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Red Sanders, the legendary UCLA football coach, once said the rivalry with USC wasn’t life or death, it was more important than that.

Now, some 70 years later, almost half the Bruins roster needed a primer on what it means to play the Trojans.

“We have so many transfers and things,” interim coach Tim Skipper said, “so I wanted to make sure everybody knew how significant this game was.”

That could make Ciaran Dooley, the team’s creative content producer, a rivalry hero rivaling John Barnes, Anthony Barr and Dorian Thompson-Robinson. Dooley produced a video that tried to pack the essence of a nearly century-old rivalry into about five minutes.

Putting aside any worries about where college sports are headed when one needs to explain anything about his biggest rival, the video had its intended effect, sparking cheers nearly a week before kickoff.

Starting with a minutelong hype reel narrated by Barr, the video explained some of the rivalry basics, such as both teams wearing their home uniforms and the winner getting to take possession of the 295-pound Victory Bell before painting it in their primary school color — preferably blue.

“A lot of it was like clips I’ve already seen being from L.A. and around the game,” freshman linebacker Scott Taylor said, “but a lot of the guys who haven’t been here don’t understand how big a deal this is to L.A. and how special this win can be.”

Rivalry lexicon such as “It’s always 8:47 in Westwood” — a reference to the Bruins’ 13-9 upset of No. 2 USC in 2006 — and “Eight more years!” — a chant that broke out at the Rose Bowl in 1998 at the end of the Bruins’ eighth consecutive victory over the Trojans — might need some explaining to a roster that includes 57 newcomers, 52 transfers and 42 players from out of state.

“I made this video to show what the rivalry is really about — the history, the passion, the bragging rights,” Dooley told The Times. “I know everyone on the team already knows what it is, but if there’s anything that I can do to motivate the guys just that much more for the game, I’m going to do it every time.”

Linebacker Isaiah Chisom, a transfer from Oregon State, said the coaching staff also brought in several former players to explain the significance of the rivalry before the Bruins (3-8 overall, 3-5 Big Ten) face the No. 17 Trojans (8-3, 6-2) on Saturday afternoon at the Coliseum. Veteran offensive lineman Garrett DiGiorgio and defensive back Cole Martin also talked about what the rivalry meant to them.

Utah quarterback Devon Dampier (4) holds the ball and pushes Bruins linebacker Isaiah Chisom (32) on Aug. 30 at the Rose Bowl.

(Allen J. Schaben/Los Angeles Times)

“I think they’ve done a pretty good job at kind of bringing everybody together,” Chisom said, “so we all know how important this game is.”

Chisom didn’t need a refresher, having grown up in Southern California and played for Bishop Allemany High and Chaminade College Prep. He said he’s already attended a rivalry game and learned about the Bruins’ hatred for the Trojans from Chaminade assistant coach Reggie Carter, a former Bruins linebacker.

“He didn’t like anybody wearing any red,” Chisom said of Carter. “It’s been something I’ve been told for a long time.”

Skipper said he grew up watching the rivalry no matter where he lived — his father, Jim, was a coaching lifer who moved from one city to another and his older brother, Kelly, was DeShaun Foster’s running backs coach at UCLA.

“It’s awesome to finally be part of this thing,” Tim Skipper said. “You watch it so much, I’ve never been to one of these games, and to be able to work it and coach it is going to be awesome.”

Signs of rivalry week have greeted anyone who walked past the boarded-up John Wooden and bear statues on campus, though it’s been a little quieter than the Bruins would have preferred. That’s because they haven’t been able to ring the Victory Bell that’s residing across town after USC won last year’s game, 19-13, at the Rose Bowl.

“We want to get it back, we want to ring it after the game,” DiGiorgio said. “The [USC] guys, they planted flags on our field last year. I don’t know if we’re going to reciprocate that energy because I don’t know if that’s going to start anything, but we’re definitely looking forward to getting that bell back.”

The Bruins have won their last two trips to the Coliseum, giving DiGiorgio motivation to make it three in a row and end his college career 3-2 against the Trojans. There was a consensus at the team meeting Sunday that a victory over USC would make up for all the frustrations the team has endured during a season in which Foster was fired after only three games.

UCLA offensive lineman Garrett DiGiorgio (72) is confident a video the Bruins’ staff produced helped his teammates understand the importance of winning the USC rivalry game.

(John McCoy / Associated Press)

“Beating ‘SC would undo every wrong that has happened this season — that and the Penn State win [over the then-No. 7 Nittany Lions],” Chisom said. “I don’t think we could ask for anything more.”

Even those making their rivalry debut will know what they’re getting into thanks to the handiwork of a content creator whose video might help produce an upset.

“I believe that it enlightened, lit a fire under the guys,” DiGiorgio said, “to be a little excited for this week.”

The Chicago Bears didn’t want to seem cocky.

They didn’t want to jinx themselves.

They certainly didn’t want to provide opponents with bulletin board fodder during their attempt to bring a Super Bowl championship to their home city after the 1985 season.

As a large group of players from that team — billed as the Chicago Bears Shufflin’ Crew — said in the lyrics to one of the most unlikely hit songs and music videos of the 1980s: “We’re not here to start no trouble. We’re just here to do ‘The Super Bowl Shuffle.’”

All of those thoughts weighed on the minds of the 30 or so players who recorded “The Super Bowl Shuffle” four decades ago this month, several weeks before the NFL regular season even ended.

“If we don’t go to the Super Bowl, we’re gonna be the biggest idiots ever,” former Bears linebacker and Pro Football Hall of Famer Mike Singletary says in “The Shuffle,” an NFL Films production presented by HBO Documentary Films. “We gotta win this thing, man.’”

Singletary is one of several of people who share their thoughts and memories about their participation in what has become a beloved relic during the 40-minute documentary that premieres Tuesday at 9 p.m. PST on HBO and streaming on HBO Max. Director Jeff Cameron told The Times that it’s no coincidence that “The Shuffle” is dropping during the 40th anniversary season of the Bears’ only Super Bowl title.

“Outside of some print media or some articles, no one had really chronicled the entire genesis, development and production of ‘The Super Bowl Shuffle,’ which is so intertwined with that team,“ Cameron said.

The song was the brainchild of Chicago businessman Dick Meyer, who had formed Red Label Records the previous year. With the Bears off to a strong start to the 1985 season, Meyer thought a hip-hop record featuring many of the already beloved personalities from that team might have some success in Chicago.

Many players agreed to participate after learning that part of the proceeds were going toward the Chicago Community Trust. “We’re not doin’ this because we’re greedy,” running back Walter Payton rapped during his verse, “the Bears are doin’ it to feed the needy.”

Other featured Bears players included Singletary, Gary Fencik, Willie Gault, Otis Wilson, Steve Fuller, Mike Richardson, Richard Dent, William “Refrigerator” Perry and Jim McMahon.

The vocal tracks were recorded on Nov. 21, 1985. The Bears were 11-0 at the time, coming off a 44-0 rout of the Dallas Cowboys. They continued to roll the following weekend with a 36-0 victory against the Atlanta Falcons.

But their run of perfection came to an end Dec. 2, 1985, with an ugly 38-24 loss to the Dolphins in Miami on “Monday Night Football.” It just so happened that the music video shoot for “The Super Bowl Shuffle” was scheduled for the next morning in Chicago.

Suddenly, Gault said in the documentary, “Guys don’t want to do the video.”

Two of the team’s biggest stars, Payton and McMahon, didn’t show up. They were added into the video after shooting their parts one day after practice.

“It was pretty audacious of us to talk about going to the Super Bowl, winning it, you know?” McMahon said in the documentary. “We still got games to play, and we just lost.”

Chicago Bears players Mike Singletary (left) and Gary Fencik take part in the filming of ‘The Super Bowl Shuffle’ music video Dec. 3, 1985, at the Park West in Chicago.

(Paul Natkin / HBO / Getty Images)

But the video shoot may have had unexpected benefits for the players who participated.

“If not for ‘The Shuffle,’ they probably don’t even get together” that day, Cameron told The Times. “They probably don’t see each other until Wednesday because they have Tuesdays off after Monday night, and they’re right back in the film room or the practice field. They don’t properly get to just forget about the loss for a second, get together as a group of guys who like playing with each other and just who love each other.”

In behind-the-scenes footage provided to Cameron’s team by Meyer’s widow, Julia Meyer, the players are seen laughing and joking around as they attempt to learn a few dance moves and lip-sync their parts, all with varying degrees of success.

“We bonded in a way that we could never have bonded in any other way,” Singletary said in the documentary. “That was the fun part of working together in a totally different realm. There were guys that were backups teaching guys that were starters. We mixed in a way that we had never had a chance to do before. And it became a rallying point that brought us together, got us refocused. ‘This is what we said we were gonna do, let’s go get it done.’”

The Bears didn’t lose another game on their way to defeating the New England Patriots 46-10 in Super Bowl XX. And “The Super Bowl Shuffle” was a success in its own right, with popularity that extended well beyond Chicago.

The single spent nine weeks on the Billboard Hot 100, peaking at No. 41, and was certified gold by the Recording Industry Assn. of America (500,000 units moved). The music video, released commercially on VHS and Betamax, was certified platinum (one million units moved).

The song was even nominated for a Grammy in the category of “Best R&B Performance by a Duo or a Group with Vocals,” eventually losing to Prince and the Revolution for the song “Kiss.”

“I think it was the perfect marriage of that cast of characters from the top down … and the fact that, outside of the Miami game, of course, they just kept winning,” Cameron said. “And it wasn’t close. I think that certainly helps propel this video, along with the rise of MTV. It was a perfect storm of a pop cultural phenomenon.”

The Rams, Super Bowl contenders riding a five-game winning streak, will navigate at least the next four games of the season without three veteran starters.

The Rams on Wednesday placed safety Quentin Lake, tight end Tyler Higbee and right tackle Rob Havenstein on injured reserve.

Lake, who had surgery Tuesday for a dislocated left elbow, Higbee (ankle) and Havenstein (knee/ankle) must sit out at least four games before they are eligible to return. The earliest return would be a Dec. 18 game against the Seahawks in Seattle.

“You don’t replace players like that,” McVay said of the experience and leadership that will be missing when the Rams play the Tampa Bay Buccaneers on Sunday at SoFi Stadium. “You can’t expect others to be able to do that. You expect guys that are getting opportunities to step up to be the best versions of themselves.”

Lake, 26, was injured last Sunday in a victory over the Seattle Seahawks, a win that improved the Rams’ record to 8-2. McVay indicated that if Lake returns, it would possibly be for the playoffs.

Josh Wallace played in Lake’s place as a hybrid nickel corner/linebacker. McVay said the Rams would continue to evaluate and formulate a plan to replace Lake moving forward, but they are expected to consider utilizing a combination that includes safety Kam Kinchens, Wallace and cornerbacks Cobie Durant and Roger McCreary.

Higbee also was injured against the Seahawks.

The 10th-year pro has 20 receptions, including two for touchdowns, as the leader of a tight end group that includes Davis Allen, Colby Parkinson and rookie Terrance Ferguson, who is expected to get an increased role in Higbee’s absence.

Havenstein, an 11th year pro, played the first four games before he was sidelined for three games because of injuries. Third-year pro Warren McClendon played in his place.

Havenstein returned against the New Orleans Saints and has played the last three games, but McVay said time on injured reserve would enable him to work back to full strength.

“Both of those guys are obviously big-time leaders and catalysts on our team and our offense,” quarterback Matthew Stafford said of Higbee and Havenstein. “But we’ll just move forward with the guys that we have, and then hopefully those guys can heal up and be ready to go at some point.”

In corresponding moves, the Rams signed kicker Harrison Mevis to the active roster, claimed safety Chris Smith II off waivers from the Las Vegas Raiders and signed cornerback Alex Johnson to the practice squad.

Todd Snider, a singer and songwriter beloved in the Americana music scene for his funny yet empathetic portraits of people struggling to survive an uncaring world, died Friday. He was 59.

His death was announced in a post on his Instagram account, which didn’t state a cause or say where he died. An earlier post signed by “Todd’s Friends & Family” said that he’d been admitted to a hospital in Hendersonville, Tenn., after experiencing breathing problems and that he’d been diagnosed with pneumonia; before that, he called off a tour this month after telling fans that he’d been injured in a “violent assault” outside a hotel in Salt Lake City.

Frequently compared to the likes of John Prine and Kris Kristofferson — both of whom mentored him at various points — Snider wrote about “how poor people sometimes cope with pain and hardship,” he told the New York Times in 2009. “A little drugs here, a little sex here, a little denial there.”

In a prolific recording career that stretched three decades, Snider made albums for labels owned by Prine and by Jimmy Buffett and for his own company, Aimless Records. Yet to many he was best experienced onstage, where he’d thread his songs into a kind of running monologue about his rough-and-tumble life.

Among his best-known tunes were the rollicking “Beer Run”; “Can’t Complain,” about a guy with “nothing to lose ’cause there is nothing to gain”; and “Alright Guy,” which opens with a scene in which a friend catches him leafing through “that new book with pictures of Madonna naked.”

“Said she’d never pegged me for a scumbag before,” he sings, “She said she didn’t ever want to see me anymore / And I still don’t know why.”

In his 2014 memoir, Snider told a shaggy-dog story about the time Garth Brooks summoned him to a studio to help him record a cover of “Alright Guy” in the guise of his alter ego, Chris Gaines.

“I was already starstruck before Garth walked up and introduced himself,” Snider wrote. “He said, ‘I thought you had red hair,’ because he’d seen me on the ‘Austin City Limits’ television show, and I’d dyed my hair red for that show. It wasn’t supposed to be red. It was supposed to be dark brown. My plan was to look like John Fogerty, but instead I ended up looking like the guy from the movie ‘Dumb and Dumber.’” (Brooks didn’t release the cover, though Snider said the country superstar sent him a check for $10,000 anyway.)

Todd Daniel Snider was born Oct. 11, 1966, and grew up in Oregon before making his way to Texas and then Nashville. His debut album, “Songs for the Daily Planet,” came out in 1994 via Buffett’s Margaritaville label; it closed with a motor-mouthed acoustic ditty called “Talkin’ Seattle Grunge Rock Blues” in which he lovingly lampooned the era’s alternative rock boom:

Now, to fit in fast, we wear flannel shirts

We turn our amps up until it hurts

We got bad attitudes, and what’s more

When we play, we stare straight down at the floor

A critics’ fave from the get-go, Snider earned rave reviews with 2004’s “East Nashville Skyline,” whose highlights include a characteristically wordy depiction of the culture wars then roiling America in the wake of 9/11 — “Conservative, Christian, Right Wing Republican, Straight, White, American Males,” it’s called — and “The Ballad of the Kingsmen,” in which he contemplates the meaning of the lyrics to “Louie Louie.”

Among the many other LPs he went on to release were 2009’s “The Excitement Plan,” which was produced by Don Was, and a 2012 collection of songs by Jerry Jeff Walker, the country-folk songwriter who’d served as a crucial influence on him. Snider’s most recent record, “High, Lonesome and Then Some,” came out in October.

Snider spoke openly throughout his life about his struggles with drugs and with chronic pain related to spinal stenosis. “I do a lot of things to try to help it, but I have to make peace with it, too,” he said of the condition in an interview last month with Rolling Stone. “Which hasn’t been easy.” Information about Snider’s survivors wasn’t immediately available.

Trout National does not formally open until April. But, when you’re Mike Trout, you can invite your friends to play a couple rounds on the course that carries your name.

And so it was that Trout, the best player in Angels history, last week welcomed Torii Hunter, one of the most popular and respected players in Angels history. The course, designed by Tiger Woods and his team, is located in Trout’s hometown of Millville, N.J., and includes a refueling stop in “a concrete bunker tucked behind the 14th tee and styled like a classic baseball dugout.”

Said Hunter: “It’s a great course.”

Hunter could have managed his former teammate next season, had the Angels chosen him to replace Ron Washington. However, for the second time in three years, the Angels interviewed Hunter for their managerial vacancy and then hired someone else — this time, former Angels catcher Kurt Suzuki.

Hunter, speaking Monday at Pelican Hill Golf Club in Newport Coast before a fundraiser for Major League Baseball’s Urban Youth Academy in Compton, said he interviewed with Angels general manager Perry Minasian.

Hunter said he believed Suzuki would do well in the position and had no hard feelings about the process.

“It was a great interview,” Hunter said. “We had a good talk. It just didn’t work out.

“The opportunity presented itself. They were looking for a manager, and they decided to interview me for the job. They told me to.

“I still love the Angels. That’s why I did it. That’s why I wanted to do it.”

He felt the same way about his original team, the Minnesota Twins. He said he “put my name in the hat” for the Twins’ managerial vacancy and had informal discussions with the team, but no formal interview.

Hunter declined to discuss details of his interview with Minasian.

The Angels have baseball’s longest playoff drought, now at 11 years, and have finished in last place in back-to-back seasons. Hunter said prospects need to get to Anaheim and start playing with the young players already there.

“I think those guys have got a couple of years under their belts,” he said. “It’s time to go out there and really compete.”

The Angels’ minor league system is widely regarded as one of baseball’s thinnest. Hunter, who worked as a special assistant to Minasian last season, said he sees a fair amount of talent at the lower levels of the system.

“Maybe they don’t win the World Series next year,” Hunter said. “Maybe they don’t go to the playoffs.

“A shift in the team dynamic depends on the pieces that they add. But, in the next two years, you’re going to see these guys, and they’ll be a force to be reckoned with.”

Hunter said he is unsure yet whether his business interests — he owns five restaurants and two coffee shops, in addition to commercial real estate investments — will allow him to continue as an Angels special assistant. He hopes to do so.

“I love Kurt Suzuki,” Hunter said. “I played with him with the Twins in 2015, and I played against him forever. I love everything about him. I would love to be there to help him along the way if I can.”

Suzuki agreed to a one-year contract, which puts him in the uncomfortable position of being a lame duck before he manages his first game.

“I think he’ll be fine,” Hunter said. “You’ve got to give him time, and a chance to get to know the fellas. The guy is smart, he’s intelligent, he’s got great relationship skills. So, be patient.”

Trevor Penning couldn’t help but smile and chuckle after arriving in the brisk El Segundo weather from New Orleans early Wednesday morning.

It was fewer than 24 hours after he’d been told of the trade of which he wasn’t expecting, standing in front of his new end-of-the-hallway locker in the Chargers’ clubhouse. A placard listing Penning’s high school-recruiting rating, and the schools he attended, had yet to be placed atop his stall next to long snapper Josh Harris.

“It’s pretty crazy — overnight,” said the fourth-year offensive lineman, a former 2022 first-round draft pick of the Saints. “You get five more wins on [the record]. … I’m excited to be here.”

Penning, acquired by the Chargers (6-3) just before the NFL trade deadline Tuesday — New Orleans received a 2027 sixth-round draft pick in exchange for the 6-foot-7, 325-pound tackle — joins a team fighting with the Broncos atop the AFC West.

When the Northern Iowa alumnus checked into the Saints’ facility Monday, he was on a team with the worst record (1-8) in the NFC.

Now, Penning will try to bolster the Chargers’ protection of quarterback Justin Herbert, who has been sacked 28 times — third most among all NFL quarterbacks this season. The Chargers were in desperate need of a lineman after losing offensive tackle Joe Alt to a season-ending ankle injury.

“[Penning’s] just getting the basics down of just getting our cadences and getting adjusted to our play calls and things like that,” Herbert said. “Obviously, I’ve known of him, and obviously, [I’m] a big fan. A lot of respect for his game. It’s a cool opportunity — I’m sure he’ll pick up the offense very quickly.”

Penning said that he, like many football players and fans, had been familiar with Chargers coach Jim Harbaugh‘s attitude and approach while growing up. The formerly unranked high school prospect from Clear Lake, Iowa — turned Missouri Valley Football Conference star — said he believed his traits on and off the field match the Chargers’ culture.

“It’s good to hear,” Harbaugh said when asked about Penning’s comments. “I like guys who like football. Guys who like football seem to like me back. … [Penning] strikes me as a guy who’s all about his business, and came in [and] has done everything right. Really happy that we have him on our team.”

The Chargers have worked Penning at both tackle spots during practice this week. He played left tackle in 2022 and 2023, right tackle in 2024, and some left guard in 2025.

Where and how Penning fits is still a question waiting to be answered, and Sunday’s game against the Steelers could provide answers.

Penning is ready for the fresh start awaiting him.

“I’m excited to play anywhere they need me,” Penning said. “I think I have the versatility.”

TORONTO — It was a game that started on Saturday and ended on Sunday, a World Series contest so packed with the rare, the historic and the dramatic that it couldn’t possibly be confined to one day.

At 11 innings, it was the longest Game 7 this century, and it equaled the longest in more than a century. It was the first Game 7 that had a ninth-inning home run to tie the score and the first to feature two video reviews that prevented the go-ahead run from scoring.

“It’s one of the greatest games I’ve ever been a part of,” Dodgers manager Dave Roberts said after his team outlasted the Toronto Blue Jays 5-4 to win its second straight World Series and end the longest season in franchise history, one that began in Japan and ended in Canada.

The victory made the Dodgers the first team to win back-to-back titles in 25 years and with that championship, Roberts’ third, he passed Hall of Famer Tommy Lasorda to become the second-most-decorated Dodger manager ever. He now trails only Walter Alston, another Hall of Famer, who won four World Series with the team.

Roberts, however, won his three titles over six seasons, something no Dodger skipper has ever done.

“It’s hard to reconcile that one,” said Roberts, whose jersey from Saturday’s game is on its way to Cooperstown, joining the cap the Hall of Fame requested after last year’s World Series win.

“I’m just really elated and really proud of our team, our guys, the way we fought. We’ve done something that hasn’t been done in decades. There was so many pressure points and how that game could have flipped, and we just kept fighting, and guys stepped up big.”

So did the manager.

Every move Roberts made worked, every button he pushed was the right one. Miguel Rojas, starting for the second time in nearly a month, saved the season with a game-tying home run in the top of the ninth while Andy Pages, inserted for defensive purposes during the bottom of the inning, ran down Ernie Clements’ drive at the wall with the bases loaded to end the threat.

In the 11^th he had Yoshinobu Yamamoto pitch around Addison Barger, putting the winning run on base. But that set up the game-ending double play three pitches later.

“Credit to him, man. Every single move he did this postseason was incredible,” said Tyler Glasnow, one of four starting pitchers Roberts used in relief Saturday. And he had a fifth, Clayton Kershaw, warming up when the game ended.

Added Dodgers co-owner Magic Johnson: “He did some coaching tonight. This was a great manager’s game from him. He’s proven how great a manager he is. He’s a Hall of Famer.”

Roberts asked Yamamoto, who pitched six innings Friday to win Game 6, to throw another 2 2/3 innings in Game 7. It worked; Yamamoto won that game too.

“What Yoshi did tonight is unprecedented in modern-day baseball,” said Roberts, who came into the postgame interview room wearing ski goggles and dripping of champagne. “It just goes down to just trusting your players. It’s nice when you can look down the roster and have 26 guys that you believe in and know that at some point in time their number’s going to be called.”

And Roberts needed all 26 guys. Although the Dodgers players wore t-shirts with the slogan “We Rule October” when they mounted a makeshift stage in the center of the Rogers Centre field to celebrate their victory early Sunday, October was only part of it. Their year started in Tokyo in March and ended in Toronto in November, making it the first major league season to begin and end outside the U.S.

“We really extended the season,” Max Muncy, whose eighth-inning homer started the Dodgers’ comeback, said with a grin after the team’s 179^th game in 226 days.

“Look back at the miles that we’ve logged this year,” Roberts said. “We never wavered. It’s a long season and we persevered, and we’re the last team standing.”

That, too, is a credit to Roberts, who has made the playoffs in each of his 10 seasons and went to the World Series five times, trailing only Alston among Dodger managers. His .621 regular-season winning percentage is best in franchise history among managers who worked more than three seasons. And he figures to keep padding those records.

“We’ve put together something pretty special,” said Roberts, who celebrated with his family on the field afterward. “I’m proud of the players for the fans, scouting, player development, all the stuff. To do what we’ve done in this span of time is pretty remarkable.

“I guess I’ll let the pundits and all the fans talk about if it’s a dynasty or not. But I’m pretty happy with where we’re at.”

On Sunday morning Glasnow, who missed the playoffs last season with an elbow injury, was pretty happy with where he was at as well.

“To be a part of the World Series is crazy,” he said, standing just off the infield as blue and gold confetti rained down. “You dream about it as a kid. To live it out, I feel so lucky. This group of guys, I’m so close to everyone. So many good people on this team. It’s just the perfect group of guys.”

The perfect manager, too.