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Diane Keaton, film legend, fashion trendsetter and champion of L.A.’s past, dead at 79

Diane Keaton, the actress who starred in some of the biggest movies of the last half-century, including the “Godfather” and “Annie Hall,” while serving as a style trend-setter and a champion of Los Angeles’ past, has died. She was 79.

Her death was first reported by People and confirmed by The New York Times.

In an extraordinary run during the 1970s when she was dominant, her career spanned the high points of American cinema: Francis Ford Coppola’s mafia saga and several of Woody Allen’s urbane comedies, climaxing in an Oscar win for her culture-changing turn as the title character in 1977’s “Annie Hall.” Keaton’s catchphrase, “Well, la-di-dah,” became iconic.

Over her career, she received four Oscar nominations for lead actress, winning for “Annie Hall.”

Born in Southern California, Keaton achieved fame in the 1970s through her frequent collaborations with Woody Allen and Francis Ford Coppola. She appeared in three “Godfather” movies as well as eight Allen films. Her star turn as Annie Hall earned her critical raves and made her a fashion icon of the era with Annie’s fedora hats, vests, ties and baggy pants. The Times once called her look “fluttery, vulnerable, almost unbearably adorable.”

“Annie’s style was Diane’s style — very eclectic,” designer Ralph Lauren said in a 1978 story in Vogue, soon after the movie came out. “She had a style that was all her own. Annie Hall was pure Diane Keaton.”

She was often asked if she got tired of the notoriety “Annie Hall” brought her, including the magazine covers, think pieces and fashion homages.

“No, I’m not. Everything is because of ‘Annie Hall’ with Woody. He has a great ear for women’s voices. I’m so grateful to him; he really gave me an opportunity that changed my life,” she told The Times in 2012. “I’m never disappointed about people talking to me about ‘Annie Hall.’ But I will say, a lot of people don’t know ‘Annie Hall’ exists, and that’s just the way it goes — goodbye! It’s bittersweet.”

She managed to capture the cultural zeitgeist in later films. In 1987, she played a successful businesswoman who upends her life to care for a relative’s baby in “Baby Boom.” In 2003, she won acclaim in “Something’s Gotta Give” for playing a successful writer navigating with romance in her 50s.

Keaton also got Oscar nominations for “Reds” (1982), “Marvin’s Room” (1996) and “Something’s Gotta Give.”

Keaton was a patron of the L.A. arts scene and also gained note as a champion of architecture preservation, remaking grand homes across the region. In collaboration with the Los Angeles Public Library, she edited a book of tabloid photos called “Local News” that ran in the Los Angeles Herald-Express.

In a 2018 interview with The Times, she said she felt privileged to still be working.

“I know what I am by now,” she said. “I know how old I am. I know what my limitations are and what I can and can’t do. So if something appeals to me, I’m definitely going to go for it.”

Later in life, Keaton became a major voice in architecture preservation.

She grew up Santa Ana during the post World War II housing boom in the 1950s and told The Times in an interviews she loved going to open houses with her father

“My father took me to see model homes, which I thought were palaces,” Keaton said.

She began buying and fixing up landmark homes around L.A., especially those of the Spanish colonial style.

“You have to get to know a house and try to keep its integrity. I try to honor the architect,” she said. “I love to go into an empty house. You look at the house and start to feel what it might need.”

“There are so many house treasures, unsung gems, all over Los Angeles,” she said.

Explaining how she came to edit the book of L.A. tabloid photos, Keaton told The Times the L.A. city library came up to her at a swap meet.

The librarian said, ‘There’s these files in the basement of the Central Library’ — the most beautiful building. I took a look. There are books and books to be made out of those images. This is a brilliant archive.”

In recent years, Keaton had become a hit on Instagram, posting photos of architecture, fashion and more. In an interview in 2019, she said she was still very active, eager to work and try new things but was also thinking more about her mortality.

“Of course, you think about it. How can you not?” she said. “I mean, I’m 73. How long do you live? It’s really important what those years are like.”

Keaton death brought tribute across Hollywood and beyond.

“She was a very special person and an incredibly gifted actor, who made each of her roles unforgettable. Her light will continue to shine through the art she leaves behind. Godspeed,” said Nancy Sinatra.

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Dean Cain, ‘South Park’ both in posts recruiting for ICE

Dean Cain played a superhero on TV 30 years ago. Now he wants to help the government in its unconstitutional sweeps of Home Depot parking lots, schools and bus benches for people who appear to be immigrants.

Cain played Superman in the 1990s TV series “Lois & Clark: The New Adventures of Superman.” On Tuesday, he encouraged his Instagram followers to apply for a job with the U.S. Immigration and Customs Enforcement agency.

“Here’s your opportunity to join ICE,” he told followers in a video. “You can earn lots of great benefits and pay. Since President Trump took office, ICE has arrested hundreds of thousands of criminals including terrorists, rapists, murderers, pedophiles, MS-13 gang members, drug traffickers, you name it — very dangerous people who are no longer on the streets.”

Clearly, Cain is still fighting fantasy villains because nonpublic data from ICE indicate that the government is primarily detaining individuals with no criminal convictions of any kind. Of the 200,000 people detained by ICE since October, 65% have never committed a crime, and 93% haven’t committed a violent crime.

A woman in a black dress and a man in a Superman suit with his arm around her.

Dean Cain with co-star Teri Hatcher in “Lois & Clark: The New Adventures of Superman.”

(ABC Television Network)

But he wasn’t the only player from series TV to end up in a recruitment post for the Department of Homeland Security. On its X account, the department pulled an image from a “South Park” teaser for the show’s forthcoming episode “Got a Nut.” It showed masked men riding in black cars marked “ICE.” Homeland Security added its own caption: “Join.Ice.Gov.”

The show’s last episode, “Sermon on the Mount,” mercilessly lampooned the president’s manhood and penchant for vengeance-driven lawsuits. Trump responded by calling the animated comedy “irrelevant,” though its searing indictment of the president represented the show’s highest-rated season opener since 1999.

Paramount Global reported that viewership was up 68% from the previous “South Park” season premiere and was the top show across cable on July 23. The episode reached nearly 6 million viewers across Paramount+ and Comedy Central platforms in the three days after it aired.

A 20-second teaser of Wednesday’s “Got a Nut” episode shows Trump at a dinner event with Satan. As Trump’s courage is heralded by an off-screen speaker, the president rubs Satan’s leg under the table. Satan tells him to stop. Even the devil is disgusted.

It also appears “South Park” will be focused on ICE recruitment or, rather, the absurdity of the administration’s public call to arms. “When Mr. Mackey loses his job, he desperately tries to find a new way to make a living,” reads the caption about “Got a Nut” on “South Park’s” X account. It’s accompanied by a screenshot of the oft-misguided former school counselor Mackey looking out of sorts in a face mask and ICE vest. He stands near a characterization of Homeland Security Secretary Kristi Noem, who vamps in ICE gear and points a pistol in the air.

On Tuesday, “South Park” responded via X to the department’s usage of an image from the forthcoming episode: “Wait, so we ARE relevant?“ followed by a hashtag we can’t reprint here.

Satire around MAGA’s inhumane immigration policy has ramped up after the Trump administration launched an ICE hiring campaign, promising a $50,000 signing bonus and retirement benefits. “Your country is calling you to serve at ICE,” Noem said in a news release last week. “Your country needs dedicated men and women of ICE to get the worst of the worst criminals out of our country. This is a defining moment in our nation’s history. Your skills, your experience, and your courage have never been more essential. Together, we must defend the homeland.”

Cain’s signature show has been off the air as many years as “South Park” has been on, but Tuesday he decided it was time to slip on the virtual unitard one more time, imagining himself a superhero as he took to social media and said: “For those who don’t know, I am a sworn law enforcement officer, as well as being a filmmaker, and I felt it was important to join with our first responders to help secure the safety of all Americans, not just talk about it. So I joined up,” the 59-year-old said.

A follower replied: “Unfortunately, you can’t join ICE if you’re over 37 years of age — even if you’re a fully licensed state law enforcement officer.”

Cain replied: “Perhaps we’ll get the changed. …”

Mere hours passed, then viola! Noem announced during an appearance on Fox News that ICE’s hiring age cap had been eliminated. And faster than a speeding rubber bullet fired at an ICE protester, Superman extended the dream of state-sanctioned kidnapping to the young and old.

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