helped

Washington, DC – More than 40 years ago, United States civil rights leader Jesse Jackson called on the Democratic Party to open its doors and welcome “the desperate, the damned, the disinherited, the disrespected and the despised”.

This included Arab Americans and Palestinian rights supporters, who have suffered from decades of racism, demonisation and marginalisation.

Advocates in those communities say that Jackson, who died on Tuesday at the age of 84, helped elevate their voices over his decades-long career.

“I don’t think there’s a way to tell the Arab Americans’ political empowerment story without understanding the path that Reverend Jackson created for us,” said Maya Berry, executive director of the Arab American Institute (AAI).

In 1984, Jackson appointed Arab American activist James Zogby as one of his deputy campaign managers as he mounted a bid for the presidency. Zogby would later found the AAI.

Jackson’s campaign also actively courted Arab Americans and amplified calls for Palestinian self-determination in an era when unquestioning support for Israel was the default position in US politics.

Berry said Jackson always rejected pressure to disassociate from Arab Americans who view Palestine as a focal issue.

“He understood that the fight for justice was one that had to be done when it was both hard and easy. Our country has lost a giant,” she told Al Jazeera.

The party platform

Jackson launched a second campaign for president in 1988, winning 13 states, including Michigan and much of the South, in the Democratic primary.

He ultimately lost the nomination to then-Massachusetts Governor Michael Dukakis. Still, Jackson’s campaign catapulted Palestinian rights into the national discourse.

Zogby and other Jackson delegates at the Democratic National Convention rallied to include support for Palestinian statehood in the party’s platform that year.

While the push eventually fell short at the national level, 11 state parties adopted platforms expressing support for “the rights of the Palestinian people to safety, self-determination and an independent state”.

Jackson’s relative success in the primary also led to the appointment of an Arab-American activist, Texan Ruth Ann Skaff, to the Democratic National Committee (DNC), the party’s executive board.

At the time, Skaff faced unfounded accusations of anti-Semitism for her pro-Palestinian stance, not to mention calls to be removed from the committee.

But in an interview with Al Jazeera, she said she was just a local organiser from Houston, Texas, not a high-level political operative.

She explained that Jackson’s embrace of the Arab-American community rang “true to his message of wanting to empower those who do not have power or who are excluded”.

She also recalled him being humorous and approachable.

“We were learning how to organise, how to spread the message and then take it to the next step of being active politically at the very local level. And he guided us and inspired us the entire way,” Skaff said.

Born in South Carolina in 1941, under the racial segregation of the Jim Crow laws, Jackson was dedicated to civil rights from a young age.

He was considered a talented public speaker, and as a pre-teen, he became a protege of the civil rights icon Martin Luther King Jr.

A central part of his national platform was to stress the need for a broad coalition of communities to come together and demand equal rights.

Jackson moved to Chicago in 1965, where he founded the civil rights and community empowerment movement that became known as the Rainbow/PUSH Coalition.

Even after his presidential run, Jackson remained close with the Arab community.

Hatem Abudayyeh, the executive director of the Arab American Action Network (AAAN) in Illinois, praised Jackson as “a tried-and-true Chicagoan, one of us, who opened the doors to Rainbow/PUSH for Palestinians and Arabs in Chicagoland”.

“Under his leadership, Black, Latino, Asian, Arab and so many other communities worked together for racial, economic, and social justice,” Abudayyeh told Al Jazeera in a statement.

“He never shied away from solid and principled solidarity with our Palestinian and Arab communities,” he added. “We mourn today with our friends in the Black community, and with all those who will carry on his fight.”

Support for Gaza protesters

Nabih Ayad, the founder of the Arab American Civil Rights League (ACRL), said Jackson was one of the first leaders to shine light on the plight of Palestinians at the national stage.

He also worked on other issues related to the Arab community. In 2015, for instance, Jackson lobbied for the admission and resettlement of Syrian refugees, despite opposition from Republican governors.

The ACRL, based in the Michigan suburb of Dearborn, hosted Jackson on a panel to highlight the refugees’ plight. Ayad said Jackson’s message was that “justice is universal”.

“It was an honour to cross his path and be able to see a giant like Jesse Jackson really caring about the little people, the small guys, about injustice wherever it happens, no matter where it is around the world,” Ayad told Al Jazeera.

This drive to address injustice drove Jackson to speak up for Palestinians even when it may have cost him politically, according to Ayad.

Jackson’s Rainbow/PUSH Coalition organised an emergency summit in 2024 to call for a ceasefire during Israel’s genocidal war on Gaza.

Later that year, he voiced support for pro-Palestine protests on college campuses, writing in the University of Chicago’s newspaper, The Chicago Maroon, that the student leaders “represent the best of our nation”.

Matthew Jaber Stiffler, the director of the Center for Arab Narratives, a research institution, said Jackson helped the Arab community feel “seen”. He, too, highlighted the political costs of championing Palestinian rights.

“Even just saying, ‘I support the rights for Palestinians to exist in the national political sphere,’ could get you branded as a radical, could get you pushed to the margins,” Stiffler told Al Jazeera.

“Mainstream candidates didn’t – and still don’t – really want that plank in their platform. And I think that’s why there was such love for Jesse Jackson and what he stood for, because he was not afraid.”

‘Work that has to be done’

In the decades since Jackson’s presidential campaigns, Palestine has become less of a taboo subject in US politics. Congress members, mayors and celebrities have become vocal in criticising Israeli abuses.

Still, the leadership of the Democratic and Republican parties have avoided publicly supporting Palestinian rights. During the 2024 presidential race, for instance, both major parties adopted staunchly pro-Israel platforms.

The campaign of Democratic presidential nominee Kamala Harris even refused to allow a Palestinian speaker at the party’s convention that year.

The flow of US money and weapons to Israel has also continued uninterrupted, despite the horrific atrocities in Gaza.

Furthermore, since taking office in January 2025, the administration of President Donald Trump has led a crackdown on Palestinian rights advocates, threatening foreign-born activists with deportation and other penalties.

Berry said that while the current conditions are challenging, Jackson taught the community to overcome barriers and build its power.

“I think that the lessons and the legacy of someone like Reverend Jackson teaches us that this is work that has to be done,” she told Al Jazeera.

For her part, Skaff said Jackson wanted Arab Americans to stand up and let their message be known.

“We’re stronger when we’re united and when we exercise our rights and responsibilities as American citizens: to stand up, to speak out, to run for office, to vote, vote, vote, vote,” she told Al Jazeera.

Two years ago, Los Angeles Mayor Karen Bass went to Sherman Oaks to cut a quick campaign ad for a trusted ally: Councilmember Nithya Raman.

Standing next to Bass, Raman looked into the camera and praised the mayor’s work on homelessness, saying she was “honored” to have her support.

“I couldn’t be prouder to work alongside her,” Raman said.

That video, recorded at a get-out-the-vote rally for Raman’s reelection campaign, feels like a political lifetime ago. On Feb. 7, Raman launched a surprise bid to unseat Bass, saying the city is at a “breaking point” and no longer capable of providing basic services.

Raman’s entry into the race, hours before the filing deadline, shocked the city’s political elite and infuriated the mayor’s supporters. Some observers called it a betrayal of Shakespearean proportions.

Raman’s name had appeared on a list of Bass endorsers just weeks earlier. Bass’ support for Raman’s 2024 reelection bid had helped the councilmember earn 50.7% of the vote and avoid a messy runoff.

“How can she treat a relationship like this, and dispose of it once it’s served its purpose?” said Julio Esperias, a Democratic Party activist who volunteered with Raman’s 2024 campaign at Bass’ request. “It’s a breach of trust, a betrayal, and it’s kind of hard for me to stomach at the moment.”

In 2024, Bass — then at the peak of her popularity — was featured prominently in Raman’s campaign mailers. She sent canvassers to knock on voters’ doors. A speech Bass delivered at Raman’s rally in Sherman Oaks was turned into a social media video with stirring background music.

Councilwoman Nithya Raman talks to attendees during an election night party held by the Democratic Socialists of America – LA chapter at The Greyhound on Nov. 4 in Los Angeles.

(Eric Thayer/Los Angeles Times)

That video, along with other posts highlighting Bass’ support for her, still appears on Raman’s Instagram page, which now promotes her run for mayor.

Bass, politically bruised over her handling of last year’s devastating Palisades fire, now faces an insurgent campaign from one of the City Council’s savviest players.

Esperias said he regrets helping Raman claw back the endorsement of the Los Angeles County Democratic Party in 2023, after it nearly went to her opponent.

Bass, for her part, has downplayed any hard feelings, saying she intends to run on her record — including her collaboration with Raman. Asked if she viewed Raman’s candidacy as a betrayal, she responded: “That’s not significant now.”

Mayor Karen Bass speaks before signing a rent stabilization ordinance passed by the Los Angeles City Council, the first update to the ordinance in nearly 40 years, at Strategic Actions for a Just Economy in Los Angeles Tuesday, Dec. 23, 2025.

(Allen J. Schaben/Los Angeles Times)

“I will tell you that it was a surprise, absolutely,” Bass said. “But I am moving forward, I am going to run my race, and I look forward to serving with her in my second term.”

Raman has been delivering a similarly complicated message, expressing deep respect for the mayor while arguing that the city is in desperate need of change.

On the morning of Feb. 7, before filling out her paperwork at the city clerk’s office, Raman called Bass to inform her she was running.

The next day, the two women met privately at Getty House, the mayor’s mansion. Neither would say why they met or what they discussed.

At City Hall, both supporters and critics of Bass have been retracing recent events, looking for clues as to how things went wrong.

In November, while watching election returns for New York City Mayor Zohran Mamdani, Raman told The Times that Bass was the most progressive mayor the city ever had — noting that Angelenos “vote their values.” Last month, Bass twice announced that she had Raman’s endorsement.

On Friday, Raman said she could not remember exactly when she endorsed Bass, saying she believed it came during a phone call with the mayor “probably in the fourth quarter of last year.” At the same time, she said her exasperation with the city’s leadership has been building for months.

“I have been actually frustrated by the conditions in the city for quite some time, particularly over this last year, where we are both unable to deliver basic services, like fixing streetlights and repaving streets for my constituents, but also are not moving toward a more accountable, transparent and efficient system of addressing issues like homelessness,” she said in an interview.

Gloria Martinez, center, of United Teachers Los Angeles, speaks at a rally outside City Hall featuring opponents of the effort to rewrite Measure ULA, a tax on property sales to pay for housing initiatives.

(Allen J. Schaben/Los Angeles Times)

Raman pointed to Measure ULA, the voter-approved tax on property sales of $5.3 million and up, as a catalyst for her mayoral bid. Although she has been a supporter of the tax, she has also concluded that it is a major obstacle to building new housing.

Last month, Raman tried without success to put a measure on the June 2 ballot that would have scaled back the types of properties covered by the tax, in hopes of jump-starting apartment construction.

Raman also told The Times that Inside Safe, the mayor’s signature program to move unhoused people indoors, needs to be redesigned so it is “fiscally sustainable.” She said she “simply did not see any progress” from the mayor’s office on that issue.

Asked whether she betrayed Bass, Raman said her decision to run was driven by the growing problems facing the city — and the need for change.

“My most important relationship in this role is with the people of Los Angeles, not the politics of City Hall,” she said.

Bass campaign spokesperson Douglas Herman pointed out that Raman is head of the council’s housing and homelessness committee — and that she repeatedly voiced support for Bass programs that have delivered back-to-back reductions in street homelessness.

Los Angeles City Councilmember Nithya Raman scans a QR code to get election updates during an election night party in March 2024.

(Myung Chun/Los Angeles Times)

“While we are developing more cost effective models, it is absolutely urgent that we get people off our streets immediately,” Herman said. “Nithya Raman is acting like a typical politician and knows it because she congratulated Mayor Bass for cleaning dangerous and long-standing encampments in her district.”

Raman’s decision has sparked an outcry from an unlikely combination of Bass allies. Danny J. Bakewell, Jr., executive editor of the Los Angeles Sentinel, condemned Raman’s actions last week in an editorial that invoked the O’Jay’s 1972 hit “Back Stabbers.”

“One of life’s greatest disappointments is discovering that someone you believed was a friend is not,” wrote Bakewell, whose newspaper focuses on issues facing the city’s Black community.

The Los Angeles Police Protective League, which represents rank-and-file LAPD officers and opposed Raman’s reelection in 2024, offered a similar take.

“If political backstabbing were a crime, Nithya Raman would be a wanted fugitive,” the union’s board, which has endorsed Bass, said in a statement.

Zev Yaroslavsky, a former county supervisor and City Council member, does not believe that Raman’s recent history with Bass — endorsing her and later running against her — will be an issue for the electorate. In L.A. political circles, however, it will be viewed as a transgression, at least in the short term, he said.

“As a politician, you don’t have much currency. What you have is your word,” he said.

Yaroslavsky, director of the Los Angeles Initiative at the UCLA Luskin School of Public Affairs, said he is certain that Raman and the other major candidates — community organizer Rae Huang, reality television star Spencer Pratt and tech entrepreneur Adam Miller — have looked at polls showing that Bass is politically weakened and vulnerable to a challenge.

“If Raman becomes mayor, nobody’s going to remember this, including the political class,” he said. “If she doesn’t, it’ll be a little more difficult for her. It’s not irreparable. But there will be a residue to this.”

On the council, Raman belongs to a four-member voting bloc, each of whom won office with support from Democratic Socialists of America. While Bass is generally considered more conservative than Raman on public safety issues, the two share many of the same policy priorities, particularly around homelessness.

In her first campaign for City Council in 2020, Raman ran on a promise to address the city’s homelessness crisis in a humanitarian way, by moving unhoused residents into temporary and permanent housing.

Bass, a former state Assembly speaker and 12-year member of Congress, took office two years later and made homelessness her signature issue, convincing the council to expand her power to respond to the crisis.

Raman backed Bass’ declaration of a homelessness emergency, which gave the mayor the power to award contracts and sign leases directly. A week later, Bass staged her first Inside Safe operation in Raman’s district, on a stretch of Cahuenga Boulevard in Hollywood.

As recently as July, Raman appeared on a Bass press release touting the city’s progress on homelessness.

Bass first announced that Raman had endorsed her on Jan. 27. Raman said she did not begin seriously contemplating a run for mayor until the following week, as the filing deadline approached.

Over a tumultuous 48-hour period, former L.A. schools Supt. Austin Beutner exited the race, while real estate developer Rick Caruso and L.A. County Supervisor Lindsey Horvath announced that they, too, would stay out.

“I realized we were potentially not even going to have a real competition, and that troubled me,” Raman said.

Esperias, the Bass supporter, said he is still processing Raman’s decision to run.

He said Bass tapped him to help Raman in 2023 after one of Raman’s opponents, deputy city attorney Ethan Weaver, cleared a key hurdle in his bid for the endorsement of the county’s Democratic Party.

Esperias, who lives in L.A.’s Vermont Square neighborhood, said he worked with Raman’s team on a plan to persuade party members to pull Weaver’s endorsement, then flip it to Raman. While Esperias and others called and texted party members, Bass sent a letter urging them to endorse Raman.

Weaver, in an interview, said he immediately felt the difference. After Bass’ letter, interest in endorsing him evaporated.

“It changed the amount of people that would take my call,” he said.

Once the election was over, Esperias said, Raman sent a text message thanking him for his help during a tough campaign.

“I put my credibility, I put my relationships on the line to help build this coalition to get that endorsement,” Esperias said.

Raman argued that the support has gone both ways.

During Bass’ first mayoral campaign, Raman held a fundraiser at her Silver Lake home and introduced Bass to key people in her district.

“I did help her in her election as well, just like she helped me,” she said.

Times staff writer Dakota Smith contributed to this report.

For Ant McPartlin, beloved dog Hurley was never just a pet.

The chocolate Labrador became his rock through addiction battles, rehab and a painfully public divorce.

Earlier this week, Ant and ex-wife Lisa Armstrong faced the heart-breaking decision to say goodbye.

After vets told them their 12-year-old dog was too poorly to recover, they made the agonising call to put him to sleep.

Ant, 50, and Strictly Come Dancing make-up boss Lisa, 49, were both able to see him beforehand, with the TV star staying by Hurley’s side in his final moments.

KING OF THEIR HEARTS

The couple adopted Hurley in 2013 after struggling to have children and had doted on him ever since.

TV CHAOS

Ant & Dec scream at kids in viral 90s clip as fans say ‘they’d be cancelled now’

REST IN PEACE, PET

Agony for Ant & ex-wife as beloved dog dies after bitter custody battle

When their marriage broke down in 2018, custody of the dog became one of the most emotional flash points of their split.

During their £30million break-up, Ant was said to have told Lisa she could take “anything but Hurley”.

At the time, the TV star said: “Hurley’s welfare comes first and we both love him very much. That’s the way it is really.”

They eventually agreed to share care of the pup, with Hurley dividing his time between their homes.

Hurley also enjoyed regular trips to the groomers and spent a holiday with Ant and his family last summer.

The Labrador even became a celebrity in his own right.

Speaking in 2019, Ant said: “I came out of a shop the other day and there was a woman on the floor cuddling Hurley.

“She said to me, ‘It’s the dog from the papers!’ Hurley’s a celebrity.”

Ant even named one of his companies Hurley Promotions Ltd – a nod to his ‘surrogate son’.

SUPPORT HOUND

Friends have long said Hurley was a lifeline during Ant’s darkest days of drink and drug addiction, visiting him in rehab and helping him rebuild routine once he returned home.

Speaking about their bond, Ant said: “There’s a loyalty and a love and a companionship with Hurley that you can’t describe. He never tells me off and is always pleased to see me.”

Even after finding happiness again with wife Anne-Marie Corbett, Hurley remained firmly part of the family.

In May 2024, when Ant and Anne-Marie welcomed their son Wilder, fans noticed his new “family tree” tattoo and questioned why Hurley wasn’t included.

Ant quickly reassured them on X, writing: “For all you dog lovers who asked why my beloved Hurley wasn’t on the family tree… he was!! He was just covered by our newborn.”

The photo had simply obscured Hurley’s name beneath the baby’s proof that the Labrador would always be family.

Thundering drums and shredding guitar solos cut through the crowd as pyrotechnics and streamer cannons blast. The energy and production feel like a show at the Hollywood Palladium or the Forum, but we’re at Knott’s Berry Farm, on the rooftop of a big red doghouse — that is if we can suspend our disbelief for an evening. The educational rock band Jelly of the Month Club along with guest musicians Charlie Brown, Lucy, Schroeder and Linus set up the show’s finale with a question: “Where’s that crazy dog?” Hundreds of fans scream as “All aboard!” resonates through the park, watching in anticipation as a spotlight searches for its fuzzy rock ‘n’ roll star to emerge.

Chances are you’ve seen Snoopy dressed as Doggy Pawsbourne on your Instagram or TikTok feed, complete with Ozzy’s signature round sunglasses, long hair and trench coat, punctuating the Prince of Barkness’ “Crazy Train” entrance. Snoopy’s Legendary Rooftop Concert became an instant hit with park patrons and with fans internationally thanks to a viral video posted on opening night. Sharon Osbourne shared the “Peanuts” tribute to her late husband with the all caps message “I LOVE IT” to her social media from the floor of the 68th Grammy Awards. But it’s more than witty puns and costumes that make Snoopy’s Legendary Rooftop Concert special.

The show at Knott’s tells the story of Snoopy learning to be a rock star at Jelly of the Month Club’s Music Academy and touring the world with the band. Snoopy takes on fursonas like Dog Lennon, Paw Prince, Fido Mercury, Flying Ace Freely and even a lost member of Devo wearing the signature Energy Dome hat. Jelly of the Month Club hits every beat and chord with precision, with arrangements of songs and medleys that bring together the power of rock’s past with the whimsy of “Peanuts.” Woodstock gets a solo moment too, whistling on Dog Marley’s “Three Little Birds,” set to a perfect one drop beat as Charlie Brown spirals out in a chicken suit while rubber chickens sway.

“We got rows of kids bringing their own rubber chickens,” show director Rob Perez tells me. “Its almost like watching ‘Rocky Horror’; kind of bizarre, really funny, and charming.” When Charles Schulz’s daughter Jill came to see the show, she told Perez that her dad used to say “there’s nothing funnier than a rubber chicken.”

Snoopy as Doggy Pawsbourne at Knott’s Berry Farm

(Dick Slaughter)

It makes sense that rock ‘n’ roll appeals to Snoopy; he’s a bit of an outsider with an internal life seen by almost none of his friends. It makes more sense that the feeling of family promised by rock touring life would appeal to Charlie Brown; it often calls to creative dreamers and outcasts with a subconscious need to belong. Schulz explored why all humans have the feeling people don’t like us in his cartoons and admitted that Charlie Brown was loosely based on himself. “People who win are the minority,” he told BBC in 1977, “most of us lose a lot.” The solution he provided to overcoming life’s most difficult conditions was simply to never give up.

Nobody cheers on Charlie Brown in Snoopy’s Legendary Rooftop Concert more than Jelly of the Month Club guitarist and vocalist Michael De La Torre, a.k.a. Mic Dangerously, who has become accustomed to encouragement working with youth. Active since 2013, Jelly of the Month Club is a family-friendly band who use music to inspire, educate and entertain kids and adults. It has played countless elementary schools, children’s hospitals, civic events and theme parks with interactive songs that teach musical concepts and life lessons. The band also offers free online lessons called the Jelly of the Month Club Music Academy, which turned live gigs into cartoon-based educational games. The band members have partnered with nonprofits including UNICEF’s Kid Power initiative to provide concerts to schools across Southern California, often donating their time.

“Studies say music helps with math, English and science, but it also helps you as a person,” Dangerously says. “It helps you understand feelings better. Look at how adults use music therapeutically. Kids are doing just the same.”

Dangerously first recognized the power of music education as a young boy at St. Pius elementary school in Buena Park, when a man with a bushy mustache and a Hawaiian shirt quieted the boisterous students in seconds with only an acoustic guitar. But hearing Louis Prima’s voice in “The Jungle Book” solidified his desire to become a singer.

Playing at Knott’s has forged meaningful connections to the community in ways Dangerously never foresaw in his early rock ‘n’ roll days. He’s become close to a father and his usually nonverbal son who can’t keep quiet at shows, asking questions and singing along. Last year an older woman who he’s built a friendship with for years suddenly disappeared. Dangerously learned from her daughter and granddaughter that she suffered a stroke. She credits singing and dancing to his music at Knott’s as instrumental in recovering her speech and movement. “She told me that she loved me like a son,” Dangerously says. “I’ve never had anything like that happen with my rock band. It makes you really want to show up.”

On the night The Times experienced Snoopy’s Legendary Rooftop Concert, Dangerously’s biggest fan, Abbey, stood in the front row playing a light up tambourine above her head to “The Blooz Beagles,” wearing a head-to-toe matching outfit to him. In her sequin blazer, red pants, black boots, bow tie and wide-brim hat, the 11-year-old mirrored his musical gestures, never missing a beat. Abbey loves “everything” about the music and dancing she tells me, excited to share that Mic personally gave her the tambourine and a few other instruments too.

Crowd at Jelly of the Month Club show at Knott’s

“They’ve known her since she was 3,” says April Guerrero, Abbey’s supportive mom who has helped her daughter make replicas of Jelly of the Month Club’s looks since 2017. Abbey learned to play music because of the band’s online resources.

“Many of us have a background in education,” Dangerously said. Matt Kalin is a teacher and pro saxophonist who has shared the stage with legends like Social Distortion and Louis Bellson. Dr. Todd Forman is a practicing physician who went to Harvard, taught at USC, and played sax with Sublime. Bassist James Kee is an educator who has taught kindergarten through fourth grade for the last 15 years. Dangerously’s own mom was an art teacher who encouraged him to teach after he finished his audio engineering degree at Musicians Institute, something he’s used in a junior producer’s course he created for an after-school program in Long Beach.

Like the members of Jelly of the Month Club, director Rob Perez is a multi-instrumentalist and producer with a deep reverence for classic rock and Charles Schulz cartoons. Perez is the man responsible for turning Snoopy’s Legendary Rooftop Concert from a dream into a reality. The concert grew out of a 2017 show called Woodstock’s Music Festival. When Snoopy walked out as Jimmy Hendrix, the crowd went wild, and Perez’s boss and Knott’s fans wanted more.

“The Rooftop Concert is a little bit of a nod to the Beatles, but it’s much more about Snoopy’s rooftop,” Perez tells me. “When you see Snoopy as the great writer, or the World War I Flying Ace, it’s always on the roof of his doghouse. So why wouldn’t he be a rock star on his rooftop?”

Knott’s rebrand of the show let Perez incorporate more storytelling, a task he shared with Jelly of the Month Club. The show opens with Snoopy traveling from his fictional cartoon town to a rehearsal where Dangerously gifts him a tambourine to join their jam. He sends Snoopy home with a pile of records which he listens to obsessively in his doghouse, a relatable experience for fans who have found solace and inspiration in old LPs, hiding out like Snoopy with pizza, root beer, and the complicated dream of leaving the only place you’ve ever called home to follow music’s call. Snoopy dons a leather vest, proclaims he’s a “Golden Dog,” and runs away from home to take lessons at Jelly of the Month Club‘s Music Academy and tour the world. After receiving criticism in the recording studio about his howl, Snoopy finds himself missing his best friend Charlie Brown. He asks the Peanuts Gang to team up with Jelly of the Month Club for one final performance on top of his doghouse, legendary enough to land them in the Rock and Roll Hall of Fame.

Perez’s writing and producing shares the attention to detail present in Jelly of the Month Club’s approach to the music. Perez had the honor of voice acting for Snoopy. He digitally re-created a technique he learned from researching Bill Melendez’s 1960s approach in which he recorded barks and grumbles directly to reel-to-reel tape, sped it up, then cut and pasted it randomly to create Snoopy’s signature pentameter-less cadence. Perez worked closely with costume designer Tim Barham, creating every wig, accessory, and costume with exacting detail. The storyline and graphics pay close attention to “Peanuts” lore and rock ‘n’ roll film history, with Easter eggs from “La Bamba,” “Rocketman,” “This Is Spinal Tap,” “Almost Famous” and many others hidden throughout the 30-minute show.

“We don’t try to change the Peanuts from who they are,” Perez says. “We have to bring Charlie Brown along as he constantly fails at being a rock star. We have to give him a shot and prop him up, because he’s usually on the ledge. We bring him back. That’s been the premise of many Peanuts TV specials and movies.”

Mic Dangerously with Snoopy at Knott’s

(Dick Slaughter)

Jelly of the Month Club’s original song “The Magic Is in the Music” meets Charlie Brown where he’s at, encouraging him to take on the challenge of becoming a guitarist. As he fumbles with his out-of-tune Flying V, looking ready to shred in a thrash band, the crowd cheers for his success despite his self-doubt. When Charlie withdraws during the Elton John number, Dangerously responds by saying that that music can be a safe place when you’re feeling lost, saying “Charlie Brown, you are home.”

“We’re out there singing we ‘want to bark and howl all night’ but we’re teaching Charlie Brown and Snoopy is that it’s not just about your clothes, it’s about what’s in here,” Dangerously says, touching his heart. “It’s important not to take yourself too seriously. We’re showing that it’s OK to have fun. And that silliness is a big, important component of rock and roll.”

This spirit is the core of Snoopy’s Legendary Rooftop Concert on stage and on the floor. At the show I see a sea of grandmas shaking babies’ fists in the air, a little boy in a Woodstock hoodie headbanging, rockers in studded vests with huge smiles on their faces, and teenagers momentarily dropping their defenses against cringe in exchange for a moment of sheer joy.

Hanna and Ellie, teens from South Gate and Silver Lake, respectively, can’t contain themselves, pogoing, screaming and singing along. “I’m at a loss for words,” Hanna says, giggling. The girls agree that the show was better than they expected.

On Snoopy’s rooftop everyone is a rock star: Abbey, a rubber chicken and even Charlie Brown.

MILAN — Alysa Liu wore a hollow smile on the ice. She had achieved a dream, skating at the Beijing Olympics at just 16, but in a mostly empty arena, few were there to see the moment.

Perhaps that was what Liu secretly wanted.

“It’s not that I didn’t want to be seen,” Liu said. “It’s just I had nothing to show.”

The 20-year-old now proudly presents Alysa Liu 2.0.

Four years after shocking the sport by retiring as a teenage phenom, the Oakland native could win two gold medals at the Milan-Cortina Olympics. She is a title contender in her individual event that begins Jan. 17 as the United States tries to end a 20-year Olympic medal drought in women’s singles figure skating, and she will skate Friday in the women’s short program of a team competition the United States is favored to win.

Armed with a new perspective from her two-year retirement, Liu now smiles genuinely on and off the ice, no matter if there’s a medal around her neck or not.

“I have so much I want to express and show, whether that’s through skating or just through my presence,” said Liu, who placed sixth in Beijing. “It’s exciting to think about that being seen.”

When she made her Olympic debut, Liu didn’t feel like her career belonged to her. Her father, Arthur, was a driving force in her skating career. In a sport where coaches and choreographers often call the shots for young athletes, Liu entered the Olympic stage with programs she didn’t like and clothes she didn’t pick. She was behind a mask and couldn’t express herself. She barely knew how to.

Skating had consumed her entire life. She felt “trapped and stuck” in the sport. So she left.

After retiring following the 2022 world championships — where she won a bronze medal — Liu got her driver’s license. She hiked to Mount Everest base camp with friends. She went shopping for not-skating clothes, played Fortnite until 4 a.m. with her siblings and enrolled at UCLA. She loved studying psychology.

“I found what I like and what I didn’t like,” said Liu, who took time off from UCLA to prepare for the Olympics but hopes to return before her friends graduate. “Really got to know myself, because [when] I had skating, I didn’t really know myself. I couldn’t know myself. I only ever did one thing.”

Alysa Liu practices in Milan on Thursday ahead of the Olympic team competition, which starts Friday.

(Robert Gauthier / Los Angeles Times)

After a casual ski trip reminded her of the joys of skating, Liu made the decision to return to the sport that shaped, and nearly stole, her childhood. But she would only do it on her terms.

The choreography, the music and the costumes would all be her choice. She doesn’t compete to win. She skates to show her art, she said.

In the process, she’s winning more than ever.

She won the world championship in 2025, becoming the first U.S. woman to win the world title since 2006. She won the Grand Prix final in Japan in December, the last major international competition before the Milan-Cortina Games to announce herself as a potential Olympic champion.

The day before her last performance at the U.S. championships, the final competition that would decide her Olympic bid, Liu ran to a St. Louis salon to dye her hair to match a new skating dress. Unbothered by the pressure of the moment, she debuted a Lady Gaga free skate that brought fans to their feet and earned her a silver medal.

“When you are an Olympic athlete that has a chance in front of the world every four years, it literally is your life’s work that’s on the line,” NBC analyst and two-time Olympian Johnny Weir said. “And she has found a way to compartmentalize that and put it down. … I just think it’s so wonderfully healthy and brave and strong to be doing what she is, because it takes a lot of bravery to put down the pressure that the sport naturally has.”

Liu is just a natural talent in the sport, 2022 Olympian Mariah Bell said. Bell remembered during the Stars on Ice tour in 2022 when the skaters rolled into a new city, tired, groggy and sore from the long bus ride, Liu, dressed in a baggy hoodie and billowing sweatpants, could go on the ice and throw perfect jumps without warning. Bell stood in awe.

U.S. figure skater Alysa Liu practices on Thursday in Milan.

(Robert Gauthier / Los Angeles Times)

After Liu’s short program at the U.S. championships last month set a national championship record, Bell was blown away for different reasons.

“She’s so sophisticated and mature and emotional,” Bell said. “When she was younger, she was incredible. But when you’re 13, you don’t skate the way that you do like how she did the short program [at the U.S. championships].”

Skating to Laufey’s “Promise,” a haunting piano ballad, Liu glided through a flawless short program that she said nearly moved her to tears. Fans showered her with stuffed animals.

Liu has always commanded attention in the sport. She was the youngest skater to perform a triple axel in international competition at 12, became the youngest U.S. champion at 13 and followed with another national title at 14. She was the first U.S. woman to complete a quad lutz in competition, doing so in the 2019 Junior Grand Prix in Lake Placid, N.Y.

Six years later, back in that same arena for Skate America in 2025, Liu told her coaches she didn’t remember her historic accomplishment.

“It feels like I’m watching or I got someone else’s memories,” said Liu, who had similar, disconnected, but overall positive memories of her Olympic experience in Beijing. “It feels like a totally different person, but we are definitely the same person.”

U.S. figure skater Alysa Liu practices in Milan on Thursday as she prepares for the team competition, which starts Friday.

(Robert Gauthier / Los Angeles Times)

Exchange the delicate, ballerina-like skating dresses with bold, modern asymmetrical designs. Undo the tight, slicked back bun and bring in halo dyed hair, dark eyeliner and the piercing she did herself on the inside of her upper lip. With three horizontal stripes dyed into her hair, each layer represents a year of the new life Liu is finally happy to put on display.

“I want to be seen more because I like what I have going on,” Liu said. “I like what I’m doing.”

Moscow ‘strongly condemns’ attack on airport in the capital, Niamey, where 20 rebels were killed, and four soldiers were wounded.

Russian soldiers helped repel an attack claimed by the ISIL (ISIS) armed group on Niger’s main airport in the capital, Niamey, last week, according to Moscow’s Ministry of Foreign Affairs.

“The attack was repelled through the joint efforts of the Russian Ministry of Defence’s African Corps and the Nigerien armed forces,” Russia’s Foreign Ministry said on Monday.

Niger’s governing military earlier said that “Russian partners” had helped to fend off the rare assault on the capital, which saw 20 attackers, including a French national, killed and four army soldiers wounded.

At least 11 fighters were also captured, Niger’s state television reported.

“Moscow strongly condemns this latest extremist attack,” the Foreign Ministry added in the statement, according to Russia’s state TASS news agency.

“A similar attack took place in September 2024 on the international airport in the capital of Mali. According to available information, external forces providing instructor and technical support are involved,” the ministry said, according to TASS.

Niger’s military chief, Abdourahamane Tchiani, visited the Russian military base in Niamey to express “personal gratitude for a high-level of professionalism” by Russian forces in defending the airport, the ministry added.

ISIL claimed responsibility for the “surprise and coordinated attack” on the airbase at the Diori Hamani international airport near Niamey on the night of January 28.

A video published online through the ISIL-affiliated media Amaq showed several dozen attackers with assault rifles firing near an aircraft hangar and setting ablaze one plane before leaving on motorbikes.

Ulf Laessing, the head of the Sahel programme at Germany’s Konrad Adenauer Foundation, told The Associated Press news agency that the sophistication and boldness of the attack, including the possible use of drones by the attackers, suggest that the assailants may have had inside help.

Previous successful attacks in the region appear to have increased the group’s confidence, leading them to target more sensitive and strategically important sites, Laessing said.

Niger’s military had initially accused Benin, France and the Ivory Coast of sponsoring the attack on the airport, which also houses a military base. The military, however, did not provide evidence to substantiate its claim.

Ivory Coast’s Foreign Ministry denied the allegation and summoned Niger’s ambassador to relay its protest. Benin also denied the claim, describing it as “not very credible”.

France has yet to comment.

Niger is a former colony of France, which maintained a military presence in the country until 2023.

Russia rarely comments on its military activity in the Sahel region, where Moscow has been increasing its influence in recent years.

Facing isolation since its invasion of Ukraine, Russia has tried to build new military and political partnerships across Africa.

Apart from Niger, Russian troops or military instructors have been reported to be deployed in Burkina Faso, Equatorial Guinea, the Central African Republic and Libya.

Russia’s African Corps has taken over from the Wagner mercenary force across the continent. According to Moscow, the corps helps ” fighting terrorists” and is “strengthening regional stability” in the Sahel.

Niger’s authorities have been fighting the Al-Qaeda-linked Group for the Support of Islam and Muslims (JNIM) and the ISIL affiliate in the Sahel (EIS) for the past decade.