Emily

MODEL Emily Ratajkowski looks a real treasure at an exhibition to celebrate the Swarovski jewellery brand.

The US star, 34, wore a revealing black coat and glittering crystal necklace at the Los Angeles event marking the Austrian company’s links to Hollywood.

Reality TV sisters Sarah Jane Nader, 23, and Brooks Nader, 28, also sparkled on the red carpet.

They are appearing in the Disney+ show Love Thy Nader, which follows their attempts to make it as models in New York.

Brooks said: “I’m shocked because I know that we’re just psychos at heart.”

It comes as Emily last week bared her soul about how she suffered from self-doubt.

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She revealed how writing her 2021 memoir My Body had sparked feelings of inadequacy.

The best-selling author, whose memoir has sold millions of copies, recently teamed up with Lena Dunham, 39, creator of TV series Girls, for a brand new show. 

Talking to Beyond Noise magazine, Emily said: “I’ve had a real journey related to imposter syndrome. I wrote my book literally on my phone.” 

She added: “That was five years ago.

“Now I have a desk. I have my bookshelf. I have a proper computer.

“I’ve really embraced it, but I loved how I could trick myself into thinking what I was doing wasn’t important.” 

It was Scarratt’s only game time of the campaign, but she says she feels that her contribution on the sidelines and around the camp was just as crucial as her more obvious involvement in four previous World Cups.

“I genuinely really enjoyed the whole tournament, obviously I am a rugby player and therefore want to play rugby, but this tournament was slightly different and my role was not probably never going to be front and centre of playing,” she said.

“I always have tried to be the team player, but for such a long period of my career I was always starting, therefore I think it is a lot harder to show it.

“But it has always been quite important to me to be able to show the strength of a team is the entire team, no matter what role you have within that.”

Left out of the matchday squad, Scarratt frequently carried the water bottles for the Red Roses as they closed in on victory.

She had the role for the final in front of 81,885 fans as England successfully saw off Canada to win the World Cup once more.

“I was very conscious of keeping an eye on the clock and doing my job, but there was a point with about 30 seconds to go when I was on the radio,” she remembered.

“I looked up to the coaches boxes and probably said a few expletives along with ‘we’re world champions’.

“That feeling in that stadium, it was unbelievable. I never thought I would experience something like that, because I didn’t see it happening in our game.

“To be at home, to be successful in front of that many people – I was very glassy eyed at the end… and probably also because I knew it was going to be the end [for me] as well.”

In the aftermath of England’s victory, it was reported that R360 – a proposed new global series involving top players – had contacted England stars to recruit them as figurehead signings for the inaugural 2026 edition., external

The Rugby Football Union, in coordination with other leading nations, subsequently banned any R360 players from representing their national sides.

“I don’t know if I should be offended, but I definitely wasn’t approached to play in it!” Scarratt joked.

“Potentially for the women’s game, it is slightly different to the men’s – we are constantly looking for investment and financial support.

“It is going to be an interesting time with players deciding whether international stuff or the lure of potential money [is the right choice for them]. I’d love there to be a place for it all.”

Scarratt will continue her involvement in the game as an assistant coach for Loughborough Lightning, a television pundit, a podcast presenter and working with the RFU on the development of young talent.

MANY A-list models stunned while strutting down the runway donning lingerie at the Victoria’s Secret Fashion Show.

The night was filled with beauty and sexy outfits for the brand’s annual runway show on Wednesday night in New York City.

It began with jaw-dropping looks from models wearing an array of sultry lingerie, including pregnant Jasmine Tookes, who stepped out first in a barely-there gold beaded number.

She paused at the end of the runway as she cradled her baby bump and was met with cheers from the crowd.

Others like Behati Prinsloo and Alessandra Ambrosio matched her all-gold look in string two-piece ensembles, the former with a massive train, while Alessandra rocked giant wings.

Soon after, several musical acts took the stage.

Madison Beer started the lineup, performing her hit track Bittersweet while wearing nothing but a white angel corset.

She blended in perfectly with the ladies, as most wore variations of white and pink outfits.

Gigi Hadid turned heads in a skimpy pink lingerie set with an enormous pink, feathery coat draped over her arms.

Shortly after, the stage transformed into the brand’s signature pink-and-white polka-dot colors for its PINK loungewear collection.

The singing group TWICE then entered the runway, making history as the first K-pop girl group to perform at the exclusive event.

The foursome sported varying form-fitting ensembles, with knee-high furry boots.

They sang their songs, This Is For and Strategy while the models walked past them in more comfortable attire.

This included newcomers Lila Moss and Barbie Ferreira, who stunned in a gray lounge set and a jean jacket, respectively.

At the end of the PINK showcase, the ladies posed for a group shot in the middle of the stage with TWICE, which was shown on a giant screen.

The evening continued with more seductive attire, as Colombian singer Karol G performed in a body-hugging, see-through white number.

The models kept the red theme going, with Bella Hadid flaunting her incredible figure in a jaw-dropping lingerie set.

Others wore various red lingerie, some paired with props such as capes, wings, and devil horns.

Karol G also got in on the fun, catwalking across the stage to show off her skintight bodysuit with matching wings.

The mood then brightened with more pastel-colored pieces, including a breathtaking vision of Emily Ratajkowski.

The supermodel wore a pink bra and underwear set, strapped heels wrapped up to her knees, and a huge, sparkly pink prop on her back.

The lights dimmed again to display the all-black lingerie pieces, including plus-size model Ashley Graham flaunting her curves in a glittery two-piece.

She paired the look with massive black angel wings and strappy heels.

Gigi later reappeared, wearing a form-fitting white corset and matching skirt, while holding large white angel wings.

Her sister, Bella, also reemerged donning a sexy tasseled white lingerie set with fluffy white wings strapped to her back.

The show ended with a medley performance by Missy Elliott, which included her popular tracks Get Ur Freak On, Work It, and Lose Control.

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Missy made a grand entrance on a platform that came down from the ceiling before she appeared in an all-black sparkly outfit.

The models returned to the stage altogether when Missy’s performance concluded for an encore, as pink confetti covered the room.

Former Rep. Katie Porter of Irvine received the endorsement of a prominent Democratic women’s group on Monday that backs candidates who support abortion rights. The organization could provide significant funding and grass-roots support to boost Porter’s 2026 gubernatorial campaign.

“Katie Porter has spent her career holding the powerful accountable, fighting to lower costs and taking on Wall Street and Trump administration officials to deliver results for California’s working families,” said Jessica Mackler, president of EMILY’s List. “At a time when President Trump and his allies are attacking Californians’ health care and making their lives more expensive, Katie is the proven leader California needs.”

The organization’s name stands for Early Money Is Like Yeast, a reference to the importance of early fundraising for female candidates. It was founded four decades ago to promote Democratic women who support legal abortion. The group has raised nearly $950 million to help elect such candidates across the country, including backing Porter’s successful congressional campaign to flip a GOP district in Orange County.

“There’s nothing that Donald Trump hates more than facing down a strong, powerful woman,” Porter said. “For decades, EMILY’s List has backed winner after winner, helping elect pro-choice Democratic women to public office. They were instrumental in helping me flip a Republican stronghold blue in 2018, and together I’m confident we will make history again.”

It’s unclear, however, how much the organization will spend on Porter’s bid to be California’s first female governor. There are multiple critical congressional races next year that will determine control of the House that the group will likely throw its weight behind.

The 2026 gubernatorial race to replace termed-out Gov. Gavin Newsom is wide open after former Vice President Kamala Harris decided not to run and as Sen. Alex Padilla and businessman Rick Caruso mull whether to make a run.

At the moment, Porter, a UC Irvine law professor who unsuccessfully ran for U.S. Senate last year, has a small edge in the polls among the multitude of Democrats running for the seat. The primary is in June.

EMILY’s List, which often avoids making a nod when there are multiple female candidates in a race, made its decision after former state Senate leader Toni Atkins announced in late September that she was dropping out of the race. Former state Controller Betty Yee remains a gubernatorial candidate.

EMILY Ratajkowski raised the temperature as she posed for steamy lingerie snaps to promote her campaign with Lounge underwear. 

The actress and model, 34, flaunted her famous figure in a selection of lingerie pieces from her collaboration with the underwear brand, and posted some of the saucy pics to her Instagram account.

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Mum-of-one Emily donned a hot-pink bra, panties and garter set in one snap, as she posed suggestively with white sheets on a bed.

In another picture, the Gone Girl actress lay seductively on the floor in an all-black set as she looked directly into the camera.

The famously slender star also showed off her frame and toned stomach as she posed stood up in the all black ensemble, 

The sexy lingerie pieces are part of the model’s collection with Lounge Underwear, dubbed “Emily’s Edit”. 

Speaking about the edit, Emily said: “Sexiness has nothing to do with what someone else sees. It’s about how I feel. 

“I’m a mother, I’m a writer, I’m someone who loves fashion. I play a dozen different roles every day. I love that Lounge recognizes how multifaceted women can be.”

The edit, which features seasonal picks from the star, marks Lounge’s Fall 2025 collection, and also features clothing items including a suede blazer and matching shorts, a cherry lacquer argyle cardigan, and a chocolate sheer shirt paired with a coordinating skirt.

It comes a week after Emily was seen partying away with British pop star Charli XCX, after attending their wedding ceremony in Sicily, Italy. 

The Brat star, 33, married her The 1975 drummer husband George Daniel in a small ceremony in London last month, before flying out to Italy to throw a huge celebration with family and close friends.

Emily was among a flurry of stars who attended the wedding, which included Matty Healy, Gabriette, Amelia Dimoldenberg and Julia Fox.

The model appeared to attend the ceremony alone – without her four-year-old son Sylvester Apollo Bear, who she shares with her ex-husband Sebastian Bear-McClard. 

Emily finalized her divorce with the film producer, who faced a slew of sexual misconduct allegations, in July, after filing for divorce in September 2022. 

The model sparked her latest romance rumours earlier this month, after she was spotted getting close to Caught Stealing actor Austin Butler in New York. 

The pair were spotted together at the Waverly Inn in Manhattan’s West Village, in what could mark her first relationship since her divorce.

She has previously been linked to stars including chart-topper Harry Styles, Oscar winner Brad Pitt, artist Jack Greer and SNL alum Pete Davidson. 

Emily recently revealed she would be making a career turn, as she gears up for a screen-writing debut on A24’s untitled drama series for Apple TV+, which is set to explore female identity and modern motherhood – with Lena Dunham and author Stephanie Danler. 

“Lena was the first person who published my writing, on Lenny Letter, but she knew about me from Instagram,” she told Variety in July. 

“I’ve had a lot of experiences, with Lena specifically, where she has seen past surface level things and given me so many opportunities.”

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In “Task,” premiering Sunday on HBO, Brad Ingelsby, creator of the 2021 miniseries “Mare of Easttown,” which introduced the wider world to Wawa and the Delco accent, returns with another tale of crime and family in the rural-suburban wilds west of Philadelphia. Where women were at the center of “Mare,” men are the subject here — a cop and a criminal, symmetrically arranged — messed-up middle-aged single fathers who care about their kids.

Both have been loaded with tragedy. Robbie (Tom Pelphrey), whose wife took off a year before, has a much-missed dead brother in whose house he’s living with his two kids and young adult niece (Emilia Jones as Maeve, a secret hero); he’s a garbage collector with a sideline in robbing drug houses, which he identifies through their trash. This routine has been successful enough that he and his partner, fellow trashman Cliff (Raúl Castillo), have drawn the attention of the authorities.

FBI agent Tom (Mark Ruffalo) has a dead wife (Mireille Enos, seen briefly in flashback), a son in jail he can’t bring himself to visit and a semi-estranged adult daughter (Phoebe Fox); on leave from field work, he’s been manning the agency table at job fairs. That changes when his boss (Martha Plimpton), much to his displeasure, calls him back as a substitute to lead a task force into the drug house robberies, already assembled by his predecessor from other branches of law enforcement. There’s Lizzie (Alison Oliver), young and distractable; Aleah (Thuso Mbedu), terse and focused; and Anthony (Fabien Frankel), loose and Italian.

It’s clear from the guns that both sides pack, and the fact that Robbie has been stealing from criminals — notably a drug-dealing motorcycle gang, the Dark Hearts, which has its own explosive internal business — that something is going to go fatally wrong sooner or later. (If that’s a spoiler, you are blessed with a special brand of naivete.) The bikers, who are not at all nice, though painted with some recognizably human qualities — represented primarily by Jamie McShane as Perry and Sam Keeley as Jayson — are the usual screen collection of exclusively good-looking men and women, though to be fair, this is true of Tom’s team too — Tom perhaps excepted. (Ruffalo put on weight for the role, and wants you to notice.)

In “Task,” Robbie (Tom Pelphrey) is a single father who steals from other criminals.

(Peter Kramer / HBO)

Indeed, the predominant experience of watching “Task” is waiting for the next terrible thing to happen, which may be called suspense or dramatic tension, but in the event makes for an often depressing watch, especially since the safety (physical, psychological) of young children is involved. (That can feel a little cheap, dramaturgically, like endangering a kitten, but it works.) One is grateful for anything relatively ordinary — Lizzie and Anthony dancing in a bar, Tom’s younger daughter, Emily (Silvia Dionicio) connecting with a co-worker at the custard ice stand. (Another item for the regional reference bucket.)

In the compare-and-contrast structure of the series, we learn that Robbie, though he is a fount of bad decisions, is the more optimistic, proactive of the two characters — he has a dream, in the form of a brochure, regarding a Canadian island, where he would like to spirit his family away. (He’s doing the crime to afford it.) He’s interested enough in finding “a life companion” to open a dating app. Tom, who had been a priest for eight years before losing the spirit and joining the FBI, still in mourning for his wife, drinks too much, is packing a paunch and can’t connect with Emily, the only family member left in the house.

Both have connections to nature. Tom, who grows vegetables, is a birdwatcher; Robbie keeps chickens. Both are essentially tenderhearted, which is perhaps not the most practical quality for their professions, but necessary for the story — we need to like them. They’re like one and a half sides of the same coin.

In among the criminal antics and police work is a lot of talk about life and death and God, guilt and forgiveness. Ingelsby thinks big. The title to one episode, “Out Beyond Ideas of Wrongdoing and Rightdoing There Is a River,” paraphrases the 13th century Persian poet Rumi, and water is a motif — diving into it, swimming in it, hanging around by it. Birds, too, which show up in random shots and, like the lakes and rivers, function as a sort of psychic relief for the viewer and metaphors for the story. When Tom, speaking to Robbie, identifies a certain bird as a “vagrant … a bird that strayed outside its normal range, strayed so far that it’s forgotten how to find its way home,” that is not really about birds. The writing can be a little on the nose, but better a violent story with ideas than one with none.

For all my reservations when it comes to this sort of drama, it’s very well made and very well acted, and, where many crime stories settle for sensational nihilism, “Task” does want to leave you feeling … pretty good. Not horrible. Hopeful. I trust that hasn’t spoiled it for you.

ACTRESS Emily Atack says she has been sexually assaulted while making TV shows and movies throughout her career. 

The former Inbetweeners star, 35, believes the use of “intimacy co-ordinators” on the set of her latest show Rivals has heralded a welcome shift in behaviour. 

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The mother of one revealed she has previously been the target of sexual abuse at work and wants to explore the issue in a documentary. 

Of intimacy co-ordinators, she said: “I’ve seen people roll their eyes about them and say, ‘I don’t need one.’

“There’s a defensiveness about it, because they feel like they’re being accused of something they haven’t even done yet. 

“Intimacy coordinators are there for support if you feel uncomfortable, whether you’re a man or a woman.

“I’ve been sexually assaulted at work throughout my career, whether it’s on the actual set, or at a wrap party. 

“And since the #MeToo movement, it shows that people are listening and that there has to be a shift in behaviour on sets.” 

She recently revealed her joy at working on Disney+ show Rivals, which includes many sex scenes but also has a team on standby to ensure everyone is comfortable. 

Emily, who plays Sarah Stratton, told the Radio Times: “I’m really proud of the Rivals gang because, throughout my life, I haven’t felt safe all the time, and we’re all so respectful of each other.  

“We have to do a lot of sexual scenes and we’re very looked after — it’s a really positive thing.” 

Emily, who is now engaged to materials scientist Dr Alistair Garner, launched her acting career 18 years ago with small parts in dramas including ITV’s Heartbeat. 

She then made her breakthrough as Charlotte Hinchcliffe in The Inbetweeners, which ran from 2008 to 2010 on Channel 4 and is one of Britain’s best-loved comedies. 

She also appeared in Only Fools And Horses prequel comedy Rock & Chips on BBC One in 2010, the 2013 gangster film Get Lucky and the 2016 movie remake of Dad’s Army.

She finished second on I’m A Celebrity in 2018. 

The Sun revealed she is to host ITV game show Nobody’s Fool, with Rivals co-star Danny Dyer. 

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Emily Hunt Kivel’s book is unlike any novel you will read this year, a story about millennial angst that is also a bewitching fable. Evie Cavallo, Kivel’s protagonist, is a 20-something mid-level graphic designer at a New York ad agency who loses her rented apartment and finds herself cast adrift. Landing in a fictional backwater town in rural Texas called Gulluck, Evie discovers a hidden gift for shoemaking and finds herself welcomed into an eccentric community of fellow cobblers. “Dwelling” is social commentary wrapped into a delightful allegory about identity, work, ritual and tradecraft.

I chatted with Kivel about her debut novel, and how, despite its fantastical elements, “Dwelling” nails our present cultural moment.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

✍️ Author Chat

Emily Hunt Kivel’s “Dwelling” is “unlike any novel you will read this year,” writes Marc Weingarten.

(Julia Hole)

I started reading your book thinking, “Ugh, a polemic about the housing crisis,” and by the end of the book I was deeply moved by Evie’s journey.

That’s what I wanted. I wanted readers to think they were reading one thing and to end up at the end thinking, “Where the f— was I?” I wanted to write a book that changed shape and form while in the reader’s hands.

Was that the original intention going in?

I don’t know if I started out with the intention of writing the book I did, but I certainly didn’t want to write a maudlin dystopian commentary on the housing crisis. I did want to touch on this feeling of complete instability that millennials in particular are feeling, but also I think everyone is feeling it to some extent — this incredible lack of stability, and alienation.

Evie, maybe, kind of wants to be a creative, but instead she blossoms by learning a craft that involves using her hands and her head, not a computer.

I think there’s a parallel between finding a craft and coming into your own, and in that way, I think it’s a fairly earnest description of what it feels like to discover yourself through something that you’re passionate about. Evie goes from being an insular character who’s living a self-absorbed life, because that’s what society wants us to do, to living a life that’s actually very generous.

The book takes on the contours of a fable. Did you read fables in preparation?

I read a lot of fables just to keep myself motivated and interested during the writing process. One of the primary texts that I found very helpful was Italo Calvino’s translation of Italian folk tales. It brought me back to this kind of irreverent but weirdly earnest and enchanted quality that I wanted to create in the book.

Unmoored from her prior life, Evie finds her identity in Texas. I think this is something a lot of people are struggling with, not just Millennials. We are asking: Who are we? What is our purpose in life?

I think we’re meant to feel relatively valueless in our society right now. The economy wants us to feel that way, and so I think what Evie is doing is finding value in herself and giving the middle finger to the version of society that she was living in.

The key element of Evie’s new life is this robust community that welcomes her.

I wanted another world to open up to Evie, a world that’s oriented towards life rather than the self. The book is really the story of how to find a home, and what makes a home. Community is the only actual way to resist the forces that we have in our society that are alienating us from our work, friends and family.

In the acknowledgments, you thank the UCLA Writing Extension program. What was that experience like for you?

One of the most formative experiences of my life was the UCLA Extension. I went to UC Santa Barbara and was absolutely miserable. and so I graduated early and moved to L.A. I was finding community and portals into another world at the Extension, which is available to everyone. I was writing alongside such a diverse array of people. I finally started to feel like a writer there. I took classes with Lou Matthews, who I think is the heart of the program in many ways.

📰 The Week(s) in Books

“Jeopardy!” host and “The Complete Kennections” author Ken Jennings says he was “a sponge for weird information” as a kid.

(Faith Jennings)

Nathan Smith thinks “There’s No Going Back: The Life and Work of Jonathan Demme,” Davd M. Stewart’s biography of the late film director Jonathan Demme, contains “inconsistent, often abridged, treatments of Demme’s films and what messages to glean from a long view of the director.”

Hamilton Cain weighs in on Ed Park’s new collection of stories “An Oral History of Atlantis,” submitting that “We’re complicit in his fiction … the act of reading a jumble of synapses in our brains, spinning in all directions like a spray of bullets.”

Chuck Hogan’s “The Carpool Detectives,” about four moms who solved a murder, is a “true crime mystery that reads like a novel,” according to Diane Garrett.

And finally, Stuart Miller has a chat with “Jeopardy” host Ken Jennings about his new book, “The Complete Kennections.”

📖 Bookstore Faves

“Books aren’t just sources of information — they’re vessels for reflection, joy, and escape,” says Jeff Resnik, general manager of Pages, A Bookstore in Manhattan Beach.

(Pages, A Bookstore)

Located just steps away from the ocean, Manhattan Beach literary mainstay Pages, A Bookstore is one of L.A.’s best indie shops. We chatted with general manager Jeff Resnik about what his customers are buying right now.

What’s flying off the shelves at the moment?

Some of our recent top sellers include “The Ghostwriter” by Julie Clark, “Run for the Hills” by Kevin Wilson, “The Names” by Florence Knapp, “It’s Only Drowning” by David Litt and “Tilt” by Emma Pattee.

Do you find that, because you are near the ocean, people tend to look for beach reads during this time of year?

Definitely. Being so close to the ocean, we get a steady stream of readers looking for something light and enjoyable to bring to the beach. Whether it’s a breezy romance, fast-paced thriller, or witty novel, “beach reads” are in high demand during the summer, and we make a point to stay well-stocked on them.

Given the infinite text we can find on the internet, why are books still important?

There’s a tactile, immersive experience to reading a physical book — turning pages, marking favorite passages, setting it down on a nightstand. There’s a different kind of focus and connection that comes with holding a book. In our fast-paced, distraction-heavy world, reading invites us to slow down. Books aren’t just sources of information — they’re vessels for reflection, joy, and escape. One of the best parts of my job is helping people reconnect with that experience, or discover it for the first time.

Pages, A Bookstore is at 904 Manhattan Ave., Manhattan Beach, 90266.

Emily Feng is an award-winning Chinese American journalist who spent a decade reporting from China and Taiwan. In 2022, Feng was barred from returning to the Chinese mainland and labelled a “race traitor” for her journalism.

Her recent book, Let Only Red Flowers Bloom: Identity and Belonging in Xi Jinping’s China, tells the human stories of resistance and rebellion against the Chinese state’s vision of a unified national identity.

In this episode, Ken Roth and Emily Feng examine Xi Jinping’s past, exploring what distinguishes his style of authoritarianism and how this affects human rights both within China and globally.