced in the 2022 film “Black Panther: Wakanda Forever,” as she finds herself back in her hometown of Chicago.

After getting whisked away to Wakanda to help save the day, Riri is more driven than ever to complete her own version of a high-tech Iron Man-like suit to cement her legacy. But unlike Tony or the Wakandans, Riri doesn’t have unlimited resources to do so, which leads her to make some questionable decisions.

Riri Williams (Dominique Thorne) in “Ironheart.”

(Jalen Marlowe / Marvel)

“She’s incredibly reverent of Tony Stark [being] ahead of her, but her path is not the same as his,” says Hodge, who can relate to Riri having “no blueprint” for her journey. “How to empower your idea without resource, without changing your morals, is a really difficult road, and that’s basically where we put Riri for the life of the series.”

Compared to most of her Marvel Cinematic Universe counterparts, Riri is a fairly new character. Created by Brian Michael Bendis and Mike Deodato, the 15-year-old tech whiz made her comic book debut in a 2016 issue of “Invincible Iron Man.” Besides Tony Stark, Riri has crossed paths with characters such as Pepper Potts (Rescue), Kamala Khan (Ms. Marvel) and Miles Morales (Spider-Man).

A self-described “Marvel head,” Hodge explains that Riri initially hit her radar because of her friendship with fellow poet and scholar Eve Ewing, who was the writer on the first “Ironheart” comic book series.

“My first encounter with Riri was watching Eve literally leave a poetry [event] and say, ‘I have to go to my house … I’m working on some cool things,’” Hodge says. “In a true fan kind of way, I’m interested in characters that look like me, and low-key, Riri really looks like me, [so] I very much leaned in.”

“Ironheart” head writer Chinaka Hodge says Riri Williams is in for a difficult road.

(Jason Armond / Los Angeles Times)

As she became more familiar with the character, what also struck Hodge, as someone on the autism spectrum, is how Riri can be read as neurodiverse. “One of the most important things about Riri [is] how she feels like me and my mom and other women who lean into their brains,” she says.

Fans of Ironheart from the comics will recognize that elements of Riri’s characterization and backstory draw upon what has been established in the books, but Hodge notes that they were not beholden to those storylines in terms of whom the teen could encounter on the show, regardless of the timeline or dimension. Hodge’s learning curve, however, did include discovering the different levels and types of magic that exist in the broader Marvel universe, as well as potential storylines getting derailed because it fell under another character’s purview.

Though she is still a teen genius, the Riri in the series is slightly older than in the comics. Hodge also describes this Riri as more of an antihero because she has the potential to land on either side of the hero/villain line based on the choices she makes.

Hodge, along with “Ironheart” directors Sam Bailey and Angela Barnes, sing Thorne’s praises, for her portrayal of Riri and as a collaborator. Hodge calls the Cornell-educated actor “a genius” and says she strove to pull Riri’s dialogue up to the level of Thorne’s intellect, rather than the other way around. Bailey, who directed the first three episodes of the series, says Thorne “brought such a soulfulness to the character.” And Barnes, who directed Episodes 4 through 6, commends her capacity to be present for her fellow actors.

“It was exciting to just create the environment to let her do her thing and feel safe within doing that,” Bailey says.

“Ironheart” marks the first time the MCU has spotlighted Chicago, and for the show’s creative team, it was important to get the city right. Hodge, who grew up in Oakland, admits that while she may not have direct knowledge as an outsider, she can relate to how Riri regards her home and wanted to treat the city with respect.

“Chicago’s my favorite cast member,” Hodge says. “I think Riri feels about Chicago how I feel about Oakland. It’s a hometown, but it’s [also] a legacy we’re carrying. Us being from there means something if we do something right with our lives.”

That type of hometown pride was shared by many in the “Ironheart” cast and crew. Hodge says the aim was to tap as many Chicago artists and musicians — from local bucket drummers to cast members like Shea Couleé — to capture the true texture of the city. Among those with strong personal ties to the city is Bailey, who is from Chicago, and Hodge credits the director with helping to bring their vision to life.

Zoe Terakes, left, Sonia Denis, Shakira Barrera, Dominique Thorne, Shea Couleé, Anthony Ramos and Manny Montana in “Ironheart.”

(Jalen Marlowe / Marvel)

“I feel like Chicago has this beautiful chip on its shoulder,” Bailey says. “We don’t trust a lot of people. We’re very protective of the city and its inhabitants. … There was a bit of rebelliousness I wanted to capture … and the different types of people that populate that city, which I don’t feel like we get to see a lot onscreen.”

As the director of the first half of the series, Bailey’s goal was to set up the backstory and establish the vibrancy of everyone introduced in the early episodes to prepare for the adventure to come.

“It was really important to really make these characters feel like people and feel like people you wanted to be around and feel like people you want to root for,” says Bailey.

Among these characters in Riri’s orbit are those she shares a history with, like her mother, Ronnie (Anji White), her close friend Xavier (Matthew Elam) and even the neighborhood’s youngest businessman, Landon (Harper Anthony). But Riri soon finds herself in the company of a new crew led by Parker Robbins (Anthony Ramos), who some might compare to Robin Hood or a freedom fighter, at least initially.

Mindful of spoilers, Barnes only teases that the second half of the series involves Riri having to face some of the consequences of choices she made in earlier episodes.

“[Riri] made this decision to maybe hang out with people that aren’t necessarily the most savory of people,” says Barnes. “They also have their own reasons for doing what they’re doing, but … she gets in a little deeper than she imagined.”

A self-proclaimed MCU fan, Barnes emphasizes how the show was intentional in everything from its set pieces to decoration, including how the design for the heads-up display of Riri’s suit was inspired by infographics from the works of W.E.B. Du Bois. But she also recalls the fun they had during production, like flipping a truck and building a White Castle in a parking lot.

Chinaka Hodge wanted to make sure people could see themselves reflected on the show.

(Jason Armond / Los Angeles Times)

For Hodge, “Ironheart” marks one of her highest-profile projects to date. The poet and playwright turned to screenwriting after realizing she wanted to expand beyond working in first person and enrolled in USC’s graduate film school in 2010. There, she’d meet fellow student filmmakers like “Black Panther’s” Ryan Coogler, who is an executive producer on “Ironheart,” and “Creed II’s” Steven Caple Jr. (“I would just follow Ryan around campus [saying], ‘Hire me,’” she says. He eventually did.)

Among the things Hodge was excited about while working on the series was getting to explore larger themes around access, autonomy and safety through specific situations that consider how a young girl from Chicago’s South Side might be perceived differently than Tony Stark for owning a weapons-grade tech suit because of what they look like. She was also eager to populate the show with people who reflect the diversity of the real world.

Broadly speaking, “you’re gonna see yourself if you turn on the screen on this show,” says Hodge, who is glad the MCU has moved to “feel like a universe that’s inhabited by the people who read publishing and go to the movies.”

“I’m excited for the little, quirky Black girl watching the show who sees herself in it [and] for the queer kid who finds it for their Pride Month activities and wants to watch it,” she says. “I’m really excited for that Black boy who wants to play with a Riri Williams action figure and finds it in the store and gets to fly it around his own house. I’m excited and I’m nervous [and] thrilled, and I feel like that’s exactly how Riri feels when she’s flying over the Chicago skyline.”

With a vast and notable lists of credits under her hat from over the years of her career, Dame Patricia Hodge opens up about her newest TV stint starring in BBC1’s newest drama Death Valley

Murder is no laughing matter for Patricia Hodge, who will be playing the role of Helena in the new BBC1 Saturday night drama Death Valley, starring Timothy Spall.

A veteran of long-running shows including Poirot, Miss Marple, Waking the Dead and Inspector Morse, she says of Death Valley: “It is sort of that new genre of humorous murder mysteries, which is quite a difficult thing to get your head around, because I don’t think there is anything funny about murder. But it’s a new popular thing.

“It was lovely working with Tim Spall, who is a darling. Anyway, I am interested to see how it pans out. I am not the new Vera, though!”

READ MORE: BBC TV star opens up on neurodiversity battle as she admits ‘I have ADHD’

Patricia, 78, filmed around Cardiff for the show, which follows eccentric retired actor John Chapel (Spall) and detective sergeant Janie Mallowan (Gwyneth Keyworth) as they form an unlikely, and often comedic, crime-solving partnership working in and around the Welsh valleys.

Specific details of Patricia’s role are being closely guarded, but she is one of a number of guest stars and, with her vast experience of crime drama, she is sure to add to the intrigue.

Despite being close to 80, the star of A Very English Scandal is also busy working on another BBC murder mystery series, The Marble Hall Murders, based on the Anthony Horowitz books.

Patricia, whose movie credits include Four Weddings and a Funeral and The Elephant Man, clearly loves working. “Work is what we are,” she says. “I sort of like being challenged. I don’t want to sit on the back foot. I want to sit on the front foot.

“I am filming this new Anthony Horowitz thing at the moment, The Marble Hall Murders, and I have been filming in Dublin and Greece, and I have never been to Greece, so that has been lovely. I am very lucky to work. Work engages me.”

She is also acclimatising to life without her husband, music publisher Peter Owen, who died aged 85 in 2016, after suffering from dementia. Downton Abbey star Patricia cared for him until his death and has helped raise awareness of dementia.

Speaking movingly in the past about her feelings of guilt over not being able to prevent her husband’s memory loss, which eventually meant he couldn’t recognise her, Patricia is not interested in finding anyone else.

She says of her loss: “It is always a big adjustment, isn’t it? We had over 40 years together, and it is now coming up to nine years (without Peter). I am not looking (for anyone new). It is not on my radar at all. I don’t know what I feel, really. I have wonderful friends. I am very lucky to work.”

Besides acting, Patricia has been committed to supporting Historic Royal Palaces – the charity which oversees the restoration of ageing ancient palaces, held in trust for the nation by King Charles and the Royal Collection. She enjoys seeing new life being breathed into these impressive sites, for the nation to enjoy.

Patricia, who lives in Barnes, south west London, continues: “I was on the development board of the Historic Royal Palaces when it came out of the public purse and was given charity status. It suddenly made all these palaces belong to the nation again. And they gave them public ownership.

“I am no longer working on it, but it was amazing to be involved, and I would like to be involved again. I guess we only have so many hours in a day. During my time, we oversaw the opening of Kew Palace, which was so amazing because nobody had seen it before, and the things they uncovered, they did it so beautifully. I live in Barnes, so I am not far from it.”

Avid history lover Patricia was also keen to mark the 80th anniversary of VE Day. She says: “I stood on Hammersmith Bridge for the VE Day flypast and I watched the bombers come over. I was hit in the gut to think of what our parents went through. What they put up with and how they came through.”

Turning to more fickle matters, Patricia is keen to pay tribute to the man behind her meticulously well-groomed appearance. She says: “I have very enduring relationships. All my friendships go way back, so I have had the same hairdresser for years, since 1981. It is a man called Hugh Green.”

Immensely stylish, Patricia has an enviably ageless image. But she insists: “I have never, never lied about my age. I don’t think there’s any point, because people can find it out very easily.

“I think, better to rejoice in what you are rather than try and stifle it. And if people find out and they know you’ve been lying, then what else are you lying about? You know, far better to live and embrace the truth.”

Made an OBE in 2017 in the Queen’s Birthday Honours list for her services to drama, despite being widely regarded as acting royalty, Patricia likes to be known simply as “Hodge.”She says: ” The diminutives in Patricia are a nightmare. For the first 10 years of my life, I was called Patricia.

“Then I went to a school where, from day one, the teacher introduced me as Pat, without asking or anything. That was an automatic thing, that if you were called Patricia, you were called Pat.

“And then I got a bit tired of it, because actually Pat Hodge is not a great combo. When I went to drama school, I was called Trish or Trisha.

“There are a lot of people who just call me Hodge, and I think there’s only about two, if not three of us (Hodges) in the whole of equity. So now, when I answer the phone, I go, ‘Hodge.’”

Whether Hodge, Pat, Trisha, or Trish, asked if Dame Patricia Hodge has a certain ring to it, it becomes clear that if she gets another call from the Palace, this grande dame of British acting will take it in her stride.

She says: I don’t think about it. We should not get prizes for just doing a job. I am an OBE. Do you know what? If it happens, it happens.”

• The new series of Death Valley begins on BBC1 on Sunday, at 8.15pm.

READ MORE: 72-year-old shares delight at ‘plump and glowy’ skin after using £10 overnight cream for 2 weeks