Curtis

JENNIFER Aniston has confirmed her relationship with Jim Curtis in an adorable Instagram post.

The Friends actress, 56, took to her social media grid to upload a snap showing her hugging her wellness coach boyfriend from behind.

The sultry black and white image showed the pair with beaming smiles, with Jennifer seen peeking over his shoulder.

In her caption, she simply wrote: “Happy Birthday my love.

“Cherished.”

She finished off her super-sweet upload with a red Emoji love heart.

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Real Housewives star Kyle Richards posted two love hearts in reply, while model Poppy Delevingne added the word: “Heaven.”

The relationship reveal came just weeks after the Marley and Me star flashed her rock hard abs in a glam new photoshoot.

The chick flick actress has been rumoured to be in a relationship with Jim Curtis, a hypnotist and wellness expert, since earlier this summer.

At the time, the pair were pictured on a yacht in Mallorca in July.

Recently, the loved-up couple were snapped on a double date at Nobu restaurant in Malibu, California.

The couple were set up by mutual friends.

This is the first time Jennifer has gone public with a boyfriend since her split from husband Justin Theroux in 2017.

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The pair’s relationship has been put under the spotlight of late.

“They are being super private but have been spending a lot of time together,” an unnamed source told Us Weekly.

“They are happy and really into each other.”

The source added: “They’ve been hanging out a lot, but very much on the DL at her home in L.A… it’s very Zen, and she has always been very much into that. They’re a good match.”

Jennifer has been dropping hints that the pair are an item, including ‘liking’ many of Jim’s Instagram posts since May, including one about “a divorce, breakup or difficult romance.”

Jim then returned the favour on her May 25 post of a photo dump that included an image of his book, Shift: Quantum Manifestation Guide.

The wellness guru has described his journey to becoming a hypnotist, saying it started with healing himself.

“After battling with a chronic illness for over 30 years, I learned how to heal and recover from the mental and physical pain it left me with,” Jim writes on his website.

“Through doing the inner work, I not only changed my life, but I’ve helped thousands of others break free from their past to create an entirely new, empowered reality.”

Jennifer, 56, first met ex-husband and fellow actor, Justin in 2007, before beginning their relationship in 2011.

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They married in 2015, announcing their split two years later and their subsequent divorce.

Recently, the screen star bravely opened up on her attempts to have a baby for 20 years.

The New York City mayoral election is dominated by Democrats, a reflection of the US metropolis’s deeply liberal bent. But a Republican could make the difference in the race.

Candidate Curtis Sliwa has remained defiant ahead of the November 4 election, shrugging off appeals from some top conservatives to drop out and boost the chances of former Governor Andrew Cuomo, who is running as an independent after being routed in June’s Democratic primary.

Some political observers see Sliwa’s exit as the only way for Cuomo to have a shot at defeating frontrunner Zohran Mamdani, who has surged to the top of voter polls on a Democratic Socialist platform.

“New Yorkers are tired of Andrew Cuomo, but Andrew Cuomo doesn’t seem to understand when ‘no’ means ‘no’,” said Rusat Ramgopal, Sliwa’s deputy campaign manager, with a pointed reference to the sexual misconduct allegations that forced Cuomo from his post as New York State’s governor in 2021.

Sliwa has also doled out blows to both of his opponents.

“Zohran, your resume could fit on a cocktail napkin, and Andrew, your failures could fill a public school library in New York City,” he said during the final mayoral debate on October 22.

Sliwa has also dipped into the same Islamophobic tropes perpetuated by Mamdani’s critics, falsely claiming during the final debate that the leading candidate supports “global jihad”.

Local showman or subway hero?

So who is Curtis Sliwa? It is a question that has dogged Sliwa since he rose to prominence as the leader of the Guardian Angels, a volunteer crime-fighting group that became famous for its patrols of the New York City subway system.

Supporters have identified with the do-it-yourself ethos of the group, which Sliwa started in 1979, when he was a 24-year-old night manager at a McDonald’s restaurant in the Bronx. Many continue to hail him as an emblem of New Yorkers stepping up when city administration fails.

“When people see that red beret, they think about subway safety, public safety. They remember what he’s done for the city,” Ramgopal said.

“He is a larger-than-life figure who’s been integral to New York life for so many decades at this point.”

Others have accused the Guardian Angels, who do not carry weapons, of perpetuating a dangerous brand of vigilantism. The group has also faced criticism for alleged racial profiling, demonising immigrants, and wrongfully accusing individuals of committing crimes.

On the campaign trail, Sliwa has regularly condemned “migrant” crime.

The authenticity of the group’s exploits have been scrutinised, with Sliwa admitting in 1992 that he faked some crimes to boost publicity.

In recent years, Sliwa has been a candidate in local politics, a radio host and a media personality.

What are his platforms?

Unsurprisingly, Sliwa has made public safety, particularly in the transit system, the focus of his campaign. Even as crime dropped, Sliwa maintained the city is “facing a crisis of crime, lawlessness and failed leadership”.

He has vowed to hire 7,000 new New York Police Department (NYPD) officers, re-up controversial police units, and — as his website puts it — “enhance proactive and intrusive policing strategies to target illegal firearm carriers, repeat offenders, and violent criminals before crimes occur”.

Critics have said those strategies have historically led to increased racial profiling, the over-policing of minority communities, and intrusions on civil liberties.

He has also pushed affordability, an issue that has been dominant this campaign season, pledging to overhaul the system the city currently uses to coordinate with affordable housing programmes.

In addition, Sliwa, who owns several cats, has made animal protection a key plank of his campaign.

What do supporters see in him?

As the only right-wing candidate in the race, Sliwa has strong support among registered Republicans, who comprise 11 percent of New York’s 4.7 million registered voters.

Despite rising to prominence decades ago, he continues to rally new supporters.

“His work with the Guardian Angels has resonated with me a lot,” Shan Singh, a 30-year-old cab driver from Richmond Hill, Queens, told Al Jazeera.

Singh had previously been a Democrat but switched his support to US President Donald Trump and the Republican Party in the 2024 presidential election. He perceives the recent protests that have swept the city as dangerous.

The fact that Sliwa is trailing in the polls, he added, is not enough to lose his vote.

“Regardless of the numbers, Curtis is the person who seems most real to me,” he said.

Russell, a 28-year-old from Brooklyn who asked that his last name be withheld, came out to show support for Sliwa ahead of the first mayoral debate in midtown Manhattan.

He said both Cuomo and Mamdani were too soft on crime, and he took particular issue with their support for bail reform programmes, designed to eliminate cash bail for low-level offences and avoid mass incarceration.

“It emboldens criminals to keep committing crimes, because there are no repercussions for it,” Russell said.

Does he have any chance at winning?

Short of a miracle, Sliwa has no real path to victory. The latest Quinnipiac University poll found he had the support of 14 percent of likely voters. That paled in comparison to Mamdani’s 43 percent and Cuomo’s 33 percent support.

That’s why Cuomo has pushed so hard for him to exit the race. The former governor made repeated overtures to conservative voters, saying a vote for Sliwa is, in essence, a vote for Mamdani.

Cuomo has even left the door open to giving Sliwa a role in his administration if he were to drop out.

As of yet, the appeals have been to no avail. It also remains unclear how many of Sliwa’s staunchest supporters would be willing to cross party lines.

“If Sliwa leaves the race, I wouldn’t vote for either [Cuomo or Mamdani],” Russell told Al Jazeera.

Sonny Curtis, a vintage rock ‘n’ roller who wrote the raw classic “I Fought the Law” and posed the enduring question “Who can turn the world on with her smile?” as the writer-crooner of the theme song to “The Mary Tyler Moore Show,” has died at 88.

Curtis, inducted into the Rock and Roll Hall of Fame as a member of The Crickets in 2012, died Friday, his wife of more than a half-century, Louise Curtis, confirmed to The Associated Press. His daughter, Sarah Curtis, wrote on his Facebook page that he had been suddenly ill.

Curtis wrote or co-wrote hundreds of songs, from Keith Whitley’s country smash “I’m No Stranger to the Rain” to the Everly Brothers’ “Walk Right Back,” a personal favorite Curtis completed while in Army basic training. Bing Crosby, Glen Campbell, Bruce Springsteen and the Grateful Dead were among other artists who covered his work.

Born during the Great Depression to cotton farmers outside of Meadow, Texas, Curtis was a childhood friend of Buddy Holly’s and an active musician in the formative years of rock, whether jamming on guitar with Holly in the mid-1950s or opening for Elvis Presley when Elvis was still a regional act. Curtis’ songwriting touch also soon emerged: Before he turned 20, he had written the hit “Someday” for Webb Pierce and “Rock Around With Ollie Vee” for Holly.

Curtis had left Holly’s group, the Crickets, before Holly became a major star. But he returned after Holly died in a plane crash in 1959 and he was featured the following year on the album “In Style with the Crickets,” which included “I Fought the Law” (dashed off in a single afternoon, according to Curtis, who would say he had no direct inspiration for the song) and the Jerry Allison collaboration “More Than I Can Say,” a hit for Bobby Vee, and later for Leo Sayer.

Meanwhile, it took until 1966 for “I Fought the Law” and its now-immortal refrain “I fought the law — and the law won” to catch on: The Texas-based Bobby Fuller Four made it a Top 10 song. Over the following decades, it was covered by dozens of artists, from punk (the Clash) to country (Johnny Cash, Nanci Griffith) to Springsteen, Tom Petty and other mainstream rock stars.

“It’s my most important copyright,” Curtis told The Tennessean in 2014.

Curtis’ other signature song was as uplifting as “I Fought the Law” was resigned. In 1970, he was writing commercial jingles when he came up with the theme for a new CBS sitcom starring Moore as a single woman hired as a TV producer in Minneapolis. He called the song “Love is All Around,” and used a smooth melody to eventually serve up lyrics as indelible as any in television history:

“Who can turn the world on with her smile? / Who can take a nothing day, and suddenly make it all seem worthwhile? / Well it’s you girl, and you should know it / With each glance and every little movement you show it.”

The song’s endurance was sealed by the images it was heard over, especially Moore’s triumphant toss of her hat as Curtis proclaims, “You’re going to make it after all.” In tribute, other artists began recording it, including Sammy Davis Jr., Joan Jett and the Blackhearts and Minnesota’s Hüsker Dü. A commercial release featuring Curtis came out in 1980 and was a modest success, peaking at No. 29 on Billboard’s country chart.

Curtis would recall being commissioned by his friend Doug Gilmore, a music industry road manager who had heard the sitcom’s developers were looking for an opening song.

“Naturally I said yes, and later that morning, he dropped off a four-page format — you know ‘Girl from the Midwest, moves to Minneapolis, gets a job in a newsroom, can’t afford her apartment etc.,’ which gave me the flavor of what it was all about,” said Curtis, who soon met with show co-creator (and later Oscar-winning filmmaker) James L. Brooks.

“[He] came into this huge empty room, no furniture apart from a phone lying on the floor, and at first, I thought he was rather cold and sort of distant, and he said ‘We’re not at the stage of picking a song yet, but I’ll listen anyway,’” Curtis recalled. “So I played the song, just me and my guitar, and next thing, he started phoning people, and the room filled up, and then he sent out for a tape recorder.”

Curtis would eventually write two versions: the first used in Season 1, the second and better known for the remaining six seasons. The original words were more tentative, opening with “How will you make it on your own?” and ending with “You might just make it after all.” By Season 2, the show was a hit and the lyrics were reworked. The producers had wanted Andy Williams to sing the theme song, but he turned it down and Curtis’ easygoing baritone was heard instead.

Curtis made a handful of solo albums, including “Sonny Curtis” and “Spectrum,” and hit the country Top 20 with the 1981 single “Good Ol’ Girls.” In later years, he continued to play with Allison and other members of the Crickets. The band released several albums, among them “The Crickets and Their Buddies,” featuring appearances by Eric Clapton, Graham Nash and Phil Everly. One of Curtis’ more notable songs was “The Real Buddy Holly Story,” a rebuke to the 1978 biopic “The Buddy Holly Story,” which starred Gary Busey.

Curtis settled in Nashville in the mid-1970s and lived there with his wife, Louise. He was inducted into the Nashville Songwriters Hall of Fame in 1991 and, as part of the Crickets, into Nashville’s Musicians Hall of Fame and Museum in 2007. Five years later, he and the Crickets were inducted into the Rock Hall, praised as “the blueprint for rock and roll bands (that) inspired thousands of kids to start up garage bands around the world.”

Italie writes for the Associated Press. Associated Press journalist Mallika Sen contributed reporting.

Ireland international Curtis Campher has become the first male player to take five wickets from five balls in a professional match.

The all-rounder, 26, did so for Munster Reds in their Inter-Provincial T20 Trophy win over the North-West Warriors in Dublin.

The Warriors were chasing 189 but collapsed from 87-5 to 88 all out thanks to Campher’s sensational spell.

The Reds captain’s first wicket came when he bowled Jared Wilson with the penultimate delivery of the 12th over. Graham Hume was then trapped lbw to conclude the over.

Returning in the 14th, the South Africa-born pace bowler completed the hat-trick when his Ireland international team-mate Andy McBrine was caught at deep mid-wicket.

Robbie Millar was then caught behind before Josh Wilson was bowled for the final wicket.

Campher, who previously took four wickets from four balls against the Netherlands at the 2021 T20 World Cup, was playing his second match since returning from a a finger injury that caused him to miss Ireland’s ODI and T20 series against West Indies this year.

Zimbabwe Women all-rounder Kelis Ndhlovu previously took five wickets in five balls in a domestic under-19 T20 last year.

Jamie Lee Curtis didn’t expect to be at the forefront of the artificial intelligence debate in Hollywood. But she didn’t have a choice.

The Oscar-winning actor recently called out Meta Chief Executive Mark Zuckerberg on social media, saying the company ignored her requests to take down a fake AI-generated advertisement on Instagram that had been on the platform for months.

The ad, which used footage from an interview Curtis gave to MSNBC about January’s Los Angeles area wildfires, manipulated her voice to make it appear that she was endorsing a dental product, Curtis said.

“I was not looking to become the poster child of internet fakery, and I’m certainly not the first,” Curtis told The Times by phone Tuesday morning.

The ad has since been removed.

What happened to Curtis is part of a larger issue actors are dealing with amid the rise of generative AI technology, which has allowed their images and voices to be altered in ways they haven’t authorized. Those changes can be wildly misleading.

Images and likenesses of celebrities including Tom Hanks, Taylor Swift and Scarlett Johansson have been manipulated through AI to promote products and ideas they never actually endorsed.

AI technology has made it easier for people to make these fake videos, which can proliferate online at a speed that is challenging for social media platforms to take down. Some are calling on social media firms to do more to police misinformation on their platforms.

“We are standing at the turning point, and I think we need to take some action,” Curtis said.

Curtis first became aware of the fake AI ad about a month and a half ago when a friend asked her about the video. The “Everything Everywhere All At Once” and “Halloween” actor then flagged the ad for her agents, lawyers and publicists, who directed her to send a cease and desist letter to Meta, the owner of Facebook and Instagram.

Nothing happened.

“It’s like a vacuum,” Curtis said. “There are no people. You can’t reach anybody. You have an email, you send an email, you never get anything back.”

Two weeks later, another friend flagged the same fake AI video. When Curtis wrote to her team, they assured her they went through the proper channels and they did everything they could do, she said.

“I went through the proper channels,” Curtis said. “There should be a methodology to this. I understand there’s going to be a misuse of this stuff, but then there’s no avenue of getting any satisfaction. So then it’s lawlessness, because if you have no way of rectifying it, what do you do?”

Curtis was concerned about the nefarious ways that people could alter the voices and images of other people, including Pope Leo XIV, who has identified AI as one of the challenges facing humanity. What if someone used AI to attribute ideas to the pope that he didn’t actually support?

Inspired by the danger of that possibility, she made her scathing Instagram post, tagging Zuckerberg, after she was unable to directly message him.

“My name is Jamie Lee Curtis and I have gone through every proper channel to ask you and your team to take down this totally AI fake commercial for some bulls— that I didn’t endorse,” Curtis wrote in her post on Monday. “… I’ve been told that if I ask you directly, maybe you will encourage your team to police it and remove it.”

The post generated more than 55,000 likes.

“I’ve done commercials for people all my life, so if they can make a fake commercial with me, that hurts my brand,” Curtis said in an interview. “If my brand is authenticity, you’re co-opting my brand for nefarious gains in the future.”

After she posted, a neighbor shared with her an email of someone at Meta who could help her. Curtis emailed that person (whom she declined to name), copied her team and attached the Instagram posts. Within an hour of sending the email, the fake AI ad was taken down, Curtis said.

“It worked!” Curtis wrote on Instagram on Monday in all caps. “Yay internet! Shame has [its] value! Thanks all who chimed in and helped rectify!”

Meta on Monday confirmed the fake ad was taken down.

“They violate our policies prohibiting fraud, scams and deceptive practices,” said Meta spokesman Andy Stone in an email.

As the technology continues to become more widely available, there are efforts underway at tech companies to identify AI-generated content and to take down material that violates standards.

Organizations like actors guild SAG-AFTRA are also advocating for more laws that address AI, including deep fakes. Both the writers’ and actors’ strikes of 2023 hinged in part on demands for more protections against job losses from AI.

Curtis said she would have wanted the fake AI ad to be taken down immediately and would like to see technology companies, not just Meta, come up with safeguards and direct access to people policing “this wild, wild west called the internet.”

“It got the attention, but I’m also a public figure,” Curtis said. “So how does someone who’s not a public figure get any satisfaction? I want to represent everyone. I don’t want it to just be celebrities. I wanted to use that as an example to say this is wrong.”