few year

The century-old rivalry series between USC and Notre Dame is taking a few years off, and as far as Lincoln Riley is concerned, that’s the fault of the Irish.

In his first public comments since the series was officially put on hiatus, the USC coach put the blame squarely on Notre Dame for not accepting USC’s most recent offer to continue the rivalry, which would have moved the 2026 game, usually scheduled in November, to the very beginning of the season.

“It’s pretty simple,” Riley said Monday, ahead of USC’s bowl matchup with Texas Christian. “We both worked for months to try to find a solution. Notre Dame was very vocal about the fact that they would play us anytime, anywhere.

“Jen Cohen, our AD, went back to Notre Dame roughly a couple of weeks ago with a scenario and a proposal that would extend the series for the next two years. We took Notre Dame at their word that they would play us anytime, anywhere. That proposal was rejected.

“Not only was it rejected, but five minutes after we got the call, it was announced they scheduled another opponent, which I’ll give them credit, that might be the fastest scheduling act in college football history.”

The Times reported last week that the Playoff selection earlier this month proved to be a turning point for USC’s administration in talks with Notre Dame. The realization that the Irish — by virtue of a side agreement with the College Football Playoff committee that hands them a bid if ranked in the top 12 — would have gotten into the field over Miami especially gave USC pause.

That’s when Cohen returned to Notre Dame athletic director Pete Bevacqua with an offer for the rivals to face off in the season opener. Notre Dame instead scheduled Brigham Young to fill that vacancy over the next two seasons.

Riley has been roundly criticized for his part in the rivalry’s potential demise after he suggested in August 2024 that the annual series could be in danger, if USC proved too much of a hurdle in the Trojans’ path to the College Football Playoff.

In the spring, as negotiations between the two schools stalled and the public pointed fingers at Riley and USC, Notre Dame coach Marcus Freeman said that continuing the rivalry was “pretty black and white for me.”

“I want to play them every single year,” Freeman said. “You want my opinion? I want to play them every single year. When? I don’t care. I don’t care when we play them: Start of the season, middle of the season, end of the season. I don’t care. I want to play USC every year because I think it’s great for college football.”

After initially holding firm on its intent to renegotiate terms of the rivalry year-to-year, so as to wait on changes to the College Football Playoff format, USC sent an amended offer to Notre Dame before the season that would have extended the series for two seasons. But Notre Dame wanted a longer deal.

The two schools nearly came to an agreement in October, around their final meeting in South Bend. USC had made clear that it wanted to play the game earlier in the season, but was warming up to the idea of continuing the series as is through 2027.

USC decided to dig its heels in after Selection Sunday, returning to USC with a final offer to play early in the 2026 season. Notre Dame declined.

“The fact is very, very clear, this can all be settled very quickly,” Riley said. “Had Notre Dame lived up to their word and played us anytime, anywhere, we would be playing in the next two years, and looking ahead after that, hopefully continuing the series.

“They did not follow through on it, thus we are not playing them the next couple years. We’re hopeful something can be worked out in the future. That would be fantastic. We at SC would love for the game to continue. We have no problem following through on our promises in the future.”

It’ll be a while before those negotiations start up again. The next window in which USC could play Notre Dame is during the 2030 season.

Only a few years ago, Keith Lee was a professional MMA fighter, doing food delivery and making social media videos to ease his social anxiety.

On Thursday night, however, Lee found himself under the glare of bright lights and walking the red carpet outside the historic Hollywood Palladium on Sunset Boulevard about to be recognized as TikTok’s “Creator of the Year.”

He and hundreds of other creators had gathered for TikTok’s first American awards show. And they had good reason to celebrate.

Only a few minutes before the start of the inaugural show, they got word about a deal that would allow TikTok to keep operating in the U.S. through a joint venture controlled by a group of U.S. investors that includes tech giant Oracle Corp. TikTok confirmed the deal in an email to employees and said it is expected to close next month.

“[TikTok] is the best way to reach people and I know so many people who rely on it to support their families,” said Lee, who has 17.3 million followers of his casual restaurant reviews. “For me, it’s my career now so I can’t imagine it not being around.”

Creators — many of whom are based in Southern California — rely on the app as a key source of income, while businesses and brands turn to the platform and its influencers to promote their products.

Many had worried that the app might disappear after the Supreme Court upheld a ban on the platform because of national security concerns raised by President Trump in 2020.

Trump subsequently allowed TikTok, which has offices in Culver City, to keep operating in the U.S. and in September signed an executive order outlining the new joint venture.

Comedy creator Adam W., who attended the awards show, called the news “game changing.”

With 22.6 million followers on TikTok, Adam W. has amassed a massive audience for his videos that parody pop culture trends.

In one, he’s a contestant on “The Bachelor,” surrounded by a line of lookalike blond models; in another, he’s drinking matcha lattes with Will Smith.

“That’s so good to hear,” said Adam W. of the new ownership. “So many people are able to make careers off of TikTok. There’s so many people out there who go to TikTok to get away from their reality and it means a lot to them, so I think it’s really valuable for us to have.”

TikTok said the awards show is intended to celebrate the influencers who’ve helped transform the app into a global force that has shaped the way younger Americans shop and consume entertainment.

“You represent a truly global community of over 1 billion people on TikTok,” Kim Farrell, the app’s global head of creators, said at the event. “This year, you showed the world just how much impact creators have.”

Despite the historic moment, the awards show was not without technical glitches. Screens that were intended to display clips of contestants and visuals during speeches were dark the entire night.

The two-hour show, in which creators received awards in several categories, featured a range of skits parodying TikTok cultural moments, from Jools Lebron telling the crowd to “be demure,” to Rei Ami of K-Pop Demon Hunters shooting a Labubu cannon into the crowd.

“TikTok definitely changed my life,” Lee said in an interview. “I always planned my life around food, so I’m blessed to just turn the camera on and do the same thing.”

The new ownership of TikTok should allow the app to rebound after it lost market share amid uncertainty over its future, said Max Willens, an analyst at EMarketer.

“This past year, because a lot of advertisers weren’t really sure whether TikTok was going to stay or go, it did kind of slow the momentum that we had seen on that platform,” Willens said. “We think that moving forward that is going to wind up just being a blip.”