duel

Mercedes Bryce Morgan’s horror film “Bone Lake” announces itself with a startlingly cheeky opener and closes with a bloody gore-fest, the song “Sex and Violence” by U.K. punk outfit the Exploited spelling out the thesis of the film for us. It’s about the intertwining of sex and violence, you see. But what unfolds between these naughty, viscera-drenched bookends is less of a traditional horror film and more of a psychosexual thriller, like “Funny Games” played between two, young attractive couples, with a setup borrowed from “Barbarian.”

In the script by Joshua Friedlander, a double-booking of a secluded rental mansion becomes a double date when Will (Alex Roe) and Cin (Andra Nechita) stumble in on the intimate weekend vacay of Sage (Maddie Hasson) and Diego (Marco Pigossi). The couples decide to make the best of it and stay, promising to rock-paper-scissors for the house if anything gets “weird.”

And get weird it does. While Diego and Sage seemed perfectly happy on arrival, the sexy, uninhibited Will and Cin have a way of nosing out their insecurities, finding the cracks in their connection and weaseling their way in. Suddenly, their lackluster sex life is on trial, and Sage’s resentment about financially supporting Diego while he pursues his dream of writing a novel bubbles to the surface.

Like any weekend-goes-awry horror movie (e.g., “Speak No Evil”), the female half of the couple catches a bad vibe that her male partner dismisses, due to his vested interest in wanting to stay. For Diego, it’s the promise that Cin will share his writing with his favorite author, for whom she claims to work. They overlook the red flags, blow off their opportunities to leave and decide to go all in with this wanton pair, drinking, playing games, breaking into secret rooms and dodging sexual overtures from each of them.

Morgan and her cinematographer Nick Matthews make the location fun to look at, with a saturated color palette and clever camera movements. However, there are scenes where the film is frustratingly dim and underlit, even if it might be justified by the power going out during a storm.

While there’s a certain verve and style to the middle section, where Will and Cin draw in their prey and toy with them, the Grand Guignol climax bears no rhythm or suspense; it’s merely a bludgeoning of the audience with carnage — too much too late.

Other blunt instruments? Roe and Nechita, who don’t play their roles with any subtlety. Roe’s Will comes off as a dangerous himbo; Nechita’s Cin is an over-the-top minx in her seduction of both Diego and Sage. While Hasson’s Sage is a plausibly strident freelance journalist type, you wonder if she has much experience with female friendship, because Cin’s manipulation is so painfully obvious. Pigossi’s self-obsessed novelist, however, is perfectly pitched in his all-around obliviousness.

There’s a kernel of something fascinating at the center of “Bone Lake,” a melding of sex and violence into gestures that are familiar from true crime stories. But there’s not enough motivation baked into the big third-act twist, and the performances just aren’t strong enough to suggest anything deeper.

“Bone Lake” offers up an appealing surface but it’s ultimately too shallow to get you immersed.

Katie Walsh is a Tribune News Service film critic.

Drenched in sweat and tears, Diego Montes could finally gasp for air in the sweltering heat of the San Fernando Valley summer.

It wasn’t the high-90s heat that lingered through the three-plus hour City Section showdown Friday night that left the five-foot-11 senior quarterback of Granada Hills Kennedy emotional, burrowed into family members’ arms after the game ended. Montes had just surged into the end zone for a winning five-yard rushing touchdown — the last of a career-best seven-touchdown performance — in a 59-56 triumph over Eagle Rock and quarterback Liam Pasten.

If Friday served as a litmus test for the City Section squads, both vying for league titles (Eagle Rock in the Northern League and Kennedy in the Mission League), their quarterbacks more than met the challenge.

An hour before kickoff, three Kennedy students called Montes over to the football field’s side gate.

“How many touchdowns are you going to score tonight?” one student asked.

Montes replied: “I got five.”

He didn’t just secure five. His seven scores — three passing and four rushing — combined with his 280 passing yards and 164 rushing yards helped Kennedy rally, even when the Golden Cougars trailed by two scores at two points in the game.

“That’s the most tired I’ve ever been in a game,” said Montes, who scored the winning touchdown with just 11 seconds remaining. “My last first game. It means so much to me.”

Montes connected with Jay Saucillo three times — the last of which placed Kennedy ahead 51-50 with 4:11 left.

Pasten, who tallied 389 passing yards, seven passing touchdowns and one rushing touchdown against the Golden Cougars, had more than enough time to strike back. Battling blow for blow with Montes — who earned All-City honors alongside Pasten a year ago — the Eagles senior tossed a 15-yard touchdown to Aidan Sierra to give Eagle Rock a 56-51 lead with 1:11 left.

“I was in the twilight zone for a little bit,” Kennedy coach Troy Cassidy said about the back-and-forth battle. “It was such a hot day today and just draining. And there were so many plays run between two no-huddle offenses.”

While Pasten is well on his way of surpassing the 36 passing touchdowns he had last season ultimately couldn’t lead Eagle Rock to victory, he embraced Montes after the game and complimented him on his standout performance.

Montes jogged to Eagle Rock’s sideline as the team prepared for the bus ride home, making a beeline for Eagles coach Andy Moran to shake his hand.

For Pasten and Montes, this is what the City Section is all about.

“Don’t underestimate us,” Pasten said. “A lot of people look towards that Southern Section, but I mean, City Section players got heart. They battle every game. So just don’t, don’t underestimate the talent.”