epic

IF you want a cheaper alternative theme park in Europe, then there’s one letting kids go free until summer.

Parc Astérix is a theme park in Plailly, France, based on the famous comic book series.

The theme park has over 50 attractions across six themed worlds like the Roman Empire, Greece and the Vikings.

And until May 7, the park is offering free admission to children under 12 years old.

The offer is valid from Monday to Friday for online bookings and must be booked with a dated adult ticket.

Tickets for children usually cost €53 (£45.81) each, so for a family of four it would be a saving of €106 (£91.62).

Read more on travel inspo

BUNNY WELL SPENT

Cheapest Easter days out whatever the weather & FREE kids activities

GO ON

All the little-known websites for cheap or FREE tickets to gigs, theatre & festivals

Adult tickets cost €56 (£48.40) each, when booked seven days in advance.

The park is open from 10am to 7pm each day, so it includes nine hours of fun.

But save your visit until next month if you want to see the new reinvented Egypt zone, which opens on April 4.

The zone is themed around Cleopatra and the Egyptian gods, with visitors able to immerse themselves in an Egyptian world.

The former Oxygénarium water raft ride has become The Descent of the Nile, with new theming to seem like you are cruising down the River Nile.

The Flying Chairs ride has now become The Flight of Ibis, where visitors swoop over the water garden, 10metres above the ground.

The ride also features water jets, greenery and themed decor.

The Egyptian zone is also home to the new dining experience, Les Fastes du Nil, which is a fast-food restaurant.

A new buffet restaurant called Épidemaïs’ Counter, with a range of Middle Eastern-inspired dishes, which will also open in June.

And launching this spring, there will be a new show called Cleopatra’s Gift – where she and her courtesans bring the OzIris esplanade to life with dance, music and guests interactions.

The refreshed zone is just part of Parc Astérix’ £218million makeover, due to be completed by 2030.

In 2028, the park will open a new British-themed land called Londinium.

In the land there will be an immersive roller coaster, an interactive family dark ride, a vertical playground, a pub and shops.

The park will open its fourth hotel as well, called The Odyssée Hotel which will feature 300 rooms and open in 2027.

There are currently three hotels at the park including Les Quais de Lutèce with 150 rooms in Gaul-inspired buildings.

There’s then La Cité Suspendue, which is Celtic-themed and made up of three ‘hamlets’ – potters, artists and druids.

And finally, the Les Trois Hiboux hotel is located in the forest.

Guests staying in the hotels get exclusive access to the attractions 30 minutes before they open to the public.

Also in 2027, the park will open a renovated Greek zone with two new family attractions, a playground and a restaurant.

The theme park is just 21 miles from Paris and whilst it is smaller than Disneyland Paris, it is cheaper to visit with Disneyland Paris tickets for this month costing from £80 per person.

Previous guests have raved about it too, with one writing: “I say it from the start: better than Disneyland!”

Another said: “We were counting and we did 35 rides each every day. If you are a theme park junkie then I would recommend it wholeheartedly.”

A third commented: “This park was a real discovery for me and my grown-up children who have been used to Disneyland for years.

“A warm atmosphere, sets worthy of movie studios, varied shows of high quality and attentive staff.”

In other theme park news, there’s a futuristic theme park just two hours from the UK that has been named one of the best in Europe – with an ‘Avatar-like’ waterpark.

Plus, an English seaside theme park has scrapped its entry fees and is opening a huge new ‘showstopper ride’.

A KC-135 Stratotanker that was taking part in Operation Epic Fury has crashed in Iraq, U.S. Central Command announced.

“U.S. Central Command is aware of the loss of a U.S. KC-135 refueling aircraft,” the command stated Thursday afternoon in a media release. “The incident occurred in friendly airspace during Operation Epic Fury, and rescue efforts are ongoing. Two aircraft were involved in the incident. One of the aircraft went down in western Iraq, and the second landed safely.”

“This was not due to hostile fire or friendly fire,” the CENTCOM statement added. “More information will be made available as the situation develops. We ask for continued patience to gather additional details and provide clarity for the families of service members.”

Three American crewed aircraft are known to have been lost during Operation Epic Fury prior to today’s KC-135 loss. These were F-15Es that were shot down in a bizarre friendly fire incident.

This is a developing story. We will update this post with new information as soon as we get it.

UPDATE: 6:15 PM EDT –

The Times of Israel has reported that the second aircraft involved was another KC-135. That outlet also says that the KC-135 in question was one that landed at Israel’s Ben Gurion Airport earlier in the day after declaring an in-flight emergency. Online flight tracking data shows that tanker is a KC-135RT variant, one of a small subset of KC-135Rs that are themselves capable of being refueled in flight. This, in turn, allows them to make use of tanker support themselves to remain on station longer or to conduct longer-distance missions. You can read more about these “receiver-tankers” in this past TWZ feature.

Hannah Britt and her family fell in love with Scotland while on a road trip through the highlands in a Skoda Superb Estate SportLine 2.0 – here’s how you can do the same

When you think of a Scottish road trip, what comes to mind? The NC500 probably. Two children aged six and one… probably not so much. And yet I’m here to tell you that it can be done, all it takes is the right car – and lots of snacks. A frequent yet fearful flyer last summer I became a convert to the good old family road trip when we borrowed a Skoda Kodiaq vRS and drove from our home in Manchester to France. Being able to get there under our own steam and haul 35 tonnes of equipment for the children was a gamechanger. I was chomping at the bit to do it again. So you can imagine my delight when my pals at Skoda got in touch again, offering to lend us a Superb Estate SportLine 2.0 this time – if we drove it to Scotland. My partner John’s bags were packed before I’d finished asking if he wanted to go.

The Superb is a long and spacious family car. You won’t get into a small parking space, but boy can you cram it full of stuff. It’s quite low to the ground, meaning those of us over 30 will make an oof noise getting in and out, but it feels how I imagine Lewis Hamilton must in his F1 car. I loved it right away.

As we set off from our home in Manchester, the four of us settled in – me, John, six year old Molly and one year old Poppy. Our route would take us to Langbank near Glasgow, where we would stay the night at Gleddoch Golf and Spa Resort, before continuing on the next day to Cameron House on Loch Lomond. From there we would loop up through Glencoe to Oban, before driving back home via Loch Lomond once more.

As was now customary, John did most of the driving with me the passenger princess and queen on snacks, handing out Pringles and Haribo on demand and restarting Golden from the K Pop Demon Hunters soundtrack each time it dared to stop. The Skoda’s big sat nav screen made it easy to work out where to go, and its built in black out screens allowed Molly and Poppy to doze off.

Four hours later, with just one stop to walk off a tantrum (not mine, promise), we arrived at Gleddoch, on the banks of the Clyde. I was impressed with this golf hotel, which welcomed children with open arms. Our room, a Residence Four Poster, was newly renovated, with a sleek bathroom, view out over the water, sofa bed for Molly and – as the name suggests – a gargantuan four poster for her parents. Arriving with fussy kids, we ate in the room, and the food was lovely, with a good kids menu and an excellent wine list.

But the jewel in Gleddoch’s crown is the Imperia spa, a newly opened, multimillion pound delight. It recently won the accolade of “best new spa” and, once I tore myself away from my family, I had a sublime old time checking it out. The space boasts the UK’s largest outdoor sauna with panoramic views over the estuary and rolling Renfrewshire hills to Ben Lomond.

Children are not allowed in the pool at all, which was a shame for me – but a bonus for the other guests who didn’t have to endure their spa time with a side of my little ones’ splashing. In the morning, I sat down in Gleddoch’s cosy Dram whisky and gin bar to do some work, before packing our rabble back into the Skoda to head to our second stop, 30 minutes away – Cameron House on Loch Lomond.

Now, Cameron House is a Scottish institution. Barack Obama has stayed here. Guests don’t really get cooler than that. And the moment you arrive it’s easy to see why it’s so beloved. Sweeping the Skoda up to the hotel, which sits right on the water, we were immediately greeted by a valet, who whisked the car off to park it and brought in our bags. Good lord, the crumbs, I thought to myself as the chic valet sat himself down on two days worth of digestive biscuits.

Inside, Cameron House is stylish, cosy and unmistakably Scottish, with nods to its rich heritage in everything from the pictures on the walls to the tartan prints of the cushions. Staff remember names, coffee orders and chatted to the children as if they were long lost friends. It’s a home from home – albeit an incredibly luxurious one.

The food is delicious, whether you choose to eat in the Michelin-starred Loma by Greme Cheevers, the Tavern, the Great Scots Bar, or anywhere in between. The room service is good too, and the chefs are happy to rustle up anything your little one desires off menu. Our room, a family suite, was spacious, sparklingly clean and modern, with an undisturbed view of the Loch.

Cameron House has a brilliant adults-only spa, which I’ve heard is exceedingly relaxing. However during my time at the hotel, I was to be found in the large family pool. With floor to ceiling windows out onto the grounds, areas shallow enough for Poppy to paddle in and areas deep enough for Molly to swim, and with a large and genuinely fun water slide, there was enough to keep everyone entertained for hours. When we finally tempted the children outside, a falconry lesson was equally enthralling. The next day, our be-crumbed valet returned the Skoda to us and waved us on our way to Oban – via Glencoe.

Glencoe is a stunning, historic glen in the Scottish Highlands, renowned for its dramatic, volcanic, and glacial landscape. It is a premier spot for hiking, mountaineering, and – luckily for us – scenic drives, often featured in films like Harry Potter and James Bond. From Loch Lomond to Glencoe takes around 90 minutes, and there’s an excellent visitor centre to greet you once you arrive, with nappy changing facilities, a shop selling various miniature models of highland cow, and a cafe that makes a good flat white.

The Glencoe drive is best done slowly, to ensure one takes in the insanely gorgeous scenery, and to make sure you don’t miss the turning down Glen Etive Road. The “Skyfall” road is the single-track B8074, famous for the scene where Bond (Daniel Craig) and M (Judi Dench) stop with the Aston Martin DB5 against the backdrop of Buachaille Etive Mòr. The spot is roughly halfway along the 12-14 mile road. I didn’t have an Aston Martin, but one better – my Skoda.

Another 50 odd minutes later and we arrived at the furthest point of our road trip – Oban. Or to be precise, Rhunacairn, a little Sykes Cottages house on the banks of Loch Etive, a couple of miles out of the town. Down a tiny road, with just one other house nearby, it was a white washed child’s drawing of a house, set in the most stunning scenery imaginable.

Sat next to a mussel farm, the house had all we needed for the next few days – a swing, a log burner and sea otters in the water outside. It was absolutely idyllic – a real find. And while we did go into Oban to sample the delights of the seafood capital of Scotland – and to buy a bottle of local whisky – I must admit the house had a magic to it that I was loath to leave. Before we left we began plotting our return, wondering which Skoda might fit paddleboards and fishing rods for a summer staycation.

10 steps to road trip success

Parenting expert Kirsty Ketley says:

1. Plan Ahead – Time journeys around naps, mealtimes, or toilet breaks to reduce stress and disruption to routines.

2. Leave at Nap Time – If you can, start longer journeys when little ones are most likely to sleep.

3. Entertainment is Key – Mix up old-school games like I Spy with sticker books, reusable window stickers, or magnetic boards.

4. Car-eoke – A family singalong is a fun way to pass the miles (and yes, Disney soundtracks count!).

5. Tech Can Help – Tablets on headrests with headphones make for a peaceful drive when everyone needs downtime – don’t feel bad or guilty for using them, but be clear about the boundaries on using them and use them more as a last resort, rather than the default.

6. The Quiet Game – When things get noisy, challenge the kids to see who can stay quiet the longest.

7. Snacks & Drinks – Pack snack boxes for older children and keep drinks in the front with you to avoid unnecessary stops for the loo when they have necked a whole bottle of water! Be very mindful of giving younger children snacks if an adult is not sitting in the back with them, as it is a choking hazard!

8. Safety First – Use child locks, remind kids about seatbelt safety, and follow The Lullaby Trust advice on babies sleeping in car seats.

9. Be Prepared – Keep wipes, tissues, and the nappy bag within easy reach. Blankets and comfy clothing are also essential.

10. Break It Up – If traffic hits or the car gets tense, don’t be afraid to stop somewhere safe, stretch legs, and reset before heading off again.

*The Skoda Superb Estate SportLine 2.0 costs from £44,715. Visit skoda.co.uk for more information

*Gleddoch Golf & Spa Hotel costs from £129 in low season and £189 in high season, based on entry level rooms. Visit gleddoch.com to book

*Rooms at Cameron House start from around £275 per night. Visit cameronhouse.co.uk to book

*Sykes Cottages Rhunacairn House costs from £1135 for 7 nights, see sykescottages.co.uk

We are seeing the total destruction of Iran’s naval capabilities unfold day by day. Earlier this morning, the Pentagon announced that a U.S. Navy submarine had made the first torpedo kill since World War II against an Iranian frigate in the Indian Ocean. Now we are seeing footage of one of Iran’s strangest and most advanced warships, the Shahid Soleimani class IRIS Shahid Sayyad Shirazi (FS313-03), being struck and set ablaze. The ship would later sink, according to the Department of War.

The first ship in her class, the Shahid Soleimani, was commissioned in 2022, and is a very unique vessel indeed. Built for littoral combat, it incorporates a number of interesting features for a ship of its size. This includes a vertical launch system with two cell sizes that is capable of slinging air defense missiles. It also features anti-ship cruise missiles, gun systems, and a large flight deck. Clearly, Shahid Sayyad Shirazi‘s capabilities offered little help to its survival, as the video, shot by a U.S. surveillance aircraft, shows.

In fact, if you look closely at the image at the top of the story, it appears that either a missile is exiting one of the IRIS Shahid Sayyad Shirazi‘s vertical launch cells or it is stuck on its launch rail. We also see an image with smoke streaks surrounding the ship. It isn’t clear if this was it launching weapons at its attackers, or the attacker’s weapons finding their way to the Shahid Sayyad Shirazi.

It’s also worth noting that the IRIS Shahid Sayyad Shirazi‘s first-in-class progenitor is named after the IRGC commander that U.S. forces killed during the first Trump Administration in a strike near the Baghdad airport. This assassination in 2020 went on to largely set the tone between Tehran and Washington during the remainder of Trump’s first and now his second presidency.

We previously noted that at least one of the four Shahid Soleimani class corvettes escaped initial U.S. airstrikes on its home port of Bandar Abbas, Iran’s most important naval base that sits right in the Strait of Hormuz. The ship was at its berth just days before the war kicked off, but was nowhere to be found in subsequent satellite imagery. That vessel very well could have been the one sunk.

Ракетные катамараны Ирана типа Shahid Soleimani, обзор

This class of vessels is the most advanced of Iran’s catamaran warships, which are often configured in a puzzling manner. These ships are active components of the naval arm of the IRGC, nonetheless, and have played a part in close encounters with U.S. Navy warships in the region.

As an update to our prior reporting on the strikes on Bandar Abbas, new satellite imagery we have reviewed appears to show both frigates that were struck in the first attacks now having sunk. The single Kilo class submarine, Iran’s most advanced, which was docked at the base, also appears to have been sunk, and a large scorch mark sits next to where it was tied-up pier-side. U.S. Central Command confirmed it had targeted the “most operational Iranian submarine” in ongoing strikes last night.

IT was the long, hot summer of 1995, John Major was in No10 and Blackburn Rovers were Premier League champions.

The music charts had been dominated by acting duo Robson and Jerome, until one crazy week in August when Britpop’s heavyweights began slugging it out.

Oasis and Blur released their new singles Roll With It and Country House on the same day in a race for the No1 spot — and the nation was absolutely mad for it.

It was an era-defining, pop culture moment, billed as North v South, working-class v posh boys and sing-along anthems v lyrical sophistication.

Yet even their most ardent fans would have struggled to imagine that 30 years down the line the rivalry in all its boozy, sweary glory would be transformed into a theatrical production.

The Battle — which opened at the Birmingham Rep theatre this week — is a comedic caper that tries to recreate the 90s vibe.

Girlband star says group were ‘banned from eating carbs and called ‘fat w****s’

‘LESS INSECURE’

Stepping back was key to finding our confidence says Mumford & Sons’ Marcus

So Oasis frontman Liam Gallagher — played by George Usher — is seen snorting lines of coke, swigging champagne and threatening to knock Blur singer Damon Albarn’s block off.

And the production includes more uses of the C word than have been uttered in much of the rest of British stage history put together.

The play’s writer, best-selling novelist John Niven, tells me he had to explain the context of the expletive-laden script to the actors.

He said: “The young cast found some of the language challenging at first.

“I had to say that that was just the way people spoke back then. It was more full-on and a much more unfiltered time.

“There’s five or six c***s in it but I guess that’s a lot for the theatre.

“But there’s no way you could accurately reflect those musicians over a five-month period without a few C-bombs dropping. It wouldn’t be authentic.”

John, 60, said he took inspiration for the narrative from a comment by Oasis manager Alan McGee about the rise of his band from a tough Manchester suburb.

He recalled: “Alan said, ‘The thing is, Blur think this is all good media fun but you’ve got five lunatics off a council estate in Burnage who actually want to f*****g kill them’.

“Blur moved the release date of their record to coincide with the Oasis single, so Liam thought, ‘Right, they’ve offered us out’.”

With actor George, 21, successfully aping Liam’s loping gait, he also gets to deliver the most one-liners.

John, who spoke to Blur’s bassist Alex James while writing the play, added: “Someone like Liam is so seductive to write for.

“Noel and Liam are both very funny in completely different ways.

“Noel is really dry and has got great timing, like a stand-up comedian, while Liam is much more surreal, random and unfiltered. He’s a delight to write dialogue for.

“Sometimes you think, ‘F***, have I gone too far there?’

“And then you could go online and find an interview with Liam where he said something ten times crazier.”

John — who began writing the play in 2023, long before the triumphant Oasis reunion last year — also had to explain to the young cast how the Britpop battle came to dominate the national conversation.

He said: “It was such a big cultural phenomenon. The whole country, from six-year-olds to 60-year-olds, knew about it.

“It went from the music papers to the broadsheets to the tabloids to News At Ten. Back then, things spread via radio, TV and the Press, whereas now the culture is so atomised.

“I’ve got teenage kids and you can have acts with a billion TikTok followers who play Wembley Stadium and I’ve never heard of them.”

After a blast of Blur’s Girls & Boys, the play begins at the February 1995 Brits, where Blur won four awards to Oasis’s one.

Collecting the prize for best British group, Damon insisted: “I think this should have been shared with Oasis.”

Interviewed later, Noel Gallagher said: “As far I’m concerned, it’s us and Blur against the world now.”

But the love-in didn’t last. Later that year Noel said of Blur: “The bassist and the singer, I hope the pair of them catch Aids and die because I f***ing hate them two.”

(The guitarist would later appologise, insisting he was “f***ed” on drugs when he made the remark).

When John began writing the play, he recalled the resentment that had built up between the bands in a few short months.

The former music company executive who was at the Brits that year, added: “I thought. Now there’s a dramatic arc.

“Back in February they had all been mates with Noel giving an interview saying, ‘It’s us and Blur against the world now’.

“Now he was saying he hoped they died.”

Then, in August Oasis’s record company Creation announced their new single Roll With It would be released a week before Blur’s Country House.

John added: “Blur’s manager Andy Ross was worried that Oasis would have a massive No1.

“Back then a single could top the charts for a month so Andy was worried the Blur would be stuck at No2.”

Andy, played by Gavin and Stacey star Mathew Horne, decides to move Country House’s release date forward to coincide with Oasis and all hell was unleashed.

The then influential music magazine NME produced a front cover with the headline, British Heavyweight Championship, Blur v Oasis.

A then 29-year-old Clive Myrie reported breathlessly for the BBC News At Ten on the brewing rivalry.

Like the Beatles and the Rolling Stones in the 1960s, the two bands divided friends and families into rival camps.

An exclusive in the The Sun revealed that Oasis-mad Mandy Vivian-Thomas had kicked out her husband Richard for being a massive Blur fan.

Richard said: “Mandy’s been a nightmare. She’s spent a fortune on trash about Oasis and the last starw was using my card to buy their record.

“I’m out on my ear but I’m hoping things will calm down.”

Headlined, You Blurty Rat, the Sun article takes centre stage in The Battle.

It’s cited by Blur guitarist Graham Coxon as a symptom of how the chart battle has seen his band drift away from their indie ideals and into the mainstream.

John explained: “It became apparent how different the two bands were because I think Noel and Liam loved being in the tabloids and wanted to be that big.

“They had no problems with having loads of reporters outside their door. They thought, ‘We want to be the biggest band in the world and this is part of it’.

“But I reckon Blur found it all much more uncomfortable, especially Graham. That when you get that big you’ve got the tabloids banging on your door.

“I think he thought, ‘This is getting crazy now.’”

In the end, it was Blur who would win the Battle of Britpop with Country House topping the charts but Oasis would go on to have a more stellar career.

John added: “Damon and Noel are pals now.

“When men are in their 20s and 30s and they’re really ambitious, they’re all claws and teeth, sharp edges and hustling.

“You hurt people trying to get where you want to be but I think as men get older in their 40s and 50s they get a lot nicer and they calm the f*** down a bit.”

John hopes the play will transfer to the West End after runs in Birmingham and Manchester.

“I don’t think we’ll see a time when two bands dominate the national consciousness in a way like that again,” he said.

“It’s almost impossible to imagine.”

TOUCH OF TARANTINO

EFFING and jeffing as he struts around the stage like a rampant chimp, George Usher has Liam Gallagher down to a tee.

I’m supping a lager in the stalls at the Birmingham Rep, where if you suck your gut in and comb your hair forwards, it could be 1995 all over again.

With blasts of their hits, and aided by newsreel and radio clips, the great Battle of Britpop is fought once again.

The dialogue is pacy, comedic and very sweary. Yet with two bands, assorted managers and girlfriends to cover, there is little time for character development.

However, just as the play seems to be running out of narrative, it plunges into a Quentin Tarantino-esque sequence.

It’s a fittingly surreal end to this parable of a drug-addled decade.

★★★☆☆

WE all know Americans do things a lot bigger than in the UK – from fast food to drink sizes – and it goes for play areas too.

One in the US the size of a football pitch has caught the eye of Brits who say they’d love to see one open in the UK.

Called The Fun Station Cedar Falls, the enormous play area stretches across 70,000 square feet and is the state of Iowa‘s largest indoor adventure park.

It has over 20 attractions from zip lines to trampolines, an obstacle course, laser tag, racing slides, bowling alleys and fairground rides.

There’s a multi-level play maze, seven climbing walls as high as 22ft, a high-ropes course at 55ft, an arcade with 35 video arcade games where players can win prizes.

There’s food on-site too from a salad bar, to a cafe and fizzy drink station.

SIGHT SEA

£9.50 holidaymakers’ favourite Skegness activities… away from the beach

GO SEA IT

£9.50 holiday spot with shipwrecks, seals offshore & horseshoe-shaped waterfalls

It’s popular with local parents who say that their kids “love to climb for hours here”.

With a video doing the rounds on Facebook, it’s even caught the attention of UK residents with one even saying “wish we had this in the UK”.

For UK parents, one parent in the comments suggested heading to Riverside Hub in Northampton.

One writer Catherine Lofthouse visited the attraction that has the UK’s largest playframe across four floors, which they called ‘soft play on steroids’.

Catherine said: “Laser tag, crazy golf, two climbing poles, go-karts and even arcade machines all included in the price.

“The main issue is keeping an eye on all your children as they head off in opposite directions to make the most of everything on offer.

“While the youngest was taking a spin on the carousel, my middle son was clambering up the two 10m climbing poles, one in the shape of an oak tree and the other a beanstalk, in the centre of the hub.”

There are also Fun Stations in the UK – but these are owned by a different company.

In cities like Birmingham, Leeds and Milton Keynes, there are Fun Stations that are more like arcades.

It’s packed with immersive and action-packed video and VR games, along with carnival games where visitors can win top prizes like iPads and headphones.

Some destinations even have dodgems, mini bowling, laser tag, escape rooms and mini golf.

For more on play areas, here are five of the UK’s biggest indoor soft plays to escape the rainy weather with huge climbing frames and drop slides.

And here is a huge new wooden play attraction that’s set to open at a historic English house with den building, zip lines and racing slides.

The first hour of “EPiC: Elvis Presley in Concert” convinces you that the King is the greatest entertainer who ever lived. By the end of it, he’s a god. Director Baz Luhrmann claims he made this Imax documentary so that any poor souls who never got to see the King live can worship him in action. Really, I think Luhrmann is praying that in a thousand years, some alien civilization will discover this footage and build a whole religion around the thrall Elvis’ hip thrusts had over a crowd.

If that future comes to pass, then Luhrmann himself will be elevated as a key disciple. He’s so devoted to Elvis that this is his second tribute in four years, the other being, of course, his 2022 biopic “Elvis,” starring Austin Butler, who was good in the role if not quite iconic. That more traditional film hewed to the genre’s standard rise-and-fall narrative and was dinged mostly because the King’s life represents so many things to so many people — race, class, controlling relationships — that it’s impossible to please everyone or for any actor to fill his blue suede shoes.

“EPiC” sticks to the surer footing of documentary footage: the man himself performing over two dozen tunes — including “That’s All Right,” “Burning Love” and “In the Ghetto” — plus twice that number on the background soundtrack. (I’m not into his gospel hits, but they suit the mood.) A dream concert that’s longer and larger than what fans could have seen in reality, the movie is stitched together primarily from Elvis’ Las Vegas appearances in 1970 and 1972. You can tell which year it is by the amount of rhinestones on his costumes, which become increasingly maximalist.

When Elvis retook the stage in 1969, he hadn’t performed before a live audience in nine years and he’d gotten a little uncool. Beatlemania had dinged his appeal so perilously that editor Jonathan Redmond splices its arrival with images of car crashes and missile attacks. Reporters at that comeback show noted that most of his fans were now — horrors! — over 30, with the exception of a 25-year-old who said he attended out of nostalgia.

Luhrmann quickly sets up the essential framework, then Luhrmann picks up a year after Elvis proved he was still a smash. No longer constrained by moral panic, the Army draft or the decade he spent trapped within the Hollywood industrial complex, this is the King at arguably the high point of his career, right in that sweet spot before his 1973 divorce from Priscilla Presley, after which his mood and health started to flag.

This Elvis comes across confident, breezy, comfortable and funny. In one scene, he jokes about the difficulty of lunging to the ground in a tight jumpsuit (an outfit he adopted because he was nervous of ripping his pants). Later, he switches up the lyrics to “Are You Lonesome Tonight?” to croon, “Do you gaze at your forehead and wish you had hair?”

The camera often seems to be right under his chin, gazing as the sweat on his cheeks and lashes shimmers under the Vegas lights like diamonds. His spell over the crowd feels at once intimate and volcanic. You get the best look at his charisma when Elvis targets his energy at an unsuspecting back-up singer in the middle of “Suspicious Minds.” Slowly striding toward the girl, he hypnotizes her as skillfully as a snake charmer and then, as a punchline, lunges in her direction. She jumps and giggles.

While we become familiar with the faces of his band members, the film doesn’t bother to mention any of their names, not even in the credits. They deserve better, but the film is about how the concert felt, not how it came to fruition. Still, once you get over the contact high of Elvis’ psychedelic neon pink paisley shirt in the rehearsal studio, it’s delightful to see that he gives as much of himself when performing in a small setting as he does in a massive one. He loses himself in thrall to the beat, gyrating his pelvis so fast it resembles a machine gun.

Naturally, there’s a montage of the women in the audience overwhelmed by joy, from a sobbing little girl who won’t let go of his arm to a glamazon in a dangerously low-cut minidress who scoots under the curtain before it closes. The ladies tug on his scarves and toss bras at him, one of which he wears on his head. Surprisingly to modern eyes, when his female fans grab and kiss him, Elvis smooches them back, even after he wades into a sea of his admirers and emerges with the chains on his jumpsuit torn off. If you happen to spot your mother or grandmother in the crowd, well, good for her.

In lieu of mentioning Elvis’ off-stage reality, Luhrmann deepens a song’s effect by cutting to personal photographs that are a little out of context. As Elvis wails the line, “And I miss her,” from his cover ballad about a bad husband, we see a shot of Elvis’ dead mother, Gladys. “Always on My Mind” becomes a brisk yet moving acknowledgment of Priscilla and his infant daughter Lisa Marie. Otherwise, Lurhmann only wants to celebrate the good stuff. There’s no tragedy here. It’s ecstasy minus the agony.

If Elvis was ever cranky, that’s been stripped out. Though we hear him get hound-dogged by nosy questions from the press, the closest Elvis comes to snark is when he sits on a stool to play “Little Sister.” He sings the chorus, then cranks up the tempo a notch and suddenly starts belting the Beatles’ “Get Back,” before smoothly transitioning once more into his own song. Point made: Don’t give those Brits too much credit for revolutionizing rock ‘n’ roll.

Lurhmann’s got his own score to settle. In the Butler version of “Elvis,” he made the case that, as big an artist as Elvis was, he should have been bigger. Colonel Parker, Elvis’s manager, kept his cash cow on a leash, tethering him first to middling B-pictures, then to casinos. The Beatles invaded his country; he never played a single gig in theirs. We never got to find out who Elvis, with his magpie love for all music, might have become if he’d traveled the world and gotten to pick up an ashram sitar.

And while that argument got a little drowned out in the biopic by Tom Hanks’ double-phony put-on accent as Parker, this rapturous salute to the King’s majesty wants to make sure we don’t miss it now. Lurhmann even scores his footage of the Colonel to “The Devil in Disguise.” Hey, every religion needs a heel.

POP superstar Lady Gaga is set to release a concert film about her record breaking Mayhem Ball.

The Sun can reveal the Abracadabra hitmaker, 39, has secretly enlisted British director Sam Wrench to help bring her vision to life.

The special is set to be filmed over Lady Gaga’s four nights at the Kia Forum in Los Angeles this week.

While no release date is set, the film is expected to be released later this year after being snapped up by streaming bosses following a fierce bidding war.

Sam is no stranger to concert documentaries, having previously worked with Taylor Swift on her 2023 Eras Tour film.

Not only was the film released on Disney+ but it also was rolled out across cinemas – breaking box office records in the process.

Most recently Sam teamed up with Christina Aguilera for her festive special;  Christmas in Paris.

It’s not the first time Gaga and Sam have worked together.

They previously teamed up on Gaga’s 2024 Chromaica Ball HBO special which documented her 2022 stadium tour of the same name.

A source said: “Gaga has poured her heart and soul into The Mayhem Ball.

“She is so proud of everyone who has helped make the tour what it is and is keen to give it the full concert film treatment.

“Not only is it arguably her most elaborate show of all time, it’s also reminded the world that almost two decades into her career she is still at the top of her game.”

The insider added: “Gaga and Sam have a close working relationship so bringing him on board was a no brainer.

“The show will be filmed across her four dates in Los Angeles and is pencilled in for release late 2026.”

The Sun understands Sam is joining the creative team headed up by the superstar.

He will sit alongside Gaga’s fiance Michael Polansky, 42, and her choreographer Parris Goebel, 34, who are also helping creatively manage the project.

Michael is now an integral part of the Poker Face singer’s inner circle.

He was listed as an Executive Producer alongside Gaga on Mayhem – as well as landing a number of writing credits including on the record’s lead single Disease.

Gaga previously said: “Michael was in the studio every day with me.
“He oversaw the whole process of making the record, completing it, helping me shape the sound of the record creatively.

“It was an amazing thing to do with your partner, because when I start to doubt myself, there is nobody that’s going to call me on it better than he is”.

Kicking off in July last year, The Mayhem Ball is one of Gaga’s biggest ever tours, seeing her play 87 dates across four continents.

Last September and October Gaga played four sold out shows at London’s O2 before a further two dates at Manchester’s Co-op Live.

By the time she takes her final bow at Madison Square Garden in April, she will have played to over 1.3million fans.

The concert film comes off the back of an already packed 2026 for Gaga.

Despite only being weeks into the year the singer has already filmed a concert special for Apple Music, performed at the Grammys and the Super Bowl and wrapped up the Asian leg of The Mayhem Ball.

Next week she will go head to head with some of the biggest artists in the world at the 2026 Brit Awards.

While she is unable to attend the ceremony due to playing a show in Texas on the same date, she is up for two of the biggest gongs of the night.

Gaga is nominated for International Artist of the Year and International Song of the Year thanks to her Bruno Mars collaboration Die With A Smile

It marks the first time in over a decade she has been nominated.