Welcome to Screen Gab, the newsletter for everyone who longs for the expansion of dirty soda chain Swig so we can feel better equipped to deal with #MomTok drama (IYKYK).
It’s been a week since the second season of “The Secret Lives of Mormon Wives” dropped on Hulu, but die-hard reality TV watchers have likely already inhaled all nine episodes with the same unwavering commitment as the cast member trying to make us believe that her husband is related to Ben Affleck. (Spoiler alert: He is not. But we sure hope the actor watches while sipping on a 44-ounce iced coffee.) Taylor Frankie Paul, the self-proclaimed founder of #MomTok, the TikTok infuencer group that unites them, stopped by Guest Spot to talk about the new season of friendship and backstabbing.
Also in this week’s Screen Gab, our resident true-crime expert Lorraine Ali tells you why a docuseries about 1982’s unsolved Tylenol murder case is worth watching, and TV critic Robert Lloyd dives into the pleasures of watching professional surfers chase giant waves. Be sure to also find time to take in Lloyd’s tender tribute to “quintessential Regular Guy” George Wendt, who died this week at age 76; it’s linked below.
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Actor George Wendt, best known for his role as Norm in NBC’s long-running sitcom “Cheers,” holds a glass of beer in a barroom in Los Angeles on June 13, 1983.
Recommendations from the film and TV experts at The Times
Professional big-wave surfer Garrett McNamara in HBO’s “100 Foot Wave.”
(HBO)
“100 Foot Wave” (Max)
The continuing story of big-wave surfer Garrett McNamara, his family and friends becomes a trilogy with the third season of Chris Smith’s great HBO docuseries, crazy to contemplate yet beautiful to behold. Garrett, a maverick who put the Portuguese town of Nazaré on the map for its massive waves, set a record there, surfing a 78-footer — imagine an eight-story office building coming up behind you. But with the spot well-established and many records having been matched, the series has become less about competition than community and compulsion. (A middle-aged adolescent with a seemingly high tolerance for pain, Garrett, despite age and injury, cannot stop surfing.) Back again, with a cast of top big-wave surfers, are charismatic Nicole McNamara, Garrett’s level-headed wife and manager and mother to their three, one might say, “other children,” and her brother C.J. Macias, suffering from surfing PTSD after breaking his arm at Nazaré. The climax of the season is a surfing safari to Cortes Bank, 100 miles off the coast of Southern California, where an undersea island creates huge waves with no land in sight. — Robert Lloyd
A still showing Tylenol pills from the Netflix documentary “Cold Case: The Tylenol Murders.”
(Netflix)
“Cold Case: The Tylenol Murders” (Netflix)
If you’re not ready to switch to Advil, stop reading here. Netflix’s three-part, true-crime docuseries deftly chronicles one of the largest criminal investigations in U.S. history involving the 1982 murder of seven victims in Chicago who died after ingesting Extra Strength Tylenol tablets laced with cyanide. No one was ever charged with their murders.
Directed by Yotam Guendelman and Ari Pines (“Conversations with a Killer: The Ted Bundy Tapes”), the series includes interviews with family of the victims, investigators, police and prosecutors who were directly involved in the case. Together their accounts recall the bizarre and terrifying nature of the crimes, the national panic caused by the tainted pills and the stunning lack of scrutiny on the medication’s manufacturers, Johnson & Johnson.
Private citizen James W. Lewis eventually emerged as one of two main suspects in the case, and he served 12 years in prison for sending an extortion note to Johnson & Johnson demanding $1 million to “stop the killing.” But authorities couldn’t pin the murders on Lewis. The documentary features an exclusive interview with Lewis before his death in July 2023 in which he proclaims his innocence yet appears to still revel in the media attention. The series also calls into question the culpability of Johnson & Johnson and the possibility that the poisoned capsules may have come straight from the factory before landing on drugstore shelves, where they were purchased by the unwitting victims. The murders ultimately led to an overhaul on the safety packaging we see on today’s over-the-counter medication.
Also worth your time is “This is the Zodiac Speaking,” Netflix’s riveting 2024 docuseries chronicling a family of siblings who were intimately involved with the top suspect in the still unsolved Zodiac killings of the 1960s and ‘70s. Sleep tight. — Lorraine Ali
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Mayci Neeley and Taylor Frankie Paul in “The Secret Lives of Mormon Wives.”
(Fred Hayes / Disney)
“The Secret Lives of Mormon Wives” feels like the new wave of soapy reality TV in the way it builds off social media personas to create ridiculously addictive drama. The Hulu reality series follows the lives of a group “momfluencers” who push against traditional Mormon norms — they’re the breadwinners, some are divorced, many drink, and at least one faced the dilemma of promoting a sex toy brand. Taylor Frankie Paul, the founding member of #MomTok, stopped by Guest Spot to discuss what makes great reality TV versus social media content and the scripted show that reminds her of her life. — Yvonne Villarreal
The women spend a lot of the season saying #MomTok has veered away from what it was initially conceived to be about — women supporting women. How do you think the reality show — this additional layer of sharing your personal life with an audience — has both helped its evolution and threatened its survival?
I think it’s threatened the survival because when you share, you get vulnerable and, unfortunately, when doing so it could eventually be used against you. With that being said, it helps the evolution by doing the same thing — being vulnerable can bring people closer together as well.
What have you learned makes great reality TV and how is that different from what makes great social media content?
What makes great reality TV is sharing as much as you can — both pretty and ugly — so they [followers] can see [the] bigger picture. What makes great social media content is leaving some mystery. It’s ironic that it’s opposite!
Viewers had a strong reaction to how your family engaged with you about your relationship with Dakota, particularly at the family BBQ. What struck you in watching it back?
Watching the scene at my family BBQ made us all cry because my family loves me dearly and the approach was maybe not the best (including myself), but everyone’s emotions were heightened. A lot was happening and all I remember is feeling overwhelming pain. But I do know my family has my best interest [in mind] even if that moment doesn’t show that. I know and that’s all that matters. I don’t like seeing the backlash because they are my village and I love them so much.
I notice that I come off intimidating or harsh, however I’m very soft and forgiving. I typically need to feel safe to show more of that. I feel like I’m always on defense, and I need to give people the benefit of the doubt — not everyone is going to cause pain; in other words, [I need to] open my heart more.
What have you watched recently that you’re recommending to everyone you know?
My current go-to watch is “Tell Me Lies” [Hulu]. I’m not a reality TV girl, ironically. I’m obsessed with this show. It’s so toxic and so good. It’s a lot like my life, so it’s entertaining to watch someone else’s life.
George Wendt, who will be famous as long as television is remembered as Norm from “Cheers,” died Tuesday. He passed in Los Angeles, where he lived, though the cities to which he is spiritually tied are Boston, where the show was set, and Chicago, where he was born and entered show business by way of Second City, and which he unofficially represented throughout his life, and which claimed him as one of its own. One of his last Facebook posts, earlier this month, as a Chicagoan educated by Jesuits, was, “pope leo XIV is a sout’ sider my friendts. his cassock size is 4XIV.”
Entering stage right, as the assembled cast shouted his name, Norm would launch his heavyset frame across the set to a corner stool where a glass of beer — draft, never bottled — would appear as he arrived. He was the quintessence of Regular Guy, a big friendly dog of a person, with some of the sadness that big, friendly dogs can carry.
“Cheers,” which ran for 11 seasons from 1982 to 1993 — Wendt appeared in every one of its 275 episodes — was a show about going where everybody knows your name but also, as in life and fiction, a place for people who had nowhere better to be, or nowhere else to go. Though Norm was nominally an accountant, and then a house painter, his real job was to sit and fence with John Ratzenberger‘s font-of-bad-information postman Cliff Clavin — they were one of the medium’s great double acts — and drink beer, and then another. His unpaid tab filled a binder. (“I never met a beer I didn’t drink,” quoth Norm, though there was never any suggestion of alcoholism, or even of drunkenness.)
But as a person with work troubles and a marriage that could get the better of him — Wendt’s own wife, Bernadette Birkett, supplied the voice for the off-screen Vera — he was also the vehicle for some of the show’s more dramatic, thoughtful passages. (That his service to the series was essential was borne out by six Emmy nominations.) Unlike some other “Cheers” regulars, there was no caricature in his character. His woes, and his pleasures, were everyday, and he played Norm straight, seriously, without affectation, so that one felt that the Wendt one might meet on the street would not be substantially different from the person onscreen.
Like many actors so completely identified with a part, Wendt, who spent six years with Second City, worked more than one might have imagined; there were dozens of appearances on the small and big screen across the years, including his own short-lived “The George Wendt Show,” which took off on public radio’s “Car Talk.”
After “Cheers,” he’s perhaps most associated with the recurring, Chicago-set “Saturday Night Live” sketch “Bill Swerski’s Superfans.” But he also did theater, including turns on Broadway as Edna Turnblad in “Hairspray,” as Yvan in Yasmina Reza’s “Art” and as Santa in the musical adaptation of “Elf.” There was “Twelve Angry Men,” with Richard Thomas in Washington, D.C., and he was Willy Loman in “Death of a Salesman” in Waterloo, Canada. In Bruce Graham’s “Funnyman,” at Chicago’s Northlight Theatre in 2015, he played a comic cast in a serious play, breaking out of typecasting.
We were connected on Facebook, where he regularly liked posts having to do with music and musicians; he was a fan, and sometimes a friend, of alternative and underground groups, and tributes to him from that quarter are quickly appearing. (When asked, he would often cite L.A.’s X, the Blasters and Los Lobos as among his favorites.) One of his own last posts was in memoriam of David Thomas, leader of the avant-garde Pere Ubu, twinned with “kindred spirit” Chicago Bears defensive tackle Steve McMichael, who died the same day.
Once, after he messaged me to compliment an appreciation — like this — I’d written about Tommy Smothers, I took the opportunity to ask, “Do I correctly remember seeing you at Raji’s a million years ago, probably for the Continental Drifters?” Raji’s, legendary within a small circle, was a dive club in a building long since gone on Hollywood Boulevard east of Vine Street; it wasn’t the Roxy, say, or other celebrity-friendly spots around town — or for that matter, anything like “Cheers,” except in that it served as a clubhouse for the regulars.
“Yep,” he replied. “Tough to get out like I used to, but please say hi if you see me around.” Sadly, I never did, and never will.
Actor George Wendt, who starred in the beloved Cheers TV series, has passed away at the age of 76, and he has a famous Ted Lasso nephew he’s sadly leaving behind
22:05, 20 May 2025Updated 22:22, 20 May 2025
George Wendt was best known for his role as Norm Peterson in the iconic sitcom Cheers(Image: NBCUniversal via Getty Images)
Theactor, who was best known for his role as Norm Peterson in the iconic sitcom Cheers, died peacefully in his sleep at his home, his family confirmed.
A representative told the Hollywood Reporter: “George was a doting family man, a well-loved friend and confidant to all of those lucky enough to have known him. He will be missed forever. The family has requested privacy during this time.”
During his notable career, the American star delighted viewers on Saturday Night Live, portraying Bob Swerski, one of the fervent superfans often seen crowding around Coach Mike Ditka’s diner, passionately rooting for “Da Bears.”
George Wendt has passed away at the age of 76(Image: Getty Images)
He also boasted an impressive back catalogue of film appearances, gracing screens in Dreamscape (1984), House (1985), Fletch (1985), Gung Ho (1986), Plain Clothes (1987), Never Say Die (1988), Guilty by Suspicion (1991), Forever Young (1992) and the pop culture hit Spice World (1997).
But away from work, George spent time with his doting family, including his wife Bernadette Birkett and their three children: Hilary, Joe, and Daniel. He also leaves behind his nephew, Jason Sudeikis, who plays the lead role in the hugely popular TV series Ted Lasso.
While appearing on an episode of the Still Here Hollywood podcast, George gushed over his pride for his famous nephew. The Cheers star shared: “Proud especially, you know, not only of the success, but he’s solid. Have you read profiles and stuff? I mean he is such a mesh, so smart, so thoughtful. I mean, it all comes out in the show. Right?”
There has even been a touching link between the finale of Ted Lasso and the final episode of Cheers – a homage to the uncle and nephew duo.
During the season three finale of Ted Lasso, bartender Mae straightens a framed photo of Apache leader Geronimo at the Crown & Anchor. The subtle but touching scene was inspired by the ending of Cheers, which saw a similar picture and a small gesture from Sam.
Jason Sudeikis, who played the lead role in Ted Lasso, is the nephew of George Wendt(Image: Handout)
Marked by heartbreaking coincidence, the news of George’s death comes precisely 32 years after the last episode of Cheers graced our television screens. With a run of 275 episodes under his belt, the actor garnered six Primetime Emmy Award nods for his beloved role as the beer-chugging regular, Norm.
On X, formerly Twitter, tributes poured in from fans mourning their favourite TV bar patron, with one writing: “George Wendt, beloved for his role as Norm on Cheers, has died at 77. With a beer in hand and a heart of gold, he made millions feel like regulars. A true legend of TV comfort and comedy.”
Another wrote: “Rest in peace to George Wendt, responsible for Norm Peterson, one of the most iconic sitcom characters of my lifetime. Cheers big guy. Rest easy.”
A third also shared a touching tribute: “RIP George Wendt. You were a big part of my childhood and the impact you had on society was positive and substantial. We are sad to see you go, but know you will be in a better place. Thanks for the laughs.”
