esperanza

High school girls’ volleyball: Southern Section playoff results and pairings

SOUTHERN SECTION PLAYOFFS

SATURDAY’S RESULTS

Second Round

DIVISION 3

Lakewood St. Joseph d. Crescenta Valley, 3-2

Flintridge Prep d. North Torrance, 26-24, 21-25, 25-12, 25-14

Corona del Mar d. Burbank Burroughs, 3-2

Foothill d. South Pasadena, 3-0

Saugus d. Pasadena Poly, 25-22, 21-25, 21-25, 25-18, 15-9

St. Margaret’s d. El Dorado, 19-25, 25-17, 25-13, 25-15

Cypress d. Long Beach Wilson, 25-19, 25-11, 25-13

Millikan d. Village Christian, 3-2

DIVISION 5

Ontario Christian d. Downey, 3-1

Culver City d. San Marino, 25-21, 17-25, 25-11, 25-22

Gahr d. Orange County Pacifica Christian, 25-20, 14-25, 25-19, 25-21

Santa Barbara d. Sacred Heart LA, 3-1

Placentia Valencia at Alta Loma

Royal d. Valencia, 25-20, 25-20, 25-22

El Toro at San Gabriel, Monday at 6 p.m.

Chadwick d. Corona, 25-14, 25-19, 25-17

DIVISION 7

Elsinore d. Ontario, 3-1

San Jacinto Leadership Academy at Esperanza, Monday at 5 p.m.

West Valley d. Faith Baptist, 25-17, 25-20, 25-20

Bell Gardens d. Eisenhower, 25-18, 25-19, 16-25, 25-23

Cate d. Castaic, 3-1

Santa Fe d. Tustin, 3-0

Coastal Christian d. Pasadena, 25-19, 35-33, 20-25, 25-20

CAMS d. Geffen Academy, 3-1

DIVISION 9

Westminster La Quinta d. Beacon Hill, 3-0

Tarbut V’Torah at Avalon, Monday at 4:30 p.m.

Santa Ana Valley d. United Christian Academy, 3-0

Nogales d. Lawndale, 3-0

Nordhoff d. Estancia, 25-13, 17-25, 25-21, 25-17

Fairmont Prep d. Buena Park, 3-1

Riverside North d. Miller, 3-0

South El Monte d. Loara, 25-13, 25-18, 25-22

TUESDAY’S SCHEDULE

(Matches at 6 p.m. unless noted)

Quarterfinals

DIVISION 1

Temecula Valley at Sierra Canyon

Mira Costa at Marymount

Harvard-Westlake at Mater Dei

San Juan Hills at Redondo Union

WEDNESDAY’S SCHEDULE

(Matches at 6 p.m. unless noted)

Quarterfinals

DIVISION 2

San Marcos at Long Beach Poly

Redlands at Santa Margarita

Bishop Montgomery at JSerra

West Ranch at Orange Lutheran

DIVISION 3

Flintridge Prep at Lakewood St. Joseph

Foothill at Corona Del Mar

St. Margaret’s at Saugus

Cypress at Millikan

DIVISION 4

La Canada at Marlborough

Dana Hills at Corona Santiago

Oak Park at Linfield Christian

Ventura at Paloma Valley

DIVISION 5

Culver City at Ontario Christian

Gahr at Santa Barbara

Alta Loma/Placentia Valencia at Royal

San Gabriel/El Toro vs. Chadwick

DIVISION 6

Garden Grove Pacifica at Pasadena Marshall

Arrowhead Christian at Cantwell-Sacred Heart

Wiseburn Da Vinci at Burbank Providence

Valley View at Capistrano Valley Christian

DIVISION 7

San Jacinto Leadership/Esperanza vs. Elsinore

West Valley at Bell Gardens

Santa Fe at Cate

Coastal Christian at CAMS

DIVISION 8

Malibu at Foothill Tech

Arroyo Valley at Schurr

Loma Linda Academy at Paramount

Artesia at Vistamar

DIVISION 9

Westminster La Quinta at Tarbut V’Torah/Avalon

Nogales at Santa Ana Valley

Nordhoff at Fairmont Prep

Riverside North at South El Monte

DIVISION 10

Colton at Thacher

Rosemead at Anaheim

San Luis Obispo Classical at Mesa Grande

Glendale Adventist at Moreno Valley

Note: Semifinals (all divisions) Nov. 1; Division 1 Finals Nov. 8 at 6 p.m. at Cerritos College; Finals (Divisions 2-10) Nov. 6-8 (sites & times TBA).

Source link

San Cha upends telenovela archetypes in experimental new opera, ‘Inebria me’

For L.A.-based musician, composer and artist San Cha, the Spanish language is a creative gold mine. “One of my favorite Spanish words is ‘embriágame,’ which I think the direct translation is ‘make me drunk’ or ‘intoxicate me,’” she says. “I love that word. I think there’s a song by Thalía that has that word, it’s called ‘Piel Morena,’ and every time she said that, I’m like — ‘That’s it!’”

San Cha is speaking of her latest work, “Inebria me,” ahead of its Los Angeles premiere Thursday at REDCAT, inside the Walt Disney Concert Hall complex. “Inebria me” is a 90-minute experimental opera that expands on her critically acclaimed 2019 ranchera fusion album, “La Luz de la Esperanza.” San Cha stars as Dolores, a humble bride to the much wealthier Salvador, whose jealousy turns deadly; enter Esperanza, a genderless spirit of empowerment, who helps light Dolores’ path to freedom.

Having gone from singing rancheras in the restaurants of Mexico City to experimenting in underground drag scenes in the Bay Area, San Cha has developed a knack for synthesizing disparate influences that result in visually arresting and thought-provoking work. Born Lizette Gutierrez in San Jose to Mexican immigrant parents, San Cha grew up offsetting her intense Bible study by binging on telenovelas after school. It shows in “Inebria me,” where she employs the classic narrative structure of the telenovela, but with a queer twist. “I wanted to hold [onto] the queerness of [the story] and the religious aspects of it,” she says.

The opera is the latest of San Cha’s collaborative efforts. She’s previously linked up with an array of artists — including La Doña, Rafa Esparza, Yesika Salgado and even country singer Kacey Musgraves, who featured San Cha in a pivotal moment from her 2021 visual album, “Star-Crossed.” Darian Donovan Thomas also stars in “Inebria me,” alongside Stefa Marin Alarcon, Lu Coy, Kyle Kidd, Carolina Oliveros and Phong Tran.

In our latest interview, she discusses developing her music for the stage and what it took to build the confidence to advocate for her original vision on her own.

This interview has been edited and condensed for clarity.

San Cha performs with Darian Donovan Thomas on Sept. 5 at the Winningstad Theatre in Portland, Ore.

San Cha performs with Darian Donovan Thomas on Sept. 5 at the Winningstad Theatre in Portland, Ore.

(Jingzi Zhao)

When did the idea to adapt “La Luz de la Esperanza” come to you?
It actually came to me in 2023 or 2024 when I partnered with the National Performance Network for this grant. I started talking with the Portland Institute for Contemporary Art, which was already on board, and the Performance Space New York. Like, what would I do to adapt this work?

Did you have experience in traditional theater growing up?
No, I didn’t. And I also didn’t watch too many movies. I missed out on a lot of those very American experiences. People would be like, “Do you know this movie?’ And “It’s like a classic,” and it’s like “No.” I was really sheltered, you know, “I’m over here in Bible study” kind of s—.

Has anyone in your family seen this piece? If so, what was their feedback?
My parents saw a trial version of this piece in San Jose, my hometown. They saw the PG-13 version, which is what I’d like to say, and my mom was confused; I don’t even know how my dad felt. My mom’s one comment was, “You didn’t sing rancheras. Everyone wants you to sing rancheras.” And I was like, “Oh, my God.” So they also came to the closing night with a big group, and I sang the rancheras for them at the end.

How would you relate “Inebria me” to what’s considered a “traditional” opera?
I would say it has a very clear narrative … everything is sung, except for the parts [where] the Man [is] talking or speaking.

I sing rancheras [and] that kind of blends into operas. I didn’t grow up being an opera singer, or wanting to be an opera singer, but somehow it developed in that direction. In this, we get to be all the things: a little hardcore, a little pop, a little mix with opera.

Where did the idea to bring in telenovelas come from?
I wanted to make a telenovela set to music. And because I’d never seen a queer telenovela … I just was like, I want to make the telenovela and set it to disco music … something electronic, glamorous. It [speaks to] the illusion of glamour, underneath everything is ugly and twisted.

What was your first memory of watching a telenovela?
There are so many. I’d watch the kid telenovelas. But there’s one in particular … it’s one where Lucero, a big pop star in Mexico, plays three versions of herself, so she’s a triplet. And there’s one [version] that is so evil. I still remember, [the characters] would get very BDSM … like locking people up! As a kid, I was feeling like … “Why am I watching this? I’m a child!”

San Cha sits on the floor with one hand in chains during a performance of her opera  “Inebria me”

“I didn’t grow up wanting to be an opera singer, but somehow it developed in that direction,” says San Cha of “Inebria me.”

(Jingzi Zhao)

You’ve talked about how drag queens were instrumental, especially early in your career. Queer and drag culture have come into mainstream pop and youth culture on the one hand, but remain demonized on the other. How do you reconcile those two extremes in your work?
I guess visibility doesn’t always mean safety or acceptance. I remember being in San Francisco and seeing drag that wasn’t as polished and more on the fringe side of it.

I was … kind of hating it when I got to L.A. and how polished everyone was. But when I saw “RuPaul’s Drag Race” reruns on VH1, I was like, “This is literally life-changing.” And how cool that this is becoming mainstream!

In a previous interview, you discussed sin and guilt as the themes of this work. Many artists have explored this theme in various ways across different cultures and times. Why do you think ideas around guilt and sin hold such power over us?
You’re made to do what you don’t want to do by [people] making you feel shame for the ways you act. And in [“Inebria me”], the sisters each have a confession, and I wanted to make that a focal point — with the nun, the religious person.

In telenovelas, there’s always a priest [they] talk to when they have troubles, you know? And I think in the [Catholic practice of] confession, it is important to relieve yourself of the shame and guilt. But it’s almost like you relieve yourself and then you feel shame, you know? And that’s the part that stops growth, evolution and freedom.

For someone whose first impression of “Inebria me” is that it’s not for them, what do you think they would be surprised to discover or an element they would enjoy?
Everyone in this piece is a star, everyone’s a diva. I think they all really shine on their own, and they really bring it with the acting. Their voices are all incredible, and their stage presence. Maybe they could be into the scene design by Anthony Robles — it’s super minimal, but it does so much for the space in creating this oppressive world. I think there is something for everyone. It’s a story that can relate to a lot of people.

Source link

High school flag football: Friday and Saturday results

HIGH SCHOOL FLAG FOOTBALL

FRIDAY’S RESULTS

CITY SECTION

Huntington Park 20, Kennedy 7

Sotomayor 21, New Designs University Park 0

Sotomayor 8, New Designs University Park 7

Wilson 37, Huntington Park 6

Wilson 38, Kennedy 0

SOUTHERN SECTION

Aliso Niguel 13, Long Beach Poly 6

Classical Academy 53, Mission Viejo 0

Dos Pueblos 12, Aliso Niguel 0

Dos Pueblos 20, Fullerton 6

Esperanza 19, Woodbridge 6

Esperanza 19, Mira Costa 0

Fullerton 20, Long Beach Poly 6

Gahr 34, Cypress 13

Hacienda Heights Wilson 13, Villa Park 12

Lancaster 19, Saugus 12

Long Beach Cabrillo 33, Glenn 22

Long Beach Jordan 42, Mayfair 6

Mater Dei 25, Mission Viejo 0

Mission Hills 30, Santa Monica 0

Norwalk 13, Western 6

Orange Lutheran 32, Warren 6

Orange Lutheran 12, Western Christian 0

Sage Hill 15, Garden Grove Pacifica 0

Segerstrom 33, Garden Grove Santiago 0

St. Anthony 12, St. Paul 7

Vasquez 33, PACS 0

Villa Park 12, Hacienda Heights Wilson 13

Western Christian 20, Warren 6

INTERSECTIONAL

LA Marshall 35, Alemany 6

Mission Hills 30, Santa Monica 0

Vincent Memorial 28, Mira Costa 6

Vincent Memorial 21, Woodbridge 19

SATURDAY’S RESULTS

SOUTHERN SECTION

Agoura 20, Ayala 6

Agoura 48, Oxnard Pacifica 7

Anaheim Canyon 12, Upland 0

Anaheim Canyon 25, Upland 6

Ayala 39, Oxnard Pacifica 6

Beaumont 51, Shadow Hills 16

Bishop Amat 20, Hart 6

Bonita 25, West Covina 12

Bonita 45, San Gabriel 0

Bonita 48, Sierra Vista 0

Buena Park 14, Nogales 7

California 32, Montebello 0

Camarillo 26, Sherman Oaks Notre Dame 8

Camarillo 33, Westlake 22

Canyon Springs 19, Yucaipa 7

Chaparral 33, Ontario Christian 8

Chino 13, Colton 0

Citrus Valley 23, Los Osos 19

Corona Santiago 6, El Dorado 0

Esperanza 20, Aliso Niguel 14

Fillmore 24, Calabasas 7

Fullerton 7, Mission Viejo 6

Keppel 12, Baldwin Park 12

La Sierra 23, California Military Institute 6

Los Osos 50, Victor Valley 2

Mater Dei 20, Esperanza 19

Mission Viejo 14, Long Beach Poly 13

Newbury Park 44, Highland 16

Norco 18, Murrieta Valley 0

Orange Lutheran 26, Aliso Niguel 0

Oxnard 52, Thousand Oaks 6

Oxnard 54, St. Bonaventure 0

Rio Mesa 28, Fillmore 0

Rio Mesa 46, Calabasas 0

Riverside Poly 21, Canyon Springs 0

Riverside Poly 24, Yucaipa 7

San Marcos 52, Highland 6

San Marcos 33, Newbury Park 12

Santa Margarita 13, San Marcos 0

Santa Margarita 44, Newbury Park 12

Sierra Vista 25, San Gabriel 15

Temescal Canyon 2, Norco 0

Temecula Prep 20, Chaparral 12

Temecula Prep 32, Temecula Valley 0

Temple City 28, Arroyo 6

Thousand Oaks 19, St. Bonaventure 14

Upland 19, South Hills 13

Upland 26, Corona Santiago 19

Warren 13, Mira Costa 6

Warren 12, Fullerton 7

Westlake 28, Camarillo 6

Woodbridge 13, Mission Viejo 0

Woodbridge 20, Warren 0

INTERSECTIONAL

Castaic 7, San Fernando 0

Bonita Vista 18, Downey 2

North County San Marcos 27, Santa Monica 0

Valencia 26, Kennedy 12

Source link

High school volleyball: Southern Section boys’ playoff results

SOUTHERN SECTION BOYS VOLLEYBALL PLAYOFFS

FRIDAY’S RESULTS

FINALS

At Cerritos College

DIVISION 1

Mira Costa d. Huntington Beach, 25-19, 22-25, 25-19, 29-31, 15-11

At Mater Dei

DIVISION 2

Mater Dei d. Peninsula, 20-25, 25-17, 25-13, 25-19

At Crossroads

DIVISION 8

Wildwood d. Katella, 3-0

SATURDAY’S SCHEDULE

FINALS

At Cerritos College

DIVISION 3

Orange Lutheran vs. Tesoro, 10 a.m.

DIVISION 5

Esperanza vs. Kennedy, 12:30 p.m.

DIVISION 9

CAMS vs. Downey Calvary Chapel, 3 p.m.

DIVISION 6

Quartz Hill vs. El Toro, 6 p.m.

At Santa Barbara

DIVISION 4

Sage Hill vs. Santa Barbara, 1 p.m.

Source link