Felix

Jannik Sinner continued his US Open title defence in dominant fashion as he swept past fellow Italian Lorenzo Musetti to reach the semi-finals in New York.

Labelled an “artificial intelligence” player by Alexander Bublik in the last round, Sinner’s scintillating form carried on as he won 6-1 6-4 6-2.

Musetti, ranked 10th, was unable to convert any of his seven break points, while he hit just 12 winners to his compatriot’s 28 on Arthur Ashe Stadium.

“We know each other very well. We’re from the same country, there’s so many Italian players in the draw, so it’s nice to play here,” Sinner said.

“Obviously playing Davis Cup together and stuff like this you have to take the friendship away, but when you shake hands everything is fine.”

In a ruthless first set, Sinner rattled through the first five games and conceded just five points before Musetti eventually held serve to get himself on the board for 5-1.

Sinner closed out the opener after just 27 minutes, but his momentum slowed in the second set as Musetti stepped up his level.

But the top seed managed to grab the decisive break at 4-4 and served it out comfortably before breaking twice in the third to secure the win just before midnight at Flushing Meadows.

“From my point of view it was a great performance, very solid,” Sinner added.

He has now won 26 consecutive matches at hard-court Grand Slam tournaments.

The 24-year-old will face Felix Auger-Aliassime in Friday’s semi-final after the Canadian defeated Alex de Minaur of Australia.

Trusting her natural ability, and the work she is doing with coach Wim Fissette to further improve, has also been the key to Swiatek turning around her season.

After a slump by her lofty standards at the start of the year, the former long-time world number one started the final major of the season as most people’s pick for the trophy.

The recently crowned Wimbledon champion, who won the US Open in 2022, underlined her credentials on the American hard courts with victory at the Cincinnati Open.

Swiatek was far from her best against 29th seed Kalinskaya, with a low serve percentage particularly damaging, and her relief was demonstrated by an animated celebration.

“I’m happy that I came back, kept being positive and figured it out,” Swiatek added.

In the other night-session match, Brazil’s Beatriz Haddad Maia made light work of Greece’s Maria Sakkari after the pair took to court at 11:15pm local time.

Haddad Maia, seeded 18th, moved fast to wrap up a 6-1 6-2 victory, booking a last-16 match with Wimbledon runner-up Amanda Anisimova.

Felix Baumgartner’s fatal paragliding crash was preceded by large boom as it spun to the ground, according to witnesses.

Beachgoers knew something was wrong when they heard a loud boom ring out as a paraglider spun out of control, before killing its only occupant, extreme athlete Felix Baumgartner, when it crashed next to a swimming pool near the Adriatic Sea.

A 30-year-old mother watched the deadly descent unfold Thursday afternoon from nearby with her two young children, who were entranced by the constant traffic of paragliders above the beach town of Porto Sant’Elipido in central Italy’s Marche region.

“Everything was normal, then it started to spin like a top,’’ Mirella Ivanov said on Friday. “It went down and we heard a roar. In fact, I turned around because I thought it crashed on the rocks. Then I saw two lifeguards running, people who were running toward” the crash site.

When she saw people trying to revive the occupant, she hustled her two children away.

The city’s mayor confirmed the death of 56-year-old Baumgartner, who was renowned as the first skydiver to fall faster than the speed of sound. The cause of the paragliding accident was under investigation. Police did not return calls asking for comment.

“It is a destiny that is very hard to comprehend for a man who has broken all kinds of records, who has been an icon of flight, and who travelled through space,” Mayor Massimiliano Ciarpella told The Associated Press.

Ciarpella said that Baumgartner had been in the area on vacation, and that investigators believed he may have fallen ill during the fatal flight.

Baumgartner’s social media feed features videos of him in recent days flying on a motorised paraglider – known as paramotoring – above seaside towns, and taking off from a nearby airfield surrounded by cornfields.

The Clube de Sole Le Mimose beachside resort where the crash occurred said in a statement that an employee who was “slightly injured” in the accident was in good condition. No guests were injured, and the pool has been reopened.

In 2012, Baumgartner, known as “Fearless Felix,” became the first human to break the sound barrier with only his body. He wore a pressurised suit and jumped from a capsule hoisted more than 24 miles (39 kilometres) above Earth by a giant helium balloon over New Mexico.

The Austrian, who was part of the Red Bull Stratos team, topped out at 843.6 mph (1,357.6km/h) – the equivalent of 1.25 times the speed of sound – during a nine-minute descent. At one point, he went into a potentially dangerous flat spin while still supersonic, spinning for 13 seconds, his crew later said.

In 2012, millions watched YouTube’s livestream as Baumgartner coolly flashed a thumbs-up when he came out of the capsule high above Earth and then activated his parachute as he neared the ground, lifting his arms in victory after he landed.

Baumgartner’s altitude record stood for two years until Google executive Alan Eustace set new marks for the highest free-fall jump and greatest free-fall distance.

Baumgartner, a former Austrian military parachutist, made thousands of jumps from planes, bridges, skyscrapers and famed landmarks, including the Christ the Redeemer statue in Brazil.

In 2003, he flew across the English Channel in a carbon fibre wing after being dropped from a plane.

In recent years, he performed with The Flying Bulls, an aviation team owned and operated by Red Bull, as a helicopter stunt pilot in shows across Europe.

Red Bull paid Baumgartner tribute in a post Friday, calling him “precise, demanding and critical. With others, but above all toward yourself.”

The statement underlined the research and courage with which Baumgartner confronted “the greatest challenges.”

“No detail was too small, no risk too great, because you were capable of calculating it,’’ Red Bull said.

Felix Baumgartner lived to leap, becoming the first person to fall faster than the speed of sound during a 24-mile skydiving adventure through the stratosphere in 2012.

On Thursday, the Austrian daredevil died at age 56 while engaged in a far less intense activity, crashing into the side of a hotel swimming pool while paragliding in Porto Sant Elpidio, a town on central Italy’s eastern coast.

According to Sky Austria, he became ill before the crash. A hotel employee was hospitalized after sustaining injuries in the accident, the report stated.

“Our community is deeply affected by the tragic disappearance of Felix Baumgartner, a figure of global prominence, a symbol of courage and passion for extreme flight,” Porto Sant Elpidio mayor Massimiliano Ciarpella said on Facebook.

Felix Baumgartner jumps out of the capsule during Red Bull Stratos on October 14, 2012.

(Red Bull Stratos/Red Bull via AP Images)

The man known as “Fearless Felix” made history 13 years ago when he parachuted down to a landing near Roswell, N.M., after being lifted 24 miles above Earth into the stratosphere in a capsule carried by a helium balloon. He set a record for fastest free fall, descending 127,852 feet at 843.6 mph and becoming the first human to break the sound barrier without the assistance of a vehicle.

As he exited his capsule and jumped into air that was 70 degrees below zero, Baumgartner gave a thumbs-up to onlookers watching a live stream online. He activated his parachute as he neared the ground.

“When I was standing there on top of the world, you become so humble, you do not think about breaking records anymore, you do not think of about gaining scientific data. The only thing you want is to come back alive,” he said after landing safely.

“Sometimes we have to get really high to see how small we are.”

Baumgartner’s altitude record stood for two years until Google executive Alan Eustace set new marks for the highest free-fall jump and greatest free-fall distance.

A former Austrian military parachutist, Baumgartner made numerous jumps from airplanes, skyscrapers and bridges. He also leaped from famed landmarks, including the Christ the Redeemer statue at the summit of Mount Corcovado in Rio de Janeiro, Brazil.

He once flew across the English Channel in a carbon fiber wing after being dropped from a plane. The daredevil also performed as a helicopter stunt pilot in shows across Europe.

Baumgartner died while engaged in a more prosaic activity. Paragliders are lightweight, free-flying, foot-launched aircraft primarily used for recreation. The pilot sits suspended below a fabric wing.

In a statement to Fox News Digital, a representative for Baumgartner’s longtime sponsor Red Bull said, “We are shocked and overwhelmed with sadness to hear the devastating news of our longtime friend Felix Baumgartner.

“Felix was ‘born to fly’ and was determined to push the limits. He was also smart, professional, thorough and meticulous, never leaving anything to chance. He was generous, giving much of his time to help and inspiring so many people.

“We remember Felix as a lovely person, devoted to his family and friends, to whom we send our heartfelt sympathy. Felix, you will be deeply missed.”

In an interview with Red Bull years ago, Baumgartner addressed his meticulous preparation before taking flight.

“We had a very long list of ‘what ifs,’ in other words eventualities that could happen and how we would deal with them in an emergency,” he said. “The list kept getting longer and longer. I was only afraid of the things that were not on the list, the things we had not thought of. To this day, I abort missions if the conditions are not right.”

The legendary daredevil, best known for his record-breaking jump from the stratosphere, lost control of his paraglider and crashed into a hotel pool.

Renowned extreme athlete Felix Baumgartner, most famous for jumping from a record 39 kilometres (24 miles) at the edge of space in the 2012 Red Bull Stratos project, has died in a paragliding accident in Italy on Thursday.

The 56-year-old Austrian crashed his paraglider in Porto Sant’Elpidio, situated on the Italian Adriatic coast, after losing control and plunged into a wooden structure next to a swimming pool of the Le Mimose Family Camping Village, according to Italian media reports.

A female hotel employee was injured by a piece of debris and taken to hospital with neck injuries.

Baumgartner died at the scene of the accident, and investigations into the circumstances of the accident are under way.

Italian media reported that Baumgartner had already lost consciousness in the air.

The city’s mayor, Massimiliano Ciarpella, confirmed Baumgartner’s death in a social media post.

“Our community is deeply affected by the tragic disappearance of Felix Baumgartner, a figure of global prominence, a symbol of courage and passion for extreme flight,” the mayor said.

Just two hours before his deadly crash, he posted on the social media platform Instagram with the foreboding caption “too much wind”.

From skydiving to the stratosphere

Born in Salzburg, Baumgartner completed his first parachute jump at the age of 16 and later became a parachutist in the Austrian military.

Baumgartner’s reputation as an extreme sports athlete grew exponentially when he turned his hand to the sport of base jumping in the 1990s.

He set a new world record for the highest base jump from a building with his leap from the Petronas Towers in Kuala Lumpur, Malaysia, in 1999. Later that year, he completed a base jump from the famous statue of Christ the Redeemer in Rio de Janeiro, Brazil.

On July 31, 2003, Baumgartner again made global headlines for his base jumping feats when he became the first person to cross the English Channel in free fall after jumping out of a plane equipped with specially developed wings made of carbon.

But it was Baumgartner’s record-breaking free fall from space in 2012 that shot the Austrian to worldwide fame.

Over the desert of New Mexico, he jumped from a helium balloon almost 39km (24 miles) above the planet and became the first person to break the sound barrier in free fall.

Baumgartner set three world records for his jump: He reached a maximum speed of 1,357.6 kilometres per hour (834mph), or Mach 1.25; completed the highest jump at 38,969 metres; and recorded the longest free fall with a length of 36,402 metres.

His death was confirmed late on Thursday by the energy drink company Red Bull, which sponsored many of Baumgartner’s stunts.

Arsenal are set to approach Crystal Palace for Eberechi Eze, Liverpool hold talks with Jean-Philippe Mateta and Manchester United reach agreement to sign Bryan Mbeumo.

Arsenal are set to approach Crystal Palace to discuss whether they can do a deal for England winger Eberechi Eze without triggering the 27-year-old’s £68m release clause. (Talksport), external

Liverpool have held talks with Crystal Palace striker Jean-Philippe Mateta, 28, with the Frenchman meeting with the club’s representatives in Paris. (Footmercato – in French) , external

Manchester United have reached an agreement with Brentford to sign Cameroon striker Bryan Mbeumo, 25. (Football Transfers) , external

Brentford are considering a move for Ipswich Town and England Under-21 winger Omari Hutchinson, 21, as a possible replacement Mbuemo. (Standard), external

The agent of Joao Felix has got involved to try to help negotiate a deal for the 25-year-old Chelsea forward to move to Benfica. (A Bola – in Portuguese) , external

After holding initial talks in January, Chelsea have active interest in 21-year-old Manchester United and Argentina winger Alejandro Garnacho. (TBR Football) , external

France defender Benoit Badiashile, 24, has been linked with Marseille but says he will be staying at Chelsea next season. (Footmercato – in French), external

West Ham have added Liverpool’s England Under-21s duo, forward Harvey Elliott, 22, and defensive midfielder Tyler Morton, 22, to their list of targets. (Mail) , external

Manchester United have made contact with Lyon to ask about the availability of 30-year-old French midfielder Corentin Tolisso. (L’Equipe – in French) , external

Gabon international and former Arsenal striker Pierre-Emerick Aubameyang, 36, is set to leave Saudi Arabian side Al-Qadsiah and join French club Marseille. (La Provence – in French), external

Manchester City will sell England Under-21s midfielder James McAtee, 22, this summer with an eye on generating pure profit from a Profit and Sustainability Rules (PSR) and Financial Fair Play (FFP) perspective. (Football Insider) , external

McAtee is in Germany to visit Eintracht Frankfurt as a potential new club. (Fabrizio Romano), external

Wolves are close to agreement on a £15m deal for 27-year-old Fluminense and Colombia winger Jhon Arias. (Mail) , external

Switzerland midfielder Granit Xhaka has agreed to join Saudi Pro League side Neom SC, who have yet to finalise a fee with Bayer Leverkusen for the 32-year-old. (Sky Sports Germany), external

COLORADO SPRINGS, Colo. — In some ways, one of the longest-serving members of the International Olympic Committee, Anita DeFrantz, paved the way for the new president of the IOC, Kirsty Coventry, to get to where she is today.

That why Coventry, the first female leader of the IOC, pulled a big surprise Saturday. She traveled to Colorado Springs to watch DeFrantz, a trailblazing Olympic rower in 1976 and IOC member since 1986, get inducted into the Team USA Hall of Fame.

“She opened up so many doors, for me and for so many others,” said Coventry, who took over as president last month, in an interview with the Associated Press before the ceremony. “I’m extremely grateful for that. I know that I’ve got to make sure I do that for other women.”

The 72-year-old DeFrantz is part of a class that includes eight individual women — among them 11-time Olympic medalist Allyson Felix, four-time Olympic champion Serena Williams, three-time Olympic champion Kerri Walsh Jennings and 2012 all-around gymnastics champion Gabby Douglas.

Also inducted Saturday were Bode Miller, Mike Krzyzewski, Phil Knight, Steve Cash, Susan Hagel, Flo Hyman and Marla Runyan, along with the 2010 four-man bobsled team and the 2004 women’s wheelchair basketball team.

Coventry showed up for DeFrantz, who played an important role in moving votes toward the five-time Olympic swimmer from Zimbabwe in the seven-person race to succeed Thomas Bach earlier this year.

This was one of Coventry’s first big — albeit low-key — trips in the new role, and DeFrantz was shocked to see the new president standing there as she got out of her car to head into the ceremony at the Broadmoor.

DeFrantz described herself as a little lonely when she went to her first IOC meeting in 1986.

“I walked in and I thought, ‘This is odd,’” she said. “It was this cavernous room” and she was one of only five female committee members there.

One of her main goals in becoming a shaper of world sports policy: “We had to help people open their minds a little.”

While, in some ways, the Olympics has been ahead of its time in the effort to bring women into big-time sports — 22 women participated in the 1900 Olympics while, for instance, it took until 1981 for the NCAA to sanction women’s basketball — it has also shined a global spotlight on some inequities that have existed for decades.

Women’s rowing didn’t debut at the Games until the 1976 Olympics where DeFrantz and her teammates won bronze. Only last year did the Olympics achieve gender parity, with women making up half of the approximately 10,500 athletes, according to the IOC.

DeFrantz, a vice president of the 1984 LA organizing committee, helped spark that progress. She served as chair of the IOC’s women in sport commission for 20 years. She became a member of the IOC executive board in 1992 and was elected as the IOC’s first female vice president in 1997.

Allyson Felix smiles after taking the bronze in the final of women’s 400 meters at the 2020 Summer Olympics in Tokyo.

(Francisco Seco / Associated Press)

A generation later, Felix began her own fight to highlight the way women were treated when they became pregnant. She forced a seismic change in contract terms that, for decades, had given little leeway to female track stars who put careers on hold to have babies.

Felix is now a member of the IOC, as well — following in the footsteps of both DeFrantz and Coventry as Olympic athletes who now have seats at the decision-making table.

“I feel really blessed to come after Anita and I’ve told her this many times, she has paved the way,” Felix said. “She’s a game-changer. Just what she’s seen and contributed to is incredible. For someone like me, it’s just wanting to carry on her legacy.”

DeFrantz’s honor comes at yet another tenuous time for women in sports, punctuated by headline-grabbing debates about eligibility and gender testing in track, boxing, swimming and other sports that will likely bring leaders like Coventry and DeFrantz into the mix.

Coventry said it’s important to “protect the female category,” and has signaled that the IOC will take a more active role in setting guidelines for participation.

But for the 41-year-old president, this was a night for celebrating a mentor who made her role in today’s debates possible.

“It’s all about letting people have opportunities,” DeFrantz said. “You can’t make an Olympian. But you can open the door to possibilities.”

Lena Dunham, of “Girls” fame, with her husband Luis Felber, has created a romantic comedy, “Too Much,” premiering Thursday on Netflix. It’s lighter in tone than that previous show but still comes with plenty of dysfunction, self-sabotage and sex. (Drugs too, though it doesn’t make a case for them.) The titles of the episodes establish a negative relation to the genre: “Terms of Resentment,” “Enough, Actually,” “Notting Kill,” “Nonsense and Sensibility,” “Pity Woman,” “Ignore Sunrise,” “To Doubt a Boy.” But in the end, it wants what they’re having.

Dunham, who wrote or co-wrote all 10 episodes and directed several, has elected not to star, but has brought in Megan Stalter, from “Hacks” as her stand-in, Jessica. (Dunham plays Nora, Jessica’s depressed older sister, mostly from a bed.) Like Jessica, Dunham is an American living in England, in a relationship with a musician, so we may credit at least some details to the authority of their shared experience.

Jessica once wanted to direct films, to “say something about the female experience,” but she has been working for 15 years as a line producer for an ad agency, a job at which she is evidently good, but which means little to her. When her New York firm merges with a British company, she’s sent to London for three months to help make a Christmas commercial, starring Rita Ora. Having been left six months before by her longtime boyfriend, Zev (Michael Zegen) for willowy knitting influencer Wendy Jones (Emily Ratajkowski), to whom he’s become engaged, she is ready to go — all the more so because her happy place is “love stories set in pastoral England.”

On her first night in town, Jessica discovers that the “estate” she thought she was renting is not Pemberley but public housing; she takes a taxi to a random pub, where Felix (Will Sharpe), the boy in this 30-something love story, is performing a sad song to a few patrons. They meet-cute in the bathroom. He walks her home. They talk. He lends her his coat. (There is, interestingly, no attempt to convince us that Felix is a major talent; indeed, the suggestion is that such career as he had is on a downward slope.)

People fall out of love on television almost as often as they fall into it, sometimes as a prelude to falling back into it, or falling for someone else, and less often deciding that they are in fact happier on their own. From the wealth of self-help books, advice columns, therapists, country songs and, yes, romantic comedies that fill our culture, I reckon the messier elements of “Too Much” will feel familiar to many. There is plenty of chaos in this comedy, but its best moments come in passages of relative calm. (They are something of a relief from the dominant emotional mishigas.) A long, wordless scene consisting of a single overhead shot of Felix and Jess on a bed, as she listens to a mix he made her, is remarkably moving, not least because the actors are doing so much while doing so little.

“Too Much” on Netflix first look.

(Netflix)

Even as she becomes involved with Felix, Jessica continues her practice of recording private videos on her phone, on TikTok, as a sort of therapeutic diary, ranting about Zev; many are addressed directly to Wendy Jones. Meanwhile, she deals with Andrew Scott as a pretentious director (“We’ve got to make this feel like it’s Ken Loach doing a Christmas film”) and mucks in with new boss Jonno (Richard E. Grant) and colleagues Josie (Daisy Bevan), Kim (Janicza Bravo), who is interested in Josie, and chatterbox Boss (Leo Reich), who has published an “experimental PDF novel, to much acclaim” and broke up with someone because “he did not have the emotional intelligence necessary to deal with someone whose love language is being a b— in a fun way.” She confounds them with her loud, childlike American energy, filling empty spaces with words, making jokes that don’t come off. (“Just kidding” is a thing she says a lot.)

Recently sober, Felix has his own complement of bandmates, friends and friendly ex-girlfriends, including three women named Polly — Adèle Exarchopoulos plays the important one — whose history with Felix makes Jess nervous. (Jennifer Saunders is a bit of a surprise.) Sharpe, last seen on TV in the second season of “The White Lotus,” plays him quietly, a little melancholy, perhaps, but not unduly moody; even in a difficult situation — he’s carrying just as much baggage as Jessica — his energy remains low-key and relatively grounded, though he will be called upon to do some panicked running.

If the series has a fault, it’s that there’s possibly too much “Too Much.” In the movies, the business of “boy meets girl, boy loses girl, boy gets girl” (substitute your preferred genders), has traditionally been settled in under two hours. The streaming economy, however, has stretched the narrative timeline, elongated the arc, padding out a predetermined number of episodes with extraneous digressions, giving minor characters things to do that don’t necessarily contribute to the story, while not developing into much on their own. There are brief cutaways to Jonno’s home life, which at least has the benefit of giving us more Grant, plus Naomi Watts as his wife, Ann; scenes back in New York likewise give us unrelated time with Rita Wilson as Jessica’s mother, Lois; Rhea Perlman her mouthy grandmother, Dottie; Dunham’s Nora and Andrew Rannells as her ex-husband, Jameson, who left her in favor of “exploring non-monogamy with a couple both named Cody.”

More problematic, an exasperating character like Jessica, lived with at such length, can become exhausting, and she does. Dunham mitigates this, and the roller coaster of Jessica and Felix’s relationship, by employing an episodic structure, setting whole or nearly whole episodes against different backdrops: a wedding, a work trip, a dinner party, Felix at home with his parents (Stephen Fry and Kaori Momoi), Jess and Felix up all night (having sex, watching “Paddington”) when she has to be fresh for work in the morning, and a flashback to Jess’ history with Zev (he’s been made a “writer,” shorthand for pathetic). Taken individually, as discrete stories, they’re easier to digest. The writing is sharp, the performances spot-on.

Stalter, who is in her fourth season stealing scenes on “Hacks,” plays a character halfway around the world from her character there. Where her Kayla is brash, entitled and self-confident to a fault, Jess is needy, full of second thoughts and self-doubts, even as she projects a kind of frantic cheerfulness. (“I’m a chill girl, I’m normal,” she tells herself, doubtfully.) Dunham often shoots Stalter straight on, filling the screen with her face, which pays benefits; she has great presence. (And sings very sweetly too, better than her boyfriend.)

The endgame, when we get to it, could not be any more conventional — which, I imagine, is the idea. One might think it parodic if it hadn’t been established that this is the dream in which Jessica lives; anything less would be unkind.

I see I’ve neglected to mention the dog. There is a little dog too, who plays an important part.

It was an emotional night in EastEnders tonight as Bernie Taylor and Felix Baker said goodbye to Albert Square following announcement of their departures earlier this year

EastEnders fans were left in tears during tonight’s episode, as cousins Bernie Taylor and Felix Baker said goodbye to Walford.

However, fans were left disappointed that the two had been “underused” as characters prior to their exit announcements, despite being big characters when they first joined.

Bernie, who arrived in 2017, was part of a hard-hitting surrogate storyline where she suffered a tragic miscarriage. She also played a huge part in the The Six storyline during Christmas 2023.

Felix was brought in as the soap’s first show’s first regular drag queen character in 2022, although fans hadn’t seen much of him, or Tara before the lead up to his exit.

Tonight, fans were left fearing for Bernie, after it was revealed she had been stealing from the Panesars business accounts – but luckily, she managed to escape for Spain before Ravi got to her. Although Felix initially planned to stay in Walford with his boyfriend Johnny, he was left heartbroken when he caught him kissing Callum in the Albert.

He then confronted him about Keanu Taylor’s murder, in which he admitted he knew his mum Linda was the one to end Keanu’s life. It all got too much for Felix, as he ran to join Bernie in the taxi dressed as drag queen alter-ego Tara Misu. “Tara’s too big for this town,” he said.

Bernie’s departure also signalled a seeming end for EastEnders‘ The Six storyline, as Suki asked her to give the money she had stolen from her family back before leaving. However, Kathy, Denise and Linda persuaded Suki to let her go, after they were involved in the death of her brother Keanu.

“And you have got it all. Everything that you ever wanted. You can be who you are with the woman that you love. This money is a drop in the ocean to get away with what you did, to move on, to finally let me, my mum, my family, to be finally free of this,” Bernie could be heard telling Suki and The Six.

Bernie and Felix then headed off in a taxi in the midst of the Pride celebrations as the tune Proud played in the background. Ravi was seen attempting to run after the taxi – but it seemed like he was too late. However, fans were left disappointed that it was Ravi who got the ‘duff duff’ not Bernie and Felix.

After the episode aired, fans took to X, formerly known as Twitter to express their sadness over Felix and Bernie’s departure. “A beautiful episode and exit for Bernie. A real force of nature who’ll be missed so much. I wish she was given a better exit storyline and I really wanted Bernie to have another relationship. I miss the Taylor family,” wrote one.

Another wrote: “Phenomenal performances from @clair_norris + @matt_james_morr this wk – am so sad this is how it all ended for the Taylor-Bakers, such a brilliant family + such a waste to lose them all – but they’ve both been amazing to the end + should be so proud of themselves,” as a third dissapointed fan penned: “It’s a bit disappointing that Bernie and Felix didn’t get the duff duff for their final episode.”

“Bernie and Felix were absolutely brilliant today – they’ve been so underused really, but I’m glad Clair and Matthew got time to really shine this week,” said a fourth.

Clair took to social media to address her exit today, as she wrote: “My last ep airs tonight, and with that comes a flood of memories.

“EastEnders was my first audition, and my first job. Having come from college & having no experience in this industry, Julia, Wayne & Sean all took a chance on me to play Bernadette Taylor & for that, I can’t be thankful enough. 8 years later and honestly this job, has changed my life.

“It’s true what they all said at the beginning, Eastenders is one big family & I’m so lucky to have met and worked with some amazing people,” she continued.

“I will always have an attachment to Bernie, she represents so many girls out there who wear their heart of their sleeves and don’t quite fit in…no offence to anyone who wear purple coats. …I have adored playing her and she will forever hold a special place in my heart. This has been the best first role ever!”

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. *

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National Public Radio journalist Felix Contreras, best known for chronicling Latino music in his podcast “Alt.Latino,” will be honored this year at the 38th annual Hispanic Heritage Awards.

The Hispanic Heritage Foundation named Contreras as a recipient of the 2025 Hispanic Heritage Award for journalism on Thursday, one of several honors bestowed on notable public figures for their accomplishments and cultural contributions to the Latino communities.

Past awardees at the Hispanic Heritage Awards include Bad Bunny, America Ferrera, Becky G, J Balvin and others; Contreras is one of the few journalists to receive the esteemed honor, one he says is hard for him to accept.

“We learn early on that [journalists] are not supposed to be the story,” explains Contreras in a phone call with The Times. “That’s the largest stumbling block as to why I’m having a difficult time accepting this accolade.”

Known among friends and colleagues as “Tío Felix,” a familial term of endearment, Contreras has been a dedicated reporter for close to 50 years. Born and raised in Sacramento, he began his journalistic career as a TV news photographer for the NBC affiliate station in Fresno until 1998, later transitioning to NBC News in Miami.

“My point has always been to tell our Latino stories through the news, good or bad,” he says.

Contreras began working for NPR in 2001 as a producer and reporter for the news arts desk. In 2010, he co-created the innovative “Alt.Latino” radio program and podcast alongside NPR’s current immigration correspondent Jasmine Garsd. It was a way to fill the dearth of coverage of alternative Latino music — Spanish-language stations gave little airtime to alternative rock groups such as Los Fabulosos Cadillacs or Café Tacvba, says Contreras. Their first guest on the show was a young, then-burgeoning artist from Colombia named Juanes, who appeared just after releasing his debut album, “Fíjate Bien.”

At first, it was an uphill battle to get artists to recognize the podcast’s cultural significance. “ We had to beg people to send us their CDs,” Contreras admits.

Now in its 15th year, “Alt.Latino” has become a go-to hub for Latin music enthusiasts looking to learn more on the rise of musica mexicana, the rumblings of Latin jazz, the transformation of Latin rock and more.

“Independent artists, alternative artists, even some pop artists now consider ‘Alt.Latino’ and NPR as a viable source to get their artist seen or heard,” Contreras says.

To this day, Contreras continues in his role as co-host of “Alt.Latino,” now alongside Tiny Desk producer Anamaria Sayre, who says she cried when she heard Contreras was being recognized.

“ Felix created space for us in the music media landscape in where there wasn’t previously,” says Sayre, who has been working with Contreras since 2023. “He did it with no one telling him that what he was doing was valuable.”

The 38th annual Hispanic Heritage Awards will take place on Sept. 4 at the Warner Theatre in Washington, D.C.

What Felix Mallard has grown to appreciate about living in L.A. is that there’s a pocket of town to match every vibe — even if that vibe is “Aussie,” which his proudly is, having moved from Melbourne seven years ago.

“There are a lot of places that remind me of home,” says the 27-year-old actor, who plays tough-shelled Marcus in Netflix’s “Ginny & Georgia,” which returns for its third season next week. “The coastal cities and certainly some parts of Silver Lake and Echo Park feel very Melbourne. They feel very hipster. I mean, that word has changed so much — I don’t know if bohemian is the right word either. But there’s a sense of wanting to engage with good food, good coffee and good art. That kind of thing is very important to people from Melbourne.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

As he carves his own space in Los Angeles, Mallard has been captivating Gen Z audiences with his nuanced roles, ones that tend to resonate with young men amid all of the distinct pressures they face. Last year, he starred in the romantic drama “Turtles All the Way Down,” the film adaptation of John Green’s young adult novel that explores the complexities of obsessive-compulsive disorder. He’s now set to headline “Nest,” a movie about a young family whose home is invaded by deadly arachnids. (“It’s a quiet meditation on masculinity and being a father, wrapped up in a really fun spider horror movie,” he explains. “A real one-two punch.”)

For Mallard, a perfect Sunday in L.A. involves surfing (a must), playing music loudly (he knows his way around the guitar, bass, piano and drums) and trekking from West L.A. to the Eastside in the name of adventure. Here’s a play by play.

This interview has been lightly edited for length and clarity.

5:30 a.m.: Chase the waves
I’d get up early and have a surf. The funny thing with surfing in L.A. is that you have to go where the waves are good. So it could be anywhere — Manhattan Beach, Hermosa Beach, Huntington Beach, Malibu or Ventura. You’ve got to check the Surfline app and kind of know the seasons as well, like how winter brings north swells and summer brings south swells. But it’s a guessing game. You kind of throw a dart and follow it, you know? There’s a nice crew of Aussies, Kiwis and Americans. We all try and surf together, which is really sweet.

8 a.m.: Post-surf burritos
Now I’ll probably be in a raggedy flannel top and some track pants and some Birkenstocks. Really just kind of half asleep. But it’s mandatory after a surf to get a breakfast burrito. There’s a really, really good place in Hermosa Beach called Brother’s Burritos. They don’t do the typical kind of massive breakfast burrito. Theirs come in two little bite-size burritos, which is perfect for breakfast, you know? And then there’s another place in West L.A. called Sachi.LA that’s just off the Culver loop. It’s a really cool, funky little coffee shop and cafe with a little record store next door — the perfect kind of vibe after having a surf and being in nature all morning. I really try to enjoy the peace that comes after that.

9:30 a.m.: Catch up on shows
I’m going home and catching up on the week’s shows. Right now, I’m really deep into “Hacks” — obsessed with it. I feel like I came to it quite late and I’ve had to make up for lost time. And I’m really, really loving “Everybody’s Live With John Mulaney,” and “Last Week Tonight With John Oliver.” I feel like if you’re going to check in with the news these days, it’s got to be in a format that’s digestible. I think John Oliver has a really great way of doing that, presenting the outrage and the absurdity in a fun context.

Noon: Try to find the joy of cooking
I’ve always found it such a challenge to see cooking as the expression of love that I know it is — I just haven’t had the inspiration. But Jamie Oliver’s books have really helped me because he explains recipes in a way that teach you the fundamentals. He’s got this cookbook, “One-Pan Wonders,” with an herb-y chicken tray bake that’s really simple. You can put the vegetables at the bottom of the tray — and a lot of rosemary and a lot of lemon — and put the chicken on the bars above the tray, so that when it cooks, the chicken fat drops into the vegetables and creates this really lovely flavor in the veggies. And then you finish it off with some lemon and olive oil. So that’s the one I think I can do. But if anyone has seen that recipe, they’ll know it’s the easiest one in the book, so I’m not trying to brag here.

1 p.m.: Get lost in the music
It’s always a struggle to get up off the couch, but once there’s been some food, I’m off to play some music. There was this beautiful, really fun, cheap, grungy rehearsal studio in Culver City called Exposition Studios. It would be, like, $25 or $30 an hour, and you could rent instruments and rent a room and just play as loud and as long as you want. It’s not there anymore, but there are a few other places like that around town. I’ve gone to Pirate Studios in West Adams a couple times, and just anywhere I can play some music, really, really loud.

I’ve got an EP of songs that I’m working my way through. It’s very grungy, very emotion-based. It’s probably quite angsty. There’s a lot of anger in there, and then I think maybe a lot of sadness. It’s touching on a lot of the uglier sides of our psyche that we all have.

4 p.m.: Car entertainment
Now we start preparing the journey east. Because it’s L.A., you can’t pretend that you’re not going to spend some part of your day in traffic. So a podcast is a must. I’ll be listening to Louis Theroux. I just love how he asks questions, how he kind of gives a space for his guests to either showcase who they are or maybe unknowingly reveal parts of themselves they may not even intend to. How he holds the space for that is quite impressive, and it’s a good distraction while you’re driving.

5 p.m.: Fuel up with burgers
We’re going to Burgerlords. They do a really simple menu. You can get a smashburger, I think a vegan burger, and something else, and they’ve got a really nice selection of craft beers. And it’s kind of like a redone version of a ‘50s diner inside.

7 p.m.: Let loose at a punk show
From there, we’ll go to Zebulon. I love it. I don’t see too many venues with an indoor-outdoor kind of space. They have a big garden, so you can go and take a break outside and then come back in and enjoy that change of pace. It’s one of my favorite spots in L.A. to go and watch music, for sure.

The last time I went, we saw the Spits. They’re, you know, really proper punks. And then another time, we saw a band called Spy, and they were supported by Fentanyl, Blood Stained Concrete and Yard, which is a Polish hardcore band. So any time we’re out there, it’s usually for a bit more of a hardcore kind of scene. And they’re the most fun gigs to go to. Everyone’s there to release some tension, some energy. The fans are always super, super, super die-hard fans.

Midnight: Straight to bed

I’ll make the trek home and tuck into bed. That’s usually about midnight. I’d like to say it’s earlier and that I’m, like, healthy, but I’m not.