deepens

Latin America’s Lost Growth: Deindustrialization Deepens

Deindustrialization and recommodification have been setting Latin American economies back for decades. Can a push for greater productivity put them on track again?

In the 10 years from 2014 to 2023, Latin America’s aggregate economy managed to quietly reach depths unknown even during the dismal Lost Decade that followed the onset of the region’s debt crisis in 1982. The recent period logged average annual growth rates of 0.9%, compared to 2% a year four decades ago, notes Marco Llinás, head of Production, Productivity and Management Division at the Economic Commission for Latin America and the Caribbean (ECLAC), a UN agency based in Santiago, Chile.

The Covid-19 pandemic made a dent, but two parallel trends contributed steadily throughout the period: deindustrialization and the recommodification of exports. Their origins predate 2014, and they can be observed across the region, with perhaps the exception of Mexico.

Future economic historians may wonder why nobody saw it coming, although contemporary analysts still disagree about the relative importance of the two elements. “The phenomenon of deindustrialization is not the same as recommodification,” says Llinás. “The two phenomena may or may not happen at the same time.”

Both continue to play out amid a confluence of factors: the decline and fall of globalization, China’s growing role in the region, and the Trump tariffs, to mention just a few. But how did it start?

Economists of all ideological stripes tend to agree on the steps that have traditionally facilitated the march from underdeveloped to developed. Nations begin with low value-added production and basic services. Then comes industrial development and the emergence of a working middle class. Ultimately, services prevail, often high-end ones fueled by technology. Think of South Korea. In the 1950s, it made headlines for battles in the Korean War over uninhabited strategic landmarks like Pork Chop Hill. Now, it is known as the home of Blackpink.

Until the debt crisis of the 1980s, Latin America seemed to be holding its own. Its aggregate growth rate was 5.2% per year (6.8% in powerhouse Brazil) from 1951 to 1980, ahead of the world (4.5%) and not much shy of Korea (7.5%) and Japan (7.9%), according to a 2004 paper by the Inter-American Development Bank. Using a narrow definition of manufactures, Brazil more than doubled the share of industrial exports in GDP from 10.8% in 1968 to 23% in 1973, fueled by industrial growth of 13.3% a year during that brief period known as the Brazilian Miracle.

From 1981 to 1993, saddled with the debt crisis and its aftershocks, the region stumbled behind with 1.7% annual growth while Korea continued to sprint ahead at 7.2%. As globalization began to help lift parts of the world out of poverty—albeit unequally—in the 1990s, Latin America mostly watched from the sidelines: either by choice, preferring relative isolation, or due to lack of competitiveness.

Premature Deindustrialization

“Premature deindustrialization” is the term economists use to describe a shift away from manufacturing before the economy in question has attained a robust level of industrial production. It happens at income levels lower than today’s richest nations have historically reached. The latter are sometimes called “post-industrial” societies, characterized by high-end, technologically enhanced service sectors.

Premature deindustrialization has also occurred in sub-Saharan Africa and parts of East Asia. But it’s especially striking in Latin America, given the very different trajectory its economies were on prior to the 1980s.

“Argentina’s manufacturing subsystem shows a clear shift toward low-tech employment, with an increasing dominance of low- and medium-low-tech industries, undermining the potential for higher-value-added manufacturing,” Martin Lábaj and Erika Majzlíková of the Bratislava University of Economics and Business write in a recent paper. Brazil “faces the most severe deindustrialization, characterized by a growing reliance on low-tech manufacturing and low-knowledge-intensive services, exacerbating its economic challenges.”

The contribution of manufacturing industries to Brazilian GDP fell from 36% in 1985 to just 11% in 2023, according to official statistics. “Why is it a problem?” Llinás asks. “Because industry has higher productivity and faster productivity growth. Plus, greater potential for expansion.”

Multiple factors cause premature deindustrialization, economists say: globalization; automation, stunting job growth; shrinking global demand for products.

They also point to a litany of “structural factors” that run from resource dependence to weak institutions; and policies that stunt investment such as high taxes, red tape, poor infrastructure, and cumbersome labor laws. “The country is very closed,” says Sérgio Goldman, a São Paulo-based corporate finance consultant, referring to his native Brazil.

Imports began to grow—from $60.4 billion in 1990 to $359.4 billion in 2000, according to World Bank statistics. A dominant traditional trade partner increased its exports of manufactured products to the region. Indeed, evidence of the political nature of Trump’s 50% tariff on Brazil included the fact that the US had a trade surplus with that country.

More recently, observers highlight closer trade ties with China and a subsequent influx of cheap manufactured goods, sometimes sending local producers reeling. “The auto parts sector in Colombia was really hurt by Chinese competition,” says William Maloney, chief economist for the Latin America and Caribbean region at the World Bank Group.

Given many countries’ history of protectionism, innovation is not top-ofmind among Latin American executives, according to Goldman. “My problem is with management,” he says. “Companies lack good managers.”

Whereas Japan parlayed its once abundant copper deposits into the establishment of leading global firms in the sector, Chile never seemed able to follow suit, Maloney notes: “In Chile, only a few firms are near the technological frontier.”

But is deindustrialization due primarily to “automation, trade, robots, or the China shock?” he asks. “It isn’t exactly clear.”

Recommodification

The second significant trend is “recommodification,” or the “reprimarization” of exports.

Thought to be emerging from commodity dependence during the last century, Latin America fell back on churning out greater volumes of raw materials during the commodity boom of the 2000s.

Driven by demand from China, but also India and other fast-growing economies, a 2000-2014 super cycle was followed by a second surge at the beginning of this decade. Each wave tends to leave export volumes at higher baselines; Brazilian soybean exports keep setting records, for example.

Commodities as a percentage of total exports in 2000 vs. 2020 jumped from 41.1% to 55.6% in Brazil, 63.1% to 83.2% in Chile, 55.6% to 65.1% in Colombia, and 73.2% to 85.3% in Peru, according to data provider Trading Economics.

Comparing 2024 to 2023, “agricultural products (11%) and mining and oil (11%) were the main contributors to growth in goods exports, while manufacturing exports remained stagnant,” ECLAC reports.

“Productivity Is Everything”

Pundits and policymakers are notoriously disputatious when it comes to Latin America; the region has dabbled for decades in everything from import substitution to the free market liberalism of the Milton Friedman-inspired Chicago Boys. Nowadays, however, they seem to be reaching a near consensus.

The post-2014 downturn “is in large part due to stagnant and even declining productivity,” posits Llinás. He adds, paraphrasing Nobel Prize-winning American economist Paul Krugman, “productivity isn’t everything, but in the long run it is everything.”

Four of the region’s leading economies—Brazil, Chile, Colombia, and Mexico—are implementing what Llinás calls “productive policies,” which he is careful to distinguish from old-school industrialization strategies. A common characteristic: the selection of a handful of priority sectors, industrial or not. These may include agriculture, mining, or services such as sustainable tourism.

The Brazilan program, for example, earmarked R$300 billion for credit, public purchases, regulatory reform, and infrastructure investments designed to benefit six sectors during the initial 2024-2026 period.

Investment in commodities also has its champions, especially given the potential for innovative spin-offs. Efforts to improve business practices in sectors such as mining and agribusiness can spur investments related to industrial processes and highend services, for example, say Llinás and Kieran Gartlan, a São Paulo-based managing partner of The Yield Lab Latam, a venture capital fund focused on agrifood and climate technology. Gartlan refers to large-scale farms such as Brazilian soybean producers as “open air factories” and points to start-up suppliers that are developing new technologies in fintech, drones, biotechnology, and beyond. His firm has mapped some 3,000 high tech start-ups in the Latin American agricultural sector.

But credit availability is proving a roadblock.

Private banks “don’t really have an appetitive” for farming, Gartlan notes; lacking the expertise to properly evaluate risk, “they put up big spreads that make [credit] expensive for farmers.” Many relatively large producers fail to invest in silos to store crops for sale when prices go up, for example. Instead, they live from harvest to harvest, paying off last season’s bills as the crop comes in.

The will to transform Latin America’s economy—much of it—in a more productive direction is there; the next step is for investors and lenders to buy in.

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Fake actor deepens anxiety over AI in Hollywood

Scary. Terrifying. Deeply misguided.

Those were among the visceral reactions this week from Emily Blunt, Whoopi Goldberg, Natasha Lyonne and many other actors and filmmakers over the sudden fame of Tilly Norwood.

Norwood isn’t real — the brunette who appears in a comedy sketch on her Instagram page is in fact a computer-generated composite.

“I may be AI, but I’m feeling very real emotions right now,” states a message on Norwood’s Instagram page. “I am so excited for what’s coming next!”

The sentiment was not widely shared, at least in Hollywood, where anxieties about the use and abuse of artificial intelligence replacing actors runs deep.

Norwood’s creator ignited a furor after she announced that the digital actress would soon be signed by a talent agency.

This week, SAG-AFTRA weighed in with a withering response. Two years ago, the union’s members engaged in a 118-day strike to fight for more AI protections in their contracts with major studios.

“To be clear, ‘Tilly Norwood’ is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers — without permission or compensation,” the guild said. “It doesn’t solve any ‘problem’ — it creates the problem of using stolen performances to put actors out of work, jeopardizing performer livelihoods and devaluing human artistry.”

Norwood was created by AI through Xicoia, a London-based AI talent studio launched by Dutch actor Eline Van der Velden. Xicoia is working with estates and Hollywood stars who want to appear as their younger selves on screen, according to Deadline, which first reported talent agency interest in Norwood.

Van der Velden, who is also the founder of AI production company Particle6, was not available for comment on Wednesday. But in a statement posted on Instagram following the backlash, Van der Velden stressed that Norwood is “a creative work — a piece of art.”

“I see AI not as a replacement for people, but as a new tool — a new paintbrush,” Van der Velden said. “Just as animation, puppetry, or CGI opened fresh possibilities without taking away from live acting, AI offers another way to imagine and build stories.”

SAG-AFTRA President Sean Astin disputed the claim.

He said in an interview with The Times that the material used to create Norwood was “improperly obtained” from SAG-AFTRA members’ work without permission, compensation or acknowledgment.

“It manipulates something that already exists, so the conceit that it isn’t harming actors — because it is its own new thing — ignores the fundamental truth that it is taking something that doesn’t belong to them,” Astin said.

“We want to allow our members to benefit from new technologies. … They need to give permission for it, and they need to be bargained with.”

Norwood has 44,000 followers on Instagram and is portrayed as an aspiring young actor based in London who enjoys shopping and iced coffee.

The social media page depicts Norwood in various scenes. In one, she’s armed and ready to battle a monster; in another, she’s running away from a collapsing building in a futuristic city.

At an industry panel in Zurich on Saturday, Van der Velden touted her creation.

“With Tilly, you know, when we first launched her, people were like, ‘That’s not going to happen,’” Van der Velden said. “And now, we’re going to announce which agency is going to be representing her in the next few months. It’s all changing and everyone is starting to see the light, fortunately.”

Talent agencies have represented digital characters used in ad campaigns. And seeing such avatars in the mainstream has become increasingly common — in 2024, Japanese digital character Hatsune Miku performed at Coachella and an AI model was featured in the August issue of Vogue magazine for L.A. brand Guess.

And some studios, including Lionsgate, have partnerships with AI startups to explore using the technology in areas such as storyboarding. Others, such as Netflix and Amazon MGM Studios, have series that use AI in visual effects.

Tech companies have argued that they should be able to train their AI models on content available online and bring up relevant information under the “fair use” doctrine, which allows for the limited reproduction of content without permission from the copyright holder.

But the proliferation of AI has also fueled concerns that AI companies are using copyrighted material to train their models without compensation or permission. Earlier this year, Disney, Universal and Warner Bros. Discovery sued AI companies over copyright infringement.

Some actors called for a boycott of any agents who decide to represent Norwood. “Read the room, how gross,” “In the Heights” actor Melissa Barrera wrote on Instagram.

“Our members reserve the right to not be in business with representatives who are operating in an unfair conflict of interest, who are operating in bad faith,” Astin said.

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Israel faces global backlash as Gaza invasion deepens isolation

Cascades of condemnation from friend and foe alike. An array of international organizations and rights groups leveling accusations of genocide and war crimes. Boycotts across a range of sectors and fields.

As Israel begins its ground offensive to occupy Gaza City, defying international and domestic pressure to negotiate a ceasefire with the militant group Hamas, it skirts ever closer to becoming a pariah state.

“Israel is entering diplomatic isolation. We will have to deal with a closed economy,” Prime Minister Benjamin Netanyahu said at a Finance Ministry conference Monday, giving a rare admission of the war’s effect on Israel’s international standing.

We will have to be Athens and super-Sparta,” adapting to an “autarkic,” or self-sustaining, economy, he added. “We have no choice.”

Netanyahu engaged in damage control on Tuesday, saying that he was talking specifically about Israel’s defense industry and that the wider economy was “strong and innovative.” But by then his words had already spooked markets, spurring a sharp fall in the Tel Aviv Stock Exchange and a raft of enraged statements from his political enemies.

“We are not Sparta — this vision as presented will make it difficult for us to survive in an evolving global world,” the Israel Business Forum, which represents the heads of around 200 of the Israeli economy’s largest companies, said in a statement. “We are marching towards a political, economic, and social abyss that will endanger our existence in Israel.”

Netanyahu has forged ahead with the ground operation despite repeated warnings from allies and adversaries that it would trigger a humanitarian catastrophe for the hundreds of thousands of people remaining in what was the enclave’s largest urban center.

Benjamin Netanyahu poses with U.S. lawmakers.

Visiting the U.S. in July, Israeli Prime Minister Benjamin Netanyahu, center, posed alongside Sen. Bill Cassidy (R-La.), Senate Majority Leader John Thune (R-S.D.), Sen. Jim Risch (R-Ida.) and Senate Minority Leader Chuck Schumer (D-N.Y.).

(Anna Moneymaker / Getty Images)

Even as tanks and armored vehicles streamed into Gaza City’s western neighborhoods, an independent U.N. commission released a report Tuesday concluding that “Israeli authorities and security forces have the genocidal intent to destroy, in whole or in part, the Palestinians in the Gaza Strip.”

It was the most recent of a number of international organizations and rights groups accusing Netanyahu’s government of committing genocide. The Israeli government dismissed the commission’s report as “falsehoods.”

The European Commission on Wednesday decided on a partial suspension of a trade agreement between the European Union and Israel. The move could involve imposing tariffs on Israeli goods entering the union.

The measure, EU top diplomat Kaja Kallas said in a statement Tuesday on X, is aimed at pressuring Israel’s government to change course over the war in Gaza.

Western governments — including some of Israel’s most loyal supporters — castigated the decision to invade, with Germany’s foreign minister slamming it as “the completely wrong path” and France saying the campaign had “no military logic.”

Yvette Cooper, Britain’s foreign secretary, said it was “utterly reckless and appalling,” while Irish President Michael Higgins, a routinely vociferous critic of Israel, said the U.N. must look to exclude countries “practicing genocide and those who are supporting genocide with armaments.”

Meanwhile, many nations — including traditional U.S. allies such as Australia, Britain, Canada and others — are expected to recognize Palestine at the United Nations General Assembly in defiance of intense diplomatic pressure from Washington.

Pope Leo XIV weighed in Wednesday on the carnage in Gaza, expressing his “deep solidarity” with Palestinians “who continue to live in fear and survive in unacceptable conditions, being forcibly displaced once again from their lands.” He called for a ceasefire.

A Palestinian woman sits next to wrapped bodies on stretchers.

Relatives of Palestinians who died following Israeli attacks mourn as the bodies are taken from Al-Shifa Hospital for funerals in Gaza City on Wednesday.

(Khames Alrefi / Anadolu / Getty Images)

Israel’s military pressed on with the offensive Wednesday, leveling buildings in Gaza City’s north, west and south, residents and local reporters said. Palestinian health authorities in the enclave said 50 people had been killed since dawn Wednesday, adding to a death toll that has exceeded 65,000 since Oct. 7, 2023. It will take months to fully occupy Gaza City, Israeli military leaders say.

It’s unclear whether the U.S. supports the ground invasion. U.S. Secretary of State Marco Rubio said President Trump prefers a negotiated settlement, but seemed reluctant to exert any pressure to stop Israel’s incursion. Trump, after professing “I don’t know too much” about the offensive, warned Hamas against using hostages as human shields.

Neighboring Arab nations perceive the ground operation as the latest in a series of moves over the last two years that demonstrate Israel has little interest in peace. Noting the bombings this month of Lebanon, Syria, Qatar and Yemen, they say Israel has become as destabilizing a player in the region as Iran has long been.

Prospects for Saudi Arabia to join the Abraham Accords, the normalization agreements between some Arab states and Israel forged during Trump’s first term, appear dimmer than ever. And the United Arab Emirates, a founding and enthusiastic member of the accords, has said the agreements are under threat if Netanyahu goes ahead with plans to annex the occupied West Bank.

The fallout has spread to the cultural arena.

On Tuesday, Spain joined Ireland, the Netherlands and Slovenia in saying it would boycott the Eurovision contest if Israel were to join. Last week, Flanders Festival Ghent, a Belgian music festival, withdrew its invitation for the Munich Philharmonic to play there because the orchestra’s conductor is Lahav Shani, who is also music director of the Israeli Philharmonic. In August, Israeli actor Gal Gadot blamed “pressure” on Hollywood celebrities to “speak out against Israel” for the paltry box office returns of “Snow White.”

Even Israel’s much-vaunted arms industry, which has used the war in Gaza as proof-of-concept for its wares and has proved to be relatively resistant to opprobrium, is affected.

Though the U.S. remains by far Israel’s largest supplier of weapons, a number of European governments have imposed complete or partial arms embargoes and prevented Israeli manufacturers from participating in defense expos. This week, organizers for the Dubai Air Show, one of the world’s largest aerospace trade events, reportedly barred Israeli defense firms from taking part — reversing a policy in recent years that saw them take pride of place in similar events.

Similarly, beginning next year, Israelis will not be able to attend programs at the Royal College of Defense Studies in London, a prestigious institution that allows enrollment from the British armed services and roughly 50 U.K. partner nations.

“U.K. military educational courses have long been open to personnel from a wide range of countries, with all U.K. military courses emphasizing compliance with international humanitarian law,” the Defense Ministry in London said in a statement Monday. It said the Israeli government’s decision to escalate in Gaza “is wrong.”

“There must be a diplomatic solution to end this war now,” the statement said, “with an immediate ceasefire, the return of the hostages and a surge in humanitarian aid to the people of Gaza.”

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